Editorial Cartoons, Comics & Animation in

Malaysia

Student’s Name & ID:

ADAM MUKHREEZ BIN MAYSNAN (2022455122)
ABDUL HAKIM IRFAN BIN MOHD RASID (2022455122)
Lecturer’s Name:
PUAN SHALIZA BINTI DASUKI
Course Code & Course Name:
VCS265 - CONTEMPORARY ART AND DESIGN IN MALAYSIA
Class Group:
MCAAD118 3A
Date submission:
Date

15/12/2023
ASSESSMENT CRITERIA
TOTAL MARKS: 30%

Student’s Name : Name

Student’s ID : 1234567890
Consultation Consultation
No Assessment Criteria Phase 1 Phase 2
17% 13%
Introduction:

1 - Brief History of Development /5

- Description of Artworks

2 Analysis of Formal Elements /5

3 Analysis of Arrangement of Composition /5

Theme /2
4
Interpretation of Content & Context /5

Conclusion

5 - Style: Common Characteristics /5

- Judgement/Criticism

References (APA Style)

6 /3
Plagiarism/Similarity Index Report

TOTAL /17 /13

LECTURER’S SIGN & NAME

SHALIZA DASUKI
Date:

TABLE OF CONTENT

No Table of Content Page

Introduction
a. Brief Historical Background
b. Artwork Description 1
1. c. Artwork Description 2
 Artwork Title 1:Kampung Boy (ABDUL
HAKIM IRFAN BIN MOHD RASID)

2. Analysis of Formal Elements

3. Analysis of Arrangement of Composition

Theme
4.
Interpretation of Content & Context

Artwork Title 2:UPIN & IPIN

(ADAM MUKHREEZ BIN MAYSNAN)

5. Analysis of Formal Elements

6. Analysis of Arrangement of Composition

Theme
7.
Interpretation of Content & Context

8. Conclusion – Style: Significant & Common Characteristics

9. List of (all) References

10. Plagiarism / Similarity Index Report

INTRODUCTION
Malaysia, a nation known for its rich cultural diversity and vibrant storytelling
traditions, unfolds its unique narratives through various mediums. Two iconic
creations, 'Upin & Ipin' and 'The Kampung Boy,' serve as portals into the heart and
soul of Malaysian culture. While 'Upin & Ipin' takes flight through animated whimsy,
the misadventures of the lovable twin brothers, 'The Kampung Boy,' penned by Lat,
offers a nostalgic journey into the rustic charm of a traditional Malaysian village.
Together, these creations provide a delightful exploration of Malaysia's cultural
heritage, presenting tales that resonate with audiences, both young and old. This
essay will delve into the distinctive qualities of each, unraveling the cultural richness
and timeless values that lie within the animated antics of 'Upin & Ipin' and the
heartfelt illustrations of 'The Kampung Boy.'

'Upin & Ipin,' an animated phenomenon, captivates audiences with its endearing
characters and whimsical tales. Created by Les' Copaque Production, the series
follows the mischievous yet loveable twin brothers, Upin and Ipin, as they navigate
the colorful landscape of their kampung. The show's success lies not only in its
entertaining narratives but also in its ability to seamlessly weave in valuable life
lessons, making it a favorite among both children and parents. The animation's vivid
visuals, playful humor, and cultural nuances provide a window into the everyday life
of a Malaysian kampung, fostering a sense of pride and familiarity among viewers.

In contrast to the animated adventures of 'Upin & Ipin,' 'The Kampung Boy' by Lat
presents a timeless narrative through the medium of comics. Lat, the pen name of
Mohammad Nor Khalid, takes readers on a nostalgic journey through his childhood in
a traditional Malaysian village. Through charming illustrations and witty storytelling,
'The Kampung Boy' becomes a cultural artifact, preserving the authenticity of
kampung life. Lat's autobiographical approach offers readers a personal connection
to the traditions, familial bonds, and everyday experiences that define the Malaysian
kampung, making it a cherished piece of Malaysia's literary heritage.

As we explore the worlds of 'Upin & Ipin' and 'The Kampung Boy,' we find a beautiful
tapestry woven from the threads of Malaysia's cultural identity. These creations,
though distinct in their presentation, share a common purpose: to celebrate the
traditions, values, and joyous moments that define life in a Malaysian kampung. 'Upin
& Ipin' and 'The Kampung Boy' stand as cultural ambassadors, inviting audiences to
not only enjoy the entertainment they offer but also to reflect on the timeless beauty
of Malaysia's diverse heritage. In the playful antics of animated twins and the heartfelt
reflections of an artist's childhood, we discover the enduring spirit of Malaysia's
storytelling tradition.

