Pontifical Catholic University of Argentina

Digital library of the Argentine Catholic

University
Mansilla, Silvina Luz

Carlos Guastavino (1912)

Magazine of the “Carlos Vega” Musicological Research Institute No. 10, 1989

This document is available in the Digital Library of the Universidad Católica Argentina, an institutional repository
developed by the “San Benito Abad” Central Library. Its objective is to disseminate and preserve the intellectual
production of the Institution.
The Library has the authorization of the author for its online dissemination.

How to cite the document:

Mansilla, Silvina Luz. “Carlos Guastavino (1912)” [online]. Magazine of the “Carlos Vega” Musicological Research
Institute, 10 (1989). Available at: http://bibliotecadigital.uca.edu.ar/greenstone/cgi-bin/library.cgi ?
a=d&c=Magazines&d=carlos-guastavino-1912-catalogo [Date of consultation: ]
 CARLOS GUASTAVINO (1912) 1

The bibliography that can be read about Carlos Guastavino 2 is poor and
almost non-existent. It is impossible, therefore, to attempt in this article to give the
complete and in-depth overview that its production would deserve. As a first
approximation, we present here the classified catalog of compositions and a brief
summary of his very personality. sical and creative activity.
Guastavino was born in Santa Fe and began as a composer towards me. days
of the 1930s. His music could be included, however, from a stylistic point of view,
within the numerous “Centenary Generation” since it represents in a complete and
complete way the refined, nostalgic and emotional nationalism that the composers
of that time aspired to. the generation
His training began in his hometown under the direction of Es Peranza
Lothringer first, and Dominga laffei Guastavino, later.
At that time he shared his musical vocation with university studies. rios of
Chemical Engineering, a career that he failed in the fourth year when, with a
scholarship from the Ministry of Justice and Public Instruction of the government
of his province, he moved to Buenos Aires to perfect himself with Athos Palma in
harmony and composition.
Later, in 1949, he traveled to England and stayed there throughout that year.
This is possible thanks to the annual scholarship from the “British Council”, to
which he is a recipient. From this stay he gained rich musical experiences as he
visited different English educational institutes, worked in London with the BBC
Symphony Orchestra, and performed the orchestral version of his “Three
Argentine Romances” which were premiered by the aforementioned group. pation
under the baton of Walter Goehr.
Guastavino has a vast production. He has dedicated himself principal mind to
the vocal repertoire, addressing from the solo song of ca mara to groups of two and
three voices and also larger choirs. Among the texts that he has set to music are
poems by León Benarós, Rafael Alberti, Luis Cernuda, Arturo Vázquez, Alma
García, Gabriela Mistral and many others.
No less lush is the set of works for piano and for con together with chamber
music, genres that he masters and finds optimal for the expression of his musical
ideas.

22
9
 Regarding the “lieder”, all of them, from the traditionally known ones
(Pueblito, mi pueblo; The pigeon was wrong; The rose and the willow and others)
to the not so popular ones, comply in the same way with the elements spontaneity
and ability to transmit your inner message.
Arturo Vázquez, one of the poets mentioned, expressed himself recently ,
regarding the songs, in the following way:
"...and all of them are of immediate understanding and apprehension; the wisdom
Duration, the refined technique are hidden behind the grace, the lyricism, the
strength, the emotion, the elegance, the expressiveness, the melodic, rhythmic and
timbral richness that are captured at first hearing. You know well that in each one;
From the introduction, Guastavino installs the listener, every listener, in a climate,
an aroma, a color and a very fine state of mind from which it is not easy to
escape..." 3.
His symphonic production is relatively brief. Some of these orchestral pages
are transcriptions of original works for piano or singing and piano.
Added to them is a single ballet, premiered at the Teatro Colón, whose score
is unfortunately lost.

The cataloging that we offer here has been carried out following the order by
genre, namely:
BALLET.
ORCHESTRAL.
ORCHESTAL WITH SOLIST.
CAMERA ASSEMBLY.
PIANO.
GUITAR.
SINGING AND PIANO.
SINGING AND GUITAR.
CHORAL “A CAPPELLA”.
CHORAL WITH PIANO.

Within each genre the scores have been arranged chronologically. mind,
sometimes with an exact date, sometimes with an approximate date, and
sometimes without a date.

23
0
 Often the author has made several versions of the same work. In these cases
the titles have been repeated in each genre, consig ing in observations if there is
any transcription or what is the ge original nero of that score 4.
Fortunately, Carlos Guastavino has been able to edit almost all of his works,
so the material is mostly accessible to anyone. want. Furthermore, his case is a rare
exception in the generality of Argentine music, because despite being an
independent composer, who never joined any musical institution or society, his
creations have spread universally, surpassing the borders of the most remote
countries. 5.
There is also a considerable discography in which they must internationally
known names such as Alfredo Krauss, Te Resa Berganza, John Williams, José
Carreras, Alicia Nafé and others no less important who have contributed with their
work to the appreciation of his work 6.

Now, these issues of editing and dissemination of works? of Guastavino are

directly linked to the theme of the es trains It will be noted that the data provided
here is not absolutely complete in this regard. This is because, in effect, this great
diffusion sion makes it difficult to accurately obtain the possible “first auditions.”
Regarding the compositions that remain unpublished, let's say that they are all
in the possession of the composer. Some torque materials orchestral titles (Suite
Argentina, Romance de Santa Fe, Tres Ro Argentine men. Sonnets of the
Nightingale and Three Cantilenas and Final) can They can be obtained for rent
from the Ricordi publishing house.
We have included at the end “WORKS WITHDRAWN FROM THE
CATALOG BY THE AUTHOR”. In all cases, these are scores that have been re
elaborated or broken down. The need for this inclusion arises from the mention
that other researchers make about these works. In Ob servations those sources are
indicated.
In this prologue we record the general distinctions and awards for
Guastavino's production:
— For works for voice and piano, Provin Commission award cial of Culture of
Santa Fe.
— For the first seven chamber songs, Municipal Prize of the city of Buenos
Aires in 1940
— In recognition of all the work carried out by Guastavino, the distinction
awarded by the OAS recently ; whose text we transcribe verbatim:
“In the degree of highest distinction granted by the Organization of
American States and the Inter-American Music Council ■ (CIDEM) to

33
1
 CARLOS GUASTAVINO as testimony and re
knowledge of the artistic community of the Americas for their
extraordinary creative work.
Given in Washington, DC, headquarters of the General Secretariat of the
Organization of American States on the third day of May 1987” 8 .
Signed: Efraín Paesky, general secretary of CIDEM and Joao Clemente
Baena Soares, Secretary General of the OAS

