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Preface vii
Acknowledgments
Parts of the current edition grew out of an introductory course on molecular biology taught
by one of us (RL) at Harvard University, and this author is grateful to Steve Harrison and
Jim Wang who contributed to this course in past years. In the case of Steve Harrison, we are
additionally indebted to him for writing and illustrating a brand new chapter on protein
structure especially for this new edition. No one could be better qualified for such a task,
and we are the grateful beneficiaries of—and the book is immeasurably improved by—his
contribution.
We are also grateful to Craig Hunter, who earlier wrote the section on the worm for
Appendix 1, and to Rob Martienssen, who wrote the section on plants for that same
appendix.
We have shown sections of the manuscript to various colleagues and their comments
have been extremely helpful. Specifically we thank Katsura Asano, Stephen Blacklow,
Jamie Cate, Amy Caudy, Irene Chen, Victoria D’Souza, Richard Ebright, Mike Eisen, Chris
Fromme, Brenton Graveley, Chris Hammell, Steve Hahn, Oliver Hobert, Ann Hochschild,
Jim Hu, David Jerulzalmi, Leemor Joshua-Tor, Sandy Johnson, Andrew Knoll, Adrian
Krainer, Julian Lewis, Sue Lovett, Karolin Luger, Kristen Lynch, Rob Martienssen, Bill
McGinnis, Matt Michael, Lily Mirels, Nipam Patel, Mark Ptashne, Danny Reinberg, Dimi-
tar Sasselov, David Shechner, Sarah T. Stewart-Mukhopadhyay, Bruce Stillman, and Jack
Szostak.
We also thank those who provided us with figures, or the wherewithal to create them:
Sean Carroll, Seth Darst, Paul Fransz, Brenton Graveley, Ann Hochschild, Julian Lewis,
Bill McGinnis, Phoebe Rice, Dan Rokhsar, Nori Satoh, Matt Scott, Ali Shilatifard, Peter
Sorger, Tom Steitz, Andrzej Stasiak, Dan Voytas, and Steve West.
New to this edition are end-of-chapter questions, provided by Mary Ellen Wiltrout, and
we thank her for these efforts that have enhanced the new edition. In addition, Mary Ellen
helped with revisions to the DNA repair chapter.
We are indebted to Leemor Joshua-Tor, who so beautifully rendered the majority of the
structure figures throughout the book. Her skill and patience are much appreciated.
We are also grateful to those who provided their software1: Per Kraulis, Robert Esnouf,
Ethan Merritt, Barry Honig, and Warren Delano. Coordinates were obtained from the
Protein Data Bank (www.rcsb.org/pdb/), and citations to those who solved each structure
are included in the figure legends.
Our art program was again executed by a team from the Dragonfly Media Group, led by
Craig Durant. Denise Weiss and Mike Albano produced a beautiful cover design. We thank
Clare Bunce and the CSHL Archive for providing the photos for the part openers and for
much help tracking them down.
We thank Josh Frost at Pearson who oversaw our efforts and was always on hand to help
us out or provide advice. In development at CSHL Press, Jan Argentine provided great sup-
port, guidance, and perspective throughout the process. Our heartfelt thanks to Kaaren
Janssen who was once again our constant savior—editing and organizing, encouraging
and understanding—and unstintingly good-humored even on the darkest days. Inez
Sialiano kept track of the output, and Carol Brown dealt with the permissions as effi-
ciently as ever. In production, we relied heavily on the extraordinary efforts and patience
viii Preface
of Kathleen Bubbeo, for which we are most grateful. And we must also thank Denise
Weiss, who oversaw production and ensured that the book looked so good by finessing
the page layout and creating the design. John Inglis as ever created the environment in
which this could all take place.
And once again, we thank our families for putting up with this book for a third time!
