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1/25/24, 5:57 PM Jana Gana Mana - Wikipedia

Jana Gana Mana


"Jana Gana Mana" (lit. 'Thou Art the Ruler of the Minds of All People') is the national anthem of the Republic of India. It was originally composed as Bharoto Bhagyo Bidhata in Bengali by polymath Rabindranath
Jana Gana Mana
Tagore[1][2] on 11 December 1911.[3][4][5] The first stanza of the song Bharoto Bhagyo Bidhata was adopted by the Constituent Assembly of India as the National Anthem on 24 January 1950.[6][7][8] A formal rendition of the
national anthem takes approximately 52 seconds. A shortened version consisting of the first and last lines (and taking about 20 seconds to play) is also staged occasionally.[9] It was first publicly sung on 27 December 1911 at English: "Thou Art the Ruler of the
the Calcutta (now Kolkata) Session of the Indian National Congress.[10][11] Minds of All People"

History
The National Anthem of India is titled "Jana Gana Mana". The song was originally composed in Bengali by India's first Nobel laureate Rabindranath Tagore on 11 December 1911.[12][13][14] The parent song, 'Bharoto Bhagyo
Bidhata' is a Brahmo hymn that has five verses and only the first verse has been adopted as the national anthem. If put forward succinctly, the anthem conveys the spirit of pluralism or in a more popular term the concept of
'unity in diversity', which lies at the core of India's cultural heritage.

The lyrics of the song first appeared in 5 stanzas in Bengali magazine in an issue of Tatwabodhini Patrika. The melody of the song, in raga Alhaiya Bilaval, was composed as a Brahmo Hymn by Tagore himself with possibly
some help from his musician grand-nephew Dinendranath Tagore. The final form of the song before the first public performance was set on 11 December 1911.[15][13][16]

The song was first publicly sung on the second day of the annual session of the Indian National Congress in Calcutta (now Kolkata) on 27 December 1911 by Rabindranath Tagore's niece in her school assembly.[17] Then, it
was followed in January 1912 at the annual event of the Adi Brahmo Samaj,[18][19] However, it was largely unknown except to the readers of the Adi Brahmo Samaj journal, Tattwabodhini Patrika. The poem was published
in January 1912, under the title Bharat Bhagya Bidhata in the Tatwabodhini Patrika, which was the official publication of the Brahmo Samaj with Tagore then the Editor.[20]

In 1917, the song was again performed at the Congress conference and this time in aid of instrumental music by the Mahraja Bahadur of Nattore.[21]

Outside of Calcutta, the song was first sung by the bard himself at a session in Besant Theosophical College in Madanapalle, Andhra Pradesh on 28 February 1919 when Tagore visited the college and sang the song. The song Sheet music for "Jana Gana Mana"
enthralled the college students and Margaret Cousins, then vice-principal of the college (also an expert in European music and wife of Irish poet Dr James Cousins). Based on the notes provided by Tagore himself, the song
was preserved in 1919 in Western notation at Madanapalle of Andhra Pradesh by Mrs. Margaret Cousins and her students. The whole episode was recorded by Dr. Cousins in his autobiography "We Two Together":[22] National anthem of India

