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Solution Manual for Mathematics with

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Mathematics with Allied Health Applications
Description:
This book is intended for algebra courses for the allied health
professional, usually at community colleges and career schools.
This book will appeal to professors who are looking for a
paperback where examples and exercises reflect the situations
that allied health professionals will face in their daily challenges
throughout their career.

1. Contents
2. Preface
3. Aim For Success: Getting Started
4. Chapter 1: Whole Numbers
5. Prep Test
6. Section 1.1 Introduction To Whole Numbers
7. Objective A: To Identify The Order Relation Between Two Numbers
8. Objective B: To Write Whole Numbers In Words And In Standard Form
9. Objective C: To Write Whole Numbers In Expanded Form
10. Objective D: To Round A Whole Number To A Given Place Value
11. Section 1.2 Addition Of Whole Numbers
12. Objective A: To Add Whole Numbers
13. Objective B: To Solve Application Problems
14. Section 1.3 Subtraction Of Whole Numbers
15. Objective A: To Subtract Whole Numbers Without Borrowing
16. Objective B: To Subtract Whole Numbers With Borrowing
17. Objective C: To Solve Application Problems
18. Section 1.4 Multiplication Of Whole Numbers
19. Objective A: To Multiply A Number By A Single Digit
20. Objective B: To Multiply Larger Whole Numbers
21. Objective C: To Solve Application Problems
22. Section 1.5 Division Of Whole Numbers
23. Objective A: To Divide By A Single Digit With No Remainder In The Quotient
24. Objective B: To Divide By A Single Digit With A Remainder In The Quotient
25. Objective C: To Divide By Larger Whole Numbers
26. Objective D: To Solve Application Problems
27. Section 1.6 Exponential Notation And The Order Of Operations Agreement
28. Objective A: To Simplify Expressions That Contain Exponents
29. Objective B: To Use The Order Of Operations Agreement To Simplify Expressions
30. Section 1.7 Prime Numbers And Factoring
31. Objective A: To Factor Numbers
32. Objective B: To Find The Prime Factorization Of A Number
33. Focus On Problem Solving
34. Questions To Ask
35. Projects And Group Activities
36. Orders of Operations
37. Patterns in Mathematics
38. Search the World Wide Web
39. Chapter 1 Summary
40. Chapter 1 Concept Review
41. Chapter 1 Review Exercises
42. Chapter 1 Test
43. Chapter 2: Fractions
44. Prep Test
45. Section 2.1 The Least Common Multiple And Greatest Common Factor
46. Objective A: To Find The Least Common Multiple (LCM)
47. Objective B: To Find The Greatest Common Factor (GCF)
48. Section 2.2 Introduction To Fractions
49. Objective A: To Write A Fraction That Represents Part Of A Whole
50. Objective B: To Write An Improper Fraction As A Mixed Number Or A Whole Number,
And A Mixed Number A
51. Section 2.3 Writing Equivalent Fractions
52. Objective A: To Find Equivalent Fractions By Raising To Higher Terms
53. Objective B: To Write A Fraction In Simplest Form
54. Section 2.4 Addition Of Fractions And Mixed Numbers
55. Objective A: To Add Fractions With The Same Denominator
56. Objective B: To Add Fractions With Different Denominators
57. Objective C: To Add Whole Numbers, Mixed Numbers, And Fractions
58. Objective D: To Solve Application Problems
59. Section 2.5 Subtraction Of Fractions And Mixed Numbers
60. Objective A: To Subtract Fractions With The Same Denominator
61. Objective B: To Subtract Fractions With Different Denominators
62. Objective C: To Subtract Whole Numbers, Mixed Numbers, And Fractions
63. Objective D: To Solve Application Problems
64. Section 2.6 Multiplication Of Fractions And Mixed Numbers
65. Objective A: To Multiply Fractions
66. Objective B: To Multiply Whole Numbers, Mixed Numbers, And Fractions
67. Objective C: To Solve Application Problems
68. Section 2.7 Division Of Fractions And Mixed Numbers
69. Objective A: To Divide Fractions
70. Objective B: To Divide Whole Numbers, Mixed Numbers, and Fractions
71. Objective C: To Solve Application Problems
72. Section 2.8 Order, Exponents, And The Order Of Operations Agreement
73. Objective A: To Identify The Order Relation Between Two Fractions
74. Objective B: To Simplify Expressions Containing Exponents
75. Objective C: To Use The Order Of Operations Agreement To Simplify Expressions
76. Focus On Problem Solving
77. Common Knowledge
78. Projects And Group Activities
79. Music
80. Construction
81. Fractions of Diagrams
82. Chapter 2 Summary
83. Chapter 2 Concept Review
84. Chapter 2 Review Exercises
85. Chapter 2 Test
86. Cumulative Review Exercises
87. Chapter 3: Decimals
88. Prep Test
89. Section 3.1 Introduction To Decimals
90. Objective A: To Write Decimals In Standard Form And In Words
91. Objective B: To Round A Decimal To A Given Place Value
92. Section 3.2 Addition Of Decimals
93. Objective A: To Add Decimals
94. Objective B: To Solve Application Problems
95. Section 3.3 Subtraction Of Decimals
96. Objective A: To Subtract Decimals
97. Objective B: To Solve Application Problems
98. Section 3.4 Multiplication Of Decimals
99. Objective A: To Multiply Decimals
100. Objective B: To Solve Application Problems
101. Section 3.5 Division Of Decimals
102. Objective A: To Divide Decimals
103. Objective B: To Solve Application Problems
104. Section 3.6 Comparing And Converting Fractions And Decimals
105. Objective A: To Convert Fractions To Decimals
106. Objective B: To Convert Decimals To Fractions
107. Objective C: To Identify The Order Relation Between Two Decimals Or
Between A Decimal And A Fraction
108. Focus On Problem Solving
109. Relevant Information
110. Projects And Group Activities
111. Fractions As Terminating Or Repeating Decimals
112. Chapter 3 Summary
113. Chapter 3 Concept Review
114. Chapter 3 Review Exercises
115. Chapter 3 Test
116. Cumulative Review Exercises
117. Chapter 4: Ratio And Proportion
