VOLUME NO.3 2022 BluPrint THE DESIGN SOURCEBOOK * fe ma « . oll sn eee Jen a A Casa Baroro Slow living and architecture CNet enero - BREATHING SPACE Bringing Slow Living To Modern Homes Can a otta eer Perera tere Peete rary OCR LLU Co ana c seraimastonn MEY hoon rind acme Bere rir sacle eaeiedCla M1541 Per =} 554 Inclusive and flexible, |taly’s biggest olayers in the furniture industry team up for an evocative take on design Se tC Penne eC R ec T No one knows this better than Italian SoC No neL! Pes ance nay Oe omic) Cee Cone meses place in our homes that caterto sociability and hospitality through customizable and hybrid CeCe ctor cect living spaces through its partnership with Diesel or ener eee ty Deo eo Rng core, Diesel Living: Diesel Get Together and Misfits co ENR ag Resa nese ae Nes coed See eee Roe o Reon eee etd sociability and hospitality. Sr nemesis company offers versatility and customization as the Poe eet st RTL Dea eC ed ere) RCE ee oc eC com ese y Tene reeks tangs Misfits system of painted metal storage elements to bridge the kitchen and living room. Pee ta ee oS ee USE eG Bathroom, a complete modular system offering EO Reno MU eco Pe eect erence eee! Dera cc ‘As the focal point of the collection, the trolley is one of the most striking pieces in the entire See eee a Bees eee Ley RSE SOC ens caccead for towels and toiletries so you can keep all See Setter oLens ceE CD enn Pn eee CCIE Peotone CRT Sos Pe eee eaTe Preece eet) De en eee eee Ce ee ee ene ety Se et ee ene eee Career aay evans oarBluPrint Geewel Fuster Editor inhi Joy Celine Asto Managing ator Mare Pagdllo Group Ar Director Dianne Nicole Famando Multimedia Artist Anjelica Ona Dita Content Writer ‘Group Publisher ‘One Mega Group Archie Carrasco Lorraine Belmonte FoundirocrestveDrector Sari Yap (t) ent Deparment ‘Advertising Director cence Kataa! Copyortr/ Soci Mada Atsocate Mali Keeffsion eamagurtn otra Aor, Ariel Headof Std, Imaging & Production ‘thony Mendora Bogie A Support Departments ‘Consumer Markertn Gheulation & Events ‘Banna Sancher fend ne Consumar Marating Asocate Subscriptions Arsocate Galton Slr Aero keatineCapiong Yaotaen Serdnator/Merchandver Heed of Homan Revources HiTech Supervisor Vaneets orpla Bagi Ber Calgantes Headof sir SecIT Speciale deostyn Duro Seon ecn Stephane Motorized Messenger Legal counsel ache eabapan ‘Gaui Calection Aveocate Remerserme Saleen capitan ‘Gamera Accounting Associate Corporate Affairs & Business Expansion Hetdot Corporate affairs and ‘eriners Expansion Rodole lence Executive Office {het Open er ‘Chit Executive As Executive Assistant othe C00 AGC Power Holdings Corp. ‘ures pobsned monty Or egrup eS libe Cee San Miguel Avenue Ortgns Pas iy, Sa Mig as Mev ae Nes. Tani 326281970, Net eee a eee ee tee etree fea \hsevcy sera cribs tuay theaters ra respenbily asset te ret ofunasiteé mata Opens expect tismaguae sh aso ers noses eatedy One Megs Group Retest haar andes in frpINSIDE VOLUME NO. 3 2022My} Pela ar ATMOSPHERE OF fo RE tea} FOR CONNECTION Be tare eee ate eae ues COC cad ra GENTEEL AND GENTLE: SLOW Pa ea tal ANTONIO HOUSE Be Nee eed Oe se eR Eee Sua ed SCT ay) eee yr} CASA BARORO: A COMMUNITY-BUILT IDYLLIC BEACH HOUSE Se ea Esa COU a sees) at Casa Baroro in La Union Ely EQUILATERAL HOUSE: DESIGNED WITH EMPATHY AND BUILT FOR EXPERIENCE Slow design builds on details ee Coated 48 BAAN SAILOM: A HOUSE FILLED WITH WIND AND LIGHT TTC ated Cee aus Riese aun eens Cee ee ac OE et ee aa 57) Blea LS 3]e)4 lesa Ley} Nec ee tee ra Consultancy once again Cree ceed Coons SomrayEDITOR’S NOTE Society's fascination with “Faster is always Better" is admirable yet unacceptable. Faster has always been associated with being better. The Architecture industry is not an exception to the fast movement and comprehended sustainability over the years. When the pandemic and recession hit globally, the speed of everything overwhelmed many of us and we took the opposite end to survive. The transition to “slowly but surely” ‘encourages quality over quantity. The Slow Movement made us breathe again, It regained the industry's confidence and made new different dimensions to connect to more ‘meaningful spaces. A Breathing Space. In this issue, BluPrint celebrates life through intentional and mindful design stories. Slow Architecture sets new forms of planning. sustainably, building gradually and creating organically. Designing buildings that are ‘thoughtful, responsible and meaningful. This issue features six beautiful projects which are authentic and passionate in merging modernity and slow living. With this in mind, as you pause and ‘experience this issue with great hopes and optimism to reconnect and explore new horizons, we hope to inspire you to create new spaces for inevitable transitions and changes. =) COW (@geewel_fusterBEYOND LIFETIME PROMISE fe form he death o! Jousing these stories s Mag nd its Beyond Lifetime \RITTENB JUDE RAMIREZ. | HOO COURTTSY 0 snatural as birth, death is also certain. Though it might have ‘ended someone's physical form of life, its stories will never cease and be passed on. Thus, it is just right to give high respect to the deceased by securing them their resting place. Burials underground are the conventional practice, especially here in the Philippines, But with due respect to traditional burial, land is scarce. Worth the attention also is the current pandemic crisis, Each death recorded caused by the COVID-19 virus has to be cremated for sanitary and safety purposes. Ashes can be safely kept in urns and be stored in columbarium vaults. With this, the demand for a safer and more secure resting place is changing as the years go by. In this upswing of demand for columbarium vaults, more churches and ‘memorial parks are opting to provide such spaces, Magnificat Niches Incorporated ‘Celumbariums at a Family Mausoleum in Muntiniopa Cty not the end of ificat Niches D 86 rated MAGNIFICAT NICHES INCORPORATED an Mary Help of Christians Columbarlum at ete (MINI) accommodated this upsvving in demand with developments like the National Shrine for Mary Help of Christians at Better Living Subdivision in Parafaque City, and the Family Mausoleum at a memorial park in Muntinlupa City From identifying the particular needs of each establishment, designing whats fitto the needs, and installing the plans, MNIis. also giving valuable tips for the management and operations of the nature of the columbarium business. Backed with extensive research, an {international portfolio, and architectural and ‘engineering expertise, MNIis dependable ‘and values its clients through a durable and reliable columbarium resting place. Even if life ends forthe deceased, MNI is committed to delivering its promise ofa safehaven beyond their lifetime. ‘MsenieaHlehes carports hare to mat bepenliftineparershp th by eating ad dane esha cope mates Living Subesion,RICK FORMALEJO Rick Formalejo is a storyteller who writes about a variety of topics, including architecture, fashion, culture, arts, and food, He is currently the Managing Editor of BluPrint and has been writing professionally for over 5 years. Outside ‘work, he enjoys reading, traveling, and trying out new places to eat. He also likes to spend time at the beach and practice a slow living ifestyle, CONTRIBUTORS ARCHITECT CATHY SALDANA Cathy Saldafia, celebrating 30 years of practice 2022, returns te architecture profession in write for BluPrint in issue. She documents the Antonio house, not simply because the family counts her as friends-who-are-family, but also because she wrote about this family’s firsthome almost 30 years ago. Inher earlier years of practice, she also wrote home design articles for Mega magazine, was one of ‘the very first contributors for BluPrint, and also contributed to a major newspaper. She has written for academic journals and presented papers internationally, focusing con design and sustainability, She is now very busy with her award-winning architecture work and enjoins the younger generation of designers to keep honing their writing and communication skills,KOOKS NUESTRO Kooks Nuestro is a partner in design studio Garcia Nuestro (dsgn* architecture) alongside Achilles Garcia, both being graduates of Benilde Architecture. He placed third in the architectural licensure exams, isa design mentor in his alma mater, and amentor in Foundree Inc. He also started Vertiflute Inc, a new company with his design partner, which supplies fluted panels to various designers across the field, His mentors include Ar, Jimmy Caumeron, Ar Steph Tan-Braquino, Joey Yupangco, Ar. Christian Guerrero, and ‘Ar, Anthony Nazareno, CARISA LOU MAGNO Graduated with a Communication Arts degree in the University af Santo Tomas. She was a food entrepreneur in Manila before she moved to Siargao and built a hone. Her recent food venture is Uramachi, a hole-in- ‘the-wall Japanese restaurant in Siargao. vou,A PACE IN MODIFYING SPACES Set in a backdrop of lushful evergreen, Victor Consunji Development Corporation (VCDC)'s VIE at Southern Plains brings a breathable and configurable environment for a more integrated way of living \WRITT=N BY VERONICA GARCIA flexible choices, and pushing for a hybrid work iving the best of your life begins with making L set-up to maintain a certain lifestyle is @ dream, Inthe flurry ofthe city's loud activities along with its shrinking green spaces, VIE at Southern Plains— CDC's latest property in Calamba, Laguna—offers avast green landscape as a haven for anyone seeking to live comfortably in the most elegant and striking gated community. This next-generation neighborhood prides itself in making its residents' life journey tobe seamless and divine. ATOUCH OF DELIGHT Leisure comes from state-of-the-art amenities that highlight social activeness and tich recreational activities. Celebrate moments of life in three modern and functional clubhouses for the families to enjoy. 10 BLUPAITONEMEGACOM‘Make all your daily runs and walks even better with a more relaxed and revitalizing panorama that patterns the streets after its inventive look, complementing the village aesthetics ‘THE BRAND STORY OF HOUSES Sophisticated Brutalist-inspired architecture reflects the contemporary, Featuring skylights and light-wells, each home's warm and cool tones combine to createa smoother and cleaner modern finish that is still fully customizable, ‘The Ivy House isa great escape for couples exploring to look fora new life outside the city's confines. This house answers to the demand for more spaces to fulfil passions and obligations while being adventurous and practical. tcan be ‘maximized to three storeys and allows you to extend up to seven bedrooms. But if plans don't materialize as envisioned, the Sage House is a great choice. Designed to create significant memories together, this is perfect fora nuclear family with staff. Itis configurable up to three storeys with seven bedrooms, large windows, open sliding doors, and pocket gardens. Living life with a newfound meaning and purpose, families thinking of semi-settling down fit right {nto Stella Villa, Customizable up to 2 storeys with ro cozy rooms, Stella is tailor-fited tothe family’s diverse interests, including bedrooms with a study, studio, media room, and wardrobe. Legacy and posterity are the treasure of, preserving and achieving maximum impact in families. The Harper Villa is the embodiment of grandness with sufficient spaces for specific functions. Configurable up to two storeys with nine bedrooms, the vast space can accommodate all life, play, and work, VCDC believes that coming home should always be the best part of your day. Create your dream home in the complete comfort of sustainable luxury. m Paine by visting their website at car vedyucdc cmland eon comamunal Spaces PUL see eePee eons Dem cat} Rent eatcrntc ty ee eS bp ee ced Pte ee eee een etd eRe ea Ceca erro een Pree cs ed EAT MRL? Pree erect at hg Soto oer ETT their homes a recreation of their vacation ere ee CLO Daeg relaxing environment in their vacation Oe eet oe eck that incorporates their place into the Pre neat PCr eee ce) ROU Scena Architecture, which reflects a new perspective on luxury. It requires a special Cenc andits lived culture. As such, it evolves with its inhabitants and guests. In order to create distinctive, sensual living spaces, the architect must acknowledge and PCC CUR ce Eo tc Senet rs Itis anchored in experience and appeals fan Pee UE EU tad 50/53 Architects believe that spaces Pe see na tern cd the quality of life for individuals. They eer ena ee cence TS require a home that provides a sense of seclusion from the outside world. Through De SSC smo td ete erg eee ey that encourage end users to pause, unplug, and connect with their most joyful selves. Cree eta Re sad Ces one antend eee ee ener ce PacesOpen, ay, and relaxing, the living room séfvés as an inviting space for residents and their visitors to gather and spend time together.SomaPeta a One goal of this project was to create a Set Con gCay eae oa Seer omeec teri) Cree Ca cto y area to encourage interaction. The owners wanted to create a family-friendly area Se oe a eC ae Sete te eee ts POR Rec Cea ed Se RoE esc atrg Pee een ann ag aimed to create an atmosphere of calm that is conducive to rekindling the client's bonds with their loved ones and familiar pursuits that bring them bliss.Deeper AMR ot oi meres 3 a7 an casement rc)Poolside seats expand the areas for relaxation in House 115,Ey Alllof the service rooms are located on Ce aS Cmca room and a powder room are placed on the Cea neces cry concealed doors that are covered in the same oak wood panels. The main bedroom, along with two guest rooms, are located on. eee eect Ey Sete ec sg Scorer he CSE SUE Uta eee ee Cone crassa Itoverlooks the pool and is surrounded ane reer oe) eos ECE teeta tu ected surrounding nature, One key feature of the project that further incorporates nature into the home is the skylight located in the Um eerste SS ELC Cesc ad ae Re eee Ste Ra Cn Cesc PonceNatural light floods the home to create Sea Rune acct! Dacre ei aC SCR a CeCe E aay of light and lines in the space beneath the PO Ronco Tsen CT Ena eee ec furniture and woven light fixtures elevate Re eee Reese a eciceee meray interior uncluttered and tasteful. CU OL PTE uve) DOS eee R CET ies of materials to promote creative Esco MTT areaa distinct atmosphere, different Coe ec eote sid Oona etd Pee Cea ee ee aay Perea Cee es certs exterior. The ground floor has oakwood on the interiors and clay brick on the exteriors. ome)a if Y anf me 2Sree eae ee Cee Eco td Cee aero) she Ra RCE nd See ONO neu eae ee aCe Cente PE nae sant PCs Ren ce the clay brick, an energy-efficient PME TOE aca errno crtny eons aOR mE UCC DSC cee CR SET the structure to breathe. Because it is eee Cee Ten etE movement while protecting the structure of the building. When combined with the eRe er CS cece eT End Reece cnn saet csi OT OU ee TLC Pee ea ety POU hi acco Cece Peete og er ett aCe mOM Es ELT ad Tae a aed oases EUG a Roms a and workers all demand your time and Dene een Seu ee ese those small pockets of joy in our daily Tee eesti alone with a cup of coffee or sleeping ina Perea Cuetec and making the space to tune into the RU eee Sch a as SOAS Tua Sere See cd things that give you positive energy. This ideal is expressed through spaces eee ney Architecture does not imply that it Do aC cco) that the architect pay close attention Uae eee Bee Cnet ce eee OS ecto Te) SomeCASA BARORO: A COMMUNITY-BUILT IDYLLIC BEACH HOUSE Slow living and architecture find their purest expression at Casa Baroro in La Union WRITTEN RY'EARISALOUMAGNO |. >\C"OCRAP-\Y 3Y EDSIMONhe pandemic has prompted people to reconsider their habits. It aught us to appreciate the little things in life and to spend our time and energy deliberately. We became intentional, conscientious, and connected to ‘our surroundings. Essentially, the pandemic ‘taught us to live more slowly. The concept of slow living does not necessarily imply limitations on growth or progress; rather, it indicates a shift toward a more sustainable lifestyle based on values, relationships, and ‘meaning, Slow living teaches us to discover joyin the mundane. Ricco Ocampo, the creative director and developer of Casa Baroro beach house in Bacnotan, La Union, agrees that one achieves slow living based on their own practice. It entails a person's introspective ‘exploration of the meaning of his life and the role that even the smallest of daily gestures play in fostering his contentment. youn 2ee Th LLIN LN niIN a | | 1 | | | Wale:Tg mS re | es me ae In architecture, slow design is based on an examination of our actual needs and is. characterized by making individual's well being and environmental sensitivity top priority. ‘According to a manifesto put forth by international design facilitator Alastair Fuad-Luke, slow design prioritizes the ‘well-being of each person, society, and the environment. The design must support a long-term outlook that values diversity, slowness, and pluralism. The speed of the ‘current industrial and consumer patterns should be counterbalanced by design. 2 ALUPRIVTONEMEGACOMyoun a‘THE PROJECT The ideals of slow architecture and slow living are reflected in Casa Baroro's overall design. The barnhouse-inspired 1,500 square meter property that sits by the beach is endowed with spaces that promote free- spirited living. The main house consists of aliving room, open kitchen, dining room, anda partly concealed wet kitchen. It also has balconies by the beach and by the pool. ‘The three-story guesthouse has four master bedrooms with equal spaces, measuring 60 square meters each. A full lor is dedicated to fourstaff rooms, a laundry room, an electrical room, storage areas, anda staff Jounge area. Sliding glass doors are installed for proper ventilation and to avoid artificial airconditioning, taking advantage of the site's location. There is also a den that can bbe converted into a bedroom. INSPIRATION The creative director of Casa Baroro identifies with and draws his design inspiration from Tadao Ando, a self-taught Japanese architect whose works feature clean, and classic simple lines. According to Ocampo, the guiding architectural principle behind Casa Baroro is to concentrate on designing a structure that does not give the impression of being flamboyant or flashy. He envisioned a structure with an understated elegance that ‘could be achieved through the combination of astraightforward A-frame design anda dark exterior finish, He mentioned that one project objective is to ensure that the exterior maintains purity in form and color. Itis in the interior details of the house that the idea of living slowly is highlighted: through beauty, aesthetics, and design. vou.JaueEoRs 3 ALUPRIVTONEMEGA.COMPot Ne eeetaey) FOUNDATIONAL TERMS: ‘The design of Casa Baroro required extensive research and meticulous ‘decision-making in order to harmonize the structure with nature and the surrounding ‘environment, Ocampo decided to reduce the cement work by using I-beams and corrugated steel. Additionally, he raised the property off the ground in an effort ‘to reduce the building's footprint. There is extensive use of discarded fabrics and old furniture to liven up the interiors. “Everything I considered was how to use resources with minimal environmental impact,” he adds, In addition, Casa Baroro has contributed significantly to local communities. Some of the furniture was crafted from Luna stone seats. A local sculptor and Bangar ‘weavers were also employed. All the interior elements, including the rattan from Bacnotan and the terracotta from Taboc, carry @ sustainable Filipino touch, To strengthen the project's ties tothe local ‘community, Ocampo commissioned workers ‘who all hail from La Union. Through this collaborative effort, Casa Baroro became a symbol of the locals inventiveness andoan“| think the world is better off using slow architecture with the purpose of putting your personal life ahead of your professional life. It reminds us of how one Brae lead the rest of his days after the pandemic , idee poateCeCmniee Buc Ym Avot ipboey leva ecbelasbo@ by Cone RICCO OCAMPO. Creative Director and Developer of Casa Baroro we Niii * F aRESONATING WITH PURPOSE Ocampo's definition of slow living. ‘was embodied in the way the barnhouse- inspired beach house was designed and built. Casa Baroro’s elements are all inked to the environment and the vernacular. ‘The site also imposes a new way of life in which guests, like the building itself, are ‘one with nature, When an effort is made to give back to the ‘community, everything gains significance. ‘Ocampo thinks we can all benefit from a shift in perspective and social norms. Life, in his opinion, is too brief to be spent aimlessly. The pursuit of one’s own ‘well-being and contentment should take precedence over the pursuit of wealth and power. WHY SLOW LIVING "Slow living has been defined and refined based on our present condition, especially after the pandemic,’ Ocampo noted. “I think the world is better off using slow architecture with the purpose of putting your personal life ahead of your professional life. It reminds us of how one should lead the rest of his days after the pandemic catastrophe that made us all realize what is important in life” ‘The man behind Casa Baroro, who found inner peace and happiness by the water, created a breathing space that grounds guests in the present, and conveys how it feels to live a simpler, more meaningful life. youn 42 HAUL NN Hanh HiVMMMUTUTE TANIA AT Mi Ny WM TVET AMAIA ante not only brings comfort but also adds dimension to the architect's identity. Cmca cnt ee rao)ind blowing through the windows, caressing your skin with its warm breeze. Sunlight peeking through, illuminating the space inside as it wakes you up in the morning. Instead of having to turn off your alarm, nature lets you start your day according to your body clock. Imagine you're in a place that offers tranquility amid the fast-paced, hectic everyday life in the city. Living in a busy city, we keep up by doing things fast-paced. No time must be wasted due to the mindset of accomplishing more ina short amount of time means success. ‘We've forgotten to breathe and savor every ‘moment in our lives. But when the pandemic happened, it gave us the opportunity to take a break, to pause, and live slowly to appreciate what we have, Baan Sailom in Bangkok, Thailand takes away the pressure to be productive and accomplish tasks immediately. Here, one can wake up naturally, brew coffee, and spend the ‘morning appreciating the lush garden. It is place that promotes slow living, a concept that allows you to live at your own pace and live better. INCORPORATING SLOW LIVING IN ARCHITECTURE Long before the 2020 pandemic, the slow living movement has been the lifestyle of many individuals around the world. It started as a response to “fast food” culture and evolved into people having their own definition of the movement. In general, however, the slow philosophy is about having ‘a meaningful and conscious lifestyle that aligns with what a person values most in life. Anonym, a Bangkok-based architecture studio which designed Baan Sailom, defines slow living as thriving at your own pace. “Sometimes one needs to be energetic, other times, one needs to be more relaxed. Eventually, one needs to pause.” As architects, they believe they should be able to anticipate these moments while also keeping in mind that architecture should coexist with nature. Anonym’s approach to slow living is evident in Baan Sailom, emphasizing that nature is key to a slower pace of life When it comes to their style, they present slow living through physical manifestation. They organize empty spaces or transition spaces and connect the interior spaces with natural elements whether it be light, air, soil, or trees. They also incorporate subtle crafted details that encourage visitors to take time to appreciate. vou, »Richard Leplastrier, an Australian architect, is one of Anonym's inspiration when it comes to slow architecture. His projects - such as the Lovett Bay house, Palm House, and Osborne house ~ show a way of living that coexists with nature, rendering biophilic altruism, ‘THE HOUSE OF WIND “Baan Sai Lom” is a Thai phrase which means “house of wind” True to its name, the house is filled with natural light and wind. Itis a four-story home designed to accommodate ‘members of three families. Phongphat Ueasangkhomset, architect director of Anonym, explains that they designed the interior of the house to look and feel ike aTeLicceisaeeee eae eta) (eporaetase ere w TesAAR Ian vaa nha OTA AA Pann it mM V1 1 WL TMT JAY (MT SAT TMT AMY TOL TL, AAA DT JM OT | CM A a PAE Da DD TPO AE TO OE service apartment with functional spaces that each family member can use freely and separately on each floor. Common areas, ‘such as the living room and kitchen occupy the first floor. The upper floors, meanwhile, house bedrooms, more living areas, and small pantries. Moreover, the architect explains that the project is all about connecting spaces. "Every is linked together by two internal courtyards that open up into the void running from the ground to the fourth floor” ‘The first court is an outdoor space with a ‘climbing wall, a requirement from the owner ‘who climbs as a hobby. The remaining court features a walkway for each floor, designed to overlap and bring interesting space variations, Anonym designed the roof to bbe elevated at the upper part of the court, creating a void to facilitate airflow with a transparent material that welcomes natural light. 4 BLUPRIVTONEMEGACOM Architect Phongphat explains that while the courts exist as a part of the house's interiors, the openings that lead the wind and light into the living space create a pleasant obscurity, adding the outdoor ‘element to the indoor area. The house's exterioris characterized by the brick facade that offers natural ventilation, with the material having been arranged in various dynamic patterns. The architect ‘used perforated bricks not only for their ventilation properties but also for their safety, affordability, the freedom they offer the design, and the privacy they can bring to dwellers They designed the facade to cover the parts of the house exposed to an excessive amount of sunlight, The brick pattern is less perforated in the areas on the ground floor, ‘where more privacy is required. The top part of the facade and higher floors feature patterns that become more perforated andVOCE tid Se EE ee eee Tern Nn AAG APreeti tie a ereererrert ° . I ne Bi Ht TAMA Mth ih rat Mit At Hit Hi Hi Hitt Uh TOL (AC TOL YLT RT TOT TTR OTD TTT UWL TOL QOL TMT OO TOTO TTT TOT WU) QUENT ME TRE TM TT Dm Tm Ja PP mW =“Sometimes, one needs to be energetic, other times, one needs to be more relaxed. Eventually, one needs to pause.” ANONYM STUDIOairier, corresponding to the surroundings that are more open and unobstructed. Anonym designed the space between the facade and the house into a veranda with potted plants. This adds a visually pleasant green area to the living space. The variety of perspectives resulted in the house's diversified floor plans and functional spaces as the facade diminished the four-story structure's rigidity. ‘The architect also added other fun details to the facade. For instance, he wanted to use the bricks without making any cuts. This made the calculation of the ranges between each block, beams, and lintels critical. His team managed to achieve its goal, not merely from the finalized working drawing on paper, but also through the additional adjustments and ‘experiments made on the site, helping to attain the desired outcome. ‘One of Baan Sailom’ is de-solidifying the architectural structure, ‘Anonym expressed this in the forms of ‘openings, internal courtyards, or the play on textures from different materials. An ‘examples the perforated bricks or the concrete surface whose customized patterns ‘were crafted using a prefabricated trowel. Phongphat shares that he didn’t know how to create that particular texture at first. Through ‘experimentation on-site with the builders’ help, he managed to create a pattern that brings an interesting dimension and lessens the rigidity of the concrete walls. trong characteristics @ BLUPRIVTONEVEGACOM= + a Sn sia ty oe eae ara ets ool oka Ce eae Toe eteBaan Sailom is not like the other projects of Anonym. Being known for its immaculate details, the firm decided to rebel from its usual practice. The architect deliberately left the beam above the brick facade exposed. He also left the air conditioning pipes uncovered in the living room. “I like this house because it isn’t about the crisp and polished details. We did everything the way it could and should be done. I wasn't too serious or trying too hard about making everything flawless, and that’s ‘what I love most about it” shared Phongphat. Moreover, Anonym explains that the creative and conscious consumption ‘during the construction process should be considered, starting from the design process. ‘The team always engages in passive solutions first to control ambient qualities, then construct accordingly. This project is more about reducing energy consumption, indoor air qualities, and universal design solutions for elderly. ‘The studio believes that slow architecture, like Baan Sailom, helps raise awareness for people to live consciously. With it, people will have time to reflect carefully about the ‘essence of their lives, as well as that of others. younGENTEEL AND GENTLE: SLOW LIVING IN THE ANTONIO (8h 3 alata eal les see y of slow living was design aestheti Te ea TLL distilled into a contemporary ly homehe joy of living amidst tropical Eases esr ttd materiality alone as is often eae aS ete td roof, purportedly for the rain. It isin the Poe Secs ena eg Cet Reed SOE Ce ey Seca ete De Recon cu rece earn e roy atmosphere of warmth, calling one into Dee ceo eras Slow Living is a unison of spaces that beckon one to relax, read a book, listen to Seca Ca CURL? Pee ere eee nC conto m TRC es Dre ee eR Ucn eae Ca cs ceeC head together every formed material into the Pa ee ee Ray tropical design and slow living: the plans and details in architecture. oma?Slow Living. This is the phrase that couple Yugi and Timmy (Roa) Antonio, daughter Alicia, and son Paco have embraced throughout the pandemic and recently since they have moved into their new SORA ceca Ser Ree ene emt of life, at a pace that is not rushed, in a place Se eRe Cee linger throughout the day. Itis genteel and gentle architecture personified, created SU eet earns Reger to Lia og Bane From the entrance portals of the Antonio House, one walks into the welcoming foyer that leads to more open spaces, flanked Sonat eros wayfinding direct and easy. The separation of public and private spaces is clear but Per CnUCo Rent ome een cred Pech a eLEnta refreshment derived from landscaped Pec‘Apart from surrounding the with refreshing gr pee 71“In light of what has affected the world, what is important is the enjoyment of life, at a pace that is not rushed, in a place where entertaining family and friends can linger throughout Let cKE VAM C@ CEC e-beLe eld e-uasblcaaltas personified, created with a lesson - reminding Cofsa Keema etme bm uri baw aw erbue CS Cor bom Xm star Len a ecto Cne ARCH. CATHY SALDANA MANAGING DIRECTOR OF PDP ARCHITECTSFE Ri ee aU ee en ae gs: y Ll ‘An expansive corridor connects the house, dividing sections for future expansion and Aexible use of space. Freezers, kitchen eee Roce er sated Poe cua cd Seo mecoe nro ts Sle ect neces ee ELE Coe CO on CMM oe Pee Mec e d patterns that allow functional planning to per Cet et eas Pee een Send SUC tara ? Crete Ree eat up tabletops and floors, subtly illuminating paintings and sculptures that represent both classic and modern Philippine art. Ce ORO ey an architecture degree and successful years De RU eect) een acento cay leadership in the family. She performed the role of sustainability champion and decreed that no new tree should be felled for this aOR ee ree hn agi Ce eee toy PO ECC RSIS TTD naturally endowed with an aged patina, Ores cay POSE cee eo acy Sho tee! Pree Rese tr enna Various other elements of sustainability SE ae Seta panels are connected to a grid, with future Peetu etd Peer ec ete te eC eT ee Seer a Cee ccc goal. Thermal comfort is attained not just Sema Pee ec eed eee Peet Cnun tates clearly stood out, as well as Timmy's egos eee canny attention to design details. The family also sourced materials and fixtures together while transferring favorite pieces from their previous property.ee 5 ne rT hap : nhoe ect sos Sues e e oieeog a eae uae SECT cance and tested subcontractors and suppliers, TEU cu act) of problem-solvers who are mindful of schedules, costs, quality and the durability Seay eee eect as} from both her parents, exposed to the pee rere Boric OAS aoe? Peo E Sasa nese ee cen en nn ene Peay ‘mentors and parents, from understanding Penge Ce cect eee ee cen Perce OCR) is a National Artist for Architecture. His father, Pablo Jr., uncles and aunts, all bear the imprint of great design in their work SS Oe ecg Pa Onc Ch sy a econ ec Poe eur cd SOEeetEtc nt Peet Creare CRU ene nen building this house would have centered Oe eae Le COSC ey oe RE ee SE eC ee ne cE the house that was built and completed Ce ECC antag Dee LOO as Pee rea See CCL ee Coated Pon ene nC eae isnt ce cate ECC es eed Cam en Seated Careers) Som cyDESIGNED WITH EMPATHY AND BUILT FOR EXPERIENCE Slow design wc on details that ea zis stent eee elhe fast-paced life has taken its toll on T ‘much of the world, but it took a global pandemic for many of us to realize - Stuck in our homes for most of the past two ‘years, we were reminded of how much we've forgotten to slow down. We were so used to the hustle and bustle of modern life that when we were forced to stay put at home, it was mostly an unset ig experience. Slow living has always been touted as an antidote to the frenetic way of life, What began as the slow food movement in the late 1980s in response to fast food eventually expanded to many other aspects of modern life, including the spaces we live in and interact with. “The Slow philosophy is not about doing everything at a snail's pace. It’s about secking todo everything at the right speed. Savoring the hours and minutes rather than just counting them. Doing everything as well as possible, instead of as fast as possible,” Carl Honore ‘wrote in his 2004 book In Praise of Slowness, widely touted as the modern-day bible of slow living When applied to architecture, advocates agree that it involves designing spaces not only with aesthetics in mind, but also proper context, materials, sustainability, and cost-effectiveness. youn 6DESIGNING FOR SLOW LIVING Ina more practical sense, the slow approach toarchitecture encourages people to take time to take in the visuals, mood, and artistry that the spaces impart upon them, For Architect Jorge Yulo, principal of Jorge Yulo Architects & Associates, rather than a style, it’s more about designing spaces with empathy and building them to be experienced. He expresses this in his work through an abundance of details that cannot be appreciated through a fleeting visit. *Thave alot of intricate details in my work that usually cannot be appreciated if you're in the space for just a few hours. The longer you live in the space, more details unravel. So, the ‘experience of living in the space is a series of continuous discoveries, That keeps the owners’ interest with the structure that I designed for them with time-released renewed curiosities. Hopefully, they don't tearit down or buy something that they don't need for the space” Wewere all students of slow living during the pandemic, which forced us to understand the practical applications of slow architecture, and the wisdom and strategies behind design intent. As Yulo described, “You have to imagine ‘yourself being trapped in the spaces that you design, as a prisoner in that space. With that in mind, you design something more interesting and amusing beyond satisfying your basic needs” He also sees slow living as a re-humanization of society ata time when we need to be mindful of how we use the world’s resources. “in the last fifty years, we've consumed more than 50% of the world's resources because of the pace of the way we live and the demand from our consumerism. Slow living is sort of backtracking and humanizing that rate,” he noted. ‘The Equilateral House embodies Yulo's affinity for exploring r fe BLUPRIVTONEMEGA.COMaterialty, such as how they willdeteriorate, oxidize, and weather aver time.‘Aplan based on equi incorporate a wedge\\ SIRO ead ota vcore doing nowadays, tearing down old buildings so they can build something that is more profitable. That isn’t what slow living is about, We want people Ran coment ae Chace U Cent tg Eve Rattles eter eee sels ce Rasy Racveshee vate nem etry cme CORT Rte te Architecture can play a big role in this task” ARCH. JORGE YULO Ble) clk 0 Koy \ en Maelee VS-ele] Ua}‘THE EQUILATERAL HOUSE Slow living can and should begin at home, where spaces are designed with the well-being of its residents and respect for the environment in mind. It should be a place where owners and their visitors can enjoy genuine human well-being, oneness with nature and the environment, and escape from the frenzy of modernity. This is where the architect's empathy comes into the picture — putting yourself into somebody else's shoes or persona and re-looking at the world, as Yulo aptly put it, What do they need for their home to become ‘a refuge from the chaos of the city? How can it provide for their needs in the long term? What aspects or elements of design can help make the ‘most of what the existing space already has? Among Yulo's best answers to the requirements of slow living is the Equilateral House. Its plan is based on an equilateral triangular grid, but all the spaces are more or less rectilinear, some even symmetrical. “They float in this triangular grid so it creates alot of these wedged spaces” he described. ‘Aside from creating interesting spaces, it sets ‘up the elements for Venturi effect architecture, which is essentially designing the structures toact as funnels for wind to improve the ventilation of the house. He noted that this. endly feature makes spaces of the house amore pleasant place to stay for long periods of time without mechanized cooling, Another noteworthy feature of the house is the oculus, which he considers to be the limbic center of the house. Itis an indicator of time, weather, and mood forits residents and it also serves as a heat release mechanism that keeps the house cool, Since the house was built during the pandemic, Yulo and his team had plenty of time and opportunities to explore their materials at hand. Guided by his established regard for natural materials, the process came naturally for the team, making decisions based on how the materials would deteriorate, oxidize, and weather for this particular project. vous 8?eee ee ers lighting, the big windows balance the wood elements Seria atc“Ihave a lot of respect for natural materials such as wood and stone, because they pre- existed me and they carry alot of history. So when Iuse them, [try to have the least amount of intervention, especially with some of the special wood pieces that are hundreds of years old. I try not to cut the pieces so they may be further repurposed in some yet unknown future project. like using materials finished in their natural color, such as steel. We allow it to oxidize to the hue that we want, then we retard the process through an emulsion” Aswith the rest of his work, Yulo believes that the notable design features of the Equilateral House are better experienced than verbally described. There are details in one part of the house that explain the details in another part of the house. “Llike to play with these positive and negative juxtapositions. These are things that would be more noticeable or easier to comprehend if you've lived in the space for a while, even just a few days. These are small details that are perhaps insignificant to describe, but much more appreciated once experienced. The house's design rewards familiarity.” INCORPORATING REPURPOSED MATERIALS Architects across the globe may have different approaches to achieving the goals of slow architecture. However, all of them incorporate a major component of slow design: repurposing materials to breathe new life into existing spaces. This also ties with the goal of slow architecture advocates to keep the construction and living costs affordable and sustainable. youn 9Aside from incorporating natural materials with the least intervention, Yulo and his team also used a myriad of repurposed design pieces. A sculpture from an international cultural exhibition, as well as some bits and pieces with interesting history serve as accent pieces that give the house an interesting, lived-in look. “There's this sculpture by the door that I did for the Venice Biennale, and if you look at it, it’s sort of the model for the staircase. I also have a lot of old materials from Philippine history, such as pieces of railroad rails from a defunct sugar estate that I cut and used as handrails and balusters for the stairs and balcony. There are large pieces of wood as you can see overhead that I purposely didn’t cut and used them as flooring. There's piedra china that's thousand years old” 9 LUPRINTONEMEGACOMOe eget cea eu gece Pee esate LaLa ics Cee Rae eee oa eo acts‘SLOW ARCHITECTURE IN THE PHILIPPINES ‘Asa tropical country with an abundance of natural materials, scenic landscapes, and cultural heritage, the Philippines has plenty of opportunities to incorporate slow architecture, For Yulo, however, thisis only possible if we, as a developing but highly educated nation, could curb our aspirations and rethink our habits of consumption. Our architecture doesn't always have to be built around profitability. We can design to promote well-being and quality of life, and incorporate unique and immersive experiences. Thisis the architecture of slow living. Yolo added that this is what inspires his own, take on slow architecture. “This is opposed to what alot of companies are doing nowadays, tearing down old buildings so they can build something that is more profitable. That isn’t swhat slow living is about. We want people to think of the life cycles of the products they are constiming, the amount of embodied energy it takes to produce, market, utilize, and dispose. Architecture can play a big role in this task” While today's architects can find ways to ‘make a distinctly Filipino approach to slow design, Yulo believes that slow living is more of a universal rather than patriotic pursuit. But, we can always look at our own needs and conditions to give slow architecture some local flavor. “As Einstein said, [think our technology has greatly surpassed our humanity, That is sort of the platform for slow living, wherein you want to retrace steps that society has taken towards pursuing technology and dot right. We're now digital and it should be more sustainable, but it can also be more destructive, as we can now see. So it’s not a patriotic thing, it’s really a universal thing. But if we are to look at our own needs, I guess it has to be contextual to the weather and climate, and our economy. That's how you make it Filipino”THE BAUHINIA RESIDENCE: WHAT IT HAS, IT MAXIMIZES Nazareno + Guerrero Design Consultancy once again creates a retreat that can be called a masterpiece. (RITEN BY KOOKS NUESTRO | P1sTOGRAPIY BY ED SIMONhe awe-inspiring tandem of ‘Ar. Anthony Nazareno and Ar. Christian Guerrero of Nazareno + Guerrero Design Consultancy Inc. (NGDC) hhas once again created a masterful sanctuary in the middle of a bustling city. Attthe heart of the metropolis, along a busy street inside a gated community, the Bauhinia Residence is nestled in its, imposing stark black lava stone shell, creating a space where time seems to slow down —a refuge against the hustle and bustle of life outside. ‘The owner, whose intention is for the house tobe his retirement home, commissioned NGDC to design a residence that would be as, low maintenance as possible. Additionally, they wanted the house to be grand yet cozy. Situated on a comer lot, plenty of design options came to mind, and it was up to Nazareno to edit down the possibilities to create the ideal house for his client and friend, Of course, this could not have been done without the proper collaboration between designer and client. Both sides definitely had input that shaped the architecture that it currently is — architecture that encourages slow living. youn 97During Ar. Nazareno's design process and direction setting, he became familiarized with the lava stone material when he traveled to Iceland. It was prevalent in the landscape across the country, showing cliff formations amidst the cool and pristine sceneries. He thought that it was an interesting material to utilize and was intrigued by it, believing that it should be easy to maintain. Coincidentally, the owner also went to Iceland on a separate trip during the design development process As such, it wasn'ta hard sell to the owner when Ar. Nazareno brought it up to be used for the design of the home. This was the ideal direction and extremely conscious design decision for the project, which would shape the residence and its character definitively. Smooth lava stone is very easy to maintain and clean, alongside Parklex, a natural wood veneer cladding ideal for exterior uses. Inside, walls were tiled with gargantuan 1m x 5m tiles, wrapping each and every single space. A play of textures in the project was already brewing early on,Plants were absolutely essential for this residence. The owner even added Tal/say trees that are more than 10 meters high for the intention of privacy. Another thing to note is that a Kalachuchi tree in the middle of the property was replaced several times to find the perfect one for the house, 10) GLUPRIVEONEVESACOMtT | | f | ‘ ae lh a te fy a eeePockets of light bring interesting shadow play to some indoor spaces, while textured walls add depth to balance the open staircase effect a vou, 109Atthe start of the project design, ‘Ar. Nazareno had to solve two things: to ‘maximize the lot, and to pin down what the focal point of the house would be. A setback of 10 meters was required from the two sides of the lot beside the road. So, rather than maximizing the lot by planning along the setback, he designed an inverted Layout, creating a generous garden facing the road intersection. This large garden space is something that the homeowner was determined to have. The main communal spaces of the house were then planned to face the vast open space — the focal point of the house. Plontur, the landscaper of the project, lined the perimeter with Talisay trees for privacy, and it indeed is felt through and through as the house was envisioned as a haven for rest and respite. The client initially opted to have a double height living area, and it was a point of conversation and negotiation on the change of design brief. The team advised the client to keep the living room at just one floor, as the ceiling height is already at 3.5 meters. This gave the opportunity to create a new space on the second level, which would be the heart of the house — the perfect spot for taking in the best views available. The owner allowed the project team to do so, and he designed to have the family room where the double height space was supposed to be in. It is now the family's favorite space, and where they spend the most time together, secing the garden and. views from a higher vantage point.‘The owner, when asked about what he enjoys most about the house, gladly answered: “The house is very nice and enjoyable. The view is my favorite — it's very resort-like and clean. Tove that my family enjoys the house. I love seeing the serenity and nature together, and how each space harmonizes with its surrounding landscape” Beautiful vignettes from different vantage points were meticulously designed and curated, such as one looking towards a tree that seems to hold up a long cantilevered ‘canopy, covering the wading pool below. ‘Approaching the house likewise creates another vignette, where Profilit channel glass is used on both the entrance to the driveway and the entrance to the foyer, which are both seen on the approach. As the glass is translucent, silhouettes may be seen, and one may need to squint to see and experience. Other than that, wall patterns adorn the residence, with lava stone cut and tiled accordingly. This pattern is also applied into the windows’ brise-soleil, and to the main canopy which is one of the highlights of the house. 106 “BLUPRIVIONEVESA.COM