Taboo 08

7 CHAIN MAIL
CONTENTS
Kinky Correspondents’ Comix Commentaries
8 STARFUCKERS
Graphic Novel by Roberts–Part Four
20 GALLERY: TIM – SHIPWRECKED

Comely Castaways’ Carnal Captivity
30 STRIPPER
Graphic Novel by Lesbi K. Leih–Part One
46 CRUEL BEAUTY
A helping of hentai, a frosting of fetish and a dash
of depravity make for a spicy mix in the toons of
64
Lesbi K. Leih
Special Feature by Ernest Greene
Art by Lesbi K. Leih
52 THE GREAT REBELLION
ABOO TM
Graphic Novel by Fernando–Part Five
TIllustrated
30 8 64 BUREAU OF FEMALE AFFAIRS
Graphic Novel by Erenisch–Part Three
70 THE CONVENT
Graphic Novel by Templeton–Part One
82 KINK IN INK
Von Gotha’s Babes Behind Bars, Manning’s
Futuristic Fetish
86 HELL’S BROTHEL
3D Graphic Novel by Tryten–Part Five
NO ACTUAL TOONS WERE HARMED IN THE MAKING OF THESE COMICS.
70
HUSTLER HONEY BUNS PRESENTS: HUSTLER’S TABOO ILLUSTRATED, No. 8 is published by LFP Publishing Group, LLC at 8484 Wilshire
Boulevard, Suite 900, Beverly Hills, CA 90211. Copyright © 2009 LFP Publishing Group, LLC. All rights reserved. Nothing herein may be repro-
duced in whole or in part without written permission of the publisher. Return postage must accompany all manuscripts, drawings, photographs,
etc., if they are to be returned, and LFP Publishing Group, LLC assumes no responsibility for unsolicited material. All letters sent to
HUSTLER’S TABOO ILLUSTRATED will be treated as unconditionally assigned for publication and copyright purposes and as subject to
HUSTLER’S TABOO ILLUSTRATED’s right to edit and comment editorially. Any similarity between persons and places in fictional portions
of this magazine and any real persons or places is purely coincidental. PRINTED IN CANADA
The publisher maintains the records relating to images in this periodical required
by 18 U.S.C. §2257, which records are located at the office of the manufacturer,
8484 Wilshire Blvd., Beverly Hills, CA 90211, D. Carrillo, custodian of records. All
nude models are 18 years of age or older. Date of publication is December 16, 2008.
TIllustrated
ABOO TM
LARRY FLYNT, Editor and Publisher