118. Prep Test
119. 4.1 Ratio
120. Objective A: To Write The Ratio Of Two Quantities In Simplest Form
121. Objective B: To Solve Application Problems
122. 4.2 Rates
123. Objective A: To Write Rates Objective
124. B: To Write Unit Rates
125. Objective C: To Solve Application Problems
126. 4.3 Proportions
127. Objective A: To Determine Whether A Proportion Is True
128. Objective B: To Solve Proportions
129. Objective C: To Solve Application Problems
130. Focus On Problem Solving
131. Looking for a pattern
132. Projects And Group Activities
133. The Golden Ration
134. Drawing The Floor Plans For A Building
135. The U.S. House Of Representatives
136. Chapter 4 Summary
137. Chapter 4 Concept Review
138. Chapter 4 Review Exercises
139. Chapter 4 Test
140. Cumulative Review Exercises
141. Chapter 5: Percents
142. Prep Test
143. Section 5.1 Introduction To Percents
144. Objective A: To Write A Percent As A Fraction Or A Decimal
145. Objective B: To Write A Fraction Or A Decimal As A Percent
146. Section 5.2 Percent Equations: Part I
147. Objective A: To Find The Amount When The Percent And The Base Are Given
148. Objective B: To Solve Application Problems
149. Section 5.3 Percent Equations: Part II
150. Objective A: To Find The Percent When The Base And Amount Are Given
151. To Solve Application Problems
152. Section 5.4 Percent Equations: Part III
153. Objective A: To Find The Base When The Percent And Amount Are Given
154. Objective B: To Solve Application Problems
155. Section 5.5 Percent Problems: Proportion Method
156. Objective A: To Solve Percent Problems Using Proportions
157. Objective B: To Solve Application Problems
158. Focus On Problem Solving
159. Using A Calculator As A Problem-Solving Tool
160. Using Estimation As A Problem-Solving Tool
161. Projects And Group Activities
162. Health
163. Consumer Price Index
164. Chapter 5 Summary
165. Chapter 5 Concept Review
166. Chapter 5 Review Exercises
167. Chapter 5 Test
168. Cumulative Review Exercises
169. Chapter 6: Applications For Business And Consumers
170. Prep Test
171. Section 6.1 Applications To Purchasing
172. Objective A: To Find Unit Cost
173. Objective B: To Find The Most Economical Purchase
174. Objective C: To Find Total Cost
175. Section 6.2 Percent Increase And Percent Decrease
176. Objective A: To Find Percent Increase
177. Objective B: To Apply Percent Increase To Business—Markup
178. Objective C: To Find Percent Decrease
179. Objective D: To Apply Percent Decrease To Business—Discount
180. Section 6.3 Interest
181. Objective A: To Calculate Simple Interest
182. Objective B: To Calculate Finance Charges On A Credit Card Bill
183. Objective C: To Calculate Compound Interest
184. Section 6.4 Real Estate Expenses
185. Objective A: To Calculate The Initial Expenses Of Buying A Home
186. Objective B: To Calculate The Ongoing Expenses Of Owning A Home
187. Section 6.5 Car Expenses
188. Objective A: To Calculate The Initial Expenses Of Buying A Car
189. Objective B: To Calculate The Ongoing Expenses Of Owning A Car
190. Section 6.6 Wages
191. Objective A: To Calculate Commissions, Total Hourly Wages, And Salaries
192. Section 6.7 Bank Statements
193. Objective A: To Calculate Checkbook Balances
194. Objective B: To Balance A Checkbook
195. Focus On Problem Solving
196. Counterexamples
197. Projects And Group Activities
198. Buying A Car
199. Chapter 6 Summary
200. Chapter 6 Concept Review
201. Chapter 6 Review Exercises
202. Chapter 6 Test
203. Cumulative Review Exercises
204. Chapter 7: Statistics And Probability
205. Prep Test
206. Section 7.1 Pictographs And Circle Graphs
207. Objective A: To Read A Pictograph
208. Objective B: To Read A Circle Graph
209. Section 7.2 Bar Graphs And Broken-Line Graphs
210. Objective A: To Read A Bar Graph
211. Objective B: To Read A Broken-Line Graph
212. Section 7.3 Histograms And Frequency Polygons
213. Objective A: To Read A Histogram
214. Objective B: To Read A Frequency Polygon
215. Section 7.4 Statistical Measures
216. Objective A: To Find The Mean, Median, And Mode Of A Distribution
217. Objective B: To Draw A Box-And-Whiskers Plot
218. Section 7.5 Introduction To Probability
219. Objective A: To Calculate The Probability Of Simple Events
220. Focus On Problem Solving
221. Inductive Reasoning
222. Projects And Group Activities
223. Collecting, Organizing, Displaying, And Analyzing Data
224. Chapter 7 Summary
225. Chapter 7 Concept Review
226. Chapter 7 Review Exercises
227. Chapter 7 Test
228. Cumulative Review Exercises
229. Chapter 8: U.S. Customary Units Of Measurement
230. Prep Test
231. 8.1 Length
232. Objective A: To Convert Measurements Of Length In The U.S. Customary
System
233. Objective B: To Perform Arithmetic Operations With Measurements Of Length
234. Objective C: To Solve Application Problems
235. 8.2 Weight
236. Objective A: To Convert Measurements Of Weight In The U.S. Customary
System
237. Objective B: To Perform Arithmetic Operations With Measurements Of Weight
238. Objective C: To Solve Application Problems
239. 8.3 Capacity
240. Objective A: To Convert Measurements Of Capacity In The U.S. Customary
System
241. Objective B: To Perform Arithmetic Operations With Measurements Of
Capacity
242. Objective C: To Solve Application Problems
243. 8.4 Time
244. Objective A: To Convert Units Of Time
245. 8.5 Energy And Power
246. Objective A: To Use Units Of Energy In The U.S. Customary System
247. Objective B: To Use Units Of Power In The U.S. Customary System
248. Focus On Problem Solving
249. Applying Solutions to Other Problems
250. Projects And Group Activities
251. Nomographs
252. Averages
253. Chapter 8 Summary
254. Chapter 8 Concept Review
255. Chapter 8 Review Exercises
256. Chapter 8 Test
257. Cumulative Review Exercises
258. Chapter 9: The Metric System Of Measurement
259. Prep Test
260. Section 9.1 Length
261. Objective A: To Convert Units Of Length In The Metric System Of
Measurement
