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Another random document with
no related content on Scribd:
 (Eng ed 20–14053)

“This official biography of the conqueror of Bagdad, who died

during the fourth year of the war, was written by the British Director
of military operations at the War office. General Maude was one of
the small group of commanders brought to the front by the war who
appealed to the popular imagination. Fortunately, his biographer is
one of the leading military writers of our time. The book is inspiring,
not merely as the life of a great soldier, but as a contribution to our
knowledge of British military operations in Mesopotamia.” R of Rs

“As clear and sympathetic an account as any friend of General

Maude’s could desire.” O. W.

+ Ath p239 Ag 20 ’20 680w

Boston Transcript p1 D 4 ’20 1350w
+ R of Rs 62:670 D ’20 90w

“There is not too much Maude in the book, nor is there too much
collateral history, just a happy combination of the two, an
achievement which is by no means common in memoirs!”

+ Sat R 130:279 O 2 ’20 1000w

“Sir Charles Callwell is particularly to be congratulated on the

justice and candour with which he has written this book. Eulogy at
points where eulogy is undeserved is an offence in biography. It is
misleading; it deprives the reader of the opportunities of learning the
lessons which he might have learned from the truth; and in the last
analysis it is unfair to the subject of the biography himself. Sir
Charles Callwell, while making clear his intense admiration of
Maude, succeeds in giving point to that admiration by admitting that
Maude was not without his intellectual faults as a soldier.”

+ Spec 125:209 Ag 14 ’20 1550w

“In spite of the attraction of his subject the biography is to be read

once and no more. One hesitates to think that General Callwell has
missed the secret of Maude’s greatness. One searches the book in
vain for a generalization, a fruitful idea.”

+ − The Times [London] Lit Sup p485 Jl 29

’20 1200w

[2]
CAMERON, CHARLOTTE. Cheechako in
Alaska and Yukon. il $6 Stokes 917.98

Cheechako is Eskimo for tenderfoot, but this particular tenderfoot

turns out to be a hardened traveler. After many other lands the far
North beckoned this adventurous Englishwoman and she set out
from Seattle in June to travel 2,200 miles on the Yukon to Alaska
and back all in a summer season. She sings the praises of the
wondrous riches of the country—for which she bespeaks a
prosperous future—and of the hospitality of its people. Nome, which
had lured her from childhood, was the real objective of the trip and
of it the author gives a detailed account. The book is well illustrated.

Ath p581 O 29 ’20 280w

 The Times [London] Lit Sup p655 O 7
’20 40w

“Very wisely she is content to write as a sightseer, not as a pioneer;

and the result of this renunciation is that we get from her something
fresh.”

+ The Times [London] Lit Sup p663 O 14

’20 1000w

CAMP, CHARLES WADSWORTH. Gray mask.

il *$1.75 (2c) Doubleday

20–2640

An episodic narrative dealing with the solution of various

mysteries and taking its name from the first adventure. Garth, a
member of the detective force, is asked by his chief to assume the
disguise of the Gray Mask, a criminal chemist who goes with face
covered to hide the effects of an explosion. The disguise takes him
into the heart of a criminal gang, among whom to his horror he finds
Nora, his chief’s daughter. But her presence there is satisfactorily
explained and the law breakers are brought to justice. The second
episode concerns a murder mystery, and there are others, ending
with Garth’s engagement to Nora.

“The stories hardly measure up to the author’s previous work.”

 + − Springf’d Republican p11a My 16 ’20
200w

CAMP, WALTER CHAUNCEY. Football

without a coach. il *$1.25 Appleton 797

20–13870

The object of the book is to supply a perfect pen-and-ink coach for

a football team, telling it how to progress from week to week,
warning it of the dangers that will crop up and telling it how to
surmount each difficulty that arises. It is intended as a text-book for
the grammar school boy, the high school student, and the young man
from the shop or office. Contents: Building the foundation; Sizing up
the candidates; The first scrimmage; Practice without a scrub; The
line and the forward pass; The line; The backfield; Building plays;
The strategy of football; Things that make or break a team.

Booklist 17:102 D ’20

“The book comes as near to taking the place of an expert coach as

printed words can.”

+ Ind 104:249 N 13 ’20 50w

+ Lit D p96 D 4 ’20 40w
+ R of Rs 62:448 O ’20 200w
 CAMP, WALTER CHAUNCEY. Handbook on
health and how to keep it. *$1.25 (3c) Appleton 613

20–5624

In formulating a “simple, reasonable and practical system of

preserving physical fitness” for all ages, the author has had in mind
the “simplest, shortest, least exhausting and most exhilarating form
of calisthenics” that can be devised. He has concentrated his setup
exercises with four groups of three each thus: Hands, Hips, Head;
Grind, Grate, Grasp; Crawl, Curl, Crouch; Wave, Weave, Wing.
Portions of the book are devoted to practical suggestions as to the
value of certain sports at proper periods of life and to cautions as to
the general health and the follies of some habits. Contents: Problems
of youth and age; Daily dozen set-up; Reviewing follies; Children,
schoolboy and collegian; Industrial worker.

