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were curious to see what the coolies would pay for the boat journey,
as they had arranged the matter. For the four chairs and the
eighteen people, the whole cost was thirty cash—namely, three
farthings. We got back to Kiating soon after four o’clock, and found
that our friends had kindly got everything ready for our departure.
The thought of two quiet days on the boat was not unacceptable
after a somewhat laborious but entirely satisfactory trip up Mount
Omi, and it was many days before we recovered from our stiffness.
Owing to mist, we did not see the impressive view of Mount Omi as it
rises from the plain.
CHAPTER XVIII
From Szechwan into Yünnan
T
HE boat in which we continued our journey down the Min
River was rather larger than the one we had previously, but
still we could not stand upright in it. It is not always easy to get
just what you want in the way of boats, especially at this time of year;
but it was not a long journey, although our men took about four times
as long as they ought to have done, and it was only by offering extra
payment that we managed to do it in two days. We had one piece of
good luck on the way. Our kind friends at Chengtu, when
replenishing our stores, had lamented the non-arrival of a large case
of biscuits sent out by friends in England, mentioning the name of
the firm from which they were coming. As we neared Sui Fu we were
watching divers getting up cases which had evidently been
shipwrecked, and conspicuous amongst them was a large case
bearing the name referred to. On arrival at Sui Fu we reported this at
the mission station where we stayed, and learnt that they had heard
of the wreck and sent to inquire whether the case had been got up.
Shortly afterwards their messenger returned, saying that it could not
be found. Our information being explicit, we described exactly the
spot where we had seen the wreck, a few miles above the town; the
man was sent again and told that he must bring the case, as we had
seen for ourselves that it had been got up. This time he returned in
triumph with it. Probably the divers thought that they would get a
better price by selling the contents, and if we had not seen it our
friends would not have seen it either.
The town of Sui Fu is most charmingly situated, lying at the
junction of the Yangtze and the Min rivers, and is enclosed in a fork
between the two, with beautiful hills rising above it. Its name is both
spelt and pronounced in various ways, to the great bewilderment of
those who address letters. It is Sui Fu, or Hsui Fu, or Sú Cheo, or
Schow, or Su Chau, or it may be rendered in various other ways.
Well might the London telegraph clerk say to my sister, “If you send
a wire it is only at your own risk,” in answer to my wire from Peking
giving the Pekinese spelling. It is a busy and flourishing place, and
possesses a Roman Catholic cathedral as well as a convent.
COPPER IMAGE, SUI FU
A
FTER a couple of days’ halt we started for the capital, with
new coolies for the most part—fine, strong men—who had
arranged to do the twelve days’ stages at four taels per man,
with the additional inducement of a pork-feast on New Year’s Day.
The first day we passed through somewhat uninteresting country, but
then we climbed up amongst the mountains and reached one
specially fine point of view, from which we saw five ranges, one
beyond the other, and to the west a lovely snow range. From there
we made our way down a most precipitous slope to the bottom of a
valley, where a noisy brook was spanned by one of the fascinating
iron suspension-bridges. This bridge is composed of eight parallel
thick iron chains with connecting links, and the masonry at each end
is very fine. The hand-rails were decorated with graphic carvings of
monkeys and other apocryphal beasts at each end. The little village
was eminently picturesque, and the willows were already in their
delicate spring green, contrasting well with the stiff blue-green prickly
pears. Coming down the slope, our eyes had feasted on the sight of
pink fruit blossom, and on the farther side of the stream we came
next day to dazzling white pear-trees. Certain shrubs blossom even
while snow is on the ground, and this is a favourite motif both in
Chinese and in Japanese art.