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Test Bank for Nursing Leadership, Manage-
ment, and Professional Practice, 6th Edition,
Tamara R. Dahlkemper
Multiple Choice
Identify the choice that best completes the statement or answers the question.
____ 1. The nursing student predominantly uses knowledge about the history of nursing for which purpose?
1. To understand the professional choices open to the student
2. To prevent making medication errors in practice
3. To determine in which geographic area it is best to practice
4. To reduce the cost of delivering quality health care
____ 2. The nurse is working in an underdeveloped country and observes the natives lighting ritual fires and
pounding on primitive drums around the sick person to promote recovery. The nurse interprets this
behavior as indicating the natives believe illness results from which items?
1. Pathogens and genetics
2. Evil spirits
3. Tides and planets
4. Plants and animals
____ 3. Who is credited with making a written record of health-care practices and removing the mythical
aspect of health care?
1. Hammurabi
2. Florence Nightingale
3. Hippocrates
4. Apollo
____ 4. Who served as the first public health nurses, caring for the sick and the poor?
1. The Presbyterian Church
2. Salerno
3. Jewish scholars
4. Convent deaconesses
____ 6. The nurse demonstrates Florence Nightingale’s theory of nursing with which intervention?
1. Respecting the patient’s culture and incorporating cultural needs in the plan of care
2. Promoting good health and treating those who are ill in a holistic manner
3. Understanding how to motivate people to practice a healthy lifestyle and reduce
risks
4. Teaching other nurses how to deliver the highest quality of nursing care
____ 7. Which action performed by the nurse directly resulted from the contribution made by Linda
Richards?
1. Using an antiseptic before administering an injection
2. Exploring the psychosocial needs of the patient
3. Documenting patient care in the medical record
4. Listening to a patient describe his or her condition
____ 8. The nurse responds to an alarm on a pulse oximeter and sees the patient’s oxygen saturation is
reading 38%. The nurse observes the patient, noting a respiratory rate of 12 breaths per minute, pink
mucous membranes, and easy regular respirations. The nurse concludes the pulse oximeter is not
reading accurately. Whose theory of nursing is this nurse demonstrating?
1. Annie Goodrich
2. Lillian D. Wald
3. Florence Nightingale
4. Linda Richards
____ 9. Which professional organization was the first to focus on licensed practical nurses (LPNs)?
1. National Association for Practical Nurse Education and Services (NAPNES)
2. National Federation of Licensed Practical Nurses (NFLPN)
3. National League for Nursing (NLN)
4. American Nurses Association (ANA)
____ 11. The nurse working in mental health nursing honors what historical nurse for working to improve
care of the mentally ill?
1. Clara Barton
2. Florence Nightingale
3. Dorothea Dix
4. Lillian D. Wald
____ 13. What factor has had the greatest impact on the current nursing shortage?
1. Later age of women having children
2. Fewer women being born
3. Overall unemployment rate
4. More employment options for women
Multiple Response
Identify one or more choices that best complete the statement or answer the question.
____ 14. What factors are contributing to the nursing shortage? (Select all that apply.)
1. Increased demand for nurses
2. Shortage of nursing faculty
3. Lack of nursing organizations
4. Nurses leaving the profession due to poor working conditions
5. Not enough interest in nursing
____ 15. In order to deliver the safest possible care, the nurse needs to understand what? (Select all that
apply.)
1. How to perform the procedure correctly
2. Why the procedure is being performed
3. How the procedure will affect the patient
4. The cost of performing the procedure
5. The equipment needed to perform the procedure
MULTIPLE CHOICE
1. ANS: 1
Chapter: Chapter 1 Historical Perspective and Current Trends
Objective: 1. Verbalize the importance of understanding the history of nursing.
Page: 3
Heading: Introduction
Integrated Processes: Communication and Documentation
Client Need: Safe, Effective Care Environment
Cognitive Level: Application [Applying]
Concept: Professionalism
Difficulty: Moderate
Feedback
1 Understanding nursing history helps the nurse to better recognize the many
choices available when choosing his or her own future path.
