NIRA AZIBEIRO POMAR (NIRAH)

POR Rafael M. Henrique

- DOBRADO -
                              
2

         
 = 120

                        
     
Piccolo

      


  
                          
      
Flauta Transversal

  
   


                             
Clarinete em B♭ 1

   


   
Clarinete em B♭ 2

   
                                


  
      
        
Clarinete em B♭ 3

            


 
                   
Saxofone Alto

       
 



      
       
Saxofone Tenor

           
    
    
Saxofone Barítono


                                 


     
Trompa em F 1


                            
 

Trompa em F 2

 
          
                    


     
Trompa em F 3

                          
         


                             
Trompete em B♭ 1

    


   
Trompete em B♭ 2

   
                                 



        
        
Trompete em B♭ 3

        
 


 
                 
Trombone Tenor 1

          


 
         
        
Trombone Teno 2

       
  


 
         
        
Trombone Tenor 3

         


 
           
Bombardino

           
    


                                
Tuba em B♭

   

Caixa Clara

   
        


Bombo

            


Pratos
        

                             
3

         
8

  
                           
Flt.

         
                           
 
  
Fl.

    

               
Cl. em B♭

              
  
   

   

Cl. em B♭

                              
   

 
                 

Cl. em B♭

        
    
         
                 
A. Sax

 
      
                   
Sax. Tn.

            
  
     
Bar. Sax

                                 
       
Trom. F

Trom. F                              
         
                            
                              
  
Trom. F

    
        
Tpt. em B♭

                        
    
    
Tpt. em B♭

                                  

            
Tpt. em B♭

            
       
 
             
Tbn. T.

       
        

                
Tbn. T.

       
         

           
Tbn. T.

            
        
  
             
 
Bomb.

     
       
                                 
Ssfn. em B♭

    
Cx.Cl.

  
           

Bmb.

           
        
Cym.
          
16 
4

          
         
Flt.

         





Fl.

          
      


 

Cl. em B♭

          
      




Cl. em B♭

           
    


 
            
Cl. em B♭

     
 



 
A. Sax

    
                   


                        
Sax. Tn.

               


            
  
Bar. Sax

                                 


 
 
Trom. F

 
 
                    
     


Trom. F
      
        
  


                          
   
Trom. F

        
    





   
Tpt. em B♭

     
       


  

Tpt. em B♭

        
       


 
       
Tpt. em B♭

        


       
Tbn. T.

       



  
Tbn. T.

            


 
      
Tbn. T.

                 
     


 
                
     
Bomb.

                      
      
                                 
Ssfn. em B♭

   

Cx.Cl.

          
                 


Bmb.  
         


Cym.
        
     
 
 
5

      
24 1.


     
     
 
Flt.

         

    
    
Fl.

   
         
        
Cl. em B♭

     

        
        
Cl. em B♭

            
    
              
 
Cl. em B♭

   


                  
A. Sax

       
   
              
                   
Sax. Tn.

          
     
 
Bar. Sax

                                    

Trom. F

Trom. F        
                
          
     
       

       

           
   
    
     
Trom. F

         
   
              
Tpt. em B♭

       
 
              
Tpt. em B♭

       
   
      
Tpt. em B♭

        
            
Tbn. T.

   

    
     
Tbn. T.

  
   
 
       
Tbn. T.

                     
 
      
                    
 
      
Bomb.


            
                                  
          
Ssfn. em B♭

    
Cx.Cl.

       
Bmb.                         
           
     
Cym.


 32         
6

    
2.

    
Flt.

   
    
 
               
Fl.

           
3 3 3

 
               
Cl. em B♭

            

 3 3
3 3 3 3

 
               
Cl. em B♭

             
 3 3
3 3 3 3

       
Cl. em B♭

    
  
 3 3
3


                      
A. Sax

          
3 3 3


             3     3          
Sax. Tn.

 
       
 3

     
          
Bar. Sax

                            


             
Trom. F

 
                   


Trom. F
   
                  
  


                
 
Trom. F

           



 
Tpt. em B♭

           

 
Tpt. em B♭

            

      
Tpt. em B♭

      
 
      
Tbn. T.

      
 
      
Tbn. T.

