FULL CONDUCTOR SCORE

Catalog No: CTS-8011-01

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 NOCTURNE
from "Incidental Suite" for Band
for String Orchestra

Claude T. Smith
Arranged by
James Villani

Instrumentation About the Composer

Conductor Score......................................................................................... 1 Claude T. Smith was born in Monroe City, Missouri on
Violin I A..................................................................................................... 5 March 14, 1932. He began his undergraduate degree
Violin I B................................................................................................... 10 at Central Methodist College in Fayette, Missouri,
Violin II A.................................................................................................... 5 eventually enlisting in 1952 and serving in the 371st
Violin II B.................................................................................................. 10 U.S. Army Band during the Korean War. After his
Viola A......................................................................................................... 2 service, he completed his Bachelor of Music Education
Viola B......................................................................................................... 4 degree at the University of Kansas in Lawrence.
Violoncello A............................................................................................... 2
Violoncello B............................................................................................... 4 Smith composed over 180 works for band, orchestra,
Contrabass.................................................................................................. 5 choir, solos, small ensembles as well as three method
Timpani....................................................................................................... 1 books for band and orchestra. His compositions have
Bass Drum, Cymbals................................................................................... 2 been commissioned and performed by leading musical organizations throughout

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Susp. Cymbal.............................................................................................. 1 the world including the U.S. Air Force Band, the “President’s Own” U.S. Marine
Band, the U.S. Navy Band, and the U.S. Army Field Band. His solos were written for
noted artists such as “Doc” Severinsen, Dale Underwood, Brian Bowman, Warren

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Covington, Gary Foster, Rich Matteson, and Steve Seward.

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Program Notes

Nocturne is the second movement of Claude T. Smith’s Incidental Suite, which was
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first composed for concert band in 1966 and arranged for string orchestra and
percussion in 2021. Gently flowing, the music is introduced by solo instruments
before violin and viola soloists present the beautiful and haunting melody. A hopeful
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Smith was first published in 1964 with his work for band, Emperata Overture. This led
to many other works being published by Jenson Publications, Inc. (now Hal Leonard)
and Wingert-Jones Music, Inc. where he was also an educational consultant. His
composition Flight was adopted in 1984 as the “Official March” of the National Air
and Space Museum of the Smithsonian Institute. His orchestral works were written

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melody emerges from the cellos in the contrasting B section before quickly devolving for many ensembles, including the Kansas City (MO) Youth Symphony, South
into a bit of a dissonant nightmare. Optimistically, the music transitions back to the Bend (IN) Youth Symphony, Springfield (MO) Symphony Orchestra, and the 1981
opening A section. The ungrateful B section returns in time, but the final grand return Missouri All-State String Orchestra.
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of the opening melody settles into a satisfyingly quiet finish.

Smith taught instrumental music in the public schools of Nebraska and Missouri.

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He also served as a member of the faculty of Southwest Missouri State University in

Notes to the Director Springfield where he taught composition and theory, and conducted the University
This arrangement is intended for a fairly large string orchestra. For balance, the Symphony Orchestra. Sacred music was also a deep passion of Smith as he directed
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violin, viola, and cello players should be divided roughly 1/3 on the A part and 2/3 church choirs for five years in Cozad (NE), 10 years in Chillicothe (MO), and 10 years
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on the B part. The bass part is divided evenly. The percussion parts are not optional. in Kansas City (MO).

James Villani, arranger Smith was active as a clinician and guest conductor throughout the United States,
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Australia, Canada, and Europe. He received many awards for his contributions to music
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education and for his work in composition including numerous ASCAP Composers
About the Arranger Award. Following his death, he was awarded the National Band Association Academy
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of Wind and Percussion Arts (AWAPA) Award (1987), honorary Doctorate of Humane
James Villani has been the Music Director of the Letters from Central Methodist College (1988), Missouri Bandmasters Association
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Manassas Symphony Orchestra, in Manassas, VA, Hall of Fame (1988), Kappa Kappa Psi Distinguished Service to Music Medal (1988),
since 2002. Recognized as one of the premiere Missouri Music Educators Association Hall of Fame (1992), and named School
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community orchestras in the nation, the Manassas Director of the Year from the Christian Instrumental Directors Association (1994).
Symphony promotes both new music and American
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composers. It has commissioned and premiered nearly Smith was a member of the Music Educators National Conference (now NAfME),
30 works in the past 15 years. For their November Missouri Bandmasters Association, National Band Association, American Bandmasters
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2015 concert, "The Americans," Maestro Villani took Association, and served as past president of the Missouri Music Educators Association.
on the task of orchestrating one of his favorite band
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masterpieces, Claude T. Smith's "Eternal Father, Strong
to Save." The orchestra was delighted to have Pam
Smith Kelly, Claude's daughter, in the audience and the premiere was met with much-
deserved acclaim. James Villani received his Master's Degree in Conducting from
Northwestern University, where he studied conducting, wind literature, and arranging
with the legendary John P. Paynter. His undergraduate studies were in clarinet and
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Claude T. Smith passed away on December 13, 1987 in Kansas City, Missouri having
completed a Christmas Concert at church. He was survived by his wife, Maureen
Faye Smith and his daughter, Pam Smith Kelly. Maureen, Pam and her husband, Jim,
founded Claude T. Smith Publications, Inc. in 1993, and C.L. Barnhouse Co. became
the exclusive distributor for his instrumental works in 2016 with the mission of
keeping the music of Claude T. Smith alive and in the hearts of musicians worldwide.

music education at Penn State University.

