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Professions And Metaphors

Understanding Professions In Society


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—— Post, i. 383 n.; ii. 143, 144; iii. 18 n., 76, 93, 126, 243 n., 350; x.
138, 150, 220; xi. 495.
—— and Evening of the Roman Empire (Claude’s), ix. 54, 57.
Morocchius (in Shakespeare’s Merchant of Venice), i. 322, 391, 392.
Morocco, Emperor of (in Peter Pindar), viii. 168.
Moroni, Giovanni Battista, ix. 34.
Morose (in Jonson’s Silent Woman), viii. 42.
Morpeth, Lord, xi. 386.
Mortimer (in Cumberland’s Faithless Lover), ii. 83.
—— (in Shakespeare’s Henry IV.), i. 284.
Morton, Charles, x. 357.
—— Thomas, iii. 162; vi. 453; viii. 442; xi. 374.
—— (Scott’s Old Mortality), iv. 247.
Mosaics of the Church of St Mark, Venice, ix. 274.
Mosca (in Jonson’s Fox or Volpone), viii. 44.
Moscow, iii. 99, 178; vi. 241; xi. 195, 196.
Moses, iii. 265, 297; viii. 58; xi. 233, 472 n.; xii. 263.
—— Cosmogony of, xii. 279.
—— (Michael Angelo’s), ix. 362; x. 208.
—— (Poussin’s), ix. 473.
—— (Sheridan’s), viii. 250.
—— in Egypt (an Oratorio), ix. 202.
—— (in a play), viii. 387; xii. 24.
Mosheim, Johann Lorenz von, iii. 276.
Mossop, Henry, ii. 63, 64.
Moth (in Shakespeare’s Midsummer Night’s Dream), i. 61, 244; viii.
275.
Mother Bombie (by John Lyly), v. 197, 198.
—— Cole (in Foote’s The Minor), viii. 167.
—— and Child, The (Raphael’s), viii. 148.
—— Hubberd’s Tale (Spenser’s Shepherds’ Calendar), v. 98.
—— and a Sleeping Child (Guido’s), ix. 51.
Mother’s Picture, Verses on his (by Cowper), v. 95.
Motto, or Invocation to his Muse (Cowley’s), viii. 58.
Moudon (a town), ix. 285, 295, 296.
Mouldy (Shakespeare’s 2nd Henry IV.), viii. 33.
Moulins (a town), ix. 178, 179.
Mounsey, George, vi. 192, 195, 197, 198, 199, 201.
Mount, Sermon from the, v. 184.
Mountaineers, The (G. Colman, junr.), ii. 109; viii. 239.
Mountford, Sir Charles, v. 213.
Mountfort, Susanna, i. 157; viii. 160.
Mountjoy, Lady, ix. 473.
Mourning Bride (Congreve’s), i. 176; vi. 195; vii. 306; xi. 382.
Mourritt (operatic singer), ix. 171.
Moustache (Macready’s Henry IV.), viii. 442.
Mowbray (Shakespeare’s Richard II.), i. 273.
Mozart, Johann Chrysostom Wolfgang Amadeus, ii. 174, 178, 200,
201; iii. 311; vi. 74; vii. 239; viii. 325–7, 362–4, 370–1, 452, 535; xi.
427, 455, 500; xii. 168, 345, 384.
Mrs Battle’s Opinions on Whist (Lamb’s), iv. 364; vi. 199, 245.
Mrs James (in Fielding’s Amelia), viii. 114; x. 33.
—— Leicester’s School (Lamb’s), v. 146.
—— Malaprop (in Sheridan’s Rivals), viii. 165, 508; x. 142; xi. 307.
—— Marwood (Congreve’s Way of the World), viii. 74.
—— Oakley (in Geo. Colman the elder’s The Jealous Wife), viii. 316,
505; xi. 304.
—— Patch (in Mrs Centlivre’s Busy-Body), viii. 503.
