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Deconstructivism meaning
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Deconstructivism is an architectural and philosophical movement that emerged in
the late 20th century, primarily associated with the work of the French
philosopher Jacques Derrida and architects such as Peter Eisenman, Zaha Hadid,
Rem Koolhaas, and Frank Gehry. The term "deconstructivism" in architecture
does not have the same meaning as its usage in philosophy, but it is inspired by
some of the ideas of deconstruction.
In architecture, deconstructivism is characterized by the following key features:
Nonlinear Geometry: Deconstructivist buildings often feature complex and
unconventional geometries. Traditional architectural elements and forms are
fragmented and rearranged in unexpected ways, creating structures that appear
dynamic and disjointed.
Fragmentation and Dislocation: Elements of a building may be fragmented,
distorted, or dislocated, challenging conventional notions of structure and
coherence. This fragmentation can result in buildings that seem to defy traditional
ideas of stability and order.
Material Innovation: Deconstructivist architects often use innovative materials
and construction techniques. Unconventional materials and the use of technology
contribute to the realization of intricate and dynamic architectural forms.
Lack of Hierarchy: Deconstructivism challenges the traditional hierarchy and
organization of architectural elements. There is often a rejection of clear
distinctions between floors, walls, and ceilings, leading to a more fluid and open
interpretation of space.
Emphasis on Process and Expression: Deconstructivist architecture often
emphasizes the process of design and construction. The final form of a building is
seen as a result of the design process, allowing for a more expressive and
experimental approach.
It's important to note that deconstructivism in architecture does not seek to
destroy or demolish buildings physically; rather, it deconstructs traditional
architectural norms and challenges established ideas about form and structure.
The movement is more about intellectual exploration and pushing the boundaries
of architectural design.
Deconstructivism in philosophy, as developed by Jacques Derrida, involves the
analysis of language and literature to reveal and question the assumptions and
hierarchical structures inherent in them. The architectural movement draws on
some of these ideas to challenge traditional concepts in the design and
construction of buildings.
The heydar aliyev:( De- constructvism)
The Heydar Aliyev Cultural Center is a distinctive and modern architectural
landmark located in Baku, the capital city of Azerbaijan. It is named after Heydar
Aliyev, the third President of Azerbaijan, and the father of the current President,
Ilham Aliyev. The cultural center is designed by the Iraqi-British architect Zaha
Hadid and is known for its futuristic and fluid architectural style.
Key features of the Heydar Aliyev Cultural Center include:
White Facade: The exterior of the cultural center is clad in smooth, white
panels, emphasizing the absence of sharp angles and corners. The use of a single
color contributes to the building's sleek and modern appearance.
Interior Spaces: The interior of the Heydar Aliyev Cultural Center features
expansive and interconnected spaces. The design allows for flexibility in hosting
various cultural and artistic events, including exhibitions, concerts, and
conferences.
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five points of architecture by le corbusier
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Le Corbusier's Five Points of Architecture are a set of principles that he developed
as a guide for modern architectural design. These principles, outlined in his
publication "Vers une architecture" ("Towards a New Architecture") in 1927,
became fundamental to the modern architectural movement. The Five Points of
Architecture are:
Pilotis (Elevated Supports): Le Corbusier advocated for lifting the bulk of the
building off the ground using pilotis, which are slender columns or piers. By doing
so, the ground floor could be open and used for various purposes, allowing for
more flexibility in the use of space.
Free Plan (Open Interior Spaces): The second point emphasizes the idea of a free
and open interior space. Le Corbusier proposed eliminating load-bearing walls on
the interior, allowing for greater flexibility in arranging and using space. This was a
departure from traditional structural constraints, providing a sense of openness
and adaptability.
Free Facade (Non-Load-Bearing Exterior Walls): Le Corbusier advocated for
separating the exterior walls from the structural framework of the building. This
allowed for more design freedom in shaping the facade, as it was no longer
restricted by the structural elements. The exterior walls could be designed
independently, contributing to the aesthetic expression of the building.
Ribbon Windows: Le Corbusier introduced the concept of long horizontal
windows, often referred to as ribbon windows. These continuous bands of
windows served multiple purposes, providing ample natural light, promoting
ventilation, and offering panoramic views. They also contributed to the visual
unity of the facade.
Roof Terrace: The fifth point encourages the use of a flat roof terrace. Le
Corbusier saw the roof as valuable outdoor space that could be utilized for
various purposes, such as gardens or recreational areas. This concept aligned with
his vision of integrating nature into the design and making efficient use of
available space.
These Five Points of Architecture were not only theoretical but were put into
practice in many of Le Corbusier's designs. The principles were aimed at achieving
functional and aesthetic goals, emphasizing the need for modern architecture to
respond to the challenges and opportunities of the 20th century. Le Corbusier's
ideas significantly influenced the development of modern architecture and urban
planning.