Professional Documents
Culture Documents
housing
housing
SITE DEVELOPMENT
1. Sun Orientation
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Site Planning
FACTORS AFFECTING BUILDING
LOCATION AND ORIENTATION
2. Wind Orientation
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Site Planning
FACTORS AFFECTING BUILDING LOCATION AND ORIENTATION
3. Noise Control
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Site Planning
PHYSICAL ARRANGEMENT OF BUILDINGS
Isolated Building: enclosed within space Enclosed Space: isolated but cut-up with traffic lines
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Site Planning
PHYSICAL ARRANGEMENT OF BUILDINGS
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Site Planning
CLIMATOLOGICAL DESIGN
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Site Planning
CLIMATOLOGICAL DESIGN
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Site Planning
SUSTAINABLE DESIGN STRATEGIES
• Building Orientation
• Building Form
• Natural Ventilation
• Natural Lighting
• Green Spaces
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Bioclimate Fundamentals
Site planning seeks to identify favourable microclimates with the aim of further adaptation through design and
construction techniques. The climatic design variables of human comfort in any given climate zone are:
• Solar radiation – duration and intensity of thermal loading and absorption (insolation)
• Air movement – velocity and pattern
• Humidity – vapour pressure and air temperature
Bioclimatic design is the concept of relating temperature and humidity conditions to design for human comfort. It
creates site patterns and applies materials and structural forms which are suitable for the region in general, and the
site in particular. Bioclimate fundamentals can be used to develop a site plan and design that meets the needs of its
occupants while minimizing energy consumption.
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Bioclimate Fundamentals
Hot Arid Regions
• Characterized by dry, hot summer temperatures (>20 C) and mild to cool winters (> 0 C)
• Annual precipitation is low but seasonal flash floods may occur
• Freezing temperatures are uncommon but extreme diurnal temperature fluctuations are typical
• Site planning and design should seek to balance daily temperature extremes by storing energy, increasing
humidity, and diverting desiccating winds
• Favor the eastern slope base to avoid harsh sun and to receive cool diurnal air drainage for the upper
slope
Bioclimatic strategies:
1. Use moisture conserving plants
2. Prevent heat build-up on structures (thick walled, in-ground architecture is useful)
3. Deflect hot winds with walls, screens and earthwork
4. Trap cool air for convection
5. Use walls to create microclimate courts
6. Use pergola and trellis structures on south and southwest walls
7. Use large overhand calculated for winter sun
8. Avoid large exposed glass
9. Avoid heat absorbing materials
10. Position structure to benefit from diurnal air currents
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Bioclimate Fundamentals
Hot Humid Regions
• Characterized by hot summer temperatures (>20 C) and mild to cool winters (> 0 C)
• Annual precipitation and humidity are high, with frequent rain showers
• Freezing temperatures are uncommon and relatively minor diurnal temperature fluctuations
are typical
• Site planning and design should seek to increase shade, cooling from evaporation, and
breezes
• Favor the top of the eastern slope to avoid the harsh west sun and to receive the
evaporative cooling effects of winds due to turbulence at the hilltop
Bioclimatic strategies:
1. Maximize breezes and evaporation with high canopy trees and loose open planting
patterns
2. Avoid tall solid walls that block winds
3. Seek high ground or rising slopes facing prevailing winds
4. Avoid topographical depressions
5. Use large overhangs calculated for severe sun angles (east and west)
6. Covered pergolas or screened terraces adjacent to structure will help drew air currents
7. Avoid excessive earth mounding which might trap moist or stagnant air
8. Use high ceilings and vent all roof systems
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Bioclimate Fundamentals
Temperate Regions
• Characterized by hot, often humid summers (>20 C) and cold winters (<0 C)
• Annual precipitation is fairly high
• Subject to repetitive freezing/thawing action, and significant seasonal temperature fluctuations are
common
• Site planning and design should seek to promote shade and evaporative cooling in warm periods,
block winds and promote heat gain in cool periods, without disrupting favourable summer wind pattern
• Most favourable at the southeast “military-crest” to receive both sun and breezes, but to avoid cold
winds at the true crest
Cold Regions
• Characterized by mild summer temperatures (>10-20 C) and very cold winters (<0 C)
• Annual precipitation is typically low
• Subject to extreme freezing/thawing action
• Site planning and design should seek to control winter winds, and promote solar gain and storage
• Ideal on the south to southwestern lower slope to receive solar radiation and be protected from winter
winds, but high enough to avoid cold air drainage from upper slope
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Bioclimate Fundamentals
Bioclimatic strategies for temperate and cold regions:
1. Promote solar gain in winter season
2. Seek southern slopes (S-SE to S-SW) 5 to 15%
3. Block wind chill with mixed deciduous and coniferous plants
4. Maintain openings for cooling summer breezes
5. Provide afternoon shade with deciduous trees
6. Use garage, earth, and plantings to divert severe NE or NW winter winds
7. Provide architectural entry lock to block cold air infiltration in winter
8. Grade or plant for cold air drainage around structure
9. Earth sheltered architecture is useful in these regions
10. Drain all backfill soils and insulate perimeter foundation walls
11. Avoid northern entrances both for the site and architecture
12. Cold climate siting benefits from steeper slopes, up to 20%, and orientation to the southwest for
increased solar receipt potential
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Bioclimate Fundamentals
Factors Modified by Hot Arid Hot Humid Temperate Cold
Landform,
Vegetation, and
Structures
Sun • Avoid heat absorbing • Maximize shade • Site structures on • Site structures on
materials use, thick through the use of southerly slopes for southerly slopes for
walls or earth plantings solar gain in winter solar gain in winter
shelters • Use pergola and • Avoid northern • Cold climate siting
• Use pergola and trellis structures for entrances to benefits from steeper
trellis structures for shade buildings slopes for better
shade • Screened terraces • Plant deciduous solar access
• Provide large provide relief from trees for afternoon • Avoid northern
overhangs on direct heating of main shade entrances to
buildings structure • Use earth shelters to buildings
• Avoid large area of • Provide large protect from summer • Plant deciduous
exposed glass overhangs on sun trees for afternoon
buildings shade
• Use high ceilings and • Use earth shelter to
vent all roof systems protect from summer
sun
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Bioclimate Fundamentals
Factors Modified by Hot Arid Hot Humid Temperate Cold
Landform,
Vegetation, and
Structures
Wind Site structures at Site structure at top Site structure on Site structure on
toe of slopes for of slope for middle to upper middle to lower
exposure to cold air exposure to slope for access to slope for wind
flows at night breezes light winds, but protection
Use plant material Avoid excessive protection from Plant coniferous
to block desiccating earthmounding that high winds shelter belts to
winds may trap moist air Landforms, plants block cold winds
Deflect hot winds Maximize breezes and structures can Avoid topographic
with walls and through use of high be used to divert depression that
screens canopy trees and northerly winter collect cold air
with a loose open winds while Use earth shelters
planting pattern allowing cooling to protect from
Avoid tall solid summer breezes winter winds
walls that block Use earthshelters
wind to protect from
winter winds
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Bioclimate Fundamentals
Factors Modified by Hot Arid Hot Humid Temperate Cold
Landform,
Vegetation, and
Structures
Water Use moisture Avoid siting next to Use of retention/ Use of retention /
conserving plants stagnant bodies of detention ponds for detention ponds for
(xeriscape) water stormwater stormwater
Limit impervious Maximize infiltration provides for provides for
surface to minimize of stormwater evaporative cooling evaporative cooling
runoff porous runoff of the site of the site
paving can be used Foundations for Foundations for
structures and structures and
pavement must pavement must
drain well to drain well to
prevent damage prevent damage
from frost/ thaw from frost/ thaw
action action
• Specialized site design and construction methods allow each microclimate zone to be further adapted to
maximize human comfort for both indoors and outdoors and to minimize energy expenditure required for heating
and cooling. The site zone is typically adapted for human use through structural orientation, vegetative clearing
and planting patterns, grading, stormwater drainage, wind pattern augmentation, and the placement of paved
surfaces.
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Bioclimate Fundamentals
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Bioclimate Fundamentals
HUMAN COMFORT FACTORS
• Human comfort is determined by ambient air temperature, humidity, and the velocity of air movement which
allows the body to feel comfortably warm (not overheated) and comfortably cool (not chilled). Architectural
interiors are heated and cooled using a bioclimatic chart which tracks these three factors. Bioclimatic charts
used for outdoor spaces must consider mitigating factors of human comfort such as the R-value of clothing
and the way people move about a particular site to cope with changing weather conditions (i.e. moving into
or out of the sun, or seekingleeward shelter as breezes begin to accelerate). These factors are likely to alter
the ideal conditions for human comfort.
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Bioclimate Fundamentals
Tree Shadows:
• Calculate the ultimate shadow length of an existing
or proposed tree in northern latitudes can be
calculated by using the altitude angle of the sun at
noon on December 21. The height of the tree
divided by the tangent value of the altitude will
provide the distance required between the structure
and the tree or object that is casting the shadow.
• Building Spacing:
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Bioclimate Fundamentals
WIND MANAGEMENT
• Wind, both favourable cooling and unfavourable chilling can be diverted by altering vegetative cover, using
mitigatin structural devices, and by the strategic use of existing and proposed earthforms.
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Bioclimate Fundamentals
WIND MANAGEMENT
Structural Orientation to the Wind:
• The proportions of architecture are important with regard to
wind augmentation. Generally, ventilating effects of the
wind can be promoted by tall thin structures which are one
room wide to allow cross flow, or by structures elevated on
columns to promote under-venting. Best ventilation occurs
when structures are slightly oblique (20-30 degrees) to
wind flow due to Venturi acceleration effects
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Bioclimate Fundamentals
BIOCLIMATIC DESIGN AT THE SITE PLANNING SCALE
Objectives:
1. To protect outdoor spaces, entryways and structures form the winter wind and to promote solar heat in winter or
underheated periods
2. to resist solar gain by shading and to promote cooling by ventilation in summer or overheated periods (evaporative
cooling by ground cover and water can be made effective in temperate and hot dry climates)
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Bioclimate Fundamentals
BIOCLIMATIC DESIGN AT THE SITE PLANNING
SCALE
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Bioclimate Fundamentals
BIOCLIMATIC DESIGN AT THE SITE PLANNING SCALE
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Bioclimate Fundamentals
BIOCLIMATIC DESIGN AT THE SITE PLANNING SCALE
Plant tall canopy trees on south side of house to shade roof and walls
Plant dense trees, shrubs, hedges on west side of house to intercept afternoon sun.
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Bioclimate Fundamentals
BIOCLIMATIC DESIGN AT THE SITE PLANNING SCALE
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Bioclimate Fundamentals
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Bioclimate Fundamentals
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Bioclimate Fundamentals
BIOCLIMATIC DESIGN AT THE SITE
PLANNING SCALE
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ARPLAN 1
PLANNING 1 : SITE PLANNING & LANDSCAPE ARCHITECTURE
SITE DEVELOPMENT
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Site Development & Layout
Steps to guide initial conceptual design process:
• Develop general area takeoff and overall building footprint to measure total site coverage of impermeable surfaces
and determine run-off pollution potential. The site plan should be analyzed to ensure an efficient layout with regard
to required road, utility, and service access.
• Identify alternative site design concepts to minimize resource costs and disruption. Develop several alternatives
that explore grading and vegetation-removal consequences, as well as resulting infrastructure costs.
• Identify topographic and hydrological impacts of proposed design and building use. Measure cut-and-fill potential
and assess potential for erosion, siltation, and groundwater pollution.
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Site Development & Layout
Steps to guide initial conceptual design process:
• Review financial implications of site development, building, and projected maintenance costs. Total cost of the
project must include ongoing costs associated with the site design, development, and operations, as well as hidden
energy costs associated with specific materials.
• Develop matrix of use and site compatibility index. Each site may be assessed to reveal its development
compatibility index with regard to a specific type of development. This index may reveal a pattern of
incompatibilities, suggesting a different site be chosen or appropriate mitigation measures be taken.
***Site development must consider the requirements of infrastructure, the proposed building, and the site.
Strategies for each can inform site development and layout.
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Site Development & Layout
INFRASTRUCTURE
1. Transportation: The best way to minimize transportation needs is to a) select a site which is located within or
adjacent to residential, shopping, and/or work opportunities; or b) provide a mix of uses on site to meet the
needs of the residents and/or employees. These can also be considered:
– Use existing vehicular transportation networks: minimizes the need for new infrastructure, and reduces impervious
surface, parking requirements, and related costs
– Support use of alternative transportation: Mass-transit infrastructure and shuttle buses should be used, carpooling should
be encouraged, and the use of bicycle should be fostered by providing showers and lockers in places of employment.
These methods will reduce parking space requirements and transportation costs for residents and/or employees.
– Considered increase use of telecommuting: telecommuting and teleconferencing can reduce commute time and number
of vehicular trips to and from the site. Plan for telecommuting infrastructure and access in commercial and residential
design.
– Consolidate service, pedestrian, and automobile circulation: endeavour to provide compact road patterns, walkways, and
parking to minimize pavement costs, improve efficiency and centralize runoff, hence, reduced impervious surface
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Site Development & Layout
INFRASTRUCTURE
2. Utilities: sites located within or adjacent to existing development allow for the most efficient and cost effective
extension of utilities. These could be considered:
– Minimize road length, building footprint and the actual ground area required for intended improvements: this decreases the
length of utility connections
– Use gravity sewer systems wherever possible as they don’t require power/energy
– Reuse chemical-waste tanks and lines:
– Consolidate utility corridors when feasible: common site utility corridors should be consolidated along previously disturbed
areas or along new road or walk construction, both to minimize unnecessary clearing and trenching and to ensure ease of
access for regular maintenance.
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Site Development & Layout
BUILDING & SITE REQUIREMENTS
1. Land Features: Unused urban lots and commercial sites may already be affecting the environmental quality of
neighboring properties, watersheds, and other features. Adaptive reuse of existing buildings or redevelopment
of disturbed sites should be encouraged as they require minimal disruption of natural systems. Redevelopment
is also likely to improve the immediate community, potentially create jobs, and increase land values that have
been affected by the abandoned or blighted property.
Stream channels, flood plains, wetlands, steep erodible slopes, and mature vegetation should be protected from
development. To avoid high site-preparation costs and to improve visual and ecological features, development
activity should be configured to occupy those spaces between critical resources.
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Site Development & Layout
BUILDING & SITE REQUIREMENTS
2. Building Orientation: climatic conditions, particularly solar access, should guide the placement of building and
site features in energy-conserving design. The following practices should be considered:
– Plan site clearing and planting to take advantage of solar access. Solar orientation, cloud cover, and topography are
interrelated. A site’s latitude determines the sun’s altitude and associated azimuth for any given time of the day, each day
of the year. Site clearing and planting strategies may be used to maximize solar access to the building or critical areas of
the site.
– Orient the building to take advantage of solar energy for passive and active solar systems. The building should take
advantage of shade and airflows for cooling in summer, and of passive solar energy for heating and wind protection in
winter. If solar collectors or photovoltaic systems are proposed, orientation should allow maximum access to sunlight.
– Provide a north-wall design that minimizes heat loss. Provide entrances with airlocks, and limit glass to prevent heat loss.
Large buildings in cold or temperate climates require air-handling systems that balance interior building pressure in such
circumstances.
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Site Development & Layout
BUILDING & SITE REQUIREMENTS
2. Building Orientation: climatic conditions, particularly solar access, should guide the placement of building and
site features in energy-conserving design. The following practices should be considered:
– Provide a building entrance orientation that maximizes safety, ease of access and protection from the elements.
– Minimize solar shadows. Landscaped areas, open spaces, parking, and septic fields should be aggregated to provide the
least solar shadow for southern orientations of the building project and adjoining buildings. Calculating total site shadow
can prevent the creation of solar voids and cold-air-drainage dams. This is especially useful in cold and temperate
climates.
The orientation of buildings and other site elements can also influence the extent of site disruption required for
construction. Earthwork and clearing of the site can be reduced by aligning long buildings and parking lots with
landscape contours. Half-basements and staggered floor levels can be used in areas of excess slope.
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Site Development & Layout
BUILDING & SITE REQUIREMENTS
3. Site Improvements: Landscape design should seek to maximize human comfort, particularly in high-use areas
such as plazas and outdoor gathering spaces. The designer needs to consider seasonal weather patterns and
climate variables such as vapour pressure in hot-humid zones, desiccating winds and diurnal extremes in hot-
arid zones and annual temperature extremes in temperate and cold zones.
– Existing water sources and landforms can be used to create winter heat sinks in cold climates, and temperature
differentials for cooling air movement in hot climates. Existing streams or other water sources can contribute to radiant
cooling for the site. Color and surface orientation may also be used to favourably absorb or reflect solar energy.
– Existing vegetation may be used to moderate weather conditions and provide protection for native wildlife. Vegetation
can be used to provide shade and transpiration in the summer and wind protection in the winter. Additionally, vegetation
can provide natural corridors for wildlife movement when provided in conjunction with a regional landscape plan.
– Access roads, planting, grading and ancillary structures should be designed to channel wind toward main buildings for
cooling or away from them to reduce heat loss.
– Introduce structures and plantings that provide shelter from harsh elements and highlight desirable features. Modulation
of tree-canopy heights and inclusion of water fountains and other built structures can fine-tune an exterior site by
accelerating or decelerating site winds, casting shadows, or cooling by evaporation.
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Site Development & Layout
BUILDING & SITE REQUIREMENTS
4. Construction methods and materials: Employ construction methods that will ensure that each step of the
building process is focused on eliminating unnecessary site disruption and resource degradation. The said
strategies should also harness features such as cold temperatures, moist air, desiccation winds, and increased
storm water runoff.
Strategically chart the stages in the construction process to achieve an orderly construction sequence from site
clearing to site finish. This reduces costs and damage to the site and requires close coordination between all
sub-contractors.
Use recycled, regionally available and/or those with low life-cycle cost materials. Albedo (SRI attributed to
color) should be considered in choosing site materials.
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Site Development & Layout
OUTDOOR ACCESSIBILITY
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Site Development & Layout
OUTDOOR ACCESSIBILITY
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Site Development & Layout
OUTDOOR ACCESSIBILITY
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Site Development & Layout
OUTDOOR ACCESSIBILITY
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Site Development & Layout
OUTDOOR ACCESSIBILITY
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Site Development & Layout
OUTDOOR ACCESSIBILITY
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Site Development & Layout
OUTDOOR ACCESSIBILITY
Jogging Paths
• They should be made safe for all types of users. An adequate means of separation or cooperation between
users groups is advisable.
• Signage, textural and visual cues are helpful and thus, should be provided. Access for wheelchair users should
be clearly understood so that an understanding exists between all user groups. Path dimensions depend on
type of use.
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Site Development & Layout
FENCES, SCREENS & WALLS
Fences, screens and walls are used for visual privacy, physical exclusion or control of people and animals, and
modification of environmental factors such as noise, wind, and sunlight, and purely aesthetic reasons. The design of
such barriers shall be responsive to functional requirements and aesthetic qualities of the site.
2. Safety and security – barriers can discourage deliberate trespassing, keep people away from such potentially
dangerous items as mechanical equipment, electric transformers, or swimming pools, and keep children and/or
animals in safe areas. Transparent or semitransparent barriers are sometimes preferable because they permit
supervision from either side by property owners, police, or security personnel. Solid barriers shall be truly
impenetrable because once inside, an intruder may be more protected than an owner.
3. Boundary Definition – defining boundaries to prevent trespassing is a use of fences and walls
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Site Development & Layout
FENCES, SCREENS & WALLS
4. Circulation Control – barriers can control or direct the movement of people, animals, or vehicles. It is often
desirable to see over a wall or fence to know what is ahead or what may be approaching. A gate or portal can
be designed to be unintentionally uninviting or as a symbolic entryway, inviting people into a space
5. Environmental Modification – barriers can reduce unpleasant nuisances such as heavy winds, noise, drifting
snow, glare, and strong sunlight. Strategically placed windbreaks and shaded areas can reduce the energy
required for heating and cooling.
6. Aesthetics – fences, screens and walls can complement their architectural surroundings by extending the lines
of a building out into the landscape. They can also be used to dramatize selected views, form backdrops for
specific settings, or add interest to an otherwise featureless or monotonous landscape. In most cases, fences or
walls should be visually attractive on both sides.
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Site Development & Layout
FENCES, SCREENS & WALLS
Design Criteria:
1. Meeting stated needs – the type, size and materials needed will depend on the purpose of a particular barrier
and the desired degree of exclusion
– Site context – design objectives for fences, screens and walls are merely abstract concepts until they are related to the
larger site context in which they must be achieved. (e.g. security for a factory or retail store would normally require far
more elaborate solutions than security for a home)
– Off-site impacts – all potentially adverse off-site impacts need to be assessed during the design stages and certainly well
before any construction begins. Poorly styled or improperly built fences, screens and walls can detract from the
appearance of adjacent properties, become a nuisance for neighbours by blocking views, cut-off desired local breezes, or
create annoying ponding or saturation problems.
– Temporary fences – barriers can be used temporarily until plants are mature enough to perform their intended function
and/or until a later stage of construction is completed.
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Site Development & Layout
FENCES, SCREENS & WALLS
Design Criteria:
1. Meeting stated needs – the type, size and materials needed will depend on the purpose of a particular barrier
and the desired degree of exclusion
– Design expression – design elements and details which make up the barrier must also be carefully worked out and
coordinated:
• Compatibility – the design should respond to its landscape context and adjacent architecture. Compatibility can be
enhanced by using the same or similar materials and the same details and proportions of nearby buildings,
streetscape elements and plant materials.
• Scale – large barriers can be scaled down to relate to human scale by the use of textures and shadow lines and by
the articulation of individual elements such as posts, panels rails and caps.
• Proportions – the relationship of the height to the width of panels, post sizing, etc. should be carefully managed to
respond to the established design expression of major horizontal or vertical elements nearby.
• Rhythm – the rhythmic use of elements such as posts, slats or panels can affect the perceived size or scale of a
barrier especially with regard to perception from a moving vehicle.
• Color – lighter colors tend to call attention to the individual elements of a fence or wall, while darker colors appear
to unify the appearance. The number of colors used in a barrier should be kept to a minimum.
• Texture – the type of materials used and the kind of finish selected will affect the texture of the barrier.
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Site Development & Layout
FENCES, SCREENS & WALLS
Design Criteria:
2. Legal and code requirements – a propose barrier or screen must comply with all relevant legal and building code requirements
including: a. rights of access; b. health and safety; and c. design and aesthetic controls
– Boundaries – a boundary survey should be made to precisely determine the property lines and avoid legal disputes
– Easements – utility and drainage easements across a site generally preclude using those areas for permanent walls or
fences, but non-permanent or moveable features are usually permitted
– Fire lanes and police surveillance – fire and police departments require readily identifiable, barrier-free access to certain
types of sites
– Permits and codes – sometimes, permits are required for fences and walls beyond a certain height or length. Design
minimums or other performance standards for structural integrity, safety, or visual quality may also be included in local
building codes.
– Design controls and covenants – choice of materials and colors and even on the design expression and placement of
fences, screens and walls may also be regulated
3. Feasibility
– Costs – budget decisions about fences or walls should be based upon a careful assessment of both short-term and long-
term costs.