ARTWORK DESCRIPTION
List of Artworks Artwork Description
 humorous autobiographical
comic that chronicles the
childhood adventures of the
artist, Lat (real name:
Mohammad Nor Khalid), in a
traditional Malaysian village.

delightful animated artwork that

paints a whimsical picture of
Malaysian kampung life. The
characters, Upin and Ipin, come
to life with expressive eyes and
vibrant cultural attire, exploring
their surroundings with curiosity
and mischief.

ARTWORK TITLE: Kampung Boy

Analyzed by: Abdul Hakim Irfan Bin Mohd Rasid

Figure 1: humorous autobiographical comic that chronicles the childhood adventures

of the artist, Lat (real name: Mohammad Nor Khalid), in a traditional Malaysian village.
Source:https://sgcartoonhub.com/the-history-of-comics-and-cartoons-in-singapore-
andmalaysia-part-3/
ANALYSIS OF FORMAL ELEMENT

Line and Shape: Lat's artwork is characterized by fluid and expressive lines. The
characters and scenes are often portrayed with a mix of curved and straight lines,
contributing to a lively and dynamic feel. The shapes are simple and organic,
reflecting the natural surroundings of a traditional Malaysian village.

Color Palette: The color palette used in "The Kampung Boy" is typically earthy and
warm. Natural tones like browns and greens dominate, creating a sense of
authenticity and grounding the narrative in the rural landscape. The limited but
wellchosen color scheme adds to the overall nostalgic and comforting atmosphere.

Composition: The composition of each panel and page is thoughtfully arranged to

guide the reader through the story. There's a balance between close-ups of
characters and wide shots of the kampung, providing a visual variety that keeps the
storytelling engaging. The layout enhances the narrative flow, allowing readers to
connect with the characters and their environment.

Typography: The typography in "The Kampung Boy" is typically handwritten and

integrated seamlessly into the artwork. This choice maintains a personal and
authentic feel, enhancing the connection between the reader and Lat's personal
storytelling.

Movement and Rhythm: The use of lines, shapes, and composition contributes to the
overall movement and rhythm of the comic. The sequential art form creates a sense
of progression, guiding the reader through the narrative with a natural flow.

Symbolism: Lat often uses symbolic elements to convey cultural nuances and
themes. The attire, architecture, and daily activities depicted in the kampung serve as
symbolic representations of Malaysian life and traditions.
By analyzing these formal elements, one can appreciate how Lat's artistic choices
contribute to the overall impact and storytelling of "The Kampung Boy."
ANALYSIS OF ARRANGEMENT OF COMPOSITION

The arrangement of composition in "The Kampung Boy" by Lat is a key aspect

of its visual storytelling. Lat employs thoughtful composition to guide the
reader through the narrative and evoke a sense of the kampung (village) life.
Here are some aspects of the composition arrangement:

Panel Layout: The comic utilizes a variety of panel layouts to create a dynamic
and engaging visual experience. While some pages have a traditional grid
structure, others may feature larger or irregularly shaped panels to emphasize
specific moments or scenes. This variation in panel layout contributes to the
pacing and rhythm of the story.

Sequence of Panels: The arrangement of panels follows a sequential order,

guiding the reader from one scene to the next. Lat skillfully uses the sequence
to build a cohesive narrative, allowing the reader to follow the protagonist's
journey through childhood in a linear fashion.

Hierarchy of Visuals: Certain panels are given more visual weight and space
to highlight crucial moments or emotions. For example, pivotal scenes in the
kampung, family interactions, or personal reflections may be emphasized with
larger panels or unique layouts, drawing attention to their significance.

Foreground and Background: Lat employs foreground and background

elements to create depth within the panels. This technique adds visual interest
and provides a sense of the environment, whether it's the interior of a
kampung house or the vast landscapes surrounding the village.

Point of View: The choice of camera angles and perspectives influences the
reader's connection with the characters and their surroundings. Lat may use
various points of view, including close-ups, wide shots, and aerial views, to
offer diverse perspectives and enhance the storytelling.
INTERPRETATION OF THEME