262. Objective B: To Solve Application Problems
263. Section 9.2 Mass
264. Objective A: To Convert Units Of Mass In The Metric System Of Measurement
265. Objective B: To Solve Application Problems
266. Section 9.3 Capacity
267. Objective A: To Convert Units Of Capacity In The Metric System Of
Measurement
268. Objective B: To Solve Application Problems
269. Section 9.4 Energy
270. Objective A: To Use Units Of Energy In The Metric System Of Measurement
271. Section 9.5 Conversion Between The U.S. Customary And The Metric
Systems Of Measurement
272. Objective A: To Convert U.S. Customary Units To Metric Units
273. Objective B: To Convert Metric Units To U.S Customary Units
274. Focus On Problem Solving
275. Working Backward
276. Projects And Group Activities
277. Name That Metric Unit
278. Metric Measurements For Computers
279. Chapter 9 Summary
280. Chapter 9 Concept Review
281. Chapter 9 Review Exercises
282. Chapter 9 Test
283. Cumulative Review Exercises
284. Chapter 10: Rational Numbers
285. Prep Test
286. Section 10.1 Introduction To Integers
287. Objective A: To Identify The Order Relation Between Two Integers
288. Objective B: To Evaluate Expressions That Contain The Absolute Value
Symbol
289. Section 10.2 Addition And Subtraction Of Integers
290. Objective A: To Add Integers
291. Objective B: To Subtract Integers
292. Objective C: To Solve Application Problems
293. Section 10.3 Multiplication And Division Of Integers
294. Objective A: To Multiply Integers
295. Objective B: To Divide Integers
296. Objective C: To Solve Application Problems
297. Section 10.4 Operations With Rational Numbers
298. Objective A: To Add Or Subtract Rational Numbers
299. Objective B: To Multiply Or Divide Rational Numbers
300. Objective C: To Solve Application Problems
301. Section 10.5 Scientific Notation And The Order Of Operations Agreement
302. Objective A: To Write A Number In Scientific Notation
303. Objective B: To Use The Order Of Operations Agreement To Simplify
Expressions
304. Focus On Problem Solving
305. Drawing Diagrams
306. Projects And Group Activities
307. Deductive Reasoning
308. Chapter 10 Summary
309. Chapter 10 Concept Review
310. Chapter 10 Review Exercises
311. Chapter 10 Test
312. Cumulative Review Exercises
313. Chapter 11: Introduction To Algebra
314. Prep Test
315. Section 11.1 Variable Expressions
316. Objective A: To Evaluate Variable Expressions
317. Objective B: To Simplify Variable Expressions Containing No Parentheses
318. Objective C: To Simplify Variable Expressions Containing Parentheses
319. Section 11.2 Introduction To Equations
320. Objective A: To Determine Whether A Given Number Is A Solution Of An
Equation
321. Objective B: To Solve An Equation Of The Form x + a = b
322. Objective C: To Solve An Equation Of The Form ax = b
323. Objective D: To Solve Application Problems Using Formulas
324. Section 11.3 General Equations: Part I
325. Objective A: To Solve An Equation Of The Form ax + b = c
326. Objective B: To Solve Application Problems Using Formulas
327. Section 11.4 General Equations: Part II
328. Objective A: To Solve An Equation Of The Form ax + b = cx + d
329. Objective B: To Solve An Equation Containing Parentheses
330. Section 11.5 Translating Verbal Expressions Into Mathematical Expressions
331. Objective A: To Translate A Verbal Expression Into A Mathematical
Expression Given The Variable
332. Objective B: To Translate A Verbal Expression Into A Mathematical
Expression By Assigning The Variab
333. Section 11.6 Translating Sentences Into Equations And Solving
334. Objective A: To Translate A Sentence Into An Equation And Solve
335. Objective B: To Solve Application Problems
336. Focus On Problem Solving
337. From Concrete To Abstract
338. Projects And Group Activities
339. Averages
340. Chapter 11 Summary
341. Chapter 11 Concept Review
342. Chapter 11 Review Exercises
343. Chapter 11 Test
344. Cumulative Review Exercises
345. Final Exam
346. Appendix
347. Compound Interest Table
348. Monthly Payment Table
349. Table of Measurements
350. Table of Properties
351. Solutions To “You Try It”
352. Answers To Selected Exercises
353. Glossary
354. Index
355. Index Of Applications
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balustrades. The rough outline of the case may be said to be a steep
gable, with fantastic carvings above. The central portion stands on a
very high plinth, the middle tower, which is crowned with a phœnix,
standing above much curious carving, has five pipes carried on
“ponts,” and has on each side a double tier of eleven pipes, then an
angular tower, crowned with a lyre and two angels, beyond which is
a flat of seven pipes. All the wood-work is well carved, with a little
gilding judiciously used. On each side of this central portion is a
tower springing from a corbel, at a much lower level than the rest of
the work, so that the tops of the pipes, which are five, standing on
“ponts,” are about level with the tops of the lowest pipes in the centre
of the case. They are crowned with domes, from which dragons
peep, and are surmounted by winged angels bearing trumpets. The
Choir case has three angels on its central tower of seven pipes, on
each side of which are two tiers of small pipes, and then an angular
tower, surmounted by an angel. A wooden gallery joins the Choir
case to the inner angle of the outer towers of the Great case, and a
like gallery joins these towers to the walls of the nave. All this work
overhangs the marble gallery below, and its curved supports are
beautifully carved. The lower gallery contains the usual fittings of an
orchestra, the pipes are quite plain and the leaf of their mouths is
rounded, not sharp as in the Cathedral, or at St. Jacques, and no
carving is introduced between their feet. 1872.
The wood of all these organs is dark, not black, oak, and the
sculpture excellent.
(Larger)
ST. PAULS ANTWERP
12TH. SEPTR. 1872