MICHAEL H. KLEIN, President
ROBERT GADDIS, Chief Financial Officer
DONNA HAHNER, Corporate Vice-President
LIZ FLYNT, Vice-President, Administration
BRUCE DAVID
Editorial Director
ERNEST GREENE
Executive Editor
LISA BEATTIE
Art Director
PHILIP SANGUINET
Copy Chief
ARTWORK
WRITE TO US AT:
Roberts, Ferres, Doval, Templeton, Agnes, Hines
HUSTLER’S
NETWORK SYSTEMS
Andrea Landrum, network systems director
Lisa Jones, network systems administrator STRICTLY TABOO
ILLUSTRATED
SPEAKING
8484 WILSHIRE BLVD.
SUITE 900
PRODUCTION BEVERLY HILLS, CA 90211
Brian Sturzenacker, production manager E-mail: taboo@lfp.com
Rustin Knudtson, traffic coordinator
M
ADVERTISING isogyny, like fascism, was a useful word at one time. The former was a generalized
Mickey Puyda, national advertising director hatred of women, usually fairly abstract, the latter a worship of the state at the
(323) 951-7907 expense of the individual, usually quite literal. Now both words are mere epithets,
Fearl S. Chatman, advertising coordinator the former meaning anyone whose appetite for sexual cruelty skeeves you out and
Gina J. Lee, ad production/pre-press director the latter meaning anyone whose politics you really, really don’t like.
Wendy Camacho, advertising production coordinator TABOO ILLUSTRATED would doubtless seem a prime example of the brand of “misogyny” a cer-
tain school of feminism ascribes to pornography overall. We most certainly, and knowingly,
exhibit artwork depicting the suffering and enslavement of imaginary women in a manner meant
Gerry Awang, vice-president, circulation & distribution to arouse. But what we arouse isn’t driven by ideology. It’s a hard-wired response to an aspect
Art Elizarov, vice-president, human resources of human nature, and of all nature, that can be exquisitely beautiful but is never pretty. That
our imaginary suffering slaves are all female and their keepers either men or women is quite
possibly one of those socially constructed preferences against which cafe revolutionaries love to
rail, but it doesn’t reflect an opinion.
LFP Publishing Group, LLC does not endorse
Indeed, with whom do a reader’s sympathies lie in all our tales of feminine woe? We always hope
and assumes no liability for any of the products or claims
the poor darlings they mistreat will escape or be rescued, just not too soon.
of service advertised in this magazine.
In the alternative moral universe of our toons, we never operate on the assumption that anything
happens to anyone because she deserves it by gender.
COVER ART BY ROBERTS Real misogynists – usually cranky, long-dead writers like Ambrose Bierce or their cranky fictional
counterparts like Henry Higgins, really do believe that men and women are different species and
that one is better than the other. That is a belief they may share with some radical feminists,
but not with us.
We hold that there is only one human species, and its more primal vices and pleasures are less
functions of politics than of biology.
That’s as close as we get to an essentialist argument, and we’re sticking to it. So save the misog-
ynist smear for your great uncle who still thinks women are naturally worse drivers than men.
He’s the one with the attitude problem.
—Ernest Greene, Executive Editor
Do you have a
comment
on this issue?
WE WANT TO HEAR FROM YOU.
Please write to us at: CHAIN MAIL,
c/o TABOO, 8484 Wilshire Blvd., Suite 900,
Beverly Hills, CA 90211
Or e-mail us at
taboo@lfp.com
MART SMART
I Just wanted you to know i love your publication. i am a fifty-five-year-old married man
and my wife would not understand, so i have to hide my TABOO ILLUSTRATED like a
teenager, but it’s worth it. The whole magaziåne definitely strikes a cord with me. My
favorite comic is Slavemart. i love how the women are dressed. Keep up the good work.
–Ron, via e-mail
REBEL YELL
I’m writing to compliment you on The Great Rebellion by Fernando. The artwork is con-
sistently excellent, with great attention to detail. Fernando’s ability to convey real feel-
ing through his illustrated characters is a unique gift. But it’s his girls that really get
me going. Each has her uniquely appealing characteristics, and the way they respond
to their plights is very believable. When it comes to putting pretty girls in ugly situa-
tions as part of a consistently exciting story, there is no one who does it better.
–B. French, Philadelphia, Pennsylvania
ART TART
I’m sure there are women out there who take great offense at some of the art you pub-
lish in TABOO ILLUSTRATED, so I thought you should know that some gals just can’t
get enough of your cruel and kinky comics. I’m a college student, living in Hawaii, who
sneaks off to her room and rubs herself raw looking at strips by Roberts and Templeton
and, especially, Tim’s galleries. But my favorite is Lesbi K. Leih. I love her manga-like
style and the cute villains she draws. I’d feel lucky to be enslaved and used by such
handsome dudes. Anyway, thanks for helping me dream about it.
–Claire C., Honolulu, Hawaii
FAVORS FLAT
Much as I love TABOO ILLUSTRATED, I have to be honest about Hell’s Brothel and
other so-called “3D” stories you’ve run. They just don’t work for me. While this style
might look good on a computer screen or in a video game, it doesn’t translate to
paper very well. The figures look stiff and doll-like and the action isn’t convincing.
I much prefer real art from real artists like Tim, Roberts and Templeton. They cap-
ture the feeling of a situation much better than cold, computer-generated images.
Give me good-quality, old-fashioned illustration to look at and let my imagination
supply the “reality.”
–J.L., Missoula, Montana
STARFUCKERS
Episode 1
STARFUCKERS
by Roberts
Britney DOFANTASY.COM
Part 1
BOUNDNAKED.COM ! ROBERTS-ARTWORK.COM
8 TABOO ILLUSTRATED ISSUE #8

DOFANTASY.COM ISSUE #8 TABOO ILLUSTRATED 9
10 TABOO ILLUSTRATED ISSUE #8 DOFANTASY.COM
CONTINUED...