"The Kampung Boy" by Lat intricately weaves together a tapestry of themes that
collectively form a poignant and nostalgic narrative. At its core, the theme of cultural
preservation stands out, as the comic lovingly portrays the richness and traditions of
Malaysian village life. The pages unfold as a testament to the significance of
preserving one's cultural heritage, capturing the essence of the kampung with its
vibrant customs and communal bonds. Moreover, the theme of coming of age adds a
universal touch to the narrative, as readers witness the protagonist's journey from
childhood innocence to the complexities of adolescence. Through humor and heart,
the comic skillfully balances themes of family, community, and the inevitable clash
between tradition and modernization. Lat's artistic brushstrokes and witty storytelling
work harmoniously to create a vivid portrayal of life in the kampung, inviting readers
to reflect on their own cultural identities and the timeless journey of growing up.
INTERPRETATION OF CONTENT AND CONTEXT
CONTENT
Low level of interpretation, surface and generic
meaning.
Celebration of Traditional Malaysian
Life:
"The Kampung Boy" serves as a
heartwarming celebration of traditional
Malaysian village life. Through charming
illustrations and relatable anecdotes, the
comic highlights the beauty, simplicity,
and cultural richness of kampung
existence. It fosters a sense of pride and
appreciation for the heritage and
customs embedded in the everyday
experiences of the characters.
Childhood Adventures and Growth:
The content revolves around the
childhood adventures and growth of the
protagonist. Readers witness the
protagonist's playful escapades, familial
interactions, and the challenges of
growing up in a kampung. The narrative
captures the universal theme of the
journey from childhood to adolescence,
offering a nostalgic and relatable
depiction of the milestones and life
lessons experienced during this
transformative period.
ARTWORK TITLE: UPIN & IPIN
Analysed by: Adam Mukhreez Bin Maysnan
CONTEXT
High level of interpretation, deeper, aesthetical,
philosophical.
Snapshot of Malaysian Village Life:
"The Kampung Boy" provides a charming
snapshot of life in a traditional Malaysian
village, or kampung. Through the eyes of
the protagonist, readers get a glimpse
into the daily routines, cultural traditions,
and close-knit community bonds that
define kampung life. The context of the
comic offers a nostalgic and affectionate
portrayal of a bygone era, inviting
readers to connect with the authenticity
of rural Malaysian culture.
Personal Journey through Childhood:
The comic unfolds as a personal journey,
recounting the artist's own childhood
experiences in a Malaysian village. The
context is deeply rooted in Lat's
memories and perspectives, allowing
readers to step into his shoes and witness
the formative years of a boy growing up
in a kampung. The narrative's authenticity
lies in its autobiographical nature,
offering a genuine and heartfelt
exploration of the artist's upbringing
within the cultural context of a traditional
Figure1:Upin&Ipin,delightful animated artwork that paints a whimsical picture of
Malaysian kampung life. The characters, Upin and Ipin, come to life with expressive
eyes and vibrant cultural attire, exploring their surroundings with curiosity and
mischief.
Source: https://dubdb.fandom.com/wiki/Upin_%26_Ipin

ANALYSIS OF FORMAL ELEMENTS

"Lawak Kampus" refers to a popular Malaysian comic series created by
Keith and Zelo. The series is known for its humor and often features elements
of school life. When discussing the formal elements in the making of "Lawak
Kampus," we can focus on various aspects, including artistic, narrative, and
thematic elements. There are some formal elements commonly found in the
creation of comics like "Lawak Kampus". One of which is the art style itself. In
the aspect of character design, the way characters are drawn and designed is
crucial. "Lawak Kampus" often features exaggerated and expressive
character designs to enhance humor and convey emotions effectively.
Moreover, the panel layout. The arrangement and size of panels play a
significant role. Comic strips typically have a sequence of panels that guide
the reader through the story. The layout affects pacing and the overall reading
experience. On top of the art style, elements that need to be considered are
themes and subjects. "Lawak Kampus" revolves around the daily lives of
students, teachers, and the school environment. The choice of school as a
setting provides a relatable context for readers, especially young audiences.
Plus, the humor in "Lawak Kampus" is often situational, relying on the
experiences and interactions of the characters. Cultural references and
wordplay may also be used to create jokes.
 In the context of creating "Lawak Kampus" or any creative work, the
creative process of infusing sincerity and authenticity into the content involves
several key steps. There are several breakdowns of how the concept of
"berhalus" might influence the creative process. To create content that
resonates with the audience, the creators need to understand the
preferences, interests, and cultural context of their target readers. This
involves staying connected with the experiences and sentiments of the
audience. Other than that, drawing from real life experiences by observation.
Infusing sincerity often involves drawing inspiration from real-life situations.
The creators may observe daily life, interactions, and experiences, especially
those related to school life, which is a central theme in "Lawak Kampus."
Moreover, incorporating local culture. "Berhalus" in the creative process
involves being culturally sensitive and incorporating elements of local culture
that the audience can identify with. This can include traditions, customs, and
references that are familiar to the readers.

