PROGRAM PROMOTION AND DEVELOPMENT OF INDIGENOUS CULTURES

APPENDIX 1
FORMAT FOR PROJECT PREPARATION
ISSUE: ______________________ Date_______________________________
1. Name of the project: ACQUISITION OF WIND BAND MUSICAL INSTRUMENTS
Thematic axis to which it belongs: Support for Cultural manifestations.
Cultural field to which it belongs: Musical composition and performance .
2. Name of the applicant cultural organization: REALITY WIND BAND.
3.- Registered office of the cultural organization: Las Palmas, Municipality of
Chicontepec, Veracruz. CP 92709.
4. Data of the person responsible for the project (Person appointed to carry out the
project):
Name: C. Antonio Flores Cruz.
Address: Known s/n, Las Palmas, Chicontepec, Veracruz.
Age: 42 CURP: FOCA680701HVZLRN07
Position in the community, neighborhood, neighborhood or organization: Alternate
Auxiliary Municipal Agent
5. Data of the requesting organization (Only if the project is presented by a legally
constituted organization):

Legal name: __________________ Registered office:

_________________________________
Type of organization: __________________ Year it was
created:______________________________
Registry number: ___________________CLUNI*:
_______________________________________
Activities carried out:
________________________________________________________________
*Unique Registration Code in the Federal Registry of Civil Society Organizations:
___________
* * Attach a photostatic copy of the articles of incorporation and CLUNI.
6. Project location:
Location: Las Palmas INEGI Code: 146
Municipality: Chicontepec INEGI Code: 058
Federal Entity: Veracruz INEGI Code: 030
7. Project coverage (All fields must be filled out, without exception):
Indigenous town (s) to which it belongs: Las Palmas, Zapotal Espinal, Las Puentes.
Indigenous language spoken by the beneficiaries: Nahuatl.
Direct beneficiaries (No. of members of the requesting organization): 12
Men (No.): 11 Women (No.): 1
Indirect beneficiaries: 67
Beneficiary municipalities (No.): 1 Chicontepec Name(s):
Beneficiary locations (No.): 2Name(s): Las Palmas, Zapotal Espinal.
 8 . List of direct beneficiaries (The names and required information of the direct
beneficiaries of the requested project must be noted; if additional spaces are required,
add the necessary sheets). Attach a copy of CURP and/or voter ID of the direct
beneficiaries .

Name Age CURP or Date of Post Signature Gender

Paternal Surname/Maternal Birth
Surname/First Name
ANTONIO CROSS FLOWERS 42 FOCA680701HVZLR PRESIDE h M
N07 NT
FLORES MARTINEZ 25 FOMC851103HVZLR SECRETA h
CARLOS R09 RY
FLOWERS SANTIAGO 19 FOSM901016HVZLN TREASUR h
MANUEL NO7 ER
MARTINEZ ALVAREZ 31 MAA0790314HVZRL h
OLEGARIO L02

FLOWERS SANTIAGO 18 FOSA920208HVZLN h

ANTONIO FELICIANO N03
OSORIO SANTIAGO ISIDRO 15 OOSI950224HVZSN h
S02
FLOWERS SANTIAGO 15 FOSA950225HVZLN h
ANTONIO N01
MARTINEZ BENITO LILIANA 12 MABL981001MVZR M
NL01
FLOWERS CRUZ MANUEL 19 FOCM910528HVZLR h
N05
BAPTIST ISABEL 32 BAIF780604HVZTSR h
FRANCISCO 09
FLOWERS OF THE OMAR 18 FOCO920811HVZLR h
CROSS M00
MARTINEZ BENITO 8 MABR020411HVZR h
RONALDO NNA2
9. Background of the project (Explain since when the proposed cultural activity has
been carried out in the community and the importance it has for the community or
region):
In Las Palmas, municipality of Chicontepec, in the state of Veracruz and in general
throughout Huasteca, the cultural tradition of wind bands is strongly rooted, which is
born from the people's need to have fun and express themselves, and which prides
and nourishes of young talent to the country, beyond the borders. The band is a source
of pride for the communities since it makes the musical wealth of the region known in
other places. It is typical in the area, the "meeting of bands", where two or more bands
confront each other with their music, displaying the best of their repertoire, reaching
improvisation to gain the respect of the public and their rivals.

