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128. ‘Like Samson,’ etc. Cowper, The Task, V. 737.
‘The worst of every evil,’ etc. Cf. Temistocle, Act III. Sc. 2.
129. ‘A world,’ etc. Cf. Wordsworth, Personal Talk, l. 34.
‘A foregone conclusion.’ Othello, Act III. Sc. 3.
130. ‘We see the children,’ etc. Cf. Wordsworth, Ode, Intimations
of Immortality, 170–1.
Paul Clifford. Bulwer’s Paul Clifford appeared in 1830.
‘Lively,’ etc. Coriolanus, Act IV. Sc. 5.
‘The true pathos,’ etc. Burns, Epistle to Dr. Blacklock.
FOOTMEN
Republished in Sketches and Essays.

PAG
E Sewell and Cross’s. Linen-drapers and silk-mercers, 44 and
131. 45 Old Compton Street, Soho.
The Bazaar. Established in 1815.
‘The Corinthian capitals,’ etc. Cf. Burke’s Reflections on the
Revolution in France (Select Works, ed. Payne, II. 164).
132. As I look down Curzon Street. The essay would seem to have
been written at 40 Half-Moon Street, where Hazlitt lodged
from 1827 to 1829.
133. ‘Brothers of the groves.’ Cf. vol. VIII. note to p. 467.
Mr. N——. Sketches and Essays prints ‘Northcote.’
‘High Life Below Stairs.’ By James Townley (1714–1788),
produced in 1759.
Mr. C——.? Coleridge.
Cassock. Sketches and Essays prints hassock.
The fate of the footman, etc. See Lady Mary Wortley
Montagu’s Epistle from Arthur Grey, the Footman, to Mrs.
Murray.
134. ‘Vine-covered hills,’ etc. From lines ‘Written in 1788’ by
William Roscoe and parodied in The Anti-Jacobin.
‘As pigeons pick up peas.’ Cf. Love’s Labour’s Lost, V. 2.
135. ‘No more—where ignorance,’ etc. Gray, On a Distant
Prospect of Eton College.
M. de Bausset. Louis François Joseph, Baron de Bausset (b.
1770), author of Mémoires anecdotiques sur l’intérieur du
palais (1827–8).
136.
Wear green spectacles. These three words, which seem to
have a personal application, were omitted in Sketches and
Essays. Cf. post, p. 217.
ON THE WANT OF MONEY
Republished in Literary Remains.

137. ‘The heaviest stone,’ etc. Sir T. Browne, Hydriotaphia, chap.


IV.

138. ‘That Mr. Moore,’ etc. Moore’s Life of Sheridan appeared in


1825. This sentence was omitted in Literary Remains.
139. Note. ‘Such gain,’ etc. Cymbeline, Act III. Sc. 3.
140. ‘Screw one’s courage,’ etc. Cf. Macbeth, Act I. Sc. 7.
‘As kind,’ etc. Dryden, The Hind and the Panther, I. 271.
141. ‘Of formal cut.’ As You Like It, Act II. Sc. 7.
The fair Aurora. Gil Blas, Livre IV.
Monsieur de Very. See ante, note to p. 104.
Apicius. Marcus Gabius Apicius, the notorious Roman
epicure, referred to by Pliny, X. 48, 68, § 133.
Amelia’s hashed mutton. Amelia, Book X. chap. V.
142. ‘And ever,’ etc. L’Allegro, 135–6.
‘We called,’ etc. Cf. Colonel Jack, chap. 1.
‘The Colonel,’ etc. Ibid.
The City Madam. See Massinger’s, The City Madam, III. 3.
‘Spanish Rogue.’ Hazlitt refers to Mateo Aleman’s Guzman de
Alfarache (1599). Cf. vol. VIII. (Lectures on the Comic
Writers), p. 111.
142. Mr. Lamb has referred, etc. See Lamb’s Specimens, note to
Rowley’s A New Wonder (Works, ed. E. V. Lucas, IV. 126).
Note. ‘His daughter and his ducats.’ The Merchant of Venice,
Act II. Sc. 8.
143. ‘By their so potent art.’ Cf. The Tempest, Act V. Sc. 1.
144. ‘We know,’ etc. Hamlet, Act IV. Sc. 5.
‘Within that lowest deep,’ etc. Cf. Paradise Lost, IV. 76–77.
146. I never knew but one man, etc. ? Jeffrey.
‘With wine,’ etc. Cf. Milton’s Sonnet, Lawrence, of virtuous
father, etc.
149. ‘Pure in the last recesses of the mind.’ Dryden, The Second
Satire of Persius, 133.
Mr. Thomas Wedgwood. Thomas Wedgwood (1771–1805),
Coleridge’s friend.
‘We can hold,’ etc. Richard II., Act I. Sc. 3.
ON THE FEELING OF IMMORTALITY IN
YOUTH
Republished with many omissions and variations in Literary
Remains and Winterslow.

