Ensemble Intercontemporain 2012 List Excerpts

(besides Schoenberg, Boulez Domains, Donatoni, and Aperghis)

LIGETI Piano Concerto: Mvmt II bar before E to F


Lento e deserto =120 E

              
  
(ad lib. solo)
F

     
(poco a poco sul tasto) cant. e sonoro

()
  cresc.  dim.  dim. 

LIGETI Piano Concerto: Mvmt IV 3rd beat of EE to the end

Allegro risoluto, molto ritmico =138 


 
rall. poco a poco



                   
EE

  
pizz. arco

      

   
    
         
  
         
  
   
3

    3  3      
 I 
   II 
  
  I        
  3 
I

 
 
IV II
II

         
FF

  
III
5 3

     
2

LIGETI Piano Concerto: Mvmt 5 from G to H

 stacc.     
                                    

   
Presto luminoso, fludido, constante, sempre molto ritmico =168
G

 leggiero
3 3 3 3 3 3 3 3 3

        
        
   
                
3 3 3

3 3

   
    
                
H


5 3

 3  
 3

BOULEZ Repons: from 35 to 38

      

35

    
    
          
 = 126
                 
Rapide - Energique

               
col legno battuto

 
  sempre 

    
                                  

normale


6

sempre 

   
                                                 
              
8

 sostenuto
   
         
                        
36

     
(non legato)


12

sempre 

   pizz.    

                  
  
  
  
37

  
19

 
             
     
    
  
 
25
arco (non staccato)


 
  
                                
38

 
30


4
LIGETI Chamber Concerto: Mvmt 4 from 31 to 41 included
Presto =80 
as though crazy:


S al tallone, feroce, impetuoso,

                                       
31
always press the bow firmly on the string (scratching noise)

          
6 5 6 7


     
                                    
32
6 5 6 7


                                        
33 T 6 5
6 7


                                        
34 6 7 6 5

               
dim. poco a poco


                                  
35 6 7 6 7


      
                                        
U 6


36


                             
       
5 6 5

37


                        
6 7 6 7
38

 6

                              
5 6 7

39 V


                                   
6 5 6 5


40

6 5
 6 5
morendo
6
al niente
 5

        
BOULEZ ...exposante-fixe...: Transitoire V from 54 to 67 included
 
       
Modéré ( =144, =72)

      
54 3 3

 3 3
3 3

          
         
55 3 3 3 3 3 3

  
9

Très vif ( =78/82)

           
accel. un peu plus vif Tempo un peu plus vif revenir au

          
56
3 5

 

               
Tempo accel. un peu plus vif revenir au Tempo
59 accel.
3 3 3

 
                         
(accel.) un peu plus vif
62 revenir au



          
3 3

           
Tempo 10

   
65

 
pizz.


6
BOULEZ ...exposante-fixe...: Transitoire VII from 259 to 285 included
38

   

     
Extrêmement vif ( =174)

       
   
col legno battuto

                 
  
  
259

         
   
 
 
                     
         

263

         
 
  
  
                  
                   
269

              
  
  
       
             
          
39

                   

273

  
         
   sempre
     
     
                                     
276

       

                            
   
rall. poco a poco (♩=122/136)

               
                  
279


 
40

      
        stacc.
 normale* 
                       
 

 
Allant ( =66/68) céder très peu


283 sempre

 

    
 
Tempo céder très peu Tempo
 
7


                            
284 7 7 7

 
sub.  sub.
*The score I have access to does not have this marking. However, after reviewing performances of this
piece and due to the context within the score, I figure this passage should be played arco.