Violín

La Bella Cubana
José White (1836-1918)

        
Fran Escobar

           
Lento

 
    
         
 

10

    
         
          
20

           
        
   
30


                         
 
40

 
                         
50

 
                             
56

       
                        
62

        
 
                                        
 
68

                 
   
    
 
73
         
2 La Bella Cubana

 
                        
 
78


                                         
83


                                    
91

              
                    
 
98


    
3

               

107

                 
       
   
118

      
               
        
129


              
                
     
137

 
                                 
 
145

 
                  
153 pizz.

  