Much Ado about Nothing (Shakespeare’s), i. 335; iii. 200; viii. 32,
401 n.
Mucklewrath (Scott’s Old Mortality), iv. 247.
Mudford, William, vi. 111, 196, 293 n.; x. 219; xi. 547.
Mudge, Dr, vi. 368, 419, 512.
Mudges, The, vi. 366, 367, 374, 510, 512.
—— Zachary, vi. 368.
Muiopotmos (Spenser’s), viii. 404.
Mulberry Tree, The (a song), viii. 301.
Muleteers (Correggio’s), ix. 35.
Muley-Muloch (in Dryden’s Don Sebastian), v. 357, 358.
Mulgrave, Lord, i. 374.
Müller, Johannes von, iii. 154.
Mumps (in Oulton’s Frightened to Death), viii. 359.
Munchausen, Baron, vii. 37, 138.
Munden, Joseph Shepherd, ii. 147, 148, 368; v. 269 n.; vi. 275–6 n.,
418, 453; viii. 71, 226–7, 256, 264–5, 278, 286, 310, 317, 343, 359,
386, 392, 400, 416, 459, 465, 525, 534, 536; xi. 303, 306, 366,
377–8, 392; xii. 24, 198 n.
Munden’s Sir Peter Teazle, xi. 392.
Mundungus, x. 149 n.
Mungo (in Bickerstaffe’s Padlock), ii. 84.
Müntz, John Henry, x. 164.
Murder of Dentatus (Haydon’s), xi. 482.
Murillo, Bartolomeo Esteban, vi. 219; ix. 23, 25, 26, 54, 158, 186,
389, 390; xi. 205 n., 249; xii. 262.
Murphys, The, v. 359; viii. 164.
Murray, Chas., viii. 309.
—— John, i. 376, 379, 380; iii. 124, 194, 217, 218; iv. 302, 312; vi. 89,
211; vii. 376, 378, 515; ix. 247 n.; xi. 423, 486, 489, 580; xii. 267,
320.
—— Lindley, iii. 445; iv. 241 n., 391; xii. 232.
Murray, William (Earl of Mansfield), iii. 416.
—— Mr (Pope’s friend), viii. 555.
—— Miss, viii. 529.
Muse, Invocation to, or Motto (Cowley’s), viii. 58.
Music, History of (Burney’s), x. 288 n.
—— Messora’s, xi. 245.
Music-piece (Giorgione’s), ix. 271.
—— (Titian’s), ix. 11, 70.
Musical Instruments, Personification of (in Tatler), i. 9; viii. 98.
—— Party (Giorgione’s), ix. 26.
Musician and the Nightingale, The Contest between the (by
Crashaw), viii. 53.
Musidorus and Philoclea (Sir Philip Sidney’s), ix. 58.
Mustapha and Alaham (by Fulke Greville), v. 231; vii. 255; xii. 34.
Mustard Seed (in Shakespeare’s Midsummer Night’s Dream), i. 61,
244; viii. 275.
My Aunt (a farce), viii. 239, 240.
—— Father (in Sterne’s Tristram Shandy), i. 12; viii. 121, 151.
—— First Acquaintance with Poets, xii. 259.
—— Grandmother (by Prince Hoare), i. 155; vi. 416; viii. 230.
—— Landlady’s Night-Gown (Oulton’s), viii. 328.
—— Spouse and I (C. Dibdin’s), viii. 525.
—— Uncle Toby (in Sterne’s Tristram Shandy), i. 12; viii. 11, 121, 151;
x. 39; xi. 553.
—— Wife! What Wife? (by Barrett), viii. 237.
Myrrha (Byron’s Sardanapalus), ii. 307.
Myrtle (in Steele’s Conscious Lovers), viii. 158.
Mysie Happer (in Scott’s Monastery), viii. 454.
Mysterious Mother, The (Walpole’s), x. 165.
Mysteries, The, x. 60.
