Space AlphaProject

Assessment 《星能战
队》项目评估
DALTON GRANT JR
 评估内容 1. 综述 Overall statement2. 故事、人物设定、
剧本 Story, characters and script3. 美术风格 artistic
direction4. 生产工艺和周期 production method and
schedule5. 音乐和剧名翻译 music and translation

BODY LEVEL ONE

BODY LEVEL TWO

BODY LEVEL THREE
BODY LEVEL FOUR
BODY LEVEL FIVE
1. 综述
项目整体立意维度完整， 1.Neil Armstrong
1. 综述
项目整体立意维度完整， 1.Neil Armstrong
能反映出你的方法的最佳引文：“这
一步我的一小步 , 却是整个人类的一
大步。”

- NEIL ARMSTRONG
2.Story, Characters and Scripts

项目整体立意维度完整， 1.Neil Armstrong

We have already begun discussion on the pilot episode. I have looked at the over all skeleton of the stories
details which is rich and useful. This means we can use allot of these ideas into the story. The current issues
stems from lack of character development. So once I will help create the needed character problems with story
suggestions and concepts to help our chore writers make the characters have a little more depth.
As an example I will help provide the necessary instruction on how to develop the character based on the
scenes outlined in each episode to enhance the drama and the entertainment value. This will be in the form of
story meetings and written concepts of the characters traits as needed. In some cases a simple discussion will
help.
2.1.Story

项目整体立意维度完整， 1.Neil Armstrong

2.2 Characters

项目整体立意维度完整， 1.Neil Armstrong

2.3 Script

项目整体立意维度完整， 1.Neil Armstrong

SUMMARY
3. Artistic direction

项目整体立意维度完整， 1.Neil Armstrong

 3.1 Artistic Direction-Characters
As a rule the design comes from the story. So all decisions made about the current designs should reflect the intention of the
story. The current
Bodydesigns
LevelfitOne
in most part but there may need to be some subtle changes about how to go about making sure
the shows production value matches the style and standards of story we intend on telling.
Body Level Two
Here are the basics of how I plan on helping in the current stages.
Body Level Three
Character- after we agree on the personalities of the characters from both the Bible and the Season arc, we will meet and
discuss what adjustments can be made
Body Level Four to the current models. Everything from clothing, hair styles heights and general
shapes.
Environments, we willBodyneedLevel
to discuss after we agree on new character assessments. The story may need the environments to
Five
reflect more of the writing. So much like the Characters, the environments may also need to change texture wise to reflect
any impact some of our characters may have on the story since some the characters can destroy large areas with their powers
as well. I will break out a list based on the current environments builds on what changes maybe needed for each based on the
episodic and story needs. Hopefully the use of Unreal engin should help this fact.
 3.2 Artistic Direction-Env and Props
Lastly Vehicles and props. The equipment used in this universe needs to fit the stories universe and its history. So even if
we can’t build allot of sets to reflect some of these historic ideas in the environments, thoughtful use of design on basic
Body Level One
objects characters will need to interact with during this series should help this idea.
Some props willBodybe labeled
Level as Two
hero props because of what they represent and the amount of times they are reused. These are
also props that have moving parts and require some level of rigging,.We will discuss once we get deeper into knowing what
the seasons goals are and
Body what budget
Level Three wise we can afford to do and or what the expectations are for toys and other
considerations. This may take some back and fourth with me learning what parts of this series will be made into toys and
what parts will beBody
used only for story
Level telling and used of making the series work.
Four
Effects, I feel it maybe cost effective to apply 2d effects on our 3d characters to help lower render time and create an
interesting futuristicBody
sci fi look.
Level It would
Fivemean to have a 2d animation team handle all smoke, wind, dirt some explosions,
particles, light tracing from vehicles, water splashes, leaves and fire. Possibly laser blast as well. Again after figure out what
is best to service the time and budget we can discuss. These discussions will happen shortly after we finish the season arc
and it gets approved by both parties.
SUMMARY
To recap for Art Direction.
Stage 1 characters notes from Dalton after final season arc and Episode spring outlines are approved.
Stage 2 Environments notes will follow after Stage one and characters have been noted. This step
must come after stage one not before it even if you have already begun production on characters.
Stage 3 Props and Vehicles will follow after Stage 2 notes are agreed upon Similar to step 2 not before
but after we are clear on the sets do we start this step. No need over building.

- THE KEY HERE IS TO NOT HAVE A DRAMATIC EFFECT ON THE

CURRENT PIPELINE BUT CAREFUL CONSIDERATION ON WHICH WAY
TO GUIDE THIS OVERALL PROCESS.
4.Production Method and Schedule

项目整体立意维度完整， 1.Neil Armstrong

First the plan is to review the current work flow, look at the current season arc and completion of the pilot script
to help guild the episodic outlines based on the spring boards. The later part about spring boards and outlines
should be decided once the pilot script approval matches the goals of the overall series.

After the above is addressed we will need to asses the current time with in the remainder of the schedule and
budget and decide what is the best step moving forward to create a workable plan to the items in the above
statement. Depending on how long each step takes, I will adjust my time and meetings to match what is
reasonable based on the work load and needs of the production.
4.1 Script to Layout

项目整体立意维度完整， 1.Neil Armstrong

4.2 Unreal Engine Application
SUMMARY

- NEIL ARMSTRONG
5.Music and Translation

Lyrics:

Series title:
Thank You

- NEIL ARMSTRONG