In a voice surprisingly light for so large a man, he sang something like a piece of geography giving a list of countries, mountains and rivers; and in the second verse, a list of the religions in India. The refrain Lyrics Rabindranath Tagore,
to the first made us pick up our ears. The refrain to the second verse made us clear our throats. We asked for it again and again, and before long we were singing it with gusto: Jaya hai, Jaya hai, Jaya hai, 11 December 1911
Jaya JayaJayaJaya hai (Victory, victory, victory to thee). We had no idea who or what was to have the victory. The next day Rabindranath gave the swarams(notes) of "Jana gana" to Mrs.Cousins so that the Music Rabindranath Tagore,
melody should have accurate permanent record. He also made the translation of the song into English as 'The Morning Song of India'. 11 December 1911
Adopted 24 January 1950
Thus, Mrs. Cousins became probably the first person to transcribe and preserve Tagore's composition in Western sheet music notation at Madanapalle based on the notes provided by Tagore himself. And soon it took its
Audio sample
place in the "daily deciation" of the combined school and college of Besant Hall in Madanapalle and is still sung to this date. It was also here that the song was first translated into English by Tagore as "The Morning Song of
India".[22]
1:04
The song was selected as the national anthem by Subhas Chandra Bose while he was in Germany. On the occasion of the founding meeting of the German-Indian Society on 11 September 1942 in the Hotel Atlantic in
Hamburg, "Jana Gana Mana" was played for the first time by the Hamburg Radio Symphony Orchestra as the national anthem of India.[23] The musical notations for this interpretation of the song were prepared by B.L. Instrumental version of Jana Gana
Mukherjee and Ambik Majumdar.[24] Mana played by the US Navy (circa
1983)
Before it officially became the national anthem of India in 1950, "Jana Gana Mana" was heard in the 1945 film Hamrahi.[25] It was also adopted as a school song of The Doon School, Dehradun in 1935.[26] file · help

On the occasion of India attaining freedom, the Indian Constituent Assembly assembled for the first time as a sovereign body at midnight on 14 August 1947; the session closed with a unanimous performance of "Jana Gana Mana".

The members of the Indian delegation to the General Assembly of the United Nations held in New York in 1947 gave a recording of "Jana Gana Mana" as the country's national anthem. The song was played by the house orchestra in
front of a gathering consisting of representatives from all over the world.

Code of conduct
The National Anthem of India is played or sung on various occasions. Instructions have been issued from time to time about the correct versions of the anthem, the occasions on which these are to be played or sung and the need for
paying respect to the anthem by observance of proper decorum on such occasions. The substance of these instructions has been embodied in the information sheet issued by the government of India for general information and
guidance. The approximate duration of the full version of the National Anthem of India is 52 seconds; the shorter version is approximately 20 seconds.[9]

Lyrics Rabindranath Tagore,


the author and
composer of the national
The poem was composed in a literary register of the Bengali language called Sadhu Bhasha, which is heavily Sanskritised. anthems of India and
Bangladesh

Original translation from Bengali

The English version was translated by Rabindranath Tagore on 28 February 1919 at the Besant Theosophical College.[27][28]

Latin transliteration
Bengali script
(ISO 15919)
IPA transcription[a]

Rabindranath Tagore
জনগণমন-অধিনায়ক জয় হে ভারতভাগ্যবিধাতা! reciting "Jana Gana
Jana-gaṇa-mana-adhināẏaka jaẏa hē Bhārata-bhāgya-bidhātā[b]! [d͡ ʒɔ.no ɡɔ.no mɔ.no o.d̪ ʱi.nae̯ .ɔ.ko d͡ ʒɔe̯ .o ɦe |] [bʱa.ro.t̪ o bʱaɡ.ɡo bi.d̪ ʱa.t̪ a ǁ] Mana"
Pañjāba Sindhu Gujarāṭa Marāṭhā Drābiṛa[c] Utkala Baṅga[d] [pɔn.d͡ ʒa.bo ʃin.d̪ ʱu ɡud͡ ʒ.ra.ʈo ma.ra.ʈʰa |] [d̪ ra.bi.ɽo ut̪ .kɔ.lo bɔŋ.ɡo ‖]
পঞ্জাব সিন্ধু গুজরাট মরাঠা দ্রাবিড় উৎকল বঙ্গ
Bindhya[e] Himācala Yamunā Gaṅgā Ucchala-jaladhi-taraṅga [bin.d̪ ʱo ɦi.ma.t͡ ʃɔ.lo d͡ ʒo.mu.na ɡɔŋ.ɡa |] [ut.t͡ ʃʰɔ.lo d͡ ʒɔ.lo.d̪ ʱi.to.rɔŋ.ɡo ‖]
বিন্ধ্য হিমাচল যমুনা গঙ্গা উচ্ছলজলধিতরঙ্গ
Taba[f] śubha nāmē jāgē, taba[f] śubha āśiṣa māgē, [t̪ ɔ.bo ʃu.bʱo na.me d͡ ʒa.ɡe] [t̪ ɔ.bo ʃu.bʱo a.ʃi.ʃo ma.ɡe] 1942 orchestral instrumental
তব শুভ নামে জাগে, তব শুভ আশিষ মাগে,
গাহে তব জয়গাথা। gāhē taba[f] jaẏagāthā. [ga.ɦe t̪ ɔ.bo d͡ ʒɔe̯ .o ɡa.t̪ ʰa ‖] recording (with narrated intro)
Jana-gaṇa-maṅgala-dāẏaka jaẏa hē Bhārata-bhāgya-bidhātā[b]! [d͡ ʒɔ.no ɡɔ.no moŋ.ɡɔ.lo d̪ ae̯ .ɔ.ko d͡ ʒɔe̯ .o ɦe |] [bʱa.ro.t̪ o bʱaɡ.ɡo bi.d̪ ʱa.t̪ a ‖]
জনগণমঙ্গলদায়ক জয় হে ভারতভাগ্যবিধাতা! 1:41
Jaẏa hē, jaẏa hē, jaẏa hē, jaẏa jaẏa jaẏa jaẏa hē. [d͡ ʒɔe̯ .o ɦe | d͡ ʒɔe̯ .o ɦe | d͡ ʒɔe̯ .o ɦe |] [d͡ ʒɔe̯ .o d͡ ʒɔe̯ .o d͡ ʒɔe̯ .o d͡ ʒɔe̯ .o ɦe ‖]
জয় হে, জয় হে, জয় হে, জয় জয় জয় জয় হে॥ Performed by the Radio Hamburg
Chamber Orchestra as the national
anthem of India on 11 September
English translation by Rabindranath Tagore 1942 in Hamburg, Germany

Problems playing this file? See media help.


Thou art the ruler of the minds of all people,
dispenser of India's destiny.
Vocal recording
Thy name rouses the hearts of the Punjab, Sindh, Gujarat and Maratha (It refers to the present Maharashtra region and not to the Maratha caste.),
of the Dravida, Orissa and Bengal. 0:53

It echoes in the hills of the Vindhyas and Himalayas, mingles in the music of the Yamuna and Ganges
and is chanted by the waves of the Indian Sea.
Problems playing this file? See media help.
They pray for thy blessings and sing thy praise.
The saving of all people waits in thy hand,
thou dispenser of India's destiny.
Victory, Victory, Victory to thee.

Official lyrics in Devanagari

Official romanisation[30] Latin transliteration


Devanagari[29] IPA transcription[g]
(bold indicates long vowels) (ISO 15919)