+ Booklist 16:333 Jl ’20

R of Rs 62:335 S ’20 60w
+ Springf’d Republican p12 My 21 ’20
300w

“Mr Camp’s latest book should be useful to the instructor of

gymnastics and the Boy scout leader. The author’s insistence upon
athletics will readily be forgiven on the ground of a specialist’s
natural enthusiasm; but the space given to it and other general
considerations in the book hardly make it a very practical ‘handbook’
for the individual in need of advice and stimulus.” B. L.
 + − Survey 44:252 My 15 ’20 160w

CAMPBELL, HENRY COLIN. How to use

cement for concrete construction for town and farm.
il $2 Stanton & Van Vliet 693.5

20–6499

This comprehensive book covers such subjects as Farming with

concrete; What concrete is, how to make and use it; Making forms
for concrete construction; Reinforcement; Concrete foundations and
concrete walls; Tanks, troughs, cisterns, and similar containers for
liquids; Concrete floors, walks and similar concrete pavements; A
concrete garage on the farm; Poultry houses of concrete; Concrete
silos, etc. The author writes from the point of view of both engineer
and farmer. There is an alphabetical table of contents, and the book
is very fully illustrated.

Booklist 17:97 D ’20

N Y P L Munic Ref Lib Notes 7:35 O 13
’20 90w
+ N Y P L New Tech Bks p28 Ap ’20 70w
+ Springf’d Republican p8 Je 18 ’20 210w
 CANBY, HENRY SEIDEL. Everyday Americans.
*$1.75 (5½c) Century 917.3

20–16765

The book is a “study of the typical, the everyday American mind, as

it is manifested in the American of the old stock. It is a study of what
that typical American product, the college and high school graduate,
has become in the generation which must carry on after the war.”
(Preface) This typical American the author finds to be “the
conservative-liberal” in whom the inherited liberal instincts have
become petrified and who suffers with a sort of a hardening of the
arteries of the mind. There is also a radicalism of a sort but it is a
very different thing from European revolutionary radicalism. The
soul of America now in which abides the future, is the bourgeoisie
and he advises all who wish to speculate in postbellum America to
study the younger leaders of the labor parties on the one hand and
the college undergraduates on the other. They are the future.
Contents: The American mind; Conservative America; Radical
America; American idealism; Religion in America; Literature in
America; The bourgeois American.

“Written in a clear, rather colorless style.”

+ − Booklist 17:110 D ’20

“If Mr Canby’s book had been written long ago it would have
remedied in large degree the appalling ignorance existing abroad
concerning American mind and thought.”
 + Bookm 52:272 N ’20 180w

“A timely, undogmatic contribution to an exceedingly lively issue.”

+ Dial 70:232 F ’21 70w

“As far as it goes, Mr Canby’s book is very good and very

interesting. On the whole, his analysis appears to be sound; and his
candour is admirable.” R: Roberts

+ Freeman 2:308 D 8 ’20 1150w

Nation 111:512 N 3 ’20 280w

“Thoughtful and lucid appraisement of American values. Though

the style is simple, it is closely packed; the substance is weighty, and
no one will get it all in the first reading.”

+ − Review 4:17 Ja 5 ’21 580w

“It may be argued that there is no special brillance or insight in

these pages, but if one really wishes to convince the average
thoughtful American, it is well to be neither too philosophical nor too
paradoxical. Mr Canby at least shows us that he has an active mind,
capable of searching the underlying issues of the time in which he
lives.”

+ − Springf’d Republican p11a S 26 ’20

650w
 “This study of the American mind is altogether delightful because
of its directness, sincerity and penetration.” B. L.

+ Survey 45:369 D 4 ’20 280w

CANFIELD, CHAUNCEY L., ed. Diary of a

forty-niner. *$3.50 Houghton 979.4

The book is based on the authentic diary of one Alfred T. Jackson,

a pioneer miner who cabined and worked on Rock Creek, Nevada
County, California, from 1850 to 1852. It is a “truthful, unadorned,
veracious chronicle of the placer mining days of the foothills, a
narrative of events as they occurred; told in simple and, at times,
ungrammatical sentences, yet vivid and truth compelling in the
absence of conscious literary endeavor.... It sets forth graphically the
successive steps in gold mining, from the pan and rocker to the
ground sluice and flume.... No less fascinating is the romance
interwoven in the pages of the diary.” (Preface) The editor states that
he has verified many of the incidents and happenings. An edition of
the book was published in San Francisco shortly before the
earthquake and fire, during which the plates and many of the copies
were destroyed.

