Piano Concerto No.

2: II
       
Dmitri Shostakovich

    

     3            
           


           
poco rit.


3 3

 
4

     
                     
    
              
a tempo


7

      
    
3 3

 



           
    
                   


  
10

         

       

  

                                


  
13

       
             

                         
poco rit.
 a tempo

   
17

   3 
   
        


 3



     
     

20

          
            
   
           
 
2

 

23

       
           
   


 
  
     
 
    
26
3


            
  



  
 3

        
               
33 poco rit a tempo

       3   3 
     
       

    
     
                         
  

36

          
              


                             

39

      

       
   

               
           
   
42

 
                 
  


3 3

           
   
       
45

 
            
         


      

3

       
49
poco rit.

 
                  



       
   
a tempo



54


                       



   
            
 
poco rit


a tempo


57


                     
    
 


     
           
poco rit

      

60


 
        

          

                


a tempo poco rit.


a tempo
63

      
        
     

          
            
  
67


    
                 


   


                                      
71

            
   
 
 
  
4


       

75



                     
   
 


          
    
          
79

 
 
     
           

  

     
 
          
     
83


       
     
 
      

