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Вверх и вниз

Обработка для эстрадного оркестра


© 2008 О.Ивашкевич
Allegro moderato // = 120-124 // 
a2
   
          
2 Flutes

mf
    
Clarinet I (B)    
 
 

   
p mp mf

     mf

         
    
Clarinets II.III (B)

mp
mf

      
Bassoon
 


subtones mf
    
a2
   
Alto Saxes (Es)    
        

p
mp
a 2; subtones
   
Tenor Saxes (B)                   
p mp
      
Baritone Sax (Es)
        
p mp
      
Horns I.II (F)    
mf

Horn III (F)       



mf 
     
Trumpets I.III (B)      

mf 

Trumpets II.IV (B)          
 
mf
      
Trombones I.II 

      
Trombones III.IV 

      
Tuba
 
   rim
 shot →  
        
mf
    
            
H.h.
                  
  

 
Drums
  
p cresc. poco a poco mf

 
cowbell
                  
Percussion
 
p cresc. poco a poco sf mf


Guitar        

  rock e.organ  
         


mf 
Keyboard
  


       
               
                                          
                                                         
    
mf                               
Piano
                                   

     
Violin I    
    
p mp 

Violin II     
  
   
p 
 mf
        
Viola      
p mp

   
   
Violoncello
     


p mp

    
(sul D) mf

 
        
Bass
            
sf mf
2

 1
  
        
6
 
           
A. Saxes (Es)
 
mf

 
         
         
T. Saxes (B)
   
mf  

   
                   
B. Sax (Es)
  
mf

 
  
            
    
Horns I.II (F)

 f

   
Horn III (F)
         
f


  
Tr. I.III (B)            
     
   
   
 

  
                  
Tr. II.IV (B)
      
 
 
        
a2

Tr-nes I.II
     
f

  
       
III
     
Tr-nes III.IV

f

  
            
    
ord. snare hit →

      
                          
Drums     

      

      
             

  f

Perc.
                    

sf f

  
    
        

Guit. 
f

 
       


sf
Keyb.

      

     
             
                                          
                                    
f
                                        
P-no

                               


                              


    
Bass
f
3

11
 
Fl.       

Cl. I (B)       

Cl. II.III (B)       

      
Bassoon
 

       
A. Saxes (Es) 

T. Saxes (B)       

      
B. Sax (Es)


  
 a2

                   


     
Horns I.II (F)
 
f

Horn III (F)           


    

   f
 

    
a2
               
    
Tr. I.III (B)
 
f

    
II
               
    
Tr. II.IV (B)
 
f

       
         
a2
             
Tr-nes I.II  

   
            
     

   
Tr-nes III.IV
   
           
                
             
                                                
Drums                         

Perc.
                        

         
Guit.              

  

 

    
                                                        
                                                                 

                       
P-no
      
                                                                 

        
                 


 
   
Bass    
4

 
      
a2

17
  
Fl.        
f

      
 
Cl. I (B)                 
f   mp

                     
                  
Cl. II.III (B)
 
f

          



     
Bassoon
   
f

 a2
 
                     
   
Horns I.II (F)

Horn III (F)  


  


         
  
   
 
a2
  
                
Tr. I.III (B)

f

 
a2
  
               
Tr. II.IV (B)

f

        
                
a2
        
Tr-nes I.II 

      
               
a2
           
Tr-nes III.IV
  
              

       

  
                                     
Drums                                       

Perc.
                        

  
    
      
                      
 
 
Guit.
 

        
                                                                  
                                       

                              
P-no
   
                                                           

 
       
V. I       
f

 
      
V. II       
f

  

V-la          
f

    
        
V-c.

f

          


      
             
Bass   
5

   2
  
23

           
Fl.

   
        
Cl. I (B)  
f
a2

    
  
Cl. II.III (B)


        
Bassoon
       
  
   

  

mf
p sf

  
         
B. Sax (Es)
 

mf
p sf

        
Horns I.II (F)     
f

Horn III (F)         


f

Tr. I.III (B)        


Tr. II.IV (B)        

  
a2
 
Tr-nes I.II      

     
Tr-nes III.IV
     
                    
   * p                          
  
                      
                
Drums

mf

Perc.
             
mp

 
D7
 
Gm7
  Cm7
 
D7

                          
       
Guit.

mp

        
 
       




 
Keyb. mf m.s. m.d. m.s. m.s.

