The Journey


~Lea Salonga
-

 = 97  
    
Intro

      
   
 

       
                     
   


   
         
      


6

  
                         
 
     



Verse 1

         
   
Half theworld is sleep ing Half the world's a wake

    
  
12


           
       
     
 
  

 


    
    
         
Half can hear their hearts beat Half just hear

  
17

       
            
        


                   
them break I am but a trave ler, in most

  
21

  
            
            
  

  
2

            

     
eve ry way Ask me what you want to know

   
26

   
             
       
    
  


  been

Chorus

  

     
           
What a jour ney it has

   
31

 

       
   
          
    
   
   


And the end is not in sight
      
           
    
But the stars are out to night

          
   
36

   
    
                      
 


to guide my way 
    
Post-Chorus

   
           
And they're bound When they're shin ing

    
      
41

   
 
        
          
      


     
      
               
on my life bet I can see a ter day I won't

           
     
45

    
                         
      


 let
         
3

        
 
the dark ness in What a jour ney it has been

         
 
50

         
    
         
       
 
Interlude

  


    
        
  
Verse 2

       
I


55

   
     
 
        

      
  


           
     
  
have been to sor row I have been to bliss

 
61

           
             
   



    
  
        
Where I'll be tomor row I can on ly guess

 
66

 
 
             

      
  


        
       
      
Through the dark est de sert Through the deep est snow

 
71

 
 
          
             


      
4

               
   
For ward al ways for ward, I go

  
76

 

      
    
        
           
  


  been
 
And the end is
not in sight
Chorus

         
      
What a jour

   
ney it has

       
   
81

   
       
      
     
     
 


      
     
  
But the stars are out to night And they're bound


          

 
86

     
 
             

  
       


  life
Post-Chorus

       
 
         
to guide my way Whenthey're shin ning on my

           
90

   
 

                     

    


       
     
    
I can see a
bet ter day I won't let the dark ness

                
94

      
      
        
     
   
 
 

5

  
Bridge

      
        
in What a jour ney it has been For ward, al

        
  
99

     
               
            



   ways 
    
    
Catch

  
On ward, al up

     
ways for ward

        
  
104

  
  


 
          
      


         cup
 
    Whata
ing eve ry drop of hope

    
In my emp ty Chorus

            
       
 
109

  
 
      


 
         
  


      
         
jour ney it And the end is not in sight


has been


114

     
          
                


     
       
But the stars are out to night And they're bound to guide my way

     
119

    
    
        
         
   

6


Post-Chorus

            
       
I can see a

  
When they're shin ning on my life bet ter day

         
     
124

 
          
                  
   


 
Outro

    
       
I won't let the dark ness in What a jour ney


      
  
129


        
 
         
  
  


 it    
   
               
  
134 has been

   
      
      
           
    


 
  
          
   
What a jour ney it has

     
140

 
          
         
                   
    
 


   


      
    
been


146




  
           
  
 
