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Phot

ogr
aphyMas
ter
clas
s
bySi
ddhar
thKar
navat
Ov
er
vi
e
w
I
ntroducti
on
Thescience
Exposuret
riangl
e
Dayli
ghtPhotography
Att
achabl
el ens
Panar
oma- Vert
orama
PRO mode
Useatri
pod
Under
standi
ngNatur
al&Arti
fici
alLi
ght
ing
Composit
ion:Rul
eofThi r
ds
Pr
inci
plesofDesi
gn-Balance&ot her
s
Fol
lowtheli
nes&Per specti
ve
Golden&Bl uehours
Sil
houttePhotography
I
ntr
od
uct
i
ont
oPh
ot
og
ra
phy
Phot
ogr
aphyi
sthear
tofcapt
uri
ngl
ightwi
thacamer
a,
us
ual
lyvi
aadi
git
als
ens
ororfil
m,t
ocr
eat
eani
mage.
Wi
tht
her
ightcamer
aequi
pment
,youcanevenphot
ogr
aph
wav
elengt
hsofl
ighti
nvi
sibl
etot
hehumaneye,
i
ncl
udi
ngUV,
inf
rar
ed,
andr
adi
o.

Thefir
stper
manentphot
ogr
aphwascapt
uredi
n1826i
nFr
ance.
I
tshowst
her
oofofabui
ldi
ngl
itbyt
hes
un.
I
ntr
od
uct
i
ont
oPh
ot
og
ra
phy
I
ntr
od
uct
i
ont
oPh
ot
og
ra
phy

We’
vecomeal
ongways
incet
hen.
I
ntr
od
uct
i
ont
oPh
ot
og
ra
phy
Peopl
ePhot
ogr
aphy
Portr ait
s
WeddingPhot ography
Document ary
Spor ts
Fashion
Commer cial
St
reetPhot ography
EventPhot ogr aphy
Nat
urePhot
ogr
aphy Tr
avel
Landscape PetPhot ogr aphy
Wil
dlif
e ManmadeObj ects
Macr o Pr
oductPhotography
Under water Food
Ast
rophot ography St
il
lLi
fePhotography
Aer
ialPhotography Archi
tect
ure
Sci
entific
T
heSc
i
enc
ebe
hi
ndi
t
Asli
ghtmak esitswayf r
om as our
cethroughthelensofacamer
a,
t
hecamer a'
sdi gi
talsensororgani
zesdatacomingfrom l
i
ght
.
Phot
osit
espr ocessthedataand
t
hesoftwarec onver
tsthi
si nf
ormati
onint
opixels.

Anunder
standi
ngofhowopti
cs,cameras,angl
es,andl
i
ght
ingworks.
Ut
il
i
zingt
hes ci
encebehi
ndphotogr
aphywi l
lbeahugeadvant
agef
orever
yphot
ogr
apher
.
T
heSc
i
enc
ebe
hin
dit
S
ometer
min
olog
y
E
xpo
su
reT
ri
ang
le
E
xpo
su
reT
ri
ang
le
Shut
1. t
erspeed:Theamountofti
meyourcamerasensori
sexposedtot
heout
sidewor
ld
whil
etaki
ngapicture.
2.
Apert
ure:Repr
esentsa“
pupil
”inyourl
enst
hatcanopenandcloset
oleti
n
di
ffer
entamount sofli
ght
.
3.
I
SO: Techni
cal
lyabitmorecompl
exbehi
ndt
hes
cenes
,buts
imi
lart
othes
ens
iti
vit
y
offilmfortaki
ngpi
cturesindi
fferentli
ght
ingcondi
ti
ons.
Als
os i
mil
artobri
ghteningordarkeningaphotoi
npost-
proces
sing.
E
xpo
su
reT
ri
ang
le
Lowers
hut
ters
peed:
1/4,
1/2,
1”,
2”,
4”andabove

Hi
ghers
hut
ters
peed:
1/8,
1/16,
1/32,
1/64,
1/100,
1/400,
1/800,
1/2000,
1/4000,
1/8000
E
xpo
su
reT
ri
ang
le
2.
ISO
E
xpo
su
reT
ri
ang
le
3.
Aper
tur
e
E
xpo
su
reT
ri
ang
le
Da
yli
gh
tPh
oto
gr
aph
y
Da
yli
gh
tPh
oto
gr
aph
y

How t
oShootBeaut
if
ulPor
trai
tsi
nHar
shSunl
ight
:

SHOOTI
NMANUAL.
WI
DENYOURAPERTURE.

