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Another random document with
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home. Lucy, who has heard nothing of the feud, makes the
acquaintance of Howe’s three timid sisters, and eventually meets
him. It follows that the two fall in love. On her death bed, Ellen
discovers how matters stand with her niece and neighbor and
determines on final revenge. When her will is read it is found that
she leaves all her property to Howe provided he repairs the long-
disputed wall. Otherwise it is to become the town poor farm. The
situation develops into a battle between Howe’s pride and the
inclinations of his heart. But love, as usual, finds a way out.”—
Springf’d Republican
19–19679
“The grownup lover of pets will enjoy this book of dog, cat and bird
biography much as children enjoy their numerous animal books. The
writer’s fondness for collies is tempered with a sly delightful humor
which relieves the book of sentimentality.”
“She has, in short, made literature out of a dog and enshrined one
lovable member of that remarkable race in a work as thoughtful as it
is delightful. Sigurd, I believe, will take his place among the canine
immortals, along with Greyfriars Bobby, John Muir’s Stikeen, and
the great dogs of fiction.” W. A. Dyer
“It may be that Miss Bates really understands dog nature, but she
has not expressed it here.”
“We like her writing best when it is most bookish. That is its note.
We have other books on our shelves aplenty in which the canine hero
plays a more tragic or pathetic or even humorous rôle, but none in
which he is more humanly literate than Miss Bates’s Sigurd of the
golden fleece.”
“The book reads very much as though the author had started out to
write one kind of a story, then suddenly changed his mind and
proceeded to produce another. This is the more deplorable because
the second part of the book, the war section, is well done and
interesting.”
20–1698
“The very fact that the actors are of various nationalities affords a
wide scope in character drawing and the author has done this work
with an incisive delicacy of feeling which one cannot fail to
appreciate. Humor is not lacking and forceful, thought-compelling
passages add to the graceful style of every story.”
“They are whimsically written. But the regularity with which the
various characters undergo a metamorphosis under the stimulus of
the patriotic impulse becomes wearisome.”
20–20646
20–7092
20–12409
“His theory has not cut him off from vital contact with poetry. The
things of which he is chiefly aware are the essential things, and to
read him is to have the ear quickened to a new enjoyment.”
+ − The Times [London] Lit Sup p668 N 20
’19 1100w
(Eng ed 20–11405)
“No doubt, Mr Bayley has worked hard and honestly. Use him as a
quarry and one will find gold, and, may be, other things. But how
accept his doctrine as a whole?” R. R. M.
20–2834
This work, the author says, was for him not a mere literary
enterprise, but the fruit of close and fervent communion with
Whitman’s work and character. Speaking of Whitman’s universality
he says: “The America which dreams and sings, back of the one
which works and invents, has given the world four universal
geniuses: Poe, Emerson, Thoreau, and Whitman.... And among these
four figures, one of them more and more dominates the group: it is
Walt Whitman.” (Introd.) The translator of the volume from the
French, Ellen FitzGerald, attempts an explanation of the American
masses’ neglect of Whitman, from the geniuses’ inevitable disregard
of “untrained” minds, in deference to whom she has taken it upon
herself to abridge M. Bazalgette’s treatment of the New Orleans
episode and to lighten his emphasis on the “Leaves of grass” conflict.
The book is in eight parts: Origin and youth; The multitudinary life;
“Leaves of grass”; The wound dresser; The good gray poet; The
invalid; The sage of Camden; The setting sun.
Reviewed by B: de Casseres
20–7722
“This latest novel of the gifted Frenchman adds not a single leaf to
his laurel crown. For the most part, the interpretation is labored, and
much space is devoted to moralizing upon the obvious. The general
effect of the novel is accentuated by a translation which is awkward
and infelicitous.”
− Cath World 111:688 Ag ’20 300w
20–14681
The cavalry in the great war was most of the time in little demand,
and had to take its turn in the trenches and at digging parties to
relieve the infantry. “Towards the end of 1917 ... a horse soldier could
hardly pass an infantry detachment on the road without being
greeted by ironical cheers and bitter abuse.” (Foreword) But the time
came when their prestige was reestablished. The war episodes
sketched in the book are the reminiscences of a clergyman attached
to a cavalry brigade. Among the contents are: Joining the squadroon;
Day marching; The gap; The trench party; The devastated area; The
great advance; The last lap.
+ Ath p751 Je 4 ’20 100w
“Those who happen not to have read many ‘war books’ of the kind,
or not to be tired of them, will find these genial, graphic, fluently-
written pages pleasant enough.”
20–21339
20–7573
“Mrs Mary Beard has not only supplied the student of the works of
Professor Commons and his associates with a text-book admirably
lucid and condensed, but she has achieved what is far more difficult
in writing a text-book—especially where no text-book exists—a
connected and in many ways a dramatic story.” A. L. Dakyns
“In her ‘Short history of the American labor movement’ Mrs Beard
performs with interest, competence and wide sympathy a much
needed service.”