—— of Udolpho, The (by Mrs Radcliffe), viii. 125; xii. 64.
Mystery of the Passions, x. 60.
N.

Naiad, i. 19.
Nairn, iv. 280.
Naldi, Guiseppe, viii. 326, 365, 372; xi. 308.
Namur, Siege of, i. 429.
Nantreuil, Charles François le Bœuf, ix. 127.
Nantucket, x. 315.
Nantwich, ii. 167.
Nanty Ewart (in Scott’s Redgauntlet), vii. 319.
Napier, John, vi. 85.
—— (of Marchiston), xii. 441.
—— MacVey, xii. 255.
Naples, ii. 180, 223; iii. 179; vi. 347, 379, 385; ix. 233, 249, 253, 256,
259, 419, 475 n.; x. 56, 277, 282, 283, 287 n., 292, 300.
Napoleon Buonaparte. See Buonaparte, Napoleon.
Narcissa (in Smollett’s Roderick Random), xii. 64.
Narcissus, i. 25; xii. 200.
—— and The Graces (Bishop’s), iv. 102.
—— Looking into Water (Barry’s), ix. 419.
Narni (a town), ix. 258.
Narrative of Facts (Holcroft’s), ii. 139, 156, 201, 205.
Nash, Sir B., vi. 451.
—— Miss, viii. 254.
Nasmyth, Peter, xi. 245, 246, 247.
Nathan, Mr (an actor), viii. 401.
—— the Wise (Lessing’s), x. 119.
Nathaniel (in Shakespeare’s Love’s Labour’s Lost), i. 332.
National Antipathies, ix. 138.
—— Gallery, ix. 3; xii. 215.
Natural Son (Kotzebue’s). See Mrs Inchbald’s Lover’s Vows.
Natural Disinterestedness of the Human Mind, The (Coleridge’s), xii.
266.
Nature and Art (Mrs Inchbald’s), ii. 336; vi. 364; viii. 123, 127; x. 41.
—— State of (Hobbes), vi. 308.
Naufragium Joculare (Cowley’s), v. 214.
Nayrs, The, vi. 150.
Neal, Daniel, iii. 265; iv. 217; xi. 443.
—— John, x. 313.
Neapolitan Nobleman (Titian’s), vii. 292; ix. 385.
Neate, Bill (pugilist), iv. 223; xii. 8 et seq.
Nebuchadnezzar, xii. 204.
Nebuchadnezzar’s image, viii. 407.
Ned Christian (in Scott’s Peveril of the Peak), xi. 538.
—— Softly (in The Tatler), vii. 64.
Neely. See Sherwood, Neely, and Jones.
Negro (or African), i. 69.
Nehemiah, ii. 4.
Nell (in Coffey’s The Devil to Pay), viii. 252, 389; xii. 24, 122.
Nelson, Lord, i. 97; vi. 85, 359, 522.
—— Life of (Southey’s), ii. 48.
Nelson’s Victory, iii. 195.
Nemours, Duc de, vii. 308; viii. 326.
Neptune, i. 34; vi. 168; ix. 348.
—— The (of John of Bologna), ix. 205.
—— The (Elgin Marbles), ix. 467, 492.
—— and Amphitrite (Titian’s), ix. 75.
Nerestan (in Voltaire’s Zaire), xi. 282.
Nerissa (in Shakespeare’s Merchant of Venice), i. 322; iv. 260.
Nero, i. 390; iv. 61; ix. 221; x. 231; xii. 285.
Nero’s Golden House, ix. 234.
Nessus, iv. 104; xi. 268.
Nestor (in Shakespeare’s Troilus and Cressida), i. 221.
—— (Homer’s), xii. 155.
Netcher, Caspar, ix. 354.
Nether-Stowey, x. 150; xii. 265, 269, 270, 272, 274.
Net-maker and His Wife. See Zembuca.
Neufchatel, The Lake of, ix. 296.
Neuilly, Barrier of, ix. 133 n., 158, 159; xii. 191.
