FURTO, KHYRVYN JRMAGNE DESIGN 4 RESEARCH

PELAYO, MARK EZEKIEL ARC-2205

RUFINO, JERICHO
SULIT, MARVIN

Proposed CAFAD Building Space Programming

TYPE OF ROOM USERS ITEMS ALLOWANCES

TOT
TOT AL
TOT CIRCULATI
NO. AL ARE OVERA
COU STAT PED PIVOT N AL ON MULT.
SPACE ACT. USE ARE ITEMS DIM A LL
NT IC AL AL O ARE (ALLOWA
R A PER AREA
A NCE)
SQM ROO
M
DRAFTING 17.7
37 0.8 X 0.6
TABLE 6
DRAFTING DRAFTING 45.1
23 37 36 1 22.6 40% 63.224
ROOM CLASSES STOOLS 37 0.5 X 0.6 11.1 6

WHITEBOA
1 0.6 X 8 4.8
RD

DESKS 41 0.4 X 0.6 9.84

GEN-ED 39.6
CLASSROOM 10 41 40 1 25 CHAIRS 41 0.4 X 0.6 9.84 20% 47.568
CLASSES 4
WHITEBOA
1 0.6 X 8 4.8
RD

DESKS 41 0.4 X 0.6 9.84

AUDIOVISUAL AUDIOVISUAL 39.2
1 41 41 24.6 CHAIRS 41 0.4 X 0.6 9.84 15% 45.126
ROOM CLASSES 4
WHITEBOA
1 0.6 X 8 4.8
RD
 0.4 12.2
COMPUTER DESKS 39 X 0.7
5 85
AIDED
COMPUTER 0.4 12.2 40.8
4 DESIGNING / 39 38 1 23.8 CHAIRS 39 X 0.7 20% 49.062
ROOM 5 85 85
DIGITAL
WHITEBOA
MEDIUMS 1 0.6 X 8 4.8
RD

DESKS 39 0.6 X 0.1 2.34

PROFESSOR 0.4 12.2

CHAIRS 39 X 0.7 24.0
FACULTY ROOM 4 WORKING 24 24 14.4 5 85 50% 36.06
4
ROOMS WHITEBOA
1 0.6 X 8 4.8
RD
CONFEREN
1 1 X 2.5 2.5
CE TABLE
TRANSPORTATI
ON FOR PWD
ELEVATOR 2 2 2 1.2
AND SERVICE
STAFF
STORAGE 2.2
STORAGE 14 STORAGE 2 2 1.2 2 X 0.4 1.8 50% 3 4.5
SHELVES 5

BUYING STORE 2.2

8 X 0.4 7.2
SCHOOL SUPPLY EMERGENCY SHELVES 5 23.4
1 18 15 3 15 40% 32.83
SHOP SCHOOL 5
SUPPLIES
STORE
5 0.5 X 0.5 1.25
COUNTER
MEDICAL
2 0.9 X 2 3.6
BEDS
EMERGENCY 11.1
CLINIC 1 4 2 2 3.2 CHAIRS 2 0.6 X 0.6 0.72 40% 15.568
HEALTHCARE 2
OTTOMAN 2 0.8 X 1 1.6
DESKS 2 0.5 X 2 2
COMFORT 21 RELIEF ROOM 21 4 4 TOILET 4 0.6 X 0.8 1.92 50% 6.52 9.78
 ROOM SINKS 3 0.5 X 0.4 0.6

DESKS 2 0.5 X 2 2

CHAIR 1 0.6 X 0.6 0.36

DEAN'S 7.84 14.125
DEAN OFFICE 1 3 1 2 2.6 SHORT 80%
WORKING AREA 1 0.5 X 1 0.5 75 5
TABLE
2.2 0.7 1.68
COUCH 1 X
5 5 75
FILING
1 0.5 X 1.4 0.7
CABINET
DESKS 2 0.5 X 2 2
CHAIR 2 0.6 X 0.6 0.72
COUNSELOR'S STUDENT 2.2 0.7 1.68 6.90 12.433
1 1 3 1.8 COUCH 1 X 80%
OFFICE COUNSELLING 5 5 75 75 5
FILING
1 0.5 X 1.4 0.7
CABINET