– Availability of materials, labor, and equipment
– Time – time to construct is an important consideration depending on the construction deadline
– Maintenance responsibility
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Site Development & Layout
SITE FURNITURE & FEATURES
Site Furniture – refer to all elements placed in a landscape or streetscape for comfort, convenience, information,
circulation control, protection, and user enjoyment. Examples are benches, bollards, signage, lighting, tree grates
and utility boxes. The design and placement of site furniture require careful consideration.
Design Objectives
• Appropriateness – it is important to respond to the character of a site as well as its existing and proposed
functions.
• Response to setting – design should respond to the essential identity or inherent character of a place.
Successful, lasting design will flow out of its setting, continually responding to the needs of its users, meeting
functional requirements, and adapting to the environmental stresses affecting it.
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Site Development & Layout
SITE FURNITURE & FEATURES
Design Determinants
1. Cultural Factors
a. Social context
– Determining what is needed is a basic responsibility of the designer which often opens up opportunities to explore new
design ideas.
– Attention to existing and proposed large-scale social setting will indicate who is currently using the site and who will likely
use it in the future.
– The traditions and habits of particular user groups provide a basis for unique design departures that can enliven the
setting as a whole, while at the same time serving specific needs. This can be reflected in site organization and on the
design of individual elements.
– The use of themes or vernacular forms which have no local cultural root seldom contribute to the evolving identity of a
place.
b. Political context
A complex and contradicting array of administrative, operational, regulatory and legal issues can compromise a design.
Designing solely to meet these regulations often produces nothing of present or enduring value.
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Site Development & Layout
SITE FURNITURE & FEATURES
Design Determinants
2. Physical Factors
a. Climate
– Different climates and/or dramatic seasonal changes can significantly influence the design of site furniture and the
consequent comfort of the users.
– A thorough understanding of the consequences of seasonal variation, including both advantages and disadvantages, is
an essential prerequisite for the design of site furnishings.
b. Natural physiography
– Particular landforms, vegetation, and other qualities which give an area its special regional or local character should be
responded to in a congruent manner.
– Special attention should be given to examining local landscapes and materials before translating program requirements
into built elements.
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Site Development & Layout
SITE FURNITURE & FEATURES
Design Determinants
2. Physical Factors
c. The existing built environment
– Site furnishings can strengthen the link between a development and its surroundings, can personalize the setting, and
can enhance the positive aspects of the surrounding built landscape.
– A careful inventory of the existing built environment should precede decisions of scale, pattern, color, sequence, age,
quality, materials, and construction detailing.
– Furniture elements should reflect the character of the built environment, be internally integrated between themselves and
not promote a cluttered appearance.
– There should be a balance between the visual importance of individual furniture elements and their compatibility within
the visual context of the setting.
– It is important to incorporate the vistas, views, and visual composition of the entire site.
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Site Development & Layout
SITE FURNITURE & FEATURES
Design Determinants
3. Environmental Factors
a. Temperature
For hot climates:
– Climate is a key consideration in determining whether permanent, partial, or temporary shade and glare reduction
measures are needed.
– Furniture elements (e.g. permanent benches) should not be placed near extensive areas of paving or wall surfaces which
radiate excessive heat, unless adequately buffered by shade.
– Benches, handles, and handrails exposed to full sunlight shall not be metallic and/or should be light in color to remain
comfortable to the touch.
For cold climates:
– Site furniture should be placed to take advantage of natural sun traps, thereby extending the usefulness of the site.
– Materials which absorb and radiate heat are advantageous in cold climates. Materials used should not become brittle
when cold.
– Furniture should be designed to minimize water or ice accumulation.
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Site Development & Layout
SITE FURNITURE & FEATURES
Design Determinants
3. Environmental Factors
b. Precipitation
• Some furniture used for sitting should be placed in sheltered locations. Benches should drain well and be
located to take advantage of the warming effects of sunlight.
• In humid climates, all materials should be naturally decay- and fungus-resistant, or specially treated to
minimize mildew, rot, and consequent staining.
c. Wind
• Site furniture should be located to minimize any negative gusting impacts upon users.
• Furniture can be located to take advantage of natural cooling breezes.
• Trees can provide shade and, to some extent, control the movement of air.
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Site Development & Layout
SITE FURNITURE & FEATURES
Design Determinants
3. Environmental Factors
d. Light
• Site furniture should take advantage of the quality and character of light available on the site.
• Minimize the glare from light fixtures and intense sunlight. Locate furniture and especially, outdoor signs, in
such a way as to minimize the glare from them caused by low sun angles on wet or reflective surfaces.
e. Noise
• The sounds of songbirds, children, street performers, and the like can be so pleasant that site furniture
may be focused toward the source.
• Undesirable sounds can be blocked by using sound barriers like walls, earth mounds, and other
techniques of noise control.
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Site Development & Layout
SITE FURNITURE & FEATURES
Design Determinants
4. Operational Factors
a. Human body dimensions and movement
• The physical dimensions and movement characteristics of the human body are common denominators in
setting all working distances, and operational dimensions in the design of furniture components and their
aggregate layout.
b. Regulatory standards
• Site furniture must also stand up to a host of regulatory standards imposed by municipal and state
governments. The designer must understand the purpose and rationale for the regulation, and then be able
to interpret its most appropriate application and be prepared to negotiate creatively.
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Site Development & Layout
OUTDOOR LIGHTING
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Site Development & Layout
OUTDOOR LIGHTING
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Site Development & Layout
OUTDOOR LIGHTING
b. Underlighting
– Underlighting is potentially hazardous if not enough light is provided to protect pedestrians and/or vehicles from potential
injury and damage.
– Sufficient light is important in crosswalks where heavy pedestrian traffic is expected.
– Parking areas, access and egress points, loading areas, etc. should have adequate lighting to help protect drivers,
passengers, and vehicles.
– Overlighting can generate high amounts of glare which create hazardous conditions.
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Site Development & Layout
OUTDOOR LIGHTING
b. Surveillance
– Lighting requirements should permit the detection of suspicious movement rather than provide for the recognition of
definitive details.
– It is more effective to light backgrounds to generate silhouettes rather than lighting the foreground. (e.g. lighting the
vertical face of a building instead of its horizontal foreground)
– It is desirable to highlight entrances and to direct lighting away from points of surveillance
c. Vandalism
– The best way to reduce vandalism of light fixtures is to use fixtures that are durable enough to withstand abuse, or to
place them out of reach. An alternative is to use hardware that is less expensive to replace.
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Site Development & Layout
OUTDOOR LIGHTING
a. Background
– Exterior spaces should have a well-defined sense of background. Background spaces should be illuminated as
unobtrusively as possible to meet the functional needs of safe circulation and of protecting people and property.
b. Foreground
– Foreground spaces or objects can be major elements and should be treated accordingly.
– Foreground spaces should utilize local lighting which produces maximum focus, minimum distractions, and no glare.
– Objects of interest and activities can be brightly illuminated while the background produces only minimal distraction.
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Site Development & Layout
OUTDOOR LIGHTING
d. Color Perception
– Differences in lamp light color are often used with great effect in public lighting to color code roadways or to clearly
delineate one area from another.
– Accurate color rendition will aid recognition and improve the perception of outdoor environments. This is especially
important at the pedestrian scale, where the color contrast of paving and landscape materials is often subtle.
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Site Development & Layout
OUTDOOR LIGHTING
76
Site Development & Layout
OUTDOOR LIGHTING
77
Site Development & Layout
OUTDOOR LIGHTING
2. Moonlighting
– Up-and-down lighting is used to create this effect, which requires that fixtures be carefully placed in trees. Ground lighting
is accented by shadows from leaves and branches.
3. Silhouette lighting
– Trees and shrubs with interesting branching structure can be dramatically expressed when silhouetted against a wall or
building façade. Such lighting also provides additional security near the building.
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Site Development & Layout
OUTDOOR LIGHTING
5. Spread lighting
– Spread lights produce circular patterns of illumination for general area lighting.
– Effective from ground covers, low shrubs, walks, and steps but to take full advantage of the light throw, fixture should be kept to open areas
so that shrubbery does not restrict light distribution.
6. Path lighting
– Path lights are spread lights at a lower height.
79
ARPLAN 1
PLANNING 1 : SITE PLANNING & LANDSCAPE ARCHITECTURE
LANDSCAPE DESIGN
Architectural Landscape
• the result of the extension of the space and concept of the building to its natural
surroundings
• the architectural principles applied in the structures are generally imposed upon their
natural surroundings
• nature plays a minor role and supporting role to architecture
• developed and nurtured by the western European countries chiefly characterized by its
formalism, symmetry, regularity and other architectural features
2
Site Planning
3
Site Planning
4
Site Planning
5
LANDSCAPE DESIGN
6
LANDSCAPE DESIGN
Architectural Landscape
• Islamic landscape design adopted the axial geometric pattern
• characterized by its simplicity and discipline and restraint
7
8
9
LANDSCAPE DESIGN
Natural Landscape
• Closer to nature
• application of architectural principles are subordinated or completely ignored
• England has adopted this concept to a large degree
• Chinese and Japanese landscape designs fall under this classification, their space
concepts are different from the English Naturalism as the other oriental countries are more
preoccupied with pictorial gardens and employed symbolism extensively
10
LANDSCAPE DESIGN
Landscape Design…
11
LANDSCAPE DESIGN
Landscape Design…
12
LANDSCAPE DESIGN
Landscape Design…
13
LANDSCAPE DESIGN
Landscape Design…
14
LANDSCAPE DESIGN
Landscape Design…
15
LANDSCAPE DESIGN
Landscape Design…
16
LANDSCAPE DESIGN
Garden Elements
• Since some gardens are extensions of architectural concepts of structures, some building
materials are common to both, such as stone, bricks, concrete, wood, etc. which are
judiciously handled to conform with shapes for: outdoor applications such as stairs, wall,
statues, vases, fountains, pools, etc.
17
LANDSCAPE DESIGN
Garden Elements
18
LANDSCAPE DESIGN
GEOGRAPHY
Level Site Sloping Terrain Rolling Terrain
(offers the best and easiest (provides the planner with a (More difficult to manage but creates
solution to site development) variety of building types and a far more interesting land
groupings; different street patterns development)
Advantages could be employed)
• economical Advantages
• adaptable Advantages • more interesting land development
• adequate to all types of street • allows variety of building types • economy in sewer and drainage
patterns. and building groupings lines
• drainage problems are simpler • probability of reduced cost of
Disadvantages • adaptable to a great variety of construction, grading and filling
• difficulty in creating a street patterns
satisfactory system of drainage Disadvantages
• requires some pitch for • excessive development cost.
discharging water to surface inlets • adaptability to terrain is imperative
• drainage may require a workable
system of channelling
• less variety of street pattern.
• less variety of building type.
19
LANDSCAPE DESIGN
Types of Building
Layouts Suitable
for Level Sites
20
LANDSCAPE DESIGN
21
LANDSCAPE DESIGN
22
LANDSCAPE DESIGN
COMPONENTS
1. Circulation
2. Activity Spaces
3. 3D Elements
4. Signs and Symbols
5. Utilities
6. Planting Scheme
23
LANDSCAPE DESIGN
COMPONENTS
Circulation
1. Design Theme - Formal Layout, Informal Layout, Straightforward & Grand Paths,
Meandering and Cozy Paths
24
LANDSCAPE DESIGN
COMPONENTS
Circulation
2. Efficiency
25
LANDSCAPE DESIGN
COMPONENTS
Circulation
3. Sequential Movement
26
LANDSCAPE DESIGN
COMPONENTS
Circulation
4. Cultural Influences
27
LANDSCAPE DESIGN
COMPONENTS
Circulation
5. Spatial Perception
28
LANDSCAPE DESIGN
COMPONENTS
Circulation
5. Spatial Perception
Dead
Narrow path Huge open space wide path end
29
LANDSCAPE DESIGN
COMPONENTS
Circulation
6. Transition Areas
30
LANDSCAPE DESIGN
COMPONENTS
Activity Spaces
Degree of Enclosure
- physical boundary
- change in floor material
- change in character
31
LANDSCAPE DESIGN
COMPONENTS
Activity Spaces
Defined Spaces
32
LANDSCAPE DESIGN
COMPONENTS
3D Elements
Buildings
Sculpture
33
LANDSCAPE DESIGN
COMPONENTS
3D Elements
Furniture
Sun shading & water features
34
LANDSCAPE DESIGN
COMPONENTS
35
LANDSCAPE DESIGN
COMPONENTS
36
LANDSCAPE DESIGN
COMPONENTS
Utilities
Lighting and diurnal character
Lighting and sense of security
37
LANDSCAPE DESIGN
COMPONENTS
Utilities
Drainage
Seasonal characters
38
LANDSCAPE DESIGN
COMPONENTS
Planting Scheme
Plant masses and symbolisms
39
LANDSCAPE DESIGN
COMPONENTS
Planting Scheme
Plants as edges and boundaries
40
LANDSCAPE DESIGN
COMPONENTS
Planting Scheme
Plants as screens / cover
41
LANDSCAPE DESIGN
COMPONENTS
Planting Scheme
Plants as visual elements
42
LANDSCAPE DESIGN
COMPONENTS
Planting Scheme
Plants for wayfinding
43
LANDSCAPE DESIGN
VISUAL ELEMENTS
1. Points
44
LANDSCAPE DESIGN
VISUAL ELEMENTS
2. Lines
45
LANDSCAPE DESIGN
VISUAL ELEMENTS
3. Forms
46
LANDSCAPE DESIGN
VISUAL ELEMENTS
4. Colors
47
LANDSCAPE DESIGN
VISUAL ELEMENTS
5. Texture
48
ARPLAN 1
PLANNING 1 : SITE PLANNING & LANDSCAPE ARCHITECTURE
- It places environmental understanding at the core of design of urban places and cities, conceived as part of
their natural context that must be preserved and improved if the human community is to survive.
- Sustainable design influence site design, rainwater harvesting, aquifer recharge, waste prevention and
reclamation, and improved quality of air, water and vegetation by elimination of toxic chemicals.
Sustainable design dramatically enlarges the range of issues and opportunities that the design professions must
address, in order to:
• preserve biological diversity and environmental integrity,
• contribute to the health of air, water, and soils,
• incorporate design and construction that reflect bioregional climatic conditions, and
• reduce and eliminate the deteriorating impacts of human use
2
Sustainable Design
Sustainable design is inspired by and learns from the lessons of nature. Example:
• The natural organism makes use of immediately and locally available materials to construct itself, and
does so with economy and efficiency. The same strategies when used in development can minimize global and
local impacts on resources.
• The natural organism adapts to its environment through instinctive reaction and an evolutionary
process of generations. Through the ability to rationalize and mechanize, humans have the ability to adapt
psychologically and physically in a matter of hours, but often with little natural instinct or understanding of
feedback and interrelationship with the environment.
• The natural organism maintains a sustaining relationship with its environment by a balance between its
needs and available resources. Similarly, sustainable design adjusts demands, lifestyles, and technologies to
evolve a compatible balance with the natural and cultural systems within its environment.
3
Sustainable Design
The Concept of Sustainable Design
The term sustainability has emerged in the past several decades as a broad set of principles that address economic,
social and environmental development at nearly any local, regional and global scale:
• The term was first applied to forestry and agricultural practices since the 1970s, to describe management
policies to preserve their natural resource capacity.
• It was then enlarged to address any large-scale development policies and practices leading up to the United
Nations 1992 Earth Summit held in Rio de Janeiro. Sustainability was given its most widely used definition, as
“meeting the needs of the present without compromising the ability of future generations to meet their own
needs.”
• The term has been used by architects, landscape architects and urban designers, evident in the AIA/UIA World
Congress of Architects June 1993 in Chicago, which adopted a “Declaration of Interdependence” to affirm a
professional commitment to principles of sustainability.
• The term has appeared in urban and regional planning proposals, such as the 1994 Seattle Regional Plan
where sustainability was referred to as a “three legged stool, combining economic opportunity, social equity, and
environmental responsibility.”
4
Sustainable Design
The Concept of Sustainable Design
The term sustainability has emerged in the past several decades as a broad set of principles that address economic,
social and environmental development at nearly any local, regional and global scale:
• The continuing effort to apply sustainability worldwide to urban design, architecture and planning is represented
in the United Nations Conference on Human Settlements (Habitat II) held in Turkey, in 1996, which promulgated
goals to “stop the deterioration of human settlement conditions, and, ultimately, to improve the living
environments of all on a sustainable basis…” and to include “sustainable human settlements in an urbanizing
world” and “adequate shelter for all.”
• While architectural and building practices play a part in the technology of industrialization and use of resources,
the greatest impact of population growth and demographics occurs in large-scale urban infrastructure, evident in
unplanned growth of megacities throughout the world.
• This reinforces the importance of urban design, history, preservation and planning, and a commitment to
sustainability in the life of our cities, defined comprehensively in economic, cultural, environmental and aesthetic
terms.
• Sustainable design requires interdisciplinary teamwork in areas where economic, social and environmental
issues have been previously considered separately.
5
Sustainable Design
• The operating premise of sustainable design is that built infrastructure and facilities must function within the
ecosystem and its constraints, not only for foreseeable circumstances, but for a very long time. Ecosystems
provide direct ecological services which for the built environment include passive solar heating, cooling and
daylighting, vegetative screening, water/wastewater purification, and the physical and spiritual health we gain
from natural resources (e.g., beaches, forests, reefs, and wildlife).
• The first level of sustainable design is precautionary, based on the principle of health to “Do no harm.” Many
negative impacts of design and construction practices are established by prevailing habits, conventions and
even regulations. Potential impacts are categorized into three: pollution, physical processes, and biological
systems.
6
Sustainable Design
Design for integration of urban development with natural resources includes:
• Fragmentation of habitats. Whether caused by constructing a specific facility or because of land-use decisions
throughout an ecosystem, habitat fragmentation causes loss of biological diversity and must be minimize, and
wherever possible, reversed by reconstitution of wildlife preserves and corridors.
• Human demands on ecosystems. The demands of human use on an ecosystem are cumulative. New proposals
must account for the previous use of resources so that effects of past activity, proposed development, and
anticipated future use do not exceed the ecosystem’s capability. The scale and type of any potential
development should be determined by the capability and resiliency of the ecosystem rather than by the physical
capacity of the site
• Acceptable limits of change. Change in the system is inevitable, but limits of acceptable environmental
change—often called the carrying capacity—should be established before development begins. Acceptable
change should not approach the upper limit of capacity because unpredictable events such as droughts and
hurricanes may go beyond that limit and cause the entire system to collapse.
• Ecosystem monitoring. The effects on surrounding resources of developing and operating facilities should be
routinely monitored and evaluated, and actions taken immediately to correct problems.
7
Sustainable Design
SITE DESIGN
• Site design of sustainable environments requires low-impact planning, construction and property maintenance,
with strategies that do not alter or impair but instead help repair and restore existing site systems. Site systems
such as plant and animal communities, soils, and hydrology must be maintained and improved as essential
processes of a healthy environment..
• Site selection for sustainable developments is a process of identifying, weighing, and balancing the
attractiveness (natural and cultural environments, access) of a site against the costs inherent in its evelopment
(natural and cultural environments, access, hazards, operations).
8
Sustainable Design
SITE DESIGN
Determine environmentally safe means of onsite energy production and storage in the early stages of site planning.
• Phase development to allow for the monitoring of cumulative environmental impacts of development.
• Allow the natural ecosystem to be self-maintaining to the greatest extent possible.
9
Sustainable Design
SITE DESIGN
10
Sustainable Design
SITE DESIGN
11
Sustainable Design
SITE DESIGN
12
Sustainable Design
SITE DESIGN
15
Sustainable Design
SITE DESIGN
17
Sustainable Design
WATER SUPPLY
Water is a nourisher of plant and animal life, a bearer of food, a prime element of industrial processes, and a medium
for transportation. It is an essential element of recreation, aesthetic and spiritual life. To ensure global, regional
and local water resources can meet the demands of the future, all infrastructure, urban development and
buildings require design for water conservation, collection, storage, treatment, and reuse.
Water sources
• Groundwater (wells and springs). An uncontaminated groundwater source or spring usually requires the least
input (energy, chemical, financial) to provide safe water for drinking, bathing, and cooking. Extreme efforts
should be made to protect existing and potential groundwater sources from contamination. Use of groundwater
is probably the least energy-intensive because renewable energy sources (wind, photovoltaic) can be used to
pump the water to a hillside storage reservoir for distribution by gravity.
• Surface water (fresh). Fresh surface water can be used when groundwater is not available. Some locations
have an abundance of fresh surface water such as streams, rivers, and lakes.
• Lack of groundwater or surface water. In those cases where there is a lack of water, rain catchment becomes an
option as a standalone supply of water or a supplement to a limited ground or surface supply. Rainfall catchment
from the roofs of structures is a recognized option for water supply, provided the necessary treatment processes
are used prior to distribution. Care should be used in selecting a roofing material (e.g., hard and smooth) that
does not collect dirt. Metal roofs may release heavy metals into drinking water if the rainwater is acidic.
Rainwater collected from ground surfaces can be used for secondary uses such as toilet flushing and irrigation
of food crops, or groundwater recharge.
18
Sustainable Design
WATER SUPPLY
Water sources
• Extraction of freshwater from seawater, brackish water, or water vapor in the air. Some areas have no readily
available supply of freshwater and must rely on converting salt water to freshwater, reverse osmosis,
electrodialysis, distillation, and vapour compression are processes used. All are complex, extremely energy
consumptive, costly, and difficult to operate and maintain, and present significant disposal problems caused by
the brine concentrate.
• Water treatment The type(s) of treatment required will depend on the source of water and the quality of source
water.
• Groundwater. Treatment of groundwater is accomplished by simple disinfection using sodium hypochlorite
(laundry bleach). The sodium hypochlorite can be proportioned into the water being delivered to the storage
tank using a water-powered or photovoltaic metering pump. An emerging water disinfection technology involves
the use of liquid chlorine dioxide (Aqua Chlor), This technology provides excellent bacterial qualities while
minimizing the formation of environmentally harmful disinfection by-products.
• Surface water with low turbidity. Before disinfection, surface water requires filtration. For resource-related
developments, the recommended filtration processes would be slow sand filtration or cartridge filtration. Only
the water used for drinking, washing, and cooking would need to be completely treated. Dual distribution
systems are required—one for drinking water and one for lesser quality uses such as toilet flushing or garden
and crop watering.
19
Sustainable Design
WATER SUPPLY
Water sources
• The slow sand filter is an old technology that has recently been used in contemporary applications. An evenly
graduated natural sand, approximately 3 ft. deep (.9 m) is placed in a constructed basin. The supply water is
introduced into the top layer of sand and travels downward through the sand filter to perforated collection pipes
on the bottom of the filter. Impurities in the water are removed in the top layer of the filter and accumulated for
periodic removal by scraping. The removed impurities and top 1/2-in. (1.25 cm) of sand can be dried and used
as a soil conditioner. No chemical additions or additional power are required. Operations and maintenance
requirements are low. However, a certain land area is required for the filter basin. Disinfection with bleach is the
final step. Cartridge filters using microporous filter elements (ceramic, paper, or fiber) with small pore sizes are
suitable for low turbidity surface water. (Use a graduated series of cartridge sizes to prevent rapid clogging of
filter.) Again, a dual distribution system is recommended to lessen the volume of high-quality water needed.
