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Brad Paisley - Play
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from Brad Paisley - Play
Cliffs of Rock City By Brad Paisley and Robert Arthur
Asus2 C#m C#5 B5 A5 F#5
4fr 4fr
12 13421 134 134 11 134
A
Free time
F#6(no3rd) F#5 F#sus2/C# F#/C#
*Gtr. 1
mf
w/ pick & fingers
1 1
18 18 18 13 13
16
21 21 16
*Pedal steel arr. for gtr.
Moderately fast q = 166
Gtr. 1 tacet
** F#'11 Asus2
Fill 1 End Fill 1
Gtr. 1
13
16
16
Gtr. 2 (elec.)
mf
w/ dist. let ring let ring
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
0
0 0 0 0 0
3 3 3 3 2 2 2 2
4 4 4 4 2 2 2 2
4 0
2
**Chord symbols reflect implied harmony.
F#'11 Asus2
Gtr. 3
(acous.)
Asus2
mp
Gtr. 2
P.M. P.M. P.M. P.M.
let ring
P.M. let ring
0
0 0 0 0 0
3 3 3 3 2 2 2
4 4 4 4 2 2 2 1
4 0 0
2
© 2008 EMI APRIL MUSIC INC., NEW SEA GAYLE MUSIC and BET THE FARM MUSIC
All Rights for NEW SEA GAYLE MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
B
C#m Asus2
Rhy. Fig. 1 End Rhy. Fig. 1
P.M. P.M. P.M. let ring
1
4 0 0
5 4 5 4 5 7 9 7 5 4
6 6 6 4 4 6 4
6 6 6 6 4 4 6 7
6 7
Gtr. 3: w/ Rhy. Fig. 1 (2 times)
C#m Asus2
P.M.
P.M.
4 0 0
5 4 5 4 5 7 9 7 5 4
6 4 6 4 4 6 6 4
4 6 6 6 6 4 4 6 7
6 7
C#m Asus2
P.M.
P.M.
1
4 0 0
5 4 5 4 5 7 7 9 7 5 4
6 4 6 4 4 6 4
4 6 6 6 6 4 4 6 7 4
6 7
Half-time feel
E B5 B#º7
Gtr. 2
let ring
9 9 9 12 10 9 7 10 9 7
9 9 9 11 11 11 8
2 9 9 6 9 9 9 7 9 10 9
7 7
0 0
Rhy. Fig. 2A
Gtr. 4 (elec.)
mp
4 5
2 4 X
2 2 3
0
Rhy. Fig. 2
Gtr. 3
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 4 4 4 4 4 4 5 5 5 5 5 5
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 X X X X X X
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0
2
C#m B5 Asus2
let ring
9 9 10 12 10 9
9 9 9 9 11 11 9 11 11 9
9 11 9 9 9 9 11 9
11
End Rhy. Fig. 2A
6 6 4 2 2 2 2 2 2
6 6 4 2 2 2 2 2 2
4 4 2 0 0 0 0 0 0
End Rhy. Fig. 2
4 4 4 4 4 4 4 4 4 0 0 0 0 0 0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0
6 6 6 6 6 6 6 6 6 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2
6 6 6 6 6 6 6 6 6 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 3: w/ Rhy. Fig. 2
Gtr. 4: w/ Rhy. Fig. 2A (1st 4 meas.)
E B5 B#º7
Gtr. 2
let ring
9 9 9 9 12 10 9 7 10 9 7
9 9 9 9 9 11 11 11 8
9 9 9 9 7 9 9 9 7 9 9 9 11
7
0
C#5 B5 A5
Rhy. Fill 1
Gtr. 4
1 1
9 10 12 10 9
9 9 9 9 11 11 11 9
9 11 9 11
End half-time feel
Gtr. 4 tacet
B5 A5 G#5 F#5 B5
End Rhy. Fill 1
10 12 10
11 11 9 11 13 11 11 9
9 11 9 9 11
11
3
D
Gtr. 3: w/ Rhy. Fig. 1 (3 times)
C#m Asus2
P.M. P.M. 1
4 0 0 0 0
5 4 5 4 5 7 7 9 7 5 4
6 6 6 6 4 4 6 4
6 6 6 4 4 6 7
6 7
C#m Asus2
P.M. P.M.
4 7 9
5 4 5 4 4 7 7
6 6 6 4 4 8
6 4 6 6 4 0 4 9
0
C#m
P.M. P.M.
9 11 11 11 9 4
9 12 5 4 5 4
9 6 6 6 4
11 6 4 6 6 4
6
Asus2
1
4 5 4
5 7 4 4
4 4 6 6 6 4
4 6 7 5 6 6 4
7
4 2
E
Half-time feel
Gtr. 3: w/ Rhy. Fig. 2 (2 times)
Gtr. 4: w/ Rhy. Fig. 2A (1 3/4 times)
E B5 B#º7
9 9 9 9 12 10 9 7 9 10 9 7
9 9 9 11 11 11 8
9 9 7 9 9 9 7 9 10 9
7 7
0 0
C#m B5 Asus2
1
1
9 10 12 10 9
11 11 11 9 9 9 11 11 9 11 9
9 11 9 9 11 9 9 11 9
11 9 7
4
E B5 B#º7
9 9 9 12 10 9 7 10 9 7
9 9 9 11 11 11 8
9 9 9 7 9 9 9 7 9 10 9
7 7 7
0
Gtr. 4: w/ Rhy. Fill 1
C#m B5 A5
3
3 3
3
1 1
9 9
12 12 9 9 10 12 10 9
11 11 12 11 9
11 9 11
10 11
End half-time feel
B5 A5 G#5 F#5 B5
9 12 17 16 14 10 9
11 11 9 16 16 9 11 9
9 11 9
Gtr. 3: w/ Rhy. Fig. 1 (4 times)
C#m
1
1
9
12 9 9
11 11 11 11 9 11 9
11 11 11 9 11 9
X 11 11 9
Asus2 C#m
8va
loco
w/ G bender
semi- P.H. let ring
harm.
+1 hold bend 1
5 7
6 6 6 6
6 7 6 6 6 7 9
7 0 3 4 2 4 4
9 2 4
Asus2
1/2
11
7 7 9 11 12 12 9
6 6 9 12 13 9 11 9 4
11 9 9
9
11 9 11 11 7
5
C#m Asus2
15ma
3 loco
w/ G bender
let ring
1 1 1/2 1
1/4 1/4 1/2 1 1
*
2 5
5
4 2 2 2
2
2 0 0 2.1 1.8
2 2 2 0 2
Pitch: C# A
*Harmonics located between frets.
C#m
1/2 1/2 1
2 4 2 2 4 6
4 4 2 0 2 3 4 2 4 3 4 4
2 2 0 2 2 2 0 2 4
Asus2
9 12 9 11 14 14 19
7 5 10 12 10 12 16
4 6 4 4 5 6 X 6 9 11 16
2 4 6 6 7 9 11 9 11 13 17
2 4 7 9 9 11
Gtr. 2 tacet
C#m
Gtr. 2
Gtr. 1
1 1/2
19 19
4 4
Riff A End Riff A
**Gtr. 5
mf
9 8 6 8 9 8 9 8 6 8 9 9 8 6 8 9 8 9 8 6 8 9
**Fiddle arr. for gtr.
6
Gtr. 5: w/ Riff A (2 times)
Gtr. 1
1
6 6
Gtr. 2
0 12
A5 G#5
6
P.M. (cont. in slashes)
7 7 7 6 6 6
7 7 7 7 7 7 7 7 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
5 5 5 5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 0
Free time
F#5
Gtr. 2
(cont. in notation)
Gtr. 1
1
grad. bend 1/2
18 18 18 13 13
16
21 21 16
A tempo
Gtr. 1: w/ Fill 1
F#'11 Asus2
Gtr. 2
P.M. P.M. P.M. P.M.
let ring
P.M. P.M. P.M. let ring
0
0 0 0 0 0
3 3 3 3 2 2 2 2
4 4 4 4 2 2 2 2 2
4 0
2
7
F#'11 Asus2
Gtr. 1
mf
w/ dist.
steady gliss.
2 9
Gtr. 2
let ring let ring
P.M. P.M. P.M. P.M. P.M.
0
0 0 0 0 0
3 3 3 3 2 2 2
4 4 4 4 2 2 2
4 0
2 12 17 12
I
Gtrs. 3 & 4: w/ Rhy. Figs. 2 & 2A
E B5
w/ pick & finger
let ring let ring
1 1 1 1 1/2 1 1/2 1 1
12 12 12 12 12
11 12 15 11 12 15
11 11 9 11 11 11 9 11 11 9 13 14 14 13 14 14 14
Rhy. Fig. 3
let ring
9 X X 9 9 4
9 X X 9 9 4
7 X X 7 7 2 2
0
B#º C#m B5
w/ pick & finger grad. release
1 1/2
1 1
12 11 9 7 5
17 20 19 17 19 9 7 7 7
15 16 17 18 19 19 19 16 18 13 13 11 11 9 9 8 8 6 8 9 9 9
P.S.
P.M.
6 4
6 X 4
3 3 3 3 3 X 3 4 X 2
X
8
Asus4
grad. bend
1/2 1 1/2 1/2 1 1 1 1
12 12
9 9 7 7 9 9 7 7 9 9 7 10 10 10 10 10 8
9 9 9
End Rhy. Fig. 3
1/2
2
2
0
4 4 2
J
Gtr. 2: w/ Rhy. Fig. 3
Gtr. 3: w/ Rhy. Fig. 2
Gtr. 4: w/ Rhy. Fig. 2A (1st 6 meas.)
E
Gtr. 5
16 17 19
17 14 14 17 14 14 17 14 17 14 14 17 14 17 14 14 14 14 14 14
16 16 16 16 13 16 16 16
Gtr. 1
9 9 9
Gtr. 1 tacet
B5 B#º C#m
Gtr. 5
sim.
3 3 3
6
6 6 6 6 6
14 16 14 16
15 16 14 16 14 14 17 17 17 17
16 16 13 13 14 16 16 14 13 18 18 18 18 18 18 18 18
16 14 13 18 18 18 18 18 18 18 18
16 14 16 16 16 16
Gtr. 4: w/ Rhy. Fill 1
B5 Asus2
6 6 6 6
sim.
12 12 12 12
12 12 12 12 12 12 12 12 10
13 13 13 13 13 13 13 13 9 11 11 9 11
11 9 9 11 12
14 14 14 14 12 12
9
B5 A5 G#5 F#5 B5
Gtr. 5
9 10 12 9 16 14
10 12 12 10 17 14 17 14
16 16 14 13 11 11
14 11
14
Gtr. 2
Harm.
P.M. P.M. P.M.
7
10 9
2 9 11 11 9
2 9 9 9 9 9 11 9
0
5 14 4 5
Pitch: E
Gtr. 3: w/ Rhy. Fig. 1 (3 times)
C#m
11
P.M. P.M.
4
5 4 5 4
6 6 6 4
6 4 6 6 4
6
Gtr. 5 tacet
Asus2 C#m
let ring
P.M. P.M.
1
0 0 0 0 0 4
5 7 7 9 7 5 4 2 5 4
4 4 6 6
4 6 7 6 6 6
7
Asus2
4 5 4
4 5 4 4 5 7 7 4 7 4 5 4 4
6 4 4 6 7 4 6 6 6 4 6 4
6 4 4 6 7 6 6 6 4
6 7 4 2
10
C#m Asus2
3
3
P.M.
4 9 11 11
5 4 5 4 9 12
6 6 6 4 9 11 9 11
6 6 6 6 4 9 9 11
9 11 11
7 9
C#5 μ C#5 μ
Gtr. 2
P.M. rit.
4
5 4 5 4
6 6 6 4
6 4 6 6 4 2
Gtr. 3
rit.
6 6
6 6
4 4
Free time
Asus2
2
2
0
let ring
0 0 0 0
0 0 0 0 0
2 2 2
2 2 2
0 0 0
11
from Brad Paisley - Play
Cluster Pluck
By Brad Paisley, Frank Rogers and Kevin “Swine” Grantt
A5 F5 C5 G5 D5 D#5
5fr 6fr
11 13 13 13 13 13
A
Very fast q = 258
*A7#9
Gtr. 1 (slight dist.)
mf
7 5 5 0 7 5 5 0
7 0 5 0 X 7 7 0 5 0 X 7
0 7 X X 0 7 X X
*Chord symbols reflect implied harmony.
F5 G5
P.M. 1
5
5 8 5 5
7 5 5 0 5 7 7 7 5
7 0 5 0 X 7 5
0 7 0 7 7 5 3 0
A7#9
P.M. let ring
7 5 5 0 7 5 5 0
7 0 5 0 X 7 7 0 5 0 X 7
0 7 0 0 0 7 X X
G5
F5
3
P.M. 1
5
8 5 5
7 5 5 7 7 8 7 5 5
7 0 5 0 X X 7 7 5 0
0 7 0 7 5 3
© 2008 EMI APRIL MUSIC INC., NEW SEA GAYLE MUSIC and KEVIN GRANTT PUBLISHING
All Rights for NEW SEA GAYLE MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
B
D7
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
1/2 1/2 1 1/2 1 1/2
7 5 7 5 7 5 4 3 4 6 6
4 8 7 8 9 9
4 9 9 4 9 9 4 9 9
A7#9
w/ G bender
P.M. w/ G bender let ring
1 +1 1 1/2 1
9
8 8 7 5 0 5 5
5 5 5 0 0
5 7 7 X
5 5 5 5 0 4 2 0 2 3 4
3
D7
let ring P.M. let ring
3 5 3 6 4 10 9 8 7 11
5 3 1 6 4 9
2 4 4 2 4 4 7 7 11 11
G5 C5 C#5 D5 D#5 E5 F5 F#5 G5
1/2 1/2
7 7
11 10 8
9 7
11 9 7
3 4 5 6
0 1 2 3
C
A7#9
let ring
7 5 5 0 7 5 5 0
7 0 5 0 X 7 7 0 5 0 X 7
0 7 0 7 0 7 0 0
2
F5 G5
3
3
3
3 3
3 6 3
3 6 3 0 0 2
7 5 5 0 4 2 0 0 0
7 0 5 0 X 4 4 2 0 0
0 7 0 4 4 2 0
3
A7#9
1
7 5 5 0 7 5 5 0
7 0 5 0 7 7 7 0 5 0 7 X 7
7 X X 0 7 X
3
F5 G5
3 5 3
6 6 4 6
7 5 5 6 6 4 4 6 4
7 0 5 0 X 6 6 6 6
0 7 0 X 0
0
D
A5 µ A5 µ G5
Gtr. 2 (clean)
f
15 12 12
15 13 12 8 7 5 6 7 5 5
14 12 14 14 7 5 6
14 12 7 5 7
14 16
Rhy. Fig. 1
Gtr. 1
1/2
2
2 2
2 2
0 0
3
3
A5 µ F5 C5 G5 D5
7
4 5 8 8 5 2 2 5 5 6 6 8 8
5 6 6 5 6 7 8 8 9 10 11
6 7
6 7
End Rhy. Fig. 1
2
2 5 7
0 3 3 5 5 5
1 3 3
Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times) Gtr. 2 tacet
A5 µ A5 µ G5
Gtr. 2
10
Gtr. 3 (clean)
f 3
1/2
5 5 8 5
7 8 7 5 7 5 6 5
7 7 7 5 0 1 2 1 0 1 0
7 6 5 0 3 4 3 4 3
A5 µ F5 C5 G5 D5
Gtr. 3
let ring let ring
6 5 8 7
5 5 5 7 7 7
X 7 5 7 5 5 9 7 7
4 0 2 0 9 0
2 0 4 4 9
4
Gtr. 3 tacet
A5 µ A5 µ G5
Gtr. 3
10 10
Gtr. 4 (clean)
f
P.M. P.M. P.M.
5 7 9 7 5
5 8 10 8 5 8 7 7 5
7 9 6 8 7 5 7 5 6
7 6 7 5 7 X 7 7
5 0 7 0 7
A5 µ F5 C5 G5 D5
Gtr. 4
3 3
3 3
(cont. on lower staff)
5
3 5 5 5 3 2 2
4 6 6 4 2 4 2 4 2 2
4 4 2 2 2 5 4 7
4 3 2 0 0 3 3 2 5 5
1 3
Gtr. 1
f
(cont. on upper staff)
2
2 5 14 16
0 3 3 5 5
1 3 3
E
A7#9
Gtr. 1
1
17 14
14 14 14 16 14 14 14
16 14 16 16
Gtr. 4
5
Gtr. 4 tacet
F5 C5 G5 D5
Gtr. 1
w/ pick & fingers let ring
P.M. P.M. P.M. P.M. P.M.
17 14 14
16 17 16 14 14 14 12 12 11 9 0 7 5 0 0
16 16 14 0 2 0
15 16 14 12 10 9 7 4
A7#9
Gtr. 1
1 1/2 *
0 0
0 0 0
2 2 2 2 4
2 3 4 0
5 5 5
-1/2
*Bend neck. (Push outward on neck w/ left hand palm while
holding down chord shape. Push body w/ right hand for leverage.)
Gtr. 3
7 9
F5 C5 G5 C5
1/2
4 5 5 5 5 4 4 2 4 4 5 5 5 4 2 0
3
1/2
9 9 9 9 9 9 7 9 9 10 10 10 9 7
10 9
6
Gtr. 3 tacet
A7#9
let ring
14 12 12 10 9 8 7 7 5
14 12 13 11 9 8 7 7 5 7 5
14 12 7 14 14 12 4 11 9 7 X 7 5 7 5
7 7 7 5 4
5 4
F5 C5 G5 C5
Gtr. 1
let ring
1
1 2 7 5 7
1 2 7 5 7 5 6 0
4 0 4 6 7 7 5 0 0
7 0 2
2 0 2 2 0 2 3
A7#9
5
5
5 5 5 5 5 5 5 5 5 5 5
5 5 5 0 5 5 5 5 5 5 5 5
5 7 7 7 0 0 5 7 7 0 5 7 7
F5 C5 G5 C5
5
1 1 1/4 1
5 7 5 7 5 14 10
7 5 7 5 6 7 16 16 16 12 12 12 12
7 7 5
7
F
D7
1/4
7
0 0 0 0 9 7 9 7 9
4 5 4 5 4 5 4 5 2 0 2 4 7 9 8 5
7
A7#9
*Gtrs. 1 & 5
let ring
1 hold bend 1 1
12 12 10 10 5
12 12 12 10 10 10 8 5
7 5 7 5
7 7
*Gtr. 5 (slight dist.) w/ talk box, played mf.
Gtr. 5 tacet
D7
Gtr. 1
5 7 5 7 5 5 5 7 5 7 5 5
5 7 5 7 7 7 5 5 5 7 5 7 7 7 5
5 5 5 5
G5 **C5 C#5 D5 D#5 E5 F5 F#5 G5
12 12 16 16
10 10 12 12
7 9 9 11 11 13 13 14 14 14
7 7 12 9 9 12 12 14 14
9 10 9 11 11
**Chord symbols implied by bass, next 6 meas.
G
A5 µ A5 µ G5
Gtr. 1
mf 1/4
17
X 3
Gtr. 6 (dist.)
3
f
w/ slap-back delay delay off
P.M.
17 17 17 17
17 17 17 17 17 19 20 19 17 19 20 19 17 17 12
18 18 18 18 18 17 18 18 14 12
X 14
8
Gtr. 1: w/ Rhy. Fig. 1 (last 4 meas.)
A5 µ F5 C5 G5 D5
Gtr. 6
3
3
3
6 8 5 6 5
14 12 11 11 9 9 7 7 6 6 5 7 5 4 0 2 4 2 0
12 11 9 7 5 7 4 2 0
4 2
Gtr. 7 (clean)
f
Gtr. 1: w/ Rhy. Fig. 1 (1st 4 meas.) Gtr. 6 tacet
A5 µ A5 µ G5
Gtr. 7
1 1 1/2
2
2 0 0 2 4 4 4 2 2 0 0 X
1 0 2 4 4 4 2 0
4 4 2 4 3
Gtr. 6
A5 F5 C5 G5 C5
Gtr. 1
Gtr. 7
3
*let ring
1/4 1 1/4
5
2 2 2 8 5 5
2 0 2 0 2 0 5 7 7 8 7 5 7 5
4 5 5 5 5 7 7 7 7 7 5
*Refers to strings 3 & 4 only.
9
Gtr. 7 tacet
D5 C5
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 8 (slight dist.)
w/ pick & fingers
3
f 3
let ring
1 hold bend 1/2 1 hold bend 1/2
1 grad. bend 1/4
10 10 10 10 10
13 13 13 13 13 10
12 12 12 12 12 12 12 12 12 12 10 12 10 10
12 12 12 10 10
12
Gtr. 7
D5 F5 C5 G5 C5
Gtr. 9 (slight dist.)
f
1
8
8
Gtr. 8
3
1/2 1 hold bend
10
5 10 12 12 12 10 12 10
5 6 7 10 12 12 12 10
12 10 8 10 8 5 8 12 11 10
10 5 8
Gtr. 1: w/ Rhy. Fig. 2 Gtr. 8 tacet
D5 µ D5 µ C5
1/2 1/2
8 8
8 8 8 6 8 6 6 3 1 0
9 7 7 5 5 7 7 5 5
9 7 7 7 6 5 2 3 4 4
8
10 10
10
D5 F5 C5 G5 D5 D#5
Gtr. 1
(cont. in notation)
Gtr. 9
3
3 4 5
2 1 0 2 3 4 5 6
3 4 3 2 0 0 3 4 5
0 3 3 2 0 0 3 4 5
3 3 4 5
H
Gtr. 9 tacet
E7
Gtr. 2
let ring
0 0 0 0 0
0 0 8 9 9 0 8 9 9 9 0
6 7 6 7 6 7 6 7 6 7 6 7 6 7 7
Gtr. 9
2 3
Gtr. 1
9 9 7 7 7 9
9 9 9 9 9 9
7 7 7 7 5
0
A7#9
Gtr. 2
let ring let ring
1
12 12 9 7 5
12 12 12 10 8 5
7 7 5 6 6
7 5 7 5 7 5 7
0 5 7
Gtr. 1
P.M. P.M. let ring
0 2 2 X 0 2 2 2 2
0 2 2 X 0 2 2 2 2
0 0 0 0 0 3
11
Gtr. 2 tacet
E7
Gtr. 4
w/ pick & fingers
0 0 0 0 0 0 0
0 0 0 0 0 0 0
1 4 7 4 7 4 1
Gtr. 2
0
0
9
9
7
0
Gtr. 1
6 7 7 6 7 7 4
6 9 9 9 9 9 9 9 6
7 7
C% C5 C#5 D5 D#5 E5 F5 F#5 G5
Gtr. 4
steady gliss.
8 5
8 1 13 13 8 8 5 8 5
7 0 12 12 7 7 5 7 5
7 5 7 5
7 0 12 12 7 7 5
Gtr. 1
12 12 5 7 7 5
12 12 5 7 7 5
3 4 5 6
0 1 2 3
12
I
Gtr. 4 tacet
A7#9
G5
Gtr. 6
12 14 15 14 12
14 14 14 14 14 14 12 15 14 12
14 14 12 14 12 12
11 11 11 11 14
10 12 12 12 10 12 12 12 10 12
Rhy. Fig. 3
Gtr. 1
1
0 2 X 2 X 0 2 X 2 X 0 2 0 2 X 2 X 2 X 0
0 2 X 2 X 0 2 X 2 X 0 2 0 2 X 2 X 2 X 0
0
3
A7#9
F5 C5 G5 D5
3
3 3 3 3 3 3
3
3 3
12 13 14 15 14 13 12 9 10 11 12 11 10 9
10 11 12 13 12 11 10
14 12 11 10 9
12 11 10 9 11 12 13 14
12 11 10 12 12 11
12 14
End Rhy. Fig. 3
let ring
1 1
0 2 X 2 X 0 2 2
0 2 X 2 X 0 2 2 2 5 7 7
0 0 3 5 5
1 3
Gtr. 1: w/ Rhy. Fig. 3 Gtr. 6 tacet
A7#9 G5
Gtr. 7
1 1
1
15
1 hold bend
15
1 hold bend
10 12
12 12 10 15 15 15 15 12 12 12 12
12
Gtr. 6
14
14
13
A7#9 F5 C5 G5 D5
Gtr. 8
let ring
7 10
Gtr. 7
1
1/2 1/4 1/2
10 10 8 8 5
11 10 9 7 5 7 5 5 7 8 7 5 7
7 7 5 7 7
7
Gtr. 7 tacet
A7#9 G5
Gtr. 8
w/ B bender
let ring
+1 hold bend
0 0 0 0 0 0 0 0
10 10 10 10 10 10 10 10 10 10
12 12 12 12 12 12 12 12 12
Gtr. 7
1/2
5
7
Gtr. 1
let ring
0 2 X 2 X 0 2 X 2 X 0 0 2 X 2 X 7 5 6
0 2 X 2 X 0 2 X 2 X 0 0 2 X 2 X 7 5 X X 5
0 0
A7#9 F5 C5 G5 D5
Gtr. 8
1/4 1
grad. bend
15 12 10 12 10 8
10 8 10 8 7
9 9 8 6 7 5
7 7 7 5
7 6 5 3
5 3
Gtr. 1
let ring 1/2
0 2 X 0 2 2
2 2 0 2 2 2 2 2 5 7 7
0 0 3 3 5 5
1 3
14
Gtr. 8 tacet
A7#9 C7
Gtr. 3
w/ pick & fingers
8 0 8 8 8 8 0 5 5 5 5
9 0 9 0 9 0 9 9 1 3 5 0 3 5 0 3 5 0 3 5 5
9 10 11 0 11 0 11 0
X 7
Gtr. 8
Gtr. 1
2 X 2 X 0 2 X 2 5 X 5 X 3 5 X 5 X 5
2 X 2 X 0 2 X 2 5 X 5 X 3 5 X 5 X 5
0 0 2 3
D7 G5 G#5
Gtr. 9
Gtr. 3
10 13 10
7 8 9 10 10 8 12 11 10
9 7 9 10 6 9 9 12 10
7 9 12 11 10
7 9 13 10
Gtr. 1
let ring 1/2
let ring
7 7 X 5 7 7
7 7 X 5 7 7 5 5 5
3 5 5 5 5 5 5 5 6
5 5 2 3 3 3 3 4
15
Gtr. 3 tacet
A7#9 C7
Gtr. 9
3
let ring
1 1
5
X 8
9 8 7 5 6 4 5 7 7 7 7
7 5 2 5 7 5 7
7 6 3 5 3 4 4 2 3 5 6
Gtr. 3
10 12 12
Gtr. 1
2 2 X 0 2 2 2 5 5 X 3 5 5 5
2 2 X 0 2 2 2 5 5 X 3 5 5 5
0 0 0 2 3 3 3
D7 E5
Gtr. 9
P.M. P.M. let ring
1 1 1 1 1 1
8 7
10 5 5 7
9 9 9 7 7 9 10
0 0
Gtr. 1
let ring
7 X 7 X 7 X 7
7 X 7 X 7 X 7
3 5 5 5 2
0 0
1 1/2
9 10 9 9
8 9 12 12 12 11 10
10 11 12 11 9 9 7 5
11 9
f 1/2
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 3
16
J
Gtr. 9 tacet
A7#9
Riff A End Riff A
Gtr. 5
mf
talk box off
1/2 1/2
7 5 5 0 7 5 5 0
6 0 4 0 5 6 0 4 0 5
5 7 7 7 5 7 7 7
0 0
Gtr. 9
7
Gtr. 1
mf
7 5 5 0 7 0 5 0
7 0 5 0 7 7 7 0 5 0 7
0 7 0 0 0 7 0 X 0
F5 C5 G5 D5
Gtr. 5
1/4
7 5 5
6 0 4 0 X
5 7 5 5 7
0 3 3 5 3 5
1 3
Gtr. 1
P.M. let ring
1
1 3 1 0
7 5 5 7 3 1 0
7 0 5 0 X 6 5 3 3 1 0
0 7 0 3 1
3 3
17
Gtr. 5: w/ Riff A
A7#9
Gtr. 2
mf
Harm.