MATCHTHEI
RSKI
NEXPOSURETO THEBACKGROUNDEXPOSURE.
USEYOURCOUPLESTO SHADEEACHOTHER.
DON'
TLOOKATTHECAMERA.
At
tac
hab
lel
ensf
o
rMo
bi
lePh
one
s
Us
ee
Pan
aro
maf
e
atu
re

Whent heterm'Panor ama'r eachesourear s,maj ori


tyofpeople
bri
ngthosehor i
zontallandscapesi ntheirminds.
Butwhataboutthebeautif
ulEif
felTowerort heSt at
ueofLi bertyorsayal avi
shbuil
dingvi
ew?
Allt
hesetal
llooki
ngobjectswillnotfi
tint
ot hetradit
ionalhori
zontalpanor
ama.
Andherecomesver t
oramashandy .Vertoramasar ebasicall
ypanor amashot sbutt
akenverti
cal
ly
.
Thever
ticalpanor
ami cphotosprovideanelevatedqual i
tytothetallthi
ngsoft hewor l
dulti
matel
ygivi
ngthem ast
unni
ng
l
ookandunusualt wist.

check t
henextsl
ide
VERT
ORAMAS
PROm
ode

Useslowshutt
erspeed
Longexposureshot
s
hutt
erspeed:3”or6”
Us
eaT
ri
po
d
Un
de
rs
tan
di
ngNa
tur
alL
igh
t
Un
de
rs
tan
di
ngAr
ti
fi
c
ialL
igh
ti
ng
Ru
leo
fT
hi
rd
s
Ru
leo
fT
hi
rd
s
Ru
leo
fT
hi
rd
s
So
meE
lem
ent
s&Pr
in
ci
pl
es

Pat
ter
n
Negat
iveSpace
Cont
inui
ty

aa
lnce
B
Groupi
ng
Col
or
ght/
Li Shadow
So
meE
lem
ent
s&Pr
in
ci
pl
es
Pat
ter
n
Si
mil
ari
tyi
saconceptt
hatcr
eat
esacal
mingef
fecti
nit
svi
ewer
s.
Cr
eat
eas
ens
eofvi
sual
har
mony
,andf
ami
li
ari
ty.

Emphas
is:
It’
spar
tofoursurvi
vali
nsti
ncttol
ookatsomet
hing
thatdoesn’
tfitcor
rectl
ywithitss
urr
oundings
.
So
meE
lem
ent
s&Pr
in
ci
pl
es
Negat
iveSpace
Emphas
isesnotj
ustt
hes
ubj
ect
,butt
heempt
yspacear
oundt
hes
ubj
ect
.
Thevi
ewer
'seyesmaybedr
awnt
oacent
ral
figur
e,butt
heycan'
thel
pnot
ici
ng
t
hel
arges
ect
ionofempt
ines
sthats
urr
oundsanddefinest
hatfigur
e.
So
meE
lem
ent
s&Pr
in
ci
pl
es
Cont
inui
ty
Cont
inui
ty–whenyous
eeabunchofl
inesgoi
ngi
nonedi
rect
ion,
you'
l
las
sumet
hatt
heykeepgoi
ngi
nthatdi
rect
ion.
Evenwhent
heyl
eavet
hef
rame.
So
meE
lem
ent
s&Pr
in
ci
pl
es
Bal
ance
Ar
rangi
ngt
hemai
nsubj
ectandot
herel
ement
swi
thi
nthef
rame
ofaphot
ogr
aph,
sot
hatever
ythi
ngi
nthei
mage
hasequal
vis
ual
wei
ght
..
So
meE
lem
ent
s&Pr
in
ci
pl
es
Gr
oupi
ng
Humansgr
oups
imi
larel
ement
s,r
ecogni
zepat
ter
nsand
s
impl
if
ycompl
exi
mageswhenweper
cei
veobj
ect
s.
So
meE
lem
ent
s&Pr
in
ci
pl
es
Col
or
Cont
rast
ingcoloursareeye-catchingast heydon’tblendintoeachot
her
andtheycr eat
eas eparatedl i
nebet weent wosubject
s,
whi
chf or
cest hevi ewertos t
arelonger.
Cooltonedimagescancr eat eadarkormys teri
ousimage
whereasawar m colourcr eatesalighterandhappymode.
So
meE
lem
ent
s&Pr
in
ci
pl
es
Li
ght&Shadow
Si
mil
ari
tyi
saconceptt
hatcr
eat
esacal
mingef
fecti
nit
svi
ewer
s.
Cr
eat
eas
ens
eofvi
sual
har
mony
,andf
ami
li
ari
ty.
F
oo
wi
nge
lin
es&Pe
rs
pe
ct
iv
e
F
oo
wi
nge
lin
es&Pe
rs
pe
ct
iv
e
Go
lde
nHo
ur
s
Bl
ueHo
ur
s
The'bl
uehour'i
stheperi
odofti
mejustaf
terthesunset,
ar
oundduskwhentheskyt
akesoninky,indigohues
andbef
orei
tbecomesimpenet
rabl
ybl ack.
Si
lo
ut
tePh
oto
gr
aph
y
Thank Y o
u
Phot
ogr
aphyMas
ter
clas
s
bySi
ddhar
thKar
navat

9890961574

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