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The Journey of The Soul
The Journey of The Soul
The Journey of The Soul
Blueprint
For his students and for students of future generations, Inayat Khan developed a
unique full-scale pedagogic system with the Gathas, the Githas, the Sangathas, and
the Sangithas, corresponding with different levels of spiritual progress and insight
and grades of initiation. This system is unique, as Inayat Khan was trained in the
classical Sufi style by way of assimilation, i.e. living with your teacher and getting
accustomed to her or her way of living in a process of fana-fi-shaikh (adapting to
the ways of the teacher). On top of that, the main teaching was to be drawn from
the atmosphere of the teacher, rather than through verbal teaching or reading.
Inayat Khan had to let go of this style of teaching as he was a traveling teacher and
– more important – his western students could not adapt to this method, used as
they were to receive teachings on the more mental level of lectures, explanations,
and reading assignments.
The set of teachings were designed for a ten-year study, corresponding to the ten
grades of initiation and the different levels of the body of Gathas, Githas et cetera.
Character Building offers a blueprint for this path towards perfection, thus offering
a clear pathway with a beginning and an end, albeit a pathway in a very condensed
form.
Here, we want to look closer at this blueprint, by also drawing from other text of
the Indian Sufi master. Character Building start with will power, which for Inayat
Khan equals the ability to concentrate. As he explains in the Sadhana Papers, we
live by the hope of attainment – without this one cannot exist.5 Sadhana (Mastery)
is achieved by fully concentrating on the goal one wants to attain, as any form of
wavering creates a negative atmosphere for the goal.
Next, he asks the question what really belongs to one. This question brings us to
the path of the real self versus the unreal self. This path is shared by Hindu and Sufi
alike, albeit in a different approach, as the Indian tradition says Tat Swam Asi (Thou
4
See his famous poem ‘I died as a mineral’ (Mathnavi III 3901 – 3904).
5
Opening sentence of the Githa Sadhana, Series I.
art That), equating the small self (atman) with the Divine (Atman), whereas an in-
carnate God would be blasphemy in the Islamic tradition.
The following chapter continues this theme by promoting an alchemy of the per-
sonality. This is done by not depending on our mental and emotional mood swings,
but by striving for self-control and equanimity. This in-difference (literally ‘making
no difference’) enables one to be like to lotus flower, not floating on the water of
our emotions, but elevated above the surface of our emotions.
However as explained in the following chapter, this doesn’t mean one should with-
draw from the source of emotions, the society and the world we live in, but we are
to follow the dharma and become conscious of our relationship, our obligation, and
our duty to other people. As Inayat Khan says, ‘In the country you see the glory of
God; in the city you glorify his name.’6
The use of dharma here comes close to the straight path of the Sura al-Fatiha, the
opening chapter of the Qur’an, and to the right behavior of the eight-fold Buddhist
path.
Life demands certain things from us and asks for other things, but as the Sufism of
Inayat Khan knows no dogmas, there are no do’s and don’ts, only adab, the noble
path of courtesy, which in a way can be compared with the social application of the
seventh spoke of the Buddhis wheel, mindfulness.
The book concludes with the higher stations of the soul, where satisfaction reigns
and we count our blessings and light a candle, rather than curse the darkness, end-
ing with the final station of the soul at peace. This is a peace that we can radiate
and share, resulting in generosity and charity, one of the pillars of the Islamic faith.
6
Bowl of Saki for August 14.