Conductor Score Colliding Visions

Duration - 2:30 For String Orchestra Brian Balmages

Arr. Miles Tucker-Gough

       
Andante Lirico ( = 60)

  
  

Violin I

    
     
  
Violin II

   
             
 
Viola


        
   
 
 
Cello

       
       
  
 
String Bass

     
      
11
7

 
Vln. I

     
     
 
Vln. II



                   
    
 

Vla.

      
          

Cello

 
          
 

Str. Bass
2

14     

17

   
  
rit. 
Allegro ( = 150)


Vln. I

     
   

Vln. II

         
  
     
Vla.
  
         
  
      
  
 
Cello

             
 
pizz.


Str. Bass

20                  
Vln. I    

    
       
 
Vln. II

         
Vla.                                

                   
                     
Cello 

                     
Str. Bass
 
 25     
3

    
  
27


Vln. I

 
     
       

Vln. II


                 






Vla.

    
            
    
Cello

      
 
 
arco


 
Str. Bass

29     
      

   
Vln. I 


         
              
Vln. II

       
Vla.                          

            
Cello    

       
Str. Bass
    
           
4

 
    
33
35


Vln. I

  
cresc.

       
Vln. II   

 

 

       

 
 
 
       
    
cresc.

      

Vla.

  
cresc.

            
 

Cello

  
cresc.

        
     

Str. Bass
cresc.

               

 
  
   
38

 
Vln. I

   

              

    
 
Vln. II

    
                 
   
 
Vla.

                
   
 
Cello

                
    
 
Str. Bass
 44           47    
5

     
  

Vln. I

   
Vln. II            

      

 

                   

    


Vla.

          
    

Cello

          
     

Str. Bass

49      
Vln. I 

   
                       

Vln. II

   
Vla.              
 
 

            
Cello   

          
Str. Bass
  
  
 54    
6


  
   
55

    
   

Vln. I

   



          
    

Vln. II

      
              

Vla.

  
             
    

Cello

  
                   


Str. Bass

      
     
63

   
59


Vln. I

   
          
         

Vln. II


                 

Vla.

    
 
    
        

Cello

                
    

Str. Bass
 7


67

64            


  
Andante Lirico ( = 60)

   

Vln. I

   
          
  

Vln. II

        
    
 
          
Stagger Bowing


Vla.

        
      
  
Cello


        
       
Str. Bass
   

71    
  
Fade to Nothing...
"Shhh"


Vln. I

   
  

Vln. II


      

Vla.

  
        

 
Cello

   
   
  
 
Str. Bass
Violin I Colliding Visions
For String Orchestra Brian Balmages
Arr. Miles Tucker-Gough

    
     
Andante Lirico ( = 60)

    
11

  
  

     
17

   
 

   
Allegro ( = 150)

    
rit.
12


               
27 
  
    
21


  
            
    
  

28

               

  
cresc.

  

    
35
35

 
             
     
        
47

    
43

 
 55        
 
    

   

51

     


67

 
        
Andante Lirico ( = 60)

         
63

   
61

 
   
    
 
Fade to Nothing...

 
69
"Shhh"


Violin II Colliding Visions
For String Orchestra Brian Balmages
Arr. Miles Tucker-Gough


   
Andante Lirico ( = 60)

 

11

         

  


17

  
   


       
Allegro ( = 150)

 
rit.


13

 

 

27

               
      
26

      
 35 
  
   
  
 
 
         
        
32

   

   
cresc.

      
       
   
  
   
 
39

 
      
     
47

                       
46

 

   






       
55

           
   
54


 
67

      
63 Andante Lirico ( = 60)

            
        
61


  
   
Fade to Nothing...
69


"Shhh"

 
Viola Colliding Visions
For String Orchestra Brian Balmages
Arr. Miles Tucker-Gough

 
Andante Lirico ( = 60)

                
  
  
 

  
17

          
11

   
Allegro ( = 150)

              
9 rit.



                                
18



                                     
    
24
27


35 
            
               
30



                
cresc.

                    
36

 

  

       
          
            
47


44


      
  
                
 
51
55


        
                              
59
63


  
67

      
      
Fade to Nothing...


66
Stagger Bowing Andante Lirico ( = 60) "Shhh"

 
Cello Colliding Visions
For String Orchestra Brian Balmages
Arr. Miles Tucker-Gough



     
Andante Lirico ( = 60)

            

 
  
                
11


9 rit.


                               
17

 
Allegro ( = 150)

 
17

 
     
       
             
27

   
25

               
     
35

     
32

cresc.
 

             
    
   
47

    
40

 

               
        
55


49

         
   
  

       
        
63

  
57


  
67

             
   
Fade to Nothing...

 
Andante Lirico ( = 60)


"Shhh"


65

 
String Bass Colliding Visions
For String Orchestra Brian Balmages
Arr. Miles Tucker-Gough

       
Andante Lirico ( = 60)

          

 
 
17

          

  
11 Allegro ( = 150)
9 rit.

                           

arco


19 pizz.

 

                 
27

 
27

 cresc.

          
         
35

     
35

 

           
   
      
47

    
43

 
  
             
          
52
55

                  

   
63

   
59



67


     
   
 Fade to Nothing...

 
Andante Lirico ( = 60)


66 "Shhh"

 