Finally, we thank the performers and people who have provided us with
materials for the creation of this catalog and of course the composer who has given
us hours of patient attention and has approved the work that we present today.
QUALIFICATIO GENDER PARTS TRAINING YEAR
NQUALIFICATI GENDER PARTS TRAINING
RING TEXT PREMIERE
Buenos Aires, 27-11 Lost
EDITION The decorations
OBSERVATIONS and
ON Libretto by tra jes of the premiere
Wedebe, on 1942. ColonAires,Theater.
Ballet -
Orchestral An1.act
Allegretto
2.2.2.2.-2.0.0.0. 1942
In “I said
docu ments
Buenos
Original Rua 20-5
It The choral
Ballet Municipal is Executed
They wereinin Ecuador
charge
Was once Chart
with soloist 2. Sostenuto view goodbye 1973. part: Bs. As., of Ignacio
dor on Pirovano.
24-2-84. Or
Farewell timb., female choir from isTheater
directedpalby Gral.
Col. W.
(cantata for
3. Allegretto
nino: SMC, co ro of da”',the
1830s poe ma ofMar San Lagos. The
Basil. There
symphonic isquest nona
so list and mase.: baritone prior to tenths of tin. Juve orchestral manuscript
tional. Director: Irisin
Choreography:
Orchestra LRA Silvia
nil,EliRa part remains Argentina. It became
orchestra) soloist, to León Pueyrredón de Bacal.
ropes Benarós gave National and Co ro the property of the
1973 zalde. Director: unpublished
Polyphonic
Gene Fuerst. Born Eu nal. "Russe" ballet
Soloist: Oscar company.
Schiappapletra. Gave
rector: Washington Unpublis The training or quest
Argentine suite
Castro. hed in every number
Orchestral 1. Cat 2.1.2.1.-2.1.1.0 1941 grouper is: 1.3.4) 2.1.
little dance Set 2. He was wrong timnb.,
two pianosfemale choir 1946 Original for piano.
2.1 - 2.1.0.0 - timb.
Dove SSMC boy, Bs. Ace.,
Of camera Ricordi, 1946 strings, 2)2.1.2.1 -
3. Zamba ropes 2.0.0.0 - strings, co they
4. Malambo fear.
Cat Original
There for piano.is a
Set two pianos 1946 Bs. As.,
Of camera Ricordi, 1946 transcription for piano.
London, 1949. Or BBC Unpublis Original for two plans.
The Rose Set cello and Post of Symphony Orchestra hed Unpublished Original for song and
Three Argentine Orchestral1. The girls 2(1).2.2.2-4.2.3.1. London,
piano river to Director: Walter Goehr plan, on text by Gabriela
romances camera 2. Young guy timb., harp, January
1946 (9). Mistral.
of
Three jujeño ropes 1949 Buenos Aires, 6-9 1948. Bs. Ace.,
Argentine
Set 3.
1.Dance “El Cuyo” two pianos
The girls April, Odeon Theater. Isabel EAM, 1951 There is a
romances Unpublis transcription for are the
of 2. Young guy 1948 and Amelia Ca vallini, The cantilenas
Three
pianos. hed author's orchestra.
original for pia No. The
camera
cantilenas and Orchestral jujeño Dedicated
final
1. Home
3. Dance “El Cuyo*' Orchestra of Post- “Final” wasto:
made1. Isafor
Bel
2. Juanita ropes river to and
this Amelia Cavaversion
exclusive llini. 2.
3. The ceibo 1958 To
mind.his brothers manas
4. Final, Romance in Colastlné Piruca, Ne lly, Ina and
Zule. 3. Bibi Zogbe.
Buenos Aires, 18-7 Unpublis Dedicated to Juan
Romance of 1954. Colon Theater. hed Carlos Legarre.
Plain Set
Orchestral ■ : Violin and piano 1952
2.2.2.2.-4.2.3.1. In 'Symphony Orchestra Bs. As., There
There is is aa
Santa Fe (for, withview of of 2 ‘3.* river to
timb., piano, of the City of Bs. Ace. Ricordi, transcriptionforfortwo
transcription two
piano and camera
soloist , "F' ropes 1949 1949 pianos.
plans.
orchestra) Piano: Carlos
Plain
TEXT PREMIERE EDITION OBSERVATIONS Guastavino. Address Bs. As.,
Set two pianos 1949 tor: Juan Emilio Original for violin and
Of camera Ricordi, piano.
Martini. ' 1949
Lawrenc Unpubli
Set flute, clarinet, 1951
Nightingale of cello, piano, e shed
Sonnets camera solo soprano Varela
QUALIFICATI 1 GENRE PARTS TRAINING YEAR TEXT PREMIERE EDITION OBSERVATIONS
ON
Be equi the camera set two pianos 1952 Bs. As., Dedicated to Elda
dove called Ricordi, Carella and Xiomara
1952 Audino.
Original for voice and
piano.
The rose and camera set cello and piano 1954 Bs. As., Reviewed by Auro ra
the willow Ricordi, Natola.
1954 Original for voice and
piano.
Two plans In view Bs. As.,
Romance of
camera set of prior to Ricordi, Original for piano and
Santa Fe 1955 orchestra.
1955
Violin and plane Post Unpublishe Original for plan.
Cantilena
NO 6: Juanita
camera set prior to d
1957
camera set Cello and plane Post Unpublishe Original for piano.
Cantilena N? prior to d
1: Santa Fe to 1957
cry