Neuss (a town), ix. 299.
Nevers (a town), ix. 177.
Neville, Living in London (? Jameson’s), viii. 242, 243.
New Books, On Reading, xii. 161.
—— Eloise (Rousseau’s), i. 91, 427; vi. 186; vii. 24, 28, 224, 304; ix.
146, 281, 285; x. 75; xii. 14, 54, 123 n., 169.
—— English Drama. See William Oxberry.
—— English Opera, The, viii. 314, 320, 323, 329.
—— Holland, iv. 46.
—— Inn, The (Ben Jonson’s), v. 263, 265.
—— Jerusalem, The, v. 94; xii. 463.
—— Lanark, iii. 172; iv. 198.
—— Man of Feeling (Godwin’s), x. 399.
—— Monthly Magazine, The, iv. 186, 348, 418 et seq.; vi. 485–6, 494,
504 et seq.; vii. 481, 485–7, 489, 507, 509–11; ix. 62 n., 446, 469,
470; x. 221–2; xi. p. vii, 496, 590; xii. 1, 15, 26, 38, 51, 59, 68, 78,
95, 104, 119, 125, 131.
—— Pygmalion. See Liber Amoris.
—— River, The, vii. 129.
—— Road, The (London), ii. 163.
—— Scots Mag. See Edinburgh Magazine.
—— Testament, The, v. 183; vi. 392.
New Times (a newspaper), iii. 233, 284, 286, 313, 314; x. 217, 218; xi.
316; xii. 289.
—— View of Society, A, iii. 121.
—— View of Society (Owen’s), iv. 198.
—— Way to Pay Old Debts, A (Massinger), viii. 272;
also referred to in v. 266, 267 n.; vii. 313; viii. 277; xii. 168.
—— Year’s Ode (Southey’s), iii. 49.
—— York, ii. 205; viii. 473.
—— Zealand, iii. 360.
Newark-upon-Trent, ii. 12.
Newbury, xi. 309; xii. 2, 6, 13.
New Castile, x. 57.
Newcastle, ii. 166.
—— Duke of, xii. 41, 383.
—— Duchess of, iv. 216; viii. 69, 503; xii. 37.
—— The Marquis of, xi. 53.
Newfoundland Dog, vi. 452.
Newgate, ii. 148, 150, 171, 206; iv. 195; v. 97; vii. 449; ix. 157; x. 227,
377, 380, 381; xi. 373.
—— Calendar, iv. 250; vi. 314; viii. 269; xi. 190; xii. 34 n., 355.
Newington Green, x. 357.
Newman Street, ii. 147, 163, 199.
Newmarket, ii. 23, 24, 26, 28, 30, 31, 32, 35–7, 40–2, 45, 46, 49, 50,
52–5, 107; vii. 211.
Newport, Lord (Vandyke’s), ix. 61.
Newport-Pagnell, ii. 14.
News, The, x. 220.
Newspaper (Crabbe’s), xi. 606.
Newstead Abbey, x. 169.
Newton, Bishop (Reynolds’s), ix. 399.
Newton, Sir Isaac, i. 10 n., 46, 82, 100; iii. 140, 141, 151; iv. 8, 45; v.
163; vi. 85, 239, 304; vii. 153, 249, 306, 358, 371, 458; viii. 99; ix.
243; x. 13, 134, 222, 249; xi. 258, 263 n., 273, 311; xii. 26, 27, 153
n., 154 n., 279, 441.
Ney, Marshal, iii. 165; ix. 146.
Nice Valour; or, The Passionate Madman (Beaumont and Fletcher),
v. 295.
Nicholas Gimcrack (in The Tatler), iii. 40; vi. 118, 119.
N.—— (Nicholson, William), ii. 91, 95, 100, 173, 175, 191–3, 195–6,
217, 219, 264, 279; vi. 92; vii. 230.
Nicias, viii. 17.