CHAIR 3 0.6 X 0.6 1.08

STUDENT DESKS 2 0.5 X 2 2

STUDENT BODY 14.9
COUNCIL 2 6 2 4 5.2 FILING 80% 26.919
WORKING AREA 4 0.5 X 1.4 2.8 55
OFFICE CABINET
2.2 0.7 3.37
COUCH 2 X
5 5 5
SHORT
1 0.5 X 1 0.5
TABLE

CHAIR 12 0.6 X 0.6 4.32

ADMINISTRATIV ADMIN 22.9
1 12 12 7.2 50% 34.38
E OFFICE WORKING AREA DESKS 12 0.5 X 1.3 7.8 2
FILING
8 0.5 X 0.9 3.6
CABINET
 GATHERING/ CHAIR 10 0.6 X 0.6 3.6
FUNCTION 20.8
7 PRIVATE 10 10 10 50% 31.275
ROOM 5
MEETINGS
TABLE 5 0.5 X 1.7 4.25
DOUBLE
0.7
DECKER 2 X 2 3
5
BED
CHAIR 4 0.6 X 0.6 1.44
DESKS 4 0.5 X 0.6 1.2
0.3
DRAWER 4 X 0.6 0.84
5
STUDENT 12.9 14.852
DORM ROOM 24 4 4 4 0.6 0.33 15%
HOUSING TABLE 1 0.5 X 15 25
7 5
0.6
SHELF 1 X 1 0.67
7
TOILET 1 0.6 X 0.8 0.48
SINKS 1 0.5 X 0.4 0.2
0.7
SHOWER 1 X 1 0.75
5

SINKS 4 0.5 X 0.4 0.8

COOKING FOR
0.7 #REF
KITCHEN AREA 2 DORM 1 6 6 STOVETOP 6 0.5 X 2.25 65% #REF!
5 !
STUDENTS
COUNTERT
9 0.6 X 1 5.4
OPS
CABINET 2 0.5 X 1.5 1.5
TABLE 3 1.2 X 2.4 8.64 10.0
DINING AREA 2 DINING 1 10 10 65% 16.632
CHAIR 4 0.6 X 0.6 1.44 8
LOUNGING 2 LOUNGING FOR 22 22 13.2 65% 15.2 25.228
AREA DORM COUCH 22 0.6 x 0.7 9.24 9 5
STUDENTS

SHORT 4 0.6 X 2 4.8

TABLE
 OTTOMAN 5 0.5 X 0.5 1.25

43
CHAIRS 0.4 X 0.5 87
MASS 5
267. 106.
AMPHITHEATER 1 GATHERING OF 446 446 45% 153.99
6 PWD 2
STUDENTS
SEATING 16 1 x 1.2 19.2
AREA

43
CHAIRS 0.4 X 0.5 87
5
STUDENT 45% 137 198.65
LIBRARY 1 LOUNGING AND 305 195 100 10 232 1.2
READING TABLE 20 X 2 50
5
BOOKHELV 21 2.2 191.
X 0.4
ES 3 5 7
19
CHAIRS 0.4 X 0.5 39
5
CANTEEN 1 EATING 266 195 100 10 232 45% 446 646.7
1.2
TABLE 70 X 2 175
5
Reverberation is the accumulation of soundwaves in a space. Because reverberated sounds stack up,
they can make direct communication difficult because there is so much ambient sound and the direct
sound can get lost. When that happens, people tend to speak up to be heard over the din which only
causes more reverb, and the cycle continues.

When you are surrounded by hard surfaces and angles, you create an environment that will probably
have reverberation issues. Taking steps to control the reverb and echo in your spaces will allow for easier
communication because there won’t be so many ambient sound waves bouncing around, masking what
you want to hear. With the right acoustical materials, you can achieve the best reverberation time for
your space.

Reverberation can make a sound seem warm and welcoming or completely overwhelm the people in a
space with an excess of noise.

Hard surfaces reflect sound, so choose fabric-upholstered seats to help control

reverb in the theater. Metal or plastic seating may be cheaper, but they can
mean disaster for your acoustics. Absorptive seating, on the other hand, helps
provide stable reverberation conditions in the auditorium, no matter how many
people are in attendance.

