&12& } 3.wing preparations (3 beat) LF 34&5 &67 Ballchange RL stamp RF &8&al_ TapstepLF. Wing preparation (4 beat) RF &2&a3 £4} Repeat twice with LF &adS &67 Ballchange LR. Stamp LF 8-7 Repeat RF 8-7 Repeat LF 8-7 Repeat RF C Double Wing (optional) facing barre or centre (without music) 1&a2 Jump double wing Adlib ks RHYTHM 1&283&4 5&&a6& KaTR- (a) Clap (b) Dance 4 times (Teacher's tap arrangement) 4. COMPOUND STEPS. (a) Stamp RF and 3 pull-backs RF (1& &a2& &a3 & &a4) (also taken commencing LF) (b) Ripples3 beat and 4 beat & a lor & & aI (4ofeach) (c) Drop RF. 3shuffle pick-up changes (1 & &a2& &a3 & & a4) Spring drop 3 shuffle pick-up changes (& 5 & & a6 & &aT&& a8) Repeat & 5-8 continuously (d) Sbeat riffs (& 1 & a2ete.) (c) Progressive tap step heel-beat (4 sounds—fairly quick even 8ths) (f) Maxi-ford with toe tap Below is an analysis of the maxi-ford with toe-tap. The first set of counts are the actual musical counts. The second set should be counted double speed to the music and are easier to count rhythmically. Drop shuffle pick-up change toe-tap drop shuffle pick-up change toe-tap 2 runs Ln ci Ba ema ee an Oe ee Ae 1 zie ka 3 Wee 5 Ss 8 O27 8, Drop shuffle pick-up change toe+tap drop shuffle pick-up change toe-tap drop 5 es & a 6 & a7 & & & 8 1 &2 & a Be 4 nS & a 6 % The last drop is on the ball of the foot. The remainder are on the whole foot. 25