12 12 12 12 12 12 12 12
7 7 7 7 7 7 7 7 7 7
12 12
Gtr. 7
mf
1 1
X X 10 10 X X X X X X X X 12 10 10 X 10 X X X X 10 X 12 10
Fill 1 End Fill 1
Gtr. 3
mf
10 10 10 10
12 12 12
Gtr. 1
7 5 5 0 7 5 5 0
7 0 5 0 7 7 7 0 5 0 X 7
7 X 0 0 0 7 X 0
3
18
Gtr. 3: w/ Fill 1
C5 C#5 D5 D#5 E5 F5 F#5 G5 A5 µ
Gtr. 2
Harm.
12 12 12 12 13 14 15 17 17
7 7 7 7 7 13 14 15 16 17
12
Gtr. 8
Gtr. 7
divisi
1 1
*
X 10 X X 10 X X X X 10 X 12 20 10 10
*Gtr. 8 to left of slash in tab.
Gtr. 5
1/2
7 5 5 0 5 6 7 8
6 0 4 0 5 5 6 7 8
5 7 7 7 5 7
0
Gtr. 1
7 5 5 0
7 0 5 0 X 7 0 X X X X
0 7 X X X X X
0 0 0 0 X X X X 5 5
Gtr. 4
10 10
10 10
7 8 9 10
8 9 10 11
19
from Brad Paisley - Play
Departure
By Brad Paisley and Frank Rogers
E B C#5 Asus2 D G F#m B5 C#m E/G# A5
4fr 4fr 4fr
231 1333 134 12 132 134211 134111 134 13421 312 11
Gtr. 4: Baritone gtr. tuning:
(low to high) E-A-D-G-B-E
A
Moderately q = 124
* C#m A5 E
(Bass) Gtr. 1 (slight dist.)
f
**w/ delay
4 7 7
4
6
*Chord symbols reflect overall harmony. **Set for quarter-note regeneration w/ 3 repeats.
B C#m Asus2 E B5 E5
***Gtr. 2
†† p mf mp mf
1
12 12 12
13 13 11 11 9
***Pedal steel arr. for gtr.
††Vol. swell
Gtr. 1
4 7 7 4 5
4 6 2 2 2 1
2 2 1 2
2
0 0
Gtr. 3 (slight dist.)
mp
0 0
0 0
6 2 1
6 2 2 4 2
†Gtr. 4
mf
2 1
1 2 2
4 0 2
0
†Baritone gtr.
© 2008 EMI APRIL MUSIC INC. and NEW SEA GAYLE MUSIC
All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
B
Gtrs. 2, 3 & 4 tacet
C#m A5 E B
Gtr. 1
let ring let ring let ring let ring
0
4 4 0
6 6 2 1 1 4
6 6 6 2 2 2 6 1 2 4 2
6 7 0 2 2
C#m A5 E B5 E
Gtr. 2
1/2 1/2
8 8 8
Gtr. 1
w/ G bender
let ring +1 hold bend
0
4 4 0 4
6 6 2 2 2 1 4
6 6 6 2 2 4 2 4
6 7 0 2
0 0 2 4
C#m A5 E B
Gtr. 2
19 19
6 6 4 2
Gtr. 1
let ring let ring let ring let ring
0
4 4 0
6 6 2 1 1 4
6 6 6 2 2 2 6 1 2 4 2
6 7 0 2 2
Gtr. 3
0
6 2 1 4
6 2 2 4
4 0 2
Riff A
Gtr. 4
2
4 0 2
2
C#m A5 E B5 E
19
12 12
13 13
3
3
let ring let ring let ring let ring
w/ G bender
+1
0
4 4 0
6 6 2 2 2 1
6 6 6 2 0 2 3 4 2 2
6 7 0 2 2 2
0 0
Rhy. Fig. 1 End Rhy. Fig. 1
0
0 0
6 2 1 4 1
6 2 2 4 2
4 0 2
End Riff A
2
4 0 2
0
3
C
D E
let ring grad. bend
1/2 1 1
9
10 9 9 9 10 7
11
let ring w/ G bender
let ring
+1
3 3 2 5
2 2 4 2 1 2 4 4 4 4
4 4 4 2 2 2 4 6 6 6 6 6
4 5
let ring let ring
0
10 12 10 0
11 11 11 1 1
12 12 2
12 2
0
12
12
11 13
12 14
12 14
10 12
4
D E
1 1
7
9 11 11 11 9 9
let ring w/ G bender w/ G bender
let ring
+1 +1
3 2 7
2 2 2 9 9 9 9 4
4 4 4 0 9 9
4 5 5 5 7
3
0
10 12 10 0
11 7 7 X X 1
7 7 9 7 2
9 9 2
0
let ring
10
11 11
12 X 14
12 X 14
10 X 12 12
5
G F#m B7
8va
1
1 1/2 1
19 19
8 10 10 8 10
7 7 9 9 9 9 9 9 8
9
3
w/ G bender w/ G bender
let ring
+1 hold bend +1
2 4
2 2 2 2
5 2 4 4 4
5 2 2 2 2 2
3 2
9
10
11 8
5 11 7
5 9
3 7
12
12
10 9 9
7
D
Gtrs. 3 & 4 tacet Gtr. 2 tacet
C#m Asus2 E
8va
Gtr. 2
1
19
Gtr. 1
3
steady gliss.
1 let ring
0 0
2 2 2 1 9
2 2 2 2 2 9
2 2 0 0
0 0
6
B C#m A5
Gtr. 1
1
let ring 1
9 9 9 12 9
9 12 9 9 12 9 0 9
11 11 9 9 9 11 9 0 9
9 11 11 11 9 0
11 9 7
11
Gtr. 3
steady gliss. let ring (cont. in slashes)
0
5 0
2 6
E B
Gtr. 3
Gtr. 1 3
let ring let ring
*
12 14 16 16 16
4 4 12 4
9 1 4 4 13 14 14 16 16 16 4 4 4 4
9 2 14 4 4 4 4
9 11 4 2 2 4 6 2 6 2 2 2 X
0 X
-1/2
*Bend neck. (Push forward
on neck w/ left hand palm
while holding down chord
shape. Push body of gtr.
Gtr. 4 w/ right hand for leverage.)
Riff B
2
0
C#5 Asus2 E
open
(cont. in notation)
3
3
w/ G bender
1 1/2 +1 hold bend
0
0
2 4 4 4
2 2
4 2 2 2
X 4 4
End Riff B
4 0
7
Gtr. 4: w/ Riff B
E B5 C#m A5
Gtr. 1
3
w/ G bender let ring let ring
+1 1 1 1 1 1 1/2 1
16 16 16
12 12 17 17 17 16 17 19 19 19 19 19 19 17
9 9 X 11 11 16 16 16 16 16 16 16 18
9 9 X 13 14 16 16 2
Gtr. 3
1
1
1 1/2
0
0
1 X X 4
2 X X 4 2 4 X 4 4 4 2 2
2 X X 2 2 2
0
Gtr. 2
4 4
4 4
E
Gtr. 4: w/ Riff A
C#m Asus2 E B
let ring *let ring ** **
0 0 0 0
4 4 0 0 0 0
6 6 2 1 1 1 1 4 4 4 2
6 6 6 2 2 2 2 4 4 4 2
6 7 0 2 2 2 2 2 2
0 0 0 3 4
*Refers to 5th string only. -1/4 -1/4
**Bend neck
let ring *let ring let ring
0 7
4 4 0 0
6 6 2 4 8
6 6 6 7 4 6 6 9
0 6 9
4 7
*Refers to 5th string only.
8va
steady gliss.
19
6 6
6 6
8
C#m A5 E7 B E5
()
let ring
1/2 1/4 1
mf
0
4 4
6 6 6 2 2 2 0 2 1 4 9 9 9 9
6 6 6 2 2 2 2 0 2 4 9 9 9 9
6 7 7 0 3 4 4 4 2 2 7 7 7 7
2 2 0
let ring 1/2 let ring
0 0 7 0
4 4 0 0 7 0
6 6 1 2 2 0 2 7 8
6 6 6 7 2 6 9 9 9
0 7 9 9 7
7 7 0
loco
f
(cont. on top staff)
9 11 13
9 11
F
D E
Gtr. 2
1/2
1/2
10 10 12 9 10
13 13 11 11 13 13 11 9 9 11 11 11 9 11 11 13 9 11
9 11
Gtr. 3
(cont. in slashes)
0
3 0
2 1 9 11 11 13 13 11 11 9 9
0 2 X X X X X
2 7 9 9 11 11 9 9 7 7
0
Gtr. 1
let ring
0 0
3 3 3 3 0
2 1
0 0 2
2
0 0 2 2 4 4 2 2 0 0
Gtr. 4
7 9
7 9
5 7 7 9 9 11 11 9 9 7 7
9
D E
Gtr. 3
Gtr. 2
let ring steady gliss.
1 1/2
1
1 1/2 1
12
14 14 13 13 11 11 11 9 9 4
Gtr. 1
let ring
1
0
3 3 2 0
2 2 2 2 4 4 2 1
4 4 4 4 2
5 2
0
Gtr. 4
7 9
7 9
5 7
G F#m
3
let ring let ring w/ bar
1 hold bend 1 1
12 14 12 16 17 17 12 11 9
15 15 15 12 14 12 17 19 19
4 11 13 13 14 14 14 12 14 14 14 12 13 14 13
0
0
1
2 5 4
2 5 4
0 3 2
9 12 11 11
9 12 11 11
7 10 9 9
10
B5
3
let ring grad. bend
1 1 1 1 hold bend 1
12 12 12 12 12 7 7 7
11 11 11 6 6 6 6 6 4 4
f
Gtr. 5
(dist.)
Gtr. 1
divisi
0
4
4 4 6
2
16
16
14
Gtrs. 3 & 4 tacet Gtr. 2 tacet
C#m A5 E B
Gtr. 5
steady gliss.
3
let ring
grad. bend 1/2 1
0
4 4 9 10 9
9 11 11 11
9
9 11
3 12 3 11
Gtr. 2
1
4 4 4
Gtr. 1
let ring let ring
0
0
9
9 6
11
C#m A5
Gtr. 5
3
3 3 3
P.H. rake
1 1 1
9
9 9 9 12 12
8 9 11 9 11 11
11 11 11 X
Gtr. 1
let ring let ring
5
2
2 2 2
E B
3
3 6 6 let ring let ring
1
12 9 0 11
12 12 0 9 12 12 9 0 9 12 14 14
11 9 0 9 11 9 11 13
11 11 9 0 11 9 9
9 11
let ring
0
1 4
4 4
C#m Asus2
let ring
12 14 16 12 9 12 9
14 10 9 12 9 10 9
13 13 9 9 11 9 9
9 11 11 9
11 9
let ring
4 0 0
5 0
6 2
2
12
E B
3 3
1
4
5 7 6 4 0 4 0 2 4
6 4 6
2 4 6
7
0 2 4
let ring
0
0 4
1 4 4 4 4
2 4 4 4 4 4 4
2 2
0
Gtr. 4: w/ Riff B (2 times)
E B5
Gtr. 3
6
6
6
let ring
1/2
0 2 0 9
4 2 0 0 2 0
4 2 0 1 2 1 0 4 4
2 0
2 0 2 4 6
3
9 X 4
9 X 4
7 X 2
C#m Asus2
6
6
3
3
1 1
12 9 0 9
11 11 9 0 2 2 2
11 9 2 2 2
11 9 0 0 0 0 0 0
12 9 7 5 7 4 5 3 3 4 9
steady gliss.
5
6 2 2
6 2 2
4 0
13
E B5 C#m Asus2
8va
3
3
1 1
12 16 14 14 14 16 17 16 16 17 19 19 19
12 12 17 17 19
9 11 13 14 0
7 9 11
let ring
(cont. in slashes)
0 5
5 5
9 9 4 6 6
9 9 4 4 6 7
7 7 2
Asus2 E B Asus2 E B5
*Gtrs.
1&3
(Gtr. 1, cont. in notation)
8va
loco
Gtr. 5
3
steady
gliss. let ring
1 1/2
19 19 19 19 16 17 16 0
19 17 16 0
18 16 16 18 16 16 9 11
7 11
Gtr. 4
0 2 0 2
0 0
*Composite arrangement
14
C#m E/G# A5 B5
Gtr. 3
Gtr. 5
mf
1/2
12
4
4 6 6 4 2 4
2 0 2
Gtr. 2
1 let ring
11
7 7 12 12 12
4 4 6 6 11 11
Gtr. 1
3
5 5
6 4 2 2 X X X 4
6 6 2 2 X X X 4 2
4 0 0 X X X 2 2 2 2
Gtr. 4
4 0 0 2
4
Gtr. 4: w/ Riff A (1 7/8 times) Gtr. 2 tacet
C#5 A5 E B5
Gtr. 3
Gtr. 5
grad. bend steady gliss.
1
12 12
9 9 11 11
7 9 9 9
9 11
Gtr. 2
12 14
11 13
Gtr. 1
let ring let ring let ring 1
0
4 4 0
6 6 2 1 1 4 4 2
6 6 6 2 2 2 2 6 6 1 2 4 2
6 7 0 2 2 2
15
Gtr. 3: w/ Rhy. Fig. 1
C#m Asus2 E B5
Gtr. 5
steady gliss.
7
X
6 9 9 9 9 9 4 4
11 11 4 9 9 9 4 4
7 7 2 2
Gtr. 1
3
3
let ring let ring let ring
1/2
0 0
4 4 0 0 0
6 6 6 2 2 1 2 1
6 6 6 2 4
6 7 0 2 2
E C#m Asus2 E
loco
8va
8va
Gtr. 5 loco
P.H. P.H.
9 9 9 X X 9 9
9 11 11
7
Gtr. 2
10 14
9 13
Gtr. 1
let ring let ring let ring let ring let ring
0 0
4 4 0 7 12
2 6 6 6 2 9 9 13
X X X X 2 6 6 6 2 9 9 9 9 14 14 13
X X X X 6 7 6 0
0 X 0 0 X X X X
Gtr. 3
let ring let ring
P.M. P.M.
0 9 12 12
0 9 9 9 10 12 12 12
1 9 9 9 9 9 13 13 13
2 11 14
14
16
B C#m Asus2 E B5
*p mp mf
7 6 4
*Vol. swells (next 2 meas.).
12 9 7
11
let ring
let ring let ring let ring
0 0 0
12 4 4 0 0
11 8 6 6 2 1 4
13 11 2 6 6 6 2 4
9 9 6 7 0 2
let ring let ring let ring let ring
14 12 12 12 12
12 12 12 9 9 10 12
11 11 11 9 9 9 9 9 9 13 11
11
I
Gtr. 3 tacet
Gtr. 4: w/ Riff A (1st meas.)
C#m A5 E B
Gtr. 5
fdbk.
steady gliss.
2 2 2 2
Gtr. 2
Gtr. 1
grad. bend
1
6
2
17
C#m A5 E B5 E
8va
8va
loco
fdbk.
grad. bend grad. release
1
1/2
9 9 9 9 9 9
1/2
17 16
16 16
steady gliss.
4 5
4 6 6 4 1 1 6 13 13
4 2 2 7 14 14
2
Gtr. 5 tacet
C#m A5 E B
Gtr. 2
grad. bend
1
6 6 4
Gtr. 1
steady
gliss. let ring
1
9
13 13 9 2 1
14 14 11 2 4 2
2 2 2 2
0 2 4
Gtr. 4
3
2 3 4
18
Begin fade
C#m A E B5 E5
grad. release
1 1/2 1
9 9 7 7 10 12
4 4 11 11
1 1 1/2
2 4 6 4 2 2 2 2 4 6
2 2 2 2 4
2 2 0 2 4 4 2 4
2
4 0 0 2 2
2 4 0
Fade out
Gtr. 4: w/ Riff A (till fade)
C#m Asus2 E B
Gtr. 2
1
12 11
12
11 11 11
Gtr. 1
let ring let ring
1
0 0 0
4 4 2 7 7 7 7
9 8 8 8
4 7 9 9 7 7 9
Gtr. 3
let ring let ring
2 0 0
4 0 0
6 2 1 4
2 2 2 4
0 2 2
19
from Brad Paisley - Play
Huckleberry Jam
By Brad Paisley and Frank Rogers
Gtr. 3: Baritone gtr. tuning:
(low to high) E-A-D-G-B-E
3
A
Fast q = 195 (iq = iq)
**A
*Gtr. 1 (slight dist.)
3
3 3 3
3 3 3
mf w/ pick
& finger
13 12 10 10
9 12 11 9 9 9 11 12 11 9 13
10 11 10 11 10 11
12 12
*Sped up gtr. arr. for gtr.
**Chord symbols reflect overall harmony.
E A µ
3
w/ pick & finger
12 10 9 8 9
12 10 10
11 9 8 12 9 11
11
B
Gtr. 1 tacet
A
Gtr. 2 (slight dist.)
3
3 3 3 3 3
f 1/2
5 2 0 2
2 4 2 0 2 4 4 2 0 2
0 0 3 4 3 4 3 4
0 3
E7 A
3 3 3 3
3
3
1/2 1/2
0 0
0 0
1 1
2 4 2 0 0 0 2 4 2 0
0 0 3 4 2 2 0 2 2 0 0 3 4 3 4 0
3 0 0 0
© 2008 EMI APRIL MUSIC INC. and NEW SEA GAYLE MUSIC
All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
C D E7 A
3 3 3
w/ pick & finger
let ring
1/2
12 0 10 9 0 7 0 5
5 7 5
5 5 7 7 9 13 11 9 7 6 7 5 6
5 5 7 7 7 7 5
4 7 0 7 9
0 3
3
3
3 3 3 3 3 3
3
1/2 1/2
5 2 0 2
2 4 2 0 2 4 4 2 0 2 2 4 2 0
0 0 3 4 3 4 3 0 0 3 4 2 2 0
E7 A C D
3 3 3
w/ pick
1/2 & finger
0 0
0 0
1 1 5 5 7 7 9 13
0 0 2 4 2 0 2 5 5 0 7 7
2 2 0 0 3 4 3 4 4 7 7 9
3 0 0 0
E7 A
3
3 3 3 3
w/ pick & finger let ring
12 0 10 0 9 0 7 0 X 0 5
X 0 5
11 9 7 0
0 5
3 4 5 4
C
D A E7
Gtr. 2
3
1/2
0 0 0 2 0 2 0
3 4 0 0 0 2
4 3 4 5 0 0 3 4 4
*Gtr. 3 (elec.)
mf
w/ clean tone 1/2
0 0 0 2 0 2 0
3 4 0 0 2
4 0 0 3 4 4
*Baritone gtr.
2
A D A
3 3
let ring
1/4
0
2 2 0
2 2 0 0 0 2 0
0 3 4 4 5 0 0 1
3 3 5 3 3 5
1/2 1/2
0 0 0 2 0
0 2 3 4 0 4 0 0
3 3
B E7
3
3
P.M.
let ring
*
0 0 0 0
5 4 2 2 2 0 0 0 0
4 4 2 1 0 2 0 1 1 1 1
4 4 2 2 2 2
2
-1/4
*Bend neck. (Push forward on neck w/ palm
of left hand while maintaining chord shape;
push body w/ right hand for leverage.)
2
0
D
Gtr. 3 tacet
A
Gtr. 2
3
3
3 3 3 3 3 3
3
1/2
5 2 0 2
2 4 2 0 2 4 4 2 0 2 2 4 2 0
0 0 3 4 3 4 3 4 0 0 3 4 2 2 0
E7 A C D
3 3
3
w/ pick
& finger
1/2
9 7
9 7 7 5 5 7 7
X X 6 2 2 4 2 0 2 5 5 7 7
0 0 7 0 3 4 3 4 4 7 0 7 9 9 11
3
3
E7 A5 µ
3
3 3
3
w/ pick & finger w/ bar
9 0 7 0 6 0 4 0 0
9 7 6 6 7 4 5 4 3 4 3 2 1 2 0
A
3
3
3
3 3
let ring
1 1/2
2
5 2 2
2 0 2 4 4 5 4 2 0
2 4 2 4 4 2 0 0
0 0 2 3 4 3
E7 A C D
w/ pick
& finger
1/2 1/2 1/2
5
5
5 8 8
5 7 8
5 5 3 5 6 7 9 11
2 2 0 3 7 3 5 6
E7 A
3
3 3 3
3 3 3 3 3
w/ pick & finger 1
9 8 7 9 9 8 7 9 9 10 11 12 13 14 14 16 16 14
16 14 14
11 9 11 11 10 10 11 12 13 14 15
E7
3
3
3 3
3
3 3
1 1
14 15 14 14 5 5
16 16 16 17 16 14 14 5 5
16 16 14 14 5 6 6 6
16 16 15 14 4 6 7 7 7
16 5 4 5 5 6 7
3
A C D
3
3
3
3
0 3 0
1 1 0
2 0 2 0
2 0 2 2
0 2 3 4
3 5
4
E7 A
*Gtr. 4
5
f
12 14 16 18
10 12 14 16
11 12 14 16 16 14 12 10
*Fiddle arr. for gtr.
Gtr. 2
3
3
3
3
**
0 0 0
3 1 2 2 2
2 0 2 2 2
0 2 1 0 2 2 2
0 0 0 0
3 2 0
-1/4
**Bend neck
F
D A E7 A
8va
Gtr. 4
3
3
1/2 1/2
17 17 17 12 14 15 16 17 16 17 17 17
14 14 14 17 17 17 17 19 17 17 10 12 14 17 17
18 19 18 18 18 13 14 14 14 14
19 19 12
Gtr. 2
let ring
mf
1/2 1/4 1/2 1/4
X 3 X 3 3 3
X 2 X 2 2 2 X 2 2 X 1 X 1 1 2 2 X 2
X 0 X 0 2 2 X 2 2 X 0 X 0 0 2 2 X 2 0
0 0 0 0 X 0 0 X 2 X 2 2 0 0 X 0 0 3
3 3 3
Riff A
Gtr. 3
0
0 0 2 3 4
0
5
D A B E7
8va
3
3 3
3 3 3 3
3 3 3 3 3 3 3
15 15 15 15 14 14 14 17 16 15 14 12 14 15 16 12 14
17 17 15 12 14 12 12 12 12 14
14 14 14 14 14 14 14 15 14 13 15 14 13 11 11 13 14
12 14
let ring
1/2 1/2
3 X 3
2 X 2 2 2
0 0 X 0 2 2 2
0 0 0 0 0 1 2 2 2
3 2 2 0
End Riff A
1/2
0
0 2 2 2
0 3 3 0
G
Gtr. 3: w/ Riff A Gtr. 4 tacet
D A E7
Gtr. 4 8va
3
16 17
*Gtr. 5
3 3 3 3 3
f let ring let ring
1 1 1 1/2
7 0
8 5 7 5 8 5 8 8 8 8 5 0 7 8 9 11 12
7 7 7 7 7 7 5 6 7 8 9 12 13 12
7 7 7 7
*Pedal steel arr. for gtr.
Gtr. 2
1/2 1/4
3 X 3 X
2 X 2 X 2 X 2
0 X 0 X 2 X 2 2 X 2
0 X 0 0 2 X 2
3 3 3 3 0 0 3 4
6
A D A
Gtr. 5
3 3 3 3 3 3 3
let ring
1 1 1/2 1 1 1 1 1
12 15 14 12 14 12 11
14 14 14 12 15 15 13 12 15 15 15 13 15
14 14 14 14 14 14
Gtr. 2
P.M.
3 X 3
2 X 2 0 2 X 2
0 4 0 4 2 4 X 2 2
0 X 2 X 3 X 4 X 0 0 0 0 1
B E5
Gtr. 5
3 3 3 3
3 3 3 3
w/ pick & finger
1/2 1/2
19 17 16 14 12 11 10 11 10 7 9 8 7 8 7
12 11 10 11 11 10 7 9 8 7 8 8 7
16 14 14 13 13 11 11
Gtr. 2
3 3 3 3 3 3 3 3
*P.M.
2 X 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 2 2 3 3 3 4
*Gradually lift P.M.
