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Dơnload Hostile Fates India R. Adams Full Chapter
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LITERATURE FOR VOLUME VII
In English
James Huneker: Chopin, the Man and His Music (New York,
1900).
In German
In French
In Italian
H. Gardano: Musica di XIII autori illustri (1576).
In Spanish
Abel, 591.
Agricola, 374.
Albergati, 391.
Amateurs, 209.
André, 425.
Anglaise, 76.
Arabs, 369.
Arcadelt, 10.
Attaignant, 469.
Augengläser, 512.
Bach, Carl Philipp Emanuel, 35, 59, 86, 96, 98, 99, 100, 113, 116ff,
132, 417, 490;
(quoted on the pianist’s art), 133.
Bach, Johann Christian, 86, 97, 112, 113, 114, 116, 117ff, 491, 498.
Bach, Johann Sebastian, 8, 28, 30, 41, 42, 63ff, 95, 99, 128f, 131,
134, 207, 267f, 305, 367, 421ff, 428, 484;
(in rel. to fugue and suite), 70ff;
(in rel. to concerto, etc.), 81;
(influence on Chopin), 254f;
(popularization of), 300.
Well-tempered Clavichord, 64, 71, 81.
Italian concerto, 67, 82, 95.
English suite in G minor, 67.
Partitas, 75, 79.
English suites, 75f.
French suites, 75f.
Preludes, 80.
Toccatas, 81.
Fantasias, 81.
Goldberg Variations, 83, 85.
Musikalisches Opfer, 84.
Kunst der Fuge, 84.
Violin solo sonatas, 422.
Chaconne for violin alone, 423.
Sonatas for Harpsichord and Violin, 423.
Concertos for one or two violins, 423f.
Violoncello suites, 591.
Balance, 49.
Balakireff, 555.
Ballades, 17;
(Chopin), 256.
Baryton, 590f.
Basle, 372.
Bassedance, 470.
Beaujoyeaulx, 376f.
Beaulieu, 376.
Bebung, 3.
Bellini, 286.
Bernardi, 390.
Biffi, 108.
Bizet, 462.
Boccaccio, 373.
Borri, 390.
Bourrées, 26.
Branle, 470.
Brussels, 448.
Buoni, 390.
Burlesca, 79.
Buxtehude, 16.
Byron, 318.
C
Caccia, 10.
Caccini, 474.
Cadences, 14.
Cambridge, 18.
Canon, 473.
Caprice, 79.
Capriccio, 11.
Carissimi, 6.
Castiglione, 377.
Catches, 473.
Cavalli, 6.
Chaconne, 83.
Charelli, 478.
Charlatanism, 435.
Cherubini, 411;
(string quartet), 535.
Chess-board, 3.
Chopin, 55, 132, 207, 250ff, 284, 305, 333, 342, 367, 428;
(opinion of Mendelssohn), 217;
(as character, in Schumann’s ‘Carnaval’), 227;
(popularization), 300;
(transcriptions of songs of), 306;
(transcription of ‘The Maiden’s Wish’), 307;
(influence on Russian composers), 329;
(influence), 335;
(influence in France), 341;
(compared to Paganini), 439.
Pianoforte sonatas, 257ff.
Barcarolle, 263.
Fantasia in F minor, 263.
Mazurkas, 281f.
Nocturnes, 281.
Pianoforte concerto, 263.