TIME LINE HISTORY OF

ARCHITECTURE

Chavarria Pardinez Daniela Naomi

1AM5
 The Greek now was defined as a large open Renaissance architecture was moetrician but IT was intended to be neoclassical : with the
public space intended for the rezliz=tion of asa IT discovery of some of the ANCIENT [incomplete] treatises on architecture, among others, it was at
bless, surrounded by temples, markets and the same time that it was DeAmshestz's Vitrunio as the basis for it. treatise De re zedffeatoris de
Albemi} is left aside in a new interpretation from that to architecture = its application to new times
public buildings.
During 1= prehistoris the first
monuments emerge, man begins
to master 1= technique of working
1= stone.

Prehistory Antiqued ad ci si ca
Antiquity Modern age Renaissance Mannerism

Cor. The evolution of the Renaissance faith consistent with the study of the creation of the deaes helmets began to emerge among the artists of the period a znticlinic sentiment, although some of THE coronary
works were essentially predominantly helmets. At one point it emerged the mannerism — —

E Rerad merto opened the Modern Age by rejecting the aesthetics of

medieval culture and proposing a new art of man and the Universe,
Anthropocertrism iremte to Theocentriemo medeval Antique Talados
argutectónicce romencs sor rediscovered by the new architechnics
 Cultures full of gods (polytheistic)
They have unevenness since it is rocky, buildings made of
• ANTIQUITY:
stone m PREHISTORY:
First monuments for shelter
They only use stones and wood that depends on the Nile
River.
+Architected and architected
+Religion
+Pointed pyramids -> tombs
•• E P.T.
O. (constructions for death) +ornamentation +Pylons
(door shape)
» GREECE
+Gods of human bodies
Social groups

Citizens Non-citizens
• AGE king

nobles
At this time, social classes were very important. clergy

villagers
Slaves

+The upper classes, that is, the king, his family and the nobility, lived in large and
luxurious castles: These castles were buildings protected by walls and towers, located
in high places and near the river.
+the middle class made up of priests and monks lived in monasteries which were
centers of devotion made in a simple way and with neutral colors
+The lower class lived in houses made mainly of wood, their lighting was with torches
and the floors were dirt.
»
Comprises from the 11th and 13th centuries
ROMANICA
It combines the elements of oriental, Byzantine and some other
architecture, it is based above all on religion so its main buildings are
churches, cathedrals and monasteries.
Its main features are:
+solid and severe appearance
+ semicircular arches on columns
barrel vaults
+carved decoration

Churches or cathedrals which had

» GOTHIC large stained glass windows to reflect images. They used to have a
great height due to elongated peaks.
Items:
+Pointed arch: constructive element in the shape of a point that
bridges the space between two pillars creating an acute angle
+ribbed vault: they form an arch by providing support
+Buttresses: bridge that supports internal vaults
" MODERN AGE

It takes place approximately between the 15th and 18th centuries.

It coincides with the arrival of colonizers and conquest of America - RENAISSANCE
It is based on knowledge, reason, science and art
Characteristics:
+try to specify concepts of beauty
+Profane view on religion
+Inspiration in forms of nature +Anthropocentrism and
humanism
- BAROQUE
Compositions based on curved lines, ellipses, spirals and complex figures
Characteristics:
+Loaded with details
+concave and convex walls
+Light effects
Exuberance and decorative richness
" NEOCLASSIC
An approach to the construction standards of the old classic models with greater
simplicity is proposed.
Characteristics:
+Beauty based on pure symmetrical and proportional lines
+hospitality predominates that gives a sensation of balance +Use
of front columns *simple decoration
- NEGOTHIC
Resumes the Gothic and Neoclassical movement
It resumes the pointed arches, ribbed vault, flying buttresses and
stained glass windows.
m 20TH CENTURY
Aesthetics lies in function. If the building is harmoniously distributed,
integrated into the environment and is functional, it is beautiful
Use of reinforced concrete Without ornaments, clear volumes,
with simple geometry
» MINIMALIST
"less is more"
Characterized by extreme simplicity of its forms “Everything is
part of everything”
Characteristics:
+functional and structural purism
+Precision in finishes
+monochrome
+order and geometry
+functionality in spaces
m SUSTAINABLE optimize natural resources

A way of conceiving architectural design in a way that seeks

+Nature is integrated
+Self-sufficient in energy and water
+Singular design
+Low price and low maintenance