Wind bands have a long tradition throughout Mexico; and in Chicontepec,

constitutes one of the most representative popular demonstrations and one of the
media disseminators par excellence of a very wide range of musical genres.
Currently, the wind bands of the region are on par with any type of musical genre; The
boundaries between popular and cultured music, between sacred and secular music,
are lost; between dance and listening genres; the origin and generic distinctions are
forgotten. Thus, the wind band is the crucible where musical genres are “fused”,
resulting in: Band music, which has implicit in its meaning a “popular” sound.

However, in the rich and varied repertoire of the wind bands of Chicontepec, a very
interesting problem is revealed regarding the musical genre, and it is precisely that they
are found at the same time: hymns and marches (which point to the origin of these
groups in military bands); waltzes, polkas, and other ballroom genres along with
Mexican sones, danzones, mambos, cumbias and all types of dance genres;
instrumental arrangements, both corridos, boleros and popular songs, songs of praise
to the Virgin of Guadalupe, Jesus Christ and patron saints. In this way, in the
interpretations of the Guanajuato wind bands,
It presents a certain “homogeneity”, since the boundaries between popular and
cultured music, between sacred and secular music, are lost; between dance and
listening genres.

10. Justification of the project (Explain the importance and cultural interest that the
project has for the beneficiaries):
The project arises from the initiative of a group of parents and young people from the
community, considering that banda music is an important cultural manifestation in the
community and in the region, and due to the interest for their children to participate in
the band from the community of Las Palmas, and the second, to expand the taste for
banda music in the indigenous communities of the municipality of Chicontepec and the
region.
11. Project objectives (Explain why the project is going to be carried out):
Promote the rescue and conservation of the musical heritage of the Chicontepec
region, and strengthen the Viento Realidad band, through support for the acquisition of
new instruments and guarantee the promotion of wind music mainly in new generations
through their participation in cultural events of the region, and patron saint festivals.
12. Description of the project (Briefly explain what is going to be done, how it is going
to be achieved and what is expected with the project):
The project basically contemplates the purchase of wind band music instruments, with
the support of the Promotion and Development of Indigenous Cultures program, in total
22 instruments will be purchased with an amount of 100,175 pesos, of which 80% will
be provided by the program. and $20 for the group that makes up the band and the
applicant community.
13.- How does the project help to ensure that their knowledge, customs, values
and/or traditions are not lost●
The wind bands have not only been the main animators of the festivities (religious,
ceremonial events, etc.), but they have represented a symbolic space of self-
recognition and belonging, of great cultural value for hundreds of localities throughout
the national territory. .
In addition to its value as a musical project, the band of wind musicians enables the
integration of the social actors of the localities, guiding and projecting their traditions
and new cultural proposals, transcending ethnic, political, economic and aesthetic
borders. “Every day in a new community and municipality they are appropriated and
recreated by communities of all ages and socioeconomic backgrounds.”
Today, the wind band means for many young people in our country the opportunity to
develop a life project around music.
IMPORTANCE OF WIND BANDS

 The wind bands represent an artistic and educational project that offers
opportunities for training, creation and musical performance to new generations.
The inhabitants of the towns and the families of each of their members gather
around them, making it possible to strengthen the social fabric. The band's
activity allows, among others, to achieve the following objectives:

IN MUSICAL AND EDUCATIONAL:

 Recognition by the members of their own musical and expressive potential,

as well as construction of bonds that allow them to have confidence in
themselves, in others and on the part of others towards them.

 Cognitive development of children and young people through music, which is

reflected in higher academic performance and, therefore, lower dropouts from
the educational system.

 Valuation of the artistic dimension of education through the articulation

between the educational (colleges, schools) and cultural (cultural houses)
areas.

SOCIAL AND CULTURAL:

 Promotion of community participation around common projects and interests.

 Promotion of new individual and collective life plans through the generation of
alternatives that allow us to confront phenomena of violence and drug
addiction.

 Education of communities in the appreciation of art.