The problem-solving process in the making of "Lawak Kampus"

involves addressing various challenges and creative hurdles to produce a
comic series that is engaging, entertaining, and resonates with the audience.
Imitation in the context of "Lawak Kampus" or any creative work generally
refers to the act of drawing inspiration from existing ideas, styles, or formats
while adding a unique twist or personal touch. It's important to note that
imitation, when done ethically and creatively, can contribute to the evolution
and innovation of a genre. There are ways in which imitation may be involved
in the making of "Lawak Kampus". One of which is trends. Keeping an eye on
trends within the comic industry, especially those related to humor, school life,
or similar themes, can influence the direction of "Lawak Kampus." Adapting
certain successful elements while maintaining originality is a common
practice. Other than that is by by the influences from other comics. Creators
may draw inspiration from other successful comic series or artists. Studying
different art styles and storytelling techniques can influence the visual and
narrative aspects of "Lawak Kampus."
 "Lawak Kampus" typically revolves around the subject matter of school
life, humor, and the experiences of students and teachers in a Malaysian
school setting. The comic series captures the various facets of school life and
presents them in a humorous and relatable manner. There are some key
aspects of the subject matter in "Lawak Kampus". One of it is from school life.
The comic often explores the daily lives, challenges, and adventures of
students in a school environment. This includes everything from friendships
and relationships to academic struggles and extracurricular activities.
Furthermore, friendships and relationships. "Lawak Kampus" delves into the
dynamics of friendships and relationships among students. The series may
depict the ups and downs of friendships, the challenges of romantic
relationships, and the humor that arises from these interactions.

"Lawak Kampus" is a Malaysian comic series known for its humorous

portrayal of school life and may not directly address legal or political concepts
such as denaturalization. Denaturalization typically refers to the legal process
of revoking an individual's citizenship or nationality. Given the comedic and
fictional nature of "Lawak Kampus," it's unlikely that the series would explicitly
depict legal processes like denaturalization.

ANALYSIS OF ARRANGEMENT OF COMPOSITION

The arrangement of composition in an animation like "Upin & Ipin"
involves the thoughtful placement and organization of visual elements within
each frame. Composition is a crucial aspect of animation that contributes to
the overall storytelling, visual appeal, and effectiveness of the message. There
are some key elements of composition in "Upin & Ipin" or any animation in
general. One of which is the rule of thirds. The rule of thirds is a common
compositional guideline that involves dividing the frame into a grid of nine
equal parts using two horizontal and two vertical lines. Important elements,
such as characters or focal points, are often placed along these lines or at
their intersections. Other than that, the depth and layers of the animation.
Creating a sense of depth in the composition adds visual interest. This can be
achieved by placing elements at different distances from the viewer, creating
foreground, middle ground, and background layers. Moreover, the color and
contrast of the animation. Consideration of color schemes and contrast helps
create a visually striking composition. Colors can be used to evoke emotions
or highlight specific elements in the frame.

"Upin & Ipin" features a distinctive visual style and character design that
contribute to its appeal. Stylization in animation refers to the intentional
exaggeration or simplification of visual elements to convey a unique artistic
expression. There are some notable stylizations in the "Upin & Ipin" animation.
One of which is character design. The characters, particularly Upin and Ipin,
are stylized with simple yet expressive features. Their large, expressive eyes,
round faces, and exaggerated movements contribute to the cartoonish and
charming aesthetic. Other than that, color pallete. The color palette in "Upin &
Ipin" is vibrant and cheerful. Bold and contrasting colors are used to
distinguish characters and elements, creating a visually appealing and lively
environment. Moreover, motion and animation style. The animation style
incorporates fluid and exaggerated movements, particularly during comedic or
action sequences. Stylized motion enhances the comedic timing and adds to
the energetic and playful nature of the characters.

Abstraction in the context of animation and art refers to the

simplification or distortion of real-world elements to create a more stylized or
symbolic representation. In the case of "Upin & Ipin," there are several
instances of abstraction in various aspects of the animation. One of which is
character design. The characters, including Upin and Ipin, feature simplified
and stylized designs. Their features are exaggerated, with large expressive
eyes, rounded shapes, and simplified anatomy. This abstraction makes the
characters visually appealing and suitable for the target audience of children.
Other than that are facial expressions. Facial expressions in "Upin & Ipin"
often involve abstraction to convey emotions effectively. The characters' facial
features are exaggerated to express a wide range of emotions, making it
easier for young viewers to understand and connect with the characters.
Moreover, cultural elements. Cultural elements, such as traditional clothing
and customs, are abstracted to maintain a recognizable Malaysian identity
while still fitting the animated style. The representation of cultural aspects is
simplified for storytelling purposes and accessibility.

