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 influence of, on Wagner, 360;
and Brahms, 418, 419;
“the oratorio for Boston,” 462
Beggar’s Opera, Gay’s, 338
Belasco, David, 384
Belgium, modern music in, 541
Bellini, Vincenzo, 337–8
Bennett, Sir William Sterndale, 340, 438
Berg, Alban, 533–4
Berkshire chamber music competition, 440
Berlin, Irving, 503
Berlioz, Hector, 386;
account of his life and his musical innovations, 398–403
Berners, Lord, 544–5
Bethlehem, Pa., yearly Bach Festival at, 252
Bible, the, mention of music in, 25 ff.
Bible stories, acting of, 171–3
Billings, William, 460–2
Birmingham Festivals, 339–40
Bispham, David, 469, 495
Bizet, Georges, 386, 388–9
Bliss, Arthur, 545
Bloch, Ernest, 510, 542
Blondel de Nesle, rescue of Richard the Lion-Hearted by, 99
Blow, Dr. John, 204–5
Bohemia, composers of, 446–8
Bohemian folk songs and dances, 135.
Bohemian Girl, The, Balfe’s, 341
Boieldieu, François Adrienne, 333
Boise, O. B., 495, 496
Boito, Arrigo, 381–2
Boleyn, Anne, 188, 189
Bologna, music festivals at, in the 18th century, 219
Bond, Carrie Jacobs, 481
Bori, Lucrezia, 385, 386
Borodin, Alexander, 444
Boston Handel and Haydn Society, 462
Boston Symphony Orchestra, the, founding of, 467
Bow, origin of stringed instruments from, 307
Boyle, George F., 496
Brahms, Johannes, life and work of, 418–23, 424, 426
Bravura pianists, the, 322
Brenet, Michel, quoted on development of composition, 146–7
Brescia, violins made in, 215
Bridge, Frank, 543
Bridge, Sir Frederick, Twelve Good Musicians by, 201, 203, 205
Bristow, George, 466
Britain, the Druids and bards in ancient, 89–91;
early invasions of, 92–3
Brittany, cromlechs and menhirs in, 90;
folk music in, 115
Brockway, Howard, 495, 496
Browning, Robert, 413
Bruch, Max, 429
Bruckner, Anton, 426–7
Bruneau, Alfred, 393
Buck, Dudley, 476
Bull, Dr. John, 196, 202
Bull, Ole, 363, 449, 450, 451
Bülow, Hans von, 408, 411
Burleigh, Henry Thacker, colored composer, 501
Burmese, music of the, 52
Burns, Robert, and Scotch music, 138–9
Burton, Frederick, on Indian estimate of classical music, 13
Busch, Carl, 490
Busoni, Ferruccio, 535
Buxtehude, Dietrich, 239–40, 273
Byrd, William, 192, 193, 194, 195, 196, 197, 202
C
Cadman, Charles Wakefield, 487
Cædmon, 92, 93
Cæsar, Julius, 67–8
Calvé, Emma, 388
“Camerata,” the, of Florence, and beginnings of opera, 174 ff.
Canadian folk songs, 139
Cantata, origin of the, 184
Carey, Henry, 339, 465
Carmen, Bizet’s, 388
Carpenter, John Alden, 498
Caruso, 334, 382, 384
Casella, Alfredo, 318, 539
Castanets, use of, by the Assyrians, 25;
 by the Hindus, 66
Cavalleria Rusticana, Mascagni’s, 382
Cavos, Catterino, 442
Caxton, William, 191
Cecilia, St., 71
Chabrier, Alexis Emanuel, 389, 415–16, 433
Chadwick, George, 476–7
Chaliapin, 381
Chamber music, the beginning of, 149, 209–10;
rise of, 323
Chanson de Roland, the, 94–5, 127
Chansons de Geste, 93
Chant, the, ancestor of hymns, 70;
the Gregorian, 72, 75, 76;
plain, 73
Charlemagne, 57, 92, 93, 94, 96, 236
Charleston, S. C., founding of St. Cecilia Society in, 462
Charpentier, Gustav, 393–4
Chausson, Ernest, 393, 433
Cherubini, Luigi, 331–2, 399, 403, 431
Chicago Orchestra, the, 468
Chickering, Jonas, invents complete iron frame for the piano, 314
Chimes of Normandy, Planquette’s, 336
Chinese, music of the, 46–9;
scales of, 47–8;
instruments of, 48–9
Chopin, Frédéric, 321, 354–7, 448
Christians, early, 68 ff.
