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10-Paper-2-Activity-Pack
10-Paper-2-Activity-Pack
10-Paper-2-Activity-Pack
We understand that Paper 2 is giving lots of teachers and students anxiety. Relax! We’ve
led many students to success in this key assessment, and we have the strategies and
activities that allow students to build knowledge and confidence with their chosen texts.
We love this activity to help students think about the essence of a particular chapter from
a novel or scene from a play. It can also be applied to short stories or entire literary works.
The task is simple:
“Proud of pure Shows the father’s pride in Japanese The narrator describes his father as
samurai blood” culture and heritage. being “proud of samurai blood” and
(narrator) readers infer his love and affection for
his traditional Japanese heritage and
culture.
“Theatrical puffs on Shows Kikuko’s rebellious nature and As Kikuko takes “theatrical puffs on her
her cigarette” fear of her father’s authority cigarette”, readers understand the
smoking as a rebellion against her
father.
“Old woman in the Symbolizes traditional Japanese The “old woman in the white kimono”
white kimono” culture symbolizes traditional culture and how
it is being challenged in the face of
modernity in post-WWII Japan.
“There are other The key moment in dialogue where Through dialogue, Ishiguro illustrates
things besides work.” readers can infer that father the father believes Watanabe failed to
ultimately disagrees with Watanabe’s see “there are other things besides
decision and will not murder his kids work.”
5 Keywords - Stones
Stones Most important symbol Readers can imply the stone represents
the permanence of death.
Flowers Symbol of life; occurs early in the Findlay juxtaposes the symbols of
story flowers and stones to show the clear
dichotomy between life and death that
is pervasive throughout the story.
“Inside he had been Clear characterization The narrator states his father “had been
destroyed” destroyed” to capture the mental
trauma endured during WWII and his
father’s inability to reintegrate into
society.
“Good riddance” Illustrates Cy and Rita’s rejection of While Ben is able to find peace when
their father reflecting on his father’s death, his
siblings declare “good riddance”, thus
illustrating how violence and alcoholism
destroyed can destroy relationships.
The poison resides in the sex glands of the fish, My father was a formidable-looking man with a
inside two fragile bags. Their bags must be large stony jaw and furious black eyebrows.
removed with caution when preparing the fish, for
any clumsiness will result in the poison leaking into
the veins.
The tearoom looked out over the garden. From After a while, the conversation had become even
where I sat I could make out the ancient well that sparser than prior to Kikuko’s arrival. Then my
as a child I had believed to be haunted. It was just father stood up, saying: “I must attend to the
visible now through the thick foliage. The sun had supper. Please excuse me for being burdened by
sunk low and much of the garden had fallen into such matters. Kikuko will look after you.”
shadow.
Supper was waiting in a dimly lit room next to the The three of us ate in silence. Several
kitchen. The only source of light was a big lantern minutes went by. My father lifted the lid and once
that hung over the table, casting the rest of the more steam rose up. We all reached forward and
room in shadow. We bowed to each other before helped ourselves.
starting the meal. “Here,” I said to my father, “you have the
last piece.”
“Thank you.”
My father lowered his eyes and nodded. For some “You think what he did…it was a mistake?”
moments he seemed deep in thought. “Watanabe “Why, of course. Do you see it otherwise?”
was very devoted to his work,” he said at last. “The “No, no. Of course not.”
collapse of the firm was a great blow to him. I fear “There are other things besides work,” my father
it must have weakened his judgment.” said.
“Yes.”
We were all about to be pitched together into a Our mother had been weeping before we entered
melting pot of violence from which a few of us the room, but she had dried her eyes because she
would emerge intact and the rest of us would never allowed us to witness her tears.
perish.
Time was like a field of clay and all the other “I don’t have a civilian overcoat,” my father said.
children I knew appeared to have cleared it in a “And don’t suggest that I put on my uniform
single bound while I was stuck in the mud and because I won’t. My uniform stinks of sweat and I
barely able to lift my feet. hate it.”
Then there was almost music and we rejoiced My father wore a dressing gown and haven’t
because our mother had finally gained her shaved. Mother said he couldn’t look her in the
freedom from a life that had become intolerable. eyes. She told him that she forgave him for what
But in Dieppe, when I shook my father's ashes out he had done. But my father never forgave himself.
of their envelope, there was no rejoicing. None. My mother said she never saw his eyes again.
In the end, the rest were blown to pieces when The stones at Dieppe are mostly flint - and their
their landing craft was shelled. In the meantime, colors range from white through yellow to red.
my father had recovered enough of his wits to The red stones look as if they have been washed in
coral back over the end of the landing craft, strip blood and the sight of them takes your breath
off his uniform and swim out to sea where he was away. I hunkered down about them, holding all
taken on board a British destroyed sitting that remained of my father in my fist. He felt like a
offshore. powdered stone - pummelled and broken.
The poison resides in the Symbolism Ishiguro suggests that Japanese males play a powerful role
sex glands of the fish, inside in the continuance of traditional Japanese culture. The
two fragile bags. Their bags Metaphor “sex glands” that contain the “poison” are clear symbols
must be removed with for male genitalia, and readers can infer that the poison
caution when preparing the actually represents the Japanese culture itself. If males
fish, for any clumsiness will handle their rich culture - the poison - with “clumsiness”,
result in the poison leaking then Japan as a nation will suffer. “The posion leaking into
into the veins. the veins” metaphorically represents the overall
contamination of nation and culture if Japanese men are
unable to find a balance between traditional and modern
culture. In the end, Ishiguro places great emphasis on
males and their role, preserving and perpetuating
Japanese culture.
“I don’t have a civilian Dialogue Findlay depicts the anger and agony the father
overcoat,” my father said. Imperatives experiences upon returning to Canada. Through the
“And don’t suggest that I imperative language in the dialogue, the father commands
put on my uniform because I Symbolism his wife, “don’t suggest that I put on my uniform because I
won’t. My uniform stinks of won’t.” This command and firm tone imply that, due to
sweat and I hate it.” Sibilance PTSD, he no longer is able to don his military uniform that
“stinks of sweat.” The sibilance of “s” echoes in the
Diction reader’s mind and creates a depressing mood, and we can
almost feel the power of the word “hate.” This diction is
carefully chosen by Findlay to allow the reader to
experience the hate for what the man was forced to do in
Dieppe. Thus, the reader feels empathy for the father’s
fragile mental state post-WWII.
Activity 4: Writing about craft - The Magic Sentence
We love the magic sentence and this can be a great way to be sure that students hit
Criteria B. If they have this sentence structure firmly planted in their brains, they will
automatically be talking about the author’s choices AND about how these choices shape
meaning and have implications. This activity is best if they concentrate on a particular
passage or chapter or scene and then find references first and then construct their magic
sentences.
The magic sentence shows that you understand the link between the techniques and the
writer’s ideas. You need to show that you understand the role of the writer. You will also
need to develop ideas and include specific examples. Magic sentences make a great start
to a strong paragraph. Authors DELIBERATELY choose techniques because they feel they
are the most effective way of teaching us about life/messages which go beyond the text.
This handout is particularly helpful for introducing students to powerful verbs that can be
used to embed evaluation into their analysis.
Games can be a great way to review key symbols, characters, and ideas from a given text
but also bring in some fun competition. One of our staples is fishbowl. The concept is very
simple. Here are the directions:
5. Play the game and keep score. Celebrate winners. This game never fails.
6. Extensions:
● Have them turn over the words and talk about them and their significance in
the text. See if they can talk about them in a deep or literary way.
● Have them group the works into categories and explain their categories.
● Have each student take ONE word from the pile and unpack it in writing in
their LP. They should try to locate the word in the text and think about the
author's craft.
Activity 6: Character Hot Seat
This is one of our favorites and always gets kids engaged and excited. In this activity,
students will assume the role of a character from the novel, play, or short story and sit in
front of the class in the “hot seat.” Classmates will then pepper the character with
questions to learn more about thoughts, feelings, motivations, and conflicts. This is a
great opportunity to evaluate student understanding of key themes of the text.
Instructions: