‫‪ıaáÄÄÄÄÄÄÄÄÄÄÄÄÄÄÁ�a‬‬

‫ﺍﻷﻡ ﻭﺍﳌﻌﻠﻤﺔ ﻭﻓﺎﺀ ﺍﳌﺼﺮﻱ‪ ...‬ﺍﳊﺒﻴﺒﺔ ﺭﺍﻋﻴﺔ ﺍﻟﻀﺎﻥ ﺃﺷﺠﺎﻥ‪ ...‬ﺍﳌﻌﻠﻤﺔ ﻭﺍﳌﻌﺸﻮﻗﺔ ﺃﻧﻮﺷﻜﺎ‬

‫ﺛﻼﺛﺘﻜﻦ ﺍﻷﻡ ﻭﺍﳊﺒﻴﺒﺔ ﻭﺍﳌﻌﺸﻮﻗﺔ ﺃﺟﻤﻞ ﻣﺎ ﻓﻲ ﺍﻟﻮﺟﻮﺩ ﻭﺍﺭﻗﻪ ﻭﺃﻋﺬﺑﻪ‪ ،‬ﺇﻧﻜﻦ ﺃﺻﻞ ﺍﳊﻴﺎﺓ ﻭﺍﳊﺐ ﻭﺍﻹﻟﻬﺎﻡ‬

‫ﻭﺍﳉﻤﺎﻝ‪ ،‬ﻓﺎﻧﱳ ﻋﻄﻴﺔ ﺍﻟﺮﺏ ﻟﻸﺗﻘﻴﺎﺀ ﻓﻲ ﻣﺎ ﺑﻌﺪ ﺍﻟﻔﻨﺎﺀ‪ ،‬ﻭ ﻣﺴﺘﻬﻞ ﺍﳊﻜﺎﻳﺔ ﻭﻣﺴﻜﻬﺎ؛ ﺑﻞ ﻭﺟﻮﻫﺮ‬

‫ﻓﻜﺮﺗﻬﺎ‪ ،‬ﻭﻋﻘﺪﺗﻬﺎ ﻭﺣﻠﻬﺎ؛ ﻭﺣﺘﻰ ﺃﺭﻭﻉ ﻣﺎ ﻓﻴﻬﺎ ﻣﻦ ﻣﻌﺎﻥ‪ ،‬ﻭﺗﻮﺍﺭﻳﺦ‪ ،‬ﻭﺃﺣﺪﺍﺙ‪ ،‬ﻭﻣﺤﺒﺔ‪ ،‬ﻭﻋﺸﻖ‪ ،‬ﻭﺃﻣﻞ‪.‬‬
‫ﹸ‬
‫ﻟﻜ ﹼﻦ ﺃﻓﻴﺾ ﺑﻘﺼﺘﻲ ﻭﻣﻮﺍﻫﺒﻲ ﺍﻟﺸﺮﻗﻴﺔ‪ ،‬ﻭﺑﻜﻞ ﻣﺎ ﺃﺳﺪﻳﺘﻨﻪ ﻟﻲ‪ ،‬ﺃﻭ ﺃﺧﺬﺗﻨﻪ‪ ،‬ﻓﺎﻧﺎ ﻣﺠﺮﺩ ﺭﺟﻞ ﻭﺍﺣﺪ‬

‫ﻣﻦ ﻣﻼﻳﲔ ﺍﻟﺮﺟﺎﻝ‪ ،‬ﻭﻫﺬﻩ ﻏﺮﺍﺋﺰﻱ ﺍﻟﺪﻓﻴﻨﺔ‪ ،‬ﻭﻫﺬﻩ ﺭﻏﺒﺎﺗﻲ‪ ،‬ﻭﻧﺰﻭﺍﺗﻲ‪ ،‬ﻭﻣﺂﺛﺮﻱ ﺍ‪‬ﺘﺮﺣﺔ‪ ،‬ﻟﺴﺖ ﺇﻻ ﻭﺍﺣﺪ ﻣﻦ‬

‫ﻫﺆﻻﺀ ﺍ‪‬ﻠﻮﻗﲔ ﻣﻦ ﺍﻟﻜﺒﺖ‪ ،‬ﻭﺍﻟﺸﻬﻮﺍﻧﻴﺔ‪ ،‬ﻭﺍﳌﺴﻐﺒﺔ‪ ،‬ﻭﺍﻻﻧﻐﻼﻕ‪ .‬ﻫﻜﺬﺍ ﹸﻓﻄﺮﺕ ﻓﻲ ﻛﻨﻒ ﺛﻘﺎﻓﺔ ﺫﻛﻮﺭﻳﺔ‬
‫ﱠ‬
‫ﻓﻈﺔ ﻏﻠﻴﻈﺔ ﻣﻊ ﺍﻷﻧﺜﻰ‪ ،‬ﻭﻫﻜﺬﺍ ﻭﺟﺪﺕ ﺫﺍﺗﻲ ﺍﳌﺮﺍﻫﻘﺔ ﺟﺎﺋﺤﺔ ﻏﺎﺋﻠﺔ ﻟﻠﺮﺫﻳﻠﺔ ﻭﺍﳋﻴﺎﻧﺔ‪ ،‬ﻭﻫﻜﺬﺍ ﺍﻫﺘﺪﻳﺖ‬

‫ﻭﺻﺮﺕ ﻣﺆﻣﻨﺎ ﹰ ﺑﻌﻈﻤﺔ ﺍﳌﺮﺃﺓ ﺍﻟﺸﺮﻗﻴﺔ ﺍﳌﺘﺠﺴﺪﺓ ﺑﻜﻦ ﺍﻟﺜﻼﺙ‪ ،‬ﻓﺎﻟﺸﺮﻕ ﺭﻭﻋﺘﻪ ﻭﺍﺻﻠﻪ ﻳﺘﺠﻠﻰ ﻓﻲ ﻭﻓﺎﺀ‬

‫ﺍﳌﺼﺮﻱ ﺍﻷﻡ ﻭﺍﳌﻌﻠﻤﺔ‪ ،‬ﻭﻓﻲ ﺟﻤﺎﻝ ﻭﻋﻔﺔ ﻭﺣﻴﺎﺀ ﺍﳊﺒﻴﺒﺔ ﺃﺷﺠﺎﻥ‪ ،‬ﻭﻓﻲ ﻋﺬﻭﺑﺔ ﻭﺍﻧﻔﺘﺎﺡ ﻭﻋﺸﻖ ﻭﻣﻌﺮﻓﺔ‬
‫ﺃﻧﻮﺷﻜﺎ‪.‬‬

‫ﺟﻤﺎﻝ‬
 ‫‪ÚÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÓ• ı¸˚:‬‬

‫ﺃ‪.‬ﺩ‪ .‬ﻣﺒﺎﺭﻙ ﺣﺴﻦ ﺍﳋﻠﻴﻔﺔ‪..‬‬

‫ﺃﻳﻬﺎ ﺍﻹﻧﺴﺎﻥ ﺍﻟﺮﺍﺋﻊ ﻟﻚ ﺧﺎﻟﺺ ﺍﶈﺒﺔ ﻭﺟﺰﻳﻞ ﺍﻻﻣﺘﻨﺎﻥ‪ ،‬ﻓﺘﺼﻮﻳﺒﻚ ﻟﻸﺧﻄﺎﺀ ﻛﺎﻥ ﺩﻗﻴﻘﺎ ﻭﻣﺪﻫﺸﺎ ﺇﻟﻰ‬

‫ﺣﺪ ﺍﳉﺰﻉ ﻋﻠﻰ ﻟﻐﺔ ﺍﻟﻀﺎﺩ ﻭﺭﻭﺍﺩﻫﺎ ﻭﺍﻟﻨﺎﻃﻘﲔ ﺑﻬﺎ‪.‬‬

‫ﻋﺎﺩﻝ ﻋﻠﻲ ﻧﺎﺻﺮ ﺍﻷﺳﻮﺩ ﻭﻣﺤﻤﺪ ﻋﺒﺪ ﺍﻟﻌﺰﻳﺰ ﺟﺒﺎﺭﻱ‪..‬‬

‫ﺃﺷﻜﺮﻛﻤﺎ ﻋﻠﻰ ﻓﻌﻠﻜﻢ ﺍﳉﻤﻴﻞ ﻭﺍﻟﺮﺍﺋﻊ ﻓﻲ ﺍﳌﺮﺍﺟﻌﺔ ﻭﺍﻟﺼﻒ ﺍﻻﻟﻜﺘﺮﻭﻧﻲ‪.‬‬

‫ﺍﳌﺆﻟﻒ‬
 ‫‪fiβa ›ÄÄÄÄÄÄÄÄÄÄó–€a‬‬
‫ﻓﻲ ﺍﻟﺸﺮﻗﻴﺔ )ﳝﻨﺎﺕ( ﺑﺪﺕ ﺍﳊﻴﺎﺓ ﻣﺨﺘﻠﻔﺔ ﻋﻤﺎ ﻛﺎﻧﺖ ﻋﻠﻴﻪ ﻗﺒﻞ ﺍﻻﺳﺘﻘﻼﻝ ﺣﻤﺎﺳ ﹰﺔ ﻭﺳﺮﻋ ﹰﺔ ﻭﻓﺮﺣ ﹰﺔ ﻻ‬
‫ﺣﺪﻭﺩ ﻟﻬﺎ ﺑﺠﻼﺀ ﺍﶈﺘﻞ ﻭﺳﺪﻧﺘﻪ ﻣﻦ ﺍﳊﻜﺎﻡ ﺍﶈﻠﻴﲔ‪ ،‬ﻭﺳﻂ ﻫﺬﺍ ﺍﳌﻌﻤﻌﺔ ﻭﺟﺪ ﺃﻫﻞ ﺣﻘﻞ ﺍﻟﻔﺆﺍﺩ ﺃﻧﻔﺴﻬﻢ‬
‫ﳝﻀﻮﻥ ﺑﻼ ﺍﻛﺘﺮﺍﺙ ﺃﻭ ﺭﻭﻳﺔ‪ ،‬ﻓﺠﻤﻴﻌﻬﻢ ﺭﺍﺣﻮﺍ ﻳﻠﻬﺠﻮﻥ ﺑﺎﻟﺸﻌﺎﺭﺍﺕ ﻭﺍﻷﻧﺎﺷﻴﺪ ﺍﻟﺜﻮﺭﻳﺔ ﺍﻟﺘﻘﺪﻣﻴﺔ‬
‫ﺍﶈﺮﺿﺔ ﻋﻠﻰ ﻣﻮﺍﺻﻠﺔ ﺍﻟﻨﻀﺎﻝ ﺍﻟﺘﺤﺮﺭﻱ‪ ،‬ﻓﺒﺎﺳﺘﺜﻨﺎﺀ ﺍﻟﺸﻴﺦ ﺣﺴﻦ ﺍﻟﻐﻮﻟﻲ ﻭﺍﻟﻔﻘﻴﻪ ﻋﺒﺪﺍﷲ ﺍﻟﻠﺬﻳﻦ‬
‫ﻻﺫﺍ ﺑﺎﻟﻔﺮﺍﺭ ﺇﻟﻰ ﺷﻤﺎﻝ ﺍﻟﻮﻃﻦ ﻫﺮﺑﺎ ﹰ ﻣﻦ ﺍﻧﺘﻘﺎﻡ ﺍﻟﺜﻮﺭﺓ؛ ﺟﻞ ﻣﻦ ﻓﻲ ﺍﳊﻘﻞ ﻧﺬﺭﻭﺍ ﺃﺭﻭﺍﺣﻬﻢ‪ ،‬ﻭﺃﻓﻜﺎﺭﻫﻢ‪،‬‬