Christmas carols, 113–14, 139–40
Church music, 67 ff.;
antiphony and polyphony in, 70–1;
St. Cecilia, 71;
St. Ambrose, 71, 72;
Greek modes as models, 71–3;
St. Gregory, 72, 73;
the Venerable Bede, 75–6;
early use of instruments in, 76;
organs in, 85;
influence of the Renaissance on, 164 ff.;
Martin Luther and, 165–6;
action of Council of Trent regarding, 167;
Palestrina and, 167–70;
of Monteverde, 183;
composers of cathedral music in England, 340–1;
American composers, 475 ff.
Cibber, Colley, 260, 262
Civil War songs, 142–3
Clarke, Rebecca, 440
Clavecin, the, 210
Clavichord, the, 309–10
Clefs, development of, 80
Clementi, Muzio, 319–20
Clifton, Chalmers, 507
Cole, Rosseter Gleason, 490
Color and sound, study of, in India, 62–3
Columbus, Christopher, 165
Concerts, public, the first, 272–3
Conried, Heinrich, 373
Constantine, Emperor, 69, 70
Converse, Frederick, 479
Cooke, Captain Henry, 204
Coolidge, Mrs. F. S., 440
Coq d’Or, Rimsky-Korsakov’s, 445
Corelli, Arcangelo, 218
Counterpoint, meaning of the term, 85
Couperin, François, 231, 232–3
Couperin family, the, 232
Cow-boy songs, 142
Cowen, Sir Frederick Hymen, 439
Cradle songs, 109–10
Cramer, John B., 320
Creation, The, Haydn’s, 281, 282
Cremona, the violin makers of, 214–17
Cristofori, Bartolomeo, maker of the first pianoforte, 312
Cromwell, Oliver, 203
Crowest, Frederick J., quoted on music in England in the 16th
century, 191–2
Crusades, the, 57, 95–6
“Cryes of London,” the, 200–1
Cui, César, 445
Curtis, Natalie, 485
Cushion dance, the, 124
Cymbals, use of, by the Assyrians, 25;
by the Hindus, 66
Czecho-Slovakia, composers of, 446–8, 538
Czerny, Carl, 299, 321
D
D’Albert, Eugene, 395
Dalcroze, Jacques, 541–2
Damrosch, Dr. Frank, 470
Damrosch, Dr. Leopold, 468, 469
Damrosch, Walter, 468, 469, 470
Dancing, of primitive man, 4, 6;
of American Indians, 14–15;
of the ancient Egyptians, 23;
of the Japanese Geisha girls, 51;
of the gypsies, 134
Dancing songs and folk dances, 120–6, 134, 135, 144
Dark Ages, the, 68 ff.