      
  
                      
Tbn. T.

    
     
   
            
       
Bomb.

  
              
 3 3 3 3 3

    
3

                        
    

Ssfn. em B♭

          

Cx.Cl.

        
                     
 
Bmb.

            


 
Cym.
       
        
7

      
39

           
Flt.


      
3
 3 

Fl. 

            
     
3


 33 

   
3 3 3
3

      
Cl. em B♭

              
  
3 3 3 
3 3
Cl. em B♭

 
                     



3 3 3
3 3

  
Cl. em B♭

         
   


A. Sax

    
           
 33 

 
3

  
3 3 3
3

      
          

Sax. Tn.

         
    
       
        
Bar. Sax

     
                        


   
       
       
Trom. F

       
   
  
     
          

Trom. F

                       
    


             
    
Trom. F

       
    
3 
Tpt. em B♭

                 
 



 3 3

Tpt. em B♭

                 
 
 3 3


Tpt. em B♭

      
       
 3 

 
Tbn. T.

           
 3 


 
Tbn. T.

           
 
 3 


  
Tbn. T.

                  
 3


       
Bomb.

    

              
3 3 

  
3

 
3 3

     
                            
Ssfn. em B♭


           


       
Cx.Cl.

             

Bmb.

       



Cym.


 46                             
8

      
                           
  
Flt.

      
           
  
     
      
 
  
 
  
Fl.

Cl. em B♭ 

Cl. em B♭                                   

                                  
        
          
 
   
Cl. em B♭

   

            
A. Sax

                
   
                  
 
   
Sax. Tn.

       


Bar. Sax

Trom. F                                    

                       

Trom. F                
        
                           
           
   
       
   
 
Trom. F

Tpt. em B♭ 

Tpt. em B♭                                   

                                  
                
Tpt. em B♭

            
                  
    
Tbn. T.

     
                  
    
Tbn. T.

     

                
Tbn. T.

            
                   
 
Bomb.

      
                                 
Ssfn. em B♭

Cx.Cl.

   
Bmb.
      
          
      
Cym.
                              
9

    
53

 
                           
Flt.

    
                   
               
Fl.

Cl. em B♭ 

Cl. em B♭                                 

                                 
             
           
      
Cl. em B♭

           
 
  
          
A. Sax

                
 
            
      
Sax. Tn.

        
    

Bar. Sax

Trom. F                                  

Trom. F             
            
     
 
 
          

         

       

    

                     
     
Trom. F

Tpt. em B♭  

Tpt. em B♭                                 

                                  
        
       
     
   
Tpt. em B♭

          
   
              
       
Tbn. T.

       
   
                  
Tbn. T.

            
  
             
Tbn. T.

       

        
  
                   
   
Bomb.

        
                                
Ssfn. em B♭

Cx.Cl.

   
Bmb.
     
         
     
Cym.
 60                  
10

         
1. 2.



    
               
  
Flt.

      
                    
Fl.

     

                    
Cl. em B♭

     
  
  
Cl. em B♭

                      
                 
Cl. em B♭

   

   
      
A. Sax

           
 
3 3


                  
Sax. Tn.

   

    

Bar. Sax

   
                     
3

     
3
3 3

  
Trom. F

      
                     
3 3


Trom. F

             

     
3

        
3

                  
Trom. F

    
     

Tpt. em B♭

                            
3 3


  
Tpt. em B♭

   3
                             
3 3
3

              
  
Tpt. em B♭

      

            
  
Tbn. T.

    
  
3 3


    
     
        
Tbn. T.

   

3 3

             3 
     
Tbn. T.

  
  
3

    
         
Bomb.

       
 
3


3
Ssfn. em B♭

                        
3

  
3
Cx.Cl.

    
        



Bmb.

             


       
Cym.


     
               
11

   
67

  
Flt.

        
         
3 3 


3 3




 
Fl.

   
       
3 3 

       
 3 3


   
 
Cl. em B♭

       
3 3 3 3 

       


Cl. em B♭ 

                 
  
3 3 3 3 

  
3


3


3

       3   
   
Cl. em B♭

      
   
 

A. Sax

             
    
3 3 

    
3 33

   
3


3

     3          3  
   
 
   
Sax. Tn.

      

     
  
 
        
               
Bar. Sax


   
33

        


 
           
Trom. F

                            


   
3


      
       
  
Trom. F

              
        
3  
Trom. F

             
         





 
3 3


3
Tpt. em B♭

         
          
    
3 3


3

 3 
3 3


Tpt. em B♭

         
          
    
3


3


3 3 3

         3     
Tpt. em B♭

  
         

 3  3     
Tbn. T.

                       
3 3 3 


 
Tbn. T.

                       
     
3 3 3 
 3 3

  3
 
         

Tbn. T.

                   

3 3 

 
 3 3

      3         
           
Bomb.

         
3

 
3

  
3 3

                              
Ssfn. em B♭

           
3 

     
Cx.Cl.


              
3


Bmb.

             


      
Cym.

      
75               
12


     
            
Flt.

  
 
Fl.

             
    
 
Cl. em B♭

             
    
 
Cl. em B♭

             
    
     
          
Cl. em B♭

    
        
A. Sax

    
          
 
                     
  
       
Sax. Tn.

      
 
           
        
Bar. Sax

                                 
       
   
               
Trom. F

    
                
   
   
               
Trom. F

    
   
 
   
 
      
         
 
Trom. F

       
          
 
Tpt. em B♭

        
         
 
Tpt. em B♭

        
         
       
Tpt. em B♭

    
 
 
         
Tbn. T.

  

        
Tbn. T.

     
  
     
             
Tbn. T.


     

                      
  
Bomb.


          
         
                                 
Ssfn. em B♭

           
Cx.Cl.

       
                      
Bmb.
 
         
  
Cym.


     
           
13

     
83 1. 2.

    
          
Flt.

     

Fl.

                     
  

Cl. em B♭

       

          
  

Cl. em B♭

                     
   
                 
Cl. em B♭

      
     
A. Sax

   

 
         
  
                 
      

Sax. Tn.

          
              
          
Bar. Sax

                            
      
  
Trom. F

                               
       
          
Trom. F

  
      
 
     
                

Trom. F

       

          
  

Tpt. em B♭

       

          
  

Tpt. em B♭

       

          
  
         
   
Tpt. em B♭

    
       
               
Tbn. T.

     
  
                  
Tbn. T.

   
    
             
Tbn. T.

    
     
                         
Bomb.

      
     
      
                                
Ssfn. em B♭

              
Cx.Cl.

          
                         
  
Bmb.

                
        
Cym.
 NIRA AZIBEIRO POMAR (NIRAH)
Piccolo - DOBRADO -

                     
POR Rafael M. Henrique


    
 = 120

                            




 
7

           
            
  
     
  
14

   
           


   
        
 
26 1. 2.

                 
    

      
    
42

                       
3
 3 

     

49

                          
     

1.
55

    2.     
           
     
   
62

  
                       
3 3


 3 3


73

   
          


   

     

83
1. 2.
 NIRA AZIBEIRO POMAR (NIRAH)
Flauta Transversal - DOBRADO -

                     
POR Rafael M. Henrique


    
 = 120

                            




 
7

           
            
  
     
  
14

   
           


   
        
 
26 1. 2.

                 
    

      
    
42

                       
3
 3 

     

49

                      1.    
     

55

    2.     
           
     
   
62

  
                       
3 3


 3 3


73

   
          


   

     

83
1. 2.
 NIRA AZIBEIRO POMAR (NIRAH)
Clarinete em B♭ 1 - DOBRADO -
POR Rafael M. Henrique

                                
    
 = 120

                         


     
    
9

                 
        
   
18

   1.  
                         
30
2. 3

 3

              
3 3

                    
38 3 3 3 3 3
3 3

                               



 
46

                                   
  
54 1.

          
                 
 
62 2.

3 3 3 3




              
           
73

              
       
84

  
1. 2.
 NIRA AZIBEIRO POMAR (NIRAH)
Clarinete em B♭ 2 - DOBRADO -
POR Rafael M. Henrique

                                

 = 120

   

                         


      
9

     

                 
        
   
18

   1.  
                         
30
2. 3

 3

              
3 3

                    
38 3 3 3 3 3
3 3

                   
                                
46

                        
                         
54
1.

