Professional Documents
Culture Documents
NDH ADH Western Story
NDH ADH Western Story
NDH ADH Western Story
PATTIE BARBETTE
Saloon owner via her daddy. She’s gone into debt hiring a cook and putting
in green baize gambling tables, and cancan girls who can. [Connie or
younger girl is chief prostitute]
IRISH JACK
An itinerant from somewhere east. Wears fancy clothes and speaks with an
accent. He’s an “Enterpriser”, a professional gambler who travels from town
to town providing poker playing entertainment and free booze for the
locals. [could be a US Marshal/Army Officer in disguise. Sent by
“government” to investigate [Bearly, Chester, Railroad].
THE COLONEL
A woman who’s rough, ready and runs the cattle ranch nearby. Has little
love for the law, and none for Connie Barbette. She’d like to take over the
Elixir and make it a “company store” so she can collect the money she pays
to her cowpokes. [the bad guy. Controller of everything]
connie
Sings about town, Pops starting the Elixir,
and town hopes that the railroad will build a
station in their city. Connie also hopes the
railroad will come. She has plans to turn the
Elixir into a first—class hotel—restaurant—
bordello.
The Elixir Social Club is the town center for Bearly Here, a western burg
that hopes the railroad will build a station in town. There are a few sheep
and cattle ranches in the area, some passers—by, and a handful of local
characters who call the town home.
CONNIE BARBETTE is the owner of the Elixir. She inherited the watering hole
from her father who established a drinking spot for the Chinese laborers
who worked the railroad. The workers and the railroad moved on past Bearly
Here, but there’s still a portrait of SU ZEE above the bar that Daddy made
Connie promise never to take down.
Connie has dreams of making the Elixir the Babylon of the territory: green
baize gambling tables, a decent place to get a meal, the best cancan girls
in the west, and the best girls in the west girls who can.
Connie throws open the Elixir to the guests, with a SONG AND DANCE together
with the girls, and URQUART at the piano.
3
MATT GREIT, U.S. Marshall for the territory surrounding Bearly Here. The
first man you call for and the last man you want to meet. Announces that
CHESTER the Telegraph Operator has been shot. Doc is urgently needed to
tend to him.
Chester Conklin, the telegraph operator, showed up in Bearly Here a
few years ago. Chester has his own equipment and establishes
connections for a town that’s been bypassed by the railroad and
telegraph. The telegraph is the only means of communication to the
outside of Bearly Here, but it’s also the way residents who want to
keep their activities with each other a secret.
MATT SEATS HIMSELF AT THE POKER TATLE TO CHAT WITH IRISH JACK
Jack: I’m just passing through looking for
residents who might enjoy a game of friendly
cards.
Jack: Could be. I’ve been somewhere. If
you’ve been somewhere, maybe we met.
Lets him know that a bunch of rowdy cowpokes are headed for the Elixir. For
Jack the more pigeons there are the better.
I’d be careful if I’s you. The Colonel, their
boss, don’t take to strangers who don’t get
his blessing in advance.
Jack: Yes. I know the Colonel. From way back.
Connie hates the portrait but promised father she wouldn’t take it down.
“Like to get rid of that ugly, smoke smudged
thing. Spoils the look of my bar, but daddy
made me promise.”
ACT TWO
THE “COLONEL” FOLLOWS HER MEN INTO THE ELIXIR.
The Colonel is a rough and ready woman who runs the cattle ranch nearby.
She has little love for The Law, and none for Connie. She’d like to take
over the Elixir and make it a “company store” so she can collect the money
she pays to her cowpokes.
MATT WARNS THE COWPOKES AND COLONEL THAT TOO MUCH RAMBUNCTIOUSNESS WILL NOT
BE TOLERATED IN BEARLY HERE.
Cowpokes are the life of the Elixir, so Matt can’t step on them too hard,
but he’s got to keep the piece as well. The Colonel takes real exception to
Matt’s warning. There’s longstanding hostility between the two of them.
MAT, THE DOC, AND CONNIE GO OVER THE NOTES TRYING TO PIECE THEM TOGETHER
LIKE A JIGSAW PUZZLE.
Even when they find a match with the pieces of paper, they don’t make much
sense. Because cables were charged by the word, people developed a code for
their messages where a word stood for a whole concept, event or question.
The notes appear nonsensical unless the code is broken.