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LICENSING THIS WORK

Visit barnhouse.com to obtain information on mechanical
(recording) or derivative (arranging) licenses.
Conductor Score
CTS-8011 -00 NOCTURNE
from “Incidental Suite” for Band
for String Orchestra Claude T. Smith, ASCAP

° b 2 œ™ œ œ™
arr. James Villani, ASCAP
≤œ
solo
œ œ œœœœ œ œ
Andante
3Œ ∑ ∑ ∑ Ó œ J J
Violin I A & J‰
mp

Violin I B &b Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
4 4 ≥. . . ≤
&b Œ ∑ ∑ ∑ ∑ œ œ œ ‰ #œ. œ. œ. ‰ nœ. œ. -œ nœ. œ. ‰ œ.
Violin II A J J J
pp
≥ ≤
œ. œ. œ. ‰ #œ. œ. œ. ‰ nœ. œ. -œ nœ. œ. ‰ œ.
¢ &b Œ ∑ ∑ ∑ ∑ J
Violin II B
J J

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pp

≥
°B œ. œ. œ.

.
tutti
≤œ ˙ œ -˙ œ. œ. œ. bœ. œ. -œ œ. œ. ‰ œ≤.
solo

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b 3Œ ∑ Ó œ
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Viola A 2
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Viola B Bb Œ ∑ ∑ ∑ ∑ J‰ J‰ J
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4 4≥ pp

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tutti

°? ≤œ œ -˙
solo

b œ ˙ Œ ∑ ∑ J‰ J‰ ‰J
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Violoncello A
re

mp pp
≥
œ. œ. œ. œ. œ. œ. b œ. œ. -œ œ. œ. œ≤.
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Violoncello B
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Contrabass 3Œ ∑ ∑ ∑ ∑ 2 ∑ ∑ ∑ ∑
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¢ b
∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
Timpani
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Bass Drum Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
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Cymbals

Susp. Cymbal ¢/ Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
1 2 3 4 5 6 7 8

© 1 966, 1 994 Claude T. Smith Publications, Inc. This arrangement © 2020 Claude T. Smith Publications, Inc., 1 0709 W. 11 8th Terrace, Overland Park, KS 6621 0
International Copyright Secured. All Rights Reserved. Printed in the U.S.A.
WARNING! This Composition is protected by copyright law. To copy or reproduce it by any means is an infringement of the copyright law.
Distributed exclusively by C.L. Barnhouse Co., P.O. Box 680, Oskaloosa, IA 52577
4

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° b Œ œ œ œ œ œ,œ œ œ œ 3 ˙™
rit.

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≤
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˙˙
Œ
˙˙
Œ
˙˙
Œ
˙˙
Œ
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Vln. II A & b bœ œ #˙ n˙ ˙™ ∑ ∑ ∑ ∑ ∑ ∑

¢&
b bœ œ #˙ n˙ ˙™ ∑ ∑ ∑ ∑ ∑ ∑

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rit.

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B. D. °/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
Cym.

S. Cym. ¢/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
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24
≥ ≤
(solo continua)
≤j
≤ œ œ œ œ™
≤
œ œ œ œ™
° b
solo
œ™ j œ œ ˙ œ
& ∑ ∑ ∑ Œ œ J œ œ™ œ œ œ ˙ œ œ™ œ
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&b ΠΠΠϲ
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mf

≤ ≤
&b ∑ ∑ ∑ ∑ Ó œ œ œ™ œj œ œ
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œ ˙ œ- ˙
p

≤ ≤
¢ &b ∑ ∑ ∑ ∑ Ó œ œ œ™ œj œ œ
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e.
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B. D. °/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
Cym.

S. Cym. ¢/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
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32
≥
œ œ œ œ œ bœ™ œj œ œ™ œj œ œ œ œ œ™ -j ˙™
° b œœœœœ œ œ œ ™ œj œ œ œ ™ œ œ œ œ œ œ™
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œ
Più mosso

Vln. I A & bœ ™ J œJ œ œ œ™ J J ∑ ∑ ∑

œ œ œ œ œ œ™ j ˙™
3

≥ œ œ œ™ j
Vln. I B & œ œ œ œ bœ ™
b œ J œ œ œ œ™ J œ- ∑ ∑ ∑
3

&b œ œ œœœœ ˙ œ œœœ ˙™ ˙™

∑ ∑ ∑
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Vln. II A

¢& œ
b ∑ ∑ ∑
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e.
Vln. II B
œ œ ˙™ ˙™

c
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b œ œ ˙™ ˙™ ∑ ∑ ∑
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rp
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mf
≤
˙˙ ™™ ˙˙ ™™ ˙˙™™
≤
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∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
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Timp.
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B. D. °/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
Cym.

S. Cym. ¢/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
27 28 29 30 31 32 33 34
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° b
˙≥ œ œ #˙ n˙ ™ ˙™
Vln. I A & ∑ ∑
f
≥
˙™
˙™ œœ ˙˙ ˙™
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˙™
Vln. I B &b ∑ ∑
f

Vln. II A &b Ó
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J n˙ ™ ˙™ ˙™ ˙™
f

≥
˙˙ ™ œ œœ #˙˙ n˙˙ ™™ ˙˙ ™™
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b ∑ ˙˙ œœ

e.
Vln. II B

c
f f

°B œ≤ œ™ ly

an
b Ó œ #œ n˙ ™ ˙™ ˙™ ˙™
on
Vla. A
J
f

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≥
¢
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Bb ∑ ˙˙ œœ ˙™
˙™ ˙™
˙™ ˙™
˙™ ˙™
˙™
Vla. B

fo
nc

°? n˙ ™
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(stagger)
˙™ ˙™ ˙™ ˙™ ˙™
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Vc. A b
rp
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˙™ ˙™ ˙™ ˙™ ˙™ ˙™
(stagger)
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fo

Vc. B
rr

lid

(stagger)
? b ˙™ ˙™ ˙™ ˙™ ˙™ ˙™
¢ ˙™ ˙™ ˙™ ˙™ ˙™
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Cb.
Œ ˙
va

mf

°? æ
¢ b
∑ ∑ ∑ ∑ Œ ‰ œj œ ˙æ™
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Timp.
mf
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B. D. °/ ∑ ∑ ∑ ∑ ∑ ∑
Cym.

S. Cym. ¢/ ∑ ∑ ∑ ∑ ∑ ∑
35 36 37 38 39 40
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˙≥ œ
° b ∑ ∑ ∑ ∑ ∑
Vln. I A &
f
≥
b ˙™
b ˙™
Vln. I B &b ∑ ∑ ∑ ∑ ∑
f

Vln. II A &b ∑ ∑ ∑ Ó
œ≤ œ™ œ œ
J <n>˙ ™
f
≥
bb˙˙ b˙˙ ™ œ
¢ &b ∑ ∑ ∑ ∑ œœ

e.
Vln. II B

c
f f

°B ly œ™

an
œ≤ œ œ ˙™
on
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rm
f
≥
<b>˙™
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¢ b bb˙˙ ˙™
B ∑ ∑ ∑ ∑ œœ
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nc

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Ϫ
f
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°? œ≥ œ œ œ œ œ (stagger)
er
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Vc. A b J
rp
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mf

˙˙™™ bb ˙˙
b ™
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(stagger)

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˙
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rr

mf
(stagger)
lid

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Cb.
Ó Œ Ó Œ Ó Œ Œ ˙
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mf mf

°?
¢ b
∑ ∑ ∑ ∑ ∑ ∑
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Timp.
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B. D. °/ ∑ ∑ ∑ ∑ ∑ ∑
Cym.

S. Cym. ¢/ ∑ ∑ ∑ ∑ ∑ ∑
41 42 43 44 45 46
 9

50
œ ˙
° b
˙™ ˙™
Vln. I A & ∑ 4 ∑ 3 ∑ 4
<b><b> œœ ˙˙ ˙™
˙™ ˙™
˙™
Vln. I B &b ∑ ∑ ∑
4 4 4
&b ˙™ ˙™ ˙™ ≤
‰ j œ œ ™bœ
≤
‰ j nœ#œ#œ ™nœ
œbœ œ ˙™
b œ bœ nœ
Vln. II A

mf

& b <b>œ ˙
œ ˙ n˙˙ ™™ ˙˙ ™™ ≤
‰ j - œ
- ≤ - -
¢
‰ j #œ

e.
b œJ b œœ bœ- ˙™
bb œœ œœ œœ ˙™ n œJ œœ œ-
Vln. II B

- -

c
ly ™bœ
mf

°B ≤

an
b ˙™ ˙™ ˙™ ‰ bœj bœ œ œ œbœ œ ˙™ ∑
on
Vla. A 4 3 4

rm
mf

b˙˙ ™™
e

¢ b ˙™ ˙™ ˙™
B ˙™ ˙™ ˙™
Vla. B
fo ˙˙ œœ bœœ œœ œœ
4 #n˙™˙™
nc

mf
4 4
er
°? ˙™ ˙™ ˙™ ≤
re

b ∑ Œ ‰ œ œ bœ ˙ ∑
rp

Vc. A
e

3
mf

‰ œ≤
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˙™ ˙™ ˙™ n˙ ™
˙™ ˙™ ˙™ Œ̇ ∑
b˙ ™
3
fo