PAG
E ‘Life is a pure flame,’ etc. Sir T. Browne, Hydriotaphia, chap.
150. V.

My brother’s. John Hazlitt (1767–1837), the miniature-


painter. See Mr. W. C. Hazlitt’s Four Generations of a
Literary Family, I. 210–18.
151. ‘The vast,’ etc. Cf. ‘The wide, the unbounded prospect, lies
before me.’ Addison, Cato, Act V. Sc. 1.
‘Bear a charmed life.’ Macbeth, Act V. Sc. 8.
‘Bidding,’ etc. Collins’s Ode, The Passions, 32.
‘This sensible,’ etc. Measure for Measure, Act III. Sc. 1.
152. ‘Wine of life,’ etc. Cf. Macbeth, Act II. Sc. 3.
‘As in a glass darkly.’ Cf. 1 Corinthians xiii. 12.
‘So am not I.’ Sterne, Tristram Shandy, vol. V. chap. vii.
Note. The Art of War (1795) by Joseph Fawcett (d. 1804), an
early friend of Hazlitt’s. See vol. VI. (Table-Talk), 224–5
and Mr. W. C. Hazlitt’s Memoirs, etc., I. 75–79.
153. ‘The feast of reason,’ etc. Pope, Imitations of Horace, Sat. I.
128.
‘Brave sublunary things.’ Cf. ‘Those brave translunary
things.’ Michael Drayton, To Henry Reynolds.
‘The stockdove,’ etc. Cf. Thomson, The Castle of Indolence, I.
St. 4.
Note. ‘Had it not been,’ etc. Works, II. 254.
Note. She says of Richardson. See Works, II. 285 et seq. and
222.
Note. Monstrum ingens biforme. Cf. Æneid, III. 658.
Note. ‘His spirits,’ etc. Works, II. 283.
156. ‘The purple light of love.’ Gray, The Progress of Poesy, 41.
‘The Raphael grace,’ etc. Cf. ‘Match Raphael’s grace with thy
loved Guido’s air. ‘Pope, Moral Essays, VIII. 36.
‘Gain new vigour,’ etc. Cowper, Charity, 104.
157. ‘Beguile,’ etc. Cf. ‘Lose and neglect the creeping hours of
time.’ As You Like It, Act II. Sc. 7.
158. ‘Robbers.’ Schiller’s play, produced in 1782.
‘From the Dungeon,’ etc. Coleridge, Sonnet, ‘To the Author of
The Robbers.’
Don Carlos. Schiller’s play (1787).
158. ‘That time is past,’ etc. Cf. Wordsworth, Lines composed a
few miles above Tintern Abbey, 83–85.
159. ‘Even from the tomb,’ etc. Gray’s Elegy, 91–92.
‘All the life,’ etc. Cf. ‘For a’ the life of life is dead.’ Burns,
Lament for James, Earl of Glencairn, st. 6.
‘From the last dregs,’ etc. Cf. Dryden, Aurengzebe, Act IV. Sc.
1.
160. ‘Treason domestic,’ etc. Cf. Macbeth, Act III. Sc. 2.
‘Reverbs its own hollowness.’ Cf. King Lear, Act I. Sc. 1.
ON READING NEW BOOKS
Published with omissions in Sketches and Essays. The essay was
written at Florence. See Mr. W. C. Hazlitt’s Memoirs, etc. II. 154.

