29

VARIATION 4 (andvariations
of it listedop p. 32)

Thesearevariationsof one ofthe basiccha-cha-chógroovesbut they arealsousedin son-montunos,guarachas.

etc. They are presentedhere as a repeatedrhythm but they are most often usedas a temporaryvariation from
a standardtumbao.

CD One
TRACK #10
Gvorocha2-3
NC E?(tg) Amre

E?(ig) Anrq

E A", Bnl"u' E70e) Anl

-- a--
a

Amr B,r,rl('ut Ér(bel Amr

Ar*r BMI('5) E1$ql Annr

a-.-------- l---î_- -----2-

Amr Br*l'ut E70e) Amr

Ar',1 B"l('u' É1(bql A,rnr

Amr Bnl"u' E7$e) Amr

Ar*r Annr

\
!
I
:
b
b EA",
t
t
D
lr
t
D
t
D
t
a
a
T
t
t Amr
D
D
D Annr
ì
b
b
b G7
b - r
D
b Amr G7 F7 E1

E A", Bml'u) F,7(bql

A,r,rl
 Ar*r Amr

Amr Bnnf('u' A,trl

Amr

A,r,t Amr

'u) A,r,rr
Amr Bmf E7(rel

A,rnl BMI('5) E7(rcl Ar*r

u

BA*,

Amr

I
T
b
F
fr
t
b
t
t Amr
t
t
D EA", G E7(rll
D
I
rt
lr E,$gl Amr A,rnl F
rt
D
t E,(ig) E7(rtl A,rnr
ì
ll
lr

Herearesomeof the variationsthat Oscaruseson this track.Try usingthemoneat a time, alongwith a

regulartumbao,whenyou improviseyour own bassline on this exercise.