BRUGES.
THE CATHEDRAL (St. Sauveur).—On the Choir Screen stands
an elaborately designed organ. Its base is taller than usual, and the
arrangement of pipes somewhat complicated. In the centre is a
tower of seven pipes, with a flat on each side containing two tiers of
pipes. Above the cornice of this work, rises in the centre a tall tower
of seven pipes, crowned with much carved work, and surmounted by
a large figure. On each side is a flat of pipes, with an angel playing
on a trumpet in each corner. On each side of the organ stands a
tower of five large pipes, with elaborate cornices and wings. That on
the south side is surmounted by King David, and that on the north by
St. Cecilia. These towers overhang the case, and are joined to the
centre work by flats of seven pipes. The pipes are gilt in the English
fashion, the front facing the Choir consists simply of panels of carved
open work, with a Choir Organ in front, the pipes of which are
gilt. 1872.
ST. ANNE.—On the Choir Screen stands a little organ, with gilt
pipes and very elaborate carving. 1872.
ST. JACQUES.—On the Choir Screen is a handsome organ,
with good carving. The side facing the Choir shows pipes in its two
end towers only, the rest being filled in with open work tracery. 1872.
ST. JEAN (chapel in the hospital of).—The organ, not a very old
instrument, stands in a second gallery, at the west end of the chapel,
its pipes are gilt, and arranged somewhat in the German manner,
showing a Great and Choir front in one case. 1872.
NOTRE DAME.—There is on the Choir Screen a very curious
early Renaissance organ case, forming the base of the rood. Its
pipes are not gilt, and it has a plain Choir Organ on its eastern
side. 1872.
LES SŒURS DE CHARITÉ (chapel in the convent of).—In the
west gallery is a small organ, standing flush with its front. It consists
of a single flat of bright tin pipes, and the wood-work is painted
white. 1872.

BRUSSELS.
STE. GUDULE.—At the west end is an ugly divided organ case,
with very little work about it. In the front of its gallery is a hanging
Choir Organ, of bad Gothic. On the south side of the Choir, stands a
fair-sized harmonium. 1869.
NOTRE DAME DES VICTOIRES.—A Renaissance organ stands
at the west end, the pipes plain, and the case dirty. It consists of a
centre tower, two curved compartments, and two outer towers,
supported by giants, and set at an angle of 45° with the front. The
Choir Organ in front is very similar in pattern; the upper part of the
Great Organ case has many carvings of musical instruments, &c.,
and a medallion bearing a head in the centre. 1872.

GHENT (Gand).
THE CATHEDRAL (St. Bavon).—A handsome organ stands at
the junction of the north transept with the Choir, which has three
towers with five pipes each; the two outside ones are supported by
satyrs, and crowned with angels holding trumpets. On each side of
the centre tower, are two flats of five pipes each, over which is much
carving, with shields supported by angels. Over the centre tower is a
small three-sided case, containing seven pipes in each
compartment, surmounted with tabernacle work, on which is a figure
on horseback, query, St. Bavon? The key-board of the organ is
behind in a gallery, just under the vaulting of the north aisle of the
Choir, which has a small Choir front facing the east; but I was told
that this was really quite an independent instrument. The arches
under the organ are cased with black and white marble, all the
carving about the case is good, and dates from the seventeenth
century. The case is of oak, but after the fashion of the country,
painted oak colour. I objected to this, but was informed what could I
expect, when they were in the habit of painting imitation marble on
marble. The main case reaches about half-way up the triforium, and
the upper case more than half-way up the clerestory windows. The
tone is good, and from its quality, I should say, has not been much
altered from its original state. At High Mass I heard it very well
played. The soft stops I could hardly hear, on account of the people
perpetually moving in the Church. 1872.
(Larger)
CATHEDRAL (ST. BAVON) GHENT.
5TH. OCT, 1872.