Head loss through a cartridge filter is higher than through a slow sand filter, so a booster pump may be required
to maintain adequate pressure in the water system. The paper and fiber filters are consumptive as they must be
disposed of when full of sediment (disposal frequency depends on turbidity in supply water). The ceramic
cartridge filter can be cleaned mechanically (scraped) and reused. Sediment cleaned from the ceramic cartridge
can be dried and used as a soil amendment.
• Operations and maintenance is minimal. Disinfection with bleach is the final step.
20
Sustainable Design
WATER SUPPLY
Water sources
• Surface water with high turbidity. If the source water has turbidity above 15–20 NTUs (nethelometric turbidity
units), complete conventional treatment is required. This involves the addition of synthetic chemicals such as
alum and polymer in a coagulation stage, followed by a flocculation stage before filtering in a rapid sand filter.
The filter is hydraulically backwashed (usually once per day) to remove accumulated sediment from the filter.
This backwash waste (containing the added chemicals) must be dried and disposed of in an approved manner.
The complexity and cost of operation is high, maintenance costs are high, and chemical and power inputs are
required. Dried waste sediments cannot be used as a soil amendment without further processing. The final step
is disinfection with bleach.
• Rainwater harvesting, collecting rainwater from building roofs, provides a means to collect water for seasonal
and annual landscape watering and related water needs, including potable water, if treated. water to a higher
elevation. A hydraulic ram is noisy, but the noise can be successfully mitigated with the use of sound-attenuating
materials in an enclosure. It is practicable to operate a ram with a fall of only 18 in. (.46 m), but as the fall
increases, the ram forces water to proportionately greater heights. The hydraulic ram is well suited for areas
where electrical power is not available and where an excess supply of water is available. As a gravity storage
tank will be located in an elevated location, visual quality will be important. Multiple smaller tanks may be easier
to screen than one tank. Multiple tanks also provide greater flexibility in operation. Tank materials should be
noncorrosive and sectionalized for minimal transportation requirements to the tank site.
21
Sustainable Design
WATER SUPPLY
Water distribution
• Most distribution systems are either buried or placed at grade. At grade distribution systems have minimal effect
on the site and vegetation during construction, but are subject to problems with accidental breakage, frost
exposure, vandalism, and visual quality. Burying has the advantage of protecting against accidental breakage,
but leaks are more difficult to locate on a buried distribution system. Leak detection and repair is imperative
when dealing with such a precious resource as water.
• Dual distribution systems are very effective in that different qualities of water can be delivered to different use
points. Pipe contents should be color-coded so that cross-connection problems can be prevented. Especially in
environmental education facilities, water-related features provide a basis for distinctive design and may include
indigenous landscaping (Fig. 10), water harvesting (Fig. 11), and gray water systems (Fig. 12),
22
Sustainable Design
WASTE PREVENTION
There is no completely safe method of waste disposal. All forms of disposal have negative impacts on the
environment, public health, and local economies. Landfills have contaminated drinking water. Garbage burned in
incinerators has poisoned air, soil, and water. Many water and wastewater treatment systems change the local
ecology. Attempts to control or manage wastes after they are produced fail to eliminate environmental impacts.
The only way to avoid environmental harm from waste is to prevent its generation. Pollution prevention means
changing the way activities are conducted and eliminating the source of the problem.
Preventing pollution in a sensitive resource-related setting requires thinking through all of the activities and services
associated with the facility and planning them in a way that generates less waste. Waste prevention leads to thinking
about materials in terms of the three “R’s,” to reduce, reuse, recycle. The best way to prevent pollution is to avoid
using materials that become waste problems. When such materials must be used, they should be reused onsite.
Materials that cannot be directly reused should be recycled.
23
Sustainable Design
WASTE PREVENTION
• The biodegradable or bioconvertible percentage of the waste stream is large enough to consider at least two
options for the conversion process. Two obvious options for conversion are composting and anaerobic
digestion.
• Composting. Composting is a familiar concept, and is used for handling yard waste and even sewage sludge.
Both of these organic wastes require mixing of other materials to achieve a nutrientbalance. Large chunks of
relatively inert material (most commonly wood chips) add bulk and aeration to make the process work. This is
typically done in open wind rows or piles, with mixing done daily to provide aeration and homogeneity. This
takes land space on a drainable surface, and a collection of any runoff for dispersal of the liquid to the process.
It produces a quality soil amendment and reduces the bulk of the original material by approximately 40–50%.
Composting does off-gas ammonia and carbon dioxide and produces offensive odors. It typically takes 50–60
days to process, Screening of the final product is necessary to remove the bulking material and provide
granulation before use in the soil bed.
• The use of this product as a soil amendment is valuable, particularly in a tropical environment, because the soil
is essentially sterile, with only about 2% organic content. Affected by humidity, rainfall, temperature, and normal
soil activity, the organic material placed on the soil will typically last only 30–40 days in the tropics. In a
temperate climate, that same material may last as long as six months.
25
Sustainable Design
WASTE PREVENTION
• Anaerobic digestion. Anaerobic digestion is used extensively worldwide for processing food waste, animal
waste, the solids of human waste systems, and for the total array of solid waste such as waste paper, green
waste, and landscape waste. This wet fermentation process converts the waste stream into three usable by-
products: (1) biogas—an energy-rich gas stream, comparable to natural gas that can be used to offset the cost
of energy utilities of the development, (2) a high-quality organic fertilizer solid that may be useful in landscaping
efforts or crop production; and (3) a diluted liquid organic fertilizer that may be used in drip irrigation as an
additive to any planting program, for feeding ornamentals, or in landscape plots for replenishing native or
endangered species of plants.
• Recycling. A material doesn’t become waste until it is thrown in the garbage can. If a material can be reused it is
a resource, not waste. Reuse is the best form of recycling. Recycling can be maximized through the purchase of
products for which there is a ready market as recycled materials. In circumstance where there is no available
market for a given material, often a beneficial end use can be developed locally. Every effort should be made to
work with the local community to determine if any of the materials generated by the facility can be used—e.g.,
glass beverage containers can be ground up and incorporated into materials for construction and road building.
Efficient recycling requires sorting of materials; convenient bins should be provided at the facility for the
materials being recycled.
• Offsite disposal. If a garbage prevention strategy has been fully executed, actual remaining waste should be
minimal. Remaining residuals mean that the facility is not entirely environmentally sustainable. All residuals must
be collected separately and disposed of offsite. In most cases residuals should be returned to their place of
origin. Toxic material residuals must be segregated and disposed of separately.
26
Sustainable Design
CHALLENGES TO SUSTAINABLE DESIGN
The impetus for sustainable design came from outside of the design professions—essentially from international
development community responding to global issues of population, poverty, threatened and diminishing natural
resources and the imbalances of global development, evident in unattended growth of unplanned megacities.
Sustainable design is thus central to the agenda of thought and action that responds to the root issues of global
development. A number of significant ideas emerge from the concept of sustainability to shape an agenda for
sustainable design, representing the contribution that can be made by the architecture, urban design and planning
professions.
1. Bioclimatic design
• Energy-efficient and environmentally responsible design has continuously evolved in architecture evident in the
1930s interest in solar design by early modernists such as the Kechs, but also Wright, Gropius, Breuer and Le
Corbusier; the 1950s development of bioclimatic design by the Olgyays, 1970s research into energy-efficient
eating, cooling and daylighting of buildings; and 1980–90s concerns for human health, air quality, and
environmental impact of buildings on the natural landscape.
• The microclimate provides opportunities to create comfort conditions in buildings by design strategies that
include natural ventilation, daylighting, and passive heating and cooling (Watson and Milne 1997). In these
approaches, architecture and environmental systems are conceived as integral to the microclimate of the site,
modified by the design of healthy environments inside and outside spaces, which in turn create more favorable
microclimates for gardening, wildlife and the restorative role of its impinging natural systems (Fig. 13). 27
Sustainable Design
2. Life-cycle and “cradle-to-cradle”materials reclamation
• The “life-cycle” or “cradle-to-cradle” concept envisions all materials production as a continuous and sustainable
process of use and reuse, essentially the recycleability of all materials design and production. The application of
life-cycle thinking and materials reclamation to building suggests emphasis upon longevity, continuous
preservation and renewal of building assets, adaptable systems and replaceable subcomponents,
demountability, and reclaimed construction products and systems.
4. Metro-regional planning
• As an extension beyond the community scale, sustainability design issues can be best addressed by the
inclusion of transportation, land use and metropolitan-scale environmental impacts of air and water, properly
conceived as bioregional planning. This view is not beyond the architectural tradition, evidenced by the
contributions to transit-oriented development approaches by Peter Calthorpe and to the town planning by
Andreas Duany and Elizabeth Plater-Zyberk.
28
Sustainable Design
5. Bioregionalism
• Bioregionalism is the approach to design urban places and infrastructure within the environmental context of
their regions, defined by contingent landforms, vegetation and watersheds, and codependent living species,
climate and resources (Box E). These issues are integrated in design by methods cited in this article pioneered
by Ian McHarg (1969) and John Lyle (1994), Water conservation and waste nutrient recovery are also best
conceived as regional strategies.
• Recharging of local aquifer through absorptive landscaping is a traditional but necessary alternative to
conventionally engineered storm-water drainage, the neglect for which is now measured by the magnitude of
major floods throughout the world. Sewer treatment that restores nutrients to topsoil is an economically viable
and far more sustainable alternative to conventional disposal, demonstrated in biologically regenerative waste
recovery systems at the municipal scale.
• Bioregional design balances human needs with the carrying capacity of the natural and cultural environments.
Designing within the carrying capacity of the land minimizes negative environmental impacts, importation of
goods and energy, and seeks to restore and increase the carrying capacity by water and nutrient recovery,
establishment of water courses and vegetated zones and the biotic systems they support.
29
Sustainable Design
6. Restoration of biological diversity and conservation
• Beyond the enterprise of designing the built environment for human habitation, sustainability gives voice to the
biological role of all living species in the web of life (Wilson 1992). The detrimental impact of building and land-
use practices is now directly correlated to critical biological species decline in all areas of the world through
habitat reduction, production of toxic chemicals and waste, combustion of fossil fuels, and related agricultural
and industrial resource exploitation.
• Proposals that are part of bioregional planning at a regional and even continental scale call for the recovery of
wilderness to preserve the range of endangered species as an international biological conservation strategy.
30
Sustainable Design
7. A global perspective
• The discussion of sustainability that emerged from the Earth Summit in Rio has reconfigured the international
view away from a geopolitical division of “first-, second-, and third-worlds” to “one world,” increasingly
interdependent in economic and environmental development. This aspiration has often become stalemated in
political and ideological debate, surrounding economic issues of international aid and obligations of
industrialized nations to support the economic development and conservation practices of developing nations.
All the while, rapid industrialization continues apace especially in the developing world, largely uninformed by
sustainable design practices.
• Regardless of these apparent expediencies, the sustainability discussion has given an unprecedented and
undeniable perspective of the essential interconnectedness of all economies and environments that must be the
framework of future design education and practice. Implicit in all these discussions is a commitment and
concern for the future well beyond our personal roles and realms—what author Robert Gilman has called “future
fairness,” offered as a succinct two-word definition of the concept of sustainability. Just as human impact has
negative impact upon the global environment and thus upon future resources, the obverse can also be true, that
human impact can have positive benefit through design intention. The role of stewardship through design
conceives of human intelligence and creativity as integral in the evolution of life on earth. The capacity to design
is our one best way to prepare for an unpredictable yet more sustainable future. While the interdependencies of
global environmental health and biodiversity appear overwhelming, we do not yet know the upper limit of the
human capacity for global education, stewardship, and sustainable design.
31
PARKING
INTRODUCTION
PARKING IS THE MOST DIFFICULT AND THORNY
PROBLEM TO CONFRONT THE SITE PLANNER.
• The survey assessed parking in 20 cities around the world based on the
following: longest amount of time looking for a parking place; inability to find
a parking place; disagreement over parking spots; percent of parking tickets
received for illegal parking; total number of parking tickets received.
• The results show that in seven cities parking is an absolute nightmare. Here
they are in order from the worst:
• 1. New Delhi, India
• 2. Bangalore, India
• 3. Beijing, China
• 4. Moscow, Russia
• 5. Shenzhen, China
• 6. Paris, France
• 7. Milan, Italy
Here are some other interesting notes from
the survey:
• -Six out of 10 drivers have abandoned their search for a space at least once
in the past year.
• -Thirteen percent of drivers in Nairobi reported driving around for more than
one hour for a parking spot within the last year. On the other end of the
spectrum, citizens in Chicago (28 percent), Montreal (24 percent) and
Stockholm (24 percent) fared much better, finding a spot in less than five
minutes.
• Clearly, drivers worldwide are facing frustration and pain, not only
during the daily commute, but also when searching for a parking
spot. It’s easy to see how this parking ‘pain’ can impact productivity
of citizens and economic opportunities in a city. The ability to
combine transportation information being collected with a better
understanding of their citizens’ parking needs can help cities not
only better match parking supply with demand from commuters, but
also better anticipate and avoid gridlock and make significant
inroads to reduce congestion.
References:
Mahdavi, A. & Habib, F. (2016). Explaining the role of cultural, social and economic factors on quality of residence in urban neighborhoods: A case study of Kerman. Journal
of Geography and Regional Planning, 9(5), 59-69. https://doi.org/10.5897/jgrp2016.0559
McAdams, M. (2007). Global cities as centers of cultural influence: A focus on Istanbul, Turkey. Journal of Global Cultural Studies, 3(2007). https://doi.org/10.400/transtexts.149
Poon, S.T.F. (n.d.). Understanding the impact of cultural design and aesthetics and socio-economic shifts: Approaches to urban resilience empowers place-making.
Photos searched from Google
BACKGROUND OF URBAN DESIGN AND COMMUNITY ARCHITECTURE
• evolved organically; people arranged their activities and interactions according to natural
systems like land contour, socio-cultural orientations and local climates (Artibise, 2010)
• relates to domestic, non-foreign constructions and local lifestyles and the use of local materials
in traditional methods of living were based on available resources (Oliver, 2006)
• Vernacular forms exemplify local character: affiliating material and building traditions with the
identity and relations of inhabitants’ social surroundings, both immersed in and deriving from,
the history and culture that dictates survival patterns or needs within the given environment
(Oliver, 2006).
• domesticated structures employ stone, clay, wood, skins, grass, leaves, sand and water (Oliver,
2006)
BACKGROUND OF URBAN DESIGN AND COMMUNITY ARCHITECTURE
• The early architectural forms evolved into structures that support small settlements, which grew
into towns, municipalities and districts, and are the forerunners of today’s urban cities (Upton
and Vlach, 1986)
• It has been contended that since it comprised of simple constructions built by unskilled
architects who depended on local materials and raw construction methods, formal studies of
historical designs cannot establish such “unskilled architecture” as their construction lacked
intelligence from a range of documented perspectives.
• Further analysis shows the concept does not always reflect native or traditionalist practices: for
instance, the manner of European provincialization depicted in South and Southeast Asian
architecture seems to be a merger of what a place engenders, adapted to what it needs to
develop, factoring in local elements, people, climatic parameters and technology resources.
BACKGROUND OF URBAN DESIGN AND COMMUNITY ARCHITECTURE
• Courtyards as a vernacular archetype of urban design have also been a subject of interesting
case studies by urban environmental design scholars. It has been found that they reach their
height of functionality by being built in orientation to solar exposure, enabling users to fully
maximize the surface-to-volume ratio of lighting potential, and is thus a pragmatic “heat sink”
design solution which allows heat to be redistributed indoors and externally during cool nights in
arid regions
• Rappaport observes squatter dwellings, shantytowns and slums to be spontaneous, culturally-
rich, activity-centered vernacular settlements albeit forced out of economic circumstances,
space constraints and the system of abusivisimo or illegal construction due to insurgent
sentiments against the mandated housing schemes.
BACKGROUND OF URBAN DESIGN AND COMMUNITY ARCHITECTURE
BACKGROUND OF URBAN DESIGN AND COMMUNITY ARCHITECTURE
BACKGROUND OF URBAN DESIGN AND COMMUNITY ARCHITECTURE
• The birth of new cultural approaches in the development of societies began in the 15th to 16th
century Renaissance when widespread economic boom set the foundation of place-making
urban identities
• It features idealist European urban architectural construction, town planning activities that
allowed architecture and engineering disciplines to flourish, the design, planning and creation of
appearance-centered, social environments, often presented in grandeur forms of ostentatious
settings, fittings, and edifices, reflecting genteel classes, partisan tastes, and harmonized
symmetry
• It was a result of urban planning having a role to play in the process of cultural revival: “The
development of the street and square contributed much to the emerging elegance and amenity
of a town’s built environment.
BACKGROUND OF URBAN DESIGN AND COMMUNITY ARCHITECTURE
• The more urban a city shapes itself, the less tangible would rustic culture and vernacularism
appear to be. Building designs under modernist approaches emphasize the design principle of
form follows function.
• It is depicted by “hard-edged architecture” as the natural manifestation of architectural planners’
wish to fill cities with iconic designs that symbolize progress. The desire to shift away from
traditionalism reinforces globalization’s purpose in the destinies of contemporary cities through
embracing internationalism
• It is viewed as essentially a culturally-shaped movement characterized by architecture’s
powerful role in capturing and presenting postwar leaders’ vision of miraculous transformation,
symbolized by the manner which architects and design fraternities engage with politicians and
business capitalists, resulting in socio-economic growth frequently and tumultuously chasing
with city planning policies, causing environmental degradation at the same time
BACKGROUND OF URBAN DESIGN AND COMMUNITY ARCHITECTURE
• The main factor for the movement towards modern urbanism is the tendency to conceptualize
the city as a singular entity, where buildings are either repetitive units or one entire entity. The
modernist employs rationalistic approaches to achieve the objectives of efficiency and continuity
(Hall, 2014).
• The “grand theory” of the built environment, expressed in other branches if the arts and in
intellectual culture, is supplanted by the alternative perspective of “form follows emotion”, i.e.
Postmodernism, where stylishness, experiential habits, eclecticism and symbolic discontinuity is
embraced through flexible design modes of cultural subjects
BACKGROUND OF URBAN DESIGN AND COMMUNITY ARCHITECTURE
• Cities for over 3,000 years have been the centers of culture and creativity. They have
been the foci where the human and material resources of civilizations have been
concentrated.
• In the past, cultures may have been contained within regions or national borders. With
the increasing rate of communication, cultures are being rapidly mixed on a global
scale. The influence of music, art, consumer products, architecture, food and other
elements of culture are global.
• Today, the world is a “cultural supermarket” where different individuals across the
globe decide what items of other cultures that they want to adopt or reject.
• The city, according to Lewis Mumford, is both a physical utility for collective living and a
symbol of those collective purposes and unanimities that arise under favouring
circumstances.
BACKGROUND OF URBAN DESIGN AND COMMUNITY ARCHITECTURE
City
Social, commercial and environmental interactions happen and
affect the quality of residence.
District A relatively known area at the heart of the city with life
sensation which meets the resident’s demands. Residence
means belonging to a real place.
Social Factors
• Social interactions are important and are believed to be inseparable from district properties and human
society.
• Social relationships and humanity connection are known as serious factors in life and residence of people,
although industrial and modern life consequences have faded the human relationships in current years.
• People’s dignity in a society is defined as another element which has affected the residence quality and
social relationships. An individual’s dignity in a society can be effective for their interactions and also for the
amount of these acts and how they interact with other certain groups.
• Plato believes the ethnic and cultural homogeneity of citizens will cause more unity for them, and on the
other hand, heterogeneity will increase local conflicts within the urban population (Fakoohi, 2006).
• Some researchers believe that within the low income families, there is a lower tendency to respect privacy
and there is no attempt in order to confront with social heterogeneity (Liao, et al, 2014).
• In modern societies, urban life will decrease social relations and the communication network of people
seems time-worn in comparison to prior periods and this has caused the development of social isolation in
district level.
BACKGROUND OF URBAN DESIGN AND COMMUNITY ARCHITECTURE
Social Factors
Properties of district communities with high social principals according to Bullen (2000):
• People feel being part of the district
• People feel being useful and helpful and also their abilities will be promoted for real participation in
district
• Districts belong to them and they have safe feeling inside
• Many networks of mutual relationships are formed
BACKGROUND OF URBAN DESIGN AND COMMUNITY ARCHITECTURE
Cultural Factors
• Culture is a focal of social relations and lifestyle of social units. It is always defined as the most important
factor of urban life and cultural changes are obvious in societies (Habib and Khastoo, 2014).
• It is known as a capital which provides an exclusive access to rare rewards and has the ability to be
transmitted between generations. Cultural capital includes special skills, tastes, how to talk, academic
degrees and the ways in which a person can distinguish himself/herself from others.
• Cultural capital is a collection of terms, information and privileges which a person uses to protect or achieve
a social situation. It is permanently owned by a class, group, tribe or clan.
• The relationship between human and cultural aspect is a phenomenon in which human and environment are
partners to form it (Hall, 2014).
BACKGROUND OF URBAN DESIGN AND COMMUNITY ARCHITECTURE
Economic Factors
• Researches show that there is a positive correlation between wealth and satisfaction.
• Richard Wilkinson and Kate Picket (2009) posits the effective role of social equity in order to protect the
freedom and prosperity in different societies. They also believe that the absence of this equity weakens
people’s lifestyle and trust plummeting with violence increasing.
• Wilkinson and Picket studied the income inequality impacts on the health of the community and made it clear
that societies with more equal income, with lower income levels, are happier and healthier than the societies
with higher levels of income but unequal. They believe that equality and homogeneity have more effect on life
quality.
• Societies with homogenous economy can provide more peace for their occupants and this issue is a
requirement of better quality of life.
BACKGROUND OF URBAN DESIGN AND COMMUNITY ARCHITECTURE
The assumption was that social, cultural and economic heterogeneity will cause great
gap between the various social groups in residential areas. This grouping and class
dependency is introduced based on indexes like income, education, occupation, place of
residence and housing. As much as the gap is less, the higher the quality of life is.
Access to the neighborhood services increases citizens’ comfort objectively, leading to the
improvement of environmental quality, but these services do not increase social interaction in areas
such as centers of old neighborhoods.
It can be suggested that by improving the quality of urban spaces in services and facilities centers
and promoting social interaction could help increase the quality of life in urban areas.
The creation of homogenous neighborhoods in terms of socio-cultural classes will increase spiritual
security, reduce mental stress of citizens and promote the quality of life. These will lead to increased
uniformity, social interactions and cultural exchanges which are considered as effective solutions.
These events will be possible in public spaces of the neighborhood.
