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The Red Woman

This article is about the episode, for the red priestess see Melisandre.
"The Red Woman" is the first episode of the sixth season of Game of Thrones.
It is the fifty-first episode of the series overall. It premiered on April 24, 2016. It The Red Woman
was written by David Benioff & D.B. Weiss and directed by Jeremy Podeswa.
Season 6 Episode 1
Contents [show]
Plot
At Castle Black, Thorne defends his treason while Edd and Davos defend
themselves. Sansa and Theon race the cold and the hounds.
Air date April 24, 2016
Runtime 50 minutes
Summary Written by David Benioff & D.B. Weiss
Directed by Jeremy Podeswa

In the North
Episode Guide
Ramsay and Maester Wolkan attend to the dead body of Myranda. Ramsay
Previous Next
remembers the first time he met her, stating that while other people were afraid
"Mother's Mercy" "Home"
of him, she wasn't. The Maester asks if they should bury her or construct a
funeral pyre. Ramsay says she is good meat and they should feed her to the
hounds.
Theon and Sansa, having survived the fall from Winterfell's wall, run through the Wolfswood
realizing there are already men with hounds chasing them. Theon tries to hide their scent by
crossing a river. Guiding a frightened Sansa, they make it across and hide by a fallen tree
with Theon hugging Sansa to try to keep her warm. Hearing the dogs still after them, Theon Brienne and Podrick meet Sansa
tries to lead them away, telling Sansa to keep heading north for Jon and Castle Black. A and Theon.
group of Bolton men sent by Ramsay, with the Bastard's Girls, find them. Theon claims Sansa
was hurt when they jumped and he left her to die, but the dogs find her. The leader mocks
Theon over what Ramsay will do to him now and prepares to bring them back to Winterfell. Brienne and Podrick arrive and a
fight begins. Brienne kills most of them while Podrick displays the techniques she taught him, managing to kill one. He is then
attacked by another and briefly holds his own before being knocked down but Theon grabs a sword and kills the Bolton man.
Sansa accepts Brienne into her service. Where they go next is uncertain.
Roose Bolton meets with Ramsay afterward and asks if preemptively assaulting the struggling army of Stannis Baratheon makes
him feel like a "winner" now that they've lost Sansa. A Lannister army marching north could easily overwhelm the Bolton troops
at Winterfell and the Dreadfort. Ramsay assures his father they will recapture Sansa as he's sent his best men to find her. Roose
continues that they need her to rally the north against the Lannisters, if need be, and subtly warns Ramsay that if he fails to
recapture her, his unborn brother will become his heir.
In Braavos
https://gameofthrones.fandom.com/wiki/The_Red_Woman 1/16
Arya is blind and begs for money in the streets, when the Waif approaches her with two
fighting sticks, and gives her one. Arya explains that she can't fight because she's blind, the
Waif answers "that's not my problem" and starts beating her. Arya poorly tries to defend
herself but fails miserably. The Waif stops and says that they'll meet tomorrow.
In Meereen
Varys and Tyrion are seen walking through the city, dressed as merchants. After coming upon In Braavos, Arya faces The Waif
a starving woman and her baby, Tyrion offers a coin, saying the money is for the baby, to eat.
His poor Valyrian frightens the woman who thinks that he wants to eat her baby. Varys
intercedes, explaining to the woman the money is so the baby can eat. The relieved woman
accepts Tyrion's generosity.
As they continue their walk through the city, Tyrion states that they need to find the leader of
the Sons of the Harpy in order to bring peace to Meereen. Varys said that his spies have been
sent all over the city, and that soon they will bring him information. Their conversation is Varys and Tyrion walking through
interrupted by a crowd of screaming people running from a huge cloud of smoke. The two Meereen.
make their way towards the origin of the smoke: all the ships in the harbor have been set
aflame.
In the Dothraki Sea

Daario and Jorah are looking for Daenerys, and come upon the charred remains of a ram.
They note numerous hoof prints on the ground, making Jorah realize that the Dothraki have
been here. On the ground, he finds the ring that Daenerys intentionally dropped.
Daenerys is shown walking with her hands bound, and two Dothraki take her to Khal Moro as
a gift. The Khal wants to rape her, but she explains who she is, Khal Drogo's widow. The Khal
unbinds her and promises her that she will not be harmed. When Daenerys asks to be Daenerys is captured and offered
escorted back to Meereen in exchange for the promise of one thousand horses for her safe to Khal Moro.
return, Moro's wife tells her that she has to remain in the temple of Vaes Dothrak with the
other Khals' widows for the remainder of her days and become a Dosh khaleen.
In Dorne
Ellaria helps Doran get to his wheelchair, as they both reminisce about Oberyn, with Doran
stating how he envied his late brother for the adventurous life he led. Ellaria states that Doran
would have made a bad adventurer, while Oberyn would have been a bad ruler. After settling
into his chair, Maester Caleotte brings him a message that Myrcella has died. Before he can
give an order, Tyene stabs Areo Hotah in the back, killing him, while Ellaria stabs Doran in the
Doran dies after Ellaria's
chest. As he lies on the floor his guards do nothing, indicating they have sided with Ellaria. As
deception.
she twists her knife into Doran, Ellaria angrily says he remained passive despite the brutal
deaths of both his sister and brother, and that the people of Dorne are with her, now. As he is
gasping, Doran begs Ellaria to spare Trystane, but Ellaria coldly scoffs at him. Doran then dies in a pool of his own blood.
In King's Landing
Cersei is sitting alone in her room, when a servant enters and announces that a ship from Dorne has arrived. Realizing that
Myrcella has come home, she joyfully runs down to the harbor, only to see a grim-faced Jaime alongside a shrouded body. She
tearfully realizes that her daughter has died.
Later, in the Red Keep, Cersei asks Jaime when was the first time he saw a dead body, to
which Jaime replies their mother's. Cersei tells of her memory of the horror she felt after first
seeing her mother's corpse, and wishes not to see it happen to Myrcella. She reveals
Maggy's prophecy to Jaime, but he dismisses it as nonsense. Myrcella's corpse arrives from
Dorne.
Meanwhile, Margaery is still imprisoned by the Faith, and the High Sparrow comes to visit her.
She asks about her brother, Loras, but he tells her that she has to confess first. When she
admits that nobody is without sin, he tells her that she is on the right path but still has a long way to go.
Obara and Nymeria arrive on Prince Trystane's ship, announcing their intention to kill him. Nymeria offers Trystane the choice of
which one of the Sands he'd like to fight, and he chooses Nymeria, only to be killed when Obara impales him through the back of
his head as he turns his back on her.
At the Wall
At the Wall, the mutineers have left Jon's body where he fell. Ghost is scratching at the door in grief and howling, which gets the
attention of several people, including Ser Davos, who leaves his room to investigate. Davos finds Jon's dead body just before
Edd and some other brothers arrive. They take the body inside where Edd clears a table and angrily curses Thorne after closing
Jon's eyes. Davos asks if Edd trusts any of his brothers, and Edd replies, "The ones in this room." Davos convinces Edd to go
bring Ghost in, deciding that they need all the help they can get. Melisandre arrives, stating she saw Jon fighting in Winterfell in
the flames. Davos and the black brothers doubt the now dead Lord Commander could do such a thing and she returns to her
room.
Alliser Thorne, Othell Yarwyck, and Bowen Marsh hold a meeting with the remaining black brothers stationed at Castle Black
and explain their reasoning for killing the Lord Commander. Most of the brothers come to understand them and side with the
mutineers. Back inside the room, Davos notes Thorne is sure to have made his move by now. In response, Edd states he
doesn't care because Jon was his friend and they butchered him and he rallies the loyal brothers to try and take out Thorne in
revenge. Davos responds they are hopelessly outnumbered, stating Ghost isn't enough when Edd brings him up, before
reminding them there are others nearby who owe Jon their lives. Realizing he means the Wildlings, Edd instructs them to bar the
door and not let anyone in while he sneaks out to get help.
Thorne and senior members of the Watch approach the room, with members of the Watch in tow bearing arms. Thorne speaks
to Davos through the locked door and promises full amnesty for the members of the Watch. To Davos he offers a fresh horse
and safe passage to ride south or in any direction he wishes, and that he can take Melisandre with him. Ser Davos mocks what
he knows to be an insincere offer by requesting mutton. Ser Davos tells Thorne he is a poor hunter and does not want to starve,
so he needs some mutton for his trip. Thorne promises him food will be provided. Ser Thorne says the offer is available as long
as everyone in the room surrenders by sundown.
Alone in her bedroom, Melisandre appears despondent, looking as if she has been betrayed
and led astray by The Lord of Light. On a table next to her bed are various containers, some
small that contain potions and other liquids. She unbuttons the front of her dress showing a
young beautiful body. She then removes the dress completely and stands nude before a
mirror. When she removes her large necklace the gem loses its glow. In the mirror,
Melisandre's reflections shows she has transformed or morphed back to a 400-year-old
woman she has been said to be, a frail old woman with sagging breasts, leathery skin and Melisandre without her magical
thin wispy white hair. Fully nude, with her head bowed down in a despondent manner, she glamor of youth.
slowly climbs into bed and pulls the fur blanket on top of her.
Appearances
Main: The Red Woman/Appearances
First
Maester Wolkan
Maester Caleotte
Aggo
Qhono
Khal Moro
Bolton Officer
Khal Moro's 1st wife
Khal Moro's 2nd wife
Zanrush
Deaths
Bolton Officer
Areo Hotah
Prince Doran Martell
Maester Caleotte
Prince Trystane Martell
A few unnamed Bolton soldiers
Production
Cast
Starring Guest Starring
Peter Dinklage as Tyrion Lannister Owen Teale as Ser Alliser Thorne