PAG
E Note. See vol. VIII. (Lectures on the Comic Writers), p. 22 and
161. note.
162. ‘Has just come,’ etc. Cf. Richard III., Act I. Sc. 1.
164. A Manuscript of Cicero’s. Hazlitt probably refers to Cardinal
Angelo Mai’s (1782–1854) discoveries.
A Noble Lord. The Marquis of Blandford, who bought
Valdarfer’s edition of Boccaccio for £2260 at the Roxburgh
sale in 1812. Cf. ante, p. 43.
Mr. Thomas Taylor. Thomas Taylor (1758–1835), the
Platonist. The ‘old Duke of Norfolk’ (Bernard Edward, 12th
Duke, 1765–1842) was his patron, and locked up nearly the
whole of Taylor’s edition of Plato (5 vols., 1804) in his
library.
Ireland’s celebrated forgery. The main forgery, Vortigern, by
William Henry Ireland, was produced at Drury Lane on
April 2, 1796.
Note. Mr. G. D.’s chambers. Lamb’s friend George Dyer
(1755–1841) lived in Clifford’s Inn from 1792. His History
of the University and Colleges of Cambridge, etc. was
published in 2 vols. in 1814. In reference to the number of
corrections in this work, Lamb spoke of Dyer as
‘Cancellarius Magnus.’
Note. Another friend of mine, etc. Leigh Hunt. See his essay
‘Jack Abbot’s Breakfast’ reprinted in Men, Women, and
Books (1847).
166. ‘Proud as when,’ etc. Cf. Troilus and Cressida, Act I. Sc. 3.
167. ‘Like sunken wreck,’ etc. Cf. Henry V., Act I. Sc. 2.
168. ‘Full of wise σατυς,’ etc. Cf. As You Like It, Act II. Sc. 7.
‘An insolent piece of paper.’ ‘A piece of arrogant paper.’
Massinger, A New Way to pay Old Debts, Act IV. Sc. 3.
‘Somewhat musty.’ Cf. ‘Something musty.’ Hamlet, Act III. Sc.
2.
Longinus complains, etc. See Longinus, On the Sublime, IX.
169. Irving’s orations. Cf. vol. IV. (The Spirit of the Age), p. 228.
The Jew’s letters. Dr. Philip le Fanu published in 1777 a
translation of the Abbé Guenée’s Lettres de certaines
Juives à M. Voltaire.
That Van Diemen’s Land of letters. These words were
omitted in Sketches and Essays.
Flocci-nauci, etc. Shenstone, Letter xxi. 1741 (Works, 1791, III.
49).
‘Flames in the forehead,’ etc. Lycidas, 171.
170. Mr. Godwin composed an Essay, etc. Hazlitt perhaps refers
to the letter added by ‘Edward Baldwin’ to his own English
Grammar. See vol. VI. p. 388.
Note. A certain poet. This note was omitted in Sketches and
Essays.
171. ‘By Heavens,’ etc. Wordsworth Sonnet, The world is too
much with us.
171. ‘Trampled,’ etc. Cf. Burke, Reflections on the Revolution in
France (Select Works, ed. Payne, II. 93).
‘Kept like an apple,’ etc. Cf. Hamlet, Act IV. Sc. 2.
172. Note. ‘Speak evil of dignities.’ 2 Peter ii. 10.
Note. The Queens matrimonial-ladder. One of William
Hone’s squibs, published in 1820, and illustrated with
fourteen cuts by Cruikshank.
ON DISAGREEABLE PEOPLE
Republished in Sketches and Essays.

