Guitarra clásica 1 Verano Porteño

 
                                 
Astor Piazzolla

 
  
’’ pizz.
Allegro m°demt° Cantando con el pulgar (yema)

            
 
 
                                            
 
7

 
     
        
      
               
                  
  
14

      



                   
                           
              
18


            
        
                   
20

   Allegro m°demt° Canta



 
                  
     
   
 
  
’’

 
24

         





  
     
                      
          
                   
28

       


   
                    
    
Adagio

 
32

 


 
                                    
 
36

   
  
       
                   
  
39

       3
 
                                      
     
   
44

5
5  

     
                                   
  
48 Moderato

  

     

     
  
 
 
54

    
    

                      
  
 
                         

Fine

 
 
59

 