     

           
                       

           
P-no
                       

 shuffle
      
Voice      
         
        
  
Сто - ю по - ю, а кто - то ест, а кто - то спит. Сто - ю по -
   
V. I       
mf

    
V. II       
 mf
 
V-la           
  mf
 
  
V-c.
         
mf

  
sul E 
quasi pizz.
   

 

          

       
          
 
Bass
     
mf

* Или импровизированные левая педаль и поддробки в том же груве; бочка - точно


6

27
 
Fl.     

Cl. I (B)     

Cl. II.III (B)     

        
Bassoon
    

mf
mp

   
a2
    
A. Saxes (Es)      
 
mp cresc. 

   
           
T. Saxes (B)
  
mp cresc. 


  
         
  
B. Sax (Es)
   
 mp cresc. 
mf
                                           
                                                                
Drums                 


Perc.
                
 mf
sf

          
Gm7 Cm7 D7 Cm7 F9 Bbmaj7 Gm7

                             


Guit.
    
mf


       
 
3
          
3
              

     





 
Keyb. simile

       
      
3 3

 
                             

Voice
              
ю, а свет то гас - нет, то го - рит. Все хо - ро - шо, и мне не на - до ни вол - но -

  
      
V. I       

     
V. II           

 
V-la               
 

 

      
V-c.
        

  
simile
      
    
                      
Bass
      
7


31
   
a2       
Fl.        
f

         
Cl. I (B)        
f

     
Cl. II.III (B)
   
mf

 
     
Bassoon
  
mf

     

a2

             
A. Saxes (Es)
        
sf mp

  a2

                
T. Saxes (B)         
sf mp

   
                 
  
B. Sax (Es)
sf

                 mf                 


p

               
                                                            

Drums                
( sempre mf )

  
Perc.
                      
    mf
cresc. sf

  
Cm7
   
D7
 
Gm7
  Cm7
 
D7

                              


Guit.
     
cresc. f mf


2мя руками в разбивку →


 
                 


            
p f
Keyb.

cresc.

        


            
              
Voice
             
вать - ся, ни спе - шить. Сто - ю по - ю, пусть кто - то смот - рит на ме - ня. А я по -

       
V. I       

 
V. II         



       
  
V-la  


     

    
V-c.

    
legatiss. quasi pizz.

       
    
           
      
Bass
8

  
     
        
        
 
35
 
Fl.      
f mf f
  
    
    
                  
Cl. I (B) 
f mf f

        
Cl. II.III (B)          
    
 cresc.

     
Bassoon
             
cresc.

     
     
a2

  
       
A. Saxes (Es)
 
mf cresc.

            



 
T. Saxes (B)     
mf cresc.

      
             
B. Sax (Es)
 
mp mf cresc.

  
             
 
Horns I.II (F)
mf
  

       
Horn III (F)
     
mf
 
                                       
                                                                
Drums                 


Perc.
                
 mf
sf

            
Gm7 Cm7 D7 Cm7 F9 Bbmaj7 Gm7

                                
Guit.
    

  
3

         





sf m.s. m.d.
Keyb.

    

 
             
       
  
      
      

Voice
  
ю - - мне_в жиз - ни не - че - го ме - нять. И все вок - руг и - дет, как на - до, ведь я дав -

       3
 3

V. I         

3 
  
3
    
V. II   
 


       
V-la

  
3
  3
  
V-c.
      

  
                 
        
    
   
Bass
    
9

     
39
      
3
Fl.         

        
        
Cl. I (B)  

  
a2

        
Cl. II.III (B)
     
  f 
 
          
Bassoon
   


f

   a2

A. Saxes (Es)              


   
  
f



a2

T. Saxes (B)       
 
  
    
  
f

 
B. Sax (Es)
 
           
   
  
f

 a2
     
        
                
Horns I.II (F)
       
f


                   
        
Horn III (F)
   
f

   
  
a2
      
Tr-nes I.II 
f

     


a2
      
Tr-nes III.IV
 
               
f
 R.bell              
                                                
   
       
Drums                      
f 
    
Perc.
                                
    f
 
cresc. sf

   
 Gm   F    Eb  
Cm7 D7

                                      
Guit.
        
cresc. f
(в 2 руки)
   
        

       


   


 
   
Keyb. f 
      


     
                
         
Voice
         
но ус - пел по - нять: Не лезь на са - мый верх, не о - пус - кай ся вниз - все - го на све - те не ус - петь.

     

V. I       
cresc. f

   
V. II         

f

cresc.
 
V-la         
cresc. f


     
V-c.
  
f

  
legatiss.
      
Bass                
       
f
10


         
  
44
 a2

                    
Horns I.II (F)
     

                
  
         
    
Horn III (F)
 

 
a2
          
    
a2
         
Tr-nes I.II 

      
a2 a2
             
Tr-nes III.IV

         
           
                        
     
             
Drums                       

           
Perc.
                               
   
  
 Gm   F    Eb   Gm7

Cm7 D7

                                  
Guit.
       

       
     
                
  
       





      
       
Keyb.  sf
      

                      
Voice   

       
   
     
Ко - го - то ма - нит вверх, ко - го - то тя - нет вниз, а мне при - ят - но прос - то петь.

 
                    
      
Bass   

 


4
49

a2
  
                    
   
Horns I.II (F)

Horn III (F)  


  


          
 
   
  
a2
       a2
 
  
Tr-nes I.II    

     
a2
      
a2
    
Tr-nes III.IV

 
            
          
                       
                         
Drums                      

Perc.
                    
Gm7 Bb/#5 [Bbaug] Gm7 Gm6

  espr.*
      


        


        

 
        
 
 
Guit.     
           
                                           
                                            
P-no f
                               
                                            

            
Voice                      
Ва - ба - ра - пам - ба - ра - вам Ва-ба - ра - пам - ба - ра - вам Вап - ба - ра - па- пом

            
          
Bass        

* Здесь и в дальнейшем указание "espressivo" означает аккорды, которые необходимо брать в верхнем регистре, - от 12го лада и выше. Актуально до пометки "ord."
11

54
 
Fl.      

     
Cl. I (B)          
f  

Cl. II.III (B)             


  
f

     
Bassoon
 


    
          
    
Horns I.II (F)

f 

    
Horn III (F)
      
f 

Tr. I.III (B)      

Tr. II.IV (B)      

      
   
 
a2
     
Tr-nes I.II               

         
a2
   
Tr-nes III.IV
      

       

        
         
     
                                                  
Drums                      

Perc.
                    


Cm7 D7 Gm7 Bbaug
    ord. 
     
  espr. 
        
 
       
Guit.          
   

     
                                              
                                                        

     
P-no
                  
                                                        

    
Voice                
  
        
Вап - ба - ра - при- пом - би - май - - е-е - е-е Ва - ба - ра - пам - ба - ра - вам


 
        
   


              


Bass

12

  
           
        
59 a2
  
Fl.      
f p f

        
      
Cl. I (B)         

   
p f

 
    
a2

                    
             
Cl. II.III (B)
   
p
f


      
                  
Bassoon
        
f


a2
       
               
     
Horns I.II (F)
 f

             
    
Horn III (F)
 
   f

Tr. I.III (B)      

Tr. II.IV (B)      

      a2


       a2
  
Tr-nes I.II            

        
    
a2
          
Tr-nes III.IV
   
 
                     
                           
Drums

  
                  
 



       
  

Perc.
                    

Gm7 Gm6
    
        
    
               
  
      
Guit.


            
         
                                          
                                    

                    


P-no
            
                                         

            
Voice                           
Ва - ба - ра - пам - ба - при - пом Вап - ба - ра - па - пом Вап -ба-ра - при- пом - при - пом

        
                 
Bass     


13

     
5
  
a2

        
64
      
Fl.    
mf

     
     
Cl. I (B)
 
mf

     
Cl. II.III (B)
    

mf

    



            
Bassoon

mf

 
     
a2
                   
A. Saxes (Es)        
mf

         


a2

              


T. Saxes (B)
     
mf

      
                    
B. Sax (Es)
   
mf

 
         
Horns I.II (F)

mf

      
Horn III (F)
    
mf

Tr. I.III (B)     

Tr. II.IV (B)


    
Или импровизированные левая педаль etc. (бочка - точно)
                               
     p 
                                             
             
Drums               
mf

 
 
      
bongo
Perc.    
sf sf
mp

  espr.           
D7 Gm7 Cm7 D7 Gm7
              
ord.
                
Guit.
    
mf

   
             

P-no
      
             


      
               
      
Voice
                
Си - жу по - ю, а ми - мо вре - мя, как ре - ка. Си - жу по - ю, а на - до

          
quasi pizz.

                    
Bass          
    
mf
14

      
   
3
68
   a2
    
Fl.        
cresc.

    3    
Cl. I (B)          
cresc.

    
Cl. II.III (B)   
             


    
 cresc.

  
                
Bassoon
 
cresc.

    
      
A. Saxes (Es)    

      

T. Saxes (B)       

          
B. Sax (Es)
  

              
Horns I.II (F)            
 cresc.


Horn III (F)     
  




   
  

  cresc.


I
+III 
Tr. I.III (B)        
mf


II
 
+IV
       
Tr. II.IV (B)

mf

                                           
                                                               
Drums                 

          
Perc.                          
cresc.
mp mf

Cm7
    
D7
 Cm7

F9

Bbmaj7

Gm7
 Cm7
  
                             


Guit.
   
cresc.

   
       3 

             
 

 
 
 

P-no mf cresc.

   
      
                 
   3 

      
Voice            

  
  
  
 
    
   

мно - ю об - ла - ка. И все вок - руг и - дет, как на - до, во вся - ком слу - ча - е по - ка.

             legatiss.
        
Bass               
  
 
15

 
3
72   
    
Fl.     
f


3
     
Cl. I (B) 
f

 
         
 
Cl. II.III (B)
 f

     
    
Bassoon
   
f

    
          
A. Saxes (Es)
 
mf

        
T. Saxes (B)   
mf

  
            
 
B. Sax (Es)
mf


Horns I.II (F)      
f

    
 
Horn III (F)

    
                  
Tr. I.III (B)

f mf

    

               
Tr. II.IV (B)
   
mf
f

         
Tuba
   
mf

           mf                     


p

                            
                                    
Drums                 
( sempre mf )
  
                 
Perc.    
f sf sf
mp

           
D7 Gm7 Cm7 D7 Gm7

                             


Guit.
      
f mf

    
   
3
         
         
            
          
             
f sff
      
P-no mf
                      
                        

         
Voice     
         
                 
  
Ле - жу по - ю - - на э - то сто - ит по - смот- реть. Ле - жу по - ю, а мог бы

 
quasi pizz.
              
                   
Bass
  
16

76
  a2   3
               
A. Saxes (Es)

 
             
T. Saxes (B)
 

            
B. Sax (Es)
 

                  


   
a2
 
Tr. I.III (B)  
                    

    
a2
             
                         
Tr. II.IV (B)
 

    
Tuba
           

                                           
                                                                
Drums                

   
Perc.                                      

cresc.
mp mf

Cm7
    
D7
 Cm7
 
F9
 
Bbmaj7

Gm7
 
Cm7

                               
Guit.
    
cresc.


                 
                       
                          
 
    
P-no
         
                                     

        
Voice             
       
         

за - прос - то взле теть. Но мне и здесь сов - сем не - пло - хо сто - ять, си - деть, ле - жать и


  
   

V. I

mf

  
V. II    

mf


V-la       
mf

        
V-c.
 
mf

legatiss.
      
     
   
      
Bass        
        
 
17

6
80
  
a2 
A. Saxes (Es)           

 
T. Saxes (B)           
 

          
B. Sax (Es)
  

      
                      
Horns I.II (F)
      
f

                    
Horn III (F)
         
f

 
a2

    
Tr. I.III (B)  

 
a2

Tr. II.IV (B)       

       
a2
 
 
a2
         
Tr-nes I.II 
f

      


a2 a2
        
Tr-nes III.IV 
f

     
Tuba
  

      R.bell     
          
                                               
Drums                        
f 
                     
Perc.                                          
f

     espr. 
 Gm     Eb   Cm7
 
D7 F

                                        
Guit.
       
f


            
                  
P-no
     
                  


   
              
            
Voice
         
петь. Не лезь на са - мый верх, не о - пус - кай -ся вниз - все - го на све-те не ус - петь. Ко - го - то

     
        
V. I    
f

      
 
V. II         
f

               
V-la
f

      
V-c.
      
 f

      
Bass
 
          
             
f
18

7
     
85
   
a2

                       


A. Saxes (Es)
     
f

         
a2

T. Saxes (B)  
                   
  
f 
         
                    
B. Sax (Es)
   
f

    
   
a2

                 
Horns I.II (F)
    

                    
Horn III (F)
     

   
a2
     
a2
        
Tr-nes I.II 

    a2
  a2
            
Tr-nes III.IV
 
           
                     rim shot →
  

               
    
Drums
          

           
                      
cowbell
Perc.        
sf

        F    Eb   Gm7


Gm D7

                   


Guit.
   



        


Keyb. sf

         



                               


                                  
  
                             
P-no f

           


              
       
     
Voice
  
ма - нит вверх, ко - го - то тя -нет вниз, а мне при - ят- но прос - то петь.

 
      
V. I           

     
       
V. II


  
V-la       
   



   
V-c.
     


          
        

Bass  
19

91
 
I solo
  
A. Saxes (Es)
        
 f
         a2    
                              
Tr. I.III (B)            
 
f
            a2 
                
Tr. II.IV (B)
                           


f
 full snare →        
  
  
    
                             
   
                

Drums               
 
  
                      
Perc.

f sff f sff f sff



    

        




 



Keyb. mf f


     

                                       


                                             
P-no
                         
                                  

     
        
            
              
      
Bass

sf mp mf ff
f sf

  
                               
non legato
96
   
A. Saxes (Es)
      
f

 f   
   
    
Tr. I.III (B)

     
mf
pochiss. cresc. f mf

 f   
  
Tr. II.IV (B)
 
      
  

mf
pochiss. cresc.  f mf

                
                                        
Drums                     

Perc.
                    
f

     
    

                   
 
Guit.        


sf f mf

     
    
   
 


Keyb. f


     

        
                                                       
                             
P-no
                       
                                                        

      
                                 
    
Bass
  
f
20


                        
         3     
101

A. Saxes (Es)
  
 ff ff

    
   
Tr. I.III (B)               

f
 
mf
f

      
Tr. II.IV (B)
      
     
f mf

   f
                                
         

                   
Drums
     
ff

Perc.
             
  
               
    
D#7 (espr.)
 
Guit.                       

f ff f
ff
  
      
                          
 
  




Keyb. ff
     

      
                                     
                                  
P-no
                    
 ff
    
                        

 
         
Voice

Не лезь на
              
Bass                    
   
 
 ff sf


8
105
     
            
A. Saxes (Es)
 
f
   
T. Saxes (B)             
 
f

          
B. Sax (Es)
   
 f
       
                        
      
Horns I.II (F)
        
f


             

               
Horn III (F)
      
f
       
a2
    
    
a2
        
Tr-nes I.II 
f

           


a2 a2
        
Tr-nes III.IV
  
     
f
             
                        
 
                       
   

 
        
Drums
 
f 
Perc.
                            
           
f
   
       E   C#m7
  
 G#m  
G#m ord. F#

                                         
Guit.
        
f
          
Voice    
              
    

     
  


са - мый верх, не о- пус - кай - ся вниз - все-го на све -те не ус - петь. Ко - го - то ма - нит вверх, ко - го - то

             
Bass 
   
              
f
21

 9
110
       
          

     
   
A. Saxes (Es)
 

     
  
 
a2
T. Saxes (B)          

      
 

  
              
B. Sax (Es)
         

   
a2
     
                 
Horns I.II (F)
 

                      
Horn III (F)
  

       
Tr. I.III (B)           
f

       
Tr. II.IV (B)             
 f


a2
         
             
Tr-nes I.II 
  
       
a2
             
Tr-nes III.IV     
 
      
  
 
Tuba


f
               R.bell         
                   

  
          
                    
Drums
    

                
                     
Perc.
  

     E          
F# D#7 G#m7 G#m espr. F#

                                     


Guit.
      

    

        




   
Keyb. f
 
      

                             
Voice             
        
тя - нет вниз, а мне при - ят-но прос - то петь. Не лезь на са - мый верх не о - пус - кай - ся вниз - все - го на

  
  
V. I         
mf f

   
V. II         
mf f
 
V-la            
f

  
 
V-c.
       
mf f


                  
    
Bass   

   

22

    
    
a2
       
      
115
   
        
Fl.

f

     
a2

      


a2 a2

              


Horns I.II (F)
  

                   
Horn III (F)
      

         
        
 
a2

                              

Tr. I.III (B)
     

        
       
 
a2

                             
Tr. II.IV (B)
        
 
 

a2
      
     
            
Tr-nes I.II  
     
                   
  
Tr-nes III.IV
         
 
   
  
       
 
 
Tuba
 


                      
                                         
Drums                             
 

Perc.
                                       
  

  E   C#m7
  
 G#m      E  
F# D#7

                                       
Guit.
        

 
       
  
              





     

    
Keyb.

       


                      
         
 
Voice          
све - те не ус - петь. Ко - го - то ма - нит вверх, ко - го - то тя-нет вниз, а мне при - ят но прос - то петь.

          
V. I          

     
 
V. II           


 
V-la             

  
     
V-c.
    


         
            
       
Bass

23

10
  
120
       
                   
Cl. I (B)
 
f  p f

 
                
Cl. II.III (B)
                
    p 
f f

  
Bassoon
         


f
a2
 
                
Horns I.II (F)
     

          
Horn III (F)
    
  
   
Tr. I.III (B)         

   
Tr. II.IV (B)         

   
a2
      
Tr-nes I.II      

     
a2
    
a2
    
Tr-nes III.IV  

      
Tuba
  
 
                

 3
                            
Drums                    
          
3 3 3

Perc.
               
    
        
G#m7 G#m7 ord. до конца Baug G#m7 G#m6

                                     


Guit.
  

  
           


Keyb. sf

       

      
                                            
                     
                          
           
P-no f
             

       
Voice                      
Ва -ба - ра - пам -ба - ра - вам Ва -ба - ра - пам -ба - при- пом
       
V. I  

 
V. II        

V-la        

      
V-c.
 

             


        

 
Bass  
24

    
  
125
  
Cl. I (B)    

   
       
    
   
Cl. II.III (B)


   
  
     
Bassoon
     
 
   
mf

  
      
mf
A. Saxes (Es)

        
mf

  
T. Saxes (B)        
 
  
mf

      
                  
  
B. Sax (Es)

f

   
       
      

Horns I.II (F)
 
f  mf

          


Horn III (F)
    
f mf

  
Tr. I.III (B)        

mf

 
Tr. II.IV (B)          

        mf

 
a2
    
a2
    
Tr-nes I.II              

      
a2
                   
Tr-nes III.IV
      
 
               
                            

                                
Drums

mf

        
bongo
Perc.
    
   
        
  
C#m7 G#m7

           
  
Guit.      
mf
                       
                                
                                                         
P-no
                                  mf        
                                    

                 
Voice              
      
  
      
Вап-ба-ра - па-пом Вап -ба-ра - при - пом - би - май - - е-е - е-е Ва -ба - ра - пам - ба - ра -
      
V. I   

mf

V. II        

mf

  
pizz.
V-la        
mf

         
pizz.
V-c.
  
mf

              
  

         
 
Bass

mf
25

   
     
a2

 
130    
Fl.        
f

       
Cl. I (B)                    

 
f
 
   
Cl. II.III (B)            

 
 f

    
                
Bassoon
    f
     
                 
          
poco cresc. f
  
A. Saxes (Es)
      
    
         

    
f
  
    
            
a2
T. Saxes (B)        

     
     
  f

       
B. Sax (Es)
   
f 
  a2

a2
 
 
 
    
Horns I.II (F)
 
   
f 
 f
Horn III (F)          
    
 
      
 
  
    
        
a2 a2

Tr. I.III (B)           
  

   
     
     
f  
  
    
         
a2 a2

          
          

Tr. II.IV (B)
      
f  

a2

   
        

Tr-nes I.II

      
a2
   
 
  
Tr-nes III.IV

f 
 
Tuba
         

  
 
mf

  
f

                       





                         
Drums               
f
 
  
Perc.          
sf sf
mf

  Baug G#m7 G#m6    


Guit.          

       
 
f

    
    
               




  


Keyb. mf f

       

              
                                     
         
      
                      
P-no
             


Voice         
      
  
вам Ва - ба - ра - пам - ба - ра - вам
   pizz.
    
pizz. arco
             
V. I    
 f

      pizz.
  
pizz. arco
   
V. II
    

       
f
   pizz.
   
arco pizz. arco
            
V-la
    
f

 
     
 pizz.
 
arco pizz. arco
            
V-c.
   
f
          
      
   
   
         
Bass        
f

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