 
          
          
              
62
2.

3 3 3 3




              
           
73

              
       
84

  
1. 2.
 NIRA AZIBEIRO POMAR (NIRAH)
Clarinete em B♭ 3 - DOBRADO -
POR Rafael M. Henrique

    
                
                            
 = 120

    
                                 
8


                      
     
16

     
     
                       
28
1. 2.

 3

        
3 3

                    
   
37 3 3 3 3 3 3
3 3

                                
45

                                     
53

  1.  

                           
60 2. 3 3

                
          
70


3




     2.    
3

              
81

  
1.
 NIRA AZIBEIRO POMAR (NIRAH)
Saxofone Alto - DOBRADO -
POR Rafael M. Henrique

  = 120                    
           
 
    


            
            

8

 

                
        
16

 

     
  



           
   
 
27 1. 2.

                      
    
  
42


               
 3 


3

       
   
50

             2.
               
  
57 1.

      

     
           
65

 
             
3 3 

      
 3 3

  

76

            
        
85 1. 2.
 NIRA AZIBEIRO POMAR (NIRAH)
Saxofone Tenor - DOBRADO -

                     
POR Rafael M. Henrique

 
     
        
 = 120

 

                                     


      
10




 
 
                         
19

        

           
      
   
       
27


1. 2.

 

                         
            
35 3 3 3 3 3 3 3
3

                                  
3 3

 
44

 

                 


      
     
          
54

  
1.

             
                
        

63 3 3 3 3
2. 3

     
      
 3 3

    
           
   
73

     


               
   
83 1. 2.

 
 NIRA AZIBEIRO POMAR (NIRAH)
Saxofone Barítono - DOBRADO -
POR Rafael M. Henrique

  = 120                    
                
 

                    


              

           
10

 

                           
  
                    
19

     

              1.         2.              
           
    
28

   

                                  
   
            
37

 

                  
 
          
    

  

46

                                1. 
 
   2.
 
   
55

                  
     

                      
64

                   
3 3 
3

                                     

73

                                 

        
  
 
            
   
1. 2.

 
82
 NIRA AZIBEIRO POMAR (NIRAH)
Trompa em F 1 - DOBRADO -
POR Rafael M. Henrique

           
                                  
 = 120

                 
                              
9

    
                                    
18

 

                 1.       2.      


 
   
           
27

               
   
   
   
           
   
     
36

   
 
                           
             
44

  1.
                                     
53

 3 
                                  
62 2.

   
3 3

                                     


  
            
71


  


 
 
 
         1.      2.     

             
81

      
 NIRA AZIBEIRO POMAR (NIRAH)
Trompa em F 2 - DOBRADO -
POR Rafael M. Henrique

   
                                  
 = 120

      


 
                     
     
9

    


       
                          
18

      
                                 
27
1. 2.

                      


                  
36

 
                                 
44

 


                                     

52

    

                              
61
1. 2. 3 3 3

            


  
                                  
69

   
                                  
 

             
77

         
    
                      
86 1. 2.

 
 NIRA AZIBEIRO POMAR (NIRAH)
Trompa em F 3 - DOBRADO - POR Rafael M. Henrique

                                  
 = 120

                        
   
                            


  
9

                   

                                 
  
18

                

      
                                
26
1. 2.

                  
           
34

      

                                 

41

                  


                            

49

                 

                                    
56
1.

                    

  3     
       
63

         

2. 3 3

            


                              

70

              


   
   
                  
77

    1.       
                      
85
2.
 NIRA AZIBEIRO POMAR (NIRAH)
Trompete em B♭ 1 - DOBRADO -
POR Rafael M. Henrique

                               
    
 = 120

                                


     
8


                      
    
16





     
                  
28
1. 2. 3

                              
 3

    
43

                               


 
51

                                 
    3
58 1. 2.

                   


        
    
66 3 3


3

3 3 

  
3

                 
    
74

              
       
84

  
1. 2.
 NIRA AZIBEIRO POMAR (NIRAH)
Trompete em B♭ 2 - DOBRADO -
POR Rafael M. Henrique

                               

 = 120

   

                                


 
8

    


                      
    
16





     
                  
28
1. 2. 3

 3

                              
    
43

                 
                       
51

             1.          2.          