Fill 1 End Fill 1
Gtr. 3
3 3 3 3 3 3 3 3
2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 3 3 4
7
H
Gtr. 5 tacet
A
1/2
5
5
5
3 3 3
f 3
1/4 1/4
5 5
X X X 5 X X X 5 X X X 5 7 5 5 7
X X X 5 X X X 5 X X X 5 7
X X X X X X X X X
Gtr. 3 tacet
E7 A
Gtr. 2
3 3 3
3
3 3 3
1
5 0
8 5 5 1 0
7 8 8 7 5 7 7 7 2 2 1 0 0
7 5 9 9 9 9 2 2 1 0
5 7 7 7 7 7
C D E7 A
3
3 3
3
3
3 3 3
3
3
0 7 6 5 4
0 0 5 6 5 4 3 7 6 5 4
2 2 1 0 0 5 7 5 4 3 2 6 5 4 3
3 7 5 4 3 2
8
E7
*Gtr. 6
mf
9 10 11 12 10 9
9 10 12 12 10 9
9 11 11 9
*Banjo arr. for gtr.
Gtr. 2
*
0 0 0
0 0 0
1 1 1
0 0 0
2 2 2
0 0 0 12 0 9 12 0 10 0 9 0 7 0 5 0 4 0 2 0 0
-1/4
*Bend neck
Gtr. 3
0 12 0 10 0 9 0 7 0 5 4 2 0
I
Gtr. 6 tacet
A E7
Gtr. 4
3
1/2
12
10 10 10 10 10 10 10 10 10 12 14 10 10 10 10 10 10 10 10 12 11 10 12
12 14 14 11 14 11 14 14 14 14 14 11 14 14 12 12 9
16 14
Gtr. 2
mf
0 0 0 0
0 0 0 0
2 X 2 2 X 2 X 2 2 2 1 1 1 1
2 4 X 2 4 2 2 4 X 2 X 4 2 2 4 2 0 0 0 0
0 0 0 0 X 0 0 0 0 0 4
0
Riff B
Gtr. 3
0
0 0 0
9
Gtr. 3 tacet
A C D E7 A
3 3 3 3
3 3 3 3 3
12 14 17 16 15 13 14 12 14 14 15 14 12
14 14 15 15 13 14 15 12 14 12
16 14 14 11 12
14 12 14 13 12 12 14 13 12 12
15 15 15
3
3
3
P.M.
2 2 5 5 X 7 7 9 9 9 9 9 9 9 9 X 2 2 2 2 2
2 2 5 5 X 7 7 9 9 9 9 9 9 9 9 X 2 2 2 2 2
0 0 3 4 0 0 4 0 3 3 X 5 5 7 7 7 7 7 7 7 7 X 0 0 0 0 0 0 0
3
End Riff B
0 3 5 7
J
A Gtr. 4 tacet
Gtr. 5
3 3
3 3 3 3
w/ pick & finger
let ring
1 1 1/2 2 1/2
0 0 0 0 0 0 0 0 0 0 0 0
2 5 2 5 5 2 5 2 5 5 2 2 5 2 5 5 2 2 5 2 5 5 2 2
Gtr. 4
12
Gtr. 2
1/4 1/4 let ring
2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 4 2 2 2 4 2 4 2 2 4 2 2 4 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
10
E7 A C D
Gtr. 5
1
1/2 1 1/2 1/2 1/2 1/2 1
7 7
7 7 5 11 12 13 12 11 10 9
13 14 15 15 14 14 13 13 11 11
14
Gtr. 2
let ring let ring
0
0
1 2 X 5 7 9
2 4 2 X 5 7 9
2 0 0 0 0 0 4 X 3 5 7
0
E7 A
3 3 3 3 3 3 3
1 1/2
11 12 10 9 10 9 7 9 7 5 7 5 4
15 14 12 14 12 11
14 14 12
1/2
9 X 9 9 2 2 2
9 X 9 9 2 2 2 0
7 X 7 7 0 0 0 0
12 3
K
Gtr. 3: w/ Riff A
E A
Gtr. 5
5
Gtr. 6
f 3
0
7 7 7 5 5
5 5 5 5 6 4 6
7 4 7 7 7
Gtr. 2
1/2
3
2 2
0 2
0 0
3 3
11
Gtr. 5 tacet
E7 A D
3
Gtr. 6 3
3 3 3 3
3 3
slight P.M. slight P.M.
10 10 10 10
9 7 10 10 10 10
9 7 9 7 11 11 11 11
7 6 7 5 7
7 7 9 9 7
Gtr. 2
1/4
2
0 3
2 2 2 0 2
2 2 2 2 2 0
0 0 0 3 4 0 0 4
0 0 4 4 3
Gtr. 3: w/ Fill 1
A B E7
3 3
3 3 3 3
slight P.M.
9 9 9 9 11 16 15 14 12 12 12
10 10 10 10 12 12 17 17 17 14 13 12
9 9 9 9 11 16 16 16
13
3 3 3 3
P.M.
2 2 4
2 2 4
0 0 2 2 2 2 7 7 7 7 7 7 7 7 7 7 7 7
L
Gtr. 6 tacet
D A E7
10
10
11
f 3
1/2
7 7 5
7 7 7 9 5 6 4
7 7 7 3 3
9 9 9 4
5 5 3 0 3 3
12
from Brad Paisley - Play
Drop D tuning:
Kentucky Jelly
(low to high) D-A-D-G-B-E By Brad Paisley, Frank Rogers and Mac McAnally
Baritone gtr tuning:
(low to high) D-A-D-G-B-E
A
Free time
µ
3
Gtr. 1 (acous.)
3 3
3
3
3 3
let ring
mf
let ring
5 6 5 5
0 5 7 5 5 0
5 7 5 7 7 5 0 5 0
3 5 7 7 0
0 3 5
Snoop Dogg: Good - ness, gra - cious. Ken - tuck - y jel - ly.
1/4
7
0 X 0
2 5 3 0
B
Very fast h = 126
* D5 G5
Riff A
3 3
let ring
0
let ring
3
2 0 0 0 2 0 0 0
3 0 3 0 3 0 0 0 3 0 3 0 0 0
3 3 0 3 3 3 3 0
3 5
*Chord symbols reflect basic harmony.
1.
D5 G5 F5 D5 End Riff A
3
1/4 let ring
0 2 0
3 0
0
3 0
3
3
3
0
0 3
0
3 0
0
0
0
0
0
0
0
2
0 3
0
3
3 5 3 0
© 2008 EMI APRIL MUSIC INC., NEW SEA GAYLE MUSIC and WORDFARMER MUSIC
All Rights for NEW SEA GAYLE MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
2.
G5 F5 D5 G5 F5 D5 µ
Fill 1 End Fill 1
1/4 1/4
3
0 2 0
3 0 0 0 0 0 0 0 0 0 0 0
3 0 3 0 0 0 0 0 0 0 0 0 3 3
3 5 3 0 0 0 3 5 3 0
C
Gtr. 1: w/ Riff A (1st 6 meas.)
D5 G5
Gtr. 2 (elec.)
P.M.
mf
P.M.
w/ slight dist.
0 0 0 0 0 0
3 5 5 X 3 5 5 0 0 5 0 3 5 5 X 0 0 3 5 0
0 0 0 5 3 5
Gtr. 1: w/ Fill 1
D5 G5 F5 D5
P.M. P.M.
0 0 0 X X X
3 5 5 X 3 5 5 0 0 3 5 0 0 X X X 3
3 5 5 X 0 3 0 X X X
Gtr. 1: w/ Riff A (1st 6 meas.)
G5
P.M. P.M.
0 0 0 0 0
3 5 5 X 3 5 5 5 0 3 5 0 3 5 5 X 5 5 0 3 5
0 0 3 0 3 5
Gtr. 1: w/ Fill 1
D5 G5 F5 D5
P.M.
0 0 0
3 5 5 X 3 5 5 3 5 0 0
0 0 3 5 5 5 3 0 3 7 0
2
D
G5 F D5 Dm C/E
*Gtr. 3
3
3
mf
6 6 6 8
5 7 9
5 7 8
*Fiddle arr. for gtr.
Gtr. 4 (12-string elec.)
mf
let ring throughout
1 1 1 1 1 3
3 3 3 3 3 5
2 5
0
Gtr. 2
0
0 0 0 0 2
0 0
3 5 5 3 0
Gtr. 1
let ring
1/4
3 3 3 3 1
0 2 2 2 2 0
0 0 0 0 0 2
0 0
3 5 5 3 0 0
**Gtr. 5
mf
0 0 0 2
**Baritone gtr.
3
F C
5 5 5 5 5 6 5
8 8 8 8 8 10 8
Rhy. Fig. 1A End Rhy. Fig. 1A
5 5 5 5 5 6 5 3 3 3 3 5 3
6 6 6 6 6 6 5 5
5 5 5 5 5 5
6
5 5 5
3 3 3 3 5 5
3
Rhy. Fig. 1 End Rhy. Fig. 1
let ring
1 1 1 1 1 1 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 0 0 0 0 0 0
3 3 3 3 3 3 2 2 2 2 2 2
3 3 3 3 3 3
Riff B End Riff B
3 3 3
3 3
4
Bb Dm C/E
8 10 10 10 8 6 6 6 6 6 6 8
7 5
7
1 1 1 1 1 1 3
3 3 3 3 3 3 5
3 2 5
0
let ring
1
1
2
3 0 0 2
1
3 3 3 3 3 3 3 3 3 3 3 1
3 3 3 3 3 2 2 2 2 2 2 0
3 3 3 3 3 0 0 0 0 0 0 2
1 1 1 1 1
3
0 0 0 2
5
Gtrs. 1 & 4: w/ Rhy. Figs. 1 & 1A
Gtr. 5: w/ Riff B
F C
Gtr. 3
5 5 5 5 5 6 5
8 8 8 8 8 10 8
Gtr. 2
1 1
2
3 2
3 3
G5
Gtr. 3
8 8 10 13 15 17 15 13
8 10 10 15 13 13 10
12 10
Gtr. 2
3
f
w/ G bender w/ G bender
+1 hold bend +1
0 3
0 0 0 0 2 2 0 0
0 2 0
0 3
5
Gtrs. 1 & 4
3
3
0
0
X
5
Fill 2 End Fill 2
Gtr. 5
6
E
1st time, Gtr. 2: w/ Riff A (1 1/2 times) Gtr. 3 tacet
1st time, Gtr. 4 tacet
2nd time, Gtrs. 1 & 2: w/ Riff A (2 times)
2nd time, Gtr. 3 tacet
Dm G5
Gtr. 3
11 12
Rhy. Fig. 2
Gtr. 1
let ring
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0
0
Fill 3 End Fill 3
Gtr. 5
Gtr. 5 tacet
Dm G5 F5 D5
End Rhy. Fig. 2
Gtr. 1
1/4 let ring
1 1 1 1 1 1 1 1 1 1
3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 0 0 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0
3 5 X 3 0
Gtr. 1: w/ Rhy. Fig. 2
Gtr. 5: w/ Fill 3
Dm Dm/G
To Coda
Dm G5 F5 D5
Gtr. 2
3
*let ring
0 2 0 0 0 0
3 0 3 0 3 0 0 0 0 0 0
3 3 0 3 0 0 3
X 0 3 5 3 0
*Refers to 6th string only.
7
F
G5 F5 D5 Dm C/E
Gtr. 2
w/ G bender
Harm. mf
(cont. on middle staff)
+1
12 12 7
12 7 7 7
12 7
12 2
2
Gtr. 1
let ring
f (cont. on top staff)
1/4
3 3 3 6
0 0 2 2 2 5
0 0 0 0 0 0 0 3 5 7 6 7
0 3 0 5 7 7
3 5 X 3 0 0 3 5
Gtr. 5
F
C
Gtr. 1
8 13 12 10 8
8 10 10 8 10 10 13 13 10 13 10 11 10
10 12 10 9
10 8
10
Gtr. 2
string steady gliss. let ring
noise
5
X 5
3 X 3 3
3 X 11
Gtr. 5
5
3
8
Bb Dm C/E
w/ pick & finger
7 5 3
3 0 0 0 2
10 X 7 5 X X 5 5 3 0 X 0 0 3 0
X 3 0 X 3 3 5 3
1 1
1 3
1
2
3
0 2
F C
8 5 X 6 5
6 8 8 6 3 5
5 7 5 7 5 4 2 3
3 0 X 3 5 7 X 0 3
5 2 5 0 5
let ring
0 X
0 X
3 3 X
3 X
5
3
9
Gtr. 5: w/ Fill 2
G5
Gtr. 1
0 0
3 2 0 2 0 0 0 2 3 2 0 0
1 0 1 3 3 3 2 0 0 1 2 3 2 0 3
3
Gtr. 2
f
let ring
3 3 3 3
3 3 3 3
0 5
0 7
X
5
G
Gtr. 1: w/ Rhy. Fig. 2 (2 times)
Gtr. 5: w/ Fill 3
Dm G5
Gtr. 2
w/ G bender
let ring
1 1 +1 +1 1
6 0 3
5 5 5 0 0 0 0 0
0 3 3 3 0 0
3 0
3 0 10
Dm G5 F5 D5
w/ G bender steady
+1 gliss.
0 0 1
0 0 2 5 5 0 0 2
0 3 2 3 2 0 1
3 5 3 5 5 0
2 4 5
Dm Dm/G
let ring w/ G bender
1/2 +1
13 10
12 12 13 10 10
5 11 11 12 12 12 10 10 10 10
4 10 12 10 12 12
12 12 11 10
10 10
10
Dm G5 F5 D5
w/ pick & finger
1/2 let ring
0 4 5 7 9 10 11 11 12 13
4 0 0
3 5 5 5 5 5 5 5 0 7 8 8 9 10 10 10 11 11 12
Gtr. 2 tacet
G5 F5 D5 G5 * G5/A
Gtr. 2
w/ wah-wah wah-wah off
w/ pick & finger
14 15 16 17 18 19 19
12 13 13 14 14 15 15 15 16 16
Gtr. 1
1/4 let ring
3 3 3 3 3 3 3 3 X X
3 3 3 3 3 3 3 3 3 3 3 3 3 X X
0 2 2 2 2 2 0 0 0 X X 0 0 0 0 0 X X
0 0 0 0 0 0 0 0 0 0 0 X X 0 0 0 0 0 X X
0 0 X X
3 5 3 0 5 5
Gtr. 5
w/ amp tremolo
*Bass plays A.
Bb G5
Gtr. 1
let ring let ring
**T
3 3 3 X X 3 3 X 3 X X 3 3 3 3
6 6 6 6 6 X X 6 X X 6 X X 3 3 3 X X 3 3 X 3 X X 3 3 3 3
7 7 7 7 7 X X 7 X X 7 X X 0 0 0 X X 0 0 X 0 X X 0 0 0 0
8 8 8 8 8 X X 8 X X 8 X X 0 0 0 X X 0 0 X 0 X X 0 0 0 0
X X
8 5
**T = Thumb on 6th string
Gtr. 5
3
5
11
I
F+ G5 G5/A
8va
Gtr. 3
grad. bend
1/2 1
13 13 15 15 19 22 15
12 13 12 13 13 12 13 22 22 20 18 18
15
Gtr. 5
let ring
5 X 3 3 3 3 3 3 3
6 X 4 X X 6 X X 4 4 4 4 X X 3 3 3 3 3 3 3
6 X 4 X X 6 X X 4 4 4 4 X X 0 0 0 0 0 0 0
5 5 5 5 X X 0 0 0 0 0 0 0 X X
X X X X
5 5 X X 7 X X
Gtr. 5
3 5
Bb A7 Am7b6
8va
3 3
13 13 12
18 18 18 18 18 18 18 14 15 15 13 15 10 14 12 10 14 14 10
15 15 15 15 15 15 14 15
let ring
T
0 0 1 1 1 1
6 6 6 X X 6 X 6 6 6 X X 6 X 2 2 1 1 1 1
7 7 7 X X 7 X 7 7 7 X X 7 X 0 0 0 0 0 0
8 8 8 X X 8 X 8 8 8 X X 8 X 2 2 2 2 2 2
X 0 0 0 0 0 0
8
3 2
12
D.S. al Coda
8va
loco
3
1 1/2 1
15 12 15 21 15 15
14 15 15 13 13 10
14 12
12 12 12 10
12 10
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0
Coda
G5 F5 D5 µ
Gtr. 1
3
1/4
0 0
0 0 0 2 0 0
0 3 0 3 0 3 0 0 0 0
0 0 3 0 3 3 0 3 3
3 5 3 0
Gtr. 2
1/4
0 0 3
0 0 2
0 0
0 0 0 3 0
3 5 3 0 0 0
Gtr. 5
13
D5 µ G5 D5 µ
3
let ring
0 0 2 0 0
0 3 0 3 0 3 0 0
X 3 3 0 3 0 0
0 5
3
let ring
1/2
0 2 0 0 0
3 0 3 0 3 0
3 0
4 0
0
0 0
G5 F5 G5 F5 G5 F5 D5
3
0 0 0 2
0 0 0 0 0 0 0
X X 0 X X X X 0 0
3 5 5 5 3 3 5 5 5 X 3 3 5 5 5 3 0
*
3 3 3
0 0 0 2 2 2
0 0 0 0 0 0 0 0 0
X X 0 X X X X 0 0 0 0
3 5 5 5 3 3 5 5 5 X 3 3 5 5 5 3 0 0 0
-1/4
*Bend neck. (Push neck w/
left hand palm while holding
down chord shape. Push body
w/ right hand for leverage.)
0
3 5 5 5 X 3 3 5 5 5 X 3 3 5 5 5 X 3
14
from Brad Paisley - Play
Kim
By Brad Paisley
C#m Asus2 E
4fr
13421 12 231
A
Moderately slow q = 71
*A,7 A6#11 A Asus2
Gtr. 1 (acous.)
mf string
noise
w/ fingers
let ring throughout
0
9 7 X 2 0 0
9 8 X 2 2 2
2
0 0
*Chord symbols reflect implied harmony.
A,7 A6#11 A'9
**Gtr. 2
mf
1
14 14 14 12
12 12
**Pedal steel arr. for gtr.
Gtr. 3 (elec.)
mf
w/ slight dist. & multi-tap reverb
9
11
Gtr. 1
0 7
9 7 7 7 5 5
9 8 8 8 6 6
0 0
© 2008 EMI APRIL MUSIC INC. and NEW SEA GAYLE MUSIC
All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
B
Gtr. 2 tacet
E B/E A/E E C#m Am
17
9 9
9
11
12
5 5 12 12 14 14 10 10 9 9 9 9 9 5 5
4 11 9 11 9 9 9 5
4 6 6 6 13 13 14 14 11 9 11
0 0 0 9 5
E Esus4 E B/E A/E E
Gtr. 3
5
6
Gtr. 1
string
noise
0 0
12
0 0 X 5 5 5 12 12 14 14 10 10 9 9
1 1 1 2 X 9 11 9
2 2 2 2 6 6 13 14 14 11 9
2
0 0 0 0
2
C#m Am E D/F#
Gtr. 2
*
9 10 10
9
*Vol. swell
Gtr. 3
14 14 10 5 5
9
Gtr. 1
0 0
9 9 9 5 5 0 0
9 9 5 1 1
2 2
2
9 5 0 0 2
C
G'9 D/F# F6 Esus4 E G'9 D/F#
*** mp mf
1 1/2
10 10 9 9 9 12 10
9 12 11
***Vol. swells
**
let ring
0 0
0 7 7 1 2 2 2 1 7 7 7
5 2 2 4 5
**Played ahead of the beat.
Riff A
0 0 3 3 0 0 0 0
2 2 2 2 2 2 1 2 2 2 2
0 0 0 0 0 0 2 0 0 0
3 2 1 0 3 2
3
F6 C Am G B7
let ring
1
8
10 8 8 15 15 15 12
10 9 9 9 14 14 14
10 10
let ring
5 5
0 0 1 0 1 1 3 1 0 0 2 4
2 2 0 2 0 2 4
2
End Riff A
0 0 1 1 0 1 0 3 1 0 0 0 0 10 10 4
2 2 0 0 2 0 2 2
0 2 2 2 2 2 0 1
3 0 2
1 3
D
Gtr. 2 tacet
3
E B/E A/E E C#m Am
Gtr. 3
12
5 14 10 9 9 9
8 9 9 9 5 5
9 3 4
7
Gtr. 1
12
5 5 12 12 14 14 10 10 9 12 9 9 9 9 5 5
4 9 11 9 9 9 5
6 13 13 13 14 14 11 7
0 0 0 0 9 5
4
E B/E
Gtr. 2
1/2
11 11 9
12
Gtr. 3
1 1
9
12 9
11 X 11 11 9
6 9 9 9 9 9 13 14
10 9 7 7
Gtr. 1
0 0 0
0 0 5 5 12 14 12
1 1 1 2
2 2 2 2 4 6 6 6 13 13 13
2
0 0 0
Gtr. 2 tacet
A/E E C#m Am E D/F#
Gtr. 3
let ring let ring
12
14 14 10 9 9 9 5
9 9 5 9 9 9
14 14 11 9 11 6 7 6 9
11 11 11
Gtr. 1
12 0 0
14 14 10 10 9 9 9 12 9 5 5 0 0 0
11 9 11 9 5 1 2 1 1 1
14 14 11 9 2
0 9 5 0 0 0 2
Gtr. 1: w/ Riff A
G'9 D/F# F6 Esus4 E G'9 D/F#
Gtr. 2
1
1 1/2
1
12 12 14 14 14 14 14 14 13 13 12 12 14 14 14
14
Gtr. 3
3 3
7 7 7
9 7 7 6 0
10 9 7 8 7 7
5
F6 C Am G B7
*
(cont. on lower staff)
1/2
12 12 12 12 10 10 4 4
14 14 12 11 11
*Vol. swells
(cont. on higher staff)
5 5
0 0 1 0 1 3 1 0 0 3 4 4
2 2 0 2 0 2 4 4
2 2
F
Gtr. 2 tacet
E B/E A/E E
Gtr. 3
1/2 1
12 12 12 11
4 4 12 12 9 9
9 11
9 11
Gtr. 1
5 12 12 12 10 10 12 9
4 9 9 9
4 6 6 13 11 9 9 9
0 0 0 0
Gtr. 2 Fill 1 End Fill 1
4 5
C#m Am E
Gtr. 3
3
3
1/2 1/2 1
9 9
12 12 9 12
11 11 11 11 11 9
9 9 9
11 10 9 9 9 7
Gtr. 1
(cont. in slashes)
0 0 0
9 5 5 0 0 0 0
9 9 5 1 1 1 1
11 2 2
11 2
9 5 0
6
G
C#m Asus2
Gtr. 1
Gtr. 3
3 3 3 3 3
1 1
1 1
12 9 12 9 9 12 0
9 12 9 12 9 12 0
11 11 9 11
Gtr. 2
*
let ring
9 9 9
12 10 10
4 6 6 4 6 9
4 6 6 4 6
*Vol. swells
3
3
let ring let ring
1/2
**T
16 16 14 14 9 12 12
X X X 11 11 9 11 9 11 9 9
14 14 14 9 9 9 11 11 9 9 9
9 X 9
0 9 0 7 9
**T = Thumb on 6th string
7
9 12 12 14 14 16
13 13
C#m Asus2
(cont. in notation)
1/2
1 1/2
semi-
harm
9 9 11 11 0 19 X 17
7 19 19 X 17 17
8 9 9 11 16 16
9
1
9 9 9 6 6
7
Gtr. 2 tacet
G D/F# B7
Gtr. 3
3 3
1
0 5
0 4 4
0 9 9 9 9 9 9 7 8 8 3 4
0 7 9 7
3
Gtr. 2
12 11 11
Gtr. 1
0 3 0 0 0 0 0 0 0 0 4
0 2 2 2 2 2 2 2 2 2
0 0 1 1 1 1 1 1 1 1
X X 2 2 2 2 2 2 2 2
3 2
H
E B/E A/E E C#m Am
Gtr. 3
1/2
4
9
Gtr. 1
12
5 5 12 12 14 14 10 10 9 9 9 9 9 5 5 5
4 9 11 9 9 9 5
4 6 13 14 9
0 0 0 9 5
E B/E A/E E
w/ pick & finger 1
12 12 X
4 4 5 5 12 12 12 10 9 X X
9 9 4 4 X 9 X
9 9 4 4 6
12
4 4 5 5 5 12 12 14 14 10 10 9
4 6 4 9
1 2 4 6 6 13 9 11
2 4
0 0 0
8
C#m Am E
let ring let ring
9 9 5 5 5 0
9 9 5 5 5 1
11 11 7 5 7 2 2 2 2 5
2
0
0
9 9 9 5 5 0 0
9 9 9 5 1 1
2
2
0
I
Gtr. 1: w/ Riff A (1st 4 meas.)
G'9 D/F# F6 Esus4 E
Gtr. 3
let ring let ring
0
4 0 2 0 2 2 2 1
0 0 0 2
2
0
Gtr. 2
1 1/2
10 10 12
12 12 14 14 14 13 14 13
14
14 14
G'9 D/F# F6 C
3 7 2 5 7
3 3 8 10 10 13
0 2 7 7 9 12 12 12 10 12
0 7
1 1/2
0 0 2 2 2 2 2 4 4 0
9
Am G B7
Gtr. 3
1
1
10
13 13 12 17
14 12 14 14
12
Gtr. 2
1
1 1 3 1 10 10 4 4
2 2 2 0 2 4 4 11
Gtr. 1
2 2 2 5
0 1 1 3 1 0 0 0 0 0 4
0 2 0 2 2
2 1
0 2 2
3
J
Gtr. 2: w/ Fill 1
E B/E A/E E C#m Am
Gtr. 3
17 14 14 12
Gtr. 1
12
4 5 5 5 12 12 14 14 10 9 9 9 9 9 5 5 5
9 11 9 9 5
6 6 13 14 9
0 0 0 9 5
10
E B/E A/E E
Gtr. 3
12 19
12 12 17
9 X 9
6 9
8va
Gtr. 2
19
4 6 7
Gtr. 1
12
4 7 4 4 5 5 5 12 12 14 14 10 9 9
1 4 4 4 9 11
2 4 4 4 13 14
2 4 6
0 0 0 0
Free time
C#m Am E
3
rit.