Daughter of the Regiment, Donizetti’s, 337
David, King, as a musician, 27–8
David, Félicien, 386
Dean Paul, Lady, 439–40, 531
Debussy, Claude Achille, 394, 416, 519–22
De Koven, Reginald, 336, 488–9
Delage, Maurice, 523
Delamarter, Eric, 498–9
Délibes, Clement Philibert Léo, 391
Delius, Frederick, 542
Denmark, composers of, 451
Der Freischütz, Weber’s 328, 329, 333
Dett, R. N., colored composer, 501–2
Devrient, Wilhelmine Schroeder-, 363, 366
Dibden, Charles, 339
Die Fledermaus, Strauss’s, 336
D’Indy, Vincent, 393, 435–6
Dinorah, Meyerbeer’s, 335
Ditson, Oliver, 513
Dohnányi, Ernest von, 537–8
Don Giovanni, Mozart’s, 288, 290, 291
Donizetti, Gaetano, 337
Drinking songs, 119, 136
Druids and bards, 89–91
Drums, the first, 5;
use of, by American Indians, 11–12;
use of, by the negro, 18;
sending of messages by, 18;
use of, by the Assyrians, 24, 25;
by the Chinese, 48;
by the Burmese, 52;
by the Arabs, 60
Dufay, Guillaume, 153
Dukas, Paul, 417
Dulcimer, the, use of, by the Assyrians and others, 25, 308
Duncan, Edmundstoune, Story of Minstrelsy by, 189, 199
Dunstable, John, 187
Duparc, Henri, 393
Duschek, Franz, 319
Dussek, Johann L., 320
Dvorak, Antonin, 447–8
E
Edwards, Julian, 486
Egyptians, ancient, the music of, 20–3;
their musical scale not unlike ours, 23
Eisteddfod, revival of, in Wales, 91
Elgar, Edward William, 439
Elijah, Mendelssohn’s oratorio, 347, 350
Eliot, President, of Harvard, 475
Elizabeth, Queen, 192, 194, 196
Elkus, Albert, 491
Enesco, Georges, 448
Engel, Carl, 511
England, folk music in, 113, 114, 118, 139–40;
the “round” in, 123;
the morris dance, 123–4;
ballads in, in 15th and 16th centuries, 124–5;
masques in, 173;
music in, in the 16th and 17th centuries, 187–207;
founding of Anglican church, 188;
chained libraries in, 190;
famous old music collections of, 193, 196–7, 198;
“chests of viols” in, 198–9;
“Cryes of London,” 200–1;
some famous composers, 201 ff.;
the opera ballad in, 338–41;
English composers in classical forms, 438–40;
recent composers, 542–5
Erard, Sebastian, piano maker, 313, 314
Erdmann, Edward, 536
Ernani, Verdi’s, 379
Eschenbach, Wolfram von, the minnesinger, 103
Esterhazy, Prince Paul Anton, 279
Evans, Edwin, 318
F
Falla, Manuel de, 540–1
Farrar, Geraldine, 384, 395, 396, 514
Farwell, Arthur, 484
Fauré, Gabriel, 437–8
Faust, Gounod’s, 387
Feinberg, Samuel, 531
Festa, Constanza, 170
Feudalism, the age of, 95
Fidelio, Beethoven’s opera, 302, 305, 306, 326
Field, John, 320, 343–4
Finland, composers of, 452–3
Finnish folk songs, 131;
instruments, 131
Fitzwilliam Virginal Book, the, 196–7
Florence, the “Camerata” of, and beginnings of opera, 174 ff.