174. ‘Discourse of reason,’ etc. Loosely quoted from Hamlet. Cf.


Act I. Sc. 2 and Act IV. Sc. 4.
‘The whole,’ etc. Cf. S. Matthew ix. 12.
‘As when,’ etc. Thomson, The Castle of Indolence, St. 64.
177. ‘Yea, into our heart of hearts.’ Cf. Hamlet, Act III. Sc. 2.
‘The volumes,’ etc. Roscommon, Horace’s Art of Poetry.
‘That dallies,’ etc. Cf. Twelfth Night, Act II. Sc. 4.
178. ‘Wit at the helm,’ etc. Cf. ‘Youth on the prow, and Pleasure at
the helm.’ Gray, The Bard, 74.
179. A butt, according to the Spectator, etc. See The Spectator,
No. 47.
181. ‘Hew you,’ etc. Cf. Julius Cæsar, Act II. Sc. 1.
Tempora, etc. Cf. Æneid, IV. 293–4.
‘Not to admire,’ etc. Pope, Imitations of Horace, Epistles I. vi.
1–2.
The Westminster School of Reform. Hazlitt refers to the
writers, including Bentham and James Mill, associated
with The Westminster Review, founded in 1824.
182. ‘Milk of human kindness.’ Macbeth, Act I. Sc. 5.
ON MEANS AND ENDS
Published in Literary Remains with many variations presumably
introduced by the editor, and again in the same form in Winterslow.

PAG
E ‘We work by wit,’ etc. Othello, Act II. Sc. 3.
184. ‘Leaps at once,’ etc. Cowper, The Task, V. 686.
185. ‘From Indus,’ etc. Pope, Eloisa to Abelard, 58.

Hinc illæ lachrymæ. Horace, Epistles, I. xix. 41.


187. ‘Constrained by mastery.’ Chaucer, Canterbury Tales, The
188. Franklin’s Tale, 36; Wordsworth quotes the line in The
Excursion, VI. 162–5.
189. ‘Makes a sunshine,’ etc. The Faerie Queene, I. iii. 4.
190. David’s and Girodet’s pictures. Jacques Louis David (1748–
1825) and Anne Louis Girodet (1767–1824).
‘Potations, pottle-deep.’ Othello, Act II. Sc. 3.
192. ‘In a phantasma,’ etc. Julius Cæsar, Act II. Sc. 1.
‘Courage,’ etc. Paradise Lost, I. 108.
193. ‘His thoughts,’ etc. Cf. Ibid., IX. 467.
Note. Strong passion, etc. Cf. The Rambler, No. 1.
Note. ‘The lunatic,’ etc. A Midsummer Night’s Dream, Act V.
Sc. 1.
194. ‘Set but a Scotsman,’ etc. Cf. Burns, The Author’s Earnest Cry
and Prayer, Postscript, St. 4.
‘And it alone,’ etc. Cf. Twelfth Night, Act I. Sc. 1.
‘We read his works.’ Lamb’s Essay ‘On the Genius and
Character of Hogarth’ (Works, ed. E. V. Lucas, I. 71).
195. ‘The darlings of his precious eye.’ Cf. ‘Make it a darling like
your precious eye.’ Othello, Act III. Sc. 4.
196. ‘The jovial thigh,’ etc. Cf. Cymbeline, Act IV. Sc. 2.
197. ‘They are careful,’ etc. Cf. S. Luke X. 41–42.
198. ‘And with their darkness,’ etc. Cf. Paradise Lost, I. 391.
‘They also serve,’ etc. Adapted from Milton’s Sonnet, No. XX.,
‘When I consider how my light is spent,’ etc.
ON PERSONAL IDENTITY
Published with some omissions in Winterslow.

‘Ha! here be,’ etc. King Lear, Act III. Sc. 4.