2 Understanding nursing history does not prevent medication errors in practice.
3 Understanding nursing history does not determine which geographic area is the
best place in which to practice.
4 Understanding nursing history does not reduce the cost of delivering quality
health care.
Feedback
1 The belief that disease was caused by pathogens and genetics would not result in
lighting fires or candles and making loud noises to ward off spirits.
2 A belief that disease was caused by evil spirits would result in lighting fires or
candles and making loud noises to try to ward off the spirits.
3 The belief that disease was caused by tides and planets would not result in
lighting fires or candles and making loud noises to ward off spirits.
MULTIPLE RESPONSE
14. ANS: 1, 2, 4
Chapter: Chapter 1 Historical Perspective and Current Trends
Objective: 6. Discuss three current trends and issues that affect the practice of LPNs.
Page: 13
Heading: Current Trends and Issues
Integrated Processes: Caring
Client Need: Safe, Effective Care Environment
Cognitive Level: Comprehension [Understanding]
Concept: Health-Care System
Difficulty: Moderate
Feedback
1. Aging baby boomers, people living longer, and the increasing complexity of health
care have all increased the demand for nurses. Insufficient nursing faculty results in
turning potential nursing students away from nursing programs because there aren’t
enough educated faculty to teach them. Mandatory overtime, working holidays and
weekends, long hours without breaks, and other working conditions can cause nurses
to leave the profession.
2. Aging baby boomers, people living longer, and the increasing complexity of health
care have all increased the demand for nurses. Insufficient nursing faculty results in
turning potential nursing students away from nursing programs because there aren’t
enough educated faculty to teach them. Mandatory overtime, working holidays and
weekends, long hours without breaks, and other working conditions can cause nurses
to leave the profession.
3. There is no lack of nursing organizations and this does not contribute to the nursing
shortage, and there is no lack of interest in nursing but not everyone is designed to be
a nurse.
Feedback
1. Understanding how to perform the procedure correctly is important if the nurse is to
maintain safety. The nurse should never perform any procedure without understanding
why it is being performed and what outcome is desired. The nurse is responsible for
teaching the patient what to expect before the procedure is begun, so the nurse must
understand how the procedure will impact the patient. The nurse will gather the
equipment required to perform the procedure; therefore, the nurse needs to know what
will and what might be needed.
2. Understanding how to perform the procedure correctly is important if the nurse is to
maintain safety. The nurse should never perform any procedure without understanding
why it is being performed and what outcome is desired. The nurse is responsible for
teaching the patient what to expect before the procedure is begun, so the nurse must
understand how the procedure will impact the patient. The nurse will gather the
equipment required to perform the procedure; therefore, the nurse needs to know what
will and what might be needed.
3. Understanding how to perform the procedure correctly is important if the nurse is to
maintain safety. The nurse should never perform any procedure without understanding
why it is being performed and what outcome is desired. The nurse is responsible for
teaching the patient what to expect before the procedure is begun, so the nurse must
understand how the procedure will impact the patient. The nurse will gather the
equipment required to perform the procedure; therefore, the nurse needs to know what
will and what might be needed.
4. The nurse is not responsible for knowing the cost of the procedure.
For other Paris evidence cf. Julleville, Les Com. 144, 147; E.
Picot, in Romania, vii. 242.
[1379] Picot, in Romania, vii. 245; Keller, Fastnachtspiele, 258.
[1380] Rigollot, 73, 166, and passim; Strutt, 222; Douce, 516;
Julleville, Les Com. 147. There are many examples in the
literature referred to on p. 382.
[1381] Rigollot, lxxix.
[1382] F. de Ficoroni, Le Maschere sceniche e le Figure
comiche d’antichi Romani, 186, pl. 72.
[1383] Dieterich, 237, traces the coxcomb to Italian comedy of
the Atellane type; cf. ch. xxiii, on ‘Punch.’
[1384] Douce, pl. 3; cf. Leber, in Rigollot, lxi. 164, quoting the
proverb ‘pisa in utre perstrepentia’ and a statement of
Savaron, Traité contre les Masques (1611), that at
Clermont in Auvergne men disguised ‘en Fols’ ran through
the streets at Christmas ‘tenant des masses à la main,
farcies de paille ou de bourre, en forme de braiette,
frappant hommes et femmes.’ I suppose the bauble, like
the hood, was originally part of the sacrificial exuviae and
the marotte a sophistication of it.
[1385] Julleville, Les Com. 147, quoting Réponse
d’Angoulevent à l’archipoète des pois pillez (1603):
[1418] Cf. ch. xiii. There is much learning on the use of masks
in seasonal festivals in C. Noirot, Traité de l’origine des
masques (1609, reprinted in Leber, ix. 5); Savaron, Traité
contre les masques (1611); J. G. Drechssler, de larvis
natalitiis (1683); C. H. de Berger, Commentatio de personis
vulgo larvis seu mascheratis (1723); Pfannenschmidt, 617;
Fr. Back, de Graecorum caeremoniis in quibus homines
deorum vice fungebantur (1883); W. H. Dall, On masks,
labrets and certain aboriginal customs (Third Annual
Report of American Bureau of Ethnology, 1884, p. 73);
Frazer, Pausanias, iv. 239.
[1419] Archaeologia, xxxi, 37, 43, 44, 120, 122.
[1420] ‘Et ad faciendum ludos domini Regis ad festum Natalis
domini celebratum apud Guldefordum anno Regis xxjo, in
xx
quo expendebantur iiij. iiij. tunicae de bokeram diversorum
colorum, xlij viseres diversorum similitudinum (specified as
xiiij similitudines facierum mulierum, xiiij similitudines
facierum hominum cum barbis, xiiij similitudines capitum
angelorum de argento) xxviij crestes (specified as xiiij
crestes cum tibiis reversatis et calciatis, xiiij crestes cum
montibus et cuniculis), xiiij clocae depictae, xiiij capita
draconum, xiiij tunicae albae, xiiij capita pavonum cum alis,
xiiij tunicae depictae cum oculis pavonum, xiiij capita
cygnorum cum suis alis, xiiij tunicae de tela linea depictae,
xiiij tunicae depictae cum stellis de auro et argento
vapulatis.’ The performers seem to have made six groups
of fourteen each, representing respectively men, women,
angels, dragons, peacocks, and swans. A notion of their
appearance is given by the cuts from miniatures (†1343) in
Strutt, 160.
[1421] ‘Et ad faciendum ludos Regis ad festum Natalis domini
anno Regis xxijdo celebratum apud Ottefordum ubi
expendebantur viseres videlicet xij capita hominum et
desuper tot capita leonum, xij capita hominum et tot capita
elephantum, xij capita hominum cum alis vespertilionum, xij
capita de wodewose [cf. p. 185], xvij capita virginum, xiiij
supertunicae de worsted rubro guttatae cum auro et
lineatae et reversatae et totidem tunicae de worsted
viridi.... Et ad faciendum ludos Regis in festo Epiphaniae
domini celebrato apud Mertonum ubi expendebantur xiij
visers cum capitibus draconum et xiij visers cum capitibus
hominum habentibus diademata, x cr tepies de bokeram
nigro et tela linea Anglica.’
[1422] Archaeologia, xxxi. 29, 30, 118. The element of semi-
dramatic spectacle was already getting into the fourteenth-
century tournament. In 1331 Edward III and his court rode
to the lists in Cheap, ‘omnes splendido apparatu vestiti et
ad similitudinem Tartarorum larvati’ (Annales Paulini in
Chron. Edw. I and II, R. S. i. 354). In 1375 ‘rood dame Alice
Perrers, as lady of the sune, fro the tour of London thorugh
Chepe; and alwey a lady ledynge a lordys brydell. And
thanne begun the grete justes in Smythefeld’ (London
Chronicle, 70). These ridings closely resemble the
‘mummings’ proper. But they were a prelude to hastiludia,
which from the fourteenth to the sixteenth century
constantly grew less actual and more mimetic. In 1343
‘fuerunt pulchra hastiludia in Smethfield, ubi papa et
duodecim cardinales per tres dies contra quoscumque
tirocinium habuerunt’ (Murimuth, Continuatio Chronicarum,
R. S. 146). And so on, through the jousts of Pallas and
Diana at the coronation of Henry VIII (Hall, 511) to the
regular Elizabethan ‘Barriers,’ such as the siege of the
‘Fortress of Perfect Beauty’ by the ‘Four Foster Children of
Desire,’ in which Sidney took part in 1581.