The creation of "Upin & Ipin" involves a combination of artistic and

design principles to bring the animated series to life. There are various
processes in the making of "Upin & Ipin" based on key design principles. One
of which is conceptualization (unity). The process begins with
conceptualization, where the overall theme, storyline, and characters are
developed. The unity of these elements ensures a cohesive narrative and
visual identity for the series. Other than that is character design (emphasis
and contrast). The design of characters, particularly Upin and Ipin, involves
creating a focal point through emphasis on distinctive features. The contrast
between characters and their surroundings ensures that they stand out
visually. Moreover, storyboarding (hierarchy and proportion). Storyboarding
establishes the hierarchy of visual elements in each scene. The proportion
and placement of characters, objects, and backgrounds are carefully
considered to guide the viewer's attention and convey the narrative effectively.

Figure 3:the making of Upin and Ipin

Source:https://www.rage.com.my/malaysias-content-creators-levelling-up/les
INTERPRETATION OF THEME

The interpretation of the theme in "Upin & Ipin" involves examining the
underlying messages, values, and concepts that the animated series conveys.
While the series is primarily targeted at a younger audience, it incorporates
various themes that can be appreciated by viewers of all ages. There are
several key themes found in "Upin & Ipin".

One of which is the theme of family and friendship. One prominent

theme in "Upin & Ipin" is the importance of family and friendship. The series
often explores the strong bond between the main characters, Upin and Ipin,
and their interactions with their family and friends. The emphasis on these
relationships reinforces positive values and a sense of community.

Moreover, is the theme of celebration of festivals. The series

often features episodes centered around Malaysian festivals, such as Hari
Raya (Eid al-Fitr), Chinese New Year, and others. These episodes provide
insight into cultural celebrations and traditions, fostering an appreciation for
diverse festivities.

INTERPRETATION OF CONTENT AND CONTEXT

CONTENT CONTEXT
(Content with “c”) (Content with “C”)
Low level of interpretation, surface and generic High level of interpretation, deeper, aesthetical,
meaning. philosophical and usually related to theological
meaning.
Entertaining Stories: Kampung Setting:
 At its core, "Upin & Ipin" is an  The series is set in a fictional
animated series that tells Malaysian village called
entertaining and engaging stories. Kampung Durian Runtuh. This
The series follows the adventures, rural setting provides a backdrop
mischief, and everyday for the characters' daily lives,
experiences of the twin brothers adventures, and interactions. The
Upin and Ipin, along with their village context contributes to the
friends and family. cultural richness of the series.

Humor and Comedy: Malaysian Culture:

 The series is known for its humor
and comedic elements. The
interactions between characters,
playful situations, and humorous
dialogue contribute to the
lighthearted and enjoyable nature
of the show.
 "Upin & Ipin" is deeply rooted in
Malaysian culture. The
characters, clothing, language,
and traditions are representative
of the Malaysian way of life. The
series incorporates cultural
elements such as Malaysian
festivals, traditional clothing, and
customs, offering viewers a
glimpse into the country's rich
cultural heritage.

CONCLUSION
COMMON CHARACTERISTICS

1. Cultural Representation: Both "Lat Kampung Boy" and "Upin & Ipin"
prominently feature and celebrate Malaysian culture. "Lat Kampung Boy" is a
graphic novel by the renowned Malaysian cartoonist Lat, depicting rural
Malaysian life, while "Upin & Ipin" is an animated series set in a Malaysian
village, showcasing traditions, festivals, and customs.

2. Childhood and Growing Up: Both works focus on the experiences of children
growing up in a village setting. They depict the adventures, challenges, and everyday
life of children as they navigate their surroundings, interact with family and friends,
and undergo personal growth.

3. Humor and Playfulness: Humor is a key element in both works. "Lat Kampung
Boy" and "Upin & Ipin" incorporate playful and lighthearted humor into their
narratives, making them enjoyable for audiences of all ages.

4. Family Values: Family plays a central role in both works. The

relationships between family members, especially among siblings, are
explored in the context of the village environment. Family values, such as
love, support, and togetherness, are emphasized. SUMMARIZATION

While the medium and format differ, one being a graphic novel and the other
an animated series, these common characteristics contribute to the popularity

and cultural significance of both "Lat Kampung Boy" and "Upin & Ipin" in
Malaysia and beyond. They serve as cultural touchstones that capture the
spirit of Malaysian village life and the universal themes of childhood.