‘If I were not Alexander,’ etc. The saying is given by Plutarch.
Note. Zoffani. Johann Zoffany, or Zaufelly (1733–1810).
Note. Reynolds’s Speculation. A comedy by Frederick
Reynolds, produced in 1795. George III. was much amused
by it. See Life of Reynolds, II. 208–210.
199. ‘Wishing to be,’ etc. Cf. Shakespeare, Sonnet XXIX.
‘The rub,’ etc. Cf. Hamlet, Act III. Sc. 1.
‘Put off,’ etc. Ibid.
200. ‘What more felicity,’ etc. Spenser, Muiopotmos, St. 27.
201. ‘That something,’ etc. Cf. Pope, An Essay on Man, IV. 3–4.
‘Very choice Italian.’ Hamlet, Act III. Sc. 2.
‘Vows,’ etc. Cf. Paradise Lost, IV. 97.
‘The native hue,’ etc. Cf. Hamlet, Act III. Sc. 1.
202. ‘Shut up,’ etc. Macbeth, Act II. Sc. 1.
‘I’d sooner,’ etc. Cf. Julius Cæsar, Act IV. Sc. 3.
Sir Thomas Lethbridge. A sturdy Tory, member for
Somersetshire. He is possibly the L—— referred to in vol. VI.
(Table-Talk), p. 94. Though a staunch Protectionist, he
voted for Reform and Catholic Emancipation.
203. ‘Ethereal braid,’ etc. See vol. IV. (The Spirit of the Age), note
to p. 216.
Had I been a lord I should have married, etc. This sentence
and the next were omitted in Winterslow.
204. ‘Give me,’ etc. Cf. 3 Henry VI., Act I. Sc. 4.
‘Monarchise,’ etc. Richard II., Act III. Sc. 2.
‘Tenth transmitters,’ etc. Richard Savage, The Bastard.
‘In the catalogue,’ etc. Cf. Macbeth, Act III. Sc. 1.
‘Swinish multitude.’ Burke, Reflections on the Revolution in
France (Select Works, ed. Payne, II. 93).
205. ‘The fair,’ etc. Cf. As You Like It, Act III. Sc. 2.
The person who bought Punch. Cf. post, p. 353.
206. Why will Mr. Cobbett, etc. Cobbett had recently (1826)
unsuccessfully contested Preston.
The bird described by Chaucer. See Chaucer, The Canterbury
Tales, The Manciple’s Tale, 59 et seq., and The Squiere’s
Tale, 603 et seq.
You say there is a common language, etc. These words, down
to ‘And he will laugh in your face,’ were omitted in
Winterslow.
207. ‘A certain tender bloom,’ etc. Cf. ‘A certain tender gloom
o’erspread his face.’ Thomson, The Castle of Indolence, I.
St. 57.
208. ‘Stuff o’ the conscience.’ Othello, Act I. Sc. 2.
‘Laggard age.’ Collins, Ode, The Passions, 112.
209. Like Benvenuto Cellini, etc. See Life of Benvenuto Cellini,
Part II. lxxviii.
APHORISMS ON MAN
Now republished for the first time. In The Monthly Magazine they
appeared as follows: I.–XI. October 1830; XII.–XXXVI. November 1830;
XXXVII.–XLVII. December 1830; XLVIII.–LV. April 1831; LVI.–LXVI. May
1831; LXVII.–LXX. June 1831. They are described as ‘by the late William
Hazlitt.’

PAG
E Monmouth-street. In St. Giles’s, now partly occupied by
210. Shaftesbury Avenue. Allusions to its old-clothes shops are
very frequent in eighteenth-century literature.
211. ‘In the deep bosom,’ etc. Richard III., Act I. Sc. 1.
‘At one fell swoop.’ Macbeth, Act IV. Sc. 3.
214. O’Connell. Hazlitt no doubt refers to the proceedings of
O’Connell after his election for Co. Clare in 1828.
215. ‘The soft collar,’ etc. Burke, Reflections on the Revolution in
France (Select Works, ed. Payne, II. 90).
‘The iron rod,’ etc. Cf.
‘When the scourge inexorably, and the torturing hour,
Calls us to penance.’ Paradise Lost, II. 90–2.