“This book is well printed in large type but the solid character of
the contents, in spite of the chapter headings, will repel some
readers.” H. S. K.

+ − Boston Transcript p3 D 11 ’20 600w

 “One of the most fascinating features of this remarkable document
is the diarist’s self-revelation of his evolution from a Puritanical New
Englander, bound and shackled with the prejudices of generations,
into a broad-minded man whose mental growth is miraculously
stimulated by the freedom of his environment and associations.”

+ N Y Times p22 Ja 16 ’21 2850w

+ R of Rs 63:223 F ’21 100w

CANNAN, GILBERT. Release of the soul. *$1.75

Boni & Liveright 149.3

20–8452

“The surface of life has been broken by the war, says Mr Cannan;
there is no longer any structure in social existence: ‘For the artist
there is metaphysic or nothing.’ And in this highly metaphysical,
mystical essay he attempts to convey a programme for the immediate
future of society and especially for the artist. We are told that the
book was written during Mr Cannan’s recent visit in America, in a
period of intense creative inspiration. As a record of mystical
experience, as an endeavor to express the ineffable, it expects from
the reader a coöperation more sympathetic than that of the
intelligence. Stripped of its mysticism, the argument is a tolerably
familiar one; it is a fusion of certain beliefs almost universally held
now by the younger writers and artists, beliefs regarding the
industrial régime, bourgeois democracy, intellectualism, the instinct
of workmanship, the release of the creative impulses.”—N Y Evening
Post
 “Mr Cannan’s new book is, indeed, unusual. The words God, soul,
life, occur with extraordinary frequency but the variety of their
syntactical connections throws no light on their meanings. Since we
are neither provided with, nor enabled to deduce, definitions of Mr
Cannan’s chief terms, we find his book unintelligible.”

− + Ath p764 Je 11 ’20 500w

“The tone of the book is rhapsodical; its sentences are so desultory;

and even the illustrations drawn here and there from history, art and
literature are so loose, that it is difficult, if not impossible, to decide
at times what he exactly does mean.”

− Cath World 111:832 S ’20 230w

“There is little art in his exposition and less evidence of work. And
it takes more religion of a charitable nature than Mr Cannan
preaches to restrain one from saying that the author of this work has
released his soul so very successfully that it has disappeared.”

− Dial 69:433 O ’20 110w

“Flashes of fine thought are not incompatible with loose thinking.

A book may be very stimulating and suggestive in its details and yet
as a whole leave behind an impression of hopeless confusion. This is
just the kind of book Mr Cannan has produced.” Edwin Bjorkman

− + Freeman 2:19 S 15 ’20 1600w

“It is not unlikely that many, perhaps most, of the people who read
Mr Cannan’s new book will wonder what he is driving at. A little of
this bewilderment will be due to Mr Cannan himself; for when he
passes over from the dramatic to the discursive a certain elusiveness
invades his speech. The book is one of those which must be read two
or three times over before its whole significance becomes clear; but it
is abundantly worth that trouble.” R: Roberts

+ − Nation 111:301 S 11 ’20 1100w

“His book is a curious, largely incomprehensible and thoroughly

dull rhapsody upon God and nature, life, love and the soul.” S. C. C.

− + New Repub 24:152 O 6 ’20 220w

“The charm of the book is to be found in some of the brief ecstatic

meditations in which from time to time the pages flower.” Van Wyck
Brooks

+ − N Y Evening Post p7 My 8 ’20 950w

“Mr Cannan has flung a light bridge from mysticism to

internationalism over which it is quite conceivable that an exposition
so airy, chary, and fleeting as his own may pass in safety. But the
plain man, the logician, and the investigator can not be urged to trust
his weight to the inadequacies of the trembling fabric.”

+ − Review 3:711 Jl 7 ’20 500w

“It is an embarrassing book to read. One feels like an intruder

upon a privacy, for really Mr Cannan appears to have suffered
considerably. Either so ‘private and confidential’ a book ought not to
have been written, or we should not be reading it.”
 − Sat R 130:14 Jl 3 ’20 240w

“Obviously what Mr Cannan says is largely platonic doctrine, to

many incomprehensible; but spiritual emphasis at this time is so
needed that the book is justified in spite of its frequent cloudy and
chaotic passages.”