Nick Strumpfer (Scott’s The Pirate), xi. 534.
Nicknames, On, xi. 442.
Nicolas the Barber (in Cervantes’ Don Quixote), x. 27.
Nicole, Pierre, xi. 289.
Niger, The, ix. 255.
Night (Michael Angelo’s), ix. 363.
—— Picture of (Brown’s), v. 315.
—— at Dresden, The (Correggio’s), xii. 357.
—— Scene (Hogarth’s), viii. 136, 137; ix. 80.
—— Thoughts (Young’s), ii. 91; v. 375.
—— Walker, The (Beaumont and Fletcher’s), v. 261.
Nightingale, To the (Drummond of Hawthornden), v. 300.
Nile, The, i. 232; vii. 344; ix. 350.
—— the Battle of the, i. 97.
Nimeguen, ix. 299, 300.
Nimrod, vi. 168.
Nina (an Italian Opera), vii. 325, 335; ix. 174, 175 n.
Nine Muses (Tintoretto’s), ix. 42.
Ninette à la Cour (C. S. Favart’s), xi. 380.
Ninon de l’Enclos, xii. 37.
Niobe (The Elgin), ix. 379; x. 82.
—— (Raphael’s), i. 70.
—— (R. Wilson’s), ii. 198; ix. 393; xi. 200.
Nipperkin (in Sprigs of Laurel), xii. 24.
Nismes, Massacre of, iii. 118, 216.
No Song, No Supper (by Hoare), vii. 193; viii. 406, 416.
Noah’s Ark, vii. 96; ix. 335; xii. 263.
Noble, Walter, x. 243.
—— Kinsmen (Fletcher’s), v. 190.
—— Lord, Letter to a (Burke’s). See Letter to Bedford, Duke of.
—— Peasant, The (Holcroft’s), ii. 87, 109, 268.
Noblet, Mademoiselle, ix. 174.
Nodin (a picture dealer), ii. 205.
Noel, Mademoiselle, i. 53; ix. 170.
Nokes, James, i. 157; viii. 160.
Nola, the Philosopher of, x. 145.
Nollekens, Joseph, vi. 373, 379, 384; vii. 88, 90; xii. 221, 439.
Noman (in Homer’s Odyssey), xi. 452.
Nonjuror (Cibber’s), viii. 162.
Noon (Hogarth’s), viii. 137, 140; ix. 80; xi. 252; xii. 364.
Norbury Park, vi. 360.
Nore, The, ii. 248.
Norfolk, ii. 249, 277; iii. 405.
Norfolk, Duke of, xii. 164.
—— (in Richard III.), viii. 184, 202.
Norman (Holcroft’s), ii. 204.
—— Court, vi. 24; ix. 27.
Normandy, iii. 97; ix. 100.
Norna of the Fitful-Head (in Scott’s The Pirate), xi. 534.
North, Lord, iii. 290, 337 n., 419, 420; iv. 237.
—— T., ii. 205.
—— Sir Thomas, v. 186.
Norths, The, iii. 389.
North Berwick-Law, ii. 314.
—— Briton (a newspaper), iii. 422.
—— West Passage, iv. 207; vi. 414.
Northampton, ii. 14, 125; x. 356.
Northcote, James, i. 442; ii. 208, 209, 217, 224; iv. 212; vi. 10, 18, 65
n., 296, 318, 407; vii. 39, 40, 42, 89–94, 211, 487; ix. 34, 55, 61, 66,
226, 407 n., 475 n.; xi. 202 n., 509, 516, 543, 590; xii. 224, 439.
Northcote’s Conversations, vi. 333.
—— Samuel, vi. 395.
Northern Winter, A (A. Philips), v. 374.
North Pole, Panorama of, vi. 407.
Northumberland, Duchess of, iii. 307.
—— the Family of, x. 171.
—— the Earl and Countess of (Vandyke’s), ix. 61.
—— in the Tower (Vandyke’s), ix. 61.