जन-गण-मन अधिनायक जय हे, भारत भाग्य विधाता! Jana-gana-mana-adhinayaka jaya he Bharata-bhagya-vidhata Jana-gaṇa-mana adhināyaka jaya hē Bhārata-bhāgya-vidhātā. [d͡ ʒə.nə gə.ɳə mə.nə ə.d̪ ʱi.nɑː.jə.kə d͡ ʒə.jə ɦeː] [bʱɑː.ɾə.t̪ ə bʱɑːg.jə ʋɪ.dʱɑː.t̪ ɑː ǁ]
पंजाब-सिंधु-गुजरात-मराठा, द्राविड़-उत्कल-बंग Panjaba-Sindhu-Gujarata-Maratha Dravida-Utkala-Banga Pañjāba-Sindha[l]-Gujarāta-Marāṭhā, Drāviṛa-Utkala Baṅga [pəɲ.d͡ ʒɑː.bə sɪn.d̪ ʱə gʊ.d͡ ʒə.ɾɑː.t̪ ə mə.ɾɑː.ʈʰɑː |] [d̪ ɾɑː.ʋɪ.ɽə ʊt̪ .kə.lə bəŋ.gə]
विन्ध्य[h] हिमाचल यमुना गंगा, उच्छल जलधि तरंग Vindhya-Himachala-Yamuna-Ganga Uchchhala-jaladhi-taranga Vindhya Himācala Yamunā Gaṅgā, Ucchala jaladhi taraṅga [ʋɪnd̪ ʱ.jə ɦɪ.mɑː.t͡ ʃə.lə jə.mʊ.nɑː gəŋ.gɑː |] [ʊt.t͡ ʃʰə.lə d͡ ʒə.lə.d̪ ʱi t̪ ə.ɾəŋ.gə]
तव[i] शुभ नामे जागे, तव[i] शुभाशीष[j] मागे Tava[k] subha name jage, tava[k] subhasisa mage, Tava[k] śubha nāmē jāgē, tava[k] śubhāśīṣa māgē [t̪ ə.ʋə[m] ʃʊ.bʱə nɑː.meː d͡ ʒɑː.geː] [t̪ ə.ʋə[m] ʃʊ.bʱɑː.ʃiː.ʂə mɑː.geː]
गाहे तव[i] जय गाथा। gahe tava[k] jaya-gatha. gāhē tava[k] jaya gāthā. [gɑː.ɦeː t̪ ə.ʋə[m] d͡ ʒə.jə gɑː.t̪ ʰɑː ‖]
जन-गण-मंगलदायक जय हे, भारत भाग्य विधाता! Jana-gana-mangala-dayaka jaya he Bharata-bhagya-vidhata. Jana gaṇa maṅgala-dāyaka jaya hē, Bhārata bhāgya vidhātā. [d͡ ʒə.nə gə.ɳə məŋ.gə.lə d̪ ɑː.jə.kə d͡ ʒə.jə ɦeː |] [bʱɑː.ɾə.t̪ ə bʱɑːg.jə ʋɪ.d̪ ʱɑː.t̪ ɑː ‖]
जय हे! जय हे! जय हे! जय जय जय जय हे! Jaya he, jaya he, jaya he, jaya jaya jaya jaya he. Jaya hē, jaya hē, jaya hē, jaya jaya jaya jaya hē. [d͡ ʒə.jə ɦeː | d͡ ʒə.jə ɦeː | d͡ ʒə.jə ɦeː |] [d͡ ʒə.jə d͡ ʒə.jə d͡ ʒə.jə d͡ ʒə.jə ɦeː ‖]

Abridged version

A short version consisting of the first and last lines of the National Anthem is also played on certain occasions.[31][30]

Official romanisation[30] Latin transliteration


Devanagari script[32] (ISO 15919) IPA transcription[g]
(bold indicates long vowels)

जन-गण-मन अधिनायक जय हे भारत भाग्य विधाता । Jana-gana-mana-adhinayaka jaya he Bharata-bhagya vidhata. Jana-gaṇa-mana adhināyaka jaya hē Bhārata-bhāgya-vidhātā. [d͡ ʒə.nə gə.ɳə mə.nə ə.d̪ ʱi.nɑː.jə.kə d͡ ʒə.jə ɦeː] [bʱɑː.ɾə.t̪ ə bʱɑːg.jə ʋɪ.dʱɑː.t̪ ɑː ǁ]
जय हे, जय हे, जय हे, जय जय जय जय हे । Jaya he, jaya he, jaya he, jaya jaya jaya jaya he. Jaya hē, jaya hē, jaya hē, jaya jaya jaya jaya hē. [d͡ ʒə.jə ɦeː | d͡ ʒə.jə ɦeː | d͡ ʒə.jə ɦeː |] [d͡ ʒə.jə d͡ ʒə.jə d͡ ʒə.jə d͡ ʒə.jə ɦeː ‖]

Raga

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"Jana Gana Mana" is sung in the raga Alhaiya Bilaval.[33] In the national anthem, the tivra Madhyama svara is employed.