? ∑ œbœ œ̇ bœ œ œ
b
rr

Vc. B

mf mf
lid

˙™ ˙™ ˙™ ™
3 n˙™˙™
Fo

?b ˙™ ˙™ ˙™ bb˙˙ ™ ˙˙ œœ bbœœ œœ œœ
¢ 4 4
va

Cb.

mf

°? æ
¢ b Œ ‰ œj œ ˙æ™
ot

Timp. ∑ ∑ 4 ∑ 4 ∑ 4
N

mf

B. D. °/ ∑ ∑ ∑ ∑ ∑ ∑
Cym.

S. Cym. ¢/ ∑ ∑ ∑ ∑ ∑ ∑
47 48 49 50 51 52
10

≤ œ nœ #œ ™ œ œ œ™ œ œ
° b ∑ œ
‰ J œ≥ b œ nœ œ œ œ œ
Vln. I A & 4 3 4 ‰ J
6
f

≤j ≥j b œ œ œ 6
œ n œœ œ
&b ∑ œ
‰ J œ ‰ œœ bœœ œ œ™ œ œ œ œ œ œ
- - J
Vln. I B 4 4 4
6
f
≥j œ œ™ œ -œ
‰ j nœ nœ #œ ™ œ
≤
Vln. II A &b #œ #œ œ ˙ ™ œ
‰ œ bœ
f

≤ - - ≥j - -
™ b˙˙˙

e.
¢&
b ‰ j œ nœœ ‰ œ bœœ
n œœ ## œœ œœ ˙˙™ œJ œ J -
Vln. II B
- -

.
-

c
ly f

an
°B ≤ >
w
‰ œJ œ- œ-
on
Vla. A b 4 ∑ 3 4

rm
f
>
e

>
4<#><n>˙˙
w
¢ n˙™
Bb œœ#nœœ œœ œœ ˙™ w
fo >
nc

Vla. B
4 > 4
er
f
>
°? œ≤ bœbœ ˙ >˙™ w
re

b Œ ‰
rp

Vc. A
e

3 f
≤ 3 >
ef

Œ̇ ‰ œ bœ bœ ˙ >
w
n˙™
˙™
fo

?b œ œ œ œ w
>
rr

Vc. B
>
lid

<n>˙˙
f
>
4 ww>>
Fo

? œœ nœœ œœ œœ ˙™
¢ b4 3 ˙™
va

Cb.

>
f

°? æ ææ
¢ b ˙>æ™
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∑ w
>
Timp. 4 4 4
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B. D. °/ ∑ ∑ ∑
Cym.

æ æ
S. Cym. ¢/ ∑ ˙æ™ wæ
f
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59
˙ ™ , œn œ
≤
° b œ œœœœœ˙ U A tempo
œ œœ œœ œ œ ˙ œœ
Vln. I A & œ #œ œ œ œ œœœ œ 3˙ œ ˙ œ
6 6 6 6 fp f
ff

™
U ≤ nœ
œœœœ ™ œ
,
6 6
œ œœ œœ˙ œ œœ œœ œ œ ˙ œœ ˙ ˙ œ ˙
6 6

#œ œ œ œ œ
& b œ œ
Vln. I B
u 4
˙™ , ≤
6 6 6 6

>œ≥ >œ
fp f
ff
>œ >œ >œ U
&b Ó Œ Ó ‰ J œ ˙ œ ˙ œ
Vln. II A
œ
ff
>≥
fp f

˙˙ ™ ≤ œ
> >> >j U ,
™ œ
œœ œœ Œ œœ œœ ‰ œœ
¢&
b Ó Ó

e.
˙ œ ˙ œ
Vln. II B
J u
> > >> >

c
ff
>ϳ
ly ˙™ ,
fp f
>œ
°B #>œ >œ >œ #U

an
b Ó Œ Ó ‰ J Œ œ≥ œ™
on
j ˙
œ œœ
Vla. A 3

rm
ff fp f
>≥ > >> >j U ,
#˙ ™™ Œ
≥
œ œ™
¢ b
œ œ Œ
e

B Ó Ó #œ œ ‰ œ j ˙
J u œ œœ
Vla. B
> > >> fo
nc

ff
> 4
fp f
>œ≥ >œ >œ >œ >œ U
°?
˙™ , ˙≥
er
˙
re

b Ó Œ Ó ‰ J Œ Œ Œ
rp

Vc. A
e

ff fp f
>≥ > >> >j U ≥
,
ef

œœ œœ œœ œœ œœ ˙™ ˙˙
?b Ó ˙™ Œ Œ ˙˙
fo

Œ Ó ‰ J Œ
Vc. B
> > >> > u
rr

ff
>≥ >
fp f

˙™ Œ
>> >j U ,
lid

œ œ Œ œœ‰ œ
3 ˙≥ ™
Fo

?b Ó ˙ œ
¢
Cb. œ œ Ó œœ œJ ˙™
va

> > >> > u

°?
ff fp f
Uæ ,
¢ b Ó œ> >œ Œ Ó œ> >œ ‰
j æ Œ ∑ ∑
ot

Timp. œ> ˙™ 4
ff
N

> > >> >j U

°/ œ œ Œ œœ‰ œ ˙™ Œ
B.D.
B. D. Ó Ó ∑ ∑
Cym.
ff
Uæ
S. Cym. ¢/ ∑ ∑ ˙æ™ Œ ∑ ∑
fp choke
56 57 58 59 60
12