Nikolaj Coster-Waldau as Ser Jaime Lannister Ben Crompton as Eddison Tollett
Lena Headey as Queen Mother Cersei Lannister Alexander Siddig as Prince Doran Martell
Emilia Clarke as Queen Daenerys Targaryen DeObia Oparei as Areo Hotah
Kit Harington as Jon Snow Faye Marsay as The Waif
Liam Cunningham as Ser Davos Seaworth Daniel Portman as Podrick Payne
Carice van Houten as Lady Melisandre Keisha Castle-Hughes as Obara Sand
Natalie Dormer as Queen Margaery Tyrell Rosabell Laurenti Sellers as Tyene Sand
Indira Varma as Ellaria Sand Jessica Henwick as Nymeria Sand
Sophie Turner as Sansa Stark Hannah Waddingham as Septa Unella
Maisie Williams as Arya Stark Toby Sebastian as Trystane Martell
Conleth Hill as Varys Brenock O'Connor as Olly
Alfie Allen as Theon Greyjoy Hafþór Júlíus Björnsson as Ser Gregor Clegane
Gwendoline Christie as Brienne of Tarth Charlotte Hope as Myranda
Jonathan Pryce as the High Sparrow Joe Naufahu as Khal Moro
Michiel Huisman as Daario Naharis Chuku Modu as Akho[1]
Michael McElhatton as Lord Roose Bolton Staz Nair as Qhono
Iwan Rheon as Ramsay Bolton Rubi Ali as a Moro's wife
Iain Glen as Ser Jorah Mormont Fola Evans-Akingbola as a Moro's wife
Gerald Lepkowski as Zanrush
Richard Rycroft as Maester Wolkan
Diogo Sales as a Moro's bloodrider
Junade Khan as a Moro's bloodrider
Sara Dylan as Bernadette
Brian Fortune as First Builder Othell Yarwyck
Michael Condron as First Steward Bowen Marsh
Steve Cash as a loyal Night's Watch man
Robert Fawsitt as a loyal Night's Watch man
Michael Hayes as a Night's Watch man
Tony Flynn as a Night's Watch man
Andrew Bryan as a Bolton officer
Tristan Heanue as a Bolton soldier
Sabina Arthur as a Meereenese homeless mother
Colin Azzopardi as Maester Caleotte
Cast notes
19 of 29 starring cast members appear in this episode.
Starring cast members Aidan Gillen (Petyr Baelish), Rory McCann (Sandor Clegane), Nathalie Emmanuel (Missandei),
Kristofer Hivju (Tormund Giantsbane), Isaac Hempstead-Wright (Bran Stark), John Bradley (Samwell Tarly), Dean-Charles
Chapman (Tommen Baratheon), Jerome Flynn (Bronn), Hannah Murray (Gilly), and Tom Wlaschiha (Jaqen H'ghar) are not
credited and do not appear in this episode.
Jonathan Pryce is added to the main cast with his name appearing in the opening credits, starting with this episode. He
previously appeared in a recurring role in the fifth season.
Boian Anev, Kristina Baskett, Richard Bradshaw, Chris Cox, Jake Cox, Matt Crook, Vladimir Furdik, Richard Hansen, Paul
Howell, Rowley Irlam, Jack Jag, Milen Kaleychev, Leigh Maddern, Leona McCarron, Casey Michaels, Sian Milne, Camilla
Naprous, Paul Shapcott, Ryan Stuart, Andy Wareham, Annabel E. Wood, and Miguel Ángel Luque were stunt performers
in this episode.
Notes
The episode's title apparently refers to Melisandre of Asshai, also known as the Red Woman.
The journey to Oldtown subplot (involving Samwell and Gilly), the Small Council, and Petyr "Littlefinger" Baelish do not
appear in this episode. Subplots which do not appear in this episode but which are confirmed to reappear later in the
season are Bran Stark and his storyline, House Greyjoy (as a faction, not including Theon), and the Tully/Frey subplot.
House Tyrell as a broader political faction does not appear, though Margaery Tyrell herself does in a prison cell (Loras
doesn't appear either despite also being imprisoned, though it is a plot point that her captors are using her desire to know
what happened to him as leverage over her).
As Benioff points out in the "Inside the Episode" featurette, the novels already gave some hints that Melisandre is actually
far older than she seems, and is using a magical "glamor" to project an outward image of youth. It was already a major
theory circulating among book readers for some time, given Melisandre's thought to herself that she has been practicing
her magical arts "for years beyond count", and Davos's description that her appearance is so perfect as to seem unnatural
and artificial: her proportions a little too perfect, her skin so flawless that is has no blemishes whatsoever, her hair so red it
is the color of red copper (not a natural human red hair color). In the fifth novel, Melisandre reveals that she outright has
the power to project glamors on other people, when she projects the image that the Lord of Bones is actually Mance
Rayder, and has him burned at the stake in his place (though the showrunners have stated Mance simply dies in the TV
version). Melisandre directly explains to Jon that her glamors only affect mental appearances and perceptions in other
people's minds - she doesn't actually "shape-shift" the way that the Faceless Men do. This extends beyond sight to the
other senses as well, i.e. no one she touches (such as Stannis) seem suspicious that her hands feel unusually wrinkled
and old, even if they don't look old. Moreover, a point is made that Melisandre never takes her elaborate necklace off in the
novels, which contains a red jewel that glows when she uses her powers - implying that the jewel is a focal point of her
powers. .
An inconsistency in the TV series is that when Melisandre is taking a bath in
Season 4 episode 7 "Mockingbird", she doesn't have her necklace on at all. In-
universe it's entirely possible that she can briefly take it off for certain periods of
time without stopping the glamor (in this episode, she wanted to see her true form
in the mirror), though out-of-universe it's possible that getting the prop necklace
wet might damage it. Also, Melisandre has been heavily using her magical powers
Melisandre curiously didn't wear
of prophecy lately trying to see the future through the flames, so her glamor might
her amulet-necklace when she
be under a heavier strain.
took a bath in Season 4's
In the Inside the Episode featurette, Benioff said that early in the TV series,
"Mockingbird".
George R.R. Martin told them that Melisandre is actually several centuries old.
Martin also told the actress this so she would know to play Melisandre as a much
older personality (i.e. in Season 2 she talked down to Davos or even old Maester Cressen as if they are younger than
her - because they are).
The actor who played Maester Cressen back in the Season 2 premiere said that between takes he asked Carice van
Houten (Melisandre) why her character doesn't die when she drinks the same poisoned wine that killed his character
- and that she responded "I'm 400 years old". This sets off several warning flags, as it were, because that is exactly
how long ago the Doom of Valyria occurred. Alternatively it is possible that he misheard or that she just picked a
number at random (and could easily have said "five centuries", etc.).[2]
Director Jeremy Podeswa explained to Entertainment Weekly's James Hibberd how the final scene was filmed:
similar to Cersei's naked walk of atonement in the Season 5 finale, Carice van Houten's head was actually digitally
composited onto a body double - though in this case Carice herself had heavy aging prosthetics applied from the
neck up (look carefully at her eyes and you can clearly see that it is still Carice herself underneath). Otherwise, they
didn't create an elderly CGI body from scratch and then apply it to the footage: that is the actual appearance of the
naked body double, really an elderly woman, with no other special effects from the neck down. This fit with
Podeswa's goal for the scene, which was to depict Melisandre as an "indeterminate age" - fans are speculating
whether she is 100 years old or a truly fantastic 400 or 1,000 years old, but he wanted to leave it deliberately
ambiguous. Therefore, they wanted to depict a real living elderly woman's body - as opposed to some CGI creation
that looked so old and partially skeletal/mummified that she blatantly could not be physically alive without being
animated by some sort of magical force.[3]
Ramsay Bolton's reaction to Myranda's death seems very uncharacteristic - at least at first: in the books he never cared
about his lackeys known as the "Bastard's Boys", and was capable of killing them himself (as he did to Luton). If someone
else murdered them (Yellow Dick, "Little" Walder Frey) - his reaction is rage, not sorrow, as if it was a personal insult. Of
course, this gets subverted by the end of the scene when Ramsay flippantly says to just feed her corpse to the dogs - a
true sociopath, Ramsay truly "cares" about no one, though he can get upset when one of his favorite "toys" gets broken.
The episode doesn't clearly explain how Theon Greyjoy and Sansa Stark survived the jump from the walls of Winterfell. In
the books - in which Ramsay's bride was Sansa's best friend Jeyne Poole - they just landed in one of the large snowdrifts
which was starting to pile up against the castle walls. Jeyne still cracked a few ribs (because Theon landed on top of her),
but otherwise the snow broke their fall. Despite some minor injuries they didn't have a problem outrunning Bolton scouts,
because a blizzard had just settled over the castle which masked their escape. It is unknown how to reconcile this with how
in the TV version, Melisandre's blood sacrifice of Shireen actually lifted the blizzard and the snow was visibly melting -
though it does take time for very large 20 foot high snowdrifts to melt completely.
Back in Season 4, after Brienne saved Podrick Payne from Littlefinger's guards, she promised to start giving him combat
training so he can defend himself like a proper squire. Note that now Podrick can hold his own reasonably well in a fight
against a Bolton soldier, at least distracting him so Brienne has one fewer enemy to focus on, and at the end even
manages to land a killing blow against him, while tackling him off of his horse - though he still has trouble facing another
one in an even fight on the ground until Theon takes him by surprise.
Prior to the episode's airing, a series of interviews were conducted with the main actors in pairs, one of which with
Alfie Allen and Daniel Portman, who play Theon and Podrick, respectively, serving as something of a spoiler that
Theon and Podrick would meet in some way.
The oath of fealty that Brienne of Tarth exchanges with Sansa Stark is of course the same one that Brienne exchanged
with Sansa's mother Catelyn Stark back in Season 2 episode 5 "The Ghost of Harrenhal". Given that Podrick helps Sansa
out with a line she stumbled with, it appears to be a commonly used formula for oaths between knights and lords, used
across Westeros.
There might be some minor confusion for viewers that Sansa previously rejected Brienne's pledge of service back in
Season 5 episode 2 "The House of Black and White". However, actress Gwendoline Christie subsequently explained
that there was a very important non-verbal instruction in that episode's script: Sansa was surrounded by Littlefinger
and his guards at the time, and she realized that if she tried to accept Brienne's offer, Littefinger's guards would kill
Brienne at the first opportunity, and they were too numerous to simply try to run away with Brienne ahead of them.
Therefore the script stated that Sansa didn't mean what she was saying in that episode when she rejected Brienne,
instructing that Sansa was giving her a furtive look with her eyes to the effect of "I want to go with you, but run like
hell before Littlefinger's guards kill you". As this was a non-verbal point it was somewhat difficult to convey on-screen
at the time. Now that Sansa and Brienne are alone without Littlefinger around, Sansa can happily accept Brienne's
offer of service.
In order to play Arya Stark as blind, actress Maisie Williams actually wears large 16 millimeter contacts that she cannot see
through - she was never given the option to just produce the cloudy effect in her eyes with CGI, she was told to wear the
contacts from the start. The true-blindness contacts, however, are only used in dialogue-heavy scenes when she is
standing relatively still: Williams explained that for the stick-fighting scenes with the Waif, she had to switch to using slightly
modified contact lenses with small pinpricks in the center, so she could actually see - otherwise there was concern that she
might hurt herself or others with the stick if a move went wrong in the performance. The pinprick-contacts are only used
briefly when she's moving around and the camera isn't focused on her face, so they aren't really visible to the viewer - she
then switches back to using the full-blindness contacts for other closeups.
When Arya is begging and a passerby puts a coin in her bowl, the coins are visible in closeup:
the one the man puts in is actually one of the square iron Braavosi coins first introduced in
Season 3, which have the image of the Titan of Braavos stamped on them. These square iron
coins are how Braavosi currency is described in the novels. Starting in Season 4, however,
Braavosi currency in Arya's
the TV series introduced a new coin being used in Braavos that hasn't been mentioned in the
begging bowl.
books: round coins with the symbol of the Iron Bank of Braavos on them (any symbol the
bank might use hasn't been described in the books yet). The other coin in Arya's bowl is
round but the markings aren't distinguishable. The discrepancy between the square coins with the Titan on them and the round
ones with the bank symbol on them is unclear - however, even the currency system used in Westeros is divided into different
denominations of coins of difference sizes and materials (Gold Dragons, Silver Stags, and Copper Pennies), so it is entirely
possible that Braavosi currency has other denominations.
Tyrion Lannister once again displays, as he did in the Season 5 finale, that he knows how to speak High Valyrian. The joke
also continues that it isn't his native language so he's a bit rusty and makes a few grammar mistakes. In the novels he
actually speaks High Valyrian quite well, though admittedly he didn't grow up speaking it or the Low Valyrian dialects of
Essos as his mother-tongue the way that Daenerys did (David Peterson confirmed they are speaking High Valyrian in this