[1423] This seems to be clearly the sense of the ludi Domini
Prioris in the accounts of Durham Priory (cf. Appendix E).
The Scottish Exchequer Rolls between 1446 and 1478
contain such entries as ‘iocis et ludis,’ ‘ludis et interludiis,’
‘ioculancium et ludencium,’ ‘ludos et disportus suos,’ where
all the terms used, except ‘interludiis’ (cf. ch. xxiv), appear
to be more or less equivalent (Accounts of the Treasurer of
Scotland, i. ccxxxix). The Liber Niger of Edward IV declares
that in the Domus of Henry I were allowed ‘ludi honesti,’
such as military sports ‘cum ceterorum iocorum diversitate’
(Household Ordinances, 18). ‘Ioca’ is here exactly the
French ‘jeux.’ Polydore Vergil, Hist. Anglica (ed. Thysius),
772, says of the weddings of the children of Henry VII
‘utriusque puellae nuptiae omnium generum ludis factae.’
For ‘disports’ cf. Hall, 774, ‘enterludes ... maskes and
disportes,’ and Paston Letters, iii. 314, where Lady Morley
is said to have ordered in 1476 that on account of her
husband’s death there should be at Christmas ‘non
dysgysyngs, ner harpyng, ner lutyng, ner syngyn, ner non
lowde dysports, but pleyng at the tabyllys, and schesse,
and cards. Sweche dysports sche gave her folkys leve to
play, and non odyr.’ I find the first use of ‘revels’ in the
Household Books of Henry VII for 1493 (Collier, i. 50). In
1496 the same source gives the Latin ‘revelliones’ (Collier,
i. 46). Sir Thomas Cawarden (1545) was patented
‘magister iocorum, revellorum et mascorum’ (Rymer, xv.
62). Another synonym is ‘triumph,’ used in 1511 (Arnold,
Chronicle, xlv). The latter means properly a royal entry or
reception; cf. ch. xxiii.
[1424] Warton, ii. 220, from Compotus Magn. Garderobae, 14
Ric. II, f. 198b ‘pro xxi coifs de tela linea pro hominibus de
lege contrafactis pro ludo regis tempore natalis domini
anno xii.’
[1425] Froissart (ed. Buchon, iii. 176), Bk. iv, ch. 32, describes
the dance of 1393, in which Charles VI dressed in flax as a
wild man was nearly burnt to death.
[1426] The English William of Palerne, 1620 ( † 1350, ed.
Skeat, E. E. T. S.), has ‘daunces disgisi.’
[1427] H. T. Riley, Liber Albus (R. S. xii), i. 644, 645, 647, 673,
676; Memorials of London, 193, 534, 561. For similar
orders elsewhere cf. L. T. Smith, Ricart’s Calendar, 85
(Bristol), and Harl. MS. 2015, f. 64 (Chester).
[1428] Riley, Memorials, 658.
[1429] Ibid. 669. It was proclaimed ‘that no manere persone, of
what astate, degre, or condicioun that euere he be, duryng
this holy tyme of Cristemes be so hardy in eny wyse to
walk by nyght in any manere mommyng, pleyes,
enterludes, or eny other disgisynges with eny feynyd
berdis, peyntid visers, diffourmyd or colourid visages in eny
wyse ... outake that hit be leful to eche persone for to be
honestly mery as he can, with in his owne hous dwellyng.’
