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Prepared by: Prof. Reynalyn T.

Elon

of Sound
Fundamentals

Just like language, visual arts,
writing, printing, and photography,
sound recording is a way for people
to capture and store the events of
the present and revisit them in the
Prepared by: Prof. Reynalyn T. Elon

future.

2
1
Seeing Sound
The Acoustic Era
Prepared by: Prof. Reynalyn T. Elon

1877-1925

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The Acoustic Era

The acoustic era is generally


understood to have begun
in 1877. Keeping and
replaying sound on any
device was something of a
miracle.
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4
History of Sound Recording

◎ the story of sound recording is


dominated by the story of
music recording.
◎ the vast bulk of aural history
collection contains only music.
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5
The Phonoautograph
Édouard-Léon Scott de Martinville
Late 1850s
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https://time.com/5084599/first-recorded-sound/
http://www.firstsounds.org/sounds/scott.php 6
The Phonoautograph
Édouard-Léon Scott de Martinville
Late 1850s
Prepared by: Prof. Reynalyn T. Elon

https://www.teylersmuseum.nl/en/collection/instruments/fk-0275-phonautograph-after-leon-scott

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https://youtu.be/WZxZyqOsPGU
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https://youtu.be/XLXTFAUhR-E
The Phonoautograph

◎ interpret the image of the sound


wave to know what the sound was.
◎ the first machine to record sensory
data in real time over time.
◎ “Au Clair de la Lune” - first
recorded sound
◎ Variation: Morey phonautograph,
Prepared by: Prof. Reynalyn T. Elon

Ear phonautograph, Parleophon

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The Phonograph
Thomas Edison
December 1877
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https://www.gettyimages.com/detail/news-photo/original-edison-tinfoil-pho
nograph-1877-original-edison-news-photo/102729005 11
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https://youtu.be/wRTgl0qx6wE
The Phonograph

◎ the world’s first recording machine


◎ wrapped a tinfoil around a rotating
drum and indented it with a stylus
which vibrated in sympathy with
the sound.
◎ commercialized and improved
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The Graphophone
Alexander Graham Bell
1881
https://www.gettyimages.com/detail/news-photo/original-edison-tinfoil-phonograph-1877-original-edison
-news-photo/102729005 14
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https://youtu.be/2IfyNkQNMXI
The Graphophone

◎ improved version of Edison’s


phonograph by using wax instead of
foil
◎ one goal was for companies to record
conversations and telephone calls.
◎ overall principle of the graphophone
was to record speech vibration onto a
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disk.

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1888
Emile Berliner
The Gramophone

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https://youtu.be/SQxZi89_6nw
The Gramophone

◎ used a flat disc, called a gramophone


record; the first sound recordings that
could be mass-produced
◎ the "arm" of the gramophone held a
needle that read the grooves in the
record by vibration and transmitted
the information to the gramophone
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speaker.
◎ Competitors: Vitaphone, Zonophone

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2
The Birth of Recording
The Electrical Era
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1925-1945

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The Electric Era

The electrical era combines


the advent of electrical
microphones and record
production. Labels would
spend a lot of money on
new equipment, buying
microphones, wires, and
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cables. Pairing the music


with film was possible.

21

An audio engineer is an individual
who records, mixes, or masters an
audio recording.
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Victor orchestra recording


before 1925

http://www.aes-media.org/historical/html/recording.technology.history/microphones2.html
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Electrical Recording at the Bell Laboratories


Harvey Fletcher, K. P. Secord, and Rogers H. Galt
1920
http://www.aes-media.org/historical/html/recording.technology.history/microphones2.html
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http://kjq.us.com/kfrcinthebeginning/we8bspeechinputequip.html
Microphones

◎ Carbon microphone
◉ an adaptation of the telephone transmitter
element and required a small bias voltage for
operation; suitable for the limited voice range
◎ Condenser microphone
◉ required a high-gain multi-stage amplifier to be
located near the pickup element, which is
basically a capacitor having a very low
capacitance; widely used in radio broadcasting
Western Electric 394 became the basic tool of
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sound recording in film

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1922
Charles Hoxie
Pallophotophone
The Pallophotophone

◎ the world's first multitrack recording


system
◎ an optical system originally designed
to record radio signals on
photographic film
◎ began to adapt it for commercial
applications after the war, at first for
Prepared by: Prof. Reynalyn T. Elon

motion pictures, and then for disc


recording

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“The Westrex System”


The Western Electric Electrical Recording System
George Groves, Oscar Winner
https://www.stokowski.org/Development_of_Electrical_Recording.htm 1924
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Western Electric Electrical Recording
System

◎ Westrex System
◎ the microphone, the amplifier, plus
the electromechanical disk cutting
mechanism combined together
◎ licensed to Victor and Columbia
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Victor orchestra recording


after 1925

http://www.aes-media.org/historical/html/recording.technology.history/microphones2.html
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Orlando Marsh recording in the


Chicago Theatre

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Orlando Marsh
“The Originator of Electrical
Recording”
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1927
Warner’s Stage Mixer Booth

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https://youtu.be/-iX2lg4eYwQ
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https://youtu.be/22NQuPrwbHA
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1927
“The First Talkie”

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The First Talkie

◎ The Jazz Singer


◉ The first “part-talkie”

◎ Lights of New York


◉ The first “all-talking” picture
◉ Vitaphone sound-on-disc process
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https://youtu.be/R5E1EyzKz9E
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My Man
“part-talkie, part-musical, part-silent film”
1928
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1930
Turntables Relay System
3
Tape Recording
The Magnetic Era
Prepared by: Prof. Reynalyn T. Elon

1945-1975

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The Magnetic Era

Every studio in the world


was moving to a form of
production that was much
easier to save. Storing the
tapes was easier. The music
recorded are more
accessible.
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Prepared by: Prof. Reynalyn T. Elon

1910
Valdemar Poulsen
Telegraphone

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The Telegraphone

◎ a pioneering telephone answering


machine.
◎ A simple version stored 2 minutes of
audio on 130 mm (5 inch) diameter
steel disks.
◎ the American Telegraphone Company
licensed Poulsen’s design
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Oberlin Smith
“actual inventor of magnetic sound
recording”
1888
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Oberlin Smith

◎ first to conceive and describe the


principles of magnetic recording
◎ built a machine to spin steel dust into
thread, but could not harden the dust
because of oxidation
◎ no one implemented his ideas until
Valdemar Poulsen
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Fritz Pfleumer
“Sound Paper Machine”
1931
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Fritz Pfleumer

◎ magnetic tape recording was based on


his 1928 invention of paper tape with
oxide powder lacquered to it.
◎ developed a process for putting metal
stripes on cigarette papers and
reasoned that he could similarly coat a
magnetic stripe to be used as an
alternative to wire recording.
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◎ He received a patent in 1928, granted


AEG the rights in 1932

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The Magnetophon

◎ “First practical tape recorder”


◎ brand or model name of the
pioneering reel-to-reel tape recorder
developed by engineers of the
German electronics company AEG
◎ one of the first recording machines to
use magnetic tape in preserving voice
Prepared by: Prof. Reynalyn T. Elon

and music

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DC vs AC

◎ DC bias is the addition of direct current


to the audio signal that is being
recorded.
◉ In 1930, all magnetic recorders, were using
the DC bias method invented by Poulsen.
◎ AC bias is a method where a higher
frequency signal is recorded along with
the recording signal
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◉ In 1940, Walter Weber formalised the AC


bias method

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1948
Jack Mullin
AMPEX Model 200
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Magnecorder PT-6s
“The first tape recorder to be brought to Japan”
1949
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Sony’s Type H
Tapecorder
“The first consumer-use tape
recorder”
1951
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Sony’s Tapecorder: Type H

◎ H for home use.


◎ housed in a wooden case resembling a
trunk to accommodate overseas travel.
◎ weighed 13kg
◎ the first model to incorporate industrial
design.
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VRX-1000
“World's first commercially successful
videotape recorder”
Ampex corporation
1956
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RCA VICTOR CP-1


“first stand alone magnetic tape recorder”
1958

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RCA Victor CP-1

◎ Cartridge Player-1
◎ the first stand alone magnetic tape
recorder using pre-recorded or blank
cartridges
◎ quick changeovers, auto-reverse, longer
recording times and a lower cost
◎ by early 1960s, the RCA tape cartridge
was effectively dead
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EL 3300 & BASF PES-18 Tape
“first cassette player & first cassette”
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Philips (Europe), NORELCO (US)


1963

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Stereo 8 (8-Track)
“first cassette player & first cassette”
RCA Records, Lear Jet Company, and Ampex
Magnetic Tape Company
1965
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Sony, 1975
Betamax
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VHS
JVC, 1977

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A mixing engineer supervises the
post-recording mixing process.
Mixing is the process of putting
together all the tracks in a
recording project to make a
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pleasing overall recording.

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A recording engineer is responsible
for the recording of the original
tracks.
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4
Revolution of Recording
The Digital Era
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1975-present

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The Digital Era

Acoustic, electric, and


magnetic recording are all
analog processes. Instead of
trying to reproduce the
exact image of the sound,
digital audio 1s and 0s to
represent pieces of the
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analog wave sound.

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Walkman
“Portable Music Player”
Sony, 1979
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CDP-101
“The First CD player in the world”
Sony, 1982
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https://youtu.be/fiDbkaaF_k4

Sony’s CDP-101 Commercial


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Discman D-5
Portable CD Player
Sony, 1984
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MP3
Karlheinz Brandenburg, 1992

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https://youtu.be/mNWyF3iSMzs

Suzanne Vega’s Tom’s Diner (1987) is considered as the first mp3 ever.
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MPMan
“first mass-produced portable audio player”
SaeHan Information Systems, 1998
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iPod, iTunes Digital Jukebox


Apple, 2001
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2004
YP-910GS
Samsung Napster,

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Streaming
2002

“The possibility of
listening to, and
discovering, new music
without having to actually
download files or
purchase songs.”
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5
How do we hear sounds?
How the Ear works
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How do we hear?

The most important pieces of


hardware in any studio are the ones
on the sides of your head. When we
hear a sound, and you instinctively
turn your head toward that sound.
How do you know where it comes
from? This incredible hearing ability
is one that we use daily, both in
music and in real life.
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Sound is a vibration or a
series of vibrations that
move through the air.
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What is Sound?

◎ Compression vs Rarefaction
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What is Sound?

◎ Compression vs Rarefaction
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What is Sound?

◎ Compression
◉ the area where dense molecules are
pushed together
◉ compression area is higher in pressure

◎ Rarefaction
◉ the area where fewer molecules are
pulled apart, or expanded
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◉ rarefaction area is lower in pressure

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Human beings and many
other animals use sound for
communication.
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https://youtu.be/7Xr9BYhlceA
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https://youtu.be/JJ2ebYNtFUA

Weird ways animals communicate


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What is Sound?

◎ Sound for Communication


◉ Bullfrogs croak incredibly loud when
they’re looking for love.
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https://youtu.be/M02_dnl9zCA

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What is Sound?

◎ Sound for Communication


◉ Dolphins whistle to communicate
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https://youtu.be/dwEDgSECGiU

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What is Sound?

◎ Sound for Communication


◉ Loons vocalize when feel threatened and
want to protect their territory
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https://youtu.be/4UrCRcZ8Pas

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What is Sound?

◎ Sound for Communication


◉ Monkeys cry out a warning, giving the
other members of the troop a chance to
escape.
Prepared by: Prof. Reynalyn T. Elon

https://youtu.be/LgfVbpzR9bA
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What is Sound?

◎ Sound for Communication


◉ Gorillas hum when dinner is ready and to
show they’re happy
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https://youtu.be/ed1sf386CHQ

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https://youtu.be/mNWyF3iSMzs

Human beings and many
other animals use sound for
localisation.
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What is Sound?

◎ Sound for Location


◉ Bats emit pulses of high-pitched sounds
and listen for echoes to locate objects
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https://youtu.be/gZxLUNHEmPw

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https://youtu.be/zXtExOMCDfE
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https://youtu.be/08smCjKWNL0
What is Sound?

◎ Sound is produced by a vibrating source that


causes the matter around it to move.
◎ No sound is produced in a vacuum - Matter (air,
water, earth) must be present!
◎ When the vibrations are fast, you hear a high
note. When the vibrations are slow, it creates a
low note.
◎ When the pattern of vibration is random, the
sound is said to be noise.
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◎ Without vibration there can be no sound.

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6
Sound Characteristics
Seven Basic Properties of Sound
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Amplitude is associated
with the height of a sound
wave and is related to
volume.
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Amplitude

◎ This can also be considered “intensity”.


◎ Amplitude is how high (or low as the case may
be) the waves are.
◎ Amplitude is simply volume. How loud, or soft,
is your sound?
◉ Loud sounds have higher amplitudes while
quiet sounds have lower amplitude.
◎ The unit of measurement for amplitude
(volume) is called the “Decibel”, which is
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shortened to “Db”.
◉ Boost - increase in amplitude
◉ Cut - decrease in amplitude

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https://youtu.be/1XUovxiTpVA
dB Activities

0 Silence

40-50 Room ambience

50-60 Whisper

60-75 Typical conversation

80-85 A blender

90 Factory noise

100 Baby crying

110 Leaf blower, car horn

120 Threshold of pain


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140 Snare drum played hard

150-160 Jet engine

110
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Frequency is the amount of
cycles per second (cps)
created by a sound wave.
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Frequency

◎ “Frequency” is just another term for “pitch”


◎ A note has a higher pitch when the frequency is
high and a note of low frequency has a low
pitch.
◎ The unit of measurement for frequency is Hertz
(Hz), named after Heinrich Hertz
◎ The average human hearing range is from 20 to
20,000 Hz.
◉ Infrasound - sound frequency below 20 Hz
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◉ Ultrasound - sound frequency above 20 000 Hz

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https://youtu.be/_SHFwmPQ_rQ
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Phase designates a point in
a sound wave’s cycle.
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Phase

◎ Phase is the term used to describe the actual


point reached by a sound wave in its circle of
movement.
◎ Equal amplitude but displaced sound waves are
out of phase with each other.
◎ If waveforms are out of phase when mixed
together, there will be cancellation in the
resulting audio.
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120
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https://youtu.be/iASc2P3cw0w

Velocity is the speed at
which sound travels.
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Velocity

◎ The speed at which sound travels is dependent


on temperature, humidity, and density.
◎ Speed of sound varies depending on the
medium of the sound waves.
◉ Air - 343 mps
◉ Water - 1437 mps
◉ Wood - 3850 mps
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Wavelength is the length of
the sound wave from one
peak to the next.
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Wavelength

◎ The distance between successive crests of a


sound wave.
◎ Waves can be longitudinal or transversal
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127
3.766 ft

Envelope helps the listener
distinguish one instrument
or voice from the other
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Envelope

◎ “Envelope” is also referred to as an “ADSR


Envelope” or just “ADSR”.
◉ Attack is how quickly a sound reaches its peak
volume after the sound is activated (the key is
pressed).
◉ Decay is how quickly the sound drops to the
sustain level after the sound hits its peak.
◉ Sustain is the constant volume that a sound sits
at after decay until the note is released.
◉ Release is how quickly the sound fades to
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nothing once a note ends.

129
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https://youtu.be/Q-ot9AaJx-Y

The richness and character
of a musical note is often
found within the
harmonics.
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133
Harmonics

◎ Harmonics are commonly referred to as


“timbre” or “quality of sound”
◎ Timbre is a fancy word for “tone”, or the color of
a sound.
◎ Timbre is why two different instruments can be
playing the same exact note, at the same exact
volume, and yet they still sound different.
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134

Noise is any unwanted
sound that is usually
non-repeating.
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135
Noise

◎ Noise is a hum, a hiss, or a variety of extraneous


sounds that accompany a sound wave when it is
mixed or recorded.
◎ Noise comes from a variety of sources besides
the instrument, such as an air conditioner,
fluorescent lights, or outside traffic.
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136
References

◎ Marks, A. (2017). Aaron Marks' complete guide


to game audio : for composers, sound designers,
musicians, and game developers. Boca Raton :
CRC Press, Taylor & Francis Group
◎ Morton, D. (2006). Sound Recording: The Life
Story of a Technology. Mary Land: JHU Press
◎ Somberg, G, (2017). Game audio programming :
principles and practices. Boca Raton : CRC Press,
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Taylor & Francis Group

137

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