The doors of camera set Three voices, Post Lion Unpublishe Original for voice and
the morning trumpet and piano prior to Benaros d piano. Correspond
1965 from to number 4 of
the Canciones Colo
cycle niales.
country camera set Three voices Igua Post Lion Unpublishe Original for edge and
jasmine them and trumpet prior to Benaros d plane. Correspond
1969 from to number 8 of
the Flores Argentinas
cycle.
Presence camera set In view Bs. As., The twine part rra is
N9 6: String quartet (2 of prior Ricordi, reviewed by Roberto
Jeromita violins, viola and to 1966 1966 Lara,
Linares viol loncelo) and
twine rra ;
* camera Violin and plane In view Bs. As.,
Presence set of prior Ricordi,
No 7: Rosita to 1968 1968
Iglesias
QUALIFICATIO GENDER PARTS TRAINING ASO TEXT PREMIERE EDITION OBSERVATIONS
N
Rice with lache camera set Four guitars 1970 Unpublished Original for gero “a
26-§-1970. Naval Circle. cappella”.
Guitarists: Ceballos, F Dedicated to the
ras son, Pomponio, quarter who released
Martínez Zárate. it.
Sonata camera set 1. Decisive Clarinet in A flat January, Bs. As.,
allegro and flat 1971 Lagos, 1971
2. Walking
3. Rondo.
Allegro
spirituoso
Oboe, clarinet, May, 1971 Unpublished Dedicated to Luis Al
Presence No 8:
camera set horn, bassoon and Berto La Corina.
Luis Alberto
piano
camera set Four thrombus nes 1971 Dedicated to Rolando
Music for four
1. March or four cor us Ruso,
trombones or
2. Popular song
four horns
3. Interlude
4. Final
Presence No 9 English horn and July, 1972 Unpublished Dedicated to
camera set piano Ethelberto Tavella.

Sonata camera set Trombone and In view of Bs. As., The horn part has
1. Comfortable piano or horn and prior to Lagos, 1973 been revised by
walking piano 1973 Dalibor Aliano.
2. Andante Dedicated to her
cantabile student not Jorge
3. Rondo. Alberto Roel.
Allegro giusto
Enter tion and camera set flute and piano 1972-3 Bs. As.,
Germany, 10-4-1979. Ricordi,
allegro
Staatliche Akademie
Comburg. Flute: Cecilia
Francesconi. Piano: Pat
Manwa ring.
little dance Piano 1940 Bs. As.,
Ricordi, 1941 Dedicated to Manuel
Gómez Carillo.
There is a
transcription for two
pianos and for guitar.
QUALIFICATIO GENDER PARTS TRAINING YEAR
N Bs. As., Dedicated to Lía
Cat Piano 1940 Ricordi, 1942 Cimaglia Espinosa.
Buenos Aires, 18-10 Bs. As., Dedicated to: 1. A**
1943. Odeón Theater. Ricordi, 1943 driana Flocco; 2. In
Piano: Adriana Flo-eco. memory of Julián
beautiful land Piano 1940
Aguirre; 3. Countess
Rosario Zouboff.
Bs. As., Dedicated to Juan
The nap (three Piano 1. The backyard 1942 Buenos Aires, 12-7 Ricordi, 1945 Carlos Legarre.
preludes) 2. The willow 1945. Colon Theater.
3. Sparrows Piano: Rudolf Firkusny.

Dedicated to Juan
Bs. As., Carlos Legarre.
Sonatina in G Piano 1. Allegretto Cordova, Ricordi, 1953
minor 2. Very slow 1945
expressive
3. Presto
Sonata in C
sosteni C minor
Piano 1. Allegretto 1947 Bs. As., Dedicated to: 1. Isidro
intimate 2. Soherzo, molto vivace Ricordi, Maiztegui; 2. María
3. Slow recitative 4. Fugue and 1950 Inés Gómez Carrillo;
end 3. Rudolf Firkusny.
Composed "on
rhythms of the
Piano 1. Motion London, Argentine popular
three sonatinas 2. Broom 1949 way."
3. Dance
Bs. As., Dedicated to Esperan
Ricordi, za Lothringer.
1952 Compound "to the
popular way.”

Style Piano 1952

TEXT PREMIERE EDITION OBSERVATIONS
Bs. As., Dedicated to Héctor
Ricordi, 1941 Ruis Díaz.
There is a
transcription for two
plans.
 TEXT PREMIERE EDITION OBSERVATIONS
QUALIFICATION GENDER PARTS TRAINING YEAR
Ten preludes Bs. As.,
Ricordi, Dedicated to “María
1952 Luz”, Compositions
'on themes of popular
Argentine children's
songs'.
Piano 1. The Lady Santa Fe, The theme of “Marga
lady January, “rita” (no. 4) is also
2. The flower of 1952 Well used in the 4-
cane 3. Rimor 4. Margaret 5. Embroidering for voice vocal fugue, of
the queen 6. A pretty girl 7. How many stars! 8. A the same name.
Sunday morning 9. Tower 10. A girl is driving in a
car

Bs. As.,
Pampeano Flat 1952 Ricordi

The afternoon in Piano 1952 Bs. As., Dedicated to Beatriz

Rincón Ricordi, . 1953 and Malenque Lega
rre.
There is a
transcription for
guitar.
Romance of Piano 1953 Bs. As., Dedicated to Juan C.
Cuyo Ricordi, Legarre.
(Zamacueca) 1953
The girls Bs. As., Original for two
Piano In view of EAM, 1953
prior to pianos.
1953 Dedicated to Haydée
Giordano.
Argentine suite Piano 1. Cat 1952 Original for hearing
2. The dove was wrong 112 . Bs. As., ' Ricordi, questa.
3. Zamba 1953
4. Malambo
Bs. As., Dedicated to: 1. Ro
Two new Ricordi, Berto Legarre. 2. Juan
romances 1955 Carlos Lega rre.
Piano 1. The girl of 1954-55
sweet river 2. The boy who came from the south
 TEXT PREMIERE EDITION
QUALIFICA GENDER PARTS TRAINING YEAR Bs. As., ThereOBSERVATIONS
is a transcription
TION Ricordi, 1056 for guitar of the
Ten Argentine
to 1958 numbers 1, 4, 8, 9, 10.
songs
Dedicated: 2: to his
sister. Ina. 3, 4, 6, 7, 8
and 9: to Juan Car the
Piano 1. Santa Fe 1956-58 Legarres. 5: An gelo
to cry 2. Adolescence 3. Jacarandá 4, El ceibo 5. Rmulo de Mas- si. 10:
Abelarda Olmos 6. Juanita 7. Herbert 8. Old Santa Carlos Stett-enheimer.
Fe 9. Clover 10. Home

Original for voice and

Bs. As., Ricordi» piano.
Little town, my Piano June,
town 1957 1957
Buenos Aires. 10-6- Bs. Ace.,
The presences 1975. Casacu Room Ricordi,
Berta of the Theater 1962
Piano 1. Loduvina 1960-61 General San Martin.
2. Ortega Piano: Nelly Porter.
3. Federico Ignacio Céspedes Villegas 4. Mariana 5.
Horacio La Valle