[1430] Stowe, Survey (ed. Thoms), 37, from a fragment of an
English chronicle, in a sixteenth-century hand, in Harl. MS.
247, f. 172v (cf. Archaeologia, xxii. 208). I print the original
text, which Stowe paraphrases, introducing, e.g., the term
‘maskers’: ‘At ye same tyme ye Comons of London made
great sporte and solemnity to ye yong prince: for upon ye
monday next before ye purification of our lady at night and
in ye night were 130 men disguizedly aparailed and well
mounted on horsebacke to goe on mumming to ye said
prince, riding from Newgate through Cheape whear many
people saw them with great noyse of minstralsye, trumpets,
cornets and shawmes and great plenty of waxe torches
lighted and in the beginning they rid 48 after ye maner of
esquiers two and two together clothed in cotes and clokes
of red say or sendall and their faces covered with vizards
well and handsomely made: after these esquiers came 48
like knightes well arayed after ye same maner: after ye
knightes came one excellent arrayed and well mounted as
he had bene an emperor: after him some 100 yards came
one nobly arayed as a pope and after him came 24 arayed
like cardinals and after ye cardinals came 8 or 10 arayed
and with black vizardes like deuils appearing nothing
amiable seeming like legates, riding through London and
ouer London bridge towards Kenyton wher ye yong prince
made his aboad with his mother and the D. of Lancaster
and ye Earles of Cambridge, Hertford Warrick and Suffolk
and many other lordes which were with him to hould the
solemnity, and when they were come before ye mansion
they alighted on foot and entered into ye haule and sone
after ye prince and his mother and ye other lordes came
out of ye chamber into ye haule, and ye said mummers
saluted them, shewing a pair of dice upon a table to play
with ye prince, which dice were subtilly made that when ye
prince shold cast he shold winne and ye said players and
mummers set before ye prince three jewels each after
other: and first a balle of gould, then a cupp of gould, then
a gould ring, ye which ye said prince wonne at thre castes
as before it was appointed, and after that they set before
the prince’s mother, the D. of Lancaster, and ye other
earles euery one a gould ringe and ye mother and ye
lordes wonne them. And then ye prince caused to bring ye
wyne and they dronk with great joye, commanding ye
minstrels to play and ye trompets began to sound and other
instruments to pipe &c. And ye prince and ye lordes dansed
on ye one syde, and ye mummers on ye other a great while
and then they drank and tooke their leaue and so departed
toward London.’ Collier, i. 26, speaks of earlier mummings
recorded by Stowe in 1236 and 1298; but Stowe only
names ‘pageants’ (cf. ch. xxiii). M. Paris, Chronica Maiora
(R. S. lvii), v. 269, mentions ‘vestium transformatarum
varietatem’ at the wedding of Alexander III of Scotland and
Margaret of England in 1251, but this probably means ‘a
succession of rapidly changed robes.’
[1431] A Chronicle of London (†1442, ed. N. H. Nicolas or E.
Tyrrell, 1827), 85 ‘to have sclayn the kyng ... be a
mommynge’; Incerti Scriptoris Chronicon (before 1455, ed.
J. A. Giles), 7 ‘conduxerunt lusores Londoniam, ad
inducendum regi praetextum gaudii et laetitiae iuxta
temporis dispositionem, ludum nuncupatum Anglice
Mummynge’; Capgrave, Chronicle of England ( † 1464, R.
S.), 275 ‘undir the coloure of mummeris in Cristmasse
tyme’; An English Chronicle (†1461-71, C. S.), 20 ‘to make
a mommyng to the king ... and in that mommyng they
purposid to sle him’; Fabian, Chronicle, 567 ‘a
dysguysynge or a mummynge.’ But other chroniclers say
that the outbreak was to be at a tournament, e. g.
Continuatio Eulogii (R. S. ix), iii. 385; Annales Henrici (R.
S. xxviii), 323 ‘Sub simulatione natalitiorum vel
hastiludiorum.’ I suppose ‘natalitia’ is ‘Christmas games’
and might cover a mumming. Hall, Chronicle (ed. 1809),
16, makes it ‘justes.’ So does Holinshed (ed. 1586), iii. 514,
516, but he knew both versions; ‘them that write how the
king should have beene made awaie at a justs; and other
that testifie, how it should have been at a maske or
mummerie’; cf. Wylie, Henry the Fourth, i. 93; Ramsay, L.
and Y. i. 20.
[1432] Stowe, Survey (ed. Thoms), 37, doubtless from A
Chronicle of London (†1442, ut supra), 87. I do not find the
mumming named in other accounts of the visit.
[1433] Gregory’s Chronicle (before 1467, in Hist. Collections of
a Citizen of London, C. S.), 108 ‘the whyche Lollers hadde
caste to have made a mommynge at Eltham, and undyr
coloure of the mommynge to have destryte the Kynge and
Hooly Chyrche.’
[1434] Acte against disguysed persons and Wearing of Visours
(3 Hen. VIII, c. 9). The preamble states that ‘lately wythin
this realme dyvers persons have disgysed and appareld
theym, and covert theyr fayces with Vysours and other
thynge in such manner that they sholde nott be knowen
and divers of theym in a Companye togeder namyng them
selfe Mummers have commyn to the dwellyng place of
divers men of honor and other substanciall persones; and
so departed unknowen.’ Offenders are to be treated as
‘Suspectes or Vacabundes.’
[1435] The Promptorium Parvulorum ( † 1440 C. S.), ii. 348,
translates ‘Mummynge’ by ‘mussacio vel mussatus’
(‘murmuring’ or ‘keeping silence,’ conn. mutus), and gives
a cognate word ‘Mummȳn, as they that noȝt speke Mutio.’
This is of course the ordinary sense of mum. But Skeat
(Etym. Dict. s.v.) derives ‘mummer’ from the Dutch through
Old French, and explains it by the Low German Mumme, a
‘mask.’ He adds ‘The word is imitative, from the sound
mum or mom, used by nurses to frighten or amuse
children, at the same time pretending to cover their faces.’
Whether the fourteenth-century mumming was silent or not,
there is no reason to suppose that the primitive folk-
procession out of which it arose was unaccompanied by
dance and song; and silence is rarely, if ever (cf. p. 211) de
rigueur in modern ‘guisings.’
[1436] They are in Trin. Coll. Camb. MS. R. iii. 20 (Shirley’s; cf.
E. P. Hammond, Lydgate’s Mumming at Hertford in Anglia,
xxii. 364), and copied by or for Stowe ‘out of þe boke of
John Sherley’ in B. M. Add. MS. 29729, f. 132 (cf. E.
Sieper, Lydgate’s Reson and Sensuallyte, E. E. T. S. i. xvi).
The Hertford verses have been printed by Miss Hammond
(loc. cit.) and the others by Brotanek, 306. I do not find any
notice of disguisings when Henry VI spent the Christmas of
1433 at Lydgate’s own monastery of Bury St. Edmunds (F.
A. Gasquet. A Royal Christmas in The Old English Bible,
226). Devon, Issues of the Exchequer, 473, notes a
payment for the king’s ‘plays and recreations’ at Christmas,
1449.
[1437] ‘A lettre made in wyse of balade by daun Johan,
brought by a poursuyant in wyse of Mommers desguysed
to fore þe Mayre of London, Eestfeld, vpon þe twelffeþe
night of Cristmasse, ordeyned Ryallych by þe worthy
Merciers, Citeseyns of london’ and ‘A lettre made in wyse
of balade by ledegate daun Johan, of a mommynge,
whiche þe Goldesmythes of þe Cite of London mommed in
Right fresshe and costele welych desguysing to þeyre
Mayre Eestfeld, vpon Candelmasse day at nyght, affter
souper; brought and presented vn to þe Mayre by an
heraude, cleped ffortune.’ The Mercer’s pursuivant is sent
from Jupiter; the Goldsmiths’ mummers are David and the
twelve tribes. The Levites were to sing. William Eastfield
was mayor 1429-30 and 1437-8. Brotanek, 306, argues
that, as a second term is not alluded to, this was probably
the first. Fairholt, Lord Mayors’ Pageants, ii. 240, prints a
similar letter of Lydgate’s sent to the Sheriffs at a May-day
dinner.
[1438] ‘A balade made by daun John Lidegate at Eltham in
Cristmasse for a momyng tofore þe kyng and þe Qwene.’
Bacchus, Juno and Ceres send gifts ‘by marchandes þat
here be.’ The same collections contain a balade, ‘gyven
vnto þe Kyng Henry and to his moder the quene Kateryne
sittyng at þe mete vpon the yeares day in the castell of
Hertford.’ Some historical allusions make 1427 a likely date
(Brotanek, 305).
[1439] ‘Þe devyse of a momyng to fore þe kyng henry þe sixte,
beinge in his Castell of wyndesore, þe fest of his
crystmasse holdyng þer, made by lidegate daun John, þe
munk of Bury, howe þampull and þe floure delys came first
to þe Kynges of ffraunce by myrakle at Reynes.’ An
allusion to Henry’s coming coronation in Paris fixes the
date to 1429-30.
[1440] ‘Þe deuyse of a desguysing to fore þe gret estates of
þis lande, þane being at London, made by Lidegate daun
Johan, þe Munk of Bury, of dame fortune, dame prudence,
dame Rightwysnesse and dame ffortitudo. beholdeþe, for it
is moral, plesaunt and notable.’ A fifth dame is
‘Attemperaunce.’ The time is ‘Cristmasse.’ An elaborate
pageant in which Fortune dwelt is described. A song is
directed at the close. Henry V is spoken of as dead.
[1441] ‘Nowe foloweth here the maner of a bille by weye of
supplycation put to the kynge holdinge his noble fest of
crystmasse in the castell of hartford as in dysguysinge of
þe rude vpplandishe people complayninge on their wyues
with the boystrus answere of ther wyues deuysed by
lidgate at þe requeste of the countrowlore Brys slain at
louiers.’ Louviers was taken by the French in 1430 and
besieged next year (Brotanek, 306). The text has marginal
notes, ‘demonstrando vj rusticos,’ &c.
[1442] Cf. p. 393. There is a disguising of 1483 in the Howard
Accounts (Appendix E, vii).
[1443] L. H. T. Accounts, i. ccxl ‘Iohanni Rate, pictori, pro le
mumre regis’ (1465-6); ad le mumre grath’ (1466-7).
[1444] Ibid. i. lxxix, cxliv, ccxxxix; ii. lxxi, cx; iii. xlvi, lv, and
passim, have many payments for dances at court, of which
some were morris dances, with ‘leg-harnis,’ and also to
‘madinnis,’ ‘gysaris,’ or ‘dansaris’ who ‘dansit’ or ‘playit’ to
the king in various parts of the country.
[1445] Campbell, Materials for a Hist. of Henry VII (R. S.),
passim; Collier, i. 38-64; Bentley, Excerpta Historica, 85-
133; Leland, Collectanea, iii. 256.
[1446] Collier, i. 58, from Harl. MS. 69. A word which Collier
prints ‘Maskers’ is clearly a misprint for ‘Masters,’ and
misleading.
[1447] Ibid. i. 53. The ‘morris’ provided a grotesque element,
analogous to the ‘antimasque’ of Jonson’s day.
[1448] Ibid. i. 24, from Fairfax MSS. Of this Booke of all
manner of Orders concerning an Earle’s house ‘some part
is dated 16 Henry VII, although the handwriting appears to
be that of the latter end of the reign of Henry VIII.’
[1449] Hall, 513; Brewer, ii. 1490.
[1450] Hen. VIII, i. 4; Hall, 719; Stowe, Chronicle, 845;
Cavendish, Life of Wolsey, 112; Boswell-Stone,
Shakespeare’s Holinshed, 441; R. Brown, Venetian
Papers, iv. 3, 4.