TIM
Shipwrecked
Claudine and Claire, daughters of a French aristocrat on their way around the Cape of Good Hope
to meet their family in Cameroon, might be better off at the bottom of the ocean with the ship that
brings them so far, only to be dashed on the rocks.The plantations clinging to the tropical shore are
what passes for civilization out here, and the men and women who rule them have absolute power,
both over their own slaves and over the divertingly beautiful newcomers.Washed up on the beach,
they’re gifts from the sea, to be used and enjoyed in whatever perverse manner amuses the cruel
strangers who drag them from the sand.
In a world without law or decency, the young sisters are reduced to mere property, just like the local
tribeswomen whose suffering they share. But that earns them no mercy from their fellow concu-
bines, whose only recreation is training and punishing them at the whim of their masters and mis-
tresses.Walled in by the surrounding jungle and far beyond the reach of any authority, the girls’ only
hope is to please and satisfy those into whose hands a pitiless fate has cast them.
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Stripper
by Lesbi K. Leih
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Cruel Beauty A helping of hentai, a frosting of fetish and a dash of
depravity make for a spicy mix in the toons of Lesbi K. Leih
SPECIAL FEATURE BY ERNEST GREENE
Artwork courtesy of Lesbi K. Leih

“E verything is very much crazy,” observes TABOO ILLUS-
TRATED contributing artist Lesbi K. Leih, “the universe
spins at marvelous speeds. I will never stop admiring life in all
senses. I'm a great lover of this universe and greatly apprecia-
tive.” Beneath their sleek, cool surfaces and gleaming edge of menace,
Ms. Leih’s works, Including Truck to Hell and Stripper (starting on pg
I follow both manga and Hentai artists, including Ritsuke Mita,
Mazakazu Katsura, Falcon, Satoshi Urushihara, Masamune Shirow and
Sadamoto.There's always something I can learn from them. As you can
see, it’s a volatile mix, but interesting to combine.That's why I love hen-
tai. I love the idea of drawing beyond our existential probabilities. It’s
new art,“bang art” as i like to call it, a mixture of childhood dreams and
30 of this issue) vibrate with her passion for her life and her art. Her adult fantasies, like bubble-gum on the verge of exploding.
influences suggest an appetite for cultural variety as avid as her enthusi- What pleases me about Eastern sex art is the method of illustrating great
asm for seducing her viewers with irresistible eye-candy. Japanese depravity, but with pretty girls to stimulate the imagination. It’s also very
comics, rock and roll, gothic romanticism and the classic trappings of focused on the details: tight clothing, wet nipples, etc. And the women are
traditional kink style blend smoothly with her ink to generate a slight- never vulgar. It sounds illogical and it is. My girls may be locked up in a cel-
ly sinister charm that insinuates itself into the fantasies of even the most lar, but they never mess up their hair or smudge their eye makeup. I believe
jaded kink-comic consumer. A conversation with Ms. Leih whisks the in beauty first of all, no matter how hard the content. I place a lot of empha-
interviewer through time and space to taste the many flavors that make sis on the face and hair. I speak through the eyes of my characters.They have
her images so consistently enticing. something to say beyond the paper.That is very manga-hentai.
TI: How did you become interested in drawing comics? TI: What do you think makes a BDSM comic great?
LKL: I loved to draw starting when I was very young. One day while LKL: A good plot is ideal, but beyond that, it needs very good drawing
going through my older brother’s things I found a Beatles album. I the and, most important, good visual storytelling I believe in the force of the
music instantly started to draw the band obsessively, The drawings characters. My intention is always to seduce with images that are strong,
turned into comic strips, where they were the protagonists, very similar beautiful, real, that take you from the plaza to the bottom of the cellar.
to the way they were in Hard Day's Night. I still love The Beatles and I TI: Unlike some BDSM artists, your bad guys are very cruel, but not unat-
still draw them tractive. Does this, perhaps, come from having a woman's perspective?
TI: There seems to be a strong manga influence in your work. Are you LKL: The pretty boys also can be bad, of course. But my approach goes
a fan? beyond the perspective of a woman. I like to draw different personali-
LKL: These days, I consume more hentai images than manga. But what’s ties, different women, with different bodies, skin tones, make-up, styles,
stuck with me strongly from when I was twenty years old was Sailor etc. It’s the same with men. I like thin, fat, ugly, beautiful. It’s not just
Moon. I love drawings full of colors, stars, hearts and “bubble-gum.” Now about my personal taste. I also think of what pleases the reader. I work
with my life partner, who is also my artistic collaborator and draws his them over with my partner, we toss ideas around and then our
own DoFantasy comics under the name Alex Anderson, to avoid doing editor/publisher perfects them. I am somewhat restricted by what my
just what I like. For that reason, he often draws the villains. He puts that readers wants. Some of my ideas are very different from what I draw.
masculinity in the men, that roughness, that I sometimes have trouble Perhaps later on I will explore some of my personal inspirations further.
capturing.The important thing is not to become bored. If I always draw I would love to do a short-term, all-manga comic, using characters giant
the same girl with the same breasts and just change the wig, or always eyes. Something that looks very Japanese.That would be fun.
use the same villain, the artist gets bored and the reader gets bored. But TI: There are often highly elaborate and beautiful costumes in your