Gallery

Tagore's translation of Page 1 of Tagore's Page 2 of Tagore's


"Jana Gana Mana" on translation of "Jana translation of "Jana
28 February 1919, at Gana Mana" on 28 Gana Mana" on 28
the Besant February 1919, at the February 1919, at the
Theosophical College Besant Theosophical Besant Theosophical
College College

Controversies

Historical significance

The composition was first sung during a convention of the Indian National Congress in Calcutta on 27 December 1911.[34] It was sung on the second day of the convention. The event was reported as such in the British Indian press:

"The Bengali poet Rabindranath Tagore sang a song composed by him specially to welcome the Emperor." (Statesman, 28 December 1911)
"The proceedings began with the singing by Rabindranath Tagore of a song specially composed by him in honour of the Emperor." (Englishman, 28 December 1911)
"When the proceedings of the Indian National Congress began on Wednesday 27 December 1911, a Bengali song in welcome of the Emperor was sung. A resolution welcoming the Emperor and Empress was also adopted unanimously." (Indian, 29
December 1911)

Many historians aver that the newspaper reports cited above were misguided. The confusion arose in the Indian press since a different song, "Badshah Humara" written in Hindi by Rambhuj Chaudhary,[35] was sung on the same occasion in praise of George V.
The nationalist press in India stated this difference of events clearly:

"The proceedings of the Congress party session started with a prayer in Bengali to praise God (song of benediction). This was followed by a resolution expressing loyalty to King George V. Then another song was sung welcoming King George V."
(Amrita Bazar Patrika, 28 December 1911)
"The annual session of Congress began by singing a song composed by the great Bengali poet Rabindranath Tagore. Then a resolution expressing loyalty to King George V was passed. A song paying a heartfelt homage to King George V was then
sung by a group of boys and girls." (The Bengalee, 28 December 1911)

Even the report of the annual session of the Indian National Congress of December 1911 stated this difference:

"On the first day of 28th annual session of the Congress, proceedings started after singing Vande Mataram. On the second day the work began after singing a patriotic song by Babu Rabindranath Tagore. Messages from well-wishers were then read
and a resolution was passed expressing loyalty to King George V. Afterwards the song composed for welcoming King George V and Queen Mary was sung."

On 10 November 1937, Tagore wrote a letter to Pulin Bihari Sen about the controversy. That letter in Bengali can be found in Tagore's biography Rabindrajibani, volume II page 339 by Prabhatkumar Mukherjee.

"A certain high official in His Majesty's service, who was also my friend, had requested that I write a song of felicitation towards the Emperor. The request simply amazed me. It caused a great stir in my heart. In response to that great mental
turmoil, I pronounced the victory in Jana Gana Mana of that Bhagya Bidhata [ed. God of Destiny] of India who has from age after age held steadfast the reins of India's chariot through rise and fall, through the straight path and the curved. That
Lord of Destiny, that Reader of the Collective Mind of India, that Perennial Guide, could never be George V, George VI, or any other George. Even my official friend understood this about the song. After all, even if his admiration for the crown was
excessive, he was not lacking in simple common sense."[36][37]

Again in his letter of 19 March 1939, Tagore writes:[38]

"I should only insult myself if I cared to answer those who consider me capable of such unbounded stupidity as to sing in praise of George the Fourth or George the Fifth as the Eternal Charioteer leading the pilgrims on their journey through
countless ages of the timeless history of mankind." (Purvasa, Phalgun, 1354, p. 738.)