—— (in Shakespeare’s Henry IV. and VI.), i. 284, 296, 301; xi. 192.
Northwich (a town), ii. 18.
Norton, Thomas, v. 193.
Norval (in Home’s Douglas), vi. 294; viii. 180; xi. 373.
Norway, iii. 62, 104, 106, 107, 158, 216.
Norwich, ii. 182, 230, 278.
Norwood, vii. 114.
Norwynne (in Inchbald’s Nature and Art), vii. 339; xii. 65.
Nota Bene; or, The Two Doctor Funguses (a play), viii. 536.
Nothing, Poem upon (Rochester’s), v. 83.
Notre-Dame, ix. 156.
Nottingham, ii. 14, 19–23, 29, 72, 85, 106, 125; vi. 445.
Nottingham, Lord, iii. 464.
Novel (in Wycherley’s Plain Dealer), viii. 78.
Novelle di Salernitano, ii. 172.
Novelists, On The English, viii. 106.
Novelty (Shakespeare’s Sonnet), i. 360.
—— and Familiarity, On, vii. 294.
Novi (a town), ii. 178.
Novum Organum (Bacon’s), v. 328.
Nugent, Lord, ii. 94; x. 215.
Numitorius (Knowles’s Virginius), viii. 456.
Nuneaton, ii. 14.
Nurse (in Shakespeare’s Romeo and Juliet), viii. 199.
Nursey, Perry, xi. 249.
Nut-Brown Maid, The (old ballad), v. 106; xi. 533.
Nym (in Shakespeare’s Henry V.), i. 291, 351; viii. 33.
Nymph, The First and Second (in Milton’s Comus), viii. 231.
—— (Titian’s), ix. 14.
—— appearing to the River God (a picture), ix. 128.
—— making a garland of flowers (Parmentier’s), ix. 167.
—— and Satyr (Giorgione’s), ix. 226.
—— —— (Polemberg’s), ix. 20.
—— —— A (a picture), ix. 43.
Nymphadoro (Marston’s Antonio and Mellida), v. 228.
O.

O——, Mr, xi. 387.


Oak and the Briar, The (Spenser’s), v. 98.
Oakhampton Castle (Wilson’s), xi. 199.
Oates, Titus, ii. 143.
Oath of the Horatii (David’s), ix. 134.
Oberon (in Shakespeare’s Midsummer Night’s Dream), i. 245 et seq.
Ober Wesel, xi. 363.
Obligations, On the Spirit of, vii. 78.
O’Bryan, Mr, ii. 173, 174.
Observations on Judge Eyre’s Charge to the Jury in 1794 (Godwin’s),
x. 399.
Observer, The, ix. 287; x. 220.
Occasion (Spenser’s), x. 245.
Occasional Conformity Bill, The, x. 377.
Occleve, Thomas, v. 34.
Oceana (Harrington’s), iii. 122.
Oceanus (Æschylus’s Prometheus), x. 93.
O’Coigly, James, ii. 429.
O’Connell, Daniel, xii. 214.
O’Connor, Arthur, ii. 174, 186, 190, 196, 431.
—— Roger, ii. 190.
Octavia (in Shakespeare’s Antony and Cleopatra), i. 229; viii. 192.
Octavian (in The Mountaineers), viii. 239, 241.
Ode on Chatterton (Coleridge’s), iv. 215.
—— to Departing Year (Coleridge’s), v. 377; xii. 268.
—— to Eton College (Gray’s), v. 118; vii. 74.
—— to Evening (Collins), v. 116, 374.
—— to Fear (Collins), v. 116, 374.
—— to Indifference (Mrs Greville’s), viii. 216.
—— to the Memory of Sir Lucius Cary and Sir H. Morrison (Ben
Jonson’s), v. 306.
—— to Naples, The (Shelley’s), x. 267.
—— on the Passions (Collins), v. 116, 374.
—— on the Poetical Character (Collins’s), v. 116, 126, 374.
—— on the Progress of Life (Wordsworth’s), i. 250.
—— on St Cecilia (Dryden’s), v. 81.
Odes and Inscriptions (Southey’s), v. 164.
Odeon, The (theatre), ix. 154.
Odry, Jacques Charles, ix. 153.
Odyssey (Homer’s), i. 71 n.; v. 14, 66; viii. 20; x. 12; xi. 236, 452; xii.
168.
Œdipus (Æschylus), x. 96.
—— (Lee’s), v. 357; vii. 298.
—— (Corneille’s), ix. 154, 193.
O’Fin (in Amory’s John Buncle), i. 54.
Ogygia (in Spenser), viii. 241; (Homer’s), x. 12.
Ohio, iv. 337; vi. 53.
O’Keefe (in Amory’s John Buncle), i. 54; iii. 142.
O’Keeffe, John, vi. 417; viii. 166, 319, 400, 416, 534; xi. 364, 383.
Old Actors, Some of the, xi. 366.
—— Age (Cicero’s), iv. 384.
—— —— (Holcroft’s), ii. 87.
—— —— of Artists, On the, vii. 88.
—— Bachelor, The (Congreve’s), viii. 72.
—— Bailey, The, ii. 99, 151, 199; vii. 339.
—— Clothes to Sell (a song in Holcroft’s Old Clothesman), ii. 177.
—— Clothesman, The (Holcroft’s), ii. 163, 170, 173, 195, 222, 225,
226.
—— Customs, viii. 327.
—— Double (in Shakespeare’s Henry IV.), i. 64, 283; viii. 33, 35.
—— English Baron, The (Mrs Radcliffe’s), viii. 127.
—— —— Writers and Speakers, vii. 311.
—— Fortunatus (Dekker’s), v. 234.
—— Jewry, Chapel in the, vi. 367.
—— Masters, The, x. 196.
—— Mortality (Scott’s), iv. 243 n., 247; vi. 425; xi. 459, 532, 537.
—— Mother W. (? Hogarth’s), xii. 364.
—— Nosy (in Dibdin’s Past Ten o’clock), xi. 393.
—— Project (in Reynolds’s What’s a Man of Fashion?), viii. 262.
—— Sarum, Sonnet to (Southey’s), iii. 203.
Old Sarum (town), iii. 110, 414; iv. 263.
—— Soldier (Opie’s), ii. 228.
—— Testament, The, v. 17, 183; x. 62.
—— Times (a newspaper), iii. 194.
—— Woman, xii. 321.
Oldenburgh, Duchess of, iii. 308.
Oldfield, Mrs, i. 8, 157; viii. 90, 96, 160.
Oldmixon, John, x. 368 n., 370, 371.
Oliver, Tom, vi. 40.
—— (in Shakespeare’s As You Like It), i. 341.
—— (in L. Bonaparte’s Charlemagne), xi. 232.
—— (a Government Spy), iii. 232, 234, 240, 261, 280.
Olivia (in Holcroft’s Hugh Trevor), ii. 137.
—— (in Holcroft’s The Man of Ten Thousand), ii. 160.
—— (in Wycherley’s Plain Dealer), viii. 14, 78, 86.
—— (in Shakespeare’s Twelfth Night), i. 315, 318; viii. 32, 37.
Ollapod (in Colman’s The Poor Gentleman), xi. 376.
Olympian Jupiter, The, ix. 466.
Olympic Games (Barry’s), ix. 421; x. 199.
—— Theatre, The, vi. 81; viii. 461, 462, 472.
Olympus, i. 34, 71; ix. 324, 325; x. 7.
Omai, portrait of (by Northcote), vi. 402.
One Man’s Profit is Another’s Loss (Montaigne’s), viii. 94 n.