+ − Springf’d Republican p8 Jl 8 ’20 220w

“Mr Cannan, weary of criticism and all negative activities, has

turned to mysticism; and this book is the result. It is sincere,
passionate and interesting, but it lacks structure, and so is a little
difficult to read.”

+ − The Times [London] Lit Sup p417 Jl 1

’20 1850w

CANNAN, GILBERT. Time and eternity; a tale

of three exiles. *$1.90 (2½c) Doran

20–7059

London is the abode of these three exiles. One of them is an

Englishman, Stephen Lawrie, at odds with the world about him and
with the war, living in voluntary seclusion in the London slums,
trying to solve the riddle of the universe in silence and inactivity. The
other, Perekatov, is a Ukrainian Jew eking out a precarious existence
in London as a correspondent for a Russian paper. He obtrudes
himself on Stephen with whose face, seen at a public meeting, he had
been impressed. There is much spasmodic, intangible talk between
them and their intercourse ripens into friendship of a sort. Valerie du
Toit, the third exile, is a South African of French Huguenot
extraction, who has come to England athirst for the eternal verities.
With elemental force the spirits of Stephen and Valerie meet and
melt into each other. This kindles insane jealousy in Howard Ducie
who acts the Othello to Valerie’s Desdemona, smothers her in her
sleep and has himself run over by a train. Stephen accepts the
tragedy as a happening in time which can not interfere with the
eternity of his love.

Ath p1035 O 17 ’19 240w

“Mr Gilbert Cannan’s novels are important novels, but they are not
good novels. They are the illustrative material of his essays and they
do not illustrate them in any creative fashion. The theories shine
through too glaringly, as in ‘Time and eternity.’ Mr Cannan started
out with a naive creative impulse, but the events of the past six years
have aroused in him, as in many of us, so much impassioned
thinking about life that the material of creation itself slips from his
grasp.”

− Nation 110:658 My 15 ’20 400w

“Though the book frequently reveals creative strokes, though its

general plan is majestically conceived, yet it conveys the sense of
being a preliminary work. ‘Time and eternity’ suggests the need for a
future work which will see the thing through. The sculptor is still
groping.” J. C. L.

+ − New Repub 23:182 Jl 7 ’20 730w

 “‘Time and eternity’ is the result of a serious lack in its author, the
lack of a sense of humor. The piece has untold burlesque
possibilities, and they have been wasted. ‘Time and eternity’ may be
ascribed only to a rapidly advancing senility.” Henrietta Malkiel

− N Y Call p10 My 9 ’20 420w

“We have all long known the phrase ‘a welter of words,’ but to read
Gilbert Cannan’s new book ‘Time and eternity’ is to realize just
exactly what it implies. The reader’s strongest feeling after he has at
last toiled his weary way through this extremely dull book is a desire
for plenty of soap and water and good fresh air.”

− N Y Times 25:204 Ap 25 ’20 900w

Reviewed by H. W. Boynton

Review 2:489 My 8 ’20 520w

“Mr Cannan writes too quickly and too often. He writes with a sort
of hungry rage, because he despises something, though he does not
know what, and desires something equally unknown to him. His
work is as restless and as inconclusive as a conversation between
adolescents teased with growing pains.”

− Sat R 128:419 N 1 ’19 1200w

“In ‘Time and eternity’ Mr Cannan presents a piece of tedious

writing and speculation about slinking individuals who are out of
harmony with the ages.”
 − Springf’d Republican p11a Je 20 ’20
400w

“Mr Cannan has not yet, in this method, passed the experimental
stage. Moreover, he has not enough to say about the souls of his
three exiles, to each of whom by name is allotted one-third of this
short book, to engage unflagging attention. They are queer if not
tiresome, but vaguer than people speaking uninspired lines from
behind a curtain. They do nothing very much; they appear to want
nothing very special; they certainly are nothing very intensely.”

− The Times [London] Lit Sup p531 O 2

’19 650w

CANNAN, GILBERT. Windmills; a book of

fables. *$1.60 (3c) Huebsch

20–17654

A volume of satires. The first two, Samways island and Ultimus,

altho written before 1914 have to do with a series of wars between
Fatland (England) and Fatterland (Germany) and, except in matters
of mechanical detail, they indicate remarkable foresight. Of the two
that follow, Gynecologia describes the women governed world that
succeeded the great wars, and Out of work is a social satire involving
Jah, the devil, and a certain Nicholas Bly, a labor agitator. The
author writes a preface to the American edition. The book was
published in England in 1915.
 “Mr Cannan’s satire is not as keen and cutting when bare and
exposed in these sketches as it is in some of his other books where it
half hides behind a veil of romance. ‘Windmills’ is brilliant in places,
but not as a whole.”

