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“A good picture of national life and customs with a rather more
dramatic plot than that of former volumes of the series.”
“Jock and Jean have, perhaps, the most exciting and amusing
adventures of any of the twins, but, as a small boy critic said, ‘They
have an absent-minded way of using occasional Scottish words and
then relapsing into plain American talk.’”
“‘The Scotch twins,’ Jock, the sleepy-head, and Jean, the canny
little polisher and scrubber, are just as lovable as any of their
predecessors. There is a nice little surprise, too, in the last chapter.”
“Anyone who has never before understood the claims of a clan will
find this and other peculiarities of Scotch life thoroughly explained.”
20–9853
“In the long run his book is not simple enough. He will be useful to
a certain kind of teacher; but he will move few students and he will
enkindle no poets.” Mark Van Doren
“The fault of the book is that it contains too many long quotations
from other critics. But this very fault, in the present instance, makes
the book a presentation of the best modern critical thought on the
lyric. He will be a bold man who attempts to cover Professor Perry’s
field for many years to come.” C. E. Andrews
20–15706
“The book stands for clean playing in every sport. Each story works
up thrillingly to a dramatic climax where victory comes by the
narrowest of margins.”
20–15507
20–104
“Happily the author writes for the general reader and the lover of
art rather than for the elect; his treatment of a large theme shows the
advantage of one who has a gift for luminous condensation.”
20–12790
“The author of this volume held a seat in the United States senate
during the ’90s of the last century. He was active in the senate at a
turning point in the career of the nation, a period when the frontier
was disappearing, when the great oligarchies of capital were
organizing, and when the United States became a colonial power. In
short, his public career is identical with the origin of imperialism in
the United States. The book consists of a compilation of the speeches
of ex-Senator Pettigrew in the senate on these imperialist policies as
they were forming. They fall into three groups—those dealing with
the annexation of the Hawaiian islands; those dealing with the
conquest of the Philippines; and those dealing with the antagonism
of the West to the banking and trust groups of the East.
Accompanying the addresses which reveal a wide variety of
information on the part of the author, are many documents of much
historical value to the reader.”—N Y Call
“The addresses show that the author during his public career had
that capacity which is so rare in the men of a later generation who
have served in Congress. His mind was always open, and he
advanced with the progress of his time.” James Oneal
+ N Y Call p10 N 21 ’20 940w
20–4721
808.5
20–18071
“Mr Phillpotts sings a good deal about his beloved Dartmoor, but
he tells of other subjects, too—Gallipoli, the grave of Keats, etc.—and
he has one descriptive piece from the jungle called ‘Tiger,’ and a
longish blank verse poem staging Adam and Eve in Paradise.”—The
Times [London] Lit Sup
“Of some of his pieces one has the impression that they were
written as an exercise in verse. But in others a genuine inspiration is
apparent. ‘The neolith’ and ‘Tiger’ contain fine things.”
“He writes in the great English tradition, but brings a note that is
essentially his own at the same time.”
20–4895
“The trouble with the book is the same as with all of Mr Phillpotts’s
books—a lack of felicity which is not compensated for, as it is in the
case of his master, Hardy, by a dour grandeur. ‘Evander’ particularly
needed grace and there is none.”
“The tale would, indeed, be worth reading merely for the grace and
charm of its style, and its flexible, deft, and effective phrasing.”
20–3882
“The characters [of this novel] are drawn with realism and
subtlety. More especially that of David Mortimer, the hard-bitten old
miser, whose cheese-paring, hatred of women, and cynical disbelief
in everybody and everything are so cleverly defended that they
almost capture the young soul of his nephew Barry Worth, who lives
with him and works his farm. David leaves his money to Barry on
condition that he doesn’t marry, the fact that Barry was ‘tokened’ to a
buxom barmaid having been concealed from him. Barry is true to
Marian; the will is void; and the money divided between the miser’s
brother and two sisters. But the lawyer who handed the will to Barry
delivered at the same time a bulky letter from David to be read in
solitude. In that letter is contained the mystery, the heart of the
matter which makes the novel.”—Sat R
“After all, Mr Phillpotts has said his say about human nature on
Dartmoor, and he has little new to offer in type or situation. It is
pleasant and comfortable to meet some more of his people now and
then—and that is all.” H. W. Boynton
“The different veins of his talent, tragic and humorous, are here
fused with happy results. ‘Miser’s money’ shows him at his mellowest
and best as artist and observer.”
“The plot is simple and rather erratic, but taken as a whole the
story displays that excellence of craftsmanship which long since
placed the author in the forefront of his peculiar field.”
[2]
PHILLPOTTS, EDEN. West country
pilgrimage. il *$9 Macmillan 914.2
(Eng ed 19–12869)