217. An editor. Cf. ante, p. 136.


218. ‘There goes my wicked self.’ Hazlitt was perhaps thinking of
the saying attributed to John Bradford (1510?–1555), who,
on seeing some criminals going to execution, is said to have
exclaimed: ‘But for the grace of God, there goes John
Bradford.’
‘To be honest,’ etc. Hamlet, Act II. Sc. 2.
L——.? Lamb.
219. ‘Leave others poor indeed.’ Cf. Othello, Act III. Sc. 3.
‘To be direct,’ etc. Othello, Act III. Sc. 3.
220. ‘Tout homme,’ etc. Cf. vol. I. (The Round Table), note to p.
117.
221. A popular author. Scott, no doubt.
‘Writes himself,’ etc. Cf. The Merry Wives of Windsor, Act I.
Sc. 1.
223. ‘To triumph,’ etc. Gray, The Bard, 142.
224. A certain bookseller. Sir Richard Phillips. See vol. VI. (Mr.
Northcote’s Conversations), p. 418.
225. ‘From every work,’ etc. The Faerie Queene, I. IV. 20.
226. ‘Melted,’ etc. Cf. Hamlet, Act I. Sc. 2.
Beau Didapper. See Joseph Andrews, Book IV. chap. IX.
228. ‘Damned spot.’ Macbeth, Act V. Sc. 1.
229. ‘The web,’ etc. All’s Well that Ends Well, Act IV. Sc. 3.
The Devil’s Elixir, etc. The Devil’s Elixir, or the Shadowless
Man, a musical romance by Edward Fitzball (1792–1873),
produced at Covent Garden, April 20, 1829; The Bottle
Imp, a melodrama by Richard Brinsley Peake (1792–1847),
produced at the Lyceum, July 7, 1828, and at Covent
Garden, Oct. 17, 1828.
Mr. Farley. Charles Farley (1771–1859), the actor, to whose
skill as a theatrical machinist at Covent Garden Hazlitt here
refers.
230. ‘La Belle Assemblée’s dresses for May.’ Cf. ‘In the manner of
—Ackerman’s dresses for May’ (Moore, Horace, XI. ii.),
quoted elsewhere by Hazlitt.
M. Stultz. M. Stulz, the well-known tailor, referred to by
Bulwer in Pelham and (more than once) by Thackeray.
A CHAPTER ON EDITORS
Republished with some omissions in Sketches and Essays. In the
Magazine there is the following note by the Editor:—‘We give
insertion to this article, one of the posthumous papers of Mr. Hazlitt,
to shew that we do not consider ourselves implicated in the abuses
complained of; and that we have no right to any share of indignation
so whimsically lavished upon our fraternity. Ed.’

PAG
E ‘Our withers,’ etc. Hamlet, Act III. Sc. 2.
230. ‘Tittle-tattle.’ The phrase is so printed in the Magazine and in
Sketches and Essays, but Hazlitt probably wrote ‘kittle
cattle,’ a distinctively Scots expression for what he meant to
say.
‘Lay the flattering unction,’ etc. Cf. Hamlet, Act III. Sc. 4.
231. As Mr. Horne Tooke said, etc. See vol. IV. (The Spirit of the
Age), p. 236 and note.
232. We only know one Editor. Hazlitt possibly refers to the
Editor of Blackwood’s Magazine.
We will not mention names, etc. This sentence was omitted in
Sketches and Essays.
‘More subtle web,’ etc. The Faerie Queene, II. xii. 77.
233. The conductor, etc. This sentence and the next but one were
omitted in Sketches and Essays.
‘Here’s the rub.’ Cf. Hamlet, Act III. Sc. 1.
THE LETTER-BELL
Reprinted with considerable omissions in Sketches and Essays.

235 ‘One entire,’ etc. Othello, Act V. Sc. 2


Blue hills. Cf. vol. VI. (Table-Talk), p. 256.
236. ‘I should notice,’ etc. A long passage from this point to
‘accumulate to a tolerable sum’ (p. 237) was omitted from
Sketches and Essays.
From —— to ——. Sketches and Essays reads ‘From Wem to
Shrewsbury.’ Cf. My First Acquaintance with Poets, post,
p. 260.
‘And by the vision splendid,’ etc. Cf. Wordsworth’s Ode,
Intimations of Immortality, 73–74.
‘What though the radiance,’ etc. Ibid. 179–82.
‘Like morn,’ etc. Cf. Paradise Lost, v. 310–11.
And may he not yet greet the yellow light, etc. Cf. post, p.
271.
‘And from his neck so free,’ etc. The Ancient Mariner, 289–
91.
238. Vangoyen. Jan Van Goyen (1596–1666), one of whose
landscapes, it would seem, Hazlitt had copied.
‘The slow canal,’ etc. Goldsmith, The Traveller, 293–4.
‘While with an eye,’ etc. Wordsworth, Lines composed a few
miles above Tintern Abbey, 47–49.
‘The secrets,’ etc. Cf. Hamlet, Act I. Sc. 5.
‘Entire affection,’ etc. Cf. The Faerie Queene, I. viii. 40.
‘His shame,’ etc. Cf. Goldsmith, The Deserted Village, 412.
‘Made good digestion,’ etc. Cf. Macbeth, Act III. Sc. 4.
239. An ingenious friend and arch-critic. ? Jeffrey.
‘More germain [germane],’ etc. Hamlet, Act V. Sc. 2.
240. ‘Hark!’ etc. Cowper, The Task, IV. 1, et seq.
Lord Byron denies, etc. See vol. VI. (Table-Talk), p. 210 and
note, and vol. XI. (Fugitive Writings), p. 492.
240. The telegraphs. A system of semaphores, presumably.
Electric telegraphs belong to a later date.
The new revolution. The Revolution of July 1830. Cf. post,
pp. 456, et seq.
The beacon-fires. See the Agamemnon of Æschylus, ll. 281–
316.
ON THE SPIRIT OF MONARCHY
Republished in Literary Remains. The essay was published (?
1835) as a pamphlet (together with ‘The Moral Effects of
Aristocracy,’ by Godwin).

PAG
E ‘And by the vision,’ etc. See ante, note to p. 236.
242. The madman in Hogarth. The Rake’s Progress, Plate VIII.

‘There goes,’ etc. Cf. ante, p. 218.


We once heard, etc. In vol. VI. (Mr. Northcote’s
Conversations), p. 387, this sentiment is attributed to a
‘Mr. R——.’ It is clear from the present passage that this
person was not Mr. Railton, but William Roscoe (1753–
1831), the well-known historian, and that therefore the
reading of The London Weekly Review was correct. See
note to vol. VI. p. 387.
243. ‘That within,’ etc. Cf. Hamlet, Act I. Sc. 2.
‘To fear,’ etc. Othello, Act I. Sc. 2.
244. ‘Peep through,’ etc. Macbeth, Act I. Sc. 5.
‘Great is Diana,’ etc. Acts xix. 28.
‘Your gods,’ etc. Cf. S. Matthew xiii. 13.
In contempt of their worshippers. Cf. Burke’s Reflections on
the Revolution in France (Select Works, ed. Payne, II. 17).
Note. Dryden, Absalom and Achitophel, I. 100–3.
245. ‘Gods partial,’ etc. Pope, An Essay on Man, III. 257–8.
‘Any mark,’ etc. Cf. I Henry IV. Act III. Sc. 2.
246. Note. See vol. III. (Political Essays), p. 298 and notes.
247. ‘From the crown,’ etc. Cf. Isaiah i. 6.

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