BACKGROUND OF URBAN DESIGN AND COMMUNITY ARCHITECTURE
UNDERSTANDING URBAN DESIGN IN THE
PHILIPPINES: THE SOCIO-CULTURAL FACTORS
IMPACTS OF SOCIO-CULTURAL
FACTORS TO THE POOR FILIPINO’S
LIFESTYLE & RESIDENCE QUALITY
BACKGROUND OF URBAN DESIGN AND COMMUNITY ARCHITECTURE
Food/Fun/Gathering
EXAMPLE OF HOW CULTURE IS
INCORPORATED IN URBAN DESIGN
BACKGROUND OF URBAN DESIGN AND COMMUNITY ARCHITECTURE
Food
Festivals
Fun/Gathering
BACKGROUND OF URBAN DESIGN AND COMMUNITY ARCHITECTURE
PLACEMAKING
Placemaking
Placemaking
Placemaking
• Placemaking inspires people to collectively re-imagine and re-invent public spaces as the heart
of every community. Strengthening the connection between people and the places they share,
placemaking refers to a collaborative process by which we can shape our public realm in order
to maximize shared value. More than just promoting better urban design, placemaking facilitates
creative patterns of use, paying particular attention to the physical, cultural, and social identities
that define a place and support its ongoing evolution. (Project for Public Spaces, 2007)
Placemaking
Sense of Time
• The experience of a city or parts of a city classified as either “fast” or “slow”
• It is inter-subjective and location-specific, sensory and meaningful.
• It is experienced and performed collectively; jointly perceived and shared.
(Wunderlich, 2013)
PLACEMAKING
Street
• a product of the spread of a settlement
once houses have been built on all
available space around its central square
• has a more pronouncedly functional
character
• planned to the scale of the human being,
the horse and the carriage
House
PLACEMAKING
• Buildings – form the street walls of the city; if designed well, creates a sense of place
• Transport - include road, rail, bicycle, and pedestrian networks, and together form the
total movement system of a city
• Landscape - helps define the character and beauty of a city and creates soft, contrasting
spaces and elements
Buildings
Streets
Landscape
Transport
Public Space
PLACEMAKING
Solar Envelope
• presents the maximum heights of buildings that do not violate the solar access of any existing
buildings during a given period of the year
• is a way to assure urban solar access for both energy and life quality
• regulates development within imaginary boundaries derived from the sun's relative motion
• buildings within this container will not overshadow their surroundings during critical periods of
the day and year
PLACEMAKING
Kevin Lynch
• an American urban planner and author
• conducted a study of what people mentally
extract from the physical reality of a city
• The Image of the City (pub. 1960)
PLACEMAKING
2. Districts - component neighbourhoods (i.e. center, uptown, midtown, its in-town residential areas, trainyards,
factory areas, suburbs, college campuses)
3. Edges - termination of a district; these are linear elements which are either not used as paths, or which are
usually seen from positions where their path nature is obscured. When two districts are joined at an edge they form
a seam.
4. Landmarks – the prominent visual feature/s of the city. They are an important element of urban form -- point
references which most people experience from outside that help people to orient themselves in the city and help
identify an area. A good landmark is a distinct but harmonious element in its urban setting.
5. Nodes – refer to a center of activity. It is a type of landmark but is distinguished from a landmark by virtue of its
active function. It is a distinct hub of activity. They are focal places, such as junctions of paths (e.g. roundabouts,
market squares).
PLACEMAKING
Pathways
Districts
PLACEMAKING PLACEMAKING
Landmarks
Edges
Nodes
PLACEMAKING
RESPONSIVE ENVIRONMENTS
Ian Bentley
• He is an architect and urban designer in Britain, Holland and Middle East. His interests include
designing development strategies for the regeneration of run-down inner-city areas, and
researching the effects of the property development process on urban form, building imagery and
architectural theory.
Alan Alcock
• He is an architect in Britain. His interests include researching the historical development of urban
blocks, in their social and economic context.
Paul Murrain
• He is a landscape architect and urban designer. His interests include the detailed physical design
of outdoor space, and of the interfaces between buildings and the public realm.
Sue McGlynn
• She is a town planner and urban designer in Britain. Her interests are in urban history.
Graham Smith
• He is an artist with particular concern for the relationship between architecture and urban design.
PLACEMAKING
RESPONSIVE ENVIRONMENTS
Urban Design Principles
1. Permeability
2. Variety
3. Legibility
4. Robustness
5. Visual Appropriateness
6. Richness
7. Personalization
PLACEMAKING
RESPONSIVE ENVIRONMENTS
Permeability
• It is the quality of places or environment which offer people a choice to access through it, from place to
place.
• The permeability of any system of public space depends on the number of alternative routes it offers
from one point to another. But these alternatives must be visible, otherwise only people who already
know the area can take advantage of them. Hence, visual permeability is important.
• Both physical and visual permeability depend on how the network of public space divides the
environment into blocks. A place with small blocks gives more choice of routes than one with large
blocks. Smaller blocks give more physical permeability and also increase visual permeability, improving
people’s awareness of the choice available: the smaller the block, the easier it is to see from one
junction to the next in all directions.
• Public and private access must be complementary.
PLACEMAKING
RESPONSIVE ENVIRONMENTS
Permeability
• A successful movement system provides the maximum
choice of how people will make their journey takes into
full account all modes of movement: by foot, by cycling,
by public and private transportation (in that order of
importance)
• It makes clear connections to existing roads and facilities.
RESPONSIVE ENVIRONMENTS
Variety
• Accessible places are only valuable if they offer experiential choice, hence, variety is the second
key quality to consider.
• Variety = diversity spice of life
• Variety of experience implies places with varied forms, uses and meanings. Variety of use
unlocks the other levels of variety:
• A place with varied uses has varied building types, of varied forms
• It attracts varied people, at varied times, for varied reasons
• Because the different activities, forms and people provide a rich perceptual mix, different
users interpret the place in different ways: it takes on varied meanings
USES
FORMS PEOPLE
MEANINGS
PLACEMAKING
RESPONSIVE ENVIRONMENTS
Variety
• A successful mix of use results when the uses are compatible and interact with each other
positively.
• Achieve vitality by making places exciting – vibrant, safe, comfortable, varied, fun, active
• Places are more active when they have windows and doors which connect to the street rather
than blank facades.
• Places feel safer with buildings overlooking them. Living spaces above shops will encourage
evening activities on city streets because the streets are overlooked and feel safer.
PLACEMAKING
RESPONSIVE ENVIRONMENTS
Legibility
• It is the quality which makes a place graspable, provides a
clear image and makes easy understanding.
• Two levels: physical form and activity patterns
• The point of a legible layout is that people are able to form
clear, accurate images of it. The user forms the image, not the
designer. The designer only arranges the physical layout.
• Physical features play a key role in the legibility of a place.
Kevin Lynch suggested that these features are the five
elements of the Image of the City.
PLACEMAKING
RESPONSIVE
ENVIRONMENTS
Robustness
• It is the quality of a place or environment
which refers to its ability to be used for
many different purposes, offering their
users more choice than places whose
design limits them to a single fixed use.
PLACEMAKING
RESPONSIVE ENVIRONMENTS
Visual Appropriateness
RESPONSIVE ENVIRONMENTS
Richness
RESPONSIVE ENVIRONMENTS
Personalization
RESPONSIVE ENVIRONMENTS
Putting it all together
REPRESENTATION
• Drawings are useful to the urban designer in their capacity to provide:
• information on the particulars of urban form and
• help to substantiate important regulating systems
• The typical survey drawing provide significant information on a city’s streets, blocks
and fabric.
• This kind of drawing, traditionally a roof plan, provides accurate information about
building heights, the nature of ground plane conditions and the location of parking and
sidewalks.
SIGNS & SYMBOLS IN URBAN DESIGN
REPRESENTATION
• The City Map - an invaluable urban design
tool with a lengthy tradition reaching back
to the Renaissance
• Two graphic conventions are important to
this drawing type—first that the physical
form of the city, its buildings and open
spaces, is represented accurately and at
some uniform level of specificity;
• and second, that a graphic distinction is
made between the solid elements of the
city or its buildings and its void elements
• contributes to making public space such
as street edges and plaza walls
SIGNS & SYMBOLS IN URBAN DESIGN
REPRESENTATION
• An equally important aspect of urban space, however, is its three dimensional
qualities, including the height and volumetric composition of buildings as well as the
character of street walls and building facades.
• orthographic projection and the aerial perspective are two drawing types that marry
the conceptual organization of plan representation with significant three-dimensional
detail
SIGNS & SYMBOLS IN URBAN DESIGN
REPRESENTATION
• Orthographic Projection
• presents a single orientation,
significant detail on building
facades and roof compositions
• rather than a generalized solid
mass of uniform height and
composition, blocks can be
understood in terms of their
composition of individual
buildings, whose specific
character is suggested
• the number of stories, the
general pattern of windows and
facade details and the
composition of significant public
buildings can all be discerned
SIGNS & SYMBOLS IN URBAN DESIGN
REPRESENTATION
• Orthographic Projection
• articulates semi-private space within blocks and suggests the character of
formal open spaces with elemental renderings of landscape
• roof detail, including features such as the massive mansards, unique gables,
towers and cupolas are shown
• basic composition of facades - number of stories, window patterns, and
ground floor conditions including primary entries can all be discerned
• no distortion between foreground and background images
• allows an equivalency of detail for blocks and areas throughout the city
attempting to provide a complete accounting of the three-dimensional form of
the city’s surfaces and volumes, whether solid or void
SIGNS & SYMBOLS IN URBAN DESIGN
REPRESENTATION
• Aerial Perspective
SIGNS & SYMBOLS IN URBAN DESIGN
REPRESENTATION
• Aerial Perspective
• a perceptual representation of a city view as though one was flying above it
• unlike orthographic projections, the same distortions present in normal
sight—the shrinking of elements in the distance, the convergence to a horizon
line—are present in this drawing
• has the ability to marry an experiential image, derived from the perspective
construction, with the conceptual organization of the plan offered by the aerial
vantage point
• the selection of vantage point, composition on the page and drawing media
profoundly influence the reading of the image
SIGNS & SYMBOLS IN URBAN DESIGN
REPRESENTATION
• Normal View Perspective
- provides a perceptual,
experiential
understanding of the
city—a fragment rather
than a whole is
presented.
SIGNS & SYMBOLS IN URBAN DESIGN
REPRESENTATION
• Diagrams &
Regulating Drawings
• created to regulate its
growth or particularize
one aspect of its
organization
• goal of the diagram is to
isolate and
communicate a single
idea or aspect of a city’s
form
• associated with codes
or other regulating
systems
SIGNS & SYMBOLS IN URBAN DESIGN
VISUAL SURVEY
• A visual survey in
urban design is an
examination of the
form, appearance, and
composition of a city
• An evaluation of its
assets and liabilities
• A visual survey also
enables us to see
where the city needs
reshaping
SIGNS & SYMBOLS IN URBAN DESIGN
VISUAL SURVEY
• A visual survey in
urban design is an
examination of the
form, appearance, and
composition of a city
• An evaluation of its
assets and liabilities
• A visual survey also
enables us to see
where the city needs
reshaping
SIGNS & SYMBOLS IN URBAN DESIGN
VISUAL SURVEY
• Landform and Nature
SIGNS & SYMBOLS IN URBAN DESIGN
VISUAL SURVEY
• Climatic Factors
SIGNS & SYMBOLS IN URBAN DESIGN
VISUAL SURVEY
• Shape
SIGNS & SYMBOLS IN URBAN DESIGN
VISUAL SURVEY
• Size and Density
• Pattern and Grain
SIGNS & SYMBOLS IN URBAN DESIGN
VISUAL SURVEY
• Urban Spaces and Open Spaces
SIGNS & SYMBOLS IN URBAN DESIGN
VISUAL SURVEY
• Routes
SIGNS & SYMBOLS IN URBAN DESIGN
VISUAL SURVEY
• Routes
SIGNS & SYMBOLS IN URBAN DESIGN
VISUAL SURVEY
• Districts of a City
SIGNS & SYMBOLS IN URBAN DESIGN
VISUAL SURVEY
• Details
SIGNS & SYMBOLS IN URBAN DESIGN
VISUAL SURVEY
• Pedestrian Areas
SIGNS & SYMBOLS IN URBAN DESIGN
VISUAL SURVEY
• Vistas and Skyline
SIGNS & SYMBOLS IN URBAN DESIGN
VISUAL SURVEY
• Problem Areas
SIGNS & SYMBOLS IN URBAN DESIGN
VISUAL SURVEY
• A full set of survey maps might include the following:
• Topography
• Microclimate—sun, wind, and storm directions
• Shape
• Patterns, textures, and grains
• Routes
• Districts
• Landmarks and nodes
• Open spaces
• Vistas
SIGNS & SYMBOLS IN URBAN DESIGN
VISUAL SURVEY
• A full set of survey maps might include the following:
• Magnets, generators, and linkages
• Special activity centers and overall activity structure
• Hubs of intense visual experience
• Strong and weak areas of orientation
• Sign areas
• Points of conflict
• Historic or special districts
• Community structure
• Areas for preservation, moderate remodeling, and complete overhaul
• Places needing clarifying design elements
• Sketch maps produced by the “man on the street” to discern the urban
features and forms prominent in the public’s eye.
SIGNS & SYMBOLS IN URBAN DESIGN
conclusion
• the city is familiar to everyone and can always be described in simple terms
ARPLAN 2
PLANNING 2 : FUNDAMENTALS OF URBAN DESIGN
& COMMUNITY ARCHITECTURE
NEW URBANISM
https://www.archdaily.com/963314/exploring-new-urbanism-principles-in-
the-21st-century
NEW URBANISM
New Urbanism also promotes a return to the traditional town planning seen in places
such as downtown Charleston, South Carolina and Georgetown in Washington, D.C.
https://www.extraspace.com/blog/moving/city-guides/best-neighborhoods-
in-charleston-for-families/
https://pixabay.com/photos/charleston-south-carolina-america-3996236/
NEW URBANISM
https://www.historicgeorgetownsc.com/
https://marinas.com/view/harbor/w4t8e3_Georgetown_Harbor_Georgetow
n_SC_United_States
NEW URBANISM
-The later invention of the automobile further increased this decentralization from
the central city which later led
to separated land uses and urban sprawl.
https://www.britannica.com/topic/urban-sprawl https://www.racetoacure.org/post/the-5-ws-of-urban-sprawl
NEW URBANISM
-Due to uncontrolled Urban Sprawl, wildlife, and trees were destroyed to adapt to
the growing urban population and to continually grow the economy. Oftentimes
conflicts with the environment relate back to an economic advantage, where people act
from self-interest and short-term gain that exploits the environment in a way.
https://www.racetoacure.org/post/the-5-ws-of-urban-sprawl
https://environmentalpolicy101.wordpress.com/category/urban-sprawl/
NEW URBANISM
https://thinksustainabilityblog.com/2018/02/13/what-are-walkable-cities/
NEW URBANISM
https://kapionews.kapiolani.hawaii.edu/kcc-needs-to-address-parking-
situation/
http://thetimesweekly.com/news/2019/apr/10/parking-challenges-local-
community/
NEW URBANISM
https://www.completecommunitiesde.org/planning/landuse/mixed-use-
development/
NEW URBANISM
https://www.infinitee.com/demand-for-mixed-use-development-spurs-economic-growth/
NEW URBANISM
https://www.henryturley.com/harbor-town-1/ https://www.agefotostock.com/age/en/details-photo/harbor-town-
community-association-in-memphis-tn-with-skyline-in-background/SSB-4017-
2093
NEW URBANISM
https://www.selling30a.com/seaside
https://bungalower.com/2020/02/26/straight-trippin-to-seaside-florida/
NEW URBANISM
https://www.uncovercolorado.com/best-neighborhoods-in-denver-co/
https://www.bloomberg.com/news/articles/2014-12-11/walkability-is-good-
for-you
NEW URBANISM
https://streets-alive-yarra.org/street-hierarchy/
NEW URBANISM
https://knowledge.uli.org/?URL_Success=%2fen%2freading-
lists%2f2019%2fmixed-use
NEW URBANISM
https://www.archdaily.com/962545/google-gets-approval-for-downtown-west-campus-designed-by-sitelab-
urban-studio
NEW URBANISM
https://www.charlotteobserver.com/opinion/letters-to-the-editor/article250179425.html
NEW URBANISM
https://www.linkedin.com/pulse/intelligent-transportation-systems-smart-
cities-review-choudhary/
NEW URBANISM
https://www.charlotteobserver.com/opinion/letters-to-the-editor/article250179425.html
NEW URBANISM
https://www.blogms.com/what-common-attributes-are-shared-by-
https://healthyhumanlife.com/blogs/news/how-to-start-a-
sustainable-communities/
sustainable-community-movement
NEW URBANISM
Taken together these add up to a high quality of life well worth living, and create
places that enrich, uplift,
and inspire the human spirit.
https://www.millenniumftmyers.com/blog/2020/tips-for- https://www.huffpost.com/entry/10-things-i-learnt-living-in-a-first-world-
peaceful-community-living.html country_b_58b03973e4b02f3f81e44641
NEW URBANISM
https://prs3.com/8-principles-of-new-urbanism/
NEW URBANISM
2. BENEFITS TO BUSINESS
•Increased sales because easier access to residents
•Less money spent on advertising
•Better lifestyle when residing above their shops – saves stress, time, and cost of
commuting
•Lower rents due to smaller spaces and parking lots
•Healthier lifestyle because of more walking
•More community involvement, getting to know their customers
https://prs3.com/8-principles-of-new-urbanism/
NEW URBANISM
4. BENEFITS TO MUNICIPALITIES
•Less taxes spent on infrastructure and utilities
•More tax revenue from the increased number of buildings in a smaller area
•Less traffic congestion
•Less crime and policing because of the increased number of people present throughout
the day and night
•Better image
•Easier to install and improve public transit
•Greater civic involvement
https://prs3.com/8-principles-of-new-urbanism/
NEW URBANISM
Natural Surveillance.
Natural surveillance is achieved
through design and
maintenance that allow people
engaged in their normal activity
to easily observe the space
around them, as well as
eliminating hiding places for
people engaged in criminal
activity.
www.portlandoregon.gov/oni/cp
Territoriality.
Territoriality means
providing clear designation
between public, private,
and semi-private areas and
makes it easier for people
to understand, and
participate in, an area’s
intended use.
www.portlandoregon.gov/oni/cp
https://www.improvenet.com/a/9-types-of-fences-how-to-
choose-the-right-fence
Crime Prevention Through Environmental Design
Activity Support.
Activity support involves both passive
and active efforts to promote the
presence of responsible pedestrian
users in a given area, thus increasing
the community value of the area,
while discouraging actions by would-
be offenders who desire anonymity
for their actions.
www.portlandoregon.gov/oni/cp
https://www.ekeo.gov.hk/en/projects/promenade/index.html
Crime Prevention Through Environmental Design
https://www.artsandscience.org/public-art-connects-kids-to-community-and-
a-local-university/
Crime Prevention Through Environmental Design
Management and
Maintenance.
Proper maintenance of
landscaping, lighting and other
features is vital to ensuring that
CPTED elements serve their
intended purpose.
Unfortunately, failure to
maintain property — and its
management parallel, the
failure to stop harmful use of
property — will rapidly
undermine the impact of even https://www.baymgmtgroup.com/blog/top-7-perks-tenants-looking-bel-air-
the best CPTED design rental-property/
elements.
Crime Prevention Through Environmental Design
www.portlandoregon.gov/oni/cp
Crime Prevention Through Environmental Design
www.portlandoregon.gov/oni/cp
Crime Prevention Through Environmental Design
www.portlandoregon.gov/oni/cp
Crime Prevention Through Environmental Design
www.portlandoregon.gov/oni/cp
Crime Prevention Through Environmental Design
www.portlandoregon.gov/oni/cp
Crime Prevention Through Environmental Design
ARPLAN 2
PLANNING 2 : FUNDAMENTALS OF URBAN DESIGN
& COMMUNITY ARCHITECTURE
http://www.tod.org/
TRANSIT ORIENTED DEVELOPMENT
-Jim Miara
http://lukeroxas.com/fun-philippines-5-timeless-tips-surviving-heavy-traffic/
TRANSIT ORIENTED DEVELOPMENT
BENEFITS OF TOD
-Higher quality of life with better places to live, work, and play
-Greater mobility with ease of moving around
-Increased transit ridership
-Reduced traffic congestion, car accidents and injuries
-Reduced household spending on transportation, resulting in more affordable housing
-Healthier lifestyle with more walking, and less stress
-Higher, more stable property values
-Increased foot traffic and customers for area businesses
-Greatly reduced dependence on foreign oil, reduced pollution and environmental
damage
-Reduced incentive to sprawl, increased incentive for compact development
-Less expensive than building roads and sprawl
-Enhanced ability to maintain economic competitiveness
http://www.tod.org/
TRANSIT ORIENTED DEVELOPMENT
-Transit investment has double the economic benefit to a city than does highway
investment.
https://thecityfix.com/blog/people-oriented-cities-demystifying-transit-oriented-
development-robin-king-luis-zamorano/
TRANSIT ORIENTED DEVELOPMENT
https://lasvegassun.com/native/rtc-of-southern-nevada/2018/apr/19/how-
an-enhanced-transportation-system-could-improv/
TRANSIT ORIENTED DEVELOPMENT
ARPLAN 2
PLANNING 2 : FUNDAMENTALS OF URBAN DESIGN
& COMMUNITY ARCHITECTURE
Tactical urbanism is an
umbrella term used to describe a
collection of low-cost,
temporary changes to the
built environment, usually in
cities, intended to improve local
neighborhoods and city
gathering places. Tactical
Urbanism is also commonly
referred to as guerilla
urbanism, pop-up urbanism,
http://www.turbonashville.org/tactical-urbanism
https://www.bdcnetwork.com/blog/tactical-urbanism-why-bigger-
isn%E2%80%99t-always-better-urban-revitalization
TACTTICAL or GUERILLA URBANISM
https://www.corporateknights.com/channels/built-environment/tactical-
urbanism-14903316/
TACTTICAL or GUERILLA URBANISM
-Open Streets
E.G -Summer Streets in New York City, Park Avenue Viaduct
To temporarily provide safe spaces for walking, bicycling, skating, and social activities;
promote local economic development; and raise awareness about the impact of cars in
urban spaces.
Urban Planning and Architecture Design for Sustainable Development, UPADSD 14- 16 October 2015 Tactical Urbanism “A pop-up Local change for Cairo's built
environment” Ahmed S. Abd Elrahman* Ain Shams University, Department of Urban Design and Planning, Cairo, Egypt
TACTTICAL or GUERILLA URBANISM
-PARK(ing) Day
An annual event where on street parking is converted into park-like
spaces. (Park(ing) Day was launched in 2005 by Rebar art and design
studio.)
-Pop-up cafes
Pop-up cafes are temporary patios or terraces built in parking spots to provide overflow
seating for a nearby cafe or for passersby. Most common in cities where sidewalks are narrow
and where there otherwise is not room for outdoor sitting or eating areas.
Urban Planning and Architecture Design for Sustainable Development, UPADSD 14- 16 October 2015 Tactical Urbanism “A pop-up Local change for Cairo's built
environment” Ahmed S. Abd Elrahman* Ain Shams University, Department of Urban Design and Planning, Cairo, Egypt
TACTTICAL or GUERILLA URBANISM
https://thecityateyelevel.com/stories/a-movement-to- https://www.grubstreet.com/2021/03/how-does-nyc-open-streets-
reimagine-the-streets-of-japan/ work.html
https://ggwash.org/view/64816/here-are-your-
photos-of-parking-day
TACTTICAL or GUERILLA URBANISM
-De-fencing
The act of removing unnecessary fences to break down barriers between neighbors,
beautify communities, and encourage community building.
Urban Planning and Architecture Design for Sustainable Development, UPADSD 14- 16 October 2015 Tactical Urbanism “A pop-up Local change for Cairo's built
environment” Ahmed S. Abd Elrahman* Ain Shams University, Department of Urban Design and Planning, Cairo, Egypt
TACTTICAL or GUERILLA URBANISM
-De-paving
The act of removing unnecessary pavement to transform driveways and parking into
green space so that rainwater can be absorbed and neighborhoods beautified.
-Pop-up parks
Pop Up Parks temporarily or permanently transform underused spaces into community
gathering areas through beautification.
Urban Planning and Architecture Design for Sustainable Development, UPADSD 14- 16 October 2015 Tactical Urbanism “A pop-up Local change for Cairo's built
environment” Ahmed S. Abd Elrahman* Ain Shams University, Department of Urban Design and Planning, Cairo, Egypt
TACTTICAL or GUERILLA URBANISM
https://momentummag.com/turns-motorists-want-protected-bike-lanes/ https://www.pinterest.ph/pin/23081016815853250/
https://nextcity.org/daily/entry/pop-up-parks-lead-to-more-biodiversity-in-cities-
study-finds
TACTTICAL or GUERILLA URBANISM
-Pavement to Plazas
Popularized in New York City, pavement plazas involve converting space on streets to
usable public space. The closure of Times Square to vehicular traffic and its low-cost
conversion to a pedestrian plaza is a primary example of a pavement plaza.
-Guerilla gardening
Guerrilla gardening is the act of gardening on land that the gardeners do not have the
legal rights to utilize, such as abandoned sites, areas not being cared for, or private
property.
Urban Planning and Architecture Design for Sustainable Development, UPADSD 14- 16 October 2015 Tactical Urbanism “A pop-up Local change for Cairo's built
environment” Ahmed S. Abd Elrahman* Ain Shams University, Department of Urban Design and Planning, Cairo, Egypt
TACTTICAL or GUERILLA URBANISM
https://thediscourse.ca/scarborough/pavement-to-plazas https://fieldnotesfromfatherhood.com/2013/06/04/someones-
around-heres-a-guerilla/
https://www.pinterest.ph/
TACTTICAL or GUERILLA URBANISM
-Food carts/trucks
Food carts and trucks are used to attract people to underused public spaces and
offer small business opportunities for entrepreneurs.
-Pop-up retail
Pop-up shops are temporary retail stores that are set up in vacant stores or property.
Urban Planning and Architecture Design for Sustainable Development, UPADSD 14- 16 October 2015 Tactical Urbanism “A pop-up Local change for Cairo's built
environment” Ahmed S. Abd Elrahman* Ain Shams University, Department of Urban Design and Planning, Cairo, Egypt
TACTTICAL or GUERILLA URBANISM
https://pdx.eater.com/2019/7/18/20699422/the-alder-street-food-
cart-pod-confirmed-new-location-north-park-blocks
https://www.wpp.com/wpp-iq/2020/08/the-future-of-retail-formats---pop-
ups-pick-ups-and-unmanned-stores
TACTTICAL or GUERILLA URBANISM
https://artsandplanning.mapc.org/tactical-urbanism/
TACTTICAL or GUERILLA URBANISM
These senses are cleared up as macro-scale strategies that facilitate counting on effective
development of built environment like building and streets, in addition to micro-scale tactics
that include the observance of recreation, commerce, and arts. Streets are considered the
backbone and public space's main reservoir, accordingly, citizen-led urbanism's sprit in the
reiterated process of creating the necessary needs of urban street. (Lydon, M., Garcia, A.,
2015)
https://christicompass.com/tactical-urbanism-lesson-plan/ http://aba-arch.com/about/news/article/65
TACTTICAL or GUERILLA URBANISM
ARPLAN 2
PLANNING 2 : FUNDAMENTALS OF URBAN DESIGN
& COMMUNITY ARCHITECTURE
Socially restorative
urbanism seeks to
operate at the interface of
human and material
realms, removing the
duality maintained by
current disciplinary
categorization.
Socially Restorative Urbanism: The Theory,
Process and Practice of Experiemics
Book by Alice Mathers, Ian Simkins, and
Kevin Thwaites
https://www.frontiersin.org/articles/10.3389/fbuil.2019.00071/full
SOCIALLY RESTORATIVE URBANISM
At a fundamental level this includes the form of language used to talk about the
human–environment relationship, emphasizing a strong territorial leaning, which
we refer to as relations between awareness of mine, theirs, ours, yours (MTOY).
It will also include ideas about the socio-spatial anatomy of the urban realm,
developed from Experiential Landscape principles, highlighting the importance of
edge settings which define the interface between human habitation and material form
(transitional edges).
MTOY relations are, therefore, the socio-spatial building blocks of socially restorative
urbanism and tools with which new understandings of human–environment
relationships can be articulated and related to decision-making processes.
Socially Restorative Urbanism: The Theory, Process and Practice of Experiemics
Book by Alice Mathers, Ian Simkins, and Kevin Thwaites
www.childhealthindicatorsbc.ca https://www.shutterstock.com/search/social+relationships
SOCIALLY RESTORATIVE URBANISM
Sustainable living is
fundamentally about human-
environment interactions yet
their holistic nature is
inadequately understood in
mainstream practice. This
limitation rests in part on
persistent disciplinary
boundaries and over-
specialisation that separates
spatial, social and ecological
dimensions of urban open
space provision.
How Places Shape Social Activity and Vice Versa
Kevin Thwaites
https://sola-blog.com/2016/02/04/how-places-shape-social-activity-and-
vice-versa/
SOCIALLY RESTORATIVE URBANISM
SMART CITIES
A SMART CITY is a
municipality that uses
information and
communication
technologies (ICT) to
increase operational
efficiency, share
information with the
public and improve both
the quality of
government services
https://gcn.com/articles/2019/10/07/4-types-smart-cities.aspx
and citizen welfare.
https://internetofthingsagenda.techtarget.
com/definition/smart-city
SMART CITIES
•environmental initiatives;
https://internetofthingsagenda.techtarget.
com/definition/smart-city
SMART CITIES
https://www.iotevolutionworld.com/iot/articles/443853-smart-cities-
expand-benefits-modern-surveillance-come-into.htm
SMART CITIES
https://www.geeksforgeeks.org/types-of-firewall-and-possible-attacks/
SMART CITIES
•cloud computing
•Dashboards
•mesh network
https://internetofthingsagenda.techtarget.
com/definition/smart-city
https://www.researchgate.net/figure/Smart-features-in-a-smart-
building_fig1_333853002
SMART CITIES
https://in.nec.com/en_IN/solutions_services/intelligent_transport_solutions/
smart_parking.html?
SMART CITIES
https://internetofthingsagenda.techtarget. https://www.ierek.com/news/index.php/2019/01/24/importance-of-energy-
com/definition/smart-city transition-in-smart-cities/
SMART CITIES
SINGAPORE
DUBAI
SMART CITIES
OSLO, NORWAY
COPENHAGEN, DENMARK
SMART CITIES
BOSTON, MASSACHUSETTS
AMSTERDAM
SMART CITIES
ARPLAN 2
PLANNING 2 : FUNDAMENTALS OF URBAN DESIGN
& COMMUNITY ARCHITECTURE
Sustainable Communities
A sustainable
community manages
its human, natural,
and financial capital
to meet current
needs while ensuring
that adequate
resources are https://rareearthmarketing.ca/2016/06/forward-thinking-for-innovative-
available for future sustainable-communities/
generations.
https://sustain.org/about/what-is-a-sustainable-community/
SUSTAINABLE COMMUNITIES
https://www.staffordbc.gov.uk/Low-Carbon-and-Sustainable-Communities
SUSTAINABLE COMMUNITIES
https://www.staffordbc.gov.uk/Low-Carbon-and-Sustainable-Communities
SUSTAINABLE COMMUNITIES
https://www.staffordbc.gov.uk/Low-Carbon-and-Sustainable-Communities
SUSTAINABLE COMMUNITIES
https://www.towards-sustainability.com/
SUSTAINABLE COMMUNITIES
https://www.towards-sustainability.com/
SUSTAINABLE COMMUNITIES
https://www.towards-sustainability.com/
SUSTAINABLE COMMUNITIES
https://www.towards-sustainability.com/
SUSTAINABLE COMMUNITIES
VANCOUVER, CANADA
STOCKHOLM, SWEDEN
SUSTAINABLE COMMUNITIES
SINGAPORE
DESIGN IMPLEMENTATION
Consistent with the Village’s philosophy, Planned Unit Developments will be
required of the following:
• ***All developments over twenty acres (8 hectares) or in excess of fifty (50)
dwelling units should be submitted and processed under the Planned Unit
Development provisions.
• A process for density bonuses will be considered which equates a percentage of the
value of extra dwelling units with monies spent on additional amenities such as
extra landscaping, wider landscaped boulevards, streetscaping, or similar upgrades.
• At the discretion of the Village, architectural excellence may also be a basis for the
density bonus.
***Foreign standard
DESIGN REQUIREMENTS FOR: Cluster Housing and Planned Unit Development (PUD)
https://www.pinterest.ph/pin/487796203370115193/
DESIGN REQUIREMENTS FOR: Cluster Housing and Planned Unit Development (PUD)
https://www.millionacres.com/real-estate-basics/what-is-a-planned-unit-development-
pud/
DESIGN REQUIREMENTS FOR: Cluster Housing and Planned Unit Development (PUD)
2. Provide Terminal Vistas: Whenever possible, street systems should be designed so that
their curvature or alignment produces terminal vistas of open space elements, such as
village greens, water features, or other public open space elements.
https://www.forbes.com/advisor/mortgages/what-is-a-planned-unit-development/
DESIGN REQUIREMENTS FOR: Cluster Housing and Planned Unit Development (PUD)
3. Introduce Reverse Curves: The use of S shaped or reverse curves is often prohibited by
subdivision ordinances; the rationale for this prohibition is usually safety. These curves are
suggested for PUD’s because of their graceful beauty and because they serve to significantly
slow traffic on local streets.
It is important that these curves be employed only with relatively long horizontal curve radii of
at least 250 feet and on local streets where the speed limit is between 25 and 30 miles per
hour.
https://asapplans.co.nz/blog/common-pitfalls-in-large-scale-housing-development-asap-plans/
DESIGN REQUIREMENTS FOR: Cluster Housing and Planned Unit Development (PUD)
4. Incorporate "T" Intersections: In order to keep traffic speeds within the neighborhood as low
as possible, residential streets that interconnect with other streets should do so through T-
shaped intersections where cars cannot proceed forward in a straight line but instead must
come to a full stop and turn left or right, thus slowing traffic and significantly increasing safety
https://www.allbusiness.com/barrons_dictionary/dictionary-planned-unit-
development-pud-4955804-1.html
DESIGN REQUIREMENTS FOR: Cluster Housing and Planned Unit Development (PUD)
https://www.snyder-associates.com/projects/corridor-plan-creates-unifying-
connection/
DESIGN REQUIREMENTS FOR: Cluster Housing and Planned Unit Development (PUD)
6. Introduce Wide Usable Boulevards: Wide usable boulevards are strongly encouraged to
augment the pedestrian system and to further soften the streetscape. Boulevards are
especially effective at major entrances and collector streets.
DESIGN REQUIREMENTS FOR: Cluster Housing and Planned Unit Development (PUD)
2. Street orientation: Front doors and windows to major rooms within the house are strongly
encouraged to address the street. Walkways that lead to the front door, separated from any
driveway are also encouraged. The front door should be a prominent and welcoming feature.
Open front porches that face the street are also advocated.
3. Rear and side elevations: Rear elevations of all residential dwellings shall be subject
to the provisions of these guidelines. Articulation of the rear elevation is very important,
especially where the rear elevation is visible by the public.
Side elevations without windows are strongly discouraged. Side elevations facing a
street (corner lots) must have windows and shall continue the same materials treatment
as the front elevation and in the same proportion.
DESIGN REQUIREMENTS FOR: Cluster Housing and Planned Unit Development (PUD)
Key lots:
Key lots are defined as those lots within a residential development that are located at
highly visible intersections as well as other strategic points within the development.
Where through lots are unavoidable and back up to high volume streets, the rear of
these buildings shall also be treated as "key lots."
DESIGN REQUIREMENTS FOR: Cluster Housing and Planned Unit Development (PUD)
a) Front doors and windows to major rooms shall be oriented to the street.
Walkways that lead to the front door, separated from any driveway are also
encouraged. The front door should be a prominent and welcoming feature.
Open front porches that face the street are also advocated.
b) Any elevation, which has exposure to a street, shall feature the use of brick or
other natural materials on these elevations.
c) Simple roof forms, such as gable or hip are encouraged. Dormers are also
encouraged. Multiple gables and overly-pronounced roof forms should be
avoided.
a) Front yards, parkways, and sidewalks shall be designed as a cohesive whole. A naturalistic
treatment is preferred, utilizing a combination of overstory trees, understory trees, shrubs,
and flowers.
b) Landscape treatment approaching key lots shall serve to frame and emphasize these lots,
especially the entrance.
https://www.wise-geek.com/what-is-a-planned-unit-development.htm https://rismedia.com/2019/02/26/pros-cons-choosing-house-cul-de-sac/
DESIGN REQUIREMENTS FOR: Cluster Housing and Planned Unit Development (PUD)
Streetscaping:
1. Incorporated in the plan shall be boulevards, brick paving, monuments, bike paths,
special effect fencing, and seating areas.
2. A higher quality of landscaping shall be required in these areas.
3. Irrigation of common areas should be considered.
4. Boulevards using a terminus can direct visual attention from monotonous streets.
5. Landscaping in boulevards should be structured not to block safety.
6. All boulevards shall be maintained by the homeowner’s association.
7. The land planner should be encouraged to design passive sitting areas in the boulevard.
https://www.pinterest.es/pin/841188036620284697/
DESIGN REQUIREMENTS FOR: Cluster Housing and Planned Unit Development (PUD)
https://nacto.org/publication/urban-street-design-guide/streets/residential- https://www.shutterstock.com/image-photo/moscow-russia-june-4-2014tverskoy-
boulevard/ boulevard-197188637
DESIGN REQUIREMENTS FOR: Cluster Housing and Planned Unit Development (PUD)
Large commercial uses: In order to promote a desirable land plan for a large commercial site,
the planner should be aware of the Village’s posture as to how buildings should be viewed from
the access roads leading to the proposed development. The Village’s vision of a large
commercial site is as follows:
1. Access road traffic shall be clear and unencumbered by parking stalls. Such access shall
provide for all necessary traffic lanes.
2. Access points shall be minimized.
3. The perimeter of the property shall provide for a 30’ minimum landscape strip.
4. The perimeter of the site adjacent to a street shall provide for commercial outlots, if
possible.
5. Parking for all outlots shall be placed away from the access roads.
6. Parking for all outlots shall be screened from the adjoining street system by the building
and shall be provided on the exterior ring road or between buildings, but not on access
road frontage.
7. 7. All entrances to the development shall be allowed to provide for a large monument
sign.
DESIGN REQUIREMENTS FOR: Cluster Housing and Planned Unit Development (PUD)
Street orientation:
1. Facades should be articulated to reduce long unbroken lines and
provide interest. Facades greater than one hundred feet (100’) in
length should incorporate wall plan projections or recesses.
2. Ground floor facades that front on public streets shall have arcades,
display windows, entry areas, awnings, or similar features.
3. Buildings shall incorporate architectural features and patterns that
provide visual interest, at the scale of the pedestrian.
4. The elements noted in these guidelines shall be an integral part of
the building rather than superficially applied trim, graphics, or
paint.
5. Building facades must include a repeating pattern that shall include
no less than two of the elements noted in these guidelines. At least
one of the elements shall repeat horizontally. These elements shall
include: a) Color change b) Texture change c) Material module
change
I. Cluster Housing and Planned Unit Development (PUD)
Cluster Housing
- a subdivision technique where dwelling houses are grouped close together with a common shared
area left for recreation (e.g. small yard or garden) on the middle of a clustered group for dwellers to
enjoy and share
- a group of residential properties on a development site with the use of an open space for
recreational activities and agriculture
- an alternative concept where development is grouped, involving several adjacent parcels, leaving
larger blocks of open space and preserving both rural character and the natural environment
Advantages Disadvantages
Promotes green / public space Restriction to façade construction
Closer community for social interaction If planned incorrectly, privacy issues
Optimal storm water management Shared garden can be a source of conflict for
claiming of land use
Enhances security
Promotes more area for open space, recreation
Availability of common facilities
- A type of development where there is a grouping of both varied and compatible land uses (e.g.
housing, recreation, commercial establishments and industrial parks, all within one contained
development or subdivision) in a proper and orderly function.
- It is a tool to encourage designers to require flexibility, creativity and innovation when planning and
designing a development to achieve diversified objectives.
Advantages Disadvantages
Convenient access to shops, restaurants and Restrictions meant to enforce uniformity can
other commercial buildings while staying inside strip away any character or personal feel to the
the development community
Security is enhanced by gates around the Homes are closer together than in traditional
development and monitoring and management subdivisions. A higher density of people on
by the homeowner smaller lots means less privacy.
The community takes care of all common area Association dues are additional expenses for the
maintenance homeowners
Extensive sidewalks, bicycle paths and wide
roads make it convenient to get around the
development and reduces carbon footprint
Socialization is easier as houses are near each
other and they share public spaces like parks
and recreational areas
- Design Principles:
o Houses and placement of houses – must have access to a large open space surrounding
the house as well as a smaller private yard. Types of housing include single-family, two-
family and multiple-family.
o Streets – are one of the most important elements in establishing the neighbourhood
character of a residential community. Hierarchy of street types based on usage should be
employed.
o Sidewalks and pedestrian ways – supplement and complement the street systems in
establishing the character of the neighbourhood. Circulation systems are provided to link
residential groupings, open space areas, schools, and local shopping areas and to enable
walkability.
- Areas that are capable of handling more development due to several factors, including good
access, available infrastructure (water, sewer, public transportation), an absence of environmental
constraints, and local support
- Can be areas that have undergone extensive area-wide or neighbourhood planning processes and
may have detailed recommendations for future actions
- Areas within existing communities that local city or country governments have identified and
approved for future growth
- May involve new construction, redevelopment or adaptive reuse of existing buildings
- In the Philippines, APDs are also known as Urban Land Reform Zones (ULRZs) and are covered by
the Urban Land Reform Law or Presidential Decree 1517.
- Under PD 1517, APDs refer to the 244 areas in Metro Manila specifically described and identified in
Proclamation 1967, and other sites later identified and proclaimed (Proclamation No. 2284 = 1 APD;
Proclamation No. 1810 = 19 APDs; by NHA Approval = 20 APDs)
Mixed-Use Development
- A type of urban development that blends residential, commercial, cultural, institutional, or industrial
uses, where those functions are physically and functionally integrated, and that provides pedestrian
connections
- MUDs create vibrant urban environments that bring compatible land uses, public amenities, and
utilities together at various scales
- They seek to create pedestrian-friendly environments, higher density development and a variety of
uses that enable people to live, work, play and shop in one place, which can become a destination
- MUDs are meant to provide a town-like experience. People who choose to live there can usually
count on having almost everything they need right within the development.
- Types of MUDs
o Vertical Mixed-Use Buildings – combines different uses in the same building; lower floors
are for public uses while the upper floors are for private uses
o Horizontal Mixed-Use Sites – combines single-use buildings on distinct parcels in a range of
land uses in one planned development project
o Mixed-Use Walkable Areas – combine both vertical and horizontal mix of uses in an area
ideally within a 10-minute walking distance or a 0.25-mile radius of a core of activities
- Objectives of MUDs
o Vitality – place-making
o Sustainability – mixing uses and allowing for higher development intensities create more
efficient and less consumptive buildings and spaces
o Sense of community – provide opportunities for social interaction
o Convenient access – reduction of vehicle trips and encouragement of transit ridership
o Pedestrian-friendly environment – provide opportunities for convenient and safe pedestrian
access
o Sharing of utilities and amenities – efficient use of land and infrastructure
o Longer hours of active street life – range of uses can be active at different times of the day
or on different days of the week, which activates the place for longer hours than is possible
for any one single use
o Safety – mixed activities within a compact area ensures activity throughout the day and
evening, creating a sense of safety
o Historic renovation and adaptive reuse of structures – helps preserve the older urban fabric
while providing architectural diversity in MUDs
- Benefits of MUDs
o Spurs revitalization
o Encourages high quality design by providing both greater flexibility and more control
o Preserves and enhances traditional village centers
o Promotes a village-style mix of retail, restaurants, offices, civic uses, and multi-family
housing
o Provides more housing opportunities and choices
o May increase affordable housing opportunities
o Enhances an area’s unique identity and development potential
o Promotes pedestrian and bicycle travel
o Reduces automobile dependency, roadway congestion, and air pollution by co-locating
multiple destinations
o Promotes a sense of community
o Promotes a sense of place
o Encourages economic investment
o Promotes efficient use of land and infrastructure
o Guides development toward established areas, protecting outlying rural areas and
environmentally-sensitive resources
o Enhances vitality
ARPLAN 2
PLANNING 2 : FUNDAMENTALS OF URBAN DESIGN
& COMMUNITY ARCHITECTURE
Design Principles for Buildings and Spaces that Promote Intellectual and
Social Exchange
https://www.sasaki.com/voices/building-the-new-global-campus/
DESIGN REQUIREMENT FOR: Educational Campuses
It can promote the sense of community derived from actively shared space, and
provide for the enriching experiences of both planned and chance encounter.
Comprised of streets, walkways, greens, courtyards, plazas, gardens and playfields,
open space has the potential to knit together the diverse elements of the campus in
a coherent way. https://www.facilities.upenn.edu/sites/default/files/pdfs/BldgDesignGuidelines.pdf
https://www.hec.edu/en/doctoral-program/hec-community/campus https://www.exchangeresidential.com/blog/choosing-student-accommodation-
in-newcastle-read-this-first/
DESIGN REQUIREMENT FOR: Educational Campuses
Individual buildings should also be designed to maximize the opportunities for social and
intellectual exchange. Public spaces should be generous, provide places for conversations,
and be visible to those using buildings and passing by them.
https://www.facilities.upenn.edu/sites/default/files/pdfs/BldgDesignGuidelines.pdf
https://www.stthomas.edu/admissions/undergraduate/campus-visits/
DESIGN REQUIREMENT FOR: Educational Campuses
Each school should have both indoor and outdoor spaces suitable for gatherings
and social occasions. While there will always be pressure to maximize the
proportion of dedicated spaces in buildings, their success will ultimately depend
upon balancing the public and private spaces.
https://www.facilities.upenn.edu/sites/default/files/pdfs/BldgDesignGuidelines.pdf
https://www.goshen.edu/campuslife/ https://ryandonnell.com/EDUCATION/50
DESIGN REQUIREMENT FOR: Educational Campuses
Building Orientation
Most campus buildings are seen from perimeter streets as well as the campus interior,
and lower ones from above as well, and should be designed so that they contribute to
the buildings, streets, and pedestrian ways on each side.
Building entrances should be visible to those arriving on the campus, and should
contribute to the life and activity of streets and walks. Where buildings front on public
streets there should be public entrances and attractive, open streetscape facing the street.
https://commons.wikimedia.org/wiki/File:Fountain_at_the_ https://www.hau.edu.ph/campus_services/whereenter.php
Holy_Angel_University_in_Angeles_City,_Pampanga,_Philip
pines.jpg
DESIGN REQUIREMENT FOR: Educational Campuses
The academic activities of the University, in so far as they are compatible, should be
visible to passers-by. Windows should be placed to light and provide views to internal
spaces, but also to give walks and streets the security and richness that derives from the
visibility of adjacent activity. Highly reflective or deeply tinted glass should not be used
on the camp
https://www.pinterest.ph/pin/704531935452932006/
https://aviser.school.blog/2019/01/17/holy-angel-university/
DESIGN REQUIREMENT FOR: Educational Campuses
Structures should be sited and designed to form lively and secure public ways, that
have surveillance from occupants throughout the day and night. The object is to
provide spaces that are defensible and used.
Each project should take responsibility for improving adjacent streets and pedestrian
ways, by including funds in its budget to bring these up to campus standards. The
campus palate of landscape materials, walkways, lighting, signage and street furniture
must be used on all public spaces that are part of building projects.
https://www.shu.edu/
DESIGN REQUIREMENT FOR: Educational Campuses
Commitment to Accessibility
The university is committed to providing equal access to all buildings for those with
disabilities, and to doing so in a dignified manner.
https://www.facilitiesnet.com/ada/tip/ADA-on-Campus-University-
Targets-Accessibility--39963
DESIGN REQUIREMENT FOR: Educational Campuses
Renovations of historic buildings should seek to improve access for disabled persons
in a manner compatible with their historic integrity.
https://www.hau.edu.ph/campus_services/donjuan.php https://www.pinterest.ph/pin/489414684500093671/
DESIGN REQUIREMENT FOR: Educational Campuses
Areas devoted exclusively to building loading and services, to the removal of trash, or to
mechanical equipment should be designed so that their visibility from public areas,
including walkways, is minimized. Rooftop mechanical equipment should be enclosed in
structures that are integrated into the building design. Acoustic mitigation should be
required to ensure the quality of the pedestrian environment.
https://me.nirmauni.ac.in/laboratory-facilities/laboratory-facilities/
https://www.surrey.ac.uk/department-mechanical-engineering-
sciences/facilities
DESIGN REQUIREMENT FOR: Educational Campuses
Architectural Style
Buildings on the campus reflect many styles, and the essential quality of the campus is one
of buildings that speak in their own voice about their purposes and the era in which they
were built. It is the landscape and public spaces that integrate these buildings into a
coherent whole.
https://www.palafoxassociates.com/projects/holy-angel-university
DESIGN REQUIREMENT FOR: Educational Campuses
New buildings should express the aesthetic ideas of our times, so that as we look back
on them they also become a cultural record of ideas about architecture and campus
life.
https://www.youtube.com/watch?v=2aFJS8C3Q0M
DESIGN REQUIREMENT FOR: Educational Campuses
Many of the existing structures on campus have local, regional or national historic significance,
and are included on the corresponding registers of historic structures. Portions of the campus
are included in locally designated historic districts. An inventory of all campus buildings should
be prepared by the University, outlining each structure’s level of importance as a cultural
resource, and the specific aspects of the buildings that deserve special protection. New
buildings, or adaptations to existing structures must take this into account.
https://www.hau.edu.ph/campus_services/donjuan.php https://www.pinterest.ph/pin/489414684500093671/
ARPLAN 2
PLANNING 2 : FUNDAMENTALS OF URBAN DESIGN
& COMMUNITY ARCHITECTURE
SOURCE: Civic Building and Civic Center Architecture: Design for the Public BY HMC Architect
Link: https://hmcarchitects.com/thought-leadership/civic-building-and-civic-center-architecture-design-for-the-
public/
DESIGN REQUIREMENT FOR: Government/Civic Centers & Plazas
https://commons.wikimedia.org/wiki/File:City_and_County_Building_-
_Civic_Center_Park,_Denver_-_DSC01193.jpg
DESIGN REQUIREMENT FOR: Government/Civic Centers & Plazas
https://www.thesfnews.com/civic-center-shooting-1-dead-1-injured/32634
DESIGN REQUIREMENT FOR: Government/Civic Centers & Plazas
While all civic center projects are different, there are 10 primary design tactics that
experienced architectural firms implement to create a beautiful and highly functional
civic center that reflects the diversity and values of the community it will serve:
Seamless Flows
Design your civic center around the most frequently used spaces.
Information centers, multipurpose halls, and the cafeteria or cafe should all be
easily accessible and placed at the entrance or in the center of the complex.
Specific-purposes spaces, such as permit and license offices, can be located
farther away.
https://www.infodocket.com/2019/06/04/report-coworking-in-libraries-and-
other-ways-these-civic-spaces-are-evolving/
DESIGN REQUIREMENT FOR: Government/Civic Centers & Plazas
Wide Corridors
Wide corridors foster improved navigation and better accommodate wheelchairs,
motorized scooters, and visitors with service animals.
https://www.shutterstock.com/search/wide+hallway
DESIGN REQUIREMENT FOR: Government/Civic Centers & Plazas
https://www.hess.eu/en/news/experten-interviews/urban-public-spaces
https://ny.curbed.com/2017/6/29/15895268/fort-greene-300-ashland-public-
plaza-debut
DESIGN REQUIREMENT FOR: Government/Civic Centers & Plazas
Future Needs
Always include soft spaces that can easily be adapted to a community’s future
needs. A room currently used to store voting materials, for example, might be
designed with more outlets to easily convert it into an electronic voting center as
your community’s needs evolve.
Purposeful Lighting
Parking lots and exterior pathways that are well lit will make visitors feel safe and
can help prevent theft and vandalism. Indoors, use thoughtful lighting to highlight
artwork and impressive civic center architecture design elements.
DESIGN REQUIREMENT FOR: Government/Civic Centers & Plazas
Acoustics
In order for your center to best serve the public, it must be conducive to clear
communication. Acoustic panels on interior walls will absorb excess noise and
improve efficiency. Outside, a smartly placed fountain can drown out the sounds of
traffic.
DESIGN REQUIREMENT FOR: Government/Civic Centers & Plazas
3. Inject Character
Civic center architecture design should mirror the qualities and values of the
community it serves and be a source of public pride. Experienced architects help
their clients incorporate the center’s ethos and logo or motto into the design, as
well as understand the most admirable trends in color and design versus those
that are fleeting.
DESIGN REQUIREMENT FOR: Government/Civic Centers & Plazas
Diversity
People are the first priority in any civic project. So, a civic building must not simply
respond to diversity, but also respect and embrace it. A good balance between
traditional and divergent perspectives must exist.
https://builtin.com/diversity-inclusion/types-of-diversity-in-the-workplace
DESIGN REQUIREMENT FOR: Government/Civic Centers & Plazas
History
To attract visitors, a civic center should provide a wealth of information and a taste
of history from the local region.
Local Artwork
Commission local artists to create murals and sculptures that represent
community values and exude positivity.
https://www.thenationalnews.com/arts-culture/art/5-artworks-that-celebrate-
philippine-independence-day-reflecting-on-a-revolution-that-ended-colonial-
rule-1.1032598
DESIGN REQUIREMENT FOR: Government/Civic Centers & Plazas
Classes
Offering classes, such as yoga, art, and computer training provides your community
with resources they might not have access to at home, and will give them reasons to
come back to the center frequently.
Coffee Shop
A coffee shop or café can make your center more attractive to visitors. Consider
partnering with a local business to further support the interests of the community.
DESIGN REQUIREMENT FOR: Government/Civic Centers & Plazas
https://blog.mdbinsight.com/how-public-amenities-can-drive-citizen-satisfaction
DESIGN REQUIREMENT FOR: Government/Civic Centers & Plazas
https://www.bizjournals.com/phoenix/news/2018/08/27/gilbert-eyes-new-
public-amenities-to-boost-growth.html
DESIGN REQUIREMENT FOR: Government/Civic Centers & Plazas
https://www.flickr.com/photos/bouldercolorado/21684421049
DESIGN REQUIREMENT FOR: Government/Civic Centers & Plazas
Exterior Wayfinding
Plenty of parking should be available and parking spaces should be placed near
wide walkways. Parking for visitors with limited mobility should exist closest to the
main entrance. Signage on all walkways should be clear and lead visitors to the
main entrance.
https://www.mailboxesandsigns.com/products/ https://www.smashingmagazine.com/street-
wayfinding-signage/ and-wayfinding-signs-part-4/
DESIGN REQUIREMENT FOR: Government/Civic Centers & Plazas
Interior Wayfinding
Place directional signs throughout the entrance hall, in elevator and stair bays, and in
corridors. Every room should also be clearly labeled. Many civic centers now include at
least one digital welcome station at the front entrance to provide visitors with maps and
visual aids to help them navigates the building.
https://www.behance.net/gallery/36579789/Wayfinding-Signage-Interior-
Design
DESIGN REQUIREMENT FOR: Government/Civic Centers & Plazas
Charging Centers
Create areas where visitors can charge their mobile devices. Design them
with plenty of outlets and furnishings with built-in chargers.
Online Resources
Offer computer workstations that are centered around the resources your
community needs most. For example, electronic voter registration stations
encourage members of your community to register to vote and to keep their
records up to date. They won’t have to ask for assistance, as the screen will
walk them through every step of the process
DESIGN REQUIREMENT FOR: Government/Civic Centers & Plazas
Train Staff
Avoid-Over Designing
Source: Ten Principles for Coastal Development by Michael Pawlukiewicz , Prema Katari Gupta, Carl Koelbel
Link: https://uli.org/wp-content/uploads/ULI-Documents/Ten-Principles-for-Coastal-Development.pdf
DESIGN REQUIREMENT FOR: Coastal Community
The coast is a dynamic place and its dynamism makes it susceptible to stresses
and changes in a number of ways. Because the coast is where the land interacts
with the sea, it is open to the action of wind, waves, tides, and currents that
not only erode the shore but also can expand it with sedimentary deposits.
Storm systems gather energy from the ocean and intensify natural coastal forces
with wind, waves, and rain powerful enough to severely damage property and
hasten erosive processes. The coast is made more vulnerable to these natural
dynamic forces by rising sea level. Although sea level has been steadily rising
for centuries, the process may be accelerating because of global warming.
DESIGN REQUIREMENT FOR: Coastal Community
https://venuesworld.com/portugal/the-coastal-region/
DESIGN REQUIREMENT FOR: Coastal Community
Siting
Although superior design and construction are critically important, the proper siting of
structures can significantly improve the resilience of the community and decrease its
vulnerability. Proper siting, however, requires an integrated approach so vulnerability and
resilience are considered at the regional, neighborhood, and site levels. Following are
some of the factors to be considered:
Create incentives for redevelopment that protects natural areas, clusters uses, and
raises development standards.
■ Protect open natural areas with or without public acquisition through conservation
easements or transfer of development rights.
8 Balance the Public’s Right of Access and Use with Private Property Rights
The best way to avoid imbalance in public and private rights is to avoid the
conflict wherever possible. Where feasible, conflict is easily avoided by making
the entire shoreline system a community amenity open to the public, so no
private rights exist to be concerned with.
This strategy not only avoids the public rights versus private rights conflict but
also has the advantages of transferring the value of the waterfront property to
the community at large and making preservation of coastal systems and
processes easier.
DESIGN REQUIREMENT FOR: Coastal Community
To function well, a community with an open beach system must have some of the
following characteristics:
■ Free and uninterrupted access along the beach, ideally inland to the line of established
upland vegetation;
■ Regular collection of beach attendance records and analysis of supply and demand,
including an economic evaluation of beaches;
■ Good public access to the coast and bay shores with the acquisition of land and
easements and by building trails and stairways;
■ A policy welcoming donations and dedications of land and easements for public
access, agriculture, open space, and habitat protection.
DESIGN REQUIREMENT FOR: Coastal Community
Estuarine habitats are essential nursery grounds for many marine fish and shellfish.
Estuaries often contain salt marshes, mangroves, and other wetlands, which are
important habitats for many species.
DESIGN REQUIREMENT FOR: Coastal Community
Rainfall feeds freshwater into the estuarine system when it runs off as stormwater and
recharges groundwater systems when it percolates into the ground. How development
affects the balance between recharge and runoff is critically important to both: first,
because groundwater is a major source of drinking water in coastal areas; and
second, because stormwater runoff from developed areas can degrade delicate
estuarine habitats.
DESIGN REQUIREMENT FOR: Coastal Community
Committing to stewardship means planning to sustain and enhance the natural assets of
a site while understanding its context in the broader regional system by adopting
environmental design strategies that enhance sustainability, such as the following:
■ Design a land plan that preserves the character of the landscape.
■ Optimize the use of natural features and resources of the site by orienting
buildings for passive solar heating and natural cooling.
■ Reduce building size and footprint to minimize site disruption and destruction of
habitat; use less land and expend less energy and water.
■ When tradeoffs are necessary, choose solutions that favor energy efficiency and
durability.
■ Use locally adapted native plants to minimize irrigation; discourage the use of
exotic invasive species.
https://www.dw.com/en/philippines-natural-riches- http://www.pfpi.org/culion_islands_reefs.html
face-dire-threats/a-17301439
DESIGN REQUIREMENT FOR: Coastal Community
https://www.thegef.org/news/sea-future-expanding-coastal-and- https://www.cntraveler.com/story/boracay-set-to-ban-
marine-protection-philippines tourists-for-six-months-during-island-rehabilitation
ARPLAN 2
PLANNING 2 : FUNDAMENTALS OF URBAN DESIGN
& COMMUNITY ARCHITECTURE
https://www.cntraveler.com/galleries/2014-12-11/worlds-best-beach-resorts-
readers-choice-2014
DESIGN REQUIREMENT FOR: Resort Community Design
The planning and designing predominantly depend on the site location and the
environmental conditions along with the relevant building materials available in
its immediate context combined with the facilities that the resort will furnish.
Resort design and planning must amalgamate aesthetic, high-quality build
structure, and user-friendly facilities to attract visitors to such recreational
places.
https://www.cataloniahotels.com/en/blog/difference-between-a-hotel-and-
resort/
DESIGN REQUIREMENT FOR: Resort Community Design
Site Planning
Site planning for a resort is the initial
step towards the construction of the
development. It requires in-depth
research and analysis of the site
conditions, the geography, and
topography of the site and the
elements present on the site.
https://arcmaxarchitect.com/beach-resort-planning-and-design
DESIGN REQUIREMENT FOR: Resort Community Design
https://guidetothephilippines.ph/articles/ultimate-guides/best-beachfront-
boracay-resorts
DESIGN REQUIREMENT FOR: Resort Community Design
Contextual Elements
The design must resonate with the context of the site in the construction along with the
social and economic entities. The contextual elements based on the housing
typology, ideologies and the materials used are often the reflections of customs
and traditions of the place. The design and planning process can incorporate the
features of the context, selection of materials, and the design elements considered for
the typology of the resort and the facilities that it will serve.
https://www.freelancer.com/u/sap10/portfolio/Sentul-resort-
conceptual-planning-1856740?w=f&ngsw-bypass=
DESIGN REQUIREMENT FOR: Resort Community Design
Environmental Consideration
https://www.greenandgrowing.org/consequences-of-water-pollution/
DESIGN REQUIREMENT FOR: Resort Community Design
The design should aim to conserve the flora and fauna as much as
possible and build considering it. The design development could lead to
alteration in the skyline, views from the site, and vision of the natural
landscape hence, it must develop responsibly.
http://www.tropical-landscaping.com/projects/
DESIGN REQUIREMENT FOR: Resort Community Design
Exterior Design
The exterior design depends on the building materials that are easily available and
suitable for the site. It can vary as per the context of the site from stone, timber to
bricks, and mud or bamboo. There is a direct relationship between the materials used
and the building considering the climatic conditions.
https://www.fohlio.com/blog/local-culture-trend-resort-design/
DESIGN REQUIREMENT FOR: Resort Community Design
The wall structure and roof depends upon the weather to withstand
powerful winds to a heavy downpour. The exterior design also reflects
on the courtyard, porch design, which is essential for the ventilation to
establish maximum air circulation within the built body.
https://www.fohlio.com/blog/local-culture-trend-resort-design/
DESIGN REQUIREMENT FOR: Resort Community Design
Interior Design
The interior design of the building determines the theme of the resort and sets
the ambience of the space. The interior design must complement the
exteriors through proper accessibility and ventilation systems in all
spaces. The furniture and other fittings, the shades of colour, and essential
facilities such as a bathroom, wash area must be in sync with the overall
design format of the resort.
https://www.fohlio.com/blog/local-culture-trend-resort-design/
DESIGN REQUIREMENT FOR: Resort Community Design
Hierarchy of spaces
The layout of the resort plays a vital role in the overall
functionality and success of the design. It should base the
layout on a hierarchy of spaces that differentiate between
public, semi-public, and private spaces.
https://www.jbanksdesign.com/portfolio/resorts/
DESIGN REQUIREMENT FOR: Resort Community Design
https://www.bestproducts.com/fun-things-to-do/g20708957/best-resorts-in-
the-world/
DESIGN REQUIREMENT FOR: Resort Community Design
Aesthetic Appeal
Aesthetic appeal is very essential apart from the exterior and interior
design as the resort acts like a retreat for people to connect with the
natural environment and enjoy their leisure time. The structure should
seamlessly blend with the surrounding environment that uplifts the
natural beauty of the site.
https://www.pinterest.ph/pin/442126888412006765/
DESIGN REQUIREMENT FOR: Resort Community Design
Landscape Design
The resort design depends on the
landscape on a vast portion as it is
effective to create an environment in
and around the site. It also helps in
developing spaces of ambience and
adds greenery that is usually missing
in the cityscapes. Green zones in and
around the building help to bind
indoors and outdoors.
https://coopershill.design/project/
DESIGN REQUIREMENT FOR: Resort Community Design
Structure
The structure of the resort depends on the
geographic location, the materials used
and the construction methods. It is vital to
have a structure that respects the
natural elements of the site and is not
too superimposing on it. The design can
use materials and local methods of
construction that are sustainable and
engage the local craftsmen.
Accessibility
The resort needs to have fair
connectivity with the surrounding
context for easy accessibility. There
needs to be more that one way to
approach the site for the
evacuation of a maximum number
of people during an emergency.
The layout must also have different
entry and exit points considering the
road network around the site for easy
mobility.
https://www.pinterest.ph/pin/321092648404212410/
DESIGN REQUIREMENT FOR: Resort Community Design
“Fin”
ARPLAN 2
PLANNING 2 : FUNDAMENTALS OF URBAN DESIGN
& COMMUNITY ARCHITECTURE
While new parks should ideally be no smaller than 0.5Ha this may vary in urban
infill sites, where a minimum 0.3 Ha is generally considered the smallest viable
size for most local informal recreation activities.
https://theconversation.com/most-people-just-park-themselves-so-how-do-we-
promote-more-healthy-activity-in-public-parks-56421
DESIGN REQUIREMENT FOR: Parks & Open Spaces
http://naturalwalkingcities.com/green-corridors-
essential-urban-walking-and-natural-infrastructure/
https://www.archdaily.com/876373/loop-nyc-wants-to-bring-driverless-
expressways-and-green-corridors-to-manhattan/597525bcb22e38d07f00021c-
loop-nyc-wants-to-bring-driverless-expressways-and-green-corridors-to-
manhattan-photo
DESIGN REQUIREMENT FOR: Parks & Open Spaces
DESIGN REQUIREMENT FOR: Parks & Open Spaces
DESIGN REQUIREMENT FOR: Parks & Open Spaces
DESIGN REQUIREMENT FOR: Parks & Open Spaces
Design Principles
Be meaningful to place and community
Successful and enduring parks and open spaces are those that remain relevant to people’s
day-to-day lives. Such success is not only a function of the available recreational facilities
but more importantly for people, the connections that those places make with their
community, their environment and their history.
• Integrate physical geographic features of the place into new designs where these are
central to the environmental values of the site (eg topographic features, trees, water
bodies etc).
• Conserve and integrate historical and heritage features of both Aboriginal and Non-
Aboriginal origin in a manner that enhances their values (i.e. protection that optimizes
access, provides an appropriate landscape setting to buildings, memorials and places
to appreciate their former context and uses etc).
DESIGN REQUIREMENT FOR: Parks & Open Spaces
• Use landform, landscape, public art, and interpretive media (signs, brochures etc)
to tell the story of the place.
• Stimulate imaginative play through the design of spaces that respond to the
geography and history of the place (eg sculptural play, use of water etc).
• Identify physical and cultural features (topography, heritage etc) that might
determine potential opportunities for multi-functionality and co-location of
facilities (eg existing buildings as visitor centres or function spaces).
• Identify design opportunities to create flexible spaces for community events (eg
playing fi elds for community fairs, hard stand areas for community markets) and provide
permanent infrastructure for spaces intended for special events (eg water, three phase
power, sewer connections for temporary toilets, etc).
• Design sports facilities for the optimum practical range of multi-users (eg multi-court
line markings, artificial surfaces, removable sporting infrastructure) and co-locate active
sports and passive recreation facilities to maximize use during and outside training and
competition periods (eg children’s playground, picnic facilities, etc).
DESIGN REQUIREMENT FOR: Parks & Open Spaces
• Use amenity night lighting to encourage safe evening use and sport lighting to extend
the usable hours and training/competition options (consider potential impacts on native
fauna and residential amenity of any lighting strategy).
• In early phases maintain a simple and adaptable design that will allow for future
enhancement of the space as funds become available and as the community’s recreation
preferences become clearer.
DESIGN REQUIREMENT FOR: Parks & Open Spaces
Provide diversity
Every community is diverse in its character and needs, so landscapes and spaces that
are equally diverse will meet a wide range of those needs, whilst also being unique in
their particular character.
Planning and design of open spaces play a critical role in conserving and enhancing
that uniqueness and diversity.
• Apply universal design principles (i.e. consider the design’s accessibility, functionality
and useability for a diverse group of users) and provide basic facilities with the widest
appeal to the maximum number of users (eg sun, shade, trees, lawn, paths, seats,
picnic facilities, etc).
• Connect and relate to adjoining land uses and open spaces in the area, to
maximise opportunities for a diversity of experiences.
DESIGN REQUIREMENT FOR: Parks & Open Spaces
• Provide facilities that cater to or are adaptable to a range of age groups and cultural
backgrounds (eg playgrounds that cater for various age groups, pit barbeque areas for
cultural celebrations, seating for elderly, graded paths suitable for wheelchair access,
etc). Use demographic analysis of the area or future community to determine particular
cultural requirements.
DESIGN REQUIREMENT FOR: Parks & Open Spaces
• Design for seasonal variation to provide a diversity of experience all year round (eg
deciduous trees for variations in sun, shade, spring and autumn colour, etc)
• Ensure that sports focused facilities also provide for passive recreation opportunities
that cater for spectators and those who have accompanied the sports participant (shade,
play, seating, walking paths and the like). In family situations this encourages parent as
well as grandparent involvement and sibling engagement.
DESIGN REQUIREMENT FOR: Parks & Open Spaces
• Design paths, crossing spaces and seat locations to encourage incidental social
interaction (shaded seats within play spaces, sports spectator seating and shaded standing
areas, kiosks, drinking taps for dogs and the like are all features and places that encourage
incidental conversation and social interaction).