JAMES D. WATSON
TANIA A. BAKER
STEPHEN P. BELL
ALEXANDER GANN
MICHAEL LEVINE
RICHARD LOSICK
1
Per Kraulis granted permission to use MolScript (Kraulis P.J. 1991. MOLSCRIPT: A program to produce both
detailed and schematic plots of protein structures. J. Appl. Cryst. 24: 946–950). Robert Esnouf gave permission
to use BobScript (Esnouf R.M. 1997. J. Mol. Graph. 15: 132–134). In addition, Ethan Merritt gave us use of
Raster3D (Merritt E.A. and Bacon D.J. 1997. Raster3D: Photorealistic molecular graphics. Methods Enzymol.
277: 505– 524), and Barry Honig granted permission to use GRASP (Nicolls A., Sharp K.A., and Honig B.
1991. Protein folding and association: Insights from the interfacial and thermodynamic properties of hydrocar-
bons. Proteins 11: 281– 296). Warren DeLano agreed to the use of PyMOL (DeLano W.L. 2002. The PyMOL Molec-
ular Graphics System. DeLano Scientific, Palo Alto, California).
About the Authors
JAMES D. WATSON is Chancellor Emeritus at Cold Spring Harbor Laboratory, where he
was previously its Director from 1968 to 1993, President from 1994 to 2003, and Chancel-
lor from 2003 to 2007. He spent his undergraduate years at the University of Chicago and
received his Ph.D. in 1950 from Indiana University. Between 1950 and 1953, he did post-
doctoral research in Copenhagen and Cambridge, England. While at Cambridge, he began
the collaboration that resulted in the elucidation of the double-helical structure of DNA in
1953. (For this discovery, Watson, Francis Crick, and Maurice Wilkins were awarded the
Nobel Prize in 1962.) Later in 1953, he went to the California Institute of Technology. He
moved to Harvard in 1955, where he taught and did research on RNA synthesis and pro-
tein synthesis until 1976. He was the first Director of the National Center for Genome
Research of the National Institutes of Health from 1989 to 1992. Dr. Watson was sole
author of the first, second, and third editions of Molecular Biology of the Gene, and a
co-author of the fourth, fifth and sixth editions. These were published in 1965, 1970,
1976, 1987, 2003, and 2007, respectively. He is also a co-author of two other textbooks,
Molecular Biology of the Cell and Recombinant DNA, as well as author of the celebrated
1968 memoir, The Double Helix, which in 2012 was listed by the Library of Congress as
one of the 88 Books That Shaped America.
TANIA A. BAKER is the Head of the Department and Whitehead Professor of Biology at the
Massachusetts Institute of Technology and an Investigator of the Howard Hughes Medical
Institute. She received a B.S. in biochemistry from the University of Wisconsin, Madison,
and a Ph.D. in biochemistry from Stanford University in 1988. Her graduate research was
carried out in the laboratory of Professor Arthur Kornberg and focused on mechanisms
of initiation of DNA replication. She did postdoctoral research in the laboratory of
Dr. Kiyoshi Mizuuchi at the National Institutes of Health, studying the mechanism and
regulation of DNA transposition. Her current research explores mechanisms and regula-
tion of genetic recombination, enzyme-catalyzed protein unfolding, and ATP-dependent
protein degradation. Professor Baker received the 2001 Eli Lilly Research Award from the
American Society of Microbiology and the 2000 MIT School of Science Teaching Prize for
Undergraduate Education and is a Fellow of the American Academy of Arts and Sciences
since 2004 and was elected to the National Academy of Sciences in 2007. She is co-author
(with Arthur Kornberg) of the book DNA Replication, Second Edition.
ix
x About the Authors
1998 Everett Moore Baker Memorial Award for Excellence in Undergraduate Teaching at
MIT, the 2006 MIT School of Science Teaching Award, and the 2009 National Academy of
Sciences Molecular Biology Award.
ALEXANDER GANN is the Lita Annenberg Hazen Dean and Professor in the Watson
School of Biological Sciences at Cold Spring Harbor Laboratory. He is also a Senior Editor
at Cold Spring Harbor Laboratory Press. He received his B.Sc. in microbiology from
University College London and a Ph.D. in molecular biology from The University of
Edinburgh in 1989. His graduate research was carried out in the laboratory of Noreen
Murray and focused on DNA recognition by restriction enzymes. He did postdoctoral
research in the laboratory of Mark Ptashne at Harvard, working on transcriptional regula-
tion, and that of Jeremy Brockes at the Ludwig Institute of Cancer Research at University
College London, where he worked on newt limb regeneration. He was a Lecturer at
Lancaster University, United Kingdom, from 1996 to 1999, before moving to Cold Spring
Harbor Laboratory. He is co-author (with Mark Ptashne) of the book Genes & Signals
(2002) and co-editor (with Jan Witkowski) of The Annotated and Illustrated Double Helix
(2012).
RICHARD LOSICK is the Maria Moors Cabot Professor of Biology, a Harvard College Pro-
fessor, and a Howard Hughes Medical Institute Professor in the Faculty of Arts and Scien-
ces at Harvard University. He received his A.B. in chemistry at Princeton University and
his Ph.D. in biochemistry at the Massachusetts Institute of Technology. Upon completion
of his graduate work, Professor Losick was named a Junior Fellow of the Harvard Society
of Fellows when he began his studies on RNA polymerase and the regulation of gene tran-
scription in bacteria. Professor Losick is a past Chairman of the Departments of Cellular
and Developmental Biology and Molecular and Cellular Biology at Harvard University.
He received the Camille and Henry Dreyfus Teacher-Scholar Award and is a member of
the National Academy of Sciences, a Fellow of the American Academy of Arts and Scien-
ces, a Fellow of the American Association for the Advancement of Science, a Fellow of the
American Academy of Microbiology, a member of the American Philosophical Society,
and a former Visiting Scholar of the Phi Beta Kappa Society. Professor Losick is the
2007 winner of the Selman A. Waksman Award of the National Academy of Sciences,
a 2009 winner of the Canada Gairdner Award, a 2012 winner of the Louisa Gross
Horwitz Prize for Biology or Biochemistry of Columbia University, and a 2012 winner
of the Harvard University Fannie Cox Award for Excellence in Science Teaching.
Class Testers and Reviewers
We wish to thank all of the instructors for their thoughtful suggestions
and comments on versions of many chapters in this book.
Chapter Reviewers
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xi
xii Class Testers and Reviewers
Aa
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xiii
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Detailed Contents
PART 1: HISTORY, 1
AA
Aa
Aa
aa
1 The Mendelian View of the World, 5
MENDEL’S DISCOVERIES, 6 THE ORIGIN OF GENETIC VARIABILITY
The Principle of Independent Segregation, 6 THROUGH MUTATIONS, 13
ADVANCED CONCEPTS BOX 1-1 Mendelian Laws, 6 EARLY SPECULATIONS ABOUT WHAT GENES
Some Alleles Are neither Dominant nor Recessive, 7 ARE AND HOW THEY ACT, 15
Principle of Independent Assortment, 8
PRELIMINARY ATTEMPTS TO FIND A GENE–
CHROMOSOMAL THEORY OF HEREDITY, 8 PROTEIN RELATIONSHIP, 16
GENE LINKAGE AND CROSSING OVER, 9 SUMMARY, 17
KEY EXPERIMENTS BOX 1-2 Genes Are Linked to
Chromosomes, 10 BIBLIOGRAPHY, 17
CHROMOSOME MAPPING, 11 QUESTIONS, 18
xv
xvi Detailed Contents
The Double Helix Has Minor and Major Topoisomerases Can Relax Supercoiled DNA, 97
Grooves, 84 Prokaryotes Have a Special Topoisomerase That
The Major Groove Is Rich in Chemical Information, 85 Introduces Supercoils into DNA, 97
The Double Helix Exists in Multiple Conformations, 86 Topoisomerases Also Unknot and Disentangle DNA
DNA Can Sometimes Form a Left-Handed Helix, 87 Molecules, 98
KEY EXPERIMENTS BOX 4-2 How Spots on an X-Ray Topoisomerases Use a Covalent Protein –DNA Linkage
Film Reveal the Structure of DNA, 88 to Cleave and Rejoin DNA Strands, 99
DNA Strands Can Separate (Denature) and Topoisomerases Form an Enzyme Bridge and Pass
Reassociate, 89 DNA Segments through Each Other, 100
Some DNA Molecules Are Circles, 92 DNA Topoisomers Can Be Separated by
Electrophoresis, 102
DNA TOPOLOGY, 93 Ethidium Ions Cause DNA to Unwind, 102
Linking Number Is an Invariant Topological Property KEY EXPERIMENTS BOX 4-3 Proving that DNA Has a
of Covalently Closed, Circular DNA, 93 Helical Periodicity of 10.5 bp per Turn from the
Linking Number Is Composed of Twist Topological Properties of DNA Rings, 103
and Writhe, 93
SUMMARY, 103
Lk o Is the Linking Number of Fully Relaxed cccDNA
under Physiological Conditions, 94 BIBLIOGRAPHY, 104
DNA in Cells Is Negatively Supercoiled, 95
QUESTIONS, 104
Nucleosomes Introduce Negative Supercoiling in
Eukaryotes, 96
NUCLEIC ACID –PROTEIN INTERACTIONS, 182 Chromosome Conformation Capture Assays Are Used
The Electrophoretic Mobility of DNA Is Altered by to Analyze Long-Range Interactions, 187
Protein Binding, 183 In Vitro Selection Can Be Used to Identify a Protein’s
DNA-Bound Protein Protects the DNA from Nucleases DNA- or RNA-Binding Site, 189
and Chemical Modification, 184
BIBLIOGRAPHY, 190
Chromatin Immunoprecipitation Can Detect Protein
Association with DNA in the Cell, 185 QUESTIONS, 190
PART 3: MAINTENANCE
OF THE GENOME, 193
Similarities between Eukaryotic and Prokaryotic DNA MEDICAL CONNECTIONS BOX 9-6 Aging, Cancer, and
Replication Initiation, 301 the Telomere Hypothesis, 307
Telomere-Binding Proteins Regulate Telomerase
FINISHING REPLICATION, 302
Activity and Telomere Length, 307
Type II Topoisomerases Are Required to Separate
Telomere-Binding Proteins Protect Chromosome
Daughter DNA Molecules, 303
Ends, 308
Lagging-Strand Synthesis Is Unable to Copy the
Extreme Ends of Linear Chromosomes, 303 SUMMARY, 310
Telomerase Is a Novel DNA Polymerase That Does Not BIBLIOGRAPHY, 311
Require an Exogenous Template, 305
Telomerase Solves the End Replication Problem QUESTIONS, 312
by Extending the 30 End of the
Chromosome, 305
Newly Base-Paired Partners Are Established within the MEDICAL CONNECTIONS BOX 11-2 The Product of
RecA Filament, 356 the Tumor Suppressor Gene BRCA2 Interacts
RecA Homologs Are Present in All Organisms, 359 with Rad51 Protein and Controls Genome
Stability, 367
The RuvAB Complex Specifically Recognizes Holliday
Junctions and Promotes Branch Migration, 359 MEDICAL CONNECTIONS BOX 11-3 Proteins Associated
with Premature Aging and Cancer Promote an
RuvC Cleaves Specific DNA Strands at the Holliday Alternative Pathway for Holliday Junction
Junction to Finish Recombination, 361 Processing, 368
HOMOLOGOUS RECOMBINATION IN MATING-TYPE SWITCHING, 369
EUKARYOTES, 362
Mating-Type Switching Is Initiated by a Site-Specific
Homologous Recombination Has Additional Double-Strand Break, 370
Functions in Eukaryotes, 362
Mating-Type Switching Is a Gene Conversion Event
Homologous Recombination Is Required and Not Associated with Crossing Over, 370
for Chromosome Segregation during
Meiosis, 362 GENETIC CONSEQUENCES OF THE MECHANISM
Programmed Generation of Double-Stranded DNA OF HOMOLOGOUS RECOMBINATION, 371
Breaks Occurs during Meiosis, 363 One Cause of Gene Conversion Is DNA Repair during
MRX Protein Processes the Cleaved DNA Ends for Recombination, 373
Assembly of the RecA-Like Strand-Exchange
SUMMARY, 374
Proteins, 364
Dmc1 Is a RecA-Like Protein That Specifically BIBLIOGRAPHY, 375
Functions in Meiotic Recombination, 366
QUESTIONS, 376
Many Proteins Function Together to Promote Meiotic
Recombination, 366
PART 4: EXPRESSION OF
THE GENOME, 423
A 3'
5' 3'
THE CHEMISTRY OF RNA SPLICING, 469 Several Mechanisms Exist to Ensure Mutually
Sequences within the RNA Determine Where Splicing Exclusive Splicing, 486
Occurs, 469 The Curious Case of the Drosophila Dscam Gene:
The Intron Is Removed in a Form Called a Lariat as the Mutually Exclusive Splicing on a Grand Scale, 487
Flanking Exons Are Joined, 470 Mutually Exclusive Splicing of Dscam Exon 6 Cannot
KEY EXPERIMENTS BOX 14-1 Adenovirus and the Be Accounted for by Any Standard Mechanism and
Discovery of Splicing, 471 Instead Uses a Novel Strategy, 488
KEY EXPERIMENTS BOX 14-3 Identification of Docking
THE SPLICEOSOME MACHINERY, 473 Site and Selector Sequences, 490
RNA Splicing Is Performed by a Large Complex Called Alternative Splicing Is Regulated by Activators and
the Spliceosome, 473 Repressors, 491
SPLICING PATHWAYS, 474 Regulation of Alternative Splicing Determines the Sex
of Flies, 493
Assembly, Rearrangements, and Catalysis
within the Spliceosome: The Splicing An Alternative Splicing Switch Lies at the Heart of
Pathway, 474 Pluripotency, 495
Spliceosome Assembly Is Dynamic and EXON SHUFFLING, 497
Variable and Its Disassembly Ensures That the Exons Are Shuffled by Recombination to Produce
Splicing Reaction Goes Only Forward Genes Encoding New Proteins, 497
in the Cell, 476
MEDICAL CONNECTIONS BOX 14-4 Defects in
Self-Splicing Introns Reveal That RNA Can Catalyze Pre-mRNA Splicing Cause Human Disease, 497
RNA Splicing, 477
Group I Introns Release a Linear Intron Rather Than a RNA EDITING, 500
Lariat, 478 RNA Editing Is Another Way of Altering the Sequence
KEY EXPERIMENTS BOX 14-2 Converting Group I of an mRNA, 500
Introns into Ribozymes, 479 Guide RNAs Direct the Insertion and Deletion of
How Does the Spliceosome Find the Splice Sites Uridines, 501
Reliably?, 480 MEDICAL CONNECTIONS BOX 14-5 Deaminases
and HIV, 503
VARIANTS OF SPLICING, 482
Exons from Different RNA Molecules Can Be Fused by mRNA TRANSPORT, 503
Trans-Splicing, 482 Once Processed, mRNA Is Packaged and Exported
A Small Group of Introns Is Spliced by an Alternative from the Nucleus into the Cytoplasm for
Spliceosome Composed of a Different Set of Translation, 503
snRNPs, 483
SUMMARY, 505
ALTERNATIVE SPLICING, 483
BIBLIOGRAPHY, 506
Single Genes Can Produce Multiple Products by
Alternative Splicing, 483 QUESTIONS, 507
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The next morning, bright and early, they were again ready to start.
The dolphin, who knew now where he was, began to rise to the
surface. A few hours later he had reached the place Tursio had
spoken about.
“Here we are at last!” he cried.
“Here? Why, where is the ship?”
“There,” answered Marsovino,
pointing to a great black mass which
showed through the water.
“That! Why look how it is trimmed!”
And he was indeed right. The
inhabitants of the sea had taken
possession of everything. The keel of
the ship was overgrown with beautiful
slender seaweeds. The decks were
covered with sponges. The stairs had
disappeared under the work of polyps.
On the lookout bridge hundreds of anemones raised their brightly
colored corollas. The needles of sea urchins threatened passers-by
from the portholes. Silvery fishes and starfishes were seen all over.
Everything was living on the dead ship.
“Now let us hasten,” said Marsovino.
“Very well,” answered Pinocchio.
“We have been so long in coming that now we must be quick,”
continued the dolphin.
“Father must be worried. Let us look for the treasure, and then we
can begin our return journey to-night.”
“Very well,” again assented Pinocchio.
“Make haste, then. Get into that ship. Don’t lose any more time.”
“Come, let us go.”
“Let us go! How can I go? Don’t you see how small the doors are?
You must go alone!”
Pinocchio did not like the idea. He stood still and thought. His
courage utterly failed him. To go alone into that great black ship!
Why, how could he do such a thing?
“Well, what are you thinking of?” asked Marsovino, who had dropped
Pinocchio at the door of the stairs.
“I haven’t made up my mind yet. I don’t like the idea of going in there
very much.”
“But you must. I can’t go, and we must have the gold. Will you
decide? I thought you had offered to help Mr. Tursio.”
When he heard that, Pinocchio finally made up his mind. He opened
the door and went down a few steps. Then he stopped.
“Must I really go?” he asked.
Marsovino began to lose his patience.
“If you do not make haste getting into that ship, I shall return without
you,” he could not help saying.
“Very well. Here I go.”
“You remember Tursio’s instructions, don’t you? At the bottom of the
stairs there is a large room. At one end a door leads into the
captain’s room. In a corner of the captain’s room, you will find two
boxes. They contain the treasure. Good-by and good luck.”
Very slowly Pinocchio went down. Luckily for him a few sunfishes
were floating around, giving some light.
When he reached the bottom of the stairs, he saw in front of him a
large square room. In the walls were long narrow holes, like the
shelves of a pantry. These had probably been the sailors’ bunks. But
to Pinocchio they were puzzles.
The roof, which was very high, was of glass. This made the room
lighter than the stairs, and so Pinocchio took courage.
At one end of the room there was a small narrow door. Pinocchio
walked to it and tried to open it. Still, though the door was not locked,
it would not open. It seemed as if some one were holding it closed
from the inside. The marionette pushed it, kicked it, struggled with it,
and finally he succeeded in opening it. He was able to put just the tip
of his nose in the crack.
He had no sooner done this, though, than it was held as in a vise.
Pinocchio felt something pulling and pulling.
“My nose will surely come off,” he thought; but after trying and trying
he was at last free again.
“I wonder what that was? What can be behind
that door? In any case it may be better to
have some weapon of defense,” and thinking
this, Pinocchio looked around.
“Those shelves may hold something useful.”
But when he came near them, what did he
see? A mattress, pillows, sheets!
“What could this have been? A hospital?”
Poor Pinocchio! He was most certainly a
dunce!
On the floor in a corner he found a pair of
large boots.
“These will do,” he thought.
Again he pushed the door. This time he was
able to open it wide. As soon as he had done
so, he threw a large boot in blindly. Had he never done so, it would
have been better! In a second the room became as black as pitch.
“Marsovino! Oh! Oh! Oh! Marsovino!” screamed the poor boy,
thinking himself blinded.
The dolphin, waiting for Pinocchio at the head of the stairs, became
frightened at this appeal. He thought something serious had
happened. He swam to the top of the deck and broke several panes
of glass. Looking into the room he called: “What is the matter? I am
here.”
Pinocchio felt a little better when he saw Marsovino.
“Oh, Marsovino!” he cried.
“What has happened, my poor Pinocchio?”
“I have found a bottle of ink.”
“A bottle of what?”
“Of ink. I threw a boot at something, and now the room is full of ink.”
“Oh, now I understand. You have to deal with an octopus.”
“What’s that?”
“A mollusk.”
“Oh, if that’s what it is, I’m not afraid. I know them well.”
“‘Marsovino! Oh! Oh! Oh!’”
“Yes, but not this one. This is the greatest mollusk known. It is a near
relation of the calamary, but much larger. There are some even five
or six yards long.”
“Oh!” shivered Pinocchio, looking around.
“The one in the captain’s room must be a small one, though. If I were
with you, I should free you in a second. There is nothing a dolphin
likes better than an octopus or a calamary.”
“But the ink?”
“The ink is the means of defense of these mollusks. When pursued
or in danger, this animal ejects this inky liquid. In that way, it forms a
cloud in the water and is able to escape.”
“Shall I be killed?”
“If you keep out of reach of its long arms, you will be all right.”
“Oh, now I see what got hold of my poor nose. It is aching yet. Now
tell me, Marsovino, if this animal is guarding the treasure, how shall I
possibly get at it? We might as well give it up,” and Pinocchio started
towards the stairs.
“How very courageous you are! After trying so hard, are you going to
give up at the last minute?”
Pinocchio did not answer, but very
slowly he retraced his steps. Going
over to the bunks, he took a large
mattress. Holding it in front of him, he
moved toward the door, which was
still ajar.
The water from the captain’s room
had mixed with the water of the large
room, and now it was not so dark.
Very cautiously, the marionette
peeked over the mattress.
In a corner of the room lay the poulpe
or octopus. As Marsovino had said, it
was not very large. Still it was very
ugly.
Think of a large head, soft and jellylike, with two great eyes staring at
you. Think of that head and eight long thick arms around it. No
wonder Pinocchio felt like turning back.
The monster moved restlessly about, stretching and twisting its
arms. In one of them it held Pinocchio’s boot. Every minute its huge
body changed color. At first it was white, then gray, then brown, then
spotted with purple. Pinocchio hardly knew what to think of it.
“You are certainly very ugly, my dear bottle of ink,” he thought.
“Well, why am I standing here? I might as well try to kill him. Hurrah!
Here comes the brave marionette!”
Very slowly Pinocchio walked up to the octopus, but not near enough
to be in reach of those arms. Then with a quick move he threw the
mattress over the struggling mass. Pressing it down tightly, he held it
there.
For a long time the arms twitched nervously about, but at last they
stopped moving. The boy waited a few minutes longer, and then,
thinking the creature dead, he stood up.
The mattress, however, he left on top of the poulpe. Not only that,
but running back, he took another and put it on top of the first. He
wanted to be sure the octopus would not move. At last he breathed
easily and set to work to get the boxes.
Yes, think of it! That lazy marionette really set to work. He dragged
the boxes one after the other into the large room, and then he called
Marsovino.
“Here is the treasure, Marsovino. Now how am I to carry these heavy
boxes upstairs?”
Marsovino then lowered a stout rope which he had carried with him.
Pinocchio tied the boxes to it, one after the other, and the dolphin
pulled them up.
“Throw the rope down again, Marsovino!”
“What for? Are there three treasure boxes?”
“You will see.”
As soon as the end of the rope touched the floor of the room,
Pinocchio tied it around his waist. “Now pull!” he called.
Marsovino pulled, and in a second
Pinocchio stood on the bridge.
“I really had no wish to return by those
dark dusty stairs,” he laughed, seeing
Marsovino’s look of wonder.
CHAPTER XV
At last the two had done their duty. The treasure
was theirs. All that remained now was to go back to
Tursio with it.
“Let us start this minute,” said Marsovino, who was
anxious to see his father again.
“Yes, but first please give me something to eat.”
“Should you like to have some grapes?” said Marsovino, kindly.
“I don’t see the use of making my mouth water needlessly,”
answered Pinocchio.
“But I mean what I’m saying. Should you like some grapes?”
“Show them to me first. Then I’ll answer you.”
“Come here then, unbeliever.” As he spoke, Marsovino led Pinocchio
to a mast, which, strange to say, had not been touched by the
polyps. Hanging from a slender thread was a bunch of what looked
like red grapes.
“What are they?” Pinocchio could only ask.
“Don’t you see? They are sea grapes. Eat them.”
“But first I want you to tell me what they are.”
“They are the eggs of the calamary, a near relation of the octopus
you had to deal with to-day.”
“Very well, then. I’m willing to destroy all sign of those horrible
beings.” In a short time Pinocchio had made a good luncheon out of
them.
“‘What are They?’”