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A RICH MAN’S HOUSE. ON THE RIGHT IS A FINE WHITE “FEI,” AND,
HANGING FROM THE RAFTER IN FRONT OF THE DOOR, A BANANA FIBRE
MAT
How any dust at all can collect on a small island in mid-Pacific is
a mystery; nevertheless, every article in a Uap house is coated deep
with cobwebs and fine dust. This is also the case, however, in the
houses of all Pacific Islanders that I have ever visited, and is
possibly due to absence of chimneys and abundance of smoke.
There is always in private houses in Uap an inner room or corner,
screened off from the common room, where the owners of the house
sleep at night. This little sleeping-room is totally dark except for what
little light may filter through the walls or under the eaves. There is, of
course, no second story to the houses, except a general storage
place under the rafters, on top of the cross beams, where any article,
not in daily use, such as a leaky canoe, a ragged fish net, a broken
spear, etc., is tucked away.
I have groped my way through many a Uap house, of course with
the full permission of the owner, rummaging in every dark corner in
search of articles of ethnological interest, but only once or twice was
my search rewarded. The owners did not seem to object in the
slightest degree to my curiosity, and after giving me liberty to poke
and pry to my heart’s content, they stood by smiling and good-
naturedly answering my questions as to the names and uses of
everything. They knew well enough that I should not find what they
considered their really valuable possessions, which were probably
hidden away in the darkness of the inner chamber, and were sure
moreover that whatever I found that I wanted would be paid for by
many a stick of “trade” tobacco.
O
ne of the most noteworthy features of Uap life are the large
houses known as failu, when situated on the coast, and pabai,
when built inland beyond the belt of coconut groves. These
houses are found in all Uap villages, and pertain exclusively to the
men, be they married or single; herein councils are held, and the
affairs of the community are discussed, free from all intervention of
women; and here, too, men and boys entertain themselves with song
and dance, in which, under the plea that it would not be decorous for
women to join, a desire may be detected to escape feminine
criticism. A failu or pabai is frequently years in building; the men do
not wait, however for its final completion and ceremonial opening
before occupying it, but often make it their home even should no
more than the framework and roof be finished. Every post, every
beam is selected with extremest care, so that all its natural curves
and angles may be used without further shaping. No nails, and,
indeed, very few pegs are used to hold the beams together; each
beam is attached to another by mortising, and then literally
thousands of yards of cord, made from the fibre of coconut husks,
are used to bind the joints. The lashings of this brown kaya cord
furnish excellent opportunities for ornamentation; wherefore, with
tropical lavishness and Oriental contempt for the expenditure of time,
the main posts, for four or five feet below the cross beams, are often
bound with cords interlaced into beautiful basket patterns and
complicated knots; where the slanting supports of the thatched roof
meet the side walls there is a continuous, graceful band of
interwoven cords, where each knot has its own peculiar designation
and invariable position.
A “PABAI,” OR MEN’S CLUB-HOUSE