scene, not the local Ghiscari Low Valyrian)[4]
Varys, in contrast, can speak Valyrian much more fluently - given that as he explained in Season 3, he was born a
slave in Lys and thus spoke Valyrian dialects as his mother tongue. Or was born in Lys, then was part of a troupe of
actors who moved around between the different Free Cities, until he was castrated and left for dead in Myr, where he
spent some years as a pickpocket (note that in this episode he mentions he was once a thief).
Varys says that "Mhysa" is the "Valyrian" word for mother. Strictly speaking this is true: it is actually the Old Ghiscari
word for "mother", and that is now a dead language, but it influenced the Ghiscari Low Valyrian that replaced it, which
contains numerous loanwords from it. "Mhysa" is thus a "Valyrian" word much in the same way that "rodeo" is an
English word (when "rodeo" is really a direct loanword from Spanish).
For the third time now, the incongruent graffiti has appeared in Meereen which is written in the
Common Tongue of Westeros, despite the fact that everyone there speaks Valyrian (and even
using the writing system of Westeros - in the novels, Valyrian uses a system of glyphs). In-
universe it is possible that some local slaves simply speak the Common Tongue, though out-
"Kill the masters" graffiti, now
of-universe it was apparently just so the audience can read it. For that matter, the graffiti now
defaced with a new line of graffiti
switches between using both Valyrian and Common Tongue words: "Mhysa is a master"
saying, "Mhysa is a master".
instead of perhaps "Mother is a master", etc.
Tyrion and Varys surmise that the Sons of the Harpy must have some central leader and
mastermind - given that their escalating attacks culminating in the ambush at the Great Pit must have required a
considerable amount of planning and coordination. They can't just be a loose affiliation of local rebel cells. In the books,
while the Sons of the Harpy didn't directly attack the Great Pit, a running subplot in the fifth novel is that Daenerys and her
advisors similarly realize there must be one central mastermind leading the Sons of the Harpy - whom they dub "the
Harpy". As of the end of the fifth novel, however, they are no closer to discovering the identity of "the Harpy". This is being
introduced now in the TV show - possibly because, in part, prior seasons didn't have as much time to go into more detail
about the internal politics of Meereen, as Daenerys tries to determine which of the local rulers is the Harpy.
Major candidates who might be the Harpy in the books were several of the leading families of the Great Masters -
particularly the House of Pahl, who lost many sons during her conquest - though Daenerys feared that they are just
the most likely suspects.
Another option is that it is one of the local aristocrats who have been the most helpful to Daenerys (worming their way
into her confidence just as the Tyrells did to the Lannisters), particularly Hizdahr zo Loraq himself (which is what
Barristan suspects), though Hizdahr's death in the TV series at the hands of the Sons of the Harpy would seem to
dispel this. Another candidate along these lines is Galazza Galare, the high priestess of the Temple of the Graces in
the city who is the greatest voice calling for peace and order under Daenerys's new regime.
Yet another option is that the Harpy might actually be one of the leading freedmen: while this seems counterintuitive
at first, the point is raised that some of the freedmen are angry that Daenerys isn't going far enough by completely
exterminating all of the Great Masters down to the last child - as seen with Mossador last season, and Daenerys's
loss of support among the freedmen when she executed him for murdering a captured Harpy. In this episode itself,
Tyrion and Varys see anti-Daenerys graffiti left by the freedmen. After conquering Meereen Daenerys wanted to
make peace with the other slave-masters in Yunkai (feeling she was having enough trouble ruling Meereen itself) -
re-opening the Great Pit was even a major concession to the Yunkish slave-masters, and she agreed to peace
despite having the upper hand for the moment. In several ways, the freedmen angry with Daenerys had more reason
to break the peace than the Sons of the Harpy did. Thus it is possible that "the Harpy" is secretly a freedman who is
duping the Sons of the Harpy into making counter-productive attacks, trying to provoke Daenerys to kill them all in
retaliation.
In the novels, it is actually a plot point that Daenerys has no navy after she captures Meereen, either to maneuver against
her local enemies or to eventually use to transport an army to Westeros. She did have three ships that she acquired in
Qarth but they were taken apart at her command to build siege engines. Any ships which were at the harbors of Meereen
itself either fled or were destroyed by Daenerys's troops as they tried to escape. This introduces a subplot in which
Daenerys essentially has to figure out how she will deal with her enemies' fleets in Westeros if she's ever going to mount
an invasion, and ponders an alliance with House Greyjoy: of the three major fleets in Westeros, the Iron Fleet of the
Greyjoys is currently the only one not controlled by the Lannisters (the other two being the Royal Fleet at King's Landing,
and the Redwyne Fleet belonging to the Tyrells' vassals). In Season 4, the change was introduced that Daario Naharis said
they actually managed to capture 93 ships from the Meereenese navy in the harbor - the exact number of ships in the Iron
Fleet in the books - strongly implying that this subplot was going to be omitted, given that the Greyjoys barely appeared
after Season 2 of the TV series (and didn't appear at all in Season 5). Now that the TV series has been confirmed to run
through eight and not only seven seasons, and the Greyjoys will be prominently reintroduced in Season 6, it's probably not
a coincidence that Daenerys's TV-only Meereenese navy has suddenly been burned at anchor.
Daario Naharis comments "when I grow old" and Jorah Mormont counters "if you grow old", which Daario matter-of-factly
acknowledges as a fair point - implying that sellswords don't tend to live very long. This may be loosely inspired by a
prominent quote from the books, give by the sellsword Brown Ben Plumm, who switched to Daenerys's side when it looked
like she was winning, but then switched over to the slaver-alliance assembling against Daenerys because it started to look
like they would win. At a subsequent parley she asks Brown Ben to explain himself, but without condescension he
responded by pointing out that "there are old sellswords, and bold sellswords, but no old bold sellswords" - bold sellswords
who stay loyal to the weaker side don't tend to live very long, and the only sellswords who live to be old are the pragmatic
cowards who switch sides to whichever side happens to be stronger at the moment.
When Daenerys Targaryen says she will never have any children, "until the sun rises in the west and sets in the east", she
is quoting what Mirri Maz Duur told her back in the Season 1 finale "Fire and Blood" after she rendered Khal Drogo
catatonic, and poisoned Daenerys's pregnancy with spells in such a way that her son Rhaego was stillborn and horrifically
deformed. The Season 1 finale itself actually omitted the further explanation from the novels that Mirri didn't just kill
Daenerys's current child, but actually rendered her sterile - meaning that the Targaryen dynasty will die with her.
Daenerys's lines in this episode act as if Mirri gave the full statement from the novels - though it is possible that Daenerys
just figured this out on her own (she stops flowering for years afterwards, which convinces her that Mirri's words weren't an
idle threat but her reproductive organs have in fact been severely damaged).
Khal Moro and his bloodriders debating what is best in life seems to be an homage to the classic exchange from the 1982
fantasy-adventure film Conan the Barbarian. That they keep coming up with alternative answers until they have a list of at
least five things which are best in life may be a reference to the Monty Python sketch about the Spanish Inquisition, in
which the inquisitors start listing their weapons as fear and surprise, but then keep adding other equally valid entries as the
list expands to four and five, until finally the lead inquisitor in frustration cuts the rest off saying that "among our weapons
are such things as..."
Note that Khal Moro has two wives. The Dothraki actually practice polygamy, Khal Drogo just didn't happen to have any
previous wives when he married Daenerys (some keep many wives and don't care about any of them, others care about
them, others like Drogo are infatuated with one wife and choose not to take other ones, etc.)
When Daenerys is initially being led by the Dothraki warriors as they crassly discuss potentially having sex with her, she is
wise enough not to reveal that she actually understands the Dothraki language, despite their insulting comments, instead
waiting to reveal this when it can serve her some advantage. This somewhat mirrors how when she arrived in Astapor back
in Season 3, she was careful not to reveal to Kraznys mo Nakloz that she actually understood what he was saying in his
own language (Valyrian), and had to suppress her anger even when he was saying crass and insulting things (repeatedly
calling her a whore, saying he liked her ass, etc.).
In the novels, Daenerys actually encountered Khal Jhaqo (it is yet to be seen how he treats her), her enemy who used to
be one of Drogo's lieutenants but abandoned her with most of the former khalasar after Drogo died, and killed one of her
handmaidens. In contrast, Moro actually used to be an ally of Drogo in the novels, and attended his wedding to Daenerys.
Either way, the strict rule that a widowed khaleesi cannot be harmed and must be returned to Vaes Dothrak would probably
restrict even Jhaqo from directly harming her.
The Dothraki in this episode directly describe Daenerys as having blue eyes: in the novels, generations of compounded
inbreeding by incestuously marrying brother to sister preserved in members of House Targaryen the classic physical
features of the ancient Valyrians, pale white/silver hair and purple eyes (ranging from a few shades such as "violet", "lilac",
etc.). The TV series was originally going to follow this point by having the Targaryen actors wear color-changing contact
lenses in all of their scenes - however, this was quickly abandoned during early production, because it was felt that "actors
act with their eyes", and the purple eyes were very distracting to them (anyone in scenes with Daenerys couldn't help but
be distracted by her unusual eye color - even though, in-universe, people are distracted by the Targaryens' exotic eye
color). At any rate this made them decide to abandon using the contacts and they never appeared in the finished versions
of any scenes: instead, the Targaryen characters are simply presented as having lighter eye colors such as blue (but not
brown).
This episode continues the inconsistent application of the title "King of the Andals and
the First Men" used for the king who sits on the Iron Throne. In the novels, the full title is
"King of the Andals, the Rhoynar, and the First Men" - the three main ethnic groups of
Westeros. The TV series changed this to just "King of the Andals and the First Men" in
earlier seasons - Eddard Stark prominently states it when he executes the deserter at
the beginning of the first episode. It is possible that they left out "of the Rhoynar"
Missandei introduced Daenerys
because the Dornish were not going to be introduced until Season 4, and the production
as "Queen of the Andals and the
team didn't want to deluge the audience with extraneous information. In Season 4 itself,
Rhoynar and the First Men" in
however, the TV series continued to omit "of the Rhoynar", even in Oberyn Martell's
episode 4.10 "The Children"...
presence at Tommen's coronation in "First of His Name". When Missandei formally
introduces Daenerys Targaryen in episode 4.10 "The Children", however, she uses the
full title of the novels, including "of the Rhoynar" - the first time it was used in the TV
series. This was even more unusual, given that only four episodes previously in episode
4.6 "The Laws of Gods and Men", Missandei introduced Daenerys in the throne room
(the same location and same characters) using the shortened title that excluded "of the
Rhoynar".
Game of Thrones Wiki managed to reach out to George R.R. Martin asking about this at
...even though Missandei
the time, and he confirmed that the title was officially changed in the TV continuity to
introduced Daenerys as just
exclude the "of the Rhoynar" part - apparently it was formally decided at a sit-down
"Queen of the Andals and the
writer's meeting of some kind. Martin said:
First Men" four episodes earlier in
"It is true that the Targaryen succession on the series is different than the one in episode 4.6 "The Laws of Gods
the novels; most notably, the Mad King's father Jaehaerys II was dropped, as and Men".
was established way back in season one. In much the same way as the Rhoynar
have been dropped from the royal titles, "King of Andals and the Rhoynar and the
First Men," etc."[5]
Season 5, however, switched back to consistently using only the format "King of the Andals and the First Men" - to the
point that the use of the phrase "of the Rhoynar" in the Season 4 finale was assumed to just be a single isolated script
error.
Now, in the Season 6 premiere, the TV series has once again flopped back to using the full title from the novels,
"Queen of the Andals, the Rhoynar, and the First Men", without explanation. At this point it is unknown what the
actual title is even supposed to be in the TV continuity.
This is actually the first episode in which Eddison Tollett is referred to in dialogue by his common nickname from the
novels, "Dolorous Edd".
Mutiny at Castle Black - books versus TV series