+ − Boston Transcript p7 Jl 31 ’20 310w

“What he says is inexpugnably true; it is only his prose which is

ineffective.”

+ − Dial 69:433 O ’20 70w

“When the time and circumstances of the book’s composition are

remembered one’s admiration for Mr Cannan’s clear and trenchant
perspicacity is of the highest. At that point, however, one’s
admiration ends. Here, as in all his recent books, there is, on the side
of art, a total lack of modulation, of warmth, of felicity.” Ludwig
Lewisohn

+ − Nation 111:160 Ag 7 ’20 650w

“It makes light of high things and low and at the same time heavy
reading for both. It sounds like Greenwich Village at its futilest.”

− Outlook 125:615 Ag 4 ’20 60w

“The truth is, Mr Cannan, with all his pose of independence, is

nothing if not a partisan. He belongs to his time and his school; and
neither his paradox nor his satiric whimsy nor his flashes of
sentiment could have been what they are without the example or let
us say the inspiration of a Chesterton, a Shaw, and a Wells. The book
has, above all, the assertiveness, the bumptiousness, the determined
brilliancy, and unease which will, we may fear, be the hallmark of the
passing literary generation to the eye of posterity.” H. W. B.

− Review 3:192 S 1 ’20 920w

CANTACUZÈNE, PRINCESS (COUNTESS

SPÉRANSKY, née JULIA DENT GRANT).
Russian people. il *$3 Scribner 947

20–6483

“Many who have followed the Russian articles in the Saturday

Evening Post of Princess Cantacuzène will no doubt greet with
pleasure their appearance in book form under the title ‘Russian
people: revolutionary recollections.’ Similar to Princess
Cantacuzène’s earlier book, ‘Revolutionary days,’ these pictures of
Russian life are seen through the eyes of a member of the upper
classes, residents for years in the country. It is the simple folk outside
the city, exemplified by the peasant of the Cantacuzène estate,
Bouromka, about whom the stories center. In addition to the pictures
of Bouromka before and after the ‘red’ outbreaks, there are chapters
dealing with the efforts in various parts of the old empire to re-
establish a stable government. Crimea, where the Cantacuzène villa
is situated, was one such center. ‘Daughters of Russia’ is the title of
the final chapter, these ranging from Catherine the Great to
Catherine Breshkovsky and Maria Botshkarova.”—Springf’d
Republican

“The author knows the peasants and tenantry outside of the large
cities and writes of them intimately and interestingly. Her account of
the revolution and of political affairs is, however, second hand and
lacks clarifying detail.”

+ − Booklist 17:64 N ’20

“They present readable and accurate impressions of events on

which full information is still hard to get.”

+ Ind 103:440 D 25 ’20 130w

“It would be a mistake to regard her story as seriously contributing

to our understanding of the revolution, if for no other reason than
that her materials are obtained at secondhand and to a great extent
from rumor. Painting in simple black-and-white is not her only
limitation.”

− Nation 110:860 Je 26 ’20 340w

“Princess Cantacuzène’s book is certainly a striking case of a good

opportunity missed. If only she had stuck more to what she saw
herself during those days when her adopted country was going to
pieces before her eyes!”

− + N Y Times 25:224 My 2 ’20 1400w

Springf’d Republican p8 Je 18 ’20 380w

CAPABLANCA, JOSÉ RAÚL. My chess career.

il *$2.50 Macmillan 794
 20–6061

The author, born in Havana, Cuba, in 1888, began to play chess at

the age of five. At eleven he was matched against the Cuban
champion, J. Corzo. In his introductory chapter he says: “The object
of this little book is to give to the reader some idea of the many stages
through which I have passed before reaching my present strength....
As I go along narrating my chess career, I will stop at those points
which I consider most important, giving examples of my games with
my own notes written at the time the games were played, or when
not, expressing the ideas I had while the game was in progress.” This
plan is followed thruout the book, beginning with the match with
Corzo and continuing to the Hastings victory congress in 1919. The
conclusion gives points for beginners.

“There is not a trace of boastfulness in the book. Capablanca’s

passion is for exact scientific truth. The general spirit is one of
detached and critical self-observation. Altogether, a book of great
psychological interest.” R. O. M.

+ Ath p237 F 20 ’20 650w

Booklist 17:103 D ’20

“This refreshing little book probably contains more real

information on the science of chess than a dozen of the more weighty
tomes put together. Capablanca’s comments on his own and his
adversary’s play throughout the book are of a most original and
illuminating sort.” Moreby Adlom

+ Bookm 51:573 Jl ’20 950w