THE BÉGUINAGE.—At the west end is an organ, not a very


large one, with its Choir Organ planted just in front of it, or else
inserted into the lower part of the case, German fashion. Its quality
was not bad, and was fairly played by one of the Béguines, who was
seated at the back of the instrument. 1872.
THE ENGLISH CHURCH (Temple Protestant).—In the west
gallery is a small, poor-toned organ; it has three towers, the least in
the centre, which, however, stands higher than the others, from the
plinth of the case curving up in the middle. On each side is a flat,
with two tiers of pipes, and the cornice of the centre tower overlaps
those of the other towers, which gives a crowded effect to the
case. 1872.
ST. JACQUES.—The case of the organ, at the west end, is
divided into three parts, the centre one being lower than the
others. 1872.
ST. MICHAEL.—The modern organ at the west end of the
church, is of a peculiar and very ugly design. 1872.
ST. NICOLAS.—At the west end is a modern Gothic organ, the
front of which consists of a gable, with a lofty tower and pinnacle in
the centre. 1872.

LIÉGE.
ST. JACQUES.—At the west end is a very pretty Renaissance
organ. In the centre of the case is a large tower containing seven
pipes, on each side of which is a flat, with a double tier of pipes, then
a flat of four pipes, beyond which are semi-circular endings
containing three pipes, supported by figures holding trumpets, and
surmounted by tabernacle work. The lower part of the case is very
tall, so that from the gallery to the feet of the pipes is nearly half the
height of the instrument. In the front projects the Choir Organ,
supported by a stone bracket. It consists of a central tower of seven
pipes, with much carved work above, supporting a statue of St.
Cecilia, with a flat on each side, and semi-circular ends, filled with
pipes. All the work about this organ is very good, and by some it is
considered the prettiest organ case in existence. 1863.

LOUVAIN.
ST. PIERRE.—The organ stands projecting from the east wall of
the north transept, and fills the space between the clerestory and
half way up the opening into the side aisles. The case consists of a
tower of seven pipes in the centre, with tabernacle work on the top,
crowned with St. Peter. On each side are tall flats, with a semi-
circular pediment, beyond which are semi-circular ends, supported
by brackets. It may be noted that the pipes in the semi-circular ends
are very slender, and their feet are longer than their bodies. The
Choir Organ in front is very similar in design. The carving about the
case and gallery is nice, without being anything particular, and the
tone fair, though rather deficient in power. 1872.

