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 IIT'SIC POR GT'ITAR AND PIANO
From the collection of the Library of Congress

WO073 IlIrlt[EL, Johann Nepmrk & GILTLIANI, ]tauro: Graad Pot Pouri
Ilatioaal, Op 79. Publi Richault. 42 pages (13 gtr, 29 pn).
ID=Humel.National. Terz gtr.
CORIBCIIOTS: (bt=beati sl=notated middle C.)
Gtr pagel topi fragmentary text retyped.
Gtr15 bt2: # added to second cl.
Gtr59! dotted half notes lvere half. Both 4er rests added. (Original measure only had 2
beats. )
Gtr89 bt2t natural added to f2.
Gtr137 btzi e2 was f2.
Gtr192 bt2! natural added to f2.
Gtr195 bt3: natural added to f2
Gtr196 bt2: natural added to f2.
Gtr270 bt4: {l added to c2.
Gtr305 bt4: implied natural on cr written in.
Gtr336 bt3: {l added to 91.
Gtr377 bt2i both 4er rests added.
Gtr393 btz: d was f2.
Gtr4O7 btl: unneeded ll removed from gF.
Gtr4lo btl: unneeded ll rernoved from gP and g1.
Gtr451 stem3i d2 was br.
Gtr454 stemS! natural added to d2.
Gtr573 bt2: c2 was bl.
Gtr588 btl: g was e.
Gtr689r690: 8th rest removed after bt2 note in lower voice. Bt3 chord in upper voice
was originally aligned with that rest. See original below.
Gtr758 bt5: ,t added to cr .
Pn17-18 treble! 4 ties were all eoncave up. Topmost grflat notes didn't look tied.
Pn21 bt2 treble! 8. added.
Pn25 btl treble! flat added to al.
Pn170 btl treble: natural added to b3.
Pn191 btl bassl ledger Line added through C.
Pn298 bt2 treble: ledger line added through c3.

coilEDfTs:
tfhere plate numbers were too fragmentaryto reconstruct, they were removed.
Pn1l: if written correetly implies unmarked 4er note tripleEs. I{orking against that
interpretation is that triplets have been explicitly marked throughout this
publication.
Pn583 the run of 24 32nd notes fills out the meesure precisely.
Piano part has 2 more measures than guitar at pn2O4-2A5,
The 2 staffs beginning with gtr197 have been supplied separately to eliminate a page
turn problem. Glue the flap so that it folds out from the bottom left of page 4.
Ttrrn page 3 during gtr203.
The 4 staffs beginning with gtr457 have been supplied separately to eliminate a page
turn problem. Glue the flap so that it folds out from the top right of page 7. Open
this flap out at any convenient break on page 6, for example gtr342. Close the flap
and turn to page 8 aE gtr476.

To comunicate with the pianist, the guitarist must tranapoae the notated notes up a
minor third. Think of the middle note of a minor Eriad built on the note you are
looking at, or consult this eharti
Guitaristreads: A A# Bb B C C# D D# E F P# c Glt
But note really is: C Clt Db D Eb B B P# c Ab A Bb B
DEFINITIONS:
A piacere = "at pleasure" = freely performed.
Bolero = Spanish dance with in 3/4 time usually accompanied by cast,aneEs. It has 2
sections, each repeated.
Con moto = with motion, animation.
Dim = diminuendo.
Dol=dolce=sweetly.
Fp = forte-piano = loud, then imrediately soft,
L'istesso movimento = ttthe same movemetrttt = the notes fLow at the same rate even though
they are notated with a different rhythm value.
Maestoso = majestically.
Ma non troppo = but not too much.
Molto = very or m.rch.
Morendo = dying away.
Piu = more. Piu mosso = more motion, animaEion.
Polacea = polonaise = courtly Polish dance in 3/4 with marked syncopations and accents
on the half beat. Phrases end on the 2nd or 3rd beat.
Poeo a poco = little by little.
Potpourri = "rotten potlr = medley of unrelated popular tunes, operatic airs, patriotic
songs, etc.
Sempre = always.
sF = sforzando = forced, accented.
Sostenuto = sustained = hold notes for full duration.
Sotto = under. Sotto voce = with subdued sound.
Vivace = lively.
LfBRARY OF @NGRBSS C,ALL NItrlBER: M277.H (in box labeled "14277 Hum-").

TTIANKS: The publisher is indebted to pianist Elmer Booze for his proofreading help.
BY: Sauter;
This “performance
PTBLISHBD facsimile”, Wyatt
9316 with Drivei Lanham,
restoration, MD 2A706.
corrections, measure Send for catalog.
numbers, and other This
aids
performance facsimilewas
to ready performance, created byoriginal
eontaining material
Donald Sauter @ Copyright
(1997) by Donald
1997freely
and is offered Sauter.
to the world.
You have permission to copy this material with remittance of $.20 per page. If years
have passed since the copyright date, please adjust for inflation and verify the current
address in the Guitar Foundation of America (Cfn) directory. Thanks.
fi\

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