67

° b œ™ œ œ œ œ ˙™ 2 œ™ œ œ™
solo
≤ ≤œ
& œ œœœœ ˙ œ œœœ
œ ˙ œ J
œ
J
Vln. I A J
p

b œ™ œ œ œ œ ≤
œ œœœœ ˙ œ œœœ ˙™ ˙ Œ ∑ ∑
Vln. I B & J œ
4
≤
& b œ™ œj œ œ œ œ œœœœ ˙ œ œœœ ˙™ ˙
Œ ∑ ∑
œ
Vln. II A

≤
¢& œ™ œ œ œ œ
b j Œ ∑ ∑
œ œœœœ ˙ œœœ

e.
Vln. II B
œ œ ˙™ ˙

c
°B œ≤ œ™ œ≥ œ
ly
solo

œ≤ œ œ œ œ œbœ ™ œ œ œ œ œ œ™ j ˙ œ # œ œnœ

an
œ œ œ™ j
œ œ œ œ™ J
3

b J œ- Œ
on
Vla. A
J 2
p

rm
≤ ≤œ œ 3 œ œ œ œ œ œ™ j ˙
œ œ œ œ bœ ™ œ œ œ™ j
œ œ œ™ J
B b œ œ™
¢
Œ ∑ ∑
e

Vla. B
J J œ œ-
fo
nc

4
°? ˙ ˙ ˙ œ≤ # ˙≤ ˙™ ˙
er
re

Vc. A b Œ Œ Œ Œ ∑ ∑
rp
e

≤ ≤
? Œ ˙˙ b ˙˙ n˙ œœ ˙˙ ˙˙ ™™ ˙˙
ef

b Œ Œ ˙ Œ ∑ ∑
fo

Vc. B
rr

˙™ ˙
? b ˙™ ˙™
lid

œ b˙˙
¢ ˙™ ˙™ ˙ Œ ∑ ∑
Fo

Cb. 2
va

°?
¢ b
∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
ot

Timp. 4
N

B. D. °/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
Cym.

S. Cym. ¢/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
61 62 63 64 65 66 67 68
 13

76

° b œ œœœœ œ œ ‰ Œ ≤
œœœœ œ œ œ œ œ
rit. Più mosso

Vln. I A & J œ ˙ ˙ 3 ∑ ∑

Vln. I B &b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
4
Vln. II A &b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

¢&
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

e.
Vln. II B

c
b œ≤ bœ<n>œ œ n œ #œ
°B n œ bœ nœ œ œ
ly
rit.
nœbœ

an
b œ bœ œ œ œ œ ∑ ∑
on
Vla. A
˙
3

rm
¢ b
B ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
e

Vla. B

fo
nc

4
°? nœ≥ œ œ œ # œ œ
er
re

Vc. A b ∑ ∑ ∑ ∑ ∑ ∑ ∑
rp
e

mf

˙˙™™
≥
˙™
ef

? ∑ ∑ ∑ ∑ ∑ ∑ ∑ ˙™
b
fo

Vc. B
rr

mf
≥
lid

? ˙™ ˙™
¢ b
∑ ∑ ∑ ∑ ∑ ∑ ∑
Fo

Cb. 3 Ó Œ Ó Œ
va

mf

°?
¢ b
∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
ot

Timp. 4
N

B. D. °/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
Cym.

S. Cym. ¢/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
69 70 71 72 73 74 75 76 77
14

° b
˙≥ œ œ #˙ n˙ ™ ˙™
Vln. I A & ∑ ∑ ∑ ∑ ∑
f
≥
˙™
˙™ œœ ˙˙
˙™
˙™ ˙™
˙™
Vln. I B &b ∑ ∑ ∑ ∑ ∑
f