MECHLIN (Malines).
THE CATHEDRAL (St. Rumbold).—The organ, which stands at
the west end, is an old ordinary-looking instrument. In the south aisle
of the Choir is a modern Gothic organ. In the Cathedral of the
Primate of Belgium one might expect that there would be finer
instruments. 1872.
ST. JEAN.—At the west end is a modern Renaissance organ. A
white plaster wall is brought so forward, that it stands flush with the
front of the case, the effect of which is not good. 1872.
NOTRE-DAME.—In the south transept, over the Choir aisle
arch, stands an organ with its Choir in front, good in tone, and in a
very clean and good condition, so that I fancied it to be a new
instrument. I was, however, told that it was old. The pipes were left
their natural colour, and there was no gilding about the wood-work. It
is a very pretty instrument on a moderate scale. 1872.
NOTES ON DUTCH ORGANS.

AMSTERDAM.
IEUWE KERK.—At the west end is a large organ, with
double shutters, the lower half of the case being wider
than the upper part. It is painted mahogany colour, as well
as the Choir Organ in front. It is altogether a tasteless
design. A second organ stands at the junction of the nave
with the south transept; it is closed with shutters, and is a very good
picturesque specimen of a small organ, as tasteful as the west organ
is tasteless. 1872.
OUDE KERK.—At the west end, in a marble gallery, stands a
fine organ, the wall behind which is painted black. The case is
bronze colour, with white statues and decorations. The claires-voies
and the bases of the pipes have much gilding, and the mouths of the
pipes are also gilt. It has five towers, the centre and the two outer of
which are circular, the two others are angular. The central tower is
surmounted by a black-faced clock, with white and gold ornaments.
The southern circular tower has a statue of St. John, and the south
angular tower a shield bearing a “ship proper.” The north angular
tower has the arms of the town, and the north circular tower a figure
standing by an altar. The flats between the towers have each three
tiers of pipes, the central tower two tiers, seven pipes in the lower,
and nine in the upper. The angular towers have also two tiers, seven
below and eleven above. The outer towers have seven pipes each.
The Choir Organ has a central tower of seven pipes, with a flat on
each side, containing two tiers of pipes, ten in each; then an angular
tower of seven pipes, with half circles of ten pipes for a finish, above
which are white recumbent figures. On the north side of the Church
is a little organ closed with shutters, on which musical instruments
are painted. 1872.
(Larger)
OUDE KERK AMSTERDAM.
25TH. SEPTR. 1872.

DELFT.
NIEUWE KERK.—A large organ at the west end, with a Choir
Organ in front, said to have a very fine tone. The case is painted a
light bright pink, and is very tasteless. 1872.
OUDE KERK.—At the west end is a large organ, with its Choir in
front. Both have three towers, the largest in the centre. The pipes
have gilt mouths, and the case is painted light salmon colour. It is a
very similar design to the organ in the Nieuwe Kerk. 1872.

GOUDA.
JANSKERK (St. John’s).—A fine organ with its Choir in front,
painted a cold dark brown colour, stands in a marble gallery, at the
west end of the Church. It is surrounded by a plaster curtain or
mantle, coloured blue, with a dull red lining. It has three towers; the
largest in the centre has seven pipes, and is crowned with two
angels, one of whom plays on a harp. On each side of the centre
tower is a flat, with angels over them, the one playing a flute, the
other a triangle; beyond which are angular compartments, joining the
two outer towers, which are surmounted by angels bearing trumpets.
Under the pipe-work stands coats-of-arms, blazoned and gilded. The
front of the organ, which curves forward, is supported by four
Corinthian columns, with gilt capitals. The centre tower of the Choir
Organ has nine pipes, with a coat-of-arms over, supported by lions,
on each side of which is a flat of pipes, beyond which are angular
towers and curved ends. A large white and gold bracket supports this
portion of the instrument. The balustrade of the gallery is wood-work,
painted of the same colour as the organ, with coats-of-arms
blazoned thereon, and having a handsome gilded cresting. The
mouths of the pipes are gilt, and there is much gilding about the
case, &c. The marbles of the gallery are grey and dove-
coloured. 1872.
(Larger)
JANS KERK GOUDA
19TH. SEPTR. 1872.