• Provide opportunities in the design for spaces that are adaptable to local cultural activities
throughout the year (eg level spaces for temporary market stalls, marquees, etc). Incorporate
infrastructure and facilities that are suitable for - or adaptable to - community events (eg
stage/amphitheatre, external power connections, water connections, suitable lighting etc).
DESIGN REQUIREMENT FOR: Parks & Open Spaces
https://heartofthecity-dmc.com/bringing-universal-design-to-life-in-heart-of-
the-city/
https://kssarchitects.com/design/our-work/remy-theatre
DESIGN REQUIREMENT FOR: Parks & Open Spaces
• Ensure park design structure will allow for future enhancement of the space as the
community’s appreciation of the space evolves with time and use.
• Plan and designate appropriate future locations for community-generated memorials
and icons (eg memorial plaques, interpretation, tree plantings, sculpture and public art).
• Plan and design spaces to minimize user conflicts (common conflict issues include off-
leash dog behavior, cycle and pedestrian clashes, noise generating activities adjoining
quieter areas or local residences, ‘hogging’ barbeques by occupying the space for hours at
a time etc).
• Involve the new community, where possible,
in the design, maintenance and progressive
enhancement of the space through consultation
and participation (eg meet the neighbour
barbeques, planting days, adopt-a-park
programs, social events, volunteer rangers etc).
DESIGN REQUIREMENT FOR: Parks & Open Spaces
• Identify opportunities to integrate open space into existing community and social
plans and programs (eg Bushcare, youth programs, Streamwatch, etc).
• Provide information to new residents
on recreation opportunities and
special events in parks through their
Welcome Package.
DESIGN REQUIREMENT FOR: Parks & Open Spaces
• Integrate circuit or boundary paths wherever possible to provide for walkers, joggers,
cyclists, dog walkers, etc (boundary paths around sports fields can often also act as a
maintenance boundary and a controlled drainage collection point where sports facilities
adjoin bushland or waterways).
• Provide space for rest and relaxation where interaction with the natural environment
can best be experienced (contact with nature - trees and birds - is one of the principal
reasons cited for visiting parks).
https://www.pinterest.ph/pin/337699672044859783/ https://www.dreamstime.com/photos-images/resting-place-park.html
DESIGN REQUIREMENT FOR: Parks & Open Spaces
• Create a comfortable microclimate throughout the year and through variations in weather.
Design to maximize seasonal opportunities for summer shade and cooling breezes (includes
shade structures over larger play facilities, until such time as trees can provide the same
shade), winter sun and protection from cold winds (use of deciduous trees and planting as
wind barriers) and shelter from rain (trees, picnic shelters, etc).
https://phys.org/news/2016-06-microclimates-city-life.html
DESIGN REQUIREMENT FOR: Parks & Open Spaces
• Design, specify and maintain sports surfaces to minimize the potential for sports
injury (eg cross falls to standards, design of soil profi les to avoid compaction and
maintain drainage etc).
• Orientate and design the space to maximize the impact of local and distant views. A
sense of space and one’s place in the landscape are important to personal wellbeing,
especially in dense urban areas, where middle and distant views provide these valuable
connections.
• Maximize the visibility of open spaces from within the development. The aesthetic value
of parks and open spaces and the knowledge of them ‘just being there’ enhance
wellbeing, even for those who rarely visit them.
• Enhance the sense of safety and personal security through the application of ‘Crime
Prevention Through Environmental Design’ (CPTED) principles.
DESIGN REQUIREMENT FOR: Parks & Open Spaces
https://30seconds.com/health/tip/6734/Play-It-Safe-Park-
Playground-Safety-Checklist-for-Parents
https://greensboro.com/opinion/columns/lincoln-larson-and-s-scott-ogletree-can-
parks-help-cities-fight-crime-it-depends/article_485661be-6521-51d8-af80-
4d11fae09bce.html
DESIGN REQUIREMENT FOR: Parks & Open Spaces
• Ensure designs cater for people who have sensory or mobility impairments and
also for those with prams.
Other facilities and design features such as drinking bubblers that allow wheelchair
access, seats with armrests and companion spaces for wheelchairs beside seats
should be common features.
DESIGN REQUIREMENT FOR: Parks & Open Spaces
• Ensure that the layout and design offers recreation opportunities that are inclusive of
all members of the community, whatever the age, gender, socioeconomic or cultural
background.
• Maximize all connections to the space, especially for pedestrians, cyclists, and users of
public transport.
• Ensure that all public spaces are visibly and evidently public in nature to encourage use by
all members of the community wherever environmental robustness permits (gates, fences
and other barriers should be limited in use except for playgrounds or where they ensure
public safety or secure highly sensitive environments).
https://queensmuseum.org/2014/04/wayfinding-100-nyc-public-sculptures
DESIGN REQUIREMENT FOR: Parks & Open Spaces
https://www.pinterest.ph/pin/261842165823223683/
DESIGN REQUIREMENT FOR: Parks & Open Spaces
• Locate, orientate and design the open space network to maximize wildlife
connectivity and reduce habitat fragmentation.
• Protect conservation areas and manage parklands as buffers to such environments,
providing controlled access between the managed parklands and natural or rehabilitated
areas where this will not compromise the environmental values of the conservation area.
DESIGN REQUIREMENT FOR: Parks & Open Spaces
• Design and plan the open space and facilities for energy and water conservation,
optimized lifecycle and selection of materials with low embodied energy.
Such initiatives might include:
– Managing stormwater to improve water quality and integrate with Water
Sensitive Urban Design.
– Harvesting of water for reuse in irrigation and toilets.
– Rehabilitating waterways.
– Low water low maintenance demand planting.
– Use of mulch to retain soil moisture and composting leaf litter and grass
clippings.
– Use of recycled materials in construction including materials salvaged from site
and reused.
– Use of solar energy for lighting and low voltage electrical facilities (barbeques
etc).
– Minimized mowing requirements.
– Minimised and balanced cut and fi ll in earthworks design.
DESIGN REQUIREMENT FOR: Parks & Open Spaces
• Establish realistic budgets for open space at the outset of the project
budgeting
• Consider the life cycle costs of materials in constructing and managing the open
space including, operating, maintaining, replacing, and de-commissioning facilities
and services.
DESIGN REQUIREMENT FOR: Parks & Open Spaces
• Incorporate revenue raising opportunities where appropriate (eg cafes, kiosks, events,
bike hire, film licensing, etc) where these meet the criteria of:
– Being leisure and recreation oriented;
– Compatibility with adjoining land uses and being actively integrated into the open space;
– Being effectively and financially operated; and
– Directly contributing revenue to the cost of maintaining and upgrading the open space
or facilities.
DESIGN REQUIREMENT FOR: Parks & Open Spaces
***Without intervention, the housing backlog by 2040 may reach 22 million units.
4. Financing capability
Providing the required equity portion of housing loans has been a major
constraint for most households.
This scheme has been acceptable specifically among informal urban dwellers
occupying private and public lands.
.
HOUSING CONSUMPTION PATTERN
Scenario
- capability to pay
- price of housing in the market
- financing schemes available.
HOUSING DEMAND IN THE PHILIPPINES
FACTS:
1. Rental housing market for low-income households in the
Philippines is not well-developed.
2. The rent control law has not been effective in providing
low rents for low-income families since non-poor
households also have access to low rents (Ballesteros
2002).
3. Low-cost rental housing, is limited, thus, households
engage in various informal housing arrangements (e.g.
rent-free occupation, squatting) and multi-occupancy
dwelling.
HOUSING DEMAND IN THE PHILIPPINES
2. Inadequate Infrastructure
Llanto and Orbeta Jr. (2001) noted that government's housing programs favor
the promotion of homeownership over other forms of tenure. This policy bias
stems from the "prevailing public viewpoint" that prefers homeownership –
regardless of the would-be owner's economic status – "because of the
assurance of a place to live in, its investment value, the status given by society
to
homeownership and the uncertainties of its opposite – renting.
The "real problem" then is not the lack of homeownership but the lack of
shelter provision and security, which could be promoted in many forms besides
ownership, such as rental, lease-purchase, long-term land lease, and the like.
HOUSING SUPPLY IN THE PHILIPPINES
The government must provide the necessary financial support if builders and
developers are to participate in housing programs for low-income segments of
the population. It is argued that the hesitation of private commercial banks and
financial institutions to lend to poorer groups because of perceived credit risk,
on the one hand, and the lack of opportunities for profitability on the other,
necessitate government intervention in housing finance to jumpstart socialized
housing.
The government has to address the problems of housing in a
broader context.
Legal Bases:
1. Art. II, Sec. 9 of the 1987 Philippine Constitution
"The state shall promote a just and dynamic social order that will ensure the prosperity and
independence of the nation and free the people from poverty through policies that provide adequate social
services, promote full employment, a rising standard of living and an improved quality of life for all."
“The State shall, by law and for the common good, undertake, in cooperation with the private sector,
a continuing program of urban land reform and housing, which will make available at affordable cost, decent
housing and basic services to underprivileged and homeless citizens in urban centers and resettlement
areas. It shall also promote adequate employment opportunities to such citizens. In the implementation of
such program, the State shall respect the rights of the small property owners."
Legal Bases:
3. Climate Change Act of 2009 (CCA)
and its amending law seeks to build national and local resilience to climate change related disasters
and protect and advance the people’s right to a healthful ecology
Anchors:
a. Agenda 2030 and the Sustainable Development Goals (SDGs)
Specifically, SDG 11 aims to “make cities and human settlements inclusive, safe, resilient, and
sustainable.” Within this goal are targets that constitute the built environment agenda, and ensure
that issues are addressed through the spatial lens.
S T R A T E G I E S
NATIONAL URBAN DEVELOPMENT & HOUSING
FRAMEWORK
Housing Strategies:
Housing Strategies:
Housing Strategies:
Housing Strategies:
A shelter plan provides LGUs with a grounded perspective of the shelter situation
through a purposive analysis of shelter issues and concerns. It enables the
LGU to determine their housing need, conduct an inventory of its resources
that may be earmarked for shelter and develop strategies to address their
housing and urban development concerns based on an assessment of the
capacity of the LGU and existing local dynamics.
LOCAL SHELTER PLANNING
Formulation Process:
LOCAL SHELTER PLANNING
Data Gathering
LOCAL SHELTER PLANNING
Data Gathering
LOCAL SHELTER PLANNING
Data Gathering
LOCAL SHELTER PLANNING
Data Gathering
*The Comprehensive Land Use Plan (CLUP) and the Comprehensive Development Plan (CDP) are to be used as
references during the shelter plan formulation to ensure that the LSP is harmonized with the overall development
plan of the LGU.
LOCAL SHELTER PLANNING
Situational Analysis
The situational analysis stage involves scrutiny of the current housing and development
situation of the LGU.
It is important for the LGU planners to examine the extent of the housing need and
housing and urban development related problems, assess the capability of the LGU to
address its shelter needs based on available resources and determine the affordability
level of the target beneficiaries for availing housing programs.
The conduct of situational analysis is crucial as this will be the basis for the formulation
of applicable shelter strategies and implementation plan for addressing the housing
needs.
LOCAL SHELTER PLANNING
Situational Analysis
In the light of climate change adaptation (CCA) and disaster risk reduction
management (DRRM), it is important to consider available studies on local hazard
and vulnerability assessments in the situational analysis and how these hazards can
potentially affect housing and development investments.
The results of the risks and vulnerability assessments for instance can help in
determining what hazards are present in the locality and which areas are exposed to
hazards, whether geologic, hydro-meteorological, or man-made.
These assessments will also serve as a guide in ascertaining the range of sensitivity and
adaptive capacity of the people and areas at risk and aid the LGU planners and
decision-makers in identifying and prioritizing the households that need housing
assistance and support. Aware of such risks and vulnerabilities, the LGU can then
proceed to identify areas which are suitable for habitation or settlement.
LOCAL SHELTER PLANNING
Situational Analysis
This stage also provides information on current and future shelter development needs
based on current trends and population growth including those in the context of CCA
and DRRM.
The situational assessment should be able to answer the following key questions:
• Which areas require particular attention?
• Who would require shelter support (construction of new units and upgrading of
existing units)?
• Are there specific vulnerable groups identified?
• What are the existing assets (tangible and intangible) available to address the
requirements/demand?
LOCAL SHELTER PLANNING
Situational Analysis
This task seeks to present spatially, or in a map, the areas that need particular
attention. The action plan is correlated with the CLUP and CDP of the local government.
This makes it easy to tag informal settlements, thus facilitating a relevant vulnerability
assessment.
In this task, the planning team should be able to identify or map the following kinds of
settlement areas:
Sites approved to be used for major government projects and/or sites with court
order for eviction;
Areas with informal settlements in government and private lands;
Sites and areas which are identified as danger zones or at high risk due to hazards.
LOCAL SHELTER PLANNING
Situational Analysis
• Who would require shelter support (construction of new units and upgrading of
existing units)?
*Use latest Philippine Statistics Authority (PSA) census data of the LGU.
Example: Data from PSA Census Base Data
• Planning Period covers the timeline that will be needed to realize the housing
vision of the LGU. (This should be the same period covered by the CLUP).
• Base Year is the year before the first planning period.
LOCAL SHELTER PLANNING
• To compute for the household population for the base year data, use the formula in computing for Population Projection
• To compute for the number of households for the base year, divide the household population by the average household size.
• For Household Size and Annual Growth Rate, the assumption is that these are constant for both the base data and base year
data throughout the entire planning period
• To compute for the housing stock for the base year data, use the formula in Step 4
• To compute for the homeless household, see Step 5
LOCAL SHELTER PLANNING
•To compute for the Percentage of Household per Dwelling unit in base year, deduct the number of homeless from
the number of households and divide by the number of occupied dwelling unit.
Where:
Number of homeless household = 28
Number of household for the base year = 27,522
Number of occupied dwelling unit for the base year= 27,138
Solution: 27,522 – 28/ 27,138 = 1.0131 or 1.31%
LOCAL SHELTER PLANNING
Data on Housing Stock is needed for computing the doubled-up households. If the number of housing stock in the base
year is not available, it can be counted by subtracting homeless households from the number of households and dividing
this by the number of households per dwelling unit.
LOCAL SHELTER PLANNING
“Homeless” refers to individuals or households living in public spaces (such as parks and on sidewalks) and all those
without any form of shelter. The contention is that new units should be provided for these people.
2. Compute and present the population projection using the growth rate derived
above.
Assumption: Growth rate is assumed to remain constant over the entire planning period.
LOCAL SHELTER PLANNING
3. Sum up and present the computation of the number of units needed due to
population growth according to the planning period or the coverage or time-frame of
the LSP.
LOCAL SHELTER PLANNING
Situational Analysis
Steps:
1. determine the total number of the following groups: women, men, youth, children,
senior citizens, persons with disabilities, indigenous peoples, other sectors whose
situations may be of interest with regard to the principle of inclusion
2. From the total number of persons per group, further disaggregate the numbers per
barangay and for every area identified as those requiring particular attention
3. The baseline numbers of gender and vulnerable groups should also be produced
LOCAL SHELTER PLANNING
Situational Analysis
• Determine the income levels, as well as the affordability and housing options of the
identified households
This Task will help determine and analyze information on the affordability levels of
households identified in Tasks 1 to 3. Task 4 will determine the income groupings in the
LGU and the loan-carrying capacity of the income groups.
LOCAL SHELTER PLANNING
Situational Analysis
Steps:
1. Categorize
households into
income groups.
LOCAL SHELTER PLANNING
Situational Analysis
Steps:
1. Categorize
households into
income groups.
LOCAL SHELTER PLANNING
Situational Analysis
Steps:
2. Compute the typical (or mean) income of households in each income group.
3. Compute the percentage of income which can be allocated for housing by each
income group.
LOCAL SHELTER PLANNING
Situational Analysis
Steps:
•Low-rise buildings and medium-rise buildings have higher indirect cost because of expenses related to the
maintenance of common areas, such as the lobby, hallways, and stairways.
•The total cost of the various affordable housing options will depend on site location, level of land development to
be introduced and the housing design.
LOCAL SHELTER PLANNING
Situational Analysis
• What are the existing assets (tangible and intangible) available to address the
requirements/demand?
The identification of local resources for housing is a key task of the LGU. The LGU must
conduct an inventory and assessment of its available local resources such as land,
infrastructure, budget, manpower, sources of construction materials, facilities, services,
equipment and supplies, etc.
The LGU should also list down other resources and programs of national government
agencies, civil society organizations and private sector as well as international
organizations that the LGU can potentially access through partnerships and networking
to address the resources required for implementing the housing projects earlier
identified in the situational analysis.
LOCAL SHELTER PLANNING
Situational Analysis
In computing the land requirement, the LGU planners should consider the affordability
and preference of target beneficiaries. This will most likely vary between urban and non-
urban areas.
Land need for the duration of the planning period should be estimated on the basis of
the different housing options as well as present design standards. The minimum lot sizes
specified under Batas Pambansa 220 (BP 220) and/or under the Subdivision and
Condominium Buyer’s Protective Decree (PD 957), whichever is applicable, should be
used as reference. For non-multilevel dwellings, at most 70% of the land area is reserved
for residential lots.
LOCAL SHELTER PLANNING
Situational Analysis
LGUs are encouraged to go beyond the minimum 30% allocation for open or public
space. Advance and pro-active planning anticipates that a neighborhood will grow in
terms of population and economic activities. Thus provision for adequate public or open
space of at least 40% is recommended. This would prove to be more sustainable in the
long-term in maintaining good circulation, environmental stability, and a healthy social
mix.
The World Health Organization recommends at least 9 square meters open space per
person and should be accessible within 15 minutes’
walk.
LOCAL SHELTER PLANNING
Situational Analysis
In computing for the land need low-rise buildings,( LRBs) which are usually two to five
floors, the open space should be bigger than the aggregate area of the building’s
footprint.
For a one-hectare lot, the ratio ranges from 30% : 70 % to 40% : 60% vis-à-vis building to
open spaces and community facilities. This means that 3,000 to 4,000 sqm pertain to the
building, and 6,000 to 7,000 sqm pertain to open spaces and community facilities (roads,
parks, parking spaces, playground, chapel, day care center, school, health center or other
facilities).
The 3,000 to 4,000 sqm area allotted for the building is further segregated into private
areas, or dwelling units (60% or 1,800 to 2,400 sqm), and common areas such as
hallways/corridors, lobby, stairways, and stair landings (40% or 2,400 to 2,800sqm).
LOCAL SHELTER PLANNING
Situational Analysis
Steps:
1. List Land Available for Housing
Considerations:
a. Topography
b. Environmental considerations (buildable areas)
c. Provision of basic services
d. Access to employment opportunities and relevant institutions
e. Transportation opportunities and cost
f. Land classification
g. Vacant
The list of available land should indicate the location, land area and remark on the status or condition of the land
i.e. whether vacant or partially occupied, current land use or notable feature for planning purposes.
LOCAL SHELTER PLANNING
Situational Analysis
Steps:
2. Compare Land Requirement Vis-à-vis Land Available
The LGU planner should now compare the land requirement of each of the housing
projects as identified in the previous steps with the list of land available.
LOCAL SHELTER PLANNING
Situational Analysis
Steps:
3. Estimate the Need for Infrastructure And Basic Services For Housing
The UDHA mandates the LGU and the NHA, together with private developers and
concerned agencies, to provide basic services and facilities (infrastructure) for socialized
housing and resettlement areas. These basic services and facilities include the following:
• Potable water;
• Power and an adequate power distribution system;
• Garbage collection and disposal
• Sewerage facilities and sanitation systems;
• Access to primary roads and transportation facilities;
• Drainage system
LOCAL SHELTER
PLANNING
Situational Analysis
Steps:
4. Compare Infrastructure and Basic
Services Required for Housing vis-à-
vis What
is Available
Situational Analysis
Steps:
5. Estimate Housing Finance Requirement
calculating the amount of funds needed to implement the housing component of the
shelter plan for the following:
• land acquisition
• land development, including installation of basic services
• house construction
1. Natural Features
2. Spatial Patterns - spaces and sequences
3. Visual Resources – views and vistas
4. Site Context
5. Image/Symbols
6. Sensuous Qualities
7. Vocabulary of space
8. Sensuous Forms
SITE ANALYSIS
1. Natural Features
2. Spatial Pattern - is defined as the way an open space of a given site is configured
according to an arrangement of elements that evoke activity or flow, both physically
or visually
SITE ANALYSIS
3. Visual Resources
1. View – is a scene observed from a vantage point.
A view can be a theme that may suggest The full view is not always the best
and give added meaning to buildings. view.
SITE ANALYSIS
3. Visual Resources
2. Vista – is a confined view, usually directed toward a terminal or dominant feature. It
has three components: a viewing station, a view, and a foreground.
4. Site Context
There are many factors that make a site unique. These relate to the landscape,
the buildings and structures on and around the site, the people who inhabit and
use the buildings and spaces, and the way they move to and through the site.
Good design responds to these features which should be identified and
interpreted through the analysis process.
SITE ANALYSIS
5. Image/Symbols
Are there images/symbols in or around the site that could benefit the
development?
Does the site offer the opportunity to create a remarkable image or symbol of
the place?
6. Sensuous Forms & Qualities
Building form
need for visual amenity – backdrop of an area
Sense of place – ambience, memory of the place, identity/character
desired lighting
7. Vocabulary of space
Interior Spaces – function and space layout
Space organization and massing
ARPLAN 1
PLANNING 1 : SITE PLANNING & LANDSCAPE ARCHITECTURE
MOVEMENT SYSTEMS
rationale
Most constructions have meaning only to humans, and only as we experience them.
Thus, circulation pattern is a major function of any planned development because it
establishes the rate, sequence, and nature of its sensed realization or visual unfolding.
Every object as a perceptible entity exists in time as well as in space, through a flow of
impressions. Perception involves all senses and the rate, order, type, and degree of
perception are a matter of design control. Much of this control is effected by planned
patterns of circulation.
PEDESTRIAN CIRCULATION
Pedestrian Experience
1. Convenience
Pedestrian Experience
1. Convenience
Pedestrian Experience
2. Amenities
Pedestrian Experience
3. Spatial considerations
Pedestrian Experience
4. Sensory stimuli and related considerations
Aesthetic aspects of pedestrian circulation refer to the myriad sensory and intellectual
experiences enjoyed by pedestrians.
Designers should always keep in mind the many environmental factors that contribute to the
experiential enjoyment of outdoor places and seek to provide a richness of experience and a
depth of meaning to all who potentially may enjoy participation in designed or managed
environments.
PEDESTRIAN CIRCULATION
Pedestrian Experience
4. Sensory stimuli and related considerations
Tactile Auditory
temperature normal traffic noise
humidity excessive truck traffic
wind and breezes underground rumblings
precipitation air traffic
benches and seat walls distant highway noise
sittable ground surfaces echo
bars, knobs and handles conversation
handrailings and arm rests play activity
telephones, vending and banking machines music and song
textures under foot professional and amateur entertainment
vegetation within reach wind
water water
architectural facades wildlife
food and drink bells, chimes, and whistles
human contact wind-blown flags and fabrics
movable furniture
vendors
machinery
heating, ventilation, and cooling systems
foot traffic on various pavements
PEDESTRIAN CIRCULATION
Pedestrian Experience
4. Sensory stimuli and related considerations
Visual Olfactory
spatial perception (form, scale, etc.) street furniture and features vehicular emissions
form of objects overhead wires and cables industrial odors
proportion and scale of objects architecture odorous smoke
social activity vegetation fresh air
vehicular activity wildlife fragrant vegetation
prominent landforms overall character of a place restaurant doorways
vegetation sites under construction outdoor cafes
water features surface textures odoroud litter and debris
miscellaneous natural features color compositions refuse areas
sun and shadow tonal contrasts exhaust fans
rain, snow, fog, mist diurnal change
smoke seasonal change
litter moonlight
signage night-lighting
storefront advertisements glare and albedo
window displays viewsheds from important vantage points
posted bills general order
billboards overall congruencies
walls and fences
PEDESTRIAN CIRCULATION
Pedestrian Experience
Basic information on the pedestrian is useful in those instances in design where spatial
standards do not exist or where existing spatial standards are inapplicable.
1. Dimensional Criteria
- Human dimensions and activity
- Forward spatial bubbles (extent of
unobstructed forward vision while walking)
2. Movement Criteria
- Walking rates Type ft./min. m./min. km./min.
- Acceptable walking distances Average adult 260 72 4.3
Elderly (75 years) 215 67 4.0
- Pedestrian density Bunching 200 61 3.7
Stairways (going 152 46 2.8
3. Visual Criteria down)
- Eye levels and cone of vision Stairways (going up) 113 34 2.0
- Visual perception
PEDESTRIAN CIRCULATION
Pedestrian Experience
PEDESTRIAN CIRCULATION
Spatial Standards
1. Pathway width and slope criteria
Note: The edges of walkways adjacent to a curbed roadway (0.75 m. or 30 in. from street
edge) and those along a building façade (0.50-0.70 m. or 18-30 in.) are not often used. They
are used only under conditions of high pedestrian density.
Spatial Standards
1. Pathway width and slope criteria Walkway Slope Criteria:
- User abilities
Example: - Design objectives
Given: Volume of pedestrians = 100/minute; - Need for positive drainage
minimum space module desired = 18 sq.ft./pedestrian (dependent on paving material)
pedestrian walking speed (normal) = 260 ft/minute
*In the example, the walkway width shall be at least 2.11 meters.
*If you yield an answer suggesting very narrow walkway widths, recommend 1.20 to 1.60 m.
widths. These shall be adequate to accommodate the expected traffic load.
*The formula does not take into account the spatial requirements for street furniture, social
gathering places, minimal use of walkway edges, etc.
PEDESTRIAN CIRCULATION
Spatial Standards
2. Stairways
Tread-Riser Ratio – for ease of ascent and descent, and for safety reasons, tread-riser ratios
are always held constant within any particular stairway or set of stairways. The choice of ratio
will depend on the kinaesthetic effect desired by the designer, and on appearance. The
following formula is commonly used to determine acceptable tread-riser ratio for outdoor
stairways:
Spatial Standards
2. Stairways
- Outdoor stairways should be made easier to ascend and descend than interior stairways.
People tend to move at greater rates outdoors than they do indoors.
- Inherent to the tread-riser ratio are the ease of ascent and descent, and the sense of rhythm
to be enjoyed by the pedestrian. The kinaesthetic character of a stairway should be congruent
with the character of the environment in which the stairway is a part.
- Single steps in a walkway are very dangerous and should never be specified. minimum of
two, but preferably three steps should be specified, and their presence should be announced
conspicuously with railings, plantings, lighting, etc.
- Risers for outdoor stairways should be within the range 4.5 to 7 in. or 112 to 175 mm.
Spatial Standards
2. Stairways
Height between landings – Height between stairway landings is an important criterion for
psychological reasons as well as for reasons of human endurance. They should be best
designed so that an adult of average height standing on one landing can see the ground plane
of the next higher landing (i.e. 1.60m). In terms of human endurance, all changes in elevation
should be designed with an understanding of the diversity of human ability that exists among
the members of the population.
4. Seating criteria – Benches should be designed to ensure greatest comfort for the individual.
Seat walls are typically 16 to 18 inches wide and between 14 to 18 inches high (400 to
450mm)
PEDESTRIAN CIRCULATION
Spatial Standards
5. Hand railings – the cross section of the hand railing should allow a secure and comfortable
grip for maximum support. Hand railing heights for outdoor stairs and ramps range from 0.75-
0.80m.
- Hand railings on both sides of a stairway or ramp are important because some people have
one-sided strength.
- Extra wide stairways should have center railings for greater convenience and should no more
than be 6.0 m. apart.
- Railings should continue across intermediate landings.
- Railings should be capable of supporting 250 lbs or 114 kg of weight.
- Lower hand railings for the use of children and individuals on wheelchair are advisable.
6. Pedestrian signage – the design and placement of signs for use by pedestrians involves
consideration of visual field, scale of letters, proportion of letters, and tonal contrast between
letters and background.
BICYCLE CIRCULATION
Types of Bikeways
1. Bicycle Path (Class I) – a completely
separated right-of-way for the primary use
of bicycles
4. Widths of Bikeways – factors to consider when determining widths for bikeways must
include:
• spatial dimensions of bicyclist and bicycle
• maneuvering space required for balancing
• additional clearances required to avoid obstacles
Note: assume that 2-way travel will occur on bicycle paths regardless of design intention
Design Criteria
1. Bicycle Speed
Design speed is a term referring to the speed for which a bicycle path is designed. In
general, a minimum design speed of 32 kph should be used. For downhill grades
exceeding 4% or where strong tail winds often exist, a higher minimum design speed of
48 kph is advisable. On unpaved surfaces, a lower minimum design speed of 24 kph
can be used.
3. Curve Radii
The design speed chosen determines the appropriate curved radii. If bikeways are part of a
motor vehicle roadway, then no changes in radii are needed. If separate facilities are
planned, then the curves should be designed to allow unbraked turns at a prescribed
design speed.
BICYCLE CIRCULATION
Design Criteria
Minimum Curve Radii for Unbraked Turns:
R = V2______
15(e + f)
4. Intersections
A large share of bicycle-related accidents occurs at intersections of streets and
bikeways because of the confused comingling of bicycles, motor vehicles and
pedestrians. Major problems occur from the following conditions:
• Bicyclists turning left across traffic
• Bicyclists crossing an intersection when vehicular traffic is entering from or turning to
the right
BICYCLE CIRCULATION
Design Elements
1. Barriers and Separators – for delineation
• Bikeway Plantings – can prevent screen headlight glare and accidental crossovers
and can improve the aesthetic quality of a bikeway. The disadvantages include
consumption of a substantial amount of space and possible confusion at intersections
where planting strip need to be broken. Trees are better than shrub massing as they
take up less space and provide a visual, psychological and limited physical barrier.
• Painted Lines – are the simplest and cheapest bikeway delineation. It can continue
through intersections, allow bicyclists to leave the lane to make left turns, and permit
automobiles to enter driveways. However, it lacks a physical barrier or tactile warning
to prevent the encroachment of motor vehicles.
• Traffic Buttons – Raised and reflectorized traffic buttons provide a visual and tactile
warning to motorists while still allowing lane changes and access to driveways.
However, they may also be dangerous and make left turns difficult.
BICYCLE CIRCULATION
Design Elements
2. Paving and Surfacing – the pavement should be a smooth, non-slick surface and have a
thickness capable of supporting normal-size maintenance vehicles. Materials that can be
used for paving are asphalt, concrete, soil cement, stone chip aggregate and stabilized
earth.
4. Information Systems – all signs and markings placed on public streets and highways for
the benefit of the motorist also apply to the bicyclist.
• Traffic control devices
• Types of signages: regulatory, warning, guide
• Placement of signs
• Pavement markings
BICYCLE CIRCULATION
1. Bikeway plantings
• Plants can reduce headlight glare and traffic dust when used to provide a visual and
physical barrier between bicycle and motor vehicle traffic.
• Racks and locking devices for bicycles – bicycle racks and parking facilities should
be located as close to destinations as possible without interfering with pedestrian
traffic. Storage facilities too far away (more than 15 m) encourage the bicyclist to
attach the bicycle to the nearest tree, light pole, or parking meter. Locate storage
facilities where there is visual supervision, lighting and shelter from inclement weather.
• Fixtures for bicycle routes – elements such as shelters, benches, tables, grills, rest
rooms, trash receptacles, bulletin boards, telephones, and drinking fountains may be
provided. Simple rest stops where bicyclists can pull off the bikeway and rest or enjoy a
fine view are obviously much less expensive and can add to the attractiveness of a
recreational facility.
The automobile has become a basic unit in site planning and design, and often sets the
scale and pattern of future development. As a result, the integration of vehicular circulation
in the site planning process is critical in order to satisfy its functions. Vehicular circulation
on a site accommodates one or more of the following purposes:
2. Major arterial systems – these systems allow through-traffic movement between and
across urban areas with direct access to abutting properties. They are subject to
control of entrances, exits, and curb use.
3. Collector street systems – these systems allow traffic movement between major arterial
and local streets, with direct access to abutting properties. Traffic control is usually
provided by stop signs on the side streets.
4. Local street systems – these systems allow local traffic movement and direct access to
abutting land.
VEHICULAR CIRCULATION
*Parkways are a very important type of recreational, circulation route, facilitating the
efficient movement of large volumes of through-traffic through areas of high scenic quality.
They usually disallow commercial vehicles, such as trucks and buses.
*On-site drives and roads refer to vehicular access routes within a site; they represent a
category of classification finer than that of the local street system.
VEHICULAR CIRCULATION
Circulation
Patterns
VEHICULAR CIRCULATION
1. The location of a roadway should be based on a survey of all determinants which include
but are not limited to:
• Present and proposed land uses and traffic ways
• Areas where redevelopment or change is desirable
• Existing and planned transportation facilities
• Traffic “desire lines”
• Topographic features
• Ecological factors
• Historical factors
• Permanent areas and features to remain
• Scenic opportunities
• Social, economic, and political structures
• Safety
• Acquisition and development costs
• Operation and maintenance costs
VEHICULAR CIRCULATION
2. The location and design of a roadway must include consideration of its effect on
contiguous uses in terms of noise and fumes.
4. A roadway should be so aligned and constructed as to preserve and accentuate the best
qualities of the landscape.
7. Where used as an approach or entry, a road, by its location and design, should respond
to interesting views
VEHICULAR CIRCULATION
Parking
Thorough consideration of all factors pertaining to parking should be given to the overall
plan of any project at its inception in order to integrate the design of buildings and
structures with parking areas and related improvements. Residential, commercial,
industrial, institutional, recreational, and other types of projects all have particular
requirements relative to parking and should be planned accordingly. When detailed parking
layouts are developed simultaneously with building plans, oversights leading to inefficient
control of traffic and similar errors of design can be avoided.
A major consideration in the design of any parking area is simplicity. Parking areas should
not be complex or designed in such a manner as to test a driver’s ability.
MOVEMENT SYSTEMS
rationale
Most constructions have meaning only to humans, and only as we experience them.
Thus, circulation pattern is a major function of any planned development because it
establishes the rate, sequence, and nature of its sensed realization or visual unfolding.
Every object as a perceptible entity exists in time as well as in space, through a flow of
impressions. Perception involves all senses and the rate, order, type, and degree of
perception are a matter of design control. Much of this control is effected by planned
patterns of circulation.
PEDESTRIAN CIRCULATION
Pedestrian Experience
1. Convenience
Pedestrian Experience
1. Convenience
Pedestrian Experience
2. Amenities
Pedestrian Experience
3. Spatial considerations
Pedestrian Experience
4. Sensory stimuli and related considerations
Aesthetic aspects of pedestrian circulation refer to the myriad sensory and intellectual
experiences enjoyed by pedestrians.
Designers should always keep in mind the many environmental factors that contribute to the
experiential enjoyment of outdoor places and seek to provide a richness of experience and a
depth of meaning to all who potentially may enjoy participation in designed or managed
environments.
PEDESTRIAN CIRCULATION
Pedestrian Experience
4. Sensory stimuli and related considerations
Tactile Auditory
temperature normal traffic noise
humidity excessive truck traffic
wind and breezes underground rumblings
precipitation air traffic
benches and seat walls distant highway noise
sittable ground surfaces echo
bars, knobs and handles conversation
handrailings and arm rests play activity
telephones, vending and banking machines music and song
textures under foot professional and amateur entertainment
vegetation within reach wind
water water
architectural facades wildlife
food and drink bells, chimes, and whistles
human contact wind-blown flags and fabrics
movable furniture
vendors
machinery
heating, ventilation, and cooling systems
foot traffic on various pavements
PEDESTRIAN CIRCULATION
Pedestrian Experience
4. Sensory stimuli and related considerations
Visual Olfactory
spatial perception (form, scale, etc.) street furniture and features vehicular emissions
form of objects overhead wires and cables industrial odors
proportion and scale of objects architecture odorous smoke
social activity vegetation fresh air
vehicular activity wildlife fragrant vegetation
prominent landforms overall character of a place restaurant doorways
vegetation sites under construction outdoor cafes
water features surface textures odoroud litter and debris
miscellaneous natural features color compositions refuse areas
sun and shadow tonal contrasts exhaust fans
rain, snow, fog, mist diurnal change
smoke seasonal change
litter moonlight
signage night-lighting
storefront advertisements glare and albedo
window displays viewsheds from important vantage points
posted bills general order
billboards overall congruencies
walls and fences
PEDESTRIAN CIRCULATION
Pedestrian Experience
Basic information on the pedestrian is useful in those instances in design where spatial
standards do not exist or where existing spatial standards are inapplicable.
1. Dimensional Criteria
- Human dimensions and activity
- Forward spatial bubbles (extent of
unobstructed forward vision while walking)
2. Movement Criteria
- Walking rates Type ft./min. m./min. km./min.
- Acceptable walking distances Average adult 260 72 4.3
Elderly (75 years) 215 67 4.0
- Pedestrian density Bunching 200 61 3.7
Stairways (going 152 46 2.8
3. Visual Criteria down)
- Eye levels and cone of vision Stairways (going up) 113 34 2.0
- Visual perception
PEDESTRIAN CIRCULATION
Pedestrian Experience
PEDESTRIAN CIRCULATION
Spatial Standards
1. Pathway width and slope criteria
Note: The edges of walkways adjacent to a curbed roadway (0.75 m. or 30 in. from street
edge) and those along a building façade (0.50-0.70 m. or 18-30 in.) are not often used. They
are used only under conditions of high pedestrian density.
Spatial Standards
1. Pathway width and slope criteria Walkway Slope Criteria:
- User abilities
Example: - Design objectives
Given: Volume of pedestrians = 100/minute; - Need for positive drainage
minimum space module desired = 18 sq.ft./pedestrian (dependent on paving material)
pedestrian walking speed (normal) = 260 ft/minute
*In the example, the walkway width shall be at least 2.11 meters.
*If you yield an answer suggesting very narrow walkway widths, recommend 1.20 to 1.60 m.
widths. These shall be adequate to accommodate the expected traffic load.
*The formula does not take into account the spatial requirements for street furniture, social
gathering places, minimal use of walkway edges, etc.
PEDESTRIAN CIRCULATION
Spatial Standards
2. Stairways
Tread-Riser Ratio – for ease of ascent and descent, and for safety reasons, tread-riser ratios
are always held constant within any particular stairway or set of stairways. The choice of ratio
will depend on the kinaesthetic effect desired by the designer, and on appearance. The
following formula is commonly used to determine acceptable tread-riser ratio for outdoor
stairways:
Spatial Standards
2. Stairways
- Outdoor stairways should be made easier to ascend and descend than interior stairways.
People tend to move at greater rates outdoors than they do indoors.
- Inherent to the tread-riser ratio are the ease of ascent and descent, and the sense of rhythm
to be enjoyed by the pedestrian. The kinaesthetic character of a stairway should be congruent
with the character of the environment in which the stairway is a part.
- Single steps in a walkway are very dangerous and should never be specified. minimum of
two, but preferably three steps should be specified, and their presence should be announced
conspicuously with railings, plantings, lighting, etc.
- Risers for outdoor stairways should be within the range 4.5 to 7 in. or 112 to 175 mm.
Spatial Standards
2. Stairways
Height between landings – Height between stairway landings is an important criterion for
psychological reasons as well as for reasons of human endurance. They should be best
designed so that an adult of average height standing on one landing can see the ground plane
of the next higher landing (i.e. 1.60m). In terms of human endurance, all changes in elevation
should be designed with an understanding of the diversity of human ability that exists among
the members of the population.
4. Seating criteria – Benches should be designed to ensure greatest comfort for the individual.
Seat walls are typically 16 to 18 inches wide and between 14 to 18 inches high (400 to
450mm)
PEDESTRIAN CIRCULATION
Spatial Standards
5. Hand railings – the cross section of the hand railing should allow a secure and comfortable
grip for maximum support. Hand railing heights for outdoor stairs and ramps range from 0.75-
0.80m.
- Hand railings on both sides of a stairway or ramp are important because some people have
one-sided strength.
- Extra wide stairways should have center railings for greater convenience and should no more
than be 6.0 m. apart.
- Railings should continue across intermediate landings.
- Railings should be capable of supporting 250 lbs or 114 kg of weight.
- Lower hand railings for the use of children and individuals on wheelchair are advisable.
6. Pedestrian signage – the design and placement of signs for use by pedestrians involves
consideration of visual field, scale of letters, proportion of letters, and tonal contrast between
letters and background.
BICYCLE CIRCULATION
Types of Bikeways
1. Bicycle Path (Class I) – a completely
separated right-of-way for the primary use
of bicycles
4. Widths of Bikeways – factors to consider when determining widths for bikeways must
include:
• spatial dimensions of bicyclist and bicycle
• maneuvering space required for balancing
• additional clearances required to avoid obstacles
Note: assume that 2-way travel will occur on bicycle paths regardless of design intention
Design Criteria
1. Bicycle Speed
Design speed is a term referring to the speed for which a bicycle path is designed. In
general, a minimum design speed of 32 kph should be used. For downhill grades
exceeding 4% or where strong tail winds often exist, a higher minimum design speed of
48 kph is advisable. On unpaved surfaces, a lower minimum design speed of 24 kph
can be used.
3. Curve Radii
The design speed chosen determines the appropriate curved radii. If bikeways are part of a
motor vehicle roadway, then no changes in radii are needed. If separate facilities are
planned, then the curves should be designed to allow unbraked turns at a prescribed
design speed.
BICYCLE CIRCULATION
Design Criteria
Minimum Curve Radii for Unbraked Turns:
R = V2______
15(e + f)
4. Intersections
A large share of bicycle-related accidents occurs at intersections of streets and
bikeways because of the confused comingling of bicycles, motor vehicles and
pedestrians. Major problems occur from the following conditions:
• Bicyclists turning left across traffic
• Bicyclists crossing an intersection when vehicular traffic is entering from or turning to
the right
BICYCLE CIRCULATION
Design Elements
1. Barriers and Separators – for delineation
• Bikeway Plantings – can prevent screen headlight glare and accidental crossovers
and can improve the aesthetic quality of a bikeway. The disadvantages include
consumption of a substantial amount of space and possible confusion at intersections
where planting strip need to be broken. Trees are better than shrub massing as they
take up less space and provide a visual, psychological and limited physical barrier.
• Painted Lines – are the simplest and cheapest bikeway delineation. It can continue
through intersections, allow bicyclists to leave the lane to make left turns, and permit
automobiles to enter driveways. However, it lacks a physical barrier or tactile warning
to prevent the encroachment of motor vehicles.
• Traffic Buttons – Raised and reflectorized traffic buttons provide a visual and tactile
warning to motorists while still allowing lane changes and access to driveways.
However, they may also be dangerous and make left turns difficult.
BICYCLE CIRCULATION
Design Elements
2. Paving and Surfacing – the pavement should be a smooth, non-slick surface and have a
thickness capable of supporting normal-size maintenance vehicles. Materials that can be
used for paving are asphalt, concrete, soil cement, stone chip aggregate and stabilized
earth.
4. Information Systems – all signs and markings placed on public streets and highways for
the benefit of the motorist also apply to the bicyclist.
• Traffic control devices
• Types of signages: regulatory, warning, guide
• Placement of signs
• Pavement markings
BICYCLE CIRCULATION
1. Bikeway plantings
• Plants can reduce headlight glare and traffic dust when used to provide a visual and
physical barrier between bicycle and motor vehicle traffic.
• Racks and locking devices for bicycles – bicycle racks and parking facilities should
be located as close to destinations as possible without interfering with pedestrian
traffic. Storage facilities too far away (more than 15 m) encourage the bicyclist to
attach the bicycle to the nearest tree, light pole, or parking meter. Locate storage
facilities where there is visual supervision, lighting and shelter from inclement weather.
• Fixtures for bicycle routes – elements such as shelters, benches, tables, grills, rest
rooms, trash receptacles, bulletin boards, telephones, and drinking fountains may be
provided. Simple rest stops where bicyclists can pull off the bikeway and rest or enjoy a
fine view are obviously much less expensive and can add to the attractiveness of a
recreational facility.
The automobile has become a basic unit in site planning and design, and often sets the
scale and pattern of future development. As a result, the integration of vehicular circulation
in the site planning process is critical in order to satisfy its functions. Vehicular circulation
on a site accommodates one or more of the following purposes:
2. Major arterial systems – these systems allow through-traffic movement between and
across urban areas with direct access to abutting properties. They are subject to
control of entrances, exits, and curb use.
3. Collector street systems – these systems allow traffic movement between major arterial
and local streets, with direct access to abutting properties. Traffic control is usually
provided by stop signs on the side streets.
4. Local street systems – these systems allow local traffic movement and direct access to
abutting land.
VEHICULAR CIRCULATION
*Parkways are a very important type of recreational, circulation route, facilitating the
efficient movement of large volumes of through-traffic through areas of high scenic quality.
They usually disallow commercial vehicles, such as trucks and buses.
*On-site drives and roads refer to vehicular access routes within a site; they represent a
category of classification finer than that of the local street system.
VEHICULAR CIRCULATION
Circulation
Patterns
VEHICULAR CIRCULATION
1. The location of a roadway should be based on a survey of all determinants which include
but are not limited to:
• Present and proposed land uses and traffic ways
• Areas where redevelopment or change is desirable
• Existing and planned transportation facilities
• Traffic “desire lines”
• Topographic features
• Ecological factors
• Historical factors
• Permanent areas and features to remain
• Scenic opportunities
• Social, economic, and political structures
• Safety
• Acquisition and development costs
• Operation and maintenance costs
VEHICULAR CIRCULATION
2. The location and design of a roadway must include consideration of its effect on
contiguous uses in terms of noise and fumes.
4. A roadway should be so aligned and constructed as to preserve and accentuate the best
qualities of the landscape.
7. Where used as an approach or entry, a road, by its location and design, should respond
to interesting views
VEHICULAR CIRCULATION
Parking
Thorough consideration of all factors pertaining to parking should be given to the overall
plan of any project at its inception in order to integrate the design of buildings and
structures with parking areas and related improvements. Residential, commercial,
industrial, institutional, recreational, and other types of projects all have particular
requirements relative to parking and should be planned accordingly. When detailed parking
layouts are developed simultaneously with building plans, oversights leading to inefficient
control of traffic and similar errors of design can be avoided.
A major consideration in the design of any parking area is simplicity. Parking areas should
not be complex or designed in such a manner as to test a driver’s ability.