Flotow, Friedrich von, 212
Flute, use of, by American Indians, 12–13;
use of, by the Assyrians and Egyptians, 25;
Jubal invents a, 26;
use of, by the Greeks, 36, 42–3;
by the Romans, 45;
by the Chinese, 48, 49;
by the Arabs, 61;
by the Hindus, 66
Flying Dutchman, The, Wagner’s, 365
Folk dances, 120–6, 134, 135, 144
Folk music, 107 ff.;
classes of, 108;
songs of childhood, games and cradle songs, 109–11;
songs for religious ceremonies, holidays and Christmas carols,
May songs and spring festivals, 111–14;
love songs, 114–15;
patriotic songs, 115–17;
songs of work and labor and trades, 117–19;
drinking songs, 119;
dancing songs and dancing, 120–6;
 funeral songs and songs for mourning, 126;
narratives, ballads and legends, 126–7;
national portraits in, 128 ff.;
Russian folk music, 129–30;
Finnish songs, 131;
Poland’s music, 131;
gypsies, 132–5;
Bohemian folk song, 135;
Spanish and Portuguese folk music, 135;
French folk music, 135–6;
German folk music, 136–7;
Irish folk songs, 137;
Scotch and Welsh tunes, 137–9;
Canadian folk songs, 139;
English folk songs, 139–40;
American folk music, 140–5
Foote, Arthur, 477–8
Forsyth, Cecil, History of Music by, 38–9, 236
Foster, Stephen Collins, 140–1, 472–4
Fra Diavolo, Auber’s, 333
France, troubadours, trouvères and jongleurs in, 97 ff.;
folk music in, 112, 114, 125, 135–6;
Baif’s club of poets and musicians in, 177;
ballets at court of, 178;
the coming of Italian opera to, 178;
opera in, 15th to 18th centuries, 222–31;
French composers for clavecin and harpsichord, 17th and 18th
centuries, 231–3;
the French school of opera, 330 ff.;
modern composers of, 386–95
Franck, César, 386, 389, 393;
life and works of, 429–34
Franco-Flemish school of music, the, 152–5
Franklin, Benjamin, 463, 464
Franz, Robert, 424
Frederick the Great, 249, 253, 255
Frescobaldi, Girolamo, 237–8
Froberger, Johann Jacob, 239
Fry, William H., 466
Funeral songs, 126
G
Gabrieli, 209
Gade, Niels Wilhelm, 450
Galileo, 180
Garcia, Manuel, 338, 465
Gédalge, André, 392
George I of England, 258, 259
German, Edward, 439
Germany, minnesingers and mastersingers in, 102 ff.;
folk music in, 111–12, 114, 136–7;
organists in, 238 ff.;
the Mannheim School and the symphony, 273–4;
opera composers in, 327–9, 335;
Wagner, 359–76;
opera composers since Wagner, 395–6;
recent composers, 534–6
Gershwin, George, 503
Gibbons, Orlando, 196–7, 201–2
Gilbert, Henry F., 484
Gilbert, W. S., 336, 341
Gilchrist, William Wallace, 489
Gilmore, Patrick, 486
Giordano, Umberto, 383
Girl of the Golden West, Puccini’s, 384–5
Gleason, Frederic Grant, 489
Gleemen, 92–3
Glinka, Michael, 442
Gluck, Christoph Willibald, 213;
account of his life, and works of, 263–72;
Orpheus and Euridice, 268;
Iphigenia in Aulis, 269;
Iphigenia in Tauris, 270;
his orchestration, 272;
influence of, on Wagner, 360;
invention of musical glasses by, 463
Glyn, Margaret, Evolution of Musical Form by, quoted, 65–6
Godard, Benjamin, 386–7
Godowsky, Leopold, 512
Goethe, 298
Goldmark, Rubin, 496
Goldsmith, Oliver, Vicar of Wakefield by, quoted, 463
Gombert, Nicolas, 155
Gonzaga, Vicenzo di, Duke of Mantua, patron of Monteverde, 180–3
Goossens, Eugene, 545
Götterdämmerung, Die, Wagner’s, 367, 372
Gottschalk, Louis Moreau, 322, 471–2
Goudimel, Claude, 157, 160