[1451] Brewer, iii. 1552.
[1452] Ibid. iv. 1390-3; Hall, 722.
[1453] Ibid. ii. 1495, 1497, 1499, 1501, 1509; iii. 1558.
[1454] Hall, 597, speaks of a disguising in 1519, which
apparently included ‘a goodly commedy of Plautus’ and a
mask. Away from court in 1543 four players were
committed to the Counter for ‘unlawful disguising’ (P. C.
Acts, i. 109, 110, 122). They surely played interludes. It
may be further noted (i) the elaborate disguisings of Henry
VII and Henry VIII, with much action and speechifying
besides the dancing, are difficult to distinguish when
merely described from interludes. What Hall, 518, calls in
1511 an interlude, seems from the Revels Accounts
(Brewer, ii. 1495) to have been really a disguising. Hall,
641, speaks of a ‘disguisyng or play’ in 1522, and
Cavendish, Life of Wolsey, i. 136, of a ‘disguising or
interlude’ in 1527; (ii) a disguising or dance might be
introduced, as entr’acte or otherwise, into an interlude. In
1514 an interlude ‘conteyned a moresk of vj persons and ij
ladys’ (Collier, i. 68). In 1526 a moral play was ‘set forth
with straunge deuises of Maskes and Morrishes’ (Hall,
719). The interlude of The Nature of the Four Elements
(early Hen. VIII) has after the dramatis personae the
direction, ‘Also yf ye lyst ye may brynge in a dysgysynge’;
cf. Soergel, 21.
[1455] Hall, 526.
[1456] Evans, xxi. Other not very plausible suggestions are
made by Ward, i. 150; Soergel, 13. There is a good
account of the Italian mascherata from about 1474 in
Symonds, Shakespeare’s Predecessors, 321.
[1457] Brewer, ii. 1497. There is a further entry in an account
of 1519 (Brewer, iii. 35) of a revel, called a ‘masklyne,’ after
the manner of Italy.
[1458] ‘Maske’ first appears in 1514 (Collier, i. 79 ‘iocorum
larvatorum, vocat. Maskes, Revelles, and Disguysings’);
‘masque’ is not English until the seventeenth century
(Evans, xiii). Skeat derives through the French masque,
masquer, masquerer, and the Spanish mascara,
mascarada (Ital. mascherata) from the Arabic maskharat, a
buffoon or droll (root sakhira, ‘he ridiculed’). The original
sense would thus be ‘entertainment’ and that of ‘face-mask’
(larva, ‘vizard,’ ‘viser’) only derivative. But late Latin has
already masca, talamasca in this sense; e.g. Burchardus of
Worms, Coll. Decretorum (before 1024), bk. ii. c. 161 ‘nec
larvas daemonum quas vulgo Talamascas dicunt, ibi ante
se ferri consentiat’; cf. Ducange, s.v. Talamasca;
Pfannenschmidt, 617, with some incorrect etymology. And
the French masque is always the face-mask and never the
performance; while se masquier, masquillier, maschurer,
are twelfth-to thirteenth-century words for ‘blacken,’ ‘dirty.’ I
therefore prefer the derivation of Brotanek, 120, from a
Germanic root represented by the M. E. maskel ‘stain’; and
this has the further advantage of explaining ‘maskeler,’
‘maskeling,’ which appear, variously spelt, in documents of
† 1519-26. Both terms signify the performance, and
‘maskeler’ the performer also (Brotanek, 122). Face-masks
were de rigueur in the Mask to a late date. In 1618 John
Chamberlain writes ‘the gentlemen of Gray’s Inn came to
court with their show, for I cannot call it a masque, seeing
they were not disguised, nor had vizards’ (Nichols, James
I, iii. 468).
[1459] Ben Jonson, iii. 162. Masque of Augurs (1623)
‘Disguise was the old English word for a masque, sir,
before you were an implement belonging to the Revels’; ii.
476, A Tale of a Tub (1634), v. 2: