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The Masters and The Slaves - Freyre
The Masters and The Slaves - Freyre
Gilberto Freyre
While the implications of some of his ideas have long been debated, even today Gil-
berto de Mello Freyre (1900–1987) is considered one of the great interpreters of Brazil-
ian culture. In a trilogy of books about Brazilian history and society that he wrote
beginning in 1933, he critiqued then-current views of racial miscegenation as a source
of social degeneration and instead celebrated the mixture of European, American,
and African races and cultures that, in his view, explains the uniqueness of Brazil.
Freyre was raised in the northeastern state of Pernambuco, one of the centers of
Brazil’s sugar-producing and slaveholding colonial past. After finishing his early edu-
cation in the city of Recife, he traveled to the United States, where he studied at Baylor
College in Waco, Texas, and completed a master’s degree at Columbia University,
studying with the anthropologist Franz Boas, who greatly influenced his thinking.
The Masters and the Slaves (1933) was his first and most famous work. Together
with the other two books in the trilogy, The Mansions and the Shanties (1936) and
Order and Progress (1957), it was an extended essay about the formation of Brazil
and Brazilian identity. After an initial chapter on the process of colonization, ex-
cerpts of which appear below, the subsequent chapters each focus on one of the races
that Freyre argued created Brazil, with one about the role of the indigenous, another
on the Portuguese colonizer, and two long chapters explaining “the black slave in
Brazilian sexual and family life.” As this chapter title suggests, the topic of sexuality
as a form of power and negotiation pervades the book, as Freyre’s arguments center
on the importance of patriarchal family structures.
His thinking provoked a monumental intellectual shift for Brazil. During the em-
pire, writers largely ignored black and mixed-race populations, and in the First Re-
public most intellectuals adopted racial theories that understood racial mixtures as
a cause of national inferiority. By contrast, Freyre declared that miscegenation had
led to a panoply of racial gradations and to such a thorough mixing of cultural ele-
ments that the resulting Brazilian culture was a unique new hybrid. The Masters
and the Slaves was an instant best-seller, and his vision of race—what later came
to be known as the idea of racial democracy—proved immensely compelling to many
for decades.
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