These clarifications by Tagore regarding the controversy occurred only after the death of King George V in 1936. Earlier, in 1915, after Tagore was awarded the Nobel Literature Prize, George V had conferred a knighthood on him, which he renounced in 1919 in
protest over the Jallianwala Bagh massacre; writing a letter addressed to the viceroy of India Lord Chelmsford: "The time has come when badges of honour make our shame glaring in their incongruous context of humiliation, and I for my part wish to stand,
shorn of all special distinctions, by the side of my country men."[39][40]

Singing

In Kerala, students belonging to the Jehovah's Witnesses religious denomination were expelled by school authorities for their refusal to sing the national anthem on religious grounds, although they stood up when the anthem was sung.[41] The Kerala High
Court concluded that there was nothing in it which could offend anyone's religious susceptibilities, and upheld their expulsion. On 11 August 1986,[42] the Supreme Court reversed the High Court and ruled that the High Court had misdirected itself because the
question is not whether a particular religious belief or practice appeals to our reason or sentiment but whether the belief is genuinely and conscientiously held as part of the profession or practice of religion. "Our personal views and reactions are irrelevant."
The Supreme Court affirmed the principle that it is not for a secular judge to sit in judgment on the correctness of a religious belief.[43]

The Supreme Court observed in its ruling that:[44]

There is no provision of law which obliges anyone to sing the National Anthem nor is it disrespectful to the National Anthem if a person who stands up respectfully when the National Anthem is sung does not join the singing. Proper respect is
shown to the National Anthem by standing up when the National Anthem is sung. It will not be right to say that disrespect is shown by not joining in the singing. Standing up respectfully when the National Anthem is sung but not singing oneself
clearly does not either prevent the singing of the National Anthem or cause disturbance to an assembly engaged in such singing so as to constitute the offence mentioned in s. 3 of the Prevention of Insults to National Honour Act.

In some states, the anthem must be played before films are played at cinemas. On 30 November 2016, to instil "committed patriotism and nationalism", the Supreme Court ordered that all cinemas nationwide must play the national anthem, accompanied by
an image of the flag of India, before all films. Patrons were expected to stand in respect of the anthem, and doors to a cinema hall were expected to be locked during the anthem to minimise disruption.[45] The order was controversial, as it was argued that
patrons who chose not to participate would be targeted and singled out, as was the case in an incident publicised in 2015 which purported to show a group of patrons (alleged by the YouTube uploader to be Muslims) being heckled by others. On 10 February
2017, two Kashmiris (which included an employee of the state government) were arrested under the Prevention of Insults to National Honour Act for not standing during the anthem at a cinema, in the first such arrest of its kind made by a state government.
On 3 July 2023, an executive magistrate in Srinagar sent 11 men to jail for a week, allegedly not rising for the anthem at a 25 June event in the presence of J&K Lt Governor Manoj Sinha.[46] Other incidents of violent outbreaks associated with the policy were
also reported.[47][48][49]

A cinema club in Kerala (whose film festival was required to comply with the order, leading to several arrests) challenged the order as an infringement of their fundamental rights, arguing that cinemas were "singularly unsuited for the gravitas and sobriety
that must accompany the playing of the national anthem", and that the films screened would often "be at odds with sentiments of national respect".[50] In October 2017, Justice Dhananjaya Y. Chandrachud questioned the intent of the order, arguing that
citizens "don't have to wear patriotism on our sleeve", and that it should not be assumed that people who do not stand for the anthem were any less patriotic than those who did. In January 2018, the order was lifted, pending further government
discussion.[51][52][53]

In October 2019, a video of a Bengaluru couple being bullied for not standing up during the national anthem in a movie hall went viral. They were questioned "Are you Pakistani?". There was a debate on the issue; some lawyers recalled Article 21, some people
called it a way to gain media attention and some recommended attending the movie after the national anthem is played to avoid any problems. But after the debate, the Supreme Court reversed its earlier order making it mandatory for cinema halls to play the
National Anthem.[54]

Regional aspects

Another controversy is that only those provinces that were under direct British rule, i.e. Punjab, Sindh, Gujarat, Maratha, Dravida (South India), Utkal (Odisha) and Bengal, were mentioned. None of the princely states – Jammu and Kashmir, Rajputana,
Hyderabad, Mysore or the states in Northeast India, which are now parts of India, were mentioned. However, opponents of this proposition claim that Tagore mentioned only the border states of India to include complete India. Whether the princely states
would form a part of an independent Indian republic was a matter of debate even until Indian independence.