Gounod, Charles François, 386, 387
Gourd, the, as an early musical instrument, 5
Grainger, Percy Aldridge, 318, 510–11
Gramophone, the, 319
Granados, Enrique, 454–5
Graupner, Gottlieb, 466
Greeks, the, music of, 31 ff.;
the nine Muses of, 32;
myths and legends, 32–3;
Pan’s pipes, 33;
Apollo, 33–4;
Orpheus, 34–5;
music in their daily life, 35;
harvest songs, 35–6;
the liturgies, 36–7;
festivals, 37;
scales of, 37–40;
Pythagoras, 40–2;
musical instruments of, 42–3;
modes of, as models for church music, 71–3;
spring festival of, 111;
folk music of, 118
Gregorian chant, 72, 75, 76
Gregory, Pope, 72, 73
Grétry, André Ernest Modeste, 330
Grieg, Edvard Hagerup, 449–50
Griffes, Charles Tomlinson, 504–5
Gruenberg, Louis, 502–3
Grunn, Homer, 488
Guido, D’Arezzo, additions to music by, 79–83
Guilmant, Alexandre, 392, 393
Gutenberg, invention of printing by, 163
Gypsies, music of, 132–5;
their instruments, 132–3, 134
H
Haba, Alois, 538–9
Hadley, Henry K., 496–7
Halévy, Jacques François, 334
Hallen, Anders, 452
Hamilton, Clarence G., Outlines of Music History, by, 155
Hampton Singers, the, 501
Handel, George Frederick, 220–1, 244;
comparison with Bach, 255–6;
account of his life, and works of, 256 ff.;
The Messiah, 262
Hansel and Gretel, Humperdinck’s, 395
Hargrave, Mary, The Earlier French Musicians, by, 230
Harmati, Sandor, 507
“Harmonica,” Franklin’s, 463
Harmony, beginnings of, by Hucbald, 77–9;
use of chords by Willaert, 156;
Zarlino’s books on, 157;
harmonization of hymns, 166–7;
experiments of Monteverde in, 179 ff.
Harp, the, use of, by the ancient Egyptians, 22;
by the Assyrians, 25;
the Hebrew Kinnor, 26;
use of, by the Greeks, 43
Harpers and gleemen, 92–3
Harpsichord, the, 310–11
Hartmann, J., 451
Harvard Musical Association, the, 467
Hastings, battle of, 93, 94
Haubiel, Charles, 507
Haydn, Franz Joseph, 213, 253, 254;
account of his life, 275–82;
The Creation and The Seasons, 281, 282;
his gift to music, 283–4;
Haydn and Mozart, 284–5;
Beethoven meets him, 297–8
Heart music, of Monteverde, 180 ff.;
disappearance of, 530
Hebrew music, 25–30
Heine, Heinrich, 346
Heller, Stephen, 358
Henry IV of France, 176, 222
Henry VIII of England, 188–9
Herbert, Victor, 336, 486
Hereford, England, chained library at, 190
Hérold, Louis Joseph Ferdinand, 334
Hertz, Alfred, 373
Hieroglyphics of the ancient Egyptians, 20, 23
Higginson, Colonel Henry L., 467
Hill, Edward Burlingame, 480
Hindemith, Paul, 535–6
Hindu, music, 61 ff.;
the Hindu rags, 62–3;
orchestra, 64–5;
notation, 65–6;
instruments of, 66
Holland, modern music in, 541
Holst, Gustave, 543–4
Home, Sweet Home, 465
Homer, 89
Honegger, Arthur, 525, 542
Hook, James, 339
Hooker, Brian, 479
Hopkinson, Francis, 463–4
Horsley, William, 340
Hucbald, starting of science of harmony by, 77–9
Huguenots, The, Meyerbeer’s, 335
Humiston, W. H., 494–5
Hummel, Johann, 319, 320
Humperdinck, Engelbert, 395–6
Humphrey, Pelham, 204, 205
Hungarian gypsies, music of, 133–5
Hungary, modern music in, 536–8
Hurdy-gurdy, or vielle, the, 106
Huss, Henry Holden, 495
Hutcheson, Ernest, 495–6
Hymns, early, 71–3; harmonization of, 166–7
Hymns, national, 115–117
I
Iarecki, Tadeusz, 531
Ignatius, St., 70
Il Trovatore, Verdi’s, 378, 379
Incas, music of the, 53–4
India, music of, 61 ff.
Indians, American, the music of, 9 ff.;
musical instruments of, 11–13;
Indian societies, 13–15;
songs and dances of, 14–15;
the medicine man, 15–16;
picture language of, 16;
lullabies of, 110;
recent study of their music, 484–6, 487–8
Instruments, musical, the earliest, 5;
of the American Indians, 11–13;
 of the ancient Egyptians, 22;
of the Assyrians, 24–5;
of the Hebrews, 26–9;
of the Greeks, 42–3;
of the Romans, 44, 45;
of the Chinese, 48–9;
of the Japanese, 50;
of Siamese, Burmese, and Javanese, 52;
of the Incas and Aztecs, 53–4;
of the Arabs, 59–61;
of the Hindus, 66;
early use of, in church music, 76;
Russian stringed instruments, 130;
of Finland and Poland, 131;
of the gypsies, 132–3, 134;
the violin makers of Cremona, 214–17;
the origin of stringed instruments, 307–8;
the pianoforte, 307 ff.
Iolanthe, Sullivan’s, 341
I Pagliacci, Leoncavallo’s, 382
Iphigenia in Aulis, Gluck’s, 269
Iphigenia in Tauris, Gluck’s, 270
I Puritani, Bellini’s, 337
Ireland, John, 544
Irish folk songs, 137
Italian language, musical terms derived from, 206–7
Italy, beginnings of the opera in, 173 ff.;
opera writers of, in 17th and 18th centuries, 212;
violinists and composers of, in 17th and 18th centuries, 217 ff.;
Rossini, Bellini, and Donizetti, 337–8;
modern composers of, 377–86;
and the new order, 539–41
J
Janequin, Clement, 154–5, 160
Japanese music, 50–1
Javanese, music of the, 52
Jazz music, rhythm of, borrowed from the negro, 143–4;
and negro spirituals, 500–1
Jews, music of the, 25–30
Joachim, 420
Jomelli, 213
Jongleurs, the, 97–9
Jonson, Ben, 173
Josephus, cited, on Solomon’s singers and musicians, 28
Jubal, first musician mentioned in the Bible, 25–6
Julius III, Pope, 168
K
Kalkbrenner, Frederick, 320
Kangaroo, dance in imitation of, 6
Kelley, Edgar Stillman, 489
Kerl, Johann Kaspar, 240
Keyboard, the, development of, 309
Kinnor, harp of the Hebrews, 26
Kithara, Greek musical instrument, 39, 42, 44
Kjerulf, Halfdan, 449
Kneisel Quartet, the, 480
Kobbé, Gustave, 318
Kodály, Soltan, 536–7
Korngold, Erich Wolfgang, 534
Kramer, A. Walter, 506
Krehbiel, H. E., quoted on folk music, 107–8;
on negro slave songs, 143;
 on Stephen Foster, 474
Kreisler, Fritz, 448, 512
Kreutzer, Rudolph, 324
Kreutzer Sonata, Beethoven’s, 324
Kuhnau, Johann, 241–2
L
La Bohème, Puccini’s, 383
L’Africaine, Meyerbeer’s, 335
La Juive, Halévy’s, 334
Lalo, Edouard Victor Antoine, 391
Landormy, Paul, History of Music, by, 259, 273, 390–1
Landowska, Wanda, 252, 311
Lang, Benjamin J., 475
Lang, Margaret Ruthven, 481
La Sonnambula, Bellini’s, 337–8
Lassus, Orlandus, 158–60, 161
La Traviata, Verdi’s, 379
Lawes, Henry, 202–3
Lecocq, 336
Lehman, Liza, 439
Lehmann, Lilli, 469
Leit-motif, first use of, by Wagner, 364, 374;
use of, by Berlioz, 402;
use of, by Strauss, 414
Le Jeune, Claude, 177–8
Le Jongleur de Notre Dame, Massenet’s, 392
Leonardo da Vinci, 456
Leoncavallo, Ruggiero, 382