O’Neill, Miss, i. 156; v. 355; viii. 177, 210, 211, 223, 256, 261–3, 273,
284, 288, 291, 309, 310, 347, 350, 391–4, 397–8, 465, 478, 524,
528, 537, 538; ix. 147; xi. 304, 367, 403, 407, 410.
O’Neill, Miss, as Belvidera, viii. 261, 513.
—— —— as Constance, viii. 513.
—— —— as Mrs Oakley, viii. 530.
—— —— as Elwina, viii. 256.
—— —— as Juliet, viii. 198.
—— —— as Lady Teazle, viii. 291.
—— —— as Widow Cheerly, xi. 297.
Onslow, Arthur, xii. 370.
Opera, The, xi. 426.
Opera, The Company at the, xi. 369.
—— New English, viii. 314, 320, 329.
—— House, The, ii. 90, 193; viii. 465.
Ophelia (in Shakespeare’s Hamlet), i. 105, 232, 293 n.; iii. 122; v. 49,
261; viii. 188, 209, 478 n.; ix. 145; x. 116; xi. 295, 395, 451; xii. 144.
Opie, John, i. 149; ii. 169, 172, 174–6, 178, 180, 184, 189, 196, 198,
208–9, 223–6, 228, 230, 398; vi. 10, 79 n., 296, 343, 351, 390, 411,
433, 436, 462; vii. 109, 274, 305; ix. 225, 403; xi. 218.
—— Mrs, ii. 169, 226, 231; viii. 268.
Opposition and The Courier, iii. 240.
O.P. Row, viii. 357; xi. 372; xii. 39, 297.
Ops (a heathen god), vii. 255.
Orange, House of, vii. 322; ix. 42.
—— the Prince of, iii. 284; vi. 221; x. 370, 372.
—— Court, ii. 1, 2.
Oratorios, The, viii. 296.
Orcagna, Andrea, ix. 354.
Ordonio (in Coleridge’s Remorse), vi. 314; viii. 421.
Orestes (Æschylus), x. 93.
—— (Phillips’ The Distressed Mother), viii. 334.
Orford, Lord, vi. 461.
Orgagna, the Giant (Ariosto’s), ix. 239.
Orger, Mrs Mary Ann, viii. 246, 279, 355, 358, 536; ix. 151.
Orgon (Molière’s Tartuffe), viii. 29, 246; ix. 151; x. 108; xi. 354.
Oriana (in Dimond’s Conquest of Torento), viii. 368.
Orient (a ship), ii. 214.
Originality, ix. 423.
Orinda (in Farquhar’s Inconstant), i. 154.
Orion (N. Poussin’s), vi. 169, 170.
Orkneys, The, xi. 532, 533.
Orlando (in Shakespeare’s As You Like It), i. 339; iii. 297; viii. 252.
—— (in L. Bonaparte’s Charlemagne), xi. 232, 235.
—— (in Dekker’s Honest Whore), v. 235, 237, 240.
—— Amoroso (Bayardo’s), x. 69.
—— Furioso (Ariosto’s), x. 14, 70, 71, 85.
Orleans Gallery, The, i. 78; vi. 14; ix. 9, 11, 31, 33 and n., 422.
Ormond, The Duke of, vi. 345.
Ormskirk, ii. 167.
Ornamental Gardening, Treatise on (Thomas Whately’s), i. 171.
Oroondates, The (in La Calprenède’s Cassandra), xii. 61.
Oroonoko; or, The Royal Slave (Southerne’s), xi. 301;
also referred to in i. 300; v. 359; vii. 70; viii. 537.
Orosman (Voltaire’s), x. 111; xi. 282.
Orphan, The (Otway’s), v. 355; viii. 263.
Orpheus, vii. 14.
—— (by Barry), ix. 420.
—— (by Dance), vi. 442.
—— and Eurydice (Drolling’s), ix. 137 n.
Orr, William, iii. 237.
Orsin (Butler’s Hudibras), viii. 65.
Orsini, xi. 443.
Orson (in Valentine and Orson), v. 361; vii. 215.

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