58

   3

             


                  
 
66 3 3

 
3

3 


3

 
3

                 
    
74

              
       
84

  
1. 2.
 NIRA AZIBEIRO POMAR (NIRAH)
Trompete em B♭ 3 - DOBRADO -
POR Rafael M. Henrique

    
                
                            
 = 120

    
                                 
8


                      
    
16





      
     
           
28
1. 2. 3

 3

  
                                
43

                                     
51

  1. 

                                   
58 2. 3

 3    
                             
 
65 3
3 3 3

  
3

                      
74

              
       
84

  
1. 2.
 NIRA AZIBEIRO POMAR (NIRAH)
Trombone Tenor 1 - DOBRADO -
POR Rafael M. Henrique

                           
       
 = 120


 

            
             
       
9

 



            
       
19 1.

        
             

   
32 2.

 3 

          
                      
46

                
          
    
   

 
54
1.

         

              

62 2.

3 3 3

     
3

    


                    
69

3 

                
3 3

        
1. 2.
81
 NIRA AZIBEIRO POMAR (NIRAH)
Trombone Tenor 2 - DOBRADO -
POR Rafael M. Henrique

                         
      
 = 120

 
   


               
        
8

 

                      
   
15

     


               
 
27 1. 2.

                 


     
    
3
41

      


             
        
 
50

               2.   
          
 
57 1.

                         
     
65

    
3 3 3 3 3

           
  3 3

      
72

       


     
       
85 1. 2.
 NIRA AZIBEIRO POMAR (NIRAH)
Trombone Tenor 3
- DOBRADO -
POR Rafael M. Henrique

                         
      
 = 120

 
   


               
        
8

 

                        
  
15

   


                  
  
27 1. 2.

         


      
          
41

3
      


             
        
 
50

               2.   
          
 
57 1.


                      
  
65

3 3 3 3 3

                
 3 3

      


 
72

                  
  
85 1. 2.
 NIRA AZIBEIRO POMAR (NIRAH)
Bombardino C - DOBRADO -
POR Rafael M. Henrique

                          
        
 = 120

 
           


       
         
     
9

  
              
                   
17


      1.     
  


       
                

25



                              
       
2.


32

               
 3 3 3 3 3

            
3

       
39

            
          
3 3 3 

    
3 3

     
 
48

        2.
                     
     
57 1.

      
                               
3
66 


          

3 3 3 


3

             
 3 3

 

74

           1.    
            
83
2.
 NIRA AZIBEIRO POMAR (NIRAH)
Tuba em B♭ - DOBRADO -

    
POR Rafael M. Henrique

               
              
 = 120

 
     


                     

                
 

10

  



                                       
     
       
19

                           
   
 
          
            
1. 2.

   
28

                 


                
    
            
37

                      
          
 
46

               1.     2.

          
      

55

                 
       
                     
64

               
3 3




            
                         

3

  
73

 
                    
                       
     
1. 2.

  
82
 NIRA AZIBEIRO POMAR (NIRAH)
Caixa Clara - DOBRADO -

                                
POR Rafael M. Henrique

 = 120

   

                                 



8

    

                                   
17


    

                                   
25
1.

    

                                   
33

              
2.

                                     
42

     

                                    

50

                                 
58
1. 2.

  

                                

67

            

                                    
3
75

             

                            
84
1. 2.

            
 NIRA AZIBEIRO POMAR (NIRAH)
Bombo - DOBRADO -
POR Rafael M. Henrique

    
             
 = 120

               



              
13

   
       
              
22

   
          
           
30
1. 2.

    
 

 

 

 

 

 

 
 
37

          
           
45

 


      
                 
59
1. 2.

         


                  
   
71

    
 

 

 

 

 

 

 
 
78

    
            
       
86
1. 2.
 NIRA AZIBEIRO POMAR (NIRAH)
Pratos - DOBRADO -
POR Rafael M. Henrique

             
 = 120

          



             
       
9

 
             
       
17
1. 2.

 
          
    
34

           
      
50


             
       
59
1. 2.


             
        
66


          
       
73

  
            
   
87
1. 2.