‫ﻭﺃﺑﺪﺍﻧﻬﻢ‪ ،‬ﻭﺣﻴﺎﺗﻬﻢ‪ ،‬ﻭﺣﺘﻰ ﺟﺪﻟﻬﻢ ﻓﻲ ﺳﺒﻴﻞ ﺣﻜﻮﻣﺔ ﺍﻟﺜﻮﺭﺓ‪ .‬ﻫﺬﻩ ﺍﻟﺜﻮﺭﺓ ﺍﻟﺘﻲ ﺃﺣﺒﺒ ﹸﺘﻬﺎ ﺇﻟﻰ ﺩﺭﺟﺔ‬
‫ﺍﻟﻌﺸﻖ ﺣﺴﺒﺘﻬﺎ ‪ -‬ﻟﻔﺮﻁ ﻣﺎ ﺍﺳﺘﺨﺪﻣﺖ ﻟﻔﻈﺔ ﺍﻟﺜﻮﺭﺓ ﻟﻮﺍﺣﺪ ﻣﺜﻠﻲ ﻓﻲ ﻣﻘﺘﺒﻞ ﻃﻔﻮﻟﺘﻪ ‪ -‬ﻛﺎﺋﻨﺎ‬
‫ﺃﺳﻄﻮﺭﻳﺎ ﻛﺎﻟﻌﻨﻘﺎﺀ ﺃﻭ ﻋﺮﻭﺳﺔ ﺍﻟﺒﺤﺮ‪ ،‬ﻓﻲ ﺃﺣﺎﻳﲔ ﺃﺧﺮﻯ ﺍﺭﺗﺴﻤﺖ ﻫﺬﻩ ﺍﻟﺜﻮﺭﺓ ﻓﻲ ﺫﻫﻨﻲ ﻭﻛﺄﻧﻬﺎ ﺑﺮﺃﺱ‬
‫ﻭﻗﺮﻧﻲ ﺛﻮﺭ ﺍﻟﻌﻢ ﻋﺒﺪﺍﻟﺼﻤﺪ‪ ،‬ﻓﺤﺘﻰ ﺍﺳﻤﻲ ﹶﺟ ﹶﻤﺎﻝ ﻟﻄﺎﳌﺎ ﻣﺎ ﺍﺧﺘﻠﻂ ﻋﻠﻰ ﺻﺪﻳﻘﻲ ﻣﺤﻤﺪ ﻣﻌﻨﺎﻩ ﻣﻊ‬
‫)ﺟ ﹶﻤﺎﻝ(‪ ،‬ﻓﻠﻜﻢ ﻛﺎﻥ ﻣﺮﺛﻴﺎ ﻭﻫﺰﻟﻴﺎ ﻟﻄﻔﻞ ﻣﺜﻠﻪ ﻧﻴﺎﺡ ﺍﻟﻨﺴﺎﺀ ﻋﻠﻰ ﺭﺣﻴﻞ ﺯﻋﻴﻢ ﺑﻮﺯﻥ‬
‫ﺍﻟﻌﻴﺲ ﻭﺍﻟﺒﻌﻴﺮ ﹺ‬
‫ﺟﻤﺎﻝ ﻋﺒﺪﺍﻟﻨﺎﺻﺮ ﻳﻮﻡ ‪ ٢٨‬ﺳﺒﺘﻤﺒﺮ ‪١٩٧٠‬ﻡ؟ ﻓﻔﻲ ﺗﻠﻜﻢ ﺍﻷﺛﻨﺎﺀ ﺍﻟﺘﻲ ﺻﻌﻖ ﺑﻬﺎ ﺃﻫﻞ ﺍﳊﻘﻞ ﻟﻨﺒﺄ ﻭﻓﺎﺗﻪ‬
‫ﻭﻛﺎﻧﺖ ﻓﻴﻪ ﺃﺻﻮﺍﺕ ﺍﻟﺒﻜﺎﺀ ﺗﺰﺍﺣﻢ ﺃﺻﻮﺍﺕ ﺍﻟﺘﻜﺒﻴﺮ ﻭﺍﻟﺘﻬﻠﻴﻞ ﺃﻭ ﺍﻟﺴﺆﺍﻝ؛ ﺭﺍﺡ ﺑﻔﻄﺮﺓ ﻃﻔﻮﻟﻴﺔ ﻳﺘﺘﺒﻊ‬
‫ﺃﺛﺮ ﺟﻠﺒﺔ ﺍﻷﻗﺪﺍﻡ ﻭﺃﺻﻮﺍﺕ ﺍﻟﻨﻴﺎﺡ ﺑﺤﺜﺎ ﻋﻦ ﺍﳉﻤﻞ‪ ،‬ﻫﺬﺍ ﺍﳊﻴﻮﺍﻥ