This episode confirms that in the TV continuity, the victory of the Boltons over Stannis had nothing to do with the
motivations for the mutiny against Jon Snow: it is presented as purely about the wildlings. In the novels, the other Watch
officers mutiny against Jon because Ramsay Bolton threatened to attack the Night's Watch, and Jon wanted to break his
oath of neutrality to ride out and fight him first - thus in the books the wildlings were already through the Wall when the
mutiny occurred, but this was irrelevant because they mutinied for a different reason altogether. No attempt is made to
overtly explain why, in the TV version, Thorne would have let the wildlings through the Wall in the first place if only to kill
Jon for it later, when he simply could have barred the gate to them. In the episode itself, it's said that about 40 of the 50
men remaining in the garrison are loyal to Thorne at this point, and it is not presented as if he feared rebuke at the time if
he didn't open the gate.
Moreover, even if the intention was that Thorne feared publicly turning against Jon earlier when he opened the gate,
the TV version never presents any explanation for what exactly Thorne intended to achieve by killing Jon after the
wildlings are through the Wall - how this would "save" the Watch even though Jon already let thousands of wildlings
through to the undefended south side of the Wall.
The "Previously on Game of Thrones" segment which ran at the beginning of this episode even re-shows the footage
of Thorne letting the wildlings through the gate - highlighting to viewers who hadn't rewatched the end of Season 5 for
a full year that this is how the specific sequence of events played out in the TV version.
In the "Inside the Episode" featurette immediately following the episode, showrunners Benioff and Weiss outright give
contradictory explanations for what Thorne's motivations were. Weiss begins by saying that Thorne has hated Jon
since Season 1, the mutiny was a naked "power grab", and was made entirely for selfish reasons due to the older
officers' grudge against the wildlings. Immediately following this the camera cuts to Benioff, who gives the explanation
that the mutiny was actually like the assassination of Julius Caesar, explicitly in the sense that everyone who stabbed
Jon did it for selfless reasons, Thorne wasn't making a power grab, he was doing what he honestly felt was best to
save the Night's Watch.
Thorne's speech, in which he explains his motives, seems to resemble the one Brutus gives after the assassination in
Julius Caesar, that he did it for what he believed to be the survival of their organization - which matches what Benioff
said. Weiss apparently believes that Thorne is simply lying.
For more information see the article "Bastard Letter"
Dorne
The TV series has drastically altered the Dorne subplot of House Martell, and drastically altered it even more in this
episode: neither Doran Martell, Trystane Martell, nor Areo Hotah have died in the novels.
This episode itself doesn't make explicit where Trystane's ship actually is, but the following episode "Home" states that it
was still in the harbor of King's Landing (the HBO Viewer's Guide explained that Cersei forbid Trystane to debark and enter
the city but he refused to leave without attending Myrcella's funeral, leading to an impasse). In the next episode Tommen
also states that he suspects Cersei was responsible for Trystane's assassination - apparently explaining why the Sand
Snakes waited to kill him when and where they did, to throw suspicion onto her.
For full notes, see the "Coup in Dorne".

In the books
See: Differences between books and TV series - Season 6#The Red Woman
The episode is adapted from the following chapter of A Feast for Crows:
Chapter 39, Cersei IX: Cersei tells someone about Maggy's prophecy; that person dismisses the prophecy as
nonsense.
The episode is adapted from the following chapters of A Dance with Dragons:
Chapter 38, The Watcher: Someone plots to assassinate Trystane Martell.
Chapter 45, The Blind Girl: Arya Stark, rendered blind by the Faceless Men for an unsanctioned killing, learns to rely
on her remaining senses. As a test, a Faceless Man hits her with a stick.
Chapter 46, A Ghost in Winterfell: One of Ramsay's servants is found dead. Ramsay is furious, promising to get even
with the killer.
Chapter 51, Theon I: Theon Greyjoy and Ramsay's bride flee from Winterfell with Ramsay's men in pursuit until they
find help.
Most of the episode appears to draw material from what will come in the sixth novel, The Winds of Winter, particularly the
storylines of the aftermath of Jon Snow's death and Daenerys Targaryen dealing with the Dothraki.
Catching up with the novels in Season 6

Though Season 6 has been widely described as the point when the TV series surpasses the novels, this is not exactly true, as
storylines have been adapted at an uneven pace. The showrunners always said they felt they were adapting the story as a
whole, not neatly matching up the endings of each book to each season. Indeed, Tyrion surpassed his current book material
already by meeting Daenerys at the end of Season 5 - which was on the verge of happening at the end of the current, fifth novel.
Broadly, preview chapters released for the as-yet unpublished sixth novel can be counted as "released" material. The point still
stands that several of the storylines for some of the most central characters have now surpassed the novels - Jon Snow,
Daenerys Targaryen, and Tyrion Lannister - but many other subplots have not.
Characters and subplots that have caught up with their current material from the novels:
Daenerys Targaryen and Meereen, including Tyrion Lannister

Jon Snow and the Night's Watch
Roose Bolton and Ramsay Bolton
Petyr "Littlefinger" Baelish
Sansa Stark's storyline was merged with Jeyne Poole's from the fifth novel, who is forced to marry Ramsay; her Vale
storylines have now been diverted while she has reached the end of Jeyne Poole's material from the most recent
novel.
Theon Greyjoy, except for his experiences after escaping Winterfell (in a preview chapter from book six)
Stannis Baratheon and Melisandre
Davos Seaworth was involved in other subplots in the North which were cut, but which may now have been merged
with other subplots.
The entire Dorne subplot has so wildly diverged from its material in the novels that the Martells' original book material is
being ignored at this point.
Characters and subplots that have not yet caught up with the books:
Arya Stark - Arya goes blind at the end of the fourth novel, in which her storyline was heavily focused on. Her storyline is
revisted in book five, in which she has two full chapters. Moreover, an Arya preview chapter from book six was released in
which she kills Raff the Sweetling (condensed to be Meryn Trant in the TV series). The majority of the chapter, however,
involves a lengthy scene at a stage play in Braavos, which is confirmed to appear later in Season 6. Thus Arya still has a
considerable amount of material from the novels which have not yet been adapted.
Bran Stark, Hodor, and Meera Reed - Bran's storyline had one chapter left in book five after he met the Three-Eyed Raven,
in which he begins his training in Greensight and experiences several vivid visions of the past, including his father Eddard
Stark in his youth.
Season 6 is apparently going to stretch out this one Bran chapter for some time in Season 6, using it as a framing
device to show important flashback scenes - at least some of which were actually had by other characters earlier in
the novels, recounted through vivid narration: in the first novel, Eddard himself mentally recalled his final
confrontation at the end of Robert's Rebellion with the Targaryen Kingsguard in the showdown at the Tower of Joy -
Season 6 will present this as a vision of the past that Bran experiences.
Samwell Tarly and Gilly still have most of their storyline from the fourth novel as they were heading to Braavos and
Oldtown left to adapt (parts of it such as Aemon's death were moved up to actually happen at Castle Black in Season 5).
The King's Landing subplots are a mixed case, in that after Cersei's Walk of atonement only one more chapter is set in
King's Landing; however, it is an extensive scene in which her uncle Kevan Lannister and the Small Council discuss large-
scale events across Westeros. The TV series is apparently combining and moving around some of this, and extending
elements of the chapter across Season 6: at the same time, Cersei's ongoing confrontation with the Faith Militant (seen in
trailers) will certainly surpass the events of the last chapter focusing on the Small Council.
The Faith Militant itself and the confrontation with them to have Margaery released has fully caught up with the
novels, and trailers for Season 6 show scenes which confirm that she will quickly move into unadapted material in
Season 6.
Loras Tyrell wasn't imprisoned by the Faith Militant in the novels; indeed he had a rather prominent new subplot:
given that the Tyrells' homeland in the Reach is on the west coast of the continent, it is under threat from the renewed
ironborn attacks, and Loras has to command their forces to deal with it. This storyline sees Loras return to the
forefront, as he was somewhat in the background from the third novel onward after Renly died. It is unclear if this
subplot will be worked back into Season 6 or be omitted entirely.
Elements from the Slaver's Bay storyline were pushed back from prior novels, dealing with both internal politics within
Meereen and a looming confrontation with Yunkai from without. The Yunkish diplomat Razdal mo Eraz is set to return in
Season 6, organizing the slaver powers and their allies, while Daenerys's advisors left in Meereen try to deal with the
mounting crisis. In the novels, these chapters after Daenerys's disappearance are told from Barristan Selmy's perspective,
but with his death in the TV series, parts of them may have transferred to Tyrion.
Tyrion's storyline as he was heading east to Meereen in book five also introduced a new subplot involving a major political
shakeup in the Free Cities, but this was cut completely from from Tyrion's storyline in Season 5. After he leaves for Meereen it
subsequently intersects with several other subplots (not Arya's). This Free Cities subplot will probably be cut entirely from the TV
series.
Memorable Quotes
Alliser Thorne: "You all know why you're here. Jon Snow is dead."
Night's Watch man: "Who killed him?"
Alliser: "I did. And Bowen Marsh and Othell Yarwyck and the other officers in this castle."
Night's Watch Men: "Murderers! Traitors!"
Alliser: "You're right! We've committed treason, all of us. Jon Snow was my Lord Commander. I had no love for him. That was
no secret. But I never once disobeyed an order. Loyalty is the foundation on which the Night's Watch is built. And the Watch
means everything to me. I have given my life, we have all given our lives to the Night's Watch. Jon Snow was going to destroy
the Night's Watch. He let the wildlings through our gates as no Lord Commander has ever done before. He gave them the very
land on which they reaved and raped and murdered. Lord Commander Snow did what he thought was right, I've no doubt about
that. And what he thought was right would have been the end of us. He thrust a terrible choice upon us. And we made it."
Roose Bolton: "Your command of the cavalry was impressive. Thanks to you, the false king Stannis Baratheon is dead. Do you
know who struck the killing blow?"
Ramsay Bolton: "No."

Roose: "A shame. I'd reward the man. Still, a great victory. Do you feel like a victor? I rebelled against the crown to arrange your
marriage to Sansa Stark. Do you think that burning wagons in the night and mowing down tired, outnumbered Baratheons is the
same as facing a prepared and provisioned Lannister army?"
Ramsay: "No.
Roose: "A reckoning will come. We need the North to face it. The entire North. They won't back us without Sansa Stark. We no
longer have Sansa Stark. You played your games with her. You played your games with the heir to the Iron Islands and now
they're both gone."
Ramsay: "I have a team of men after them with some of my best hounds. They won't get far."
Roose: "I'm glad to hear it. Without Sansa, you won't be able to produce an heir. And without an heir, well... let's hope the
maesters are right and Lady Walda's carrying a boy."
Ellaria Sand: "When was the last time you left this palace? You don't know your own people. Their disgust for you. Elia Martell
raped and murdered, and you did nothing. Oberyn Martell butchered, and you did nothing. You're not a Dornishman. You're not
our prince."
Doran Martell: "My son Trystane..."

Ellaria: "Your son is weak just like you. And weak men will never rule Dorne again."
[Khal Moro grabs Daenerys's shirt]
Daenerys: "Do not touch me. I am Daenerys Stormborn of the House Targaryen..."
[Khal Moro lets go of Daenerys's shirt and steps backward]
Daenerys: "...The First of Her Name, the Unburnt, Queen of Meereen, Queen of the Andals and the Rhoynar and the First Men,
Khaleesi of the Great Grass Sea, Breaker of Chains and Mother of Dragons."
[pause. Then Khal Moro bursts out laughing, followed by his companions. He grabs Daenerys's neck]
Moro: "You are nobody, the millionth of your name, Queen of Nothing, slave of Khal Moro. Tonight I will lie with you, and if the
Great Stallion is kind, you will give me a son. Do you understand?"
Daenerys: [defiantly] "I will not lie with you. And I will bear no children, for you, or anyone else. Not until the sun rises in the
west, and sets in the east."
Gallery
See also
The Red Woman on Wikipedia
The Red Woman on IMDb
The Red Woman on A Wiki of Ice and Fire
References
1. ↑ [1]
2. ↑ Game of Thrones season 6 premiere: Melisandre's big reveal, explained , Vox, 2016 April 25.
3. ↑ Game of Thrones EW podcast for 'The Red Woman' is live , Entertainment Weekly, 2016 April 25.
4. ↑ David Peterson's Twitter.
5. ↑ ON MAEGOR III AND THE NIGHT’S KING , The Citadel, 2015 June 09.
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The Red Woman

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In the Dothraki Sea

tearfully realizes that her daughter has died.

Main: The Red Woman/Appearances

Starring Guest Starring

Peter Dinklage as Tyrion Lannister Owen Teale as Ser Alliser Thorne

Mutiny at Castle Black - books versus TV series

For more information see the article "Bastard Letter"

For full notes, see the "Coup in Dorne".

Catching up with the novels in Season 6

Daenerys Targaryen and Meereen, including Tyrion Lannister

Ramsay Bolton: "No."

Doran Martell: "My son Trystane..."

[Khal Moro grabs Daenerys's shirt]

The Red Woman on IMDb

The Red Woman on A Wiki of Ice and Fire

Retrieved from "https://gameofthrones.fandom.com/wiki/The_Red_Woman?oldid=428945"

Categories: Episodes Season 6 Season 6 Episodes

Languages: Deutsch Español Français Polski Português do Brasil Română Русский 中文

Community content is available under CC-BY-SA unless otherwise noted.

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