if I must choose, I prefer to be attacked by the pretty type and not the work. How important is that element to creating a sexy fantasy comic?
rough-looking sort. LKL: Some of that's Merrick! He's a fetishist and so am I. I love vinyl on
Ti: What fantasies are most exciting for you to draw? girls, and devilish shoes. I am a woman, in that I enjoy advantages over cer-
LKL: I like to draw scenes of forceful oral sex, whether the girl is will- tain male artists in this line of genre. I hate it when you're introduced to a
ing or not. It excited me to draw sexual scenes where the man shows female character and then she’s nude throughout the comic.With that same
his power, his masculinity. That motivates me a strongly. Conversely, I pretty girl, I can do something fun, like making her a cheerleader who gets
like lesbian scenes.They’re delicate like yaoi (gay hentai) without vulgar- kidnapped and then appears in a vinyl dress that’s to die for. Now she's gor-
ity. Sex can be robust, but it can have great romanticism. I like wet skin, geous in a much sluttier way. I’ve turned that kidnapped cheerleader into
tongues, shiny lips, to show the moment of culmination and pain, to a beautiful bitch in heat. I like stilettos, black corsets, panties, garters, trans-
draw desire in itself. parent lace. I have a big graphic archive of these things.Think about it, you
TI: Where do you find inspiration for your stories? have a girl in the basement. It’s charming to see her naked all day, or to
LKL: Many of my stories are written by other writers, Geoff Merrick, dress her as a prostitute, which is even more humiliating.The girls in the
a legendary BDSM novelist, is one of them. I enjoy working with him. comics are almost always innocent, but they can be seduced themselves by
I respect his fetishes and he respects my need for artistic freedom. It what they wear. Any woman is gorgeous in black leather. She can be a
makes for a good collaboration. And, of course, I also work with my dominatrix or a slave or both.To what extent is the victim not a victim of
partner Alex on story ideas. Some of my stories are pure inspiration. I its own desires? By costuming her in different ways, she can be made to
allow myself to be taken with music I listen to and stories occur. I talk assume the different identities of those various desires.
TI: For all its high style, there is also a kind of realism in your work.
We often see things in sex comics that would be impossible in real life,
but in yours everything looks like it could actually happen.
LKL: I also see those impossible poses that you can only draw because
they could never exist off the page, Perhaps I did that in the begin-
ning, but I prefer a more believable approach now. I know how much
weight the arms can withstand, how far the legs can be spread and so
on.There are women and men who are more flexible and I play a lit-
tle with those limits, but you have to respect nature. Sometimes my
partner and I try getting into those poses to see if they’re feasible,
where's the weight centers, how the body rests. You have to know a
lot of anatomy to draw pornography.You have to know how to draw
expressive feet and hands, bodies crashing, squashed fleshy parts, folds
of skin, kisses, intimate zones. It’s a beautiful kind of art. There are
people who look down on this genre, but I love it.
TI: Sometimes you tell the story from a woman's point of view and
sometimes from a man's. Which is more fun for you?
LKL: I like to be in both heads. I like to try seeing from all the char-
acters points of view and imagining their different reactions.
Sometimes the men's perspectives are fun. Obviously in my DoFantasy
comics it is, because the girl is bound and I can only enjoy their
“experiences” before the pain, disgust and desperation become too
intense. That’s one reason I work on a lot of projects simultaneously.
Its tiring having the female protagonist constantly in the same dire sit-
uation. From the man’s perspective its “what can I do with this woman
who's all mine?” Its like playing with dolls, only the dolls are human.
I dress them how I want and shape them according to my fantasies and
perversions.
TI: Would it surprise you to know that your comics are very popular
with Taboo Illustrated's female readers?
LKL: I love it! I love that women are interested in my work in this
genre.There are things I do carefully so they can feel comfortable with
my art and it satisfies me to know I'm giving them something moti-
vating and pleasant for their fantasies. I like to think my “badness”
motivates more through beauty. I'm going to profit from that if girls
enjoy it!
TI: Is it a challenge to live and work so closely with another person?
LKL: Of course! And that's the spice of life! We complement each
other well. We like to laugh and have fun. That’s why we’re together,
aside from the love we have for one another, which is the base of
everything. We are two crazy friends who enjoy a good time. We've
learned a lot about art together, to say the least. We share everything,
We do everything together. There’s nothing of ours that the other
won't stick each other’s hands in, in all respects. We grow by remain- TI: A final question we can’t resist asking: How did you come up with
ing open to the expansion of possibilities. We've fused our work and your unusual pen name?
our relationship well, with lots of room for freedom and humor.We’re LKL: Lésbika is obvious. I love drawing women, which is why I make
the first to critique each other’s art.To share art is rare. It was difficult them more detailed than men. I like watching them, admiring the atti-
at first. Our egos fought some battles, but that decreased with each tude and beauty of certain girls. “Leil” means night in Arabic, modi-
passing month. Today we're brilliant. We live in a house full of colors. fied to Leih, which sounds more sophisticated. Thus, “the lesbian
We're comfortable, happy and love sharing everything.We just have to night.” its a fantasy and a fetish, mixed into a pseudonym. And it’s also
ask, how did you come up with the name you use? a double entendre to intrigue male readers.

THE GREAT by Fernando
DOFANTASY.COM
REBELLION PART 2

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CONTINUED...

Bureau of
FEMALE AFFAIRS
by Erenisch
BDSMARTWORK.COM

BDSMARTWORK.COM
BDSMARTWORK.COM
BDSMARTWORK.COM
BDSMARTWORK.COM THE END
THE CONVENT
by Templeton
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DOFANTASY.COM

KINK IN INK
A Very Special Prison
Erich von Gotha
50 pages, color, B&W
Last Gasp of San Francisco
P.O. Box 410067
San Francisco, CA 94141-0067
www.lastgasp.com
Not the latest but still among the greatest of all BDSM
graphic novels, if you haven’t seen it, or at least not recently,
you need to fix that right now.This archetypal fantasy fable
about a penal facility stocked with comely female prisoners
and mean, horny guards of both genders still sets the stan-
dard for comic kink, both in design and execution.
Plot set-up is classic Police Gazette material, though what
follows is a whole lot more explicit. Innocent, blonde
babe Emma, framed on drug charges, is diverted from a
more conventional institution to a secret slammer where,
stripped, collared and cuffed, she’s at the disposal of buff,

studly guards and comely but ruthless
matrons, who bind, whip, fuck and bugger her
at will. Of course, the surroundings are quite
luxurious and she has lots of other captive
girlies for company, including a mohawked
babe with whom she strikes up a more than
casual friendship. Elaborate orgies, rendered in
spectacularly pornographic detail (a Von Gotha
trademark) seem to be the preferred form of
occupational therapy for the luscious inmates,
and most of the time they seem to enjoy their
incarceration as much as the captors they
serve. However, occasional moments of unex-
pected mayhem, such as the summary execu-
tion of an insubordinate officer, remind us that
punitive pleasure is a serious business.
Harder than you remember, this volume is still
a must-have and Von Gotha remains the
Caravaggio of kink. –E.G.

Tranceptor – The Way Station
Michael Manning
72 pages, B&W
NBM Publishing
40 Exchange Place
NYC, NY 10006
www.nbmpub.com
We’re still waiting for the second installment of this rare continuity
strip from S.F. BDSM graphic artist Michael Manning, but we’re
pleased to console ourselves with this one until it arrives. Set in a
post-apocalyptic wasteland where perversity rules the arid land-
scape,Tranceptor is a fever dream of perverse indulgence and per-
petual warfare between human and alien species with supernatural
powers and distinctly gamy sexual appetites.The arrival of a power-
ful domina and her two latex-and-harness clad pony girls at a
remote desert settlement sets the stage for an assasination attempt
and, more to the point, a stroke-worthy pony-play session involv-
ing Manning’s trademark high-tech contraptions for inflicting
pleasure and pain.