In 2005, there were calls to delete the word "Sind"[n] and substitute it with the word Kashmir. The argument was that Sindh was no longer a part of India, having become part of Pakistan as a result of the Partition of 1947. Opponents of this proposal hold that
the word "Sind" refers to the Indus[o] and Sindhi culture and that Sindhi people are a part of India's cultural fabric. The Supreme Court of India declined to change the national anthem and the wording remains unchanged.

On 17 December 2013, MLA of Assam, Phani Bhushan Choudhury cited an article in The Times of India published on 26 January 1950, stating that originally the word "Kamarup" was included in the song, but was later changed to "Sindhu" and claimed that
Kamarup should be re-included.[55] To this, the then minister Rockybul Hussain replied that the state government would initiate steps in this regard after a response from the newspaper.[55] The debate was further joined by the then minister Ardhendu Dey,
mentioning "Sanchayita" (edited by Tagore himself) etc. where he said Kamarup was not mentioned.[55]

In 2017 the state government of Jharkhand under the Bharatiya Janata Party proposed making the singing of the national anthem compulsory in Madrasas. This was met with opposition from a section of Muslim clerics because it violated the basic principles
of the Islamic centres of learning.[56]

See also
Vande Mataram, the National Song of India
"Saare Jahan Se Achcha"
"Amar Shonar Bangla", the National Anthem of Bangladesh, also written by Rabindranath Tagore
National Pledge

Notes

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a. See Help:IPA/Bengali and Bengali phonology. f. Sanskrit transliteration "tava" k. "taba" is also used
b. Sanskrit transliteration "Bhārata-bhāgya-vidhātā" g. See Help:IPA/Hindi and Urdu and Hindi phonology. l. "Sindhu" is also used.
c. Sanskrit transliteration "Drāviḍa" h. विंध्य is also used m. t̪ ə.bə is also used
d. Sanskrit transliteration "Vaṅga" i. तब is also used n. Historical romanisation of Sindh, referring to the Sind province of British India.
e. Sanskrit transliteration "Vindhya" j. शुभ आशीष is also used o. Indus flows through Ladakh

References
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on 11 December could not be intended for an event the following day. The song rt.columbia.edu/library/tagore-letter/letter.html). Digital Anthropology Resources
was first sung at the twenty-seventh session of the Indian National Congress, for Teaching, Columbia University and the London School of Economics.
Calcutta on 28 December 1911 as the opening song at the beginning of the Archived (https://web.archive.org/web/20190825105408/http://dart.columbia.edu/
day's proceedings. Thereafter, it was also sung at the foundation day library/tagore-letter/letter.html) from the original on 25 August 2019. Retrieved
anniversary of Adi Brahma Samaj in February 1912 and included in their 25 September 2021.
collection of psalms, Brahma Sangit."

External links
THE NATIONAL ANTHEM - FULL AND SHORT VERSIONS (https://www.mha.gov.in/sites/default/files/NationalAnthem%28E%29_2.pdf)
Know India: National anthem (https://knowindia.india.gov.in/national-identity-elements/national-anthem.php), Government of India website
The Morning Song of India (https://en.wikisource.org/wiki/The_Morning_Song_of_India) – via Wikisource.English translation of the hymn "Jana Gana Mana" in Tagore's handwriting

Retrieved from "https://en.wikipedia.org/w/index.php?title=Jana_Gana_Mana&oldid=1197681602"

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