My friends
Bs. So, Subtitle: “Musical
Ricordi. 1967 portraits for pia young
nists''.
QUALIFICATIO GENDER PARTS TRAINING YEAR
N
7. Alberto, from Posadas Street
8. Cassandra, from Galileo Street
9. Damián, from Malabia Street
10. Alina, from Lacroze Street

Piano 1. Lusito, August,

of the street 1966
Concord 2. Nelly, from 3 Río Cuarto Street.
Ismael, 4 Teodoro García Street. Pablo, from
Aeropark 5. Fermina, 6 Aranguren Street.
Gabriel, from Andonaegul Street Piano 1974
TEXT PREMIERE EDITION OBSERVATIONS Ten popular
songs
Sonatina Piano 1. Allegretto October, Buenos Aires, 31-8 Bs. As., Dedicated to her hand
to four cantabile 1987 1867. YPF assembly hall Ricordi, 1967 José Amadeo
hands 2. Walking Guitar: Horacio Guastavino.
cantabile sereno 3. Rondo Ceballos. Reviewed and typed
by Roberto Lara. The
premiere took place in
the cycle of con certain
of the Secret Ministry
of Culture of the
Cantilenas Guitar Between Nation.
Nos. 1, 8, 9, 10 1953 and: . 1960

The afternoon Guitar 1958

in Rincón

Sonata
no 1
Guitar 1. Decisive allegro
February,
Yo and molto 1967
rhythmic 2. Andante 3. Allegro splrltuoso
Dedicated to Nelly
Bs. Ace., Porter.
Lagos, 1976

Unpublished Dedicated to Miguel

Madrid, 6-2-1988. Zanetti.
Duo: Zanetti-Turina, The version releases It
piano. Bs. As., 10-28-
1988, Associac. Youth takes place in Madrid
Christian nes. Iris Bacal and is titled “Romance
and En rique Morera, del Plata”.
piano.
Bs. Ace., no 1: Dedicated to the
Ricordi, publisher María Lui sa
1953-1960
Anido, nos. 8, 9 and
10: reviewed by
Roberto Lara.
Originals for pia No.

Original for plan.

Bs. As.,
Ricordi, 1953
 TEXT PREMIERE EDITION OBSERVATIONS

QUALIFICATION GENDER PARTS TRAINING YEAR

Buenos Aires, 15-7- Bs. Ace., Dedicated to the reviewer
little dance Guitar 1967 1969. Institute of Ricordi, Roberto Lara.
Religious culture 1969 The premiere was orga ned
Superior. Guitar: by the Circu-
Horacio Ceballos. the Guitar Ar Gentine.
Sonata Guitar
N? 2
Dedicated to the reviewer
1. Allegretto 1969 Not released. Bs. Ace., Horacio Ceballos.
intimate and expressive Ricordi, 1973
2. Andante sostenuto
3. Presto
Sonata Guitar
no 3 1. Allegro 1973 Carlos Guastavino Bs. Ace., Dedicated to Athos
precise and rhythmic Ricordi, Palm.
2. Adage 1940 school song
3. Allegro tested by the Con
National Council of E
ducation. Choral
Arroíto singing and 1939 transcription exists.
Highlander piano

Carlos Guastavino Bs. Ace., School song. ’

Ricordi, 1940
Carlos Guastavino
Bs. Ace., School song.
Gratitude singing and 1939 Ricordi, 1940
piano
Losses.
Purpose singing and 1939 Frida Schulz of Mantovani
piano

Three singing and

songs piano 1. Song 1939
2. Wheat
3. Sing of
happy time
Bs. As., Ricordi, Reviewed by Rober Uncle
1967 Lara.
Original for piano.
QUALIFICATIO GENDER PARTS TRAINING YEAR TEXT PREMIERE EDITION OBSERVATIONS
N
student song Singing and 1939 Francisco Buenos Aires, 26-11 Unpublished He received an award
piano García 1939. National Theater from the Ministry of
Giménez nal of Comedy Justice science and
(Cervantes.) Choir of public instruction in
the National 1940.
Conservatory of Music Composed in queue
and Performing Arts. boration with Ernes to
Gave rector: Ernesto Galeano.
Ga icano. The premiere was
orga ned by the Aso
Argentine Chamber
Music Foundation.
Aud. 175 of cycle IX?
Ballad Singing and 1940 Gabriela Unpublished
piano Mistral
The Rose Singing and 1940 Gabriela Unpublished
piano Mistral
Bells 1941
Singing and Francisco Bs. As., Dedicated to the tralto
piano Silva Ricordi, 1941 Lidia Kindermann.
little pieces Singing and 1941 Gabriela Dedicated to Conchi ta
piano Mistral Bs. As., Badía,
Ricordi, 1942
Little town, my Singing and 1941 Francisco Bs. As., Dedicated to 'mom
town piano Silva Ricordi, 1942 and Palto*'.
Two voices and one
voice list.
There are transcripts
tions for singing and
guitar.
The dove was Singing and 1941 Raphael Bs. As.,
wrong piano Alberti Ricordi, 1941 Dedicated to María de
Pini de Chrestia.
There are transcripts
tions for two pia us,
orchestral and co ral.

Singing and 1942 Bs. As.,

Through the
Joan of
piano Ibarborou Ricordi
green fields
QUALIFICATIO GENDER PARTS TRAINING YEAR TEXT PREMIERE EDITION OBSERVATIONS
N
The rose and Singing and 1942 Francisco Buenos Aires, 1943. Bs. As., There is a
the willow piano Silva Odeon Theater. Dog Ricordi, 1943 transcription for cello
tant: Aubrey Panky. and piano.
Piano: Carlos
Guastavino.
I long 1942 There is a
Singing and Domingo Bs. As., EAM, transcription for choir
piano Zerpa 1951 “a cappe- 11a”.
The glass Singing and 1942 Gabriela Dedicated to Olga
piano Mistral Bs. As., Linne.
Ricordi, 1961
The wolf Singing and 1942 Juana of Loss.
piano Ibarborou
Handyman 1942 Unpublished
Singing and Gabriela
piano Mistral
Appointment Singing and 1943 Lorenzo Dedicated to Rudolf'
piano Varela Bs. As., Firkusny.
Ricordi, 1943

Edge and Francisco Bs. As., Dedicated to Sergio*

Landscape
plane 1943 Silva Ricordi Zouboff.

Wealth .Singing and 1943 Gabriela Bs. As., Fas. Dedicated to Carlos
piano Mistral VIII Stettenheimer.
by 'Anto compost ology* tors ar
gentinos'*, 1944.
Bs. As., Ricordi, 1956
Six singing 1. Finding 1943 Gabriela Bs. Ace., Dedicated to:
songs piano 2. Attached to me Mistral Ricordi, 1. Clara Oyela.
crib 3. Love 1945 2. Maria Sylvia Pin
I lie to.
4. Corderlto 3. Elenita Colombo.
5. Roclo 4. Para Pains
6. Rocking gives.
5. Editha Pfleischer.
6. Susana Bauthian.
 TEXT PREMIERE EDITION OBSERVATIONS

QUALIFICATION GENDER PARTS TRAINING YEAR Luis

TEXT PREMIERE
BS. Ace." Dedicated to:
EDITION OBSERVATIONS
QUALIFICATIO GENDER PARTS TRAINING YEAR Ricordi,
N 1. Garden 1944 Cernuda 1. Manuel de Falla.
Clouds singing and Anonymous 1944 2. Germánto Orlando
de Eli
piano
singing and ancient 3 947 Bs. Ace., Dedicated
The pri Zionist 2. Desire EAM, zalde.
Tarrio.
piano 3. Carlos López
3. Joy of loneliness 1952 Buchardo.
Christmas singing and 1947 Francisco
Raphael
Silva Bs.
Bs.Ace.,
Ace., Dedicated
Has to:
a second
song piano Alberti Ricordi,
Ricordi, optional
1.Mr. and voice.
Mrs. Ñor-
Seven singing and 1947
1946. Transcription
Man Fraser.exists
songs piano lakes, 2.coral.
StellaReceived award
Bell from At-
1975 view “You or bring”
Kinson.
(refer. Seniilosa,
3. Frederick Fuller. 1953,
4.p. Beatriz
233). de Lega-
1. Girlfriend 1944 rre.
2. Physical geography 5. Lolita de Roseda.
This church singing and 1948
3. Elegy Pablo Bs. Ace., Dedicated
6. Domingato Hanna. Yaffei
does not piano 4. Bad Boy's Lullaby Neruda Ricordi, 1949 Guastavino.
have...
5. To the swallow bridge! 7. Ricardo D'Oliviera
Four Argentine <5. To fly! Anonymous n? Bs. Ace., Braga. to:
Dedicated
songs 7. Garden of loves 1, 3 and 4: Ricordi, There
2. is a choral
Isabel Alonso.
were dec taken 1950 transcription
3. Herbert Murrii.of “La
singing and 1. Since 1949 by Yolanda No via". José Castro.
4. Juan
piano I met you Pérez de Choral transcription
Luis
Carenzo in Bs. Ace., Dedicated
exists. to Gerard
2. Coming from Chilecito 3. In the grooves of Ricordi,
Love 4. My throat Cernuda
Jujuy. no 2: Souzay.
Leave me this song and 1944 1956
voice... piano it was
overcooked
Luis Bs. Ace., Dedicated to:
given to a
Cernuda Ricordi, 1. Donato 0. Line-
Three singing and group of 1954 celli.
songs piano 1. Violets 1945 young 2. Francisco J.
2. dead bird people in EITHER field.
3. Where oblivion dwells Anillaco 3. Pedro Saenz.
Three songs
(La
José Iglesias de Buenos
Rioja) Aires,
Victory of the
s/f. Bs. Ace.,
Unpublishe
An- Ricordi,
Dedicated to:
1.Transcription
Elablie Davis,exists
singing and 1. The little dove 1950 Manuel
la Casa
flat and 2. Cantilena Altoaguirre gels, singing. 1951
d 2.coral.
Lyra Lorenzi.
Cloud singing 1945 3. Elena Arizmendi.
piano 3. Simple gifts Unpublishe The premiere took
Francisco
Silva d place zo for the
Spring singing and 1946 Association
piano Unpublishe Wagnerian tion of
Francisco Silva d Buenos Aires.
Parallel singing and 1946
singing and
piano 1951 Ana Maria Bs. Ace., Dedicated to Luis
piano Chohuy Ricordi, Borbolla.
The lost days Aguirre 1962
(Poem XXX)
TEXT PREMIERE EDITION OBSERVATIONS
Snap
Singing and piano 1953 Francisco Silva Bs. As., Dedicated to Nilda
Ricordi, Hofmann.
1953
In view Anonymous (from the Bs. As.,
The farmer and
Singing and piano of prior to Ricordi, Dedicated to Juan
the poor
1954 Roman zero) Andrés Sala.
1954
In view Bs. As.,
Christmas
Singing and piano of prior to Carlos Ricordi,
Song Ne 2
1955 Vincent 1955
Singing and piano 1956 Little girl Bs. As., Dedicated to Juan C.
The first Cortese Ricordi, Legarre.
question (The 1957
adolescents
cent dead)

Ombu 1956 Bs. As., There is a

Singing and piano Nilda Mileo Ricordi, transcription for choir
1956 “a cappe- 11a''.
my song 1956 Bs. Ace.. There is a
Singing and piano Nilda Mileo Ricordi, transcription for “a
1956 cappelia” choir.
little me Singing and piano Graciela Unpublishe
Setiem Estigarribia d
Bre, 1960
Sonnet to Singing and piano January, Ana Maria Bs. As., Dedicated to Augustus
harmony 1962 Chohuy Ricordi, Orpheus.
Aguirre 1962
1963
Milonga of two
Singing and piano Jorge Luis Borges Bs. As.,
brothers Lagos, 1963
The theme Singing and piano In view Lion
pranera
of prior to Benaros Bs. As.,
1963 Lagos 1963
Zamba of I want Singing and piano 1964 Agnes Dedicated to Meny
Malinov Bs. As., Bergel.
Ricordi, Choral transcription
1964 exists.
TITLE GENDER PARTS TRAINING YEAR TEXT PREMIERE EDITION OBSERVATIONS
 QUALIFICATIO GENDER PARTS TRAINING YEAR
QUALIFICATIO
N GENDER PARTS TRAINING RING TEXT PREMIERE EDITION OBSERVATIONS
N Fifteen school Lion Buenos Aires, s/f. Bs. Ace., Dedicated to me-
Severe
songs
Singing 1964 Lion
Benaros National Radio. Bs.lakes,
As., ForCarmenci's
Meny Bergel.death
Villafane and piano Benaros Singer: Marga Ricordi,
1965 aunt Copes,
Dedicated to teacher
Grajek. 1964 of music by Guas-
Choral transcription
Tavino in primary
exists.
school.
Goodbye” In view Bs. As.,
white Singing of prior to Atahualpa
andsinging
piano and 1. In Myself In
1964 Yupanqui Lagos, 1964
quebrachito
view of piano there is school river
to
Singing an orange tree In1965
view Bs. As.,
Santa Fe of prior to Guiche
Nights and piano 2. It's raining at my school Eizenberg Lagos, 1964
3. The little bird of the cold 1964
4. Belgrano gave us a flag
5. Chemistry
Singing 6. The paper journey In view Bs. As.,
Time watch of prior to Soul
and piano 7. I like mattes matic Garcia Lagos, 1964
8. Good morning, Mr. Winter 1964
9. Music
10. The last sheet In view
Dolphin Singing 11. Who was Granaderito of prior to Guiche Bs. As.,
Romance and piano 12. I like mythology Eizenberg Lagos, 1964
1964
13. Mrs. Paula Albarracín
14. Sarmiento founded schools
15. The cows are coming tions Bs. As.,
In the highest Singing March, Leon Benaros Ricordi,
bud... and piano 1965
1965

Oh! that the Singing March, Bs. As., Choral transcription

soul and piano 1965 Leon Benaros Ricordi,
1965 exists.

singing and 1. when it just

Singing 1965 Leon Bs.Bs.
As.,
Ace., Transcription exists
Four colonial
Romance by Leon Benaros Ricordi,
songs
José Cubas andpiano
piano rained May- Benaros Ricordi, coral.
2. Lend me your Setiem 1966
1965
handkerchief Bre, 1965
singing and 3. I'mIngoing
view to retire now
Atahualpa
In the blonde of piano 4. The morning doors river to Yupanqul
morning 1965 Bs. As., Lagos, 1965
QUALIFICATION PARTS TRAINING YEAR TEXT PREMIERE EDITION OBSERVATIONS
GENDER
I, singing In
view Soul
and of Garda Bs. Ace.,
teacher piano prior Lagos, 1965

to a Singing 1966 Luis Bs. As.,

tree and Purlain Lagos,
piano 1966

Twelve singing 1. Nice willow Before 1. Arturo Bs. As.,

and branch to Vazquez Lagos,
songs piano 2. The Sampedrino 1968 2. Leon 1968
popular 3. The dis- B3enarós
stories 3. Guiche
4. I would like to lBizenber
be for a while g
5. Vidala del 4. Leon
secadal Benaros
6. Pampamapa 5. Leon
7. abyss of thirst Benaros
8. Pampa alone 0. Hamlet
9. The foreigner Lima
10. The always Quintana
alive 7. Alma
11. Brother Garcia
12. MY vineyard 8. Guiche
Chapanay ICizenber
g
9. Atahual-
pa Yu-
panqui
10. Arturo
Vazquez
11. Hanlet
Lima
Quintana
12. Leon
Benaros
QUALIFIC GENDER PARTS TRAINING YEAR
ATION TEXT PREMIERE EDITION OBSERVATIONS

Age of singing and 1. I looked at them In view of Hamlet Buenos Aires, 11-22- Bs. Ace., Dedicated to Alber-
astonishment piano bros: river to Lima 1968. Children's Choir lakes, to Balzanelli.
(nine The day 1968 Quintana from Haedo. Director: 1968
songs The night Alberto Balzanelli.
children's)
2.
The dream The beings:
The tree The birds The
friend
3. The fron Tera:
It was a rainy day
In the street dream
In back of

Wall
Lion Bs. Ace., Dedicated to:
Flowers piano 1. Slicer, October- Benaros Lagos, 1. Mario Mercadante.
Argentinian singing and plus merit Bre-No- 1970 2. Adela Olivieri de
2. The white air carnation Novemb Larrocha.
3. Tinkerbell, where are you er. 1969 3. Ethel Mangui.
going? 4. Leonor de la Hoz de
4. The purple vinegar Asté.
5. How beautiful the 5. Berta Pane and En
honeysuckle! Rich Bramante
6. The flowers of the Jauregui.
Macachin 6. Lilia Mariani de
7. The red achiras Balagué.
7. Blanca Peralta
Parodi.
8. María Teresa
8. Jasmine Branda Cárcano.
from the 9. Graciela Patiño
country, Andrade de Co pes.
how cute!
9. Aromito, 10. Norma Romano.
tusca flower 11. Carmen Vivern and
10. The flower of Rogelio Sciaroillo.
watered down 12. Francisca Vivern de
11. Oh, quiver, Bianchi.
chilco flower There is a
12. Ceibo, ceibo, transcription for men's
zuiñandú choir of numbers 1 and
12.
QUALIFICATION PARTS TRAINING YEAR
José
The rivers GENDER
singing and Pedroni
do the piano 1. Iron Bs. As., Lagos, 1974
hand November-
2. Thimble bre
3. Pincushion 1972/
4. Squad January,
5. Fork 1373
S. Garlopín
7. Plumb
8. Scissors
9. Unscrew dor
10. wooden wheelbarrow
Lion Buenos Aires, 11-9 Bs. As., Dedicated to Margot
songs singing and 1. The cries January Benaróa 1973. ''Manuel de Lagos, 1974 Arillaga.
Falla'' Municipal Executed in the Sa
of dawn piano of dawn 1973 Golden Tea Lon tro
2. The hill was silver Conservatory. Singer:
Margot Arríllaga. Columbus in 1974.
3. The passing of the stars Margot Arri sore, I
4. The Albeador Tribute to Carlos
Guastavino in goose sing.
sion of his Retirement in
that house of es your
God.
Lion Bs. Ace., Transcription exists
Birds singing and Benaros lakes, choral from "Chingo-
piano 1. Benteveo 1974 1974 it".
2. Torcaclta
3. Homer
4. Taquarite
5. Ensign
6. Pirincho
7. Chingólo
8. Sparrow
9. Teru-teru
10. woodcutter Francisco de Que Vedo Bs. Ace., Dedicated to Linda
Sonnet I Setlem- and Villegas lakes, Rauntestrauch.
Four singing and Sonnet II Bre-No- 1976
sonnets of piano Sonnet in
Quevedo
November. Soul
Elegy singing and 1975 Garcia
Bs. As., Lagos, 1976
for a piano
sparrow
PREMIERE EDITION OBSERVATIONS
QUALIFICATIO GENDER PARTS TRAINING YEAR TEXT PREMIERE EDITION OBSERVATIONS
NQUALIFICATION GENDER PARTS TRAINING YEAR TEXT PREMIERE EDITION OBSERVATIONS
The Late Singing s/f Lion Unpublishe
Correa and piano Francisco Original for voice and
Village, Coral “a Mixed choir: 1951 Benaros
Silva d Bs. As., piano.
my people cappella”' SCTB and soloist Ricordi, 1951
fertile pampas Singing s/f Lion Unpublishe
and piano Domingo Original for voice and
I long Coral "a Mixed choir: 1953 Benaros
Zerpa d Bs. Ace., piano.
cappella SCTB EAM, 1953
On the Singing s/f Leon Benaros Unpublishe
Girlfriend
Feliciano River and piano
Coral "a Mixed choir: 1954 Raphael Original for voice and
Alberti d Bs. As., piano.
cappella SCTB Ricordi, 1954
Song of the
Ombu Singing
Coral "a s/f
Male choir: 1956 T I. T II. Leon Benaros Unpublishe
Coast and piano
cappella"' Bar. b. d Bs. As., Original for voice and
Niida
Mileo Ricordi, 1956 piano.
my
Oh!song
that the
singing
Coral "aand Mixed choir: s/f
1956 Lion Bs. As., Original for voice and
guitar Niida
Benaros Bs. As.,
Ricordi Original for voice and
piano.
soul cappella'' SCTB Mileo Buenos Aires, 6-6 1960. Ricordi, 1956 piano.
Friends of the Book
Little town, my singing and Francisco Room. Little Choir of Bs. As., Original for voice and
s/f Buenos Aires beef. Ricordi
town guitar Silva piano.
Director: Fran Cisco
Javier Ocam po.
Severe singing and In view Leon Benaros Ricordi, Original
Villafane
songs guitar
Coral “a 1. Since Mixed choir: of prior
Betwe 1. Anonymous Bs. As.,
1965 Some of for voice
these or and
bras
2. Anonymous Ricordi, 1960 piano.
are original for voice
popular cappella I met you SCTB to 1965
1959 Reviewed
Argentinian 2. Coming from 1964 3. Anonymous onwards and piano: 1, 2, 3, by
and typed 4,
4. Anonymous Roberto
21, 22, 25Lara.
and 26.
Chilecito
Vidala del singing and 3. In the grooves In view 5. Anonymous
Leon Benaros Bs. As.,
Secadal guitar of love of prior 6. Anonymous Lagos, 1965 Original for voice
Others are based andon
to 1965 7. Anonymous piano.
popular themes and
8. Anonymous Reviewed and
are fugues: 11,typed by
20 and
4. My throat Roberto Lara.
5. Whoever loved 9. Anonymous 23.
The dove was
Choral “a you is leaving Mixed choir: 1950 Raphael
10. Anonymou Bs. As., Original for voice and
wrong
cappella”' SCTB s
Alberti Ricordi, piano.
Song number 24 is by
11. Anonymou 1950 Eduardo Falú,
6. Reedbed harmonized by
7. Blind I wish I Mixed choir: s
Christmas Choral “a had been 1951 12. Anonymou
Francisco Bs. As., Guastavino.
Original for voice and
song cappella”' SCTB s
Silva Ricordi, piano.
8. The fourth 13. Anonymou 1951
lera s
mountain Choral “a Mixed choir: 14. Anonymou
Carlos Bs. As., Original for voice and
9. I'll cry 1951 s
stream cappella” 10. A shame again SCTB Guastavino Ricordi, piano.
15. Anonymou 1951
s
QUALIFICATION GENDER PARTS TRAINING YEAR

11. Daisy flower 21. Lion

12. What a mistake it will be Benaros
13. I'd better have died 22. Agnes
14. Oh! little bird Malinow
15. Watch her go 23. Anonymo
us
16. In the river of love 24. Osiris
17. You can't, you can't Rodrí
18. From Camargo Guez
19. Leave Castillos
20. The tower on guard 25. Lion
21. Severe Benaros
Villafafe 26. Leon
22. Zamba of I want Benaros
23. Rice pudding
24. Time of
Jacaranda
25. Oh! that the soul...
26. Romance by José Cubas

1. Fear Mixed choir: March, Gabriela Mistral Bs. Ace., Original for singing
Three Coral "a 2. I have not fi.CTB 1967
songs cappella"' lakes, and piano.
crib
loneliness 1970 Dedicated to Carlos
3. The night Vilo.
Lend me Coral “a Male choir: Leon Benaros
Unpublished Original song
you cappella" and piano. Dedicated
handkerchief November to Carlos Vilo.
T I. T II. Bar. b. bre,
Pampas Coral "a Male choir: Guiche Unpublished Original for singing
"wave cappella" Eizenberg and piano.
November- Dedicated to Carlos
Vilo.
QUALIFICATION GENDER PARTS TRAINING RING TEXT PREMIERE EDITION OBSERVATIONS

Ceibo Zuiñandú Choral “a Male choir: November Lion Unpublishe Original for voice and
Ceibo cappella”' T I. T II. Bar. b. Bre, 1987 Benaros d piano.
Dedicated to Carlos
Vilo.
Severe Choral “a Male choir: November Lion Unpublishe Original for voice and
Villafane cappella”' T I. T II. Bar. b. Bre, 1987 Benaros d piano.
Dedicated to Carlos
Vilo.
Romance by Choral “a Male choir: November Leon Unpublishe Original for voice and
José Cubas cappella”' T I. T II. Bar. b. Bre, 1987 Benaros d piano.
Dedicated to Carlos
Vilo.
My Chapanay Choral “a Male choir: Leon Unpublishe Original for voice and
vineyard cappella” T I. T II. Bar. b. November Benaros d piano.
Bre, 1987 Dedicated to Carlos
Vilo.
Cutter, duster Choral “a Male choir: T I. T November Leon Unpublishe Original for voice and
cappella” II. Bar. b. Bre, 1987 Benaros d piano.
Dedicated to Carlos
Vilo.
Friend Choral “a Male choir: T I. T November Hamlet Lima Unpublishe Original for edge and
cappella” II. Bar. b. Bre, 1987 Quintana d plane.
Dedicated to Carlos
Vilo.
Chingólo Choral “a Male choir: T I. T November Lion Unpublishe Original for voice and
cappella” II. Bar. b. Bre, 1987 Benaros d piano.
Dedicated to Carlos
Vilo.
“A cappella” Male choir: T I. T Anonymous Unpublishe Dedicated to Carlos
love and death
choir II. Bar. b. November s. XVI d Vilo.
Bre, 1987
Garlopín Choral “a Female choir: SMC April, 1988 José Unpublishe Original for voice and
cappella” Pedroni d piano.
Dedicated to Carlos
Vilo.
Little lamb Choral “a Female choir: SMC April, 1988 Gabriela Unpublishe Original for voice and
cappella” Mistral d piano.
Dedicated to Carlos
Vilo.
QUALIFICATIO GENDER PARTS TRAINING YEAR PREMIERE EDITION OBSERVATIONS
N
Pampamapa Choral a Male choir: T I. T II. 1988 Hamlet Lima Quintana Unpublishe Original for singin
cappella Bar. b. d and piano. g
Dedicated to
Vilo. Carlos
Zamba of I want Choral a Male choir: 1988 Agnes Unpublishe Original for singin
cappella T I. T II. Bar. b. Malinow d and g
piano. for
Original singin
and g
Severe Choral “a Two voices same- s/f Lion Unpublishe Original for singin
Villafane cappella”' (10) Benaros d and piano. g
Choral a voices Igua- s/f Soul Unpublishe Original for singin
I teacher
cappella three d and piano. g
Garcia
The dove was Choral 4 'a voices same- s/f Unpublishe Original for singin
wrong cappella' three Rafael Alberti d and piano. g
Sarmiento voices Igua- s/f Unpublishe for singin
Choral “a three Leon Benaros d Original g
founded
schools
cappella 1 ' and piano.

voices same- s/f Anonymous Unpublishe for singin

Coming from “A cappella” three d Original g
Chilecito choir and piano.
Friend Choral "'a three voices same- s/f Unpublishe Original for singin
cappella" Hamlet Lima Quintana d and piano. g

to a tree “A cappella” voices same- s/f Luis Unpublishe

three
choir Furlain d
s/f Unpublishe
Nice willow “A cappella” Four equal voices Arthur d
branch choir Vazquez

Choir with two TB mixed: SC two Dedicate to " Mothe

Romance of pianos Choi pianos December Ricardo Rojas Bs. As., d and r
absences r, Bre, 1963 licordi, 1964 Paito'
QUALIFICA GENDER PARTS TRAINING YEAR TEXT PREMIERE EDITION OBSERVATIONS
TION
Indianas N? 1 Choir with 1. Gala of the day Mixed choir: SC Decembe Bs. Ace., Dedicated to Antonio
piano 2. North wind r Bre, 1967 1. Arturo Ricordi, 1968 Russo.
T.B. and piano Vazquez
3. One of two 2. Isaac
4. Who was like Aizenberg
jasmine 3. Juan
5. To the court of Ferreira
your chest Basso
6. Chañarcito, 4. Leon
chañarcito Benaros
5. Leon
Benaros
6. Leon
Benaros
Indianas No 2 Coral with 1. 1duardo Male choir: T I. T April- 1. Edgardo Buenos Aires, Nov. 1968. Bs-As., Dedicated to Francis
piano Belgrano II. Bar. b. and May, 1968 Apeste- Faculty of Engineering. Ricordi, 1970 with Javier Ocampo.
2. The afternoon piano guide Little Choir of Buenos
3. Goodbye, 2. Ana M. Aires beef. Director:
almond heart Chouhy Fran Cisco J. Ocampo.
4. But Aguirre
3. Leon
Benaros
4. Juan
Ferreira
Basso
Choir with Three equal voices s/f Lion Unpublished
when it just piano them and piano Benaros
rained

WORKS WITHDRAWN FROM THE CATALOG BY THE AUTHOR

Sinfonietta Orchestral Gran Rex Theater of Buenos Reference in:
Aires. Senillosa, Mabel, 1956,
page. 232, and Foglia-
Giovannini, 1973, pa
page 257.
Sonata in A camera set Violin and piano 1952 Reference in: Arizaga,
major Rodolfo, 1971, p. 176,
and Compo sitors of
America, no 1, 1955, p.
48.
1948 Reference e^n:
String Quartet camera set 2 violins, viola and Senillosa, Mabel, 1956,
cello p. 232.
GRADES
1
This year it rectifies the data provided by other authors such as Arizaga and Senillosa.
The date of birth is confirmed: April 5, 1912.
2
Until now there is no specific book known about this author. Yes, it has been included
in encyclopedias and musical dictionaries, although briefly, namely:
ARIZAGA, Rodolfo: Encyclopedia of Argentine music, Buenos Aires, National Fund
of the Arts, 1971, pp. 175 to 177.
SENILLOSA, Mabel: Argentine Composers, Buenos Aires, Lottermosser, 24 ed.,
1956, page. 231 to 235.
GIOVANNINI, M. and FOGLIA DE RUIZ, A.: Ballet Argentino en el Teatro- Colón,
Buenos Aires, Plus Ultra, 1973, page. 257 to 258, 149 to 150.
CATALOG OF CARLOS GUASTAVINO, in: AME COMPOSERS RCIA, year 1, n®
1, Organization of American States, 1955.
3
Letter from Arturo Vázquez to Carlos Vilo, 7-30-87.
4
This catalog does not include transcriptions of works by Guastavino reali performed
by other musicians. All cited transcripts are those of the author.
5
The most recent copyright settlements reveal the great dissemination that Guastavino's
works have achieved in Japan, Australia, all of Europe, Central American countries, etc. In
Paris, the success in recent years is due to the extensive work (in the field of teaching and
dissemination) carried out by the choir director Carlos Vilo with his chamber vocal ensemble
ENSAMBLE CARLOS VILO.
6
We do not include a record catalog here, although it should be noted that there are
numerous versions of diverse origins. It is unfortunate that of this extensive discography, only
a very small part can be purchased in our country.
7
The titles of the seven award-winning songs could not be established exactly. These
are surely the first ones composed by the author, some of which are lost.
8
In “La Nación” of 5/21/87 you can read the commentary on the event held at the
“Kennedy Center for the Performing Arts” in Washington. On that occasion, the composer was
honored in accordance with the present OAS distinction.
9
In Argentina only “The Girls” was released. On 5-18-51 at the Teatro Colón in Buenos
Aires. Director: Arturo Rodzinski.
10
From this work onwards the training refers to female or male voices. Ex.: “Three
equal voices” means three female voices or three male voices. (S.M.C. or TBB)

Lie. SILVINA LUZ MANSILLA

25
8