As always, the bodies are lean and beautiful, the faces poignantly expresive, the bondage ingen-
ious and elaborate and the artwork purely stunning. Less Escher-like and more narrative in style
than Manning’s usual ultra-complex visuals, Tranceptor is unabashedly kink-sex driven and its sci-
fi plot weaves suspense amid the other thrills that make it a sure bet for collectors, an enjoyable
excursion into unfamiliar fetish territory for genre fiction fans and the kind of collectable quali-
ty BDSM art that’s equally at home in the bedroom and the living room.
Maybe if enough readers go
back and pick up this one, the
artist will be motivated to
bring forth the long-awaited
sequel.We want to know
what happens after the
duke-out at the way
station. And we
want another
steamy hose-
down session
with Mistress’s
vulcanized steeds.
–E.G.

I ’m dizzy from his pounding and
the pressure of the wooden
yoke around my neck.The
room spins over my head. I try to
take the pressure off my aching, bent
back by grabbing him around the
middle with my legs, which Myers
finds very entertaining. It makes him
fuck me harder. I can’t help fucking
him back.Who know why, maybe it’s
just the sheer intensity of my pain
and terror, but I have a ferocious
orgasm that tears through my whole
body. I almost pass out. I don’t have
the strength to hold on anymore.
Myers is disappointed in my service.
He leaves me in the evil device to
amuse himself with his other toys.
Hell’s Brothel by Tryten

BDSMARTWORK.COM

BDSMARTWORK.COM
Making them put there hands on the wall and stick there asses out, he orders
them to cane each other’s cunts – twenty strokes each!
Dropped loose from the pillory, I lie gasping for breath on the stone floor while
Myers, bored with me for the moment, turns his attention to the others.
Through the haze of pain and exhaustion, I hear their pitiful noises and his
braying laughter. I summon my remaining strength and crawl the the table.The
evil electric wand he uses on us is there. It’s like the one Paul had only more
powerful.The girls see me drag myself up under the monster and twist away
from him just in time.With an animal howl, I jam the wand up at him and
twist the switch all the way.The sounds, the smells, the spectacle of him thrash-
ing on the floor at our feet as I twist the hideous instrument in his ass-guts will
stay with me for the rest of my life, my best memories of Hell’s Brothel.The
girls and I each give him a final kick and scramble for the exit at last.
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TABOO ILLUSTRATED
HUSTLER’S Coming in the Next Issue of
TIllustrated
ABOO
ISSUE #9 COMING SOON.
TM
STRIP TO THE WHIP

Comely exotic dancer Heather shouldn’t have taunted her rich, darkly
handsome client. Now she’s kept bound in the basement dungeon of his
mansion, where he makes her perform at his whim with his stinging lash
and shocking electric prod. No longer a tease, she gives up her holes
obediently to his always-hard cock. It’s a command performance every
time he descends the stairs.
CONVENT OF CRUELTY
Poor Sharon never suspected that the local nunnery was actually a front
for the most depraved of prostitution rackets. In the stone-walled cells,
she serves the debauched desires of sadistic leather dykes and jaded rich
men alike, subject to whatever cruel torments they inflict on her luscious
body for their amusement. Harshly trained to serve and obey, she does
her best to please, only to find herself thrown to the inmates of the local
prison as their sex toy until her owners come to reclaim her.
REVOLTING INDULGENCE
The nightmare continues for the beautiful, blonde slave known only as
#235. At the vast Sin Palace, her revolting Master makes her participate in
brutal games with the other captured girls before being chained to the wall
for more hard use. Meanwhile, not far away, the leader of the female under-
ground is subjected to fiendish interrogation techniques. Will they ever
escape and overthrow their captors, or are they damned to eternal servitude?

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7 CHAIN MAIL

20 GALLERY: TIM – SHIPWRECKED

52 THE GREAT REBELLION

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Hell’s Brothel by Tryten

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STRIP TO THE WHIP

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