Carpet can also significantly affect theater acoustics. We typically do not

recommend using carpet under the seating. However, carpeting the aisles will
help control footfall noise and high-frequency reverberation.

Achieving the right balance and placement of sound-reflecting and sound-

absorbing materials on theater walls often requires acoustical consultants. They
will measure the reverberation time at different frequencies throughout
existing auditoriums, or create acoustical models to calculate the results for
new construction. Too much reverberation at high frequencies will result in
“bright” or “harsh” theater acoustics. At low frequencies, too much reverberation
will make the space sound “boomy,” and may be prone to feedback in the sound
system. Too little will cause sounds to lack “warmth.”

Depending on the acoustics of your auditorium, a consultant might recommend

sound-reflecting and/or sound-absorbing materials on the ceilings, side walls,
and rear wall.
There are different methods to analyse a structure and would depend on a lot of factors. For example,
one common method is the use of classical methods such as the “moment distribution method” and the
“slope-deflection method”. This method is easy for simple structures, but for more complicated ones,
another option to use is the matrix method (stiffness method). A full analysis of a structure usually
entails identifying the internal effects of different load combinations (normal, shear, moment, and
torsion stresses), and the deformation/deflection of the structure. As a result, the observed effects
would be the basis for designing the individual elements of the structure.

For proper design, it would depend on the philosophy used (strength-based or performance-based).
Ideally, the designer must follow the requirements of the code used. Eventually, at the end of this
process are drawings of the different elements that can be used to build the structure.
A perk to adding shingles into your roofing or siding is their protective nature. Being smoothly sawn on
both sides allows for a sleek design and increased protection against fires.

Stacking shingles on top of one another can also help in colder climates where retaining heat and
eliminating cold leaks from the outside are crucial. Cottages and cabins will often find the design and
performance of shingles to be a significant advantage in keeping the interior warm. The overlapping and
somewhat bulky appearance of stacked wood shingles will provide a safe haven and hint at the
atmosphere to be found inside.

Shingles are also great for complementing the scenic and natural beauty around your home while giving
new depth and dimension to your exterior facade. Different styles of wood shingles include fishscale,
diamond, sawtooth and steam-bent, each adding a precise shape to your home and also highlighting the
conventional and unconventional aspects that make your house unique.

Natural lighting, also known as daylighting, is a technique that efficiently brings natural light into your
home using exterior glazing (windows, skylights, etc.), thereby reducing artificial lighting requirements
and saving energy. Natural lighting has been proven to increase health and comfort levels for building
occupants.
Natural lighting plays an important role in the comfort, health, and mood of the human, but it varies
depending on where we are. In architecture, it is integral to the design of a building, it brings added
value.

In architecture, ventilation is bringing in outdoor air and distributing it into a space. It is mostly known in
three different types: mechanical, natural, and mixed-mode. Managing the air exchange and circulation
with the outdoors is crucial for a comfortable atmosphere. Whether this is done by mechanical or
natural means, stable air currents release humidity and provide an infiltrated air flow, providing healthy
air for breathing. A successful ventilation system must be aligned with the project's context, which
includes the geographical location, the material it is built in, its architecture as a whole, and the habits of
users occupying the space.

Piezoelectricity is known as the “Piezoelectric Effect” is an ability that generates an alternating current
voltage when subjected to mechanical stress or vibration when it is subjected to the alternating voltage.
The common material for piezoelectric is quartz. Piezoelectric enables the electricity to flow through the
quartz or squeeze certain crystals. It would also reverse if you pass electricity through the same crystals,
it would squeeze themselves by vibrating back and forth. The crystal becomes a tiny battery with a
positive charge on one face and a negative charge on the opposite face if people connected the two
faces to make a circuit.
Piezoelectric generators (materials) are used as a mechanism that converts the motion, usually vibration,
into a new energy that we call electricity that can be stored or directly used for devices such as mobile
phones and portable electronics. The piezoelectric generator is an alternative source of energy that has
the potential to provide energy autonomy to wireless sensor devices