HAARLEM.
GROOTEKERK (St. Bavon).—This famous organ stands in a
marble gallery at the west end of the Church, but the effect of its
grand case is somewhat marred, by the Dutch want of taste, in the
way the case is painted. The wall behind the instrument is painted a
glossy black (the rest of the Church being whitewashed). The
statues, coats-of-arms, &c., on the top of the instrument, are painted
bright white, their bases grey marble, and the remainder of the case
is painted with a light tint of dull pinkish drab. The mouths of the
pipes and the carving at their tops and feet, are all brightly gilt. The
support of the Choir Organ is bronze, with a large and two small
gilded angels on it. Under the gallery is a white marble allegory,
which I will not attempt to explain, and the entire top of the case,
except the outer towers, is crowned with a mass of carving, with the
arms of the town supported by lions. The central tower consists of
two tiers, the lower of seven, the upper of nine pipes. On each side
is a narrow flat, divided into five compartments, the next but one to
the top being occupied by a statue playing on a musical instrument,
and the rest filled with small pipes. Next are angular towers, with
their pipes arranged in the same mode as the centre, beyond which
is a flat, containing two tiers of pipes, above which is a niche with a
statue. Beyond this are the two outer towers of seven great pipes
each, the feet of which commence at a much lower level than the
rest of the pipes, so that the summit of these towers is not so high as
the rest of the instrument. That on the south side is crowned with
King David, and that on the north with a figure, but whom it
represents I never could find out. Outside the great tower, on tall
pedestals, stand angels with trumpets. The Choir Organ has its
tallest tower of seven pipes in the centre; a flat of three tiers of pipes
on each side; then an angular tower of seven pipes, and curved
ends. These last are surmounted by sitting figures. The balustrade of
the gallery has some elaborate carved open work above it, and its
supporting columns are of some sort of dark marble. The general
tone of the instrument is very good, but the vox humana is bad. The
player, though he could hardly be called first-rate, was very skilful in
showing off the quality of the instrument. All the fittings about the
key-board are clumsy; the black keys are topped with tortoiseshell.
The cornices of the towers greatly overhang, but the flats between
being small in proportion to the towers, and the intricacy of the
general forms, prevent the usual ill effect. 1872.
(Larger)
ST. BAVON HAARLEM.
23RD. SEPTR. 1872.

HERTOGENBOSCH (Bois-le-Duc).
ST. JANSKIRK.—The organ case at the west end of this church
is perhaps the finest in Europe. The oak wood-work is very dark, and
profusely carved, without any gilding, and is in a good state of polish.
The top of the case from the ground is about one hundred feet. The
pipes, which, when I saw them, were in very bright condition, have
their mouths gilded. The centre pipes of each tower have a pattern
beaten upon their surface, and are gilt, with the exception of the
lower one on the centre tower, which is only partially gilt. The centre
tower, which is surmounted by a clock, under which is the Dance of
Death, or some such subject, has two tiers of pipes, seven below
and eleven above. On each side of this is a flat, divided into two
tiers, which contain, in the lower compartment, what may be called
five double pipes, or perhaps, more accurately speaking, it has ten
pipes, with their feet joined together, the heads of the lower ones
standing on the plinth, and the upper ones in their usual position. I
could not see how these pipes were supplied with wind, and I have a
strong idea that they are dummies. In the upper part were six double
pipes arranged in the same manner, and above are niches, figures,
columns, and pediments. Next come two angular towers, with a
lower tier of seven, and an upper tier of eleven pipes. And to finish
the organ, instead of the great towers, as at Haarlem, are two large
flats corbelled out from the sides of the instrument, containing five
large pipes, and sloping towards the wall behind. These are crowned
with fantastic pyramids. The Choir Organ in front has over its centre
tower, which contains five pipes, a figure of St. John with his Eagle,
on each side of which is a flat with seven small pipes, in its lower
compartment, and in its upper compartment six double pipes, similar
to those in the Great Organ. Beyond this, is an angular tower of
seven pipes, with a vase on its summit, and a small return
compartment of pipes, joining the case to the gallery, which is of
elaborately carved oak, and supported by two grey stone pillars. I did
not hear the instrument, but was told it was nearly as good as
Haarlem. 1872.

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