1 1 1/2
19
14 14 12 14 14 12
14 12
loco
rit.
5
4
6
rit.
0
9 9 9 5 5 5 0 0
9 9 5 5 1 1 1
2 2
2 2
9 0 0
11
from Brad Paisley - Play
Les Is More
By Brad Paisley and Frank Rogers
__ =
A
3
Fast swing q = 196
µ *C,7/D B7/D Bb/D A/D Ab/D
Gtr. 1 (clean)
mf
w/ pick & fingers
12 12 13 10 6 8 5 4 6 4
8 6
10 9 8 7 6
*Chord symbols reflect overall harmony.
Bass plays D pedal (next 4 meas.).
G B7#9 B7b9 Em G9
0 1 3 3 1 3 1 0 8
6 7 7 2 0 7 7
4 5 5 4 5 1 9
2 9 10
C A7 D7 D+
let ring let ring let ring
7 8 9 10 10 8 6 7 5 8 7 5
7 9 5 7 4
8 10 6 7 7 6 7 7 7 4 4
G B7#9 B7b9 Em G9 B7
7
0 1 3 3 1 3 1 0 3 4
4 4 2 0 2 4
5 5 5 1 2
2
© 2008 EMI APRIL MUSIC INC. and NEW SEA GAYLE MUSIC
All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Em7 Eb7 D7sus4 D7
5 7
8 8 8 8 7 8
7 6 5
5 7 7
7 6 5
G B7#9 B7b9 Em
3
0
X 3 1 3 0 1 3 3 1 3 0
0 3 4 4 0 2 4 4 2 0
3 0 3 5 5 1
2 2
G9 C A7
3
3
3 3
3 2 3 2 5 3
2 3 5 5 3 5 6
2 4 6 0
2 4 5
2 5
3
D7 D+ G B7#9 B7b9
5 5 7
7 0 1 3 6 7 8 6 8
7 6 5 4 5
7 6 5 5 8 9 9
8 7 6 5 7 8 8
8 7 6
Em G7 B7 Em7
7 10 8 7 5 7
8 8 10 8
7 8 9
7 8 9
2
Eb7 D7sus4 D7 G
8 6 9 8 7 5
6 7 6 5 3 4
8 5 5 0
3 1 2
3
Gm Bb7 Eb6 F6
let ring let ring
3 7 8 X 8 10 10
2 3 3 5 6 7 8 10 X 8 10
4 5 5 X
Gm C9 F D7#9 D7b9
3
let ring
8 8 8
11 10 11 8 11 10 11 10 8
9 10 8 7
12 6 10 10 9 8 8
Gm Bb7 Eb6 F6
let ring
7 8 8 10
2 3 6 7 8 10 8 8 8 10
3 5 5 8 8 10
Gm C9 F D7
let ring
8 10 8 10 12 14
11 10 11 8 10 10
12 9 10 11
12 10 12
3
D
G B7#9 B7b9 Em
3
14 15 15 7 10 7
7 10 7 8 7
7 9 9 7 7
9 10 9 9
7 7
G9 C A7
5 5
10 8 7 5 5 8 5
9 7 5 4 5 4 2
8 7
8 7
5
D7 G B7#9 B7b9
P.M.
5 3 2 3 5
7 5 3 3
7 7 6 5 4 3 4
4 3 5 2 4 5
5
Em G6 B7 Em7
3 2 3 2
5 4 3
3 4 5 4 2 4
5 5 2 2 5
Eb6 D7sus4 D7 G
5 3
5 8 7 6 5 7 5 4 0 2 3 4
3 5 6 6 7 4 5 5 4 5
5 1 2
2 3
4
E
Gm Bb7 Eb6 F6
3
3 3 3
let ring
3 6 6 3 3
2 3 4 4 6 3 4 3
2 3 2 3 2 3 5 5 3
4 5 5 4 5 5 4 5 5 5 3 0 5 3
5 5 4
Gm C9 F D7#9 D7b9
3
6 4 4
2 5 3 2 2 3 2 2 5 5 5
2 5 5 5 3 3 7 7 4 4
3 1 0 1 0 2 3
3 3
Gm Bb7 Eb6 F6
2 3 5 5
6 5 3 4 3 6 4 6 6
6 7 6 5 3 6 5 4 3 3 5 3 5 5
4 5 5 4 5
Gm C7 F D7
3
let ring let ring
8 10 8 10
8 10 11 8 11 10 8 10 10
9 3 7 8 10 11
7 8 8 7 8 4 7 10 10 12
5 8 12
F
G B7#9 B7b9 Em G B7
12 15 15
12 13 15 12 15 14 13 12 13 12 12
14 14 14 13 12 12 10 9 8
15 9
14 12 10
14
5
Em Eb6 D7sus4 D7 G µ
3
3
3 3
let ring
5 7
7 8 8 8 7 8 5 8 7 5 5
8 9 9 7 8 5 7 7 5
7 7 5 10
7 5
3
* C,7/D B7/D Bb/D A/D Ab/D
let ring
12 13 10 6 8 5 4 6 4 3
8 6 5
9 8 7 6
*Bass plays D pedal (next 4 meas.).
H
G B7#9 B7b9 Em G
mp
let ring
3 3
3 3 3 3 1 1 0
4 4 4 X X 2 2 2 2 X 0
5 5 X X 1 1 1 1 2 2 2 2 2 0 X
2 2 2 2 2 2 2 2 X 2 2
0 0 0 0 3 3
C A7 D7 D7#9
X
1 X 5 8 7 7 8 8 7 7 6 5
0 0 0 2 6 9 5 5 6 6 5 5 4 3
X 2 2 2 2 5 11 7 7 8 8 7 7 6 5
3 3 0 5 5 7 7 5 6 5 4
G B7#9 B7b9 Em G B7
let ring
3
3 3 X 3 1 0 0 0 0 4
4 4 4 X 2 2 0 0 0 0 2 2
5 5 5 X 1 1 2 2 2 2 0 0 4 4
5 5 5 X 2 2 2 2 2 2 X 2 2
0 0 0 0 3
6
Em7 Eb7 D7sus4 D7 G
let ring let ring let ring
0
8 8 8 8 8 8 7 6 8 0 5 5
7 7 6 6 6 X 5 5 7 7 5 5 3
9 9 9 7 8 8 8 8 7 7 7 9 5 5 3
7 7 7 7 5 6 6 6 4 5 5
Gm Bb7 Eb
*Gtr. 2
mf
1/2
3 6 8
7 2 2 3 8 8 7
9 4 4
*Pedal steel arr. for gtr.
Gtr. 1
let ring
3 3
3 3 3 3 1 3 X 4
4 4 4 3 3 1 X 3
4 5 5 3 X 5
F Gm C F
3
1/2 1/2 1
10 11 12 13 11 10 10
8 8 10 10 12 12 10
8 10 10 10
10 12
X 6 5 10 8
X 4 6 10 11 X 8 10 X
5 7 7 9 X X
5 8 7 X
3 5
7
D7#9 D7b9 Gm Bb7 Eb
3 w/ bar
1
1/2 1/4 1/2 1/4 1/2 1/4 1/2 1/2
1 1
8 8 11 13 13
10 10 10 10 10 10 10 14 14 14 5
let ring let ring
10 10 3
11 10 10 10 3 4 6 4
X X 11 11 3 7 7 3 3 2
8 7 10 12 5 5 5 3 5
F Gm C F
3 3
1 1
10 10 10 8
13 13 11 13 13 13 13 13 13 12 11 11 10 8 7 7
12 10 9 8 7 7 9
let ring
3 5 5 6 8 10 8 8 8 8
4 4 6 6 8 8 8 8 10
3 9 9 9 3
5 7 7 10 10 4
J
Gtr. 2 tacet
D7 G B7#9 B7b9 Em
6 2 3
9 7 6 5 3 4
5 5
10 11 14 14 14 15 15
X X 12 12 0 1 3 3 1 3 1 0
11 11 14 14 14 12 12 2 2 0 0
12 1 2 4
2
2
8
G9 C A7 D7
Gtr. 1
3 2 3 5 5
3 3 4 5 8 6 7 5
4 4 5 5 5 7 5
5 4 5 5 7 7 7 6
D7b9 G B7#9 B7b9 Em
3
5 4 3 3 0 1 3 3 1 3 1 0 0
5 5 X 4 4 0 2 2 0 0
5 1 2 2
6 2
G7 B7 Em7 Eb6 D7sus4 D7 G
3 10 7 8 8 10 12 8 8 8 8 8 8
4 4 8 8 11 10 9 8
3 X 7 9
Em Eb6 Dsus4
3 3
7 5 6 5
3 8 8 10 7 8 8 8
4 9 9 9 6
8
D7 Gµ G6sus2 µ
3
3
3 3
3 3
rit.
5 2 5 2 3 3
7 3 5 3 2 0 3 5 3 3 3
2 2 0 3 5 4 3 4 4 2 2
0 4 2 2
X X
3 3 3
9
from Brad Paisley - Play
Let the Good Times Roll Words and Music by Sam Theard and Fleecie Moore
Intro
Moderately q = 132 __ =
3
E7#9
**
*Gtr. 1 (slight dist.)
3
3
15ma loco
3
mf 1/4 3
Harm. 1
***
3 0 0
2 0 3 0 X
0 0 2 0 1 X
4 2 2 2 2 2 2 X
0 4 2 2 2 4 2 X
0 4 2.6 0 3 4 0 X 3
*Brad Paisley ***Harm. located approximately six-tenths the
**Chord symbols reflect implied harmony. distance between the 2nd & 3rd frets.
B5 E7
†Gtr. 2 (clean)
mf
1 1 1
14 14 12 14
12 14
†B.B. King
Gtr. 1
3
3
3
3
X
X
2 2 2 4 4 X X X 2
2 2 4 2 4 2 X 0 2 2 X X X 0 2 4 4 2 2 4 4 2 2 4 X 5
0 X 0 3 4 X 0 0 0 0 3 X 4 0 3 4
Gtr. 2 tacet
A7
12 12
14 14 15 14 13 12
12
14
w/ pick
& finger
1 1
0 0 0 0 0 0
0 0 3 3 0 3 0 3 2 0 0 3 2 0
0 2 4 4 4 4
5 0
2 4 4 2 2 4 4 5
0 0 3 0 0 3 3
© 1946 CHERIO CORP.
© Renewed RYTVOC, INC.
All Rights Reserved 1
E7
Gtr. 1
5
3 3
1 hold bend
0 0
1
0
3
4 4 4 4 4 3 2 0 0 1
4 2 0 2 0
2 1 0 2 0 4 1
3 2 0 0 3 4
B7#9 A7 E7 B7b9
Gtr. 2
1 1
1/2
12 14 12 14 12 12
14 12 14
14 12
3
Gtr. 1 3 3
3
let ring
3
1/2
X
3 3 3 2 2 2 2 1 3 X
2 2 2 2 2 2 2 2 2 4 X
1 1 1 2 2 2 2 2 1 0
2 2 0 5 4 4 3 2 2 X
3 4 3 4 4 4 4 2 2
Verse
Gtr. 2 tacet
E μ D/F# E μ G5 F#5 E μ E5
3
3
Brad Paisley: 1: Hey ev - ’ry - bod - y, let’s have some fun. Y’on - ly live, uh, once and
Gtr. 1
1 1 0 0 1
2 0 2 0 0 2
2 X X 2 X 2
0 X 2 0 3 2 0 12
2
A7
3
3
when you’re dead you’re done. Let the good times roll.
Gtr. 2
15
Gtr. 1
3
3 3 3
1/4
2 2
X X X X 2 2 2 2 2 2 4 X 2 X 4 X
X X X X 2 2 2 2 0 0
0 X X X X 0 0 0 0 0 3
E7
3 3
Yeah, let the good times roll. I don’t care
3
1/4 1
15 15 12 12 14 12 12
12 14 14
X
2
2 2 4 5 4 4 2 2 2 2 2
0 0 0 0 2 2 4 X 2 2 4 2 4 2 2 4 0
0 X 0 3 4 0 0
3
Gtr. 2 tacet
B7 A7
3
3
3 3
3
if you’re young or old, let’s get to - geth - er and let the good
Gtr. 1
let ring
1/2
4 2
2 2 0 0 0
4 2 2 2
2 3 2 0
2 2
Verse
Gtr. 2 tacet
E7 B7 E5 μ
3
*
times roll. B.B. King: 2. Don’t stand there moan - ing,
Gtr. 2
mp mf
12 12 12 12
12 14 14 14 14
14 12 13
14
Gtr. 1
3
3
let ring
1/2 1/2
2 2 2
2 2 2 1 1 0 0 2
2 2 4 4 2 2 4 X 1 2 0 X 2
0 0 3 0 0 X 2 2 0 0 2
*Sung as even eighth-notes.
E5 μ E5 μ E5
3
3
***
talk - ing trash. If you wan - na have a ball you got - ta go out and spend some cash
**Gtr. 3
Riff A
**Pedal steel arr. for gtr.
Gtr. 1
1/4 1/2
9 9
9 9 X 2 2 2 2 2
2 2 7 7 7 X 2 2 2 2 2
0 X 3 0 0 0 0 0 3 3
***As before
4
A7 E7
and let the good times roll. Let the good times roll.
Gtr. 2
12
14
Gtr. 3
1
5 5 5 5
7 7 7
7
Gtr. 1
3
2 2 2 2 7 7 7 7 7
2 4 2 4 2 4 2 4 4 9 9 9 9 9
0 0 0 0 0 0 0 0 0 0 0 5 7 7 7 7
B7 A7
3 3
I don’t care if you’re young or old, get to - geth - er and let the
1/4
12
12
12
1/2 1/2
1/2
5 5 5 6 5 5
7 7
4
5
1/2
1/4 let ring
4 2 2 2 2
2 4 4 X 4 4 2 2 2 4 2 2 4 2
2 4 4 1 2 2 2 X 2 0 0 0 0 0 0
0 X X 0 3
5
Gtr. 3 tacet
E7 B7
3
3
good times roll. Spoken: Look out, B. P.
3
1
14 14 12
End Riff A
7 7
3
3 3
3 3 3 3
let ring 3
7
1 1 1 1 2 9 9
0 1 2 2 2 2 2
0 0 0 0 0 0 0 0 4
Guitar Solo
Gtr. 2 tacet
E7
Gtr. 1 3
3
3
w/ G bender rake
1 +1
9 15 17 15
7 11 9 7 0 7 9 9 12 12 X 16
9 14 0
14
7 12
A7
3
3
*
0
3 w/ pick & fingers
1/2
let ring
15 0
17 4 5 0
16 12 5 6 5 6
14 12 11 9 9 6 7 0 0 4 5
14 12 8 9 0
2 5
*Play as even eighth-notes.
E7 B7
3
bender
+1
3 3
0
w/ G
w/ pick & finger
1/2 1 1/2
0 0 0 0
9 9 X 12 12 8 8 3 3 3 3
9 X X 7 9 7 0 7 9 7 2 2 2 2
X 9 0 0 0 0
X X
X
6
A7 E7 B7
3
3 w/ G bender
3 3 3
3
+1
3
w/ G bender let ring
+1 1
0 0 0 0 14
0 0 0 3 12 15 12 14 14 14
2 2 2 2 2 0 2 0 0 7 7 7 7 12 14 14 14 14 12 15 14 12 14 14 14
2 7 9 9 12 14
Verse
E7
3 3
3 3
Brad Paisley: 3. Hey, mis - ter land - lord, I’ll tell you what to do. When the po - lice comes a - round tell ’em they’re
Gtr. 2
12 12
12 14
13
Gtr. 1 3
3
12 13 7 X X 7 X 9 X 9 X 9 X 9 X
X 9 9 X X 9 X 9 X 9 X 9 X 9 X
4 4 2 2 2 4 7 7 X 7 X X 7 X 7 X 7 X 7 X 7 X
0 0 0 0
Gtr. 3: w/ Riff A (1st 3 meas.)
A7
3
3
3
in - vit - ed too. Let the good times roll.
Let the
3 3
1/2
1/2 1/4
14
14 14 12 14 12
14 14 14 12
3
3
1/2 1/2 let ring
9 11 12 13 12 13 14 12 X 12 X 12 14 2
X X X X X X X 12 X 12 X 12 14 X 2 2
7 9 10 11 10 11 12 X 0 2
X 3 0 3 0
7
E7 B7
3
3
I don’t care if you’reyoung or old,
good times roll.
Gtr. 2
3
1 1/4
15 15 12
Gtr. 3
1 1/2
5 5 5 6 5 5
7 7 7
Gtr. 1
3
3
3 3
3
let ring 1
7
7 7 4
7 9 9 10 9 7 2 2 2
2 2 2 X 9 9 7 4 4 4 4 4
2 2 4 X 2 X 4 7 7 9 8 7 2 2 2
0 0 X 3
A7 E7 B7
3
3 3
let’s get to - geth - er and let the good times roll.
1 1
14 14 12 12 12
12 14 14
14 12 13
14
5
9 9
3
3
3 3
1/2
3
let ring
1 1 1/2 1/2
0 0 0
0 0 0 0
2 2 2 2 0 1 2 0 1 0
2 2 2 2 2 1
0 0 0 1 2 2 2
3 3 2 2 2 2 0 3 3 2
8
Verse
Gtrs. 2 & 3 tacet
3 *
E7
3
3
B.B. King: 4. Don’t stand there moan - ing, talk - ing trash. If you wan - na have a ball you got - ta go
Gtr. 1
let ring
9 X X X X 9 X 7 7 X 9 X 9 X 9 9 9 X
9 X 9 X 9 X 9 X 9 X 9 9 X 9 X 9 X 9 9 9 X
7 X 7 X 7 X 7 X 7 X 7 X 7 7 X 7 X 7 X 7 7 7 X
0 0 0
*Sung as even eighth-notes.
A7
3
out, spend some cash and let the good times roll. Let the
3
3 3 3
1 1/2 hold bend
1 1/2
15 17 17
9 8 9 10 11 10 11 12 12 14 16 14 16 16
9 8 9 10 11 10 11 12 X 12 14 14 16
7 6 7 8 9 8 9 10 12 12 X 10 12 14
10 12
E7
B7
3
3 3
good times roll. Get out.
I don’t care if you’re young or old,
3
3
3 3
1/2 1/2
12
0 12 14
14 14 14 12 14 12 13 12 2 2 2
14 14 12 4 4 4 4
14 14 12 10 2 2 2
12 3 3
A7 E7
3
3
Get to - geth - er, let the good times roll.
get to - geth - er and let the good times roll.
3
1 1
0 0 0
0 0 0
2 4 2 2 0 0 0 1 0 1
2 2 2 0 2 2
0 0 0
9
Guitar Solo
B7 E7
Hail to the King.
Gtr. 2
1/2
1
rake 1 1 1/2
14 12 12 14 12 12 14
X
Gtr. 1
3
3
3
1/2
2 2 2 2
1 2 2 2 2 2 2 0 2 4 2 4 X 2 4 5 X 2
2 2 0 0 0 0 0 0 0 0 X 3 4
A7
1 rake
14 14 12 12 12 12
15 14 13 12 X 14 14 12
12 12 14 0
14 14 14
3
3
1/2
0
0 2
0 1 2 0 2 2
2 2 0 0 2 0 2 4 2 4
2 4 2 2 2 0 0 0 0
0 0 0 3 4
E7
3
1/4
3 rake rake
12 12 12 12 12 12
14 X X 15 12
12 13 12 14 12
14 12 14 14
14
X
2 2 2 2 X
2 2 4 2 2 2 2 2 2 X 2
0 3 4 2 2 4 2 2 2 2
0 0 0 3 4 0 3 4 0 3 4
10
B7 A7 E7 B7
1 1
1 1/2
14 14 12
14 14 14 12 12 12 12
14 14 12 13
14
3
3
3
let ring
0 0 0
0 0 0
2 2 2 2 0 0 0 1 2 0 1 2 0 1 2
4 4 4 4 2 2 2 4 2 2 0
2 2 2 2 0 3 4 0 1 2
3 4
Guitar Solos
E7
1 1/2
12
8va loco
15ma
w/ pick & fingers
3 P.H.
1/2
0 0 0 0 0 0
3 3 3
0 X 9 9 9 9 X 11 9 9 9 9 7 0 0
0 X 9 11 11 9 0 2 3 2 0 2 0 2 0
2 1 0 4
3 4
Pitch: C#
A7
3
grad. bend
1/2 1
12 12 12 12 12 12 12
12 12 14 14 14 14 12 14 14 14
14 14 12 11 13 13 13 13 13 13 0 13
14 11 14 14 0
3
P.M.
1/4
0 5
0 3
2 2 2 X 2 2 X X 2 0 1
2 2 4 2 2 4 X 2 4 X 4 2 0 2 2 2 X X X 2 0 2
0 0 0 0 0 2 2 4 2 4 X 2
3 0 0 0 0
11
B7 A7 E7
3
12 12 12 12
0 12
X
5
3 3
1 1
1
17 17 17 15 19 19 17 6 12
15 17 17 15 17 15 20 20 15 12
4 17 15 14 12 14 12
3 14 14 14 12
14 13 12
Verse
Free time
Gtr. 2 tacet
B7 E5 μ E5 μ
B.B. King: Tell ev - ’ry - bod - y
Brad Paisley: 5. Hey, ev - ’ry - bod - y.
1/2
15 12 12
15 14 14
3
1/2
let ring
0 0
0 0
2 X X
1 2 2 9 2
11 0 1 2 2 2
0 2 2 0 0
E5 μ E5 μ
*
that B. P. and B. B. is in town, mm. Yeah.
I got a dol - lar and a quar - ter.
Gtr. 1
0 0 0
0 0 0
X X X
2 2 2
2 2 2
0 0 0
*Sung as even eighth-notes.
12
E5 μ E5 μ
Rar - ing to clown.
3
3
I’m just, uh, rar - ing to clown. Hey, don’t let no -
0 0 0
0 0 0
X X X
2 2 2
2 2 2
0 0 0
A tempo
E5 μ E7
No - bod - y play us cheap. I got fif - ty cents more than I’m, uh,
bod - y. I got, uh, fif - ty cents more than I’m
3 3
w/ wah-wah
1/2
0 0 3 0
0 0 0 2 2
X X 2
2 2
2 2 4 4
0 0
Gtr. 3: w/ Riff A
A7
gon - na keep so let the good times roll, ha, ha. Let the
gon - na keep so let the good times roll. Yeah, let the
3
2 0
1/2
0 1 0 2 2 2
2 0 2 4 2 5
2 0 0 0 3 4 0 0 X
3 3
13
Gtr. 2 tacet
E7 B7
good times roll. Woo!
3
3 *
good times roll. I don’t care if you’re young or old.
1 1/2
12 12 10
12 9
3
3
1/4
4 2
5 2 4 4 2 2
4 5 X 4 2 5 5 2 0
0 0 0 X 0 0 3 3
*Sung as even eighth-notes.
A7 E7 B7
3 3 3
3
Go out and get to - geth - er and let the good times roll, let ’em roll.
Let the good times roll. Come on!
**Gtr. 4
3
3
mf 1/2 1/2
10 12 15 17 17
8 10 10 12
7 9
9
**Fiddle arr. for gtr.
Gtr. 1
3
3 3
let ring steady gliss.
2 2 0 X 2 0 1
2 2 0 X 2 0 2
0 0 0 4 2 5 0 1 2 2 2 2 2 2 2 2
0 0 0 0 0 0
14
Fiddle/Pedal Steel Solos
E7
Gtr. 4
3
3 3 3 3 3 9
1/2 1/2 1/2 1/2
1/2
17 17 17 17 15 12 14 14 12
17 12 15 15 12 14
14 14 14 12 14 14 12 12
14 12 14
Gtr. 3
grad. bend
15
Gtr. 1
3
3
wah-wah off
2 2 2
2 4 2 0 2 2 4 0 5 4 0
0 0 0 0 3 4 0 0 0 0 3 4
3
let ring
12 14
14
3 3 3 3 3
1 1 1 hold bend
12 12 12 12 12 12 12 12 12 15 14 12
15 15 15 15 15 15 15 15 15
3
3
let ring
0 0 0
0 0 0
0 1 0 1 0 0
2 2 0 0 0
2 4 X X 4 0
0 0 X X
15
A7 E7
3
3
grad. bend
1 1 1 1 1
12 12 12 15 12
15 15
14 14 14 14 14 14 12
14
1
1 1/2 1 1 1 1 1
12 12 12
15 15
14 14 14 14 14 14 14 12
3
P.M.
1/4
2 2 2 2 2 2 2 9
2 2 4 X 2 4 0 5 4 2 2 2 2 9 2
0 X 0 0 0 0 0 0 0 0 0 2 7 2 0 0
0 0 0 3
B7
8va
3 3
3
1 1
17 17 17 15 17 15 17 17 17 15
17
16
1/2
1/4
1
1/2
14 14 14 14
14 14 14 14 12
14 14 14
1/4
2 2 2
2 2 2 2 4 4 4 4 4 4
2 2 2 2 2 0 2 2 2
0 0 0 0 0 4 3 4
16
A7 E7 B7
8va
loco
3
3 3
1 1/2 1
1 1
19 19 17 17 17 15 17 15 17 19 15
17
14 14 14 12
14 13
3
1
1 1/2 1/2 1/2 1
12 15
15 15 15 14 15 15 15 15
11 11 13 14 14 16 16 16 16 14 12
14
3 3
w/ wah-wah
0 0 X
0 0 X
2 2 0 0 0 1 2 0 1 2 0
2 2 4 1 2 2 2 2 0
0 0 0 1 2 2 2 2 2 2 2 0 9
9
Guitar Solo
Gtrs. 3 & 4 tacet
E7
Gtr. 4
Gtr. 3
divisi
*
14 14
*Gtr. 3 to left of staff in tab.
Gtr. 1
3 3 5
3
12
9
12 12 14 14 15 12 12 12 7 9 7
12 12 14 14 7 9
14 X
14
A7
Gtr. 1
0 0 0 0
0 0
2 2 0 2 0 0 0 2
7 5 2 2 4 4 4 0 4 0 4 4
7 0 0
2 4 3
17
E7 B7
3
3
3
1 1 1 1
0
3 3 0 20 20 19 19 19 19 19 19
0 1 1 2 0 1 0 1
2 2 1 0
0 1 2
A7 E7 B7
Gtr. 2
9
11
Gtr. 1
3
3
1/2 1/2
17 17 17 20 17 15 12 12
18 15 12
14 12 12
12 12 10
X 2
Guitar Solo
E7
Gtr. 2
1
1/2 1/2 1 1/2 1
9 10 11 12
11 9 11 9 11 11 9 9
Gtr. 1
wah-wah off
2 2 2 2 2 2
2 4 0 2 4 2 4 5 5 2 4 X 2 4
0 0 0 0 0 0 3 4 0 X 0 0
18
Gtr. 3: w/ Riff A (1st 3 meas.)
A7
3
rake
1 1/2 1/2
5 7 5 12 12 10 10
2 6 5 X 12 9 9 9 11
5 9 11
P.M.
0 1 3 0 2 2 2 2 2 2 2
0 0 0 0 2 4 2 4 2 5 4 2 2 2
X X 0 0 0 0 X 0 0 0 0 4
2 3 4 0
E7 B7
Gtr. 2
3 3
1 1/2 1/4 1
10 11 12 12
11 9 11 9 11 11 9 11 11 9
13 11 11
Gtr. 3
1
1/2 1/2
5 5 5 6 5 5
7 7 7
Gtr. 1
3
3
3 3
2 2 X 2
2 2 2 2 2 1 1 1 1
2 5 5 5 2 2 4 4 2 0 1 2 2
0 3 4 3 4 0 3 3 4 2 3
19
A7 E7 B7
3
(cont. on middle staff)
1 1/2 1/2 1
12
12 12 10 10 12
9 12 9 9 9 11 11 11 9
11 11 17
steady gliss.
(cont. on bottom staff)
5
4
7 9 9
3
3 3
3
1/2 (cont. on top staff)
12
12
2 2 2 0
2 4 4 2 2 4 2 2 2
2 4 4 2 2 4 1 2 2 2 2 2 2 2 2 12
5 0 5 12
Outro-Guitar Solo
Gtr. 3 tacet
E7
Gtr. 1
3
3
12 12
*
12 15 12 14 12
X 12 14 12 0 2 0 1 0
15 14 2 0 0 2
0 0 2
15 0 0 3 3 4
-1/2
*Bend neck. (Push neck w/ left hand palm.
Push guitar body w/ right hand for leverage.)
Gtr. 2
1 1
12 12 12 12
12 14 14 14 X 12 X 12
14 14
Gtr. 3
20
A7
Gtr. 1
3
5
3 3
3
w/ G bender
Harm.
+1
0 0 0 0
0 0 0 12 12 7 5 5 0 2 2
1 1 1 12 7 5 5 2 0 0 2 0 1 0
2 12 X 2 0
2 0
0
Pitch: B G B G
Gtr. 2
1/2
12 X 12
12 14 X
14
E7 B7 A7
Gtr. 1
3
3
3 3
w/ pick & finger
1/4
12
3 3 3 3 3 0 15 12
0 0 0 0 0 0 0 0 1 13 13 2 2 2 15 14 12 12
2 14 14 14 2 16 1 1 1 1 14 12
2 2 2 2 13
Gtr. 2
1/2
1/2 1/4
17 15 12 12
14
14 12 13 13 9 0 9 11 11 12
11
Gtr. 3
mp
1/2
7 5 5
21
Free time
E5 μ E7
3
3
Let ’em roll.
Yeah, let the good times roll.
3
3
3
1/2
3 3 3
3 0 0 0 0
2 0 0 0 0 0
X 3 0 1 0
14 14 X 0 2 0
2 2 1 0
3
1 1/2 1/2 3
12 10 10
12 9 9
14 14 9 11 16
7 9 9
μ
Woo. Laughed: Ha, ha, ha, ha, ha, ha.
let ring
1/2
0
0 0
0 4 4 X
X
9 9 2 X 2
2 7 7 2 X 2
3 0 0 0 0 7 0 3 3 0 14
12 12 12
14 14
9 9
9 9
22
from Brad Paisley - Play
More Than Just This Song Words and Music by Brad Paisley and Steve Wariner
Intro
Moderately slow q = 83
µ *C Fsus2
Gtr. 1 (elec.)
mf
w/ clean tone
7 9 7 7 9 7 9 7 7 9 5 12 12 12
12 14 12 12
Gtr. 2 (elec.)
mf
w/ clean tone
12 12 12
9 10 9 9 10 9 10 9 9 10 7 12 14 12 12
Gtr. 3 (acous.)
mp
w/ pick & fingers
let ring throughout **T
3 3
1 1 0 0 1 1 0 0
0 0 0
2 2 2 3 3 3
3
1
*Chord symbols reflect overall harmony. **T = Thumb on 6th string
C Fsus2
1. Like a
12 12 12 9 7 7 9 5
12 12 14
12 12
12 12 14 12 14 10 9 9 10 7
T
3 3
1 0 1
0 0 0 0
2 2 2 3
3
1
© 2008 EMI APRIL MUSIC INC., NEW SEA GAYLE MUSIC and STEVE WARINER MUSIC
All Rights for NEW SEA GAYLE MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Verse
Gtr. 1 tacet
C G/B Am7 C/G
boat on a riv - er, oh, this bus is float - ing down this old high -
Gtr. 2
*
w/ pick & fingers
5
7 5
5 9 7 7
7 7
*Vol. swells
Riff A
Gtr. 3
3 1 1
0 0 0 0 0 0
2 2 0 2 2 2
3 2 0
3
F G Gsus4
way. Look - ing out the win - dow I
**
5A
6 6 6 8
5 5 5 7
7 7 7 9
-1/2
**Bend neck. (Push neck w/ left hand palm while holding down
chord shape. Push body of guitar w/ right hand for leverage.)
End Riff A
1 3
1 1 0 0 1 1
2 2 0
3 3 3 3 0
3
2
G C
think a - bout how I got here to - day.
w/ pick
mp mf
let ring
8
8 10 10 8 8
7 9 9 7 5 7
3
0 0 0 1 1
0 0 0 0 0 0
0 0 2 2 3
3 3
3
Gtr. 3: w/ Riff A
G/B Am7 C/G
Oh, an - y - one who’s an - y - where had some help get - ting there,
Gtr. 2
5 5 5 4 4 4 5
5 7 7
7
F G Gsus4
it’s true. And one of the rea - sons
P.M. P.M.
5 10 9 8 7 5 8
6 8 8 6
5 7
5 7 8 7 5
0 5 8
1
3
G Gsus4 G G6sus4 G7[no3rd]
why I get to do the things I do: I met this an -
Gtr. 2
7 7
4 5 7
5 7 7 8
Gtr. 3
0 1 1 0 1 3
0 0 0 0 0 0
0 0 0 0 2 3
3
Gtr. 1
let ring
0 0
0 2 2 3
Chorus
C Am G
- gel with cal - loused hands who let this
13
9 12
7 10 10 9 9 10 14 14 9 9 10 10
Riff B
3 0
1 1 1 1 1 0
0 0 0 2 2 0
2 2 2 2
3 2 0
3
9 7 7 9 9 7 7 9
10 9 9 10 10 9 9 10
4
F C/E Gsus4 G
boy in - to his band. Un - der his wing,
P.M.
6 5 3 3 3
5 5 5 4 4
9 9 7 7 5 7 5 5 5
5
3
End Riff B
3
1 1 3
2 0 0 5 4 4
3 3 2 2 5
3 3 5
1 3
Gtr. 3: w/ Riff B
C Am G F C/E
I learned to fly on these six strings through this life.
Gtr. 2
10 12 10 10 12 10 10 10 9 5
12 14 12 12 12 14 14 12 12 12 10 5
3 7
Gtr. 1
7 7 9 7 7 9 9 7 7 9
9 10 9 9 10 10 9 9 10
5
Gsus4 G F C
You can hear him in my play - ing al -
Gtr. 2
P.M.
let ring
7 10 7 8
8 8 8
4 5 7 7 7 9
5 5 9 9 9
5 5 7
3
Gtr. 1
let ring
8
7
9 7 5
Gtr. 3
3 3
3 1 1
5 4 4 2 2 0 0
5 3 3 2 2
5 3
3
G G#º7 Am7 G F G7
though he’s gone and I owe him so much more than just this song.
1/2
12 12 12
14 2 4
3 5
10 3 5
w/ pick & fingers
3 1 5 3
4 2
5 6 7 5 3 5 3
T
1 0 1 0 0
0 0 0 0 0 2 0 0
0 3 2 2 0 3 3 0 3
X 2 0 X 3 3 X
3 4 3 1 3
6
C A
2. Like a
let ring
8 8 12
8 10 8 8 6 5 5 12 14 12
9 7 5 5 14 12
14 12 11
12
1
7 7 6
2 7
2 3 2 0
3 0
1 1 2 2
0 0 2 2
2 2 2 2
3 2 0
Verse
Gtr. 2 tacet
D A/C# Bm A
leaf that had fall - en, I was drift - ing down a
Gtr. 1
5 7 5 2 3 2
5 7 5 2 4 2
Riff C
Gtr. 3
2
3 3 2 3 2
2 2 2 4 4 2 2
0 2 2 4 4 2 2
4 2 0
7
G A Asus4
stream. Mis - ter Gui - tar came in - to my life
Gtr. 1
H.H. w/ pick
3 2 5
5 3 2
0 12
4 16
0 12 5 17
3 7 19
Gtr. 2
p mf
12
10
9
11
End Riff C
Gtr. 3
3
0 2 2 2 3 3
0 0 0 0 X X 2 2 2 2 2
0 0 0 0 X X 2 2 2 2
0
3
Gtr. 3: w/ Riff C
A Dsus2 D A/C#
and let me live this dream. His old Gretsch still speak -ing,
3
w/ pick & fingers
7 10 15 15 17 19 17 17 19 17
7 9 7 9 11 11 14 19 18 18 19 18
7
9
15 14
9
9 11 0
0 0 0 0 2 2
0 2 2 2 3 3
2 2 2 2 2 2
2 2 2 0 0
8
Bm A G
it’s teach - ing all of us a tune. He was my
Gtr. 1
*
15 15 12 12 8 7 7 5 5 3 3
16 16 11 11 7
9 7 7 5 5 5 5
-1/4 -1/4 -1/4
*Bend neck.
Gtr. 2
12 10 10 3
9 9 4
5
A Asus4 A Asus4
friend and my he - ro all wrapped up in
Gtr. 1
2 2 3 3 3 2
0 4 4
5 5 5
Gtr. 2
let ring
0
0 2 0 0
0 2 0 0
2
0
Gtr. 3
0
2 2 2 3 3 0 2 2 2 3 3
2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2
0
9
Chorus
A D
one. I met this an - gel with cal - loused hands
w/ pick
5 7 7 7 9
5 5 5 8
7 7 11 9 9 11
12 11 11 12
P.M.
6 7 9
12 11 11 12
Riff D
0 0 0 2
2 3 3 3
2 2 2 2 2
2 0
0
Bm A G D/F#
who let this na - ive boy in - to his band.
10
11 11 9 9 11
12 11 11 12
P.M.
10
11
12 11 11 12
End Riff D
T
2
2 3 2 0 3
4 2 0 0 2 2 2
4 4 4 2 0 0 0
2 2 0 0
3 2
10
Gtr. 3: w/ Riff D
Asus2 A D
Un - der his wing, I learned to fly
10 9
10
12 11 12 11 11 9 11 11 9 9 11
12 11 11 12
14 15 14
14 11
12 11 11 12
0 0 2 2
2 2 2
2 2 2 2
0
Bm A G D/F#
on his six strings in - to
Gtr. 1
10
11 11 9 9 11 7 7
12 11 11 12 7 9 7
9
Gtr. 2
11
12 11 11 12 7 9
7 9 9
11
Asus2 A G D
the night. I can still hear him play - ing al -
Gtr. 1
let ring
5 0 2 3 3
2 0 2 4 2
5 5 4
Gtr. 2
P.M. P.M.
17
14 14 15 3
14 14 2
14 14 4
14 16 5
Gtr. 3
2
0 0 2 2 3 3
2 2 2 2 0 0 2 2
2 2 2 2 0 0
0
3
A A#º Bm A G A5
though he’s gone and I owe him so much more than just this
let ring
3
0 4 11 9 9
2 2 0 0 5 12 11 11
w/ pick & finger
5 5
4 5 5 7 7
0 1 2 4 5
3
4 2 2 0 0 2
4 2 2 0 0 2
0 1 2 0 0 2 4
3
12
Interlude
D G
song.
10 10 10
9 11 11 11 9 9 11 7 7 9 11 9 9
11 12 12 12 11 11 12 9 9 11
–1/4
–1/4
* *
–1/4 –1/4
10
7 6 6 7 12 12 12 6 7 7 7
9 9 9
9
*Bend neck.
0 0 2 0
3 3 0 3
2 2 0 0 0 0 0
0 0 0 0 0 0 0
0
3 3
Bridge
D G A Bm
Ev - er - y face we see
let ring
10 10 2 2 3
9 11 11 14 11 9 9 11 7 2 2 4
11 12 12 12 11 11 12 9 2 2 4
14
14 15 14 8 8
16 14 7 9 7
14 12 12 7 7 9 7 9 7 7
16 14 7 9 9
0 0 2 0 3 3 3
3 3 3 0 0 0 2 2 X X 3
2 0 2 0 0 0 0 2 2 X X 4
0 0 0 2 2 X X 4
0 0 X X 2
3
13
G5 D/F#
from ev - er - y stage we’re on, with ev - er - y
10 7
3 10 7 10 7
4 9 7 9 7
4 9 7 9 7
9 7
7 7
10 7 3
2 4
2 4 4 5 5
2 4
T
0 0
3 3 3 3 3 3 3 3 3 3 3 3
4 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2
4 4 4 4 4 4 4 0 0 0 0 0 0 0
2 2 2 X X 0
3 3 2 2
A Bm G D/F#
note we play, e - ven though they’re gone,
p mf let ring
3 3 3 3
4 4 2
4 4
5 7 2
3
3
3
6
7 10 7
6 7 9 7 9 9 7 6 X 7 7
7 9 9 7 7
5 7 9 9
7 9
0
2 2 3 X X 0
2 4 4 X X 0 2
2 4 4 4 0 0 0
0 2 2 2 X 0
3 2
14
A Bm A G5
they live on,
17 14 10 5 5
18 14 9 6 6
19 16 11 7
let ring
Harm.
17 14 10 5 5 5 12 7 5
18 14 9 6 6 7 6 12 7 5 5
19 16 11 7 9 7 12 7 5
Pitch: D G B G
0 3
0 2 2 2 3 3 X X 2 X X 3 3
2 2 2 2 4 4 X X 2 2 X X 0 0 0 0 0
2 2 4 X X 2 2 X X 0 0 0 0 0
0 2 0
3
=
3
Bm A G5
3
they live on.
*w/ delay
Harm. delay off w/ pick & fingers
12
12 7 3 2 2
6 7 12 5
7
*Set for dotted eighth-note regeneration w/ 3 repeats. Pitch: G
let ring P.M.
5 5
6
7
0 2 4
3 3 3 3
4 4 2 X X 0
4 4 4 2 X X 0
2 0 X X X
3
15
Outro-Guitar Solo
Gtr. 3 tacet
D D/C# Bm A
Gtr. 1
let ring let ring let ring
2
2 3 3 3 2 2 3 3 2 0
2 2 2 2 4 2 0
4
Gtr. 2
w/ pick & fingers
let ring
* P.M.
3 3 3
4 4 4 4 4 4 4 2
5 0 5 4 2 2 2 0
2
*Refers to strings 4, 5 & 6 only.
G D/F# A
3
let ring w/ pick
0 2 3 2 2 3 2
0 0 0 2 2 2 0 2 0 7 6 6
0 0 0 4 2 2 2 4 2
w/ pick & fingers
P.M.
3
0 2 2 2
0 0 0 0 2 4
0 0 0 2 4
3 3 2 2 0
** Bm/A
D Bm
Gtr. 1
7 3
10 9 7 7
7 7 5 7
6 7 7 6 7 6
7 9 9
5
Gtr. 2
P.M. P.M. P.M.
5 5
3 5 7 7 10 7
2 2 7 7 9 7
4 4 7 9 9
5 9 9
Rhy. Fig. 1
Gtr. 3
2
3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 4 4 4
0 0 0 0 0 0 0 0 0 0 4 4 4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 2
**Bass plays A.
16
G D/F# A
w/ pick & fingers
7 10 9 7 5
8 10 8 7 5 7 5 5
7 7 7 6 6
9 9 7 5 7 5 5
w/ pick & fingers
let ring
P.M. P.M. P.M. P.M. * P.M.
2
3 2 2
4 2 2 2 2 2
5 5 4 4 2 2 4
5 5 0 0 0
3 0
*Refers to strings 4 & 5 only.
End Rhy. Fig. 1
0
0 0 0 0 0 0 3 3 3 3 3 3 2 2 0
0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2
X X X X X X 0 0 0 0 0 0 0
3 3 3 3 3 3 2 2 2 2 2 2
G5 D A A#º Bm A G A
14 12 12
15 14 14
3
P.M. P.M.
P.M.
3
6
7 7 10 7
10 7 10 7 7 10 7 8 10 10
9 7 7 9 7 XX 7 9 7 7 6 7 9 9 9
9 7 7 7 7 9 9 7 4 5 8 9 7 11 11
9 9 9 7 5
10 7 7
Rhy. Fig. 2 End Rhy. Fig. 2
2
3 3 3 3 X X 2 2 2 3 3 2 2 2 2 3 3 3 3 3 3 2 2 2 2 2
0 0 0 0 0 2 2 2 X X 2 2 0 0 0 4 4 4 2 2 2 2 0 0 0 0 0 0 2 2 2 2 2
0 0 0 0 0 0 0 0 X X 2 2 2 2 2 4 4 4 2 2 2 2 0 0 0 0 0 0 2 2 2 2 2
0 0 0 1 1 1 1 2 2 2 0 0 0 0 X X X X X X 0 0 0 0 0 0
3 3 3 3 3 3 3
17
Gtr. 3: w/ Rhy. Fig. 1 (2 times)
D Bm Bm/A
Gtr. 1
12 14 10 10 9 10 9 7
14 15 10 10 7
9 7 6
9
9
10 9 7 7 7
Gtr. 2
w/ pick & fingers
let ring
let ring
P.M. *P.M. *P.M.
10 3 3 3 3 2
9 11 11 4 4 4 4 4 4 4
11 12 12 4 4 4 4 4 4
5 5 2 2 2
2
*Refers to strings 4 & 5 only.
G D/F# A
3
w/ pick & fingers
7 10 0 0 0 0 0 0 0 0 0 0 0
8 10 8 8 7 7 5 5 3 3 2 0
7 2
9 9 9 7 7 5 5 4 4 2 0
4
w/ pick & fingers
P.M.
3
4 4 2 2 2 2 2
5 5 4 2 2 2
5 5 5 0 0 0
3 0
D Bm Bm/A
mp
2
3
2
0
2
3
3
3 5 6 7 8 9 10 5 4 2 0
2 7 4 2 0
2 5 3 4 4 2 0 2 4
2 5 4 2 0 4 5 5
1 3
18
G D/F# A
0
4 2 0
4
3
3
P.M.
7
7 10 7 7 10 7
X 9 7 7 9 6 9 11 11 9
5 5 X 7 7 7 11 11 9
X 9 0 10 9 8
12 11 10
Gtr. 3: w/ Rhy. Fig. 2
G D A A#º Bm A G A
mf
w/ pick & fingers
let ring
3 3 0 2 0
12 15 12 3 2
14 11 12 11 11 9 7 7 6 4 4 4 4 0 2 0 2
7 8 9 9 7 5 5 5 5
w/ pick & fingers
let ring let ring
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
3 3 2 2 3 2 3 3 2
2 2 3 2 4 4 2
9 9 4 4 2 4 2 5 5 2 2
8 8 5 5 0 1 2 0 0 0
10 10 3 3
Gtr. 3: w/ Rhy. Fig. 1 (2 times)
D Bm Bm/A
let ring
w/ pick
& fingers
3 3 3
4 4
3
P.M. P.M. P.M.
7
7 8 10 10 8 7 7 7 10 7 7 10
1 1 7 7 9 11 11 9 7 6 7 9 7 9 10 9 7 10
3 3 9 9 9 9 7
5
19
G D/F# A D
3
14 14 10 10 9 10 9
15 15 10 10
11
6
P.M. let ring w/ pick & fingers
P.M.
17 17 14
12 15 X 14 12 10 10 8 0 2
12 11 11 9 11 9 6 6 9 11
14 12 12 7 7 11 12 5 5 11 12 2
12 9 4
10
Bm Bm/A G D/F#
3 3 3
12 10 12 10 7 5 7 5 3 2 0 12 15 14
12 14 11 12 14 11
12 12 14 12 12
14
w/ pick & fingers
P.M. P.M. P.M.
3 3
0 0 2 2
4 4 4 2 0 4 4
2 2 2 0 5 5
2 3 3
Gtr. 3: w/ Rhy. Fig. 2
A G D A A#º Bm A
12 12 12 12 10
11 11 12 12 12
12 11 11 12 12 11
w/ pick & fingers
P.M. P.M.
7
2 3 5 7 8 10 7 6 7 7 7 10
2 2 2 2 2 4 7 9 6 6 7 6 6 7 7 10 10 9
2 2 2 2 5 7 7 8 9 9
0 0 0 5
3
20
Begin fade
Gtr. 3: w/ Rhy. Fig. 1 (till fade)
G A D Bm Bm/A
9 12 14
15 14 12 11 12 10
9 9 11 10 14 11 9 11 9 11
11 11 12 12 11 9 11 12
w/ pick & fingers
P.M.
10 10
8 7 8 9 10 8 7 6 7 7
7 6 7 8 9 7 6 7 7 2 2 4 4
8 9 6 7 7 4 4 4 4 4 4 4
5 5 2 2 2
2
G D/F# A
1/2 1/2
14 15 12 14
15 10 8 7
14 11 12 11 11 X 11 11 9 9
12 11 9 7
10
w/ pick & fingers
P.M.
5
5 7 5 2
2 2 4 6 2 4 2 2
5 5 X 4 4 2 2 4
5 5 5 5 4 4
3 3
Fade out
D Bm Bm/A
7
9 9
let ring
3
P.M. P.M.
1 2 10 14 10 10
2 2 3 X 3 3 7 8 10 7 7 10 10 10 10
2 2 2 2 7 9 11 7 6 7 7 9 11
0 4 4 5 7 9 8 9 10 12
4 5 5
21
from Brad Paisley - Play
Playing with Fire
By Brad Paisley and Robert Arthur
C5 G5 D5 G5 X Eb5 Bb5
10fr 10fr 6fr 6fr
Gtr. 4: Baritone gtr. tuning:
(low to high) E-A-D-G-B-E 134 134 134 134 134 134
__ =
A
3
Moderately q = 123
µ * G5
( )
Gtr. 1 (dist.) 3
3
f **
let ring ***
1/2 1/2
3
3 5 5 3 5 5 5 3 3 5 5 5 3 5
3 3 5 5 5 3 5
X
**Vol. swell ***2nd string is sounded from pull-off.
Gtr. 2 (dist.)
mf
X 3 X 3 X X X X 3 X
X 0 X 0 X X 0 X X 0 X
*Chord symbols reflect basic harmony.
Gtr. 1
3
p mp mf
let ring
†† w/ pick & fingers
1 1 1
3 3 3
3 6 6 6 4 3 3 3 5 3
5 3 5 5 5 5 3 5 5 5 5 3 5 3
5 5
††As before
†Gtr. 3
mp
3
10 10 10
††† w/ bar
10 10 8
†Pedal steel arr. for gtr. †††Vol. swell
Gtr. 2
3 X 3 3 3 X
0 X 0 0 X 0
0
3
© 2008 EMI APRIL MUSIC INC., NEW SEA GAYLE MUSIC and BET THE FARM MUSIC
All Rights for NEW SEA GAYLE MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
1
3
w/ pick & let ring let ring
fingers
1
15
6 11 12 5 6 5 3
5 10 3 3 5 3 5 14 12 10 3 5
10 3 3 5 5 5 3 10 3
5 12 3
p mf
3 3
3 3
3
3 X X X 3 X X 3
0 X X X X X X 0 0
X X X 0 0
Gtr. 3 tacet
3
3
mp mf 3 mp
3
11 11 11
5 5 3 0 14 12 12 10 0 0 0
5 3 12 11 10 10 8 3 3 3
10 5
3
w/ bar
grad. dive
5 5 5 5
5 5 5 5
-1/2 -1
3
X 3 3 3 X 3 X
0 X 0 0 0 X 0 X
0
2
Spoken: One, two, one, two, three, four.
3
Gtr. 1
3 3 3
3
P.M.
P.M.
mf
let ring
P.M. P.M. P.M. P.M.
0 0 0 0 5 7 5 0
3 3 3 3 3 5 5 5 5 5 0
5 5 5 5 5 5 5 5 10
Gtr. 2
mf steady gliss.
3
X 3 X X 3 3 3
X 0 X X 0 0 0
X X
15 15
B
G5 C7
3
3
3 3 3 3 3 3
4 6 3 3 3 3 6 3 3
6 5 3 5 3 0 5 3 0
3 5 5 3 3 5
4 5 5 12
Rhy. Fig. 1
3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 3
0 0 0 0 0 0 5
X X X X X X 3
3 3 3 3 3 3
G5 Bb5 C5 Eb5 D7#9
w/ pick & finger
3 3 3
6 3 3 3
6 5 3 5 3
3 3 3
0 1 3 3 5 3 3 5 6 6 5 3 3
3 0
End Rhy. Fig. 1
let ring
P.M.
3 3
3 3 3 3 3 3 X 6 6 6 X
0 0 0 0 0 0 0 0 X 5 5 5 X
0 0 0 X 4 4 4 X
X 1 1 3 3 6 6 X 5 5 5 X
3 3
3
Gtr. 2: w/ Rhy. Fig. 1
G5 C7
3
Gtr. 1
3
3
3 3 3 3
6 3 3 3 6 3
6 5 3 5 3 5 3 0 5 3 0 5
5 3 5 5 5 3 5 3 0 5
5 4 5 5
G5 Bb5 C5 Eb5 D7#9
3
1
1/2
3 3
6 3
5 5 3 5 3
5 3
0 1 3 3 5 3 3 5 6 6 5 5 3 3 5
1 3
C
G5 C5 G5
Gtr. 2
Gtr. 1
3 3
let ring
w/ pick & fingers
P.M. P.M. P.M.
4 4 4 6 4 1 3 3 3
3 5 0 3 0 3 5 0 2 5 5 0 5 3 0 3
3 5 3 3 5 2 5 5 5 5 5 3 5 5 5
3 X 3
Riff A
Gtr. 2 Gtr. 3
let ring
(cont. in slashes)
3 3 3
3 X 3 3 3 3 3 3 6 8 8 3
X 0 0 0 0 0 0 0 X
0 0 0 0 X
X
3 3
Rhy. Fig. 2
*Gtr. 4
mf
w/ amp tremolo
13
12 12
10 12
10
*Baritone gtr.
4
C5 G5 C5
(cont. in notation)
3
w/ pick & fingers 3
w/ pick & fingers
P.M. 1 1/2 1 1/2
1/2 1/2 1 1
3 3
4 4 4 6 4 3 3 4 4 4 6 4
5 5 5 5 5 5 5 5 5 3 3 5 3 3 X 3 5
5 X 5 5 5 5 5 5 X
3
6 8 8 8 11 11 11 6 8 8
8 12 12 12
let ring
13 11 13
12 12 12 12
10 12 10
10
Gm µ Eb7 µ D7#9
Gtr. 1 3
3
3
3 3
3 3 3
3
6 3 6 6 6 6 6 6 7
6 5 3 6 6 6 5 5 5 3 7 7 6
5 3 5 5 5 4 4 4 3 7 7
5 4 3 4 6 6 6 6
9 2 1 5
Gtr. 3 End Riff A 3
3 6 6 6
6 6 6 5 5 5
5 5 5 4 4 4
6 6 6 5 5 5
3
3
3
Gtr. 2
4 4 4 6 6 6 6
6 6 6 5 5 5 5
5 5 5 5 5 5 5 5 4 4 4 4
5 5 5 5 5 6 6 6 5 5 5 5
3 3 3 3 3
Gtr. 4 End Rhy. Fig. 2
3 3 3
13 13 13
11 16 16 16 13 13 13
12 15 15 15 11 11 11
12 13 13 13 12 12 12
10
5
D
Gtr. 2: w/ Rhy. Fig. 1 (1 7/8 times)
Gtrs. 3 & 4 tacet
G5
Gtr. 1
1
1 3
3 3 3 3 1 3
10 12 0 0 0 0 5 3 0 0 3 3
10 12 4 5 0 0 0 5
8 10 5
3
C7 G5
3
3
3 3
w/ pick & finger 3 3
3 3
6 8 3 3 5 3
3 3 5 6 3 0 5 3
3 5 0 3 5 5 5 3
1 3 5 3 5 5 4 3
5 5
Bb5 C5 Eb5 D7#9
Gtr. 1
3
3
steady gliss.
3
3
2 5 6
3 5
1 3 3 5 3 1 3 4 5
12 1 3
Fill 1 End Fill 1
Gtr. 3
w/ bar
6 6
3 5 8 5 5
-1 1/2
Fill 1A End Fill 1A
Gtr. 4
8 10 13 12
Gtrs. 3 & 4 tacet
G5
Gtr. 1
w/ pick & finger
3
1/2
1 1
3 3 3 3 6 3
3 5 5 5 5 2 3
6 5 3 0 0 0 6 5 3 0 5 5 5 3 0 5 5 2 3
5 3 5
6
C7 G5
*
8va
3 3
3 3
let ring let ring 1
18 20 18 20 20 18
6 8 6 13 11 10 17 20 18 20 20 20
5 10
5 7 10
5 7 8 12
*Played as even eighth-notes.
Bb5 C5 Eb5
8va loco
3
3 5 w/ pick & finger
1 hold bend 1 1 1
20 18 15 18 15 15
18 15 18 18 15 18 15 18 18 18 17
18 18 17 15 17 17 17 17 15 15
17
3 8
D7#9 G5
Gtr. 1 3
3
let ring
3
3 3
3 3
1 1 1 1/2
3 3 3
3 6 3 13 13 13 11 3 6 3
6 3 0 3 10 12 10 0 5 5 3 0 5 6 5 3 0 5 6 5 3
5 3 5 12 5 5 3 0 3
Gtr. 2
let ring
let ring
X 3 X X 3
6 6 X 3 X X 3 X 3 3
5 5 X 0 X X 0 0 X 0 0 2 3
4 4 X 0 X X 0 X X 0
6 5 5 X X X
3 X 3
E
Gtr. 3: w/ Riff A
Gtr. 4: w/ Rhy. Fig. 2
Cm Gm Cm
w/ G bender 3
w/ pick & finger
1 1
6 6 6 6 6 6
4 6 4 3 2 3 4 6 4
3 5 3 3 3 3 0 5 6 5 3 5 3 3 5 3 5 5 5 5
3 5 0 5 0 3 5 5
let ring let ring
3 X 3
3 X 3 4
5 X 5 5 5 3 X 3 5 X 5 5 5 5
5 X 5 5 5 5 X 5 5 X 5 5 5 5
3 X 3 3 3 5 X 5 3 X 3 3 3 3
3 X 3
7
Gm Cm Gm
8va
3 3 3
3
steady gliss. let ring
1
15 15
13 11 15 15 15 18
12 14 12 12 15 X 14 15 17 15 15 17
12 10 10 17 17 15 17 17
10
let ring let ring
3 3 3 3 3 3 3
3 3 3 4 4 4 3 3 3 3
0 0 0 0 5 5 X X 5 5 5 3 X 3 3 3 3
0 5 5 X X 5 5 5 5 X 5 5
X 3 3 X X 3 3 3 5 X 5 5
3 3
D5 G5 X
Gtr. 4
(cont. in notation)
8va
loco
Gtr. 1
3
3 3 3 3 3
1 1 1 1 1
18 18 18 18 18 18 18 18 18 18 15
15 18 15 15 18 15 18 15 15 15
17 18 17 15 17 15
17 17
Gtr. 3
steady gliss.
5 7 7 12 12
7 12 12
Gtr. 2
let ring (cont. in slashes)
3
3 3 3 X 3
7 7 7 X 7 X 7 X 3 X 3 3 X 3
7 7 7 X 7 X 7 X 5 X 5 5 X 5
5 5 5 X 5 X 5 X 5 X 5 5 X 5
3
8
F
Gtr. 3 tacet
Eb5
Rhy. Fig. 3
Gtr. 2
8va loco
Gtr. 1
3
1 1 1
15 15 15
18 18 18 18 18 15
18 17 15
17 15
Rhy. Fig. 3A
Gtr. 4
16
15
13
Bb5
C5
3
1
15 X X
15 X X X 16 16 16
15 17 15 15 15 X 15 15 15 15
17 15 X 13 13 17
16 15 13 3 15 15 15 5
15
13
15 12
15 10
13
G5
End Rhy. Fig. 3
3
3
3 rake
steady gliss. let ring
1 1
18 18 18 18 18 3 3
X 3 3 3 3
5 5 5 3 5 3
17 4 5 5 3 5 5 5
17
End Rhy. Fig. 3A
13
12 12 12 12 12 12 12 12 12
10 12 12 12 12 12 12 12 12
10 10 10 10 10 10 10 10
9
Gtrs. 2 & 4: w/ Rhy. Figs. 3 & 3A
Eb5 Bb5
Gtr. 1
3
let ring
1
3 3
3 4 6 3 3 8 7 8 8 8
2 3 5 5 5 3 5 7 7 6 7 7 7
3 5 5 5 5 5
C5
3
3
3
w/ pick & finger
3
let ring let ring
3 3
3 3 3 6
5 6 0 5 3 0 0 2 3 5
5 5 3 0 X 3 5 5 3 3
5 5 3 0 1 3 1
3 0
µ D7#9 µ D7#9
Gtr. 1 3
3
3
3
3 let ring
P.M.
1
7 5 5 6 5 3
7 5 5 5 5 5 3
7 5 4 5
6 5 5 5 4 5
Gtr. 4
3 3
12 12 12 12 12
3 3
Gtr. 2
6 6 6 6 6
5 5 5 5 5
4 4 4 4 4
5 5 5 5 5 5 5
10
G
Gtr. 4 tacet
G5
Gtr. 1
let ring
3
3 5 5 3 X 0
5 3 0 3 5 5 3 X 1 3
Gtr. 2
X 3
X 3 X X 3
X 0 X 0 X 0
0 X
Gtr. 3
10
10
Gtr. 2: w/ Rhy. Fig. 1
Gtr. 3 tacet
Gtr. 1
3 3
3
steady gliss.
let ring 3 let ring
X 13 15 15 13
X 11 13 13 X 15 15 15
10 12 12 15 15 15 17 17 15 17 15 15
0 0 11 17 17
0 1 2
0 1 1 2 3 4 5 6
Gtr. 3
steady gliss.
mf
10 10
10 10
C7 G5
Gtr. 1
3 3
3
w/ pick
3 & finger
3 3
6 8 8 3 5 6 11
7 7 5 3 0 5 3 3 4 5 5 12 6 5
8 8 5 3 X 3 5 4 5 7 12
5 3
11
Bb5 C5 Eb5 D7#9
3
3 3
3
3 18
3 11 18 18
5 3 5 10 5 10 10 15 17
3 10 13 7 12 12 17
5 5 4 3 8 10 12 10
9 8 10
H
Gtr. 4: w/ Rhy. Fig. 2 (1st 4 meas.)
Cm Gm Cm Gm
8va
loco
Gtr. 1
5
rake
1/2
18 18 18 15 3 3 3
20 18 20 18 15 3 6 3 3 3 3
19 17 19 17 15 17 15 5 7 6 6 6 5 3 0 3 6
X 17 3 0
3 1 5
15
Gtr. 2
let ring let ring
3 3 3 3 3 3
X 3 3 3 3 4 4 4 4 X 3 3 3 3
5 X 0 0 0 0 0 5 5 5 5 X 0 0 0 0 0
5 X 0 5 5 X 0
3 X X
3 3
Cm Gm Eb7 D7#9
*
Gtr. 1
3
3 3 3 3
10 13 10
4 8 13 11 10 10 13 10 6 6 6 5 5 5 5 5 5
3 5 8 10 12 10 10 6 6 6 6 5 5 5 5 5
3 5 8 10 10 13 12 10 5
10 8 3 6
8
*Played as even eighth-notes.
3 3
3 3
Gtr. 2
let ring
3 3 3 3 3
4 4 4 X 3 3 3 3 4 4 4 4 4 4 6 6 6 6 6 6
5 5 5 X 0 0 0 0 0 6 6 6 6 6 6 5 5 5 5 5 5
X 0 5 5 5 5 5 5 4 4 4 4 4 4
X 6 6 6 6 6 6 5 5 5 5 5 5
3
Gtr. 4
3 3 3 3
13 11 11 11 11 11 11 11 10 10 10 10 10 10
12 10 12 12 12 12 12 12 11 11 11 11 11 11
10 12 13 13 13 13 13 13 12 12 12 12 12 12
10
12
Gtr. 4 tacet
µ G5 µ Bb5 µ G5
Gtr. 1
3 3 3
3 3 3
let ring
3
3 3 3 3
4 5 5 4 3 1 4 5 5 4 3 1 4 5 5 4 3 1
3 3 3
Gtr. 2
3 3
3 3
0 3 0
0 3 0
X 1 1 X
3 3
I
F5 G5
3
w/ pick & finger
3 3 3 6 3 13 15
0 12
3 5 5 5 5 0 3 5 5 5 5 5 5 3 5 5 12 14
3 5 3 5 5
1 3 1 3 3
let ring let ring
3 3 3 3 3
X 3 3 3 X X 3 3 X 3 3 3 3
X 0 0 0 X X 0 0 X 0 0 0 0 0
X X X X 0
X
3
C7 G5
3 3
3
3
1/2
13 13 15 15 13 15 15
13 13 13
X 10 12 10 17
X 12 14
17 17
let ring let ring let ring
3 3 3
3 X 3 3 3 3
0 0 3 3 X 0 0 0 0 0
0 5 X 0
X 3 X
3 3
13
Bb5 C5 Eb5 D7#9
Gtr. 1
3 3 3
3
3
1 1
15
15 15 15 15
17 15 14 15 17 17 17
17 15 15 17
17 15 13 13 15 15 17 15 15 17 18
13 10 15
Gtr. 3
w/ bar
6 6
3 5 8 5 5
-1 1/2
Gtr. 2
let ring let ring
3 3
3 3 3 6 3
0 0 0 0 0 3 5 5 0
0 0 3 5 4
X X 1 3 6 5
3 3
Gtr. 2: w/ Rhy. Fig. 1 (2 5/8 times)
Gtr. 3 tacet
G5
8va
Gtr. 1
1 1
let ring
1/2
15 15 15 15 15 15 15 15 15 15
18 18 18 15 18 15 15 15 15 15 15 15 15 15 15
15
C7 G5
8va
( )
3 3
1 1 1 1
3/4 1/2 1/2 1/2 1/2
15 15 17 15 18 15 20 20 20 20 20 20 20 20 20 20 20 20
15 15 17 15 15 18 20 20 20 20
14
Gtrs. 3 & 4: w/ Fills 1 & 1A
Bb5 C5 Eb5 D7#9 G5
8va loco
3
3
1/2
3
1
20 20 15 6
18 15 10 13 11 10 8
18 17 10 12 10 8 5 7 0
10 12 12 11 10 8 10 8 10 10 8 3 5
10 10 8 10
11 10
C7
3
3
3
3
w/ pick & fingers
1/4
6 6 6 6
8 6 3 5 3 15
0 0 0 0 0 0 0 0 0 3 15
0 0 0 0 0 0 0 0 15
3 3 3
G5
3 3 3 6 9 9 5
15 1518 15
*
18 15 15 15 18 15 15 15 18 18 15 15 18 18 15 15 18 18 15 15 18 15 15
15 17 15 15 X 17 15 17 15 17 15 17 15 17 15 17 18 17 15
17 17 17 17 15 15 17 17 15 15 17
*3rd string bumped from pull-off.
Gtrs. 3 & 4: w/ Fills 1 & 1A
Bb5 C5 Eb5 D7#9 G5
3
3
3
3
3 3
steady gliss. 3 3 3
w/ pick & fingers
3 3 3 3 3 3 3
3 3 3 3
15 2 3 5 3 5 6 6 6 0 6 0 6 0 6 0 0
17 15 3 5 5
16 15 1 3 5
13 2 3
3 3 3 3
3 3 3 3
w/ pick & fingers
1 1
3 3 3 3 3 3
5 5 5 5 5 5 5 3 3 3 3 3 3
2 0 2 0 2 0 3 2 0 6 6 6 6 6 6
3
15
C7 G5
3
3 3 5
w/ pick & fingers
3 3
3 3 6 5 3 0
6 6 5 5 5 3
5 3
5 3 0 1 3 5
3
Bb5 C5 Eb5 D7#9
Gtr. 1
3
2 3 3
3 5 5 5 3
0 1 3 3 5 3 3 5 6 6 5 5 3
3 1 3
Gtr. 3
w/ bar
6 6
3 5 8 5 5
3 5
3 5
-1 1/2
Gtr. 2
let ring let ring (cont. in slashes)
3 3
3 3 3 6
0 0 0 0 0 3 5 8 5
0 0 3 5 8 4 3 5
X X 1 3 6 5 3 5
3 3 1 3
Gtr. 4
10 12
8 10 13 12
16
J
Free time
G5
Gtr. 2
Gtr. 1
P.M.
steady gliss. 1/2
6 8 5 5
8 6 6 6 6
7 7 5
5
3 3 3 3 3 10 0
Gtr. 3
steady gliss.
5 5 9 17
5 5 9 17
Gtr. 4
12
Gtr. 4 tacet
let ring
8 6 5
8 6 8 6 3 3
7 7 5 5 3 6 5 3 5 3 0
3 5 3 3 5 3 0 5 0
X
3 3 15
steady gliss.
17 15
17
12
17
from Brad Paisley - Play
Pre-Cluster Cluster Pluck Prequel
(Prelude)
Words and Music by Brad Paisley, Frank Rogers and Kevin “Swine” Grantt
Grandson: Grandfather?
Grandfather: Yes, my child.
Grandson: Whom should I listen to should I per chance desire to procure a virtuistic ability to chickenpick?
Grandfather: Well, youngling, I’m utterly delighted that you inquired.
Fetch yon writing apparatus and prepare to inscribe these renowned monikers.
Grandson: Pardon?
Grandfather: Just write this down. James Burton...
Free time
A5
3
3
3
Gtr. 2 (clean) 3
3
3
3
mf
w/ chorus
12 11 9 7 6 4 2
14 12 10 9 7 5 4
0 X X X 0 0 0
Gtr. 1 (slight dist.)
3
mf
2
2
X 0
X 0
Albert Lee...
( )
( )
( )
rit.
let ring
1
1 1/2 1/2
1/2
0 4 4 2 4 2 0 0 7 7 6 6 4 4
2 2 0 7 7 6 6 5 5
3 4 0 6 5 4
rit.
2 2
2 2
0 0
© 2008 EMI APRIL MUSIC INC., NEW SEA GAYLE MUSIC and KEVIN GRANTT PUBLISHING
All Rights for NEW SEA GAYLE MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Gtr. 2 tacet
C5
Gtr. 2
let ring
4
5
Gtr. 3 (clean)
3 3
mf
12 10
8 10 8 13 11 11 10
8 9 10 8 9 12 14 12 11 10
7 10 10 10 8 10 12 14
9 10 10 9 8 10 12
11 12
Gtr. 1
5 5 5 5 5 5 5 5
X 5 5 5 5 5 5 5 5
X 3 3 3 3 3 3 3 3
Gtr. 3 tacet
D5
Redd Volkaert...
Gtr. 4 (clean)
mf
let ring
13 13 12 13 12
12 14 14 12 14 12
12 12 12
Gtr. 3
3 w/ bar
8
8 9
10 7 8 10 10
10 9 8 7 7
Gtr. 1
5 7
5 X 7
3 5
2
Gtr. 1 tacet
Gtr. 4
P.M. P.M.
1
9 10
10 11 12 10 11 0
12 9 10 0 11 10 9 10 0 0
0 0 10 9 0 8 9 0 10 9 9
9 8 8 5 5 0 1
Gtr. 4 tacet
A5
John Jorgenson...
Gtr. 5 (slight dist.) 3 3
3
6
3
mf
let ring throughout
0 0 0 0 0 0 0 0
2 2 2 5 5 5 5 5 7 7 9 9 11 12 12 14
2 4 4 7 7 7 9 9 9 10 10 12 14 14 16
Gtr. 4
Gtr. 1
2 2 2 2
2 2 2 2
X 0 0 0 0
X
Vince
3
17 17 14 17 17
14 17 14 17 17 14 14 14 15 14 15 15 14
14 16 14 14 16 14 16 16 14 14
14 14 16 16 14 16
16
16 17
2
2
0
3
Gtr. 5 tacet
C7
Gill... Steve Wariner...
Gtr. 6 (clean)
3 3
3
3
mf
let ring
1/2 1/2 1
7 7 7 6 5 5 8 5 8
7 8 8 7 5 3 5 7
4 5 7 5 4 3
5 7 7 10
Gtr. 5
16 17
Gtr. 1
3
let ring
5 5 5 3 3 3
5 5 5 5 5
3 3 3 3 3 7 5
0
Gtr. 6 tacet
D5
Gtr. 7 (slight dist.)
3
6
3
mf let ring
w/ G bender
1 hold bend +1 +1/2 +1 +1 +1/2 +1 +1 1/4
10 10 13 13 12 10
10 13 13 13 13 10
11 12 12 12 9 9 9 9
12 12 10 10
12 12 11 10
Gtr. 1 3
3
let ring
7 7 5
X 7 7 7
X 5 5 5 5
4
Gtr. 7 tacet
E5 E7(no3rd)
and Brent Mason.
Gtr. 8 (slight dist.)
3
let ring
w/ G bender f
+1
5 3 4 3 0
10 3 5 0
9 2 0 0 2 4
10 2 0 0 2 4 4
9 2 4 4 3 4
0 2 4
3
let ring let ring
9 7 7 7
9 9 9 9 9 9
5 7 7 7 7 7 7
0 0 0 0 0 0
E E7(no3rd) E5
3 3
7 3
P.M. P.M. 1/2
2 0
3 2 0 2 0 1
2 2 0 2 1 2 2 5 2
2 1 0 2 4 4
0 0 3 3 4
let ring
7 7 7 9 9 7 7 9 7 9
9 9 6 6 9 9 9
7 7 7 7 7 7 7
0 0 0 0 0 0 0
Grandson: Got it. Thanks.
3
3
3
3 3
let ring
Harm.
3
w/ pick & fingers *w/ delay
let ring let ring let ring
w/ B bender
+1
0 0 0 12
12 12 12
2 4 4 2 3 3 1 2 0 2 0 1
3 5 4 3 3 2
X 0
*Set for eighth-note regeneration w/ 1 repeat.
let ring
9
7
0
5
from Brad Paisley - Play
Start a Band
Words and Music by Kelley Lovelace, Ashley Gorley and Dallas Davidson
F5 Bb5 C5 D5
5fr
134 134 134 134
Gtrs. 4 & 6: Capo I
Intro
Moderately q = 122
µ ** F5 Bb5
Gtr. 2
(elec.)
mf
w/ slight dist.
*Gtr. 1 (elec.)
Riff A
let ring
mf
w/ slight dist. 1 1
5 5 5
3 5 5 5 5 3 3 5 3 3 5
3 5 3 5 3 1 3 5 3
1 1
*Brad Paisley **See top of page for chord diagrams pertaining to rhythm slashes.
C5 D5 F5
†Gtrs.
2&3
Gtr. 1
1
6 6
5 5 5
5 5 5 7 7 5 3 3 X 3 3
3 3 5 3 3 X 3 3
1 1 X 1 1
***Gtr. 4
mf
w/ slight dist.
let ring
1/2
0
4 4 0
2
***Keith Urban †Gtr. 3 (acous.) played mf.
Capoed fret is “0” in tab. Composite arrangement
© 2007 EMI APRIL MUSIC INC., DIDN'T HAVE TO BE MUSIC, BUG MUSIC-MUSIC OF WINDSWEPT,
SONGS OF COMBUSTION MUSIC and BIG BORASSA MUSIC, LLC
All Rights for DIDN'T HAVE TO BE MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights for SONGS OF COMBUSTION MUSIC Administered by BUG MUSIC-MUSIC OF WINDSWEPT
All Rights for BIG BORASSA MUSIC, LLC Administered by WORDS & MUSIC, COPYRIGHT ADMINISTRATION
All Rights Reserved International Copyright Secured Used by Permission
Reprinted by Permission of Hal Leonard Corporation 1
Bb5 C5 Bb5 F5
Brad Paisley: 1. I nev - er was a
End Riff A
steady gliss.
3 5
3 3 5 5 5 3 5 7 7 5 3 X 3
1 1 3 3
1 3 5 5 3 1 1 1 13
let ring Harm.
1
12
12
2 1
4 2 0
2 2 0
Verse
Gtrs. 2 & 4 tacet
F5 Bb5 C5 F5
Gtr. 3
straight laced, straight A stu - dent, teach - er’s pet or child prod - i - gy. I wan - n’t gon - na
Gtr. 5 (elec.)
mf
w/ flanger & wah-wah as filter
w/ pick & fingers
3
10 10 10 10 10 3 3 3 3 3 3 5 5 5 5 5 10 10 8
10 10 10 10 10 3 3 3 3 3 3 5 5 5 5 5 10 10 10
8 8 8 8 8 1 1 1 1 1 1 1 3 3 3 3 3 3 3 5 8 8 8 8 8
Gtr. 1
3
3
1
2
Bb5 C5 Bb5 F5
get rich throw -ing a foot - ball. It -’d take too long to get a law de - gree. So I sat
3
10 8 8 8 3 3 3 3 3 3 5 5 5 3 10 10 10 10
10 10 10 3 3 3 3 3 3 5 5 3 10 10 10 10
8 8 8 1 1 1 1 1 1 1 1 6 8 8 8 8 8
steady gliss.
1 0 13
Bb5 C5 D5
down with Ma - ma and Dad - dy. They tried to talk some sense in - to my thick head. Mm, but the,
Gtr. 5
10 10 10 10 10 3 3 X 3 3 5 5 5 5 5 5 7 7 7 7
10 10 10 10 10 3 3 X 3 3 5 5 5 5 5 7 7 7
8 8 8 8 8 1 1 1 X 1 1 3 3 3 3 3 3 5 5
Gtr. 1
steady gliss.
6
10 X 10 10 X X 3 X 3 3 5 5 5 X 5 5 7 X 7 X 5
10 X 10 10 X X 3 X 3 3 5 5 5 X 5 5 7 X 7 X
3 8 8 X 8 8 X X 1 X 1 1 3 3 3 X 3 3 5 X 5 X 1 0
X
Gtr. 4
1
4 4 2 X 4 2
3
F5 Bb5 C5 Bb5 F5
mm, best ad - vice that I ev - er got was from my sis - ter’s rock star boy - friend. Just
*Gtrs. 1 & 5
10 X 10 3 X 3 X X 5 X X 3 3 10 10 10 10 10 10 10 X X
10 X 10 3 X 3 X X 5 X X 3 3 10 10 10 10 10 10 10 X X
3 8 8 X 8 8 1 1 1 X 1 1 X X 3 X X 1 1 8 8 8 8 8 8 8 X X
*Composite arrangement
Gtr. 4
**Gtrs. 4 & 6
4 6 9 11
2
**Gtr. 6 (elec.) w/ clean tone, played mf.
Composite arrangement
Chorus
Gtr. 5 tacet
C5 Bb5 F5 C5 Bb5 F5
Rhy. Fig. 1
***
get you a gui - tar and learn how to play. Cut up some jeans, come up with a name. When you’re
Riff B End Riff B
Gtrs. 4 & 6
let ring
0 0
0 0 0
11 11 9 9 9 4 6 9 11 11 4 6 9 11
2
Gtr. 1
steady
let ring gliss.
5 X 3 X 5 X 3 10 10 10
5 X X 3 3 X 3 3 3 5 X 3 3 3 10 10 X 10
3 X 1 X 3 X 3 3 3 3 X 1 1 1 8 X 8 X 8
1 X 1 1 1 X 0
***Keith Urban: harmony vocals
4
C5 Bb5 D5 Bb5 F5 C5 F5
End Rhy. Fig. 1
(cont. in notation)
liv - ing in a world that you don’t un - der - stand find a few good bud - dies, start a band, start a band,
let ring let ring
0 0 0 0
0 0 0 0 0 0 0
11 4 4 6 9
2 2 2
2
0
1
5 X 3 X 6 7 3
5 X 3 X 6 7 3 3
3 X 1 X 4 5 1 3 0 1 3 0 1
1 1 3 3 1
Interlude
Gtrs. 4 & 6 tacet Gtr. 1: w/ Riff A, simile
C5 Bb5 F/A C5/G F5 Bb5 C5
start a band.
Gtr. 1
let ring let ring
5 3 2
5 3 3
3 3 1 1 0 0 3 5 3
3
Fill 1 End Fill 1 Rhy. Fig. 2
Gtrs. 2 & 3
let ring let ring
let ring
5 3 2
5 3 3 3 3 3 3 3 5 X X 3 5
3 3 1 1 0 3 X X 3 3 3 3 1 1 1 X X 1 3
3 X X 0 1 1 1
5
D5 C5 F5 Bb5
* (B5) (E5) (A5)
Gtr. 4
5 7 5
4 4
4 6 6 7 6 4
4 2
End Rhy. Fig. 2
Gtrs. 2 & 3
X X 5 5 7 7 7 X 7 5 5 3 3 3 X X 3 3
5 7 X X 5 5 7 7 7 X 7 5 5 3 3 3 X 3 3 3 3 3 X X 3 3
3 3 3 X X 3 3 5 5 5 X 5 3 3 3 3 3 X 3 3 1 1 1 X X 1 1
1 1 1 X 1 1
*Symbols in parentheses represent chord names respective to capoed guitars.
Symbols above reflect actual sounding chords.
C5 Bb5 F5
(B5) (A5) (E5)
Gtr. 3
Keith Urban: 2. Now all those girls
Gtr. 4
Harm. steady gliss.
1
12
12
4 4 2 2
4 4 2
0 9
Gtr. 5
10 10
10 10
8 8
Gtrs. 2 & 3
Gtr. 2
(Gtr. 3, cont. in slashes)
5 5 5 X 3 3 X
5 5 5 X 3 3 X 3
3 3 3 X 1 1 X 3
1
6
Verse
Gtrs. 2 & 4 tacet
F5 Bb5 C5 D5 F5
Gtr. 3
*
that were too cool to talk to, they’ll be wait - ing in a line out back. Might get your
Gtr. 1
5 2
3 6 9 8 8 5 0 3 0 0
3 6 9 8 8 3 0 3 3 0 3
1 4 7 6 6
Gtr. 5
steady gliss.
10 10 5 5
10 10 5 5
8 8 3 3
*Brad Paisley: harmony vocals
Bb5 C5 Bb5 F5
pic - ture in a home town pa - per, may -be buy your ma - ma that Cad - il - lac. Brad Paisley: Just
Gtr. 4
4 6 9 11
Gtr. 1
13 12
13 13
12 10 5
3 3 10 3 5 7 7 5 3
3 3 3 3 3 1 1 1 3 5
1 1 1 18 1 3 5
Gtr. 5
steady gliss.
10 10 5 5 5 5 3 3 3 3
10 10 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3
8 8 3 3 3 3 1 1 1 1 3 3 3 3 3 3 3 3
1 1 1 1 1 1 1 1
7
Chorus
Gtr. 3: w/ Rhy. Fig. 1
Gtrs. 4 & 6: w/ Riff B, simile
Gtr. 5 tacet
C5 Bb5 F5 C5 Bb5 F5
(B5) (A5) (E5) (B5) (A5) (E5)
*
get you a gui - tar and learn how to play. Cut up some jeans, come up with a name. When you’re
Gtr. 1
let ring let ring let ring
1 1
5 3 3 10 10 10 10 10 5 5 3 3 0 0 2
5 3 3 10 10 10 10 10 5 5 3 3 3 3 3
3 3 1 1 1 8 8 8 8 8 8 3 3 0 1 1
*Keith Urban: harmony vocals
C5 Bb5 D5 Bb5 F5 C5 F5
(B5) (A5) (C#5) (A5) (E5) (B5) (E5)
liv - ing in a world that you don’t un - der - stand find a few good bud - dies, start a band. Start a band.
Gtrs. 4 & 6 (Start a band.
Gtr. 4
0 Gtr. 6
divisi
0 0 0
0 0 0 0
11 4 6 4 4 6 9
2
2
0
Gtr. 1
5 5 3 7 7 3 3
5 5 3 7 7 3 3 3 10 10
3 3 1 5 5 1 1 3 0 10 10 0 3 5
1 1 6 8 8 8 1
Bridge
Gtr. 6 tacet
C5 F/A Bb5 C5 F/A Bb5
(B5) (E/G#) (A5) (B5) (E/G#) (A5)
Scrape up some mon - ey, buy a van. Keith Urban: Learn “Free Bird” and “Ram - bl - in’ Man.”
Buy a van. Man.)
Gtrs. 4 & 6
9 8 8 6 6 4 4 2 2 1 1 8 9 9 8 8 6 6 4 4 2 2 1 1 9 11
4 4 2 2 4 4 2 2
**Gtrs. 1, 2 & 3
let ring let ring let ring let ring
5 5 5 5 5 2 3 5 5 5 5 5 5 2 3 3 X X
5 5 5 5 5 3 3 3 5 5 5 5 5 5 5 3 3 3 X X
3 3 3 3 3 0 0 1 3 3 3 3 3 3 0 0 1 1 X X
**Composite arrangement
8
Gtrs. 2 & 3: w/ Fill 1, simile
C5 Dm Bb5 C5 Bb5 F/A C5/G
(B5) (C#m) (A5) (B5) (A5) (E/G#) (B5/F)
*
Nev - er buy an - oth - er beer a - gain.
Gtr. 7 (elec.)
mf
w/ dist. & chorus
15 17 17 17 15 15 15 14 14 14 14 14 12 12 12 12
X X X X X X X X X X X X X X X
13 15 15 15 13 13 13 12 12 12 12 12 10 10 10 10
Gtr. 4 Gtr. 6
**Gtrs. 4 & 6
Gtr. 4
divisi let ring let ring let ring
0 0 0 0
5 5 0 0 0 0 0
11 9 9 8 8 6 6 4 6 6 2 2 4 4 9 11 11 11
6 6 2 2 4 4
4 4 0 0
**Composite arrangement
Gtrs. 1, 2 & 3
Gtr. 1
let ring
5 5 5 5 5 X X 7 7 3 3 3 3 5
5 5 5 5 5 X X 7 3 3 3 3 5
3 3 3 3 3 X X 5 1 1 1 1 3
8 8
*Brad Paisley: lead vocals
Keith Urban: harmony vocals
Guitar Solo
Gtrs. 2 & 3: w/ Rhy. Fig. 2 Gtr. 6 tacet
Gtr. 7 tacet
F5 Bb5 C5 D5 C5
(E5) (A5) (B5) (C#5) (B5)
Gtrs. 4 & 6
Gtr. 4
let ring
1
12
11
2
Gtr. 1
steady gliss. 1 1 1
10
5 6 5 5 6 5 5 3 3 1 3 1 10 10 13 10
5 5 5 5 5 3 3 3 0 0 5 10 12 13 12 10
5 7 5 5 7 5 5 3 3 3 2 X 12
1 0 1 2 3 3 X 3 5 7 7 13
8 1 1 3 3
9
F5 Bb5 C5 Bb5 F5
Rhy. Fig. 3 End Rhy. Fig. 3
Gtrs.
2&3
let ring 1
let ring
1 1 *
7 12 14 14
5 7 9 9 12 12
2 0 4 6
2 2 4
2 2 0 3 4 4 6
2 2 2 2 0
*Shake neck
1
10
10 10 10
10 10 10 12
10 10 12
8 10 12
8 10
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st 4 meas.)
C5 Bb5 F5 C5 Bb5 F5
(B5) (A5) (E5) (B5) (A5) (E5)
1 1 1 1
1 1 1
16 14 12
12 14 17 17 12 14 12 12 12 17
14 14 14 13 14 14 13 13 14 14 14 13 13
10 14
1 1 1 1
1 1 1
13 10
10 11 13 13 10 11 13 13 15
12 12 12 10 12 12 10 10 10 12 12 12 10 12 12 10
8 12
C5 Bb5 D5 C5
Gtrs.
2&3
1 1 1/2 1/2 1
19 17 11 9 7 5 4 2
17 17 17 16 16 16 7 X
14 14 14 13 9 13 11
14 14
1 1 1 1 1
1/2
15 13 8 6 5 3 1
15 15 15 13 13 13 5
12 12 12 10 5 9 7 7 5 2
12 12 7
10
Chorus
Gtrs. 2 & 3 tacet
C5 Bb5 F5
(B5) (A5) (E5)
Brad Paisley: So, get you a gui - tar and learn how to play.
Keith Urban: Grow
Gtr. 4
2 12 11 9
X 5 X 4 12 9 7
8 6
9
Gtr. 1
3 1 6 5
7 5
7 5 2 0 7 5
7 5 3 3
Gtr. 5
(cont. on upper staff)
5 3
5 3 3 3 3
3 3 3 1 1 1 3 3 3
1 1 1 1 1
Gtr. 4 tacet
C5 Bb5 F5
C5 Bb5 D5 Bb5
*
With a lit - tle bit of luck you’ll be pack - ing the stands.
out your hair, come up with a name.
Gtr. 5 Gtrs. 2 & 5
let ring let ring
(Gtr. 5 cont. in slashes)
5 3 10 10 10 5 3 7 7 3
5 3 10 10 10 5 3 7 7 3
3 3 3 1 1 1 1 6 8 8 8 8 8 8 3 1 5 5 1
Gtr. 1
5 3 7 7 7 3
5 3 7 7 7 3
0 1 3 1 5 5 5 1
0 13
*Brad Paisley: lead vocals
Keith Urban: harmony vocals
11
Gtr. 2 tacet Gtr. 5 tacet
Bb5 F5 C5 F5
(E5) (B5) (E5)
Gtr. 5
Find a few good bud - dies, start a band.
Gtr. 2
3
3
1
Gtr. 1
1
let ring
3 3 3 3 3 3 3 3 3 3 3 3 X X
3 3 3 3 3 3 3 3 3 3 3 3 3 X X 3
1 1 1 1 1 1 1 1 1 1 1 1 3 0 3 5 5 3 X X 3
1 3 5 1
Gtr. 4
P.S.
let ring
0
0
X X X
4
X X X
2 4 2
X 2 2 2 2
X 0 2 4 0
C5 F5 Bb5 C5
(B5) (E5) (A5) (B5)
**
*
3
No need to stud - y, start a band. Call up some bud - dies, man, and start a band.
Gtr. 4
(cont. on lower staff)
0 0 0
0 0 0 0 0
4 2 4 4 X X
4 2 2 2 2 2 2 4 4 X X
2 2 2 4 2 2 0 2 4 2 2 X X
0 0 0 0
Gtr. 1
1
let ring (cont. on upper staff)
3 X 5 5 X X
3 3 X 5 5 X X
3 5 5 3 3 8 3 5 1 X 3 3 X X
1 1 3 5 1 1
*Keith Urban: lead vocals **Brad Paisley: lead vocals
Brad Paisley: harmony vocals Keith Urban: harmony vocals
12
Guitar Solo
Gtrs. 2 & 3: w/ Rhy. Fig. 2
Gtr. 4 tacet
F5 F5 Bb5 C5
(E5)
Gtr. 1
let ring
1 1
5 5 5
3 3 8 3 5 5 5 5 3 3 5 3 3 3
3 4 3 1 3 5 3
1 1 3 5 1
Gtr. 4
steady gliss.
2
2
0 12
D5 C5
Gtr. 1
3
1
2
10 8
6 6 8 6 8
5 7 5 5 7
3 3 0 8 2 4 7 7 7
5 6 5 5 7 6 5 8 9 7 6 6 9
Gtrs. 2 & 3: w/ Rhy. Fig. 3
F5 Bb5 C5 Bb5 F5
(E5) (A5) (B5) (A5) (E5)
Gtr. 1
3
1/2 1/2
8 8 8 6 6
3 X X 3 3 5 0 5 7
3 3 3 X X 3 3 5 5 5 5 7 7 5 3 0 30 5 6 5
3 3 1 1 X X 1 1 1 3 3 5 3 0 5 6
1 1 0 3 5
Gtr. 4
3
1/2 1 1 1/2
4
12 17 19 19 19 17
8 9 9 11 13 13 18
X 7 7 9 11 2 0 0
6 7 9 X 9 9 7 7 7 9 4 2 0
7 7 5 7 9 9 11 3
13
Gtrs. 2 & 3: w/ Rhy. Fig. 2
Bb5 C5 D5 C5
3 3
3 3
1/2 1
1
1 1/2 3 3
6 3 0 3
5 3 0 3
1 1
5 3 0 3
5 0
6 8 ( 8) 8 5 8 8
5 5 2 0 3 4
5 0 2 3 2 5 6
5 5 5 5 3
3
F5 Bb5 C5 Bb5
Rhy. Fig. 4 End Rhy. Fig. 4
Gtrs.
2&3
P.M. P.M.
6 6 6
5 5 5 3 3 3 5 5 5
7 7 7 3 3 3 3 3 3 5 5 5 5
0 3 1 1 1 1 3 X 3
1
let ring 1 hold bend
5 12 16 17
5 4 7 4 7 7 7 5 12 12 12 12
4 4 4 6 8 9 11 13
2 6
2
0
F5 Bb5 C5 D5
Rhy. Fig. 5 End Rhy. Fig. 5
3
1
3
1 1/2 1 1 hold bend
*
13 13 13 1 1 X 0
13 13 13 1 1 X 3
15 15 15 15 14 3 3 3 10 3 3 3
15 15 6
0 3 0
3 0 0 3 8
2 3
-1
*Tune down string w/ tuning peg.
1
17 17 12 14
12 14
14
Gtrs. 2 & 3: w/ Rhy. Fig. 3
F5 Bb5 C5 Bb5
(E5) (A5) (B5) (A5)
P.M.
steady gliss. steady gliss.
10 10 3 3 3 5 5 5 5 3 3 3 3
10 10 3 3 3 5 5 5 5 3 3 3 3
8 8 8 1 1 0 1 1 3 3 3 3 1 1 1 1
8
3
1 1/2 1 1 1/2
1 1 1 1
14 12 12 9 9 9 X X 7 5
14 12 12 9 9 9 X X 7 5 5 7 5
4 6 4
6 4 2 2 4 4 4 4 4 4 2 4 4
4 4 9 11
F5 F5
(E5)
Gtrs.
2&3
3
3
10
10 10 10 10 10 10 10 10 10 12 13 12 10 0 10
10 10 10 10 10 10 10 10 10 12 10 10 11 12 12
8 8 8 8 8 8 8 8 10 12 12
Harm.
12
12
9 7 7 6 6 4 4 2
9 8 6 4 2 0
2 0
Bb5 C5 D5 C5
let ring
3
6 3 6
1
10 10 6 6
12 13 12 10 0 10 12 13 12 10 0 10 12 13 10 0 10 9 8 7 7 3 5 5 7 5 5
12 12 12 10 9 8 8 2 5 5 7 7 5 3
5
5
8va
Harm.
Pitch: B 15
F5 Bb5 C5 Bb5
P.M. (cont. on lower staff)
3 3 3 5 5 3 3 3 3
3 X 3 3 3 3 3 3 5 5 5 5 3 3 3 3
3 X 3 3 1 1 0 1 1 1 1 3 3 3 3 1 1 1 1
3 3 X 3 3 3
let ring
(cont. on upper staff)
let ring
1 1/2 1/2 1/2 1/2
5 5 5
5 3 3 5 5 3 3 5 5 3 3 5 5 7 5 7 8 8 8 8
6 6 4 7 8
5 6 4 6 4 6 4
Outro
Gtrs. 2 & 3: w/ Rhy. Fig. 5
F5 Bb5 C5 D5
(E5) (A5) (B5) (C#5)
Gtr. 4
steady steady
gliss. gliss. 1 1/2 1 1/2
9 9 9 10 10 10 3 10 12 12 10 12 9 9 5 7 5
2 9 9 9 4 9 9 9 2 2 1 1
Gtr. 1
steady steady
gliss. gliss. 1 1
10 10 10 10 10 10 10 10 13 12 10
12 12 7 12 12 12 6 13 10 12 10 12 10
10 12 12 11 10 8 8 8
Gtrs. 2 & 3: w/ Rhy. Fig. 3
F5 Bb5 C5 Bb5 F5
(E5) (A5) (B5) (A5) (E5)
3
steady steady
gliss. gliss.
(cont. on lower staff)
1 1
7 7
9 9 9 10 10 10 10 10 9 7 9 7
4 9 9 9 2 9 9 9
6 7 6 7 6 6 6 6 6
steady 3
gliss. (cont. on upper staff)
1 1/2
10 10
10 10 10 10 10 12 12 12 10 10 7 14
7 12 12 12 7 12 12 12 12 10
11 10 8 10 8 8 8 8 8
16
Gtrs. 2 & 3: w/ Rhy. Fig. 5
Bb5 C5 D5
(A5) (B5) (C#5)
Gtr. 1
13 13 13 13 13 13 15 15 15 17 15 13 13
13 13 13 13 13 15 15 15 13
14 12 14 12 14 15 15 15 15 17 17 17 15
Gtr. 4
let ring let ring
1/2
12 12 12 12 12 14 14 16 16 16 14
13 13 13 14 14 14 16 16 16 14 13 14
14 14 14 14 14 14 16 16 16
Gtrs. 2 & 3: w/ Rhy. Fig. 4
F5 Bb5 C5 Bb5
(E5) (A5) (B5) (A5)
13 13 13 13 13 13 15 15 15 17 15
13 13 13 13 15 18
14 14 14 15 15 15 17 17 17
let ring let ring
11 12 12 12 12 12 16 12 17 17 12
13 13 13 14 14 14 16
14 14 14 14 14 16 16 16
Gtrs. 2 & 3: w/ Rhy. Fig. 5
F5 Bb5
(E5) (A5)
8va
17 17 17 17 17 18 18 18 18 18 18
18 18 18 18 18 18 18 18 18 18 18
17 17 17 17 17 17 17 17 17 17
let ring
12 7 12 7 12 7 12 7 12 7 12 7 12 7 12 7 12 7 12 7 7 9
9 9 9 9 9 10 10 10 10 10 10 12
17
Begin fade
C5 D5
(B5) (C#5)
8va
20 20 20 20 15 15 15 15 15
20 20 20 20 20 18 18 18 18 18
19 19 19 19 19 19 17 17 17 17 17
let ring let ring
14 9 9 14 9 9 9 14 9 11 9 11 9 11 9 11 9 11 9
12 12 12 12 9 9 9 9 9
Gtrs. 2 & 3: w/ Rhy. Fig. 3
F5 Bb5
(E5) (A5)
8va
17 17 17 17 17 18 18 18 18 18
18 18 18 18 18 18 18 18 18 18
17 17 17 17 17 17 17 17 17 17
let ring
12 7 12 7 12 7 12 7 12 7 12 7 12 7 12 7 12 7 12 7 7 9
9 9 9 9 9 10 10 10 10 10 10 12
Fade out
C5 Bb5 F5
(B5) (A5) (E5)
loco
steady gliss.
1/2 1 1
15
17 15 15 13 10 11
12 12 12 10
12
1 steady gliss.
1 1 1 1
9 9
12 10 10 7 10 10 10 10 9
9
18
from Brad Paisley - Play
Turf’s Up
By Brad Paisley and Frank Rogers
Gtr. 3: Baritone gtr. tuning:
(low to high) E-A-D-G-B-E
A
Free time Moderately fast q = 148
Gtr. 1 tacet
**Am µ
*Gtr. 1 Gtr. 2 (slight dist.)
mf mf
let ring
***steady gliss.
w/ bar
12 12
13 13 13
12 14 14 14
14 14
17 17 17 16 16 15 14 13 12 11 10 9 8 7 5 3
-1/2 -1/2 ***Steadily slide down neck while picking sixteenth-notes.
*Pedal steel arr. for gtr. Pitches are approximate.
**Chord symbols reflect basic harmony.
Gtr. 1
w/ bar w/ bar
8 8 12 12 12 12 12 8 10
10 10 13 13 13 13 13 10 10
12 12 12
-1/2 -1/2 -1/2 -1/2 -1/2
Gtr. 2
let ring steady
gliss.
0 0 0 0 X 0 0
1 1 1 1 1 1 1 X 1 1 0
2 2 2 2 2 2 2 0
2 2 2 0 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0
10
© 2008 EMI APRIL MUSIC INC. and NEW SEA GAYLE MUSIC
All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
B
Am F E7 Am
10
10
12
Riff A End Riff A
* **
1 1 1
2 2 2 2 2 2
0 2 2 0 0 3 3 3 2 2 0 2 2 2
0 0 0 3 3 3 3 3 2 3 2 0 0 0
1 1 1 0 0 0 4
-1/2 -1/4
*Bend neck. (Push forward on neck w/ left hand palm while holding down chord shape. **Bend neck
Push body of gtr. w/ right hand for leverage.)
Gtr. 2: w/ Riff A
F E7 Am
Gtr. 1
w/ bar
grad.
release
13
14
-1/2
F E7 Am
Gtr. 1
w/ bar
12 20
13 6 6 5 5 5 13 13 20
14
Gtr. 2
let ring
1 5 13
1 6 13 1
2 5 5 14 2 2
0 2 2 0 0 2 2 0 2
0 0 0 3 3 2 3 2 0
1 1 1 0 0 0 4
2
F E7 Am
20
20
*
0
2 2 2 0 0
0 2 2 0 0 3 3 3 2 2 0 2 2 2 0
0 0 0 3 3 3 3 3 2 3 2 0 0 3 2
1 1 1 0 0 0 4
-1/2
*Bend neck
C
C G
Fill 1 End Fill 1
( )
Gtr. 1
w/ bar 3
13 13
12 12
14 14 12 11 12
-1/2
Gtr. 2
let ring let ring let ring
0 0 0 0 0 0 3 3
1 1 1 1 1 3 3 3
0 0 0 0 4 4
2 2 2 2 2 5 5 5
3 3
**Gtr. 3
mf
w/ amp tremolo
5 5 5 5 5 5 5 6 5
5 7 5 5 7 4
5 5
**Baritone gtr.
3
Am G
3 3
12 12 17
12 11 12 12 12 17
14 13 14
let ring let ring let ring
3 3 3 5 5 5 5 5 5 3
3 3 5 5 5 5 5 3
4 5 5 5 5 5 4
5 5 5 7 7 7 7 7 5
3
1 1 0
X 4 5 5 7 5 5 2 2
5 5 2 2 2
0 3
F C
( )
w/ bar
5 5 5 5 16 17 15
6 6 6 6 6 6 18 17 18 17
5 5 5 5 5 5 17
7 7 19
-1/2 -1/2 -1/2
let ring steady gliss. let ring let ring
1 0 0 0 0 0 0
1 6 1 1 1 1 1 1
2 0 0 0 0
3 3 7 0 2 2 2 2
0 3 3
13
Riff B
1 3 5 5 5 5 5 5 5 5 5 6 5
2 2 0 2 5 7 5
3 5 5 5
4
G Am G
steady
gliss.
19 12
20 12
21 12
let ring let ring let ring
3 3 3 3 3 3 5 5 5
3 3 3 3 3 3 3 5 5 5 5
4 4 4 4 5 5
5 5 5 5 7 7 7 7 7
0 3 5 3
End Riff B
3
5 7 7 4 4 5 5 7 5 5 2 2 2 0
5 5 5 5 2 2
0 3
F E
steady gliss.
1/2
3 5 5 5
4 5
* P.M.
**steady gliss.
1 1 1
1 1 1
2 2 2
3 3 3
3 3 3
1 1 1 15 15 13 12 11 10 9 8 8 7 6 5 4 3 2 0
-1/4 **Slide & pick as before.
*Bend neck
3 2
5
D
Gtr. 3 tacet Gtr. 1 tacet
Am F E7
Gtr. 1
10
3
Gtr. 2
* let ring
5 8 13 12 0 0
6 8 13 12 15 15 13 12
13
0 2 2 0 0 12
0 0 0 3 3 14
0 0
*Refers to 6th string only.
Am F
Gtr. 2
3
0 0 0 0 0 15
1010 5 5 1 1 13
2 0 14 9 10
12 13 12 13 12 12 15 10
0 0 X 15 15 8
E7 Am
Gtr. 1
steady gliss.
5 5 17
Gtr. 2
3
**
1/4
1 1 1
2 2 2 2
2 2 0 2 2 2 0 2 0 2 0 0
2 3 2 0 0 0 0 3 3 3
0 0 0 4 3
-1/4
**Bend neck
6
F E7 Am
8va
20 17 17
17 17 20
17 21
8va
loco
P.M.
steady gliss.
1/2
13 17 16 16 19 16 20
16
9 10 13 13 17 18 17 17 17 21 21
9 10 14 16
14 14 14
15 15 14 14 12 11 10 8
Gtr. 1 tacet
F E7
8va
17 15 15 20
20
21
3
3
13 12 13
7 9 7 9 7 7 14 14 13 14 14
7 7 7 10 10 15 14 2 0 2 0
14 2 3 2
0 0 0 4
E
Gtr. 1: w/ Fill 1
Gtr. 3: w/ Riff B
C
Gtr. 2
3 3 3
8 8 8 8 8
8 8 8 8 8 8
9 9 9
10
7 X 10
0 0 0 0 4 X X X 5 X X X 7 7 8 8 X 8 8
7
G Am
Gtr. 1
1/2
7 7
8 8 8 8 13
9
Gtr. 2
let ring
P.M.
3 3 3 3 5 5 5
3 3 3 3 3 3 5 5 5
4 4 4 4 4 5 5
5 5 5 5 5 7
G F
Gtr. 1
3 3
8 8 13 13
13 8 9 10 10 15 15
Gtr. 2
let ring
5 5 5 3 1
5 5 5 3 1
5 5 4 2
7 7 7 5 3
3
1 1 3 5
Gtr. 3
0 2 0
2 2 3 3
0 3 3 0
1 3
8
C G
20 19
22 20
21
3
let ring
8 8 X 8 8 8 X 8 3 3 3
8 8 X 8 8 8 X 8 3 X 3
9 9
10 10 5
10
8 8
1/2
2 2 0 2 2 2 2 2 2 0 0 0
3 3 2
3 3
Am7 G
19 10 10 7 3 3 10 8
20 X 8 5 5 12 10
21 12 12 9 7 7 14 12
let ring
P.M.
3 3 3 5 5 5 8 3
3 3 5 5 5 10 10 3
4 4 5 5 5 9 4
5 5 7 7 7 7 10 5
0 0 0 0 4 5 5 7 5 5 2 2 0 2 0
2 2
0 3
9
Gtr. 3 tacet
F
3 3 3
1 1
14 14 14
12 15 15 15 12 15 15
13 15
let ring
*
1 1 1
1 1 1
2 2 2 10
3 3 3 10
3 3 3 8
1 1 1 1 1 X X 5 X X 7 X X 8 X
-1/4
*Bend neck
E7
Gtr. 1
w/ bar
13 13 13 21
15 15 15 15
-1/2
Gtr. 2
let ring ** ***steady gliss.
8 0 0 0
8 0 0 0
10 1 1 1
0 0 0
2 2 2
0 0 0 10 22 22 21 20 19 17 15 13 12 11 10 9 8 7 6 5 4 2 0 0
-1/4
***Slide & pick as before.
**Bend neck
10
F
Am µ F µ E µ Am µ
Gtr. 1
5 5 17
Gtr. 2
1 0 5
1 1 0 5
2 2 1 5
2
0
Gtr. 3
*w/ delay
3 2
0 0
*Set for dotted eighth-note regeneration w/ 2 repeats.
Am µ F µ E
8va
loco
20
5 5
4
6
6 7
Harm.
8 8
10 10
10
7 7 7 7 7 7 7 9 9 12 12 12 9 7 9
Pitch: G# G# G#
2 2 2 2 2 0
0 3 2
1
11
G
Gtr. 3 tacet
Am F E7 Am
13 13
* let ring
1/2
2 2 2 4 4
0 2 2 0 0 3 2 2 0 3 7 7
0 0 0 3 3 3 2 3 2 0
1 1 0 0 0 4
-1/4
*Bend neck
F F7
Gtr. 1
6 5 5 12 12 13
7 7 6 6 13 13 14 10 10
10 12 12
Gtr. 2
**
5 6
2 2 4 5
0 2 2 0 0 3 3 3 2 2 0 5 7 5 7
0 0 0 3 3 3 3 3 2 3 2 0 5 7 7 7
1 1 1 0 0 0 4 0 3 5
-1/2
**Bend neck
12
H
C G
Gtr. 1
1/2
7 7 7 7
8 8
12
14
Gtr. 2
let ring
0 0 0 15 19
8 6 5 5 6 8 8 13 13 13 15 13 18 0
7 12 0 0 0 12 0
0 0 0
0 7 12 7 10 7 10
10 13 5 10
Gtr. 3
steady
delay off gliss.
1
0
2 3 5 5 2
3
Am G F
8va
let ring
12 X 20
13 X 22 22
let ring
1/2 1/2 1/2 1/2
4 5 5 5 5 8
4 5 7 7 7 7 8 10 8
2 5 7 7 10 10 8
0 2 3 10
1
1
9 2
7 3
13
Gtr. 1 tacet
C G
8va
Gtr. 2
w/ pick & finger
18 18
8 8 12 12 15 15 19 19 20 20 19 19 17
10 15 15
5 5 7 7 7 9 9 12 12 14 16 16
3 5 7 8 10
Gtr. 3
3
8 3
9 4
10 5
Am G
loco
Gtr. 2
3
1
15 13 13 12 15 17
12 1215 13 12 13 12 12 13 20 17 17 17
14 12 0 12 14 12 19 20 19 17 19 17 17 19
14 14 19 19
Gtr. 1
10
10
Gtr. 3
3
3 5
4 5
5 7
0
3
14
F E
loco
8va 8va
loco
*steady gliss.
17 20 17 20 17 17 20 17 16 19 17 X
X 18 18 17 17 19 19 17 15 14 13 12 11 9 7 6 5
0 18
*Slide & pick as before.
4 4
6 5 5 5
10 7 7 6
10
1 0
I
Gtr. 3 tacet
Am F E7 Am E7#9
Gtr. 1
12 12 17 11 12
13 13 18 12 13 13 13
14 14
Gtr. 2
**
8
2 2 2 7
0 2 2 0 0 3 3 2 3 2 2 0 6
0 0 0 3 3 3 3 3 2 3 2 0 3 7
1 0 0 0 4
-1/2
**Bend neck
15
Am F E7 Am
w/ bar
13 13 10 12 13
14 14
-1 1/2
*
2 2 2 4 5 5
0 2 2 0 0 3 3 3 3 2 2 0 4 7
0 0 0 3 3 3 3 3 2 3 2 0
1 0 0 0 4
-1/2
*Bend neck
Am µ F6 µ E µ Am
Gtr. 1
16 16
13 13 15 15 17 17 8 13 13
14 14 14 14 16 16 9 14 14
14 14 15 15 9 14 14
Gtr. 2
** ***steady gliss.
1
2 2 2 2
0 2 2 0 0 3 3 3 2
0 0 0 3 3 3 0
1 19 19 18 17 16 15 14 13 12 11 10 9 8 7 5 0
-1/2
**Bend neck ***Slide & pick as before.
Gtr. 3
2
0 0
1
16
from Brad Paisley - Play
Waitin’ on a Woman
Words and Music by Don Sampson and Wynn Varble
A5 F5 C5 G5 F5 type2 D5 F5 VIII E5 Fsus2
3fr 3fr 5fr 8fr 7fr 8fr
11 1134 134 2 3 134 134 134 134 1341
Intro
Moderately slow q = 77
** C5 Csus4 C5 Csus4
Gtr. 1 (elec.)
mf
***w/ slight dist. & delay
P.M. P.M.
13 13 13 13 13
10 12 12 10 10 12 10 10
10 10 10 10
***Delay set for eighth-note regeneration w/ 1 repeat.
2nd delay set for half-note regeneration w/ 1 repeat.
*Gtr. 2
† pp
let ring
0
0
*Pedal steel arr. for gtr. †Vol. swell
**Chord symbols reflect implied harmony.
C Csus4 C Csus4
1. Sit - ting
P.M. P.M.
5 5 5 5
3 5 3 3 5 3
3 3 3
mf
let ring
0 2
© 2005 EMI APRIL MUSIC INC., SEA GAYLE MUSIC, EMMA AND MADDIE MUSIC and WARNER-TAMERLANE PUBLISHING CORP.
All Rights for SEA GAYLE MUSIC and EMMA AND MADDIE MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Verse
Gtr. 2 tacet
G5
on a bench at West Town Mall, he sat down in his o - ver - alls and asked
Rhy. Fig. 1
Gtr. 1
let ring
3 3
0 0
0 0
X
3
Rhy. Fig. 2
Gtr. 3 (acous.)
mp
let ring throughout
3
3 3
0 0
0 0
X X
3 3
C Csus4 C Csus4
6
Spoken: You wait - ing on a wom - an?
me...
End Rhy. Fig. 1
let ring let ring let ring
P.M.
5 5 5 5
3 5 3 3 5 3
3 3 3
P.M. P.M.
1 1 1 1
0 X 0 X
0 2 3 0 2 3
3 3 3
2
G5
Son, since nine - teen fif - ty two I’ve
I nod - ded yes and, “How ’bout you?” He said...
let ring
3 3
0 0
0 0
X
3
3 3
0 0
0 0
X X
3 3
C Csus4 C Csus4
3
been wait - ing on a wom - an.
When I
Gtr. 2
1
5 7 9 12
Gtr. 1
P.M. P.M.
5 5 5 5
3 5 3 3 5 3 5
3 3 3
Gtr. 3 End Rhy. Fig. 2
P.M. P.M.
1 1 1
0 X 0 0
0 2 3 0 2 0 2
3 3 3
3
Chorus
Am7 F
picked her up for our first date I told her I’d be there at eight and
12 14
let ring let ring
1 1 1
0 0
0 2 2 3 3
0
Rhy. Fig. 3
0 0 1 1 1 1
1 1 1 1 1 1 1 1 1
2 2 2 2 2 0 2 2 2 2
2 3 3 3
0 0 3 3 3
1 1 1
C G5 C
Spoken: At eight thir - ty.
she came down the stairs at eight thir - ty. She said, “I’m
pp mf
1
8
9 7 9 9 10 9 7 7
let ring let ring
3 1
0 0
0 2 3 5 2 2 2
3 3
3
1 1 1 1 1 3 3 3 3 3 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 0 0 0 0 0 2 2 2
3 3 3 3 3 X X X X X 3
3 3 3 3 3
4
Am F
sor - ry that I took so long. Did - n’t like a thing that I tried on.”
12 12 13
5 12 12 14
let ring let ring
1 1
0 0 0 2
0 2 2 3
0 0 0
0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 X X
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 X X
2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 X X
0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3
1 1 1 1 1 1 1
C F C
Let me tell you, son, she sure looked pret - ty.
Let me tell you, son, she sure looked pret - ty. Yeah, she’ll
p mf
1 1
8 8 6 13 13
7 7 7 5 12 12 12
10
let ring
0
2 2 2 3 2 5 7 5
3 3 5 7 7
3
End Rhy. Fig. 3
1 1 1 1 1 1
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
1 1 1 1 1 1
5
Dm C/E F
3
But I don’t mind wait - ing on a wom - an.
take her time.
grad. bend
1/2
10
10 9 9 9 9
grad. bend 1/2
0 0 2 2 2
3
2 2
0 3 5
Interlude
C Csus4 C Csus4
2. He said, “The
w/ G bender
w/ bar
1 1
13 13
10 10 10 9 10
12
P.M. P.M.
5 5 5 5
3 5 3 3 5 3
3 3 3
P.M. P.M.
1 1 1 1 1 1 1 1
0 X X X X X 0 X
0 2 3 3 3 3 3 0 2 3
3 3 3 3 3 3
6
Verse
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 2 tacet
Gtr. 3: w/ Rhy. Fig. 2
G5
Spoken: I was ner -
wed - ding took a year to plan. You talk a - bout an an - xious man.”
C Csus4 C Csus4
vous.
Wait - ing on a wom - an. And then he
Gsus4 G
It was
nudged my arm like old men do and said, “I’ll say this ’bout the hon - ey - moon”...
Gtr. 1
let ring
1 1 0
0 0 0
0 0
X
3
C Csus4 C Csus4
worth it. (Laughing)
Wait - ing on a wom - an. “And I
Gtr. 2
1
12 12
12 12 8 5 8
7 5 7
Gtr. 1
let ring let ring
5 5 5 5
3 5 3 3 5 5
3 3 3 3 2
7
Chorus
Gtr. 3: w/ Rhy. Fig. 3
A5 F5
Rhy. Fig. 4
Gtr. 4
(elec.)
mf
w/ dist.
don’t guess we’ve been an - y - where she has - n’t made us late, I swear. Some - times
8 10 8 8 10
7 9 7 9 9 10
let ring let ring
1 1 1 1
2 0 2
2 0 2 2 3
0
C5 G5 C5
Spoken: ’Cause she can do it.
she does it just ’cause she can do it.
let ring
1 1/2
1
1 hold bend 1 1/2
13 13 8 8 12
12 12 7 7 7 7 12
let ring let ring let ring
1 3 1 1
0 0 0 0 4 5
0 2 3 5 2 5 7
3 3 3 7
8
A5 F5
You
Boy, it’s just a fact of life. It - ’ll be the same with your young wife.
10 8 8
9 7 9 10
let ring let ring
0
1 1 1
0 0 0
2 0 2 3 3 2 3
0 3 3
C5 F5 type2 C
3fr
End Rhy. Fig. 4
(cont. in notation)
might as well just go on and get used to it.
Might as well go on and get used to it.” She’ll
1 1/2
1 1 1 1 1
8 8 8 5
7 7 10 10 9 7 7 7 5
let ring let ring
1 1
0 0 0
2 2 3 2 0 2
3 3
9
Dm C/E F C
take her time. You don’t mind wait - ing on a wom - an.
Gtr. 2
6 8
5 7 7 9 9 10 7 9
Gtr. 1
let ring let ring f
1
3 1
2 0
0 0 0 2 2 3 3 3 3
2 3 3 3 3 3 2 0 0
3
Gtr. 3
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
3 3 3 3 3 3 3 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 2 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
1 1 1 1 1 1 1 1 1 1 1 1
Gtr. 4
(cont. in slashes)
5 7 5
5 7 3 5
3 5 5 7 3 3
1
Guitar Solo
Gtr. 2 tacet
G5
Rhy. Fig. 5A
Gtr. 4
Gtr. 1
3
1/2 1
5 5 5 3 2
0 2 2 2 2 2 2 2 2 3 3 5 5 5 5 0 2 3
3 0
Rhy. Fig. 5
Gtr. 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
X X X X X X X X X X X X X X X X X X X X X X X X X X
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
10
C5
End Rhy. Fig. 5A
1/2
1
5
8
7
7 7 5 5 5
3 5 5 3 5 7 7 7 7 7 5
5
End Rhy. Fig. 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Gtrs. 3 & 4: w/ Rhy. Figs. 5 & 5A
G5
Gtr. 1
let ring
1 hold bend 1 hold bend 1 hold bend 1 hold bend
5 12 0 13
8 8 8 13 12 15 15 15 15
8 12 12 12 12 14 14 14 14 12
C5
I’ve
let ring
1 hold bend 1 1 1/2 1 1 1
13 5 8 5
12 12 12 7 7 7 7 7 7 5 5 5 0
5 3 2 0
5 5 3
Chorus
Gtr. 3: w/ Rhy. Fig. 3
Gtr. 4: w/ Rhy. Fig. 4
Am F
read some - where sta - tis - tics show the man’s al - ways the first to go. And
mf
let ring let ring
0
1 1 1 1
0 0 0
2 2 3 0
0 3
11
C G5 C
Spoken: She won’t be read - y.
that makes sense ’cause I know she won’t be read - y. So
let ring let ring let ring 1/2
3 1
0 0 0
0 2 3 5 5
3 3 3 2 2 2
Am F
when it fi - n’ly comes my time if I get to the oth - er side I’ll find
Gtr. 2
grad. bend
1/2
9 9 9 9 7
7 9 10
Gtr. 1
let ring grad. bend 1/2
1 1
0
2 2 0 2
0 0 2 3
C F C'9
If they get an - y.
my - self a bench if they’ve got an - y. I hope she
let ring
1 1
8
7 7 7 7
let ring let ring let ring
1 1 1 3 3
0 0 0 0 0 0
2 3 2 2
3 3 3
12
D5 E F5 VIII
7fr
Gtr. 4
5
Well, I don’t mind wait - ing on a wom -
takes her time ’cause I don’t mind wait - ing on
Gtr. 2
8
5 7 9
Gtr. 1
let ring let ring
1
3 3 1
0
0 0 2 2 3 3
Gtr. 3
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1 1 1 1
0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 2 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3
1 1 1 1 1 1 1 1 1 1 1
C5
an.
a wom - an. Hon - ey,
1/2
10 12 12 10 10 13 12 12 8
12 13 13 12 12 15 12 12 8
12 12 12 12 9
let ring
1 1 5
0 0 0 5 7
2 2 2 3
3 3 3 3 5 7
0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
13
D5 E5 F5 VIII Fsus2
3 5
Hon - ey, take your time ’cause I don’t mind Wait - ing on a
take your time ’cause I don’t mind.
8 10 10
5 7 9 10 10
8
8
7 X 9 10 10
7 X 9 10 10
5 X 7 8
T
1 1 1 1 1 1 1 1 1 X X 1
3 3 3 3 3 3 1 1 1 X X 1
2 2 2 2 2 2 2 2 2 X X 0
0 0 0 0 0 0 X 2 3 3 3 X X 3
3 3 3 X X 3
1 1 1 X X 1
Interlude
Gtr. 4 tacet
C5
wom - an.
3 3
3 3
10 12 13 15 13 15 13 12
10 13 10 13 15 17 15 17 15 13
9 10 12 10 12
10 12 14
P.M. P.M.
13 13 13
10 12 10 10 5 5 5
10 5 5 3
3 3 3 3 3 3 5 5
1
1
0 5 5 5 5
3 5 5 5 5
3 3 3 3 3
1
14
Pedal Steel Solo
Gtrs. 3 & 4: w/ Rhy. Figs. 5 & 5A
G5
Gtr. 2
w/ pick & fingers let ring
3
1
1
1 1/2 1 1/2
13 15 13 12 10 10 12 10 10 12
10 12 12 12 12 13
14 16 14 12 10 10 10 12 10 12
Gtr. 1
5 5 5 5
5 5 5 5
3 3 3 3
Guitar Solo
Gtrs. 3 & 4: w/ Rhy. Figs. 5 & 5A (3 1/2 times)
C G5
3
let ring (cont. on lower staff)
1/2
11 12 10 8 10 12 12 13 13 12
12 13 12 13 13 13 6 8 8 10 13 13 15 15 13 13 15 15 13 8
12 12 14 14 7 9 12 14 14 12 7 9 7
10 7 7
10
let ring f let ring (cont. on upper staff)
1 1 1 1 1
1 1
0 0 0 0 0 0 0 0 0
2 3 3 3 2 2
3 5 5 5 5 5 5 5 5
Gtr. 1
C5
w/ G bender
grad. release
+1 hold bend
0
0 0 0 5 7 5 7
5 5
3 7
Gtr. 2
10 10 8
10 10 9
15
G
G5
3 3 3 3
grad. release
1/2
1 1
5 12 12 12 10 10
5 5 6 6 6 8 5 8 8 12 12 12 12 12 12 12 10 10 10 10 10 10 10
7 7 12 12 12 12 12 12 12 12 10 10 10 10 10 10
6 8 8
7 9 9 9 7 10 10
10
C5 G5
3
3 w/ pick & finger
let ring
10 8 8 8 8 10 12 12 8 8 5 0 0 0
10 8 8 8 8 5 0 5 0 6 5 0 0
10 2 9 10 12 12 9 5 5 5 7 7 7 7 7 7 5 5 4 0 2 0
3
8 8
10 9 9
C5
let ring let ring
w/ G bender
let ring let ring
Harm. 1 1
+1
12
0 3 12 0 15 15
0 0 4 9 12 7 5 5 5 12 12 12 12 12
0 2 3 3 5 5 12 12 12 14 15
Pitch: G
1
7
8
9 12 12 12
16
G5
8va
loco
3 3 3
3
1/2
19 19 19 19 19 19 19 19 19 17 19 15 17 15 15 13 15 13 15 13 12 12
13 15 13 12 15
14 12
14
10 9 7
C5
Gtr. 4
Gtr. 1
3
w/ G bender
let ring
1/2 +1
12 12 13 13
12 14 12 12
14 14 14 14 14 14 14 14 15
Gtr. 2
1/2 1/2
9 9 9 9 7 5
Gtr. 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
17
G5
w/ G bender
let ring
grad. release
+1
13 13 12
12 12 12 12 14 12
12 12 12 12
12 14 12 14
8 8 6
(cont. in slashes)
3 3 3 X X 3 3 X X 3 X X 3 3 3 X X 3 3 X X 3 X X
0 0 0 X X 0 0 X X 0 X X 0 0 0 X X 0 0 X X 0 X X
0 0 0 X X 0 0 X X 0 X X 0 0 0 X X 0 0 X X 0 X X
X X X X X X X X X X X X X X X X X X X X X X X X
3 3 3 X X 3 3 X X 3 X X 3 3 3 X X 3 3 X X 3 X X
Outro
Gtrs. 2 & 3 tacet
Gtr. 4 tacet
C5 C5 Csus4
Gtr. 3
Gtr. 1
P.M. P.M. P.M.
13 13 13 13
10 12 10 10 12 10
10 10 10
Gtr. 2
1
C5 Csus4 µ Csus2 C
Gtr. 1
w/ G bender
rit.
let ring
P.M.
+1
13 13 13 13 8
10 12 10 10 12 12 7 7
10
8
18
from Brad Paisley - Play
What a Friend We Have in Jesus Words by Joseph M. Scriven
Music by Charles C. Converse
Drop D tuning:
(low to high) D-A-D-G-B-E
A
Free time
*D A/D G/D A7 D5
Gtr. 1 (acous.)
3 3
3
5
mf
w/ fingers
let ring throughout
7 5 3 0 3 2 3 2 0
7 7 6 6 0 0 2 4 0 0
0 7 5 2 4 0
0 0 4 0
0 0
*Chord symbols reflect basic harmony.
G/D D A/D G/D A/D
Harm.
12
12 7 12 7 5 3 0 2 2 7
7 12 7 6 0
12 7 7 12 7 5 2
12 0 0
0 0
B
Moderately slow q = 78
D G D
0 5 5 5 7 5 0 2 0 5
7 5 3 3 3 3 7 7
7 7 4 0 2 2
0 0 0 0 0 0 0 0 0
0
0 0 5 5 5 5 0 0
A7 D G
5 5 7 5
7 8 10 12 14 14 7 7 5 5 3 3 3
6 6 7 7 7 5 0 4 4
5 X 11 12 14 14 0 0 0 0
0 0 0 0 0 5 0
0 0 5 5 5
Copyright © 2010 by HAL LEONARD CORPORATION
International Copyright Secured All Rights Reserved 1
D5 Bm7 Em A7sus4 A D
3
3
0 2 0 0 2 0
2
3
2 0 2 0
3
0
2
2 0 2
0
0 2 4
2
3 3
0
2 0 2 4
0 2 0 2 4
C
A D
1/2
5 5 7 5
5 4 5 7 7 7 5 7 7
6 6 7 7 7
7 7 7 0
0
0 0 0 0
G D A A6 A7
5
7 7 5 5 5 7 5
7 7 7 8 7 5 5 7 8 5 5
0 7 7 7 6 6 6
0 7 7 5 5
0 0 0 0
5 5 X 0 0
D G Gm
5 5 7 5
7 7 7 7 5 5 3 3 5
7 7 5 0 0 4 4 3
0 0 0 0 0 0 0
X
0 5 5 5 5
D5 Bm7 Em7 Asus4 A D
Harm.
0 2 0
3 0 3 2 12 7
2 2 0 12 7
0 0 0 12 7 0 2 0
0 2 X 0 12 7 0 2 4
0 2 0
2
D
D G
3 3 3
2 2 2 2 4 2 0 0
2 4 4 4 4 2 0 0 0 0 0 0 0 0
2 0 2 2
0 0 3 5 5 0 5
D A7sus4 A7
3 7 5
2 0 2 0 6 6 6
0 0 0 4 4 2 2 X 3 7 0 5 5
0 0 0 0
0
D G
Harm.
5 7 5
5 7 7 5 3 3 5 3 3
7 0 4 0
3 7 0 0 4
4 0 4
0 2 5
D5 Bm7 EsusÊ Esus4 Asus4 A D
rake
Harm.
0 2 0
3 3 X 3 2 2 7 5 7 10
2 2 2 X 7 11
0 5 0
2 0 5
0 2 0 0 0 0
Pitch: A D
E
A7 D
0 0 2 3 0 0 2 2 5 10
2 2 2 3 3 3 X 10
0 0 2 2 7 7 11 X
2 2 2 2 2 0 0 0
0 0 0 0 0
0 0 0
3
G D A7
7 7 5 5
0 0 7 7 7 8 7 2 7 5
0 0 7 7 7 0 0 0 6
0 0 0 2 2 2 7 7 5
X 0 0 0
5 X 0 2 2 7 7
D G
5 5 5 7 5 0
7 7 7 5 5 3 3 3
7 7 7 7 6 0 0 4 4 4
0 0 0 0
X
0 5 5 5
D5 Bm7 EsusÊ Esus4 Asus4 A Bm11 C9
0 2 0 0 0
3 3 2 3 3 3 3 3
2 2 2 0 2 2 2 3 3 3 3
0 0 0 0 0 0 0 0 2 2 2
0 2 0 2 2 2 3 3
0 2
F
A tempo
D5 Bm7 EsusÊ Esus4 Asus4 A G G/B A7sus2
rit. rit.
0 2 0 7 7 7 7 10 10 10 12
3 3 2 5 0 0 0 0 0 0 12
2 2 2 0 0 0 0 0 0 0 12
0 0 0 0 0 0 0 X
0 2 0 0
0 2 5 5 9
Free time
D
3
3
3
Harm.
14 15 14
15 15 7
14 14 11 7
0 12 7 7
0
0 0
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