œ≤ œ™ œ#œ n˙ ™ ˙™ ˙™ ˙™
Vln. II A &b ∑ Ó J ∑ ∑
f

≥
œœ ˙˙ ™ œ œœ #˙˙ n˙˙ ™™ ˙˙ ™™
¢&
b ∑ ∑ ˙˙ ∑ ∑

e.
Vln. II B

c
f f

°B œ≤ œ ™ œ#œ n˙ ™ ly

an
tutti
b ∑ Ó ˙™ ˙™ ˙™ ∑ ∑
on
Vla. A
J

rm
f

≥
¢ b
e

B ∑ ∑ ˙˙ ∑ ∑
˙™
œœ ˙™ ˙™
˙™ ˙™
˙™ ˙™
˙™
Vla. B
fo
nc

™
f

°? œ œJ # œ n˙ ™ œ≥ œ œ œ œ œ
er
˙™ ˙™ ˙™ ˙™ ˙™
(stagger)
re

Vc. A b
rp
e

mf

˙˙™™
≥
? ˙˙ ˙™ ˙™ ˙™ ˙™ ˙™ ˙™ ˙™
˙™
(stagger)
œœ ˙™
ef

˙™ ˙™ ˙™ ˙™ ˙™
b
fo

Vc. B
rr

mf
≥
˙™ ˙™
lid

(stagger)
? ˙™ ˙™ ˙™ ˙™ ˙™ ˙™ ˙™
¢ b Ó ˙™ ˙™ ˙™ ˙™ ˙™
Fo

Cb.
Œ Œ ˙ Ó Œ Ó Œ
va

mf mf

°?
¢ b
∑ ∑ ∑ ∑ ∑ Œ ‰ œj œ ˙ææ™ ∑ ∑
ot

Timp.
mf
N

B. D. °/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
Cym.

S. Cym. ¢/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
78 79 80 81 82 83 84 85 86
 15

94
˙≥ œ œ ˙
° b
˙™ ˙™
Vln. I A & ∑ ∑ ∑ ∑ 4
f
≥
b ˙™
b ˙™ œœ ˙˙
˙™
˙™ ˙™
˙™
Vln. I B &b ∑ ∑ ∑ ∑ 4
f

œ≤ œ™ œ œ <n>˙ ™ ˙™ ˙™ ˙™ ≤
&b ∑ Ó J ‰ j œ œ ™bœ
b œ bœ
Vln. II A

f mf
≥
bb˙˙ b˙˙ ™ œ œœ ˙˙ n˙˙ ™™ ˙˙ ™™ ≤
‰ j - œ
-
¢ &b ∑ ∑ œœ

e.
b œJ b œœ bœ-
Vln. II B

.
-

c
°B œ™ œ œ ly ™bœ
f f mf

an
œ≤ ˙™ ˙™ ˙™ ˙™
≤
‰ bœj bœ œ œ
on
Vla. A b ∑ Ó J 4

rm
f mf
≥
b˙˙ ™™
e

¢ b bb˙˙ ˙™ ˙™ ˙™ ˙™
B ∑ ∑ œœ b˙™ ˙™ ˙™ ˙™
fo
nc

Vla. B
4
œ ™ œ œ ˙™
f mf

°?
er
(stagger)
˙™ ˙™ ˙™ ˙™ ˙™
re

Vc. A b J ∑
rp
e

b˙
˙™ ˙™ ˙™ ˙™ ˙™ ˙™
(stagger)
œœ ˙™ ˙™ ˙™ ˙™ ˙™ ˙™ ∑
? b˙ b˙ ™
ef

b
fo

Vc. B
rr

mf

™
(stagger)
lid

? b ˙™ ˙™ ˙™
˙™
˙™
˙™
˙™
˙™
˙™
˙™
˙™
˙™ bb˙˙ ™
¢
Fo

Cb.
Ó Œ Œ ˙ 4
va

mf mf

°?
¢ b
∑ ∑ ∑ ∑ ∑ Œ ‰ œj œ ˙ææ™ ∑
ot

Timp. 4
mf
N

B. D. °/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
Cym.

S. Cym. ¢/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
87 88 89 90 91 92 93 94
16

° b ∑ ∑ ∑
Vln. I A & 4 3 4 3
Vln. I B &b ∑ ∑ ∑
4 4 4 4
&b œbœ œ ˙™ ‰ j nœ #œ #œ ™ nœ #œ #œ œ ˙ ™
nœ
Vln. II A

- -
¢& n œœ ## œœ œœ ˙˙™™
b ‰ j

e.
#œœ
˙™
bb œœ œœ œœ ˙™ n œJ œœ
Vln. II B
-

.
-

c
°B ly

an
œbœ œ ˙™
on
Vla. A b 4 3 ∑ 4 ∑ 3

rm
e

¢ b
B <b>˙˙ œœ bœœ œœ œœ 4 #n˙™˙™ 4 ˙˙ œœ#nœœ œœ œœ
fo
nc

Vla. B
4 4
er
°? œ≤ bœbœ ˙
re

≤
b Œ ‰ œ œ bœ ˙ ∑ Œ ‰
rp
e

Vc. A
3 3
mf
ef

≤ 3
‰ œ≤ 3
n˙ ™
Œ Œ̇ ‰ œ bœ bœ
fo

<b>˙
?b œbœ œ̇ bœ œ œ ∑ œ̇ œ œ œ
rr

Vc. B
lid

mf

<b>˙˙
Fo

<b> 3 n˙™˙™ 4 ˙˙
? œœ bbœœ œœ œœ œœ nœœ œœ œœ
¢ b
va

Cb. 4 3
°?
ot

¢ b
Timp. 4 ∑ 4 ∑ 4 ∑ 4
N

B. D. °/ ∑ ∑ ∑
Cym.

S. Cym. ¢/ ∑ ∑ ∑
95 96 97
 17

nœ #œ ™ œ™ œ œ
° b
œ œ
3‰ œ≤ œ
4‰ œ≥ b œ nœ œ œ œ œ
Vln. I A & J J
6
f

≤j nœ ≥j œ œ
6

œ œ œ œ œ bœœ b œœ œ™ œ œ œ œ œ œ œ
&b 4‰ J 4‰ œJ
- -
Vln. I B
6
f

nœ #œ ™ œ j œ œ™ œ -œ
Vln. II A &b ‰ j
œ nœ
‰ œ bœ
f

- - - -

e.
j b˙˙˙
¢&
b ‰ j œœ nœœ ‰ œJ bœœ
Vln. II B
œJ
-

.
- - -

c
f

ly

an
°B
>
w
on
b 3‰ œ œ- œ-
Vla. A
J 4

rm
f

>
e

>
w
¢ n˙™
Bb ˙™ w
fo
nc

Vla. B >
4 > 4
er
f
>
re

°?
>˙™ w
rp

b
e

Vc. A
f
ef

> >
w
fo

n˙™
?
b ˙™ w
>
rr

Vc. B
>
lid

f
>
Fo

>
w
?b ˙™
¢ ˙™ w
va

Cb. 3 4 >
>
f

°?
4 >˙ææ™ 4 w>ææ
ot

Timp.
¢ b
N

°/ ∑ ∑
æ æ
B. D.

˙æ™ wæ
Cym.

S. Cym. ¢/
f
98 99
18

UU
˙™
8va ad lib

° b œœœœœœ˙ œœœ œœ œœ ˙ œœ U ≤ nœ
Vln. I A & œ #œ œ œ œ œœœ œ " œ 3
fp ff
UU
6 6 6 6

˙™
U
ff

œœœœ ™
œœœ œœ˙
6
œœœ œœ œœ
6
˙
6
œœ
6
≤ nœ
&b œ œ #œ œ œ œ " œ
Vln. I B
u 4
˙™
6 6 6 6

>œ≥ >œ
fp ff
ff
>œ >œ >œ U
Vln. II A &b Ó Œ Ó ‰ J "U U
‰ ‰
ff fp ff
>≥ >
˙˙ ™
> > >j U
UU
™
œœ œœ Œ œœ œœ ‰ œœ "
¢&
b Ó Ó œ

e.
Vln. II B
J u œ
> > > > >

c
ff
>œ≥ >œ ˙™
fp ff

°B
ly #>œ >œ >œ #U
"U U

an
b Ó Œ Ó ‰ J ‰ ‰
on
Vla. A 3
ff fp ff

rm
>≥ > > > >j U
#˙ ™™ "U U
¢ b Ó
œ œ Œ
e

B Ó #œ œ ‰ œ ‰ ‰
Vla. B
> > J u
fo > > >
nc

ff
4
fp ff
>œ≥ >œ >œ >œ >œ U
°?
˙™
er
"U U
re

b Ó Œ Ó ‰ J ‰ ‰
rp

Vc. A
e

ff fp ff
>≥ > > > >j U
ef

? Ó œœ œœ œœ œœ œœ ˙™
˙™ "U U
fo

b Œ Ó ‰ J ‰ ‰
Vc. B
> > > > > u
rr

ff
>≥
fp ff

˙™
> > > >j U
lid

œ œ œ œ œ "U U
Fo

? Ó
¢ b œ Œ
Cb. œ Ó œ œ ‰ œJ ˙™ ‰ ‰ 3
va

> > > > > u

ff

°?
fp ff

" ææ ææ
Uæ UU
¢ b Ó œ> >œ Œ Ó œ> >œ ‰
j æ
ot

Timp. œ> ˙™ œ œ 4
ff fp ff
N

> > > > >j U

B. D. °/ Ó œ œ Œ Ó œ œ ‰ œ ˙™ "U
‰ U
‰
Cym.

æ æ
ff
Uæ U U
˙æ™ " œæ œæ
S. Cym. ¢/ ∑ ∑ choke
fp ff p
1 00 1 01 1 02
 19
103
:“;
A tempo

° b ˙≥ œ œ™ œ œ œ œ œ œ œ≤ œ≤
˙™
loco
œ ˙ ≤
& œ œ œœœ ˙ œ
Vln. I A 3 J

˙≥ œ ˙ œ œ™ œ œ œ œ ≤
œ œ œœœ ˙ œ œ œ œ≤ œ≤
˙™
Vln. I B &b J
4
œ≥ œ ™ œ≤ œ ™ œ≤ œ œ œ œ œ bœ ™ œ œ œ™ j œ œ œ œ œ œ™ j
Vln. II A &b j
œ œœ
˙ J J œ œ œ œ™ J œ
ff 3
≥
œ̇ ˙ œ ˙˙ ™ œ
œ œ™ ˙œ œ œ ˙œ
™ œ˙ ˙ œ #˙œ ˙™
¢&
b ≤ œ
œ œ œœ œœ

e.
Vln. II B
J œ œ ˙™

œ œ œ œ œ œ™

.
ff

œ≥ œ ™ œ≤ œ ™ œ œ œ™

c
œ≤ œ œ œ œ œ bœ ™
°B œ œœ
˙
ly œ œ œ œ™ J œ

an
b J J J
on
Vla. A 3 J 3
J
ff

rm
≥ ≤
¢
Bb œ œ ™ œj œ œ œ ˙™
e

Vla. B ˙ œ ˙ œ œ œœœ ˙ œ œœ œ œ
fo
nc

4 ff

°? œ≥ ˙ ˙™ œ ˙ ˙™ œ ˙ œ #˙ ˙™
er
re

Vc. A b
rp
e

ff
-≥ - - - -
˙˙ ™™
- - - - -
œœ ˙˙ œœ ˙˙ œœ ˙˙ b œœ ˙˙ nœœ ˙˙ œœ ˙˙
ef

?
b
fo

Vc. B
- - - - - - - - - -
rr

ff
≥ ˙™ ˙™
˙ ™™ œ ˙ ™™ ˙ ™™ œ b˙˙
lid

˙™ ˙™
? ˙
¢ b
Fo

Cb. 3
va

ff

°?
¢ b 4 >˙ ™ ∑ ∑ ∑ ∑ ∑ ∑
ot

Timp.
N

>
B. D. °/ ˙™
˙
˙™ ∑ ∑ ∑ ∑ ∑ ∑
>
Cym.
Crash
ff

S. Cym. ¢/ ˙™ ∑ ∑ ∑ ∑ ∑ ∑
ff
1 03 1 04 1 05 1 06 1 07 1 08 1 09
20

111

° b œ™
˙ ≤ œ
solo
˙ œ ˙ œ
œ œ œ œ œ œ œ œ œ œ
Vln. I A & J
p
˙ ≤
Vln. I B &b Œ Œ
˙
Œ
˙
Œ
˙
Œ
˙
pp
solo player tacet
≤∑
&b ˙ Œ
Œ Œ
∑
Œ
∑
Œ ˙
∑
˙ ˙ ˙
Vln. II A

pp
≤
b ˙
¢

e.
& Œ Œ Œ Œ Œ
Vln. II B
˙ ˙ ˙ ˙ ˙

c
ly
pp

°B ˙

an
solo player tacet
≤∑
on
b Œ ∑ ∑ b˙ ∑
Vla. A
Œ ˙ Œ ˙ Œ ˙ Œ

rm
pp
≤
e

¢
Bb ˙ Œ Œ ˙
Œ
˙
Œ
˙
Œ b˙
fo
nc

Vla. B

pp
er
°? ˙ ˙≤ ˙
re

˙ ˙
b Œ Œ Œ Œ Œ
rp

Vc. A
e

pp
≤ ≤
ef

? ˙˙ Œ
Œ ˙ Œ ˙ Œ ˙ Œ b˙
˙™
fo

b ˙ œ
˙™ ˙™
Vc. B
rr

lid

pp
˙
˙™ ˙™
? ˙ ≤ ˙ œ ˙™
Fo

¢ b
Cb. Œ
va

pp

°?
¢ b
∑ ∑ ∑ ∑ ∑
ot

Timp.
N

B. D. °/ ∑ ∑ ∑ ∑ ∑
Cym.

S. Cym. ¢/ ∑ ∑ ∑ ∑ ∑
11 0 111 11 2 11 3 11 4
 21

U
° b
˙™ ˙™ ˙™
rit.
˙ œ œ œ œ , œ≤
Vln. I A &

U
Vln. I B &b Œ ˙ œ #˙ ˙™ ˙™ ˙™
solo
≤ U
∑ ∑ ∑ Œ
mp œ œ ˙™
&b Œ œ
˙ œ ˙ ˙™ ˙™ ˙™
Vln. II A

u
U
¢ &b Œ

e.
˙ œ ˙ ˙™ ˙™ ˙™
Vln. II B

c
°B
ly solo ≤
œ
U

an
˙™ ˙™
rit.
∑ ∑ Ó
mp
œ
b ˙™ ˙™ ˙™
on
Vla. A
Œ ˙ œ ˙
u

rm
U
e

¢ b Œ
B ˙ œ ˙ ˙™ ˙™ ˙™
fo
nc

Vla. B

˙™ ˙™ ˙™
er
°? œ ˙ U
re

˙
b Œ
rp

Vc. A
e

U
˙™ ˙™ ˙™
ef

?b Œ ˙ œ ˙
fo

Vc. B
˙™ œ b˙ ˙™ ˙™ ˙™
rr

u
lid

? b ˙™ ˙™ ˙™
U™
rit.
œ
Fo

¢
Cb.
b˙ ˙
va

°?
¢ b
∑ ∑ ∑ ∑ ∑
ot

Timp.
N

B. D. °/ ∑ ∑ ∑ ∑ ∑
Cym.

S. Cym. ¢/ ∑ ∑ ∑ ∑ ∑
11 5 11 6 11 7 11 8 11 9