 Recognition, appreciation and appropriation of Mexican and universal music

by the communities. The wind band is an instrumental group whose versatility
allows the interpretation and enjoyment of music of the most varied styles
and diverse origins.
14.- How do women participate in the project●
This project contemplates the participation of both genders since the musical
manifestation is not exclusive to men, to this end the openness will be maintained for
anyone of any gender who has an interest and taste for wind music and who wants to
join the band as long as it meets the requirements such as the commitment to comply
with the regulations, rehearsals and availability of time to attend events where the band
is invited to participate.
15. Community participation in carrying out the project (Explain how the community and
beneficiaries participate in the project): Community participation is essential for the
completion of the project, since in addition to being the beneficiary of the project by
remaining as owner of the instruments that are the reason for this project, is
fundamental in its organization so that this cultural manifestation prevails and spreads
 in new generations and is incorporated into other cultural manifestations typical of the
region and the Nahua culture, strengthening the identity as a people and as individuals.
16. Calendaring of the activities that the beneficiaries agree to carry out for the proper
development of the project.
No. description of % of project Execution period (months) Goals
the activity execution
1 2 34567 8911 1
01 2
1 QUOTE 6% JANUA MINIMUM THREE
PRICES AND RY 15 QUOTES
SELECT
SUPPLIERS
2 PURCHASE 30 % JANUA VERIFICATION OF 100%
OF RY 25 OF THE AUTHORIZED
INSTRUMENT BUDGET
S
3 RECEPTION 45% JANUA VERIFICATION OF 100%
AND RY 25 OF THE REQUESTED
VERIFICATION INSTRUMENTS
OF
INSTRUMENT
S AND
SIGNATURE
OF DELIVERY
DELIVERY-
RECEPTION
MINUTES
4 MEETING TO 60% JANUA GET A TEST SCHEDULE
PLAN, MAKE RY 29 AND REGULATIONS
AGREEMENTS
AND
ESTABLISH
REGULATION
S
5 ATTENDANCE 100% ALL YEAR ACCORDING TO SCHEDULE OF
TO CULTURAL A CALENDAR OF PARTICIPATIONS IN
EVENTS, INVITATIONS. CULTURAL EVENTS
CELEBRATIO ACCORDING TO THE
NS AND INVITATIONS RECEIVED
PATRON'S
HOLIDAYS

*Note: Execution period (months), for example: January 1, February 2, March 3,

etc.

17. Describe specifically how the activities mentioned above will be carried out
to achieve the objectives and goals established in the project:
Once the project is authorized, the project committee, made up of the president,
secretary and treasurer, will travel to Mexico City to update the quotes and select the
suppliers. For this purpose, it is planned to obtain at least 3 quotes.
Once the supplier is selected, the purchase and sale contract is made and the terms
and matters relating to billing as well as the delivery of the instruments are reviewed.
Once the parties involved agree, payment is made in cash for the total amount of the
cost of the instruments.
During the reception of the instruments, it is verified that they are complete and in good
condition.
The group then agrees to hold a work meeting in the presence of the community
authorities and, where appropriate, the community assembly to plan the activities to be
carried out, make the relevant agreements for the proper functioning of the band,
correct use and care of the instruments as well as the establishment of a regulation.
Finally, a calendar of participation in events will be established.

18.- List and description of goods and resources requested to carry out the project
(Must be broken down by item or item to be acquired, specifications and unit cost,
expenses for specialized labor, advice and training may be included).
 Concept Specifications Requested Unit price Budget
amount ($) total
requested
($)
SILVERTONE MOD. SLSS-001 (ANT.SSH-
TUBA 100L)(123-SIL-01) 1 38242,81 30.594
SILVERTONE MOD. SLTP-007 (ANT.112-5-
TRUMPET 3L)(32-SIL-05) 4 2160,67 6.914
SILVERTONE MOD. SLSR007 (ANT. SAH-
ALTO SAXOR 1300K LAQ.)(126-SIL-01) 2 3670,71 5.873
MOD. SSL-910L(LAQ
SILVERTONE Plungers)112-10-4(57-SIL-
TROMBON 03) 2 5889,18 9.423
MOD. EXTM-010(ANT.
EXTREME EXT242024MB)BLUE(38-
DRUM EXT-01) 1 2882,35 2.306
SABIAN 16 MOD. 41606 B8
SAUCER THINCRASH (40-SAB-50) 1 1560,86 1.249
YAMAHA
CYMBAL
STAND MOD. CS-665(04-YAM-79) 1 1217,58 974
POWER BEAT
TARLA STAND MOD. SST-347(26-POW-01) 1 368,85 295
SILVERTONE MOD. SALT 007 (ANT. NS-
TUBA STAND B001)(123-SIL-03) 1 1890,35 1.512
SABIAN 14
SAUCER MOD. 41402(04-SAB-03) 1 2468,54 1.975
MAXIMUM MOD. SD-204B P/BATTERY
TAROLA (26-MAX-02) 1 2153,93 1.723
MOD.M257(14"/15" WITH
STAND AND STAND)(63-LP-
TIMBALES LP 03) 1 6193,36 4.955
STARFIRE MOD.
TROMBON DPS-C022(W/SPRING)(39-
STAND VAR-23) 3 312,55 721
STARFIRE
TRUMPET MOD.DPS-C011
STAND (W/SPRING)(39-VAR-16) 2 270,66 433
Subtotal 68,947.0
VAT
11,031.52
SUBTOTAL WITH VAT $ 79,979.00

Note: The costs reflected in this section must be real and based on quotes
provided by the applicants.
19. List of resources required for indirect expenses (This may include: lodging,
transportation, food, etc. It should not exceed 5% (five percent) of the amount
requested in the previous point.
Concept Specifications Requested Unit price Total requested budget
amount ($) ($)
0
0
Subtotal 0
Total requested budget (sum of subtotals 18 + 19) $ 79,979.0
20. Contribution of the community in the development of the project (Note the type of
contribution and its monetary valuation in cash, wages, kind, labor, etc.):
Concept Specifications Requeste Unit price ($) Total budget
d amount contributed ($)
COMMUNITY CASH A 100175.0 $ 20,021.0
CONTRIBUTI CONTRIBUTION PROJEC
ON EQUIVALENT TO 20% T
OF THE TOTAL
AMOUNT OF THE
PROJECT
Subtotal $ 20,035.0
Total project budget (sum of subtotals 18 + 19 + 20) $100,000.0
21. Contribution from other civil or governmental entities for the development of the
project (Note the type of contribution, amount and name of the entity): THERE ARE NO
OTHER CONTRIBUTIONS
22. Is there payment of fees for providing your services to the community● (Explain
whether you will charge or provide your services to the community): SERVICES WILL
BE PROVIDED TO THE COMMUNITY IN CULTURAL EVENTS, CELEBRATIONS
AND PATRON'S HOLIDAYS WITHOUT CHARGING FEES.
23. How will it be guaranteed that the acquired assets become property of the
community:
THE PURCHASED PROPERTY WILL BE STORED IN A COMMUNITY PROPERTY,
WHERE THEY WILL BE PHYSICALLY LOCATED WHEN THEY ARE NOT IN USE
AND THROUGH AN ASSEMBLY MINUTE IT WILL BE RECORDED THAT THEY
WILL BECOME THE PROPERTY OF THE COMMUNITY AND ALL PEOPLE WHO
WANT TO PARTICIPATE IN THE BAND, WILL HAVE FREE ACCESS TO IT ALWAYS
AND WHEN IT IS UNDER YOUR OWN WILL, RESPECTING THE RULES THAT ARE
AGREED AT THE TIME FOR THE PROPER FUNCTIONING OF THE BAND AND
THE GOOD USE AND CARE OF THE INSTRUMENTS.

We are aware of the content of this project and we declare that its information is true,
which is why we fully support its presentation seeking support from the CDI.
 Endorsement
REALITY WIND BAND VICTOR ENRIQUE SALAZAR
The requesting organization BUSTAMANTE

ANTONIO FLORES MARTINEZ Project endorsement name

Name and signature __________________________________

GROUP PRESIDENT
Post Signature and stamp

CARLOS FLORES MARTINEZ PRIMARY SCHOOL PRINCIPAL RAFAEL

RAMIREZ, LAS PALMAS, CHIC., VER.
Name and signature
SECRETARY
Post
Post
MANUEL FLORES SANTIAGO
ALEJANDRO FLORES GERTRUDIS
Name and signature
Name of the authority that endorses the
TREASURER project
Post ASSISTANT MUNICIPAL AGENT
ANTONIO FLORES CRUZ Post
Name and signature of the project ____________________________
manager
Signature and stamp
___________________________________
_
Note: The name of the organization must be noted, as well as the name of the
president, secretary and treasurer, and the person responsible for the project.
Likewise, the guarantor may be any civil, educational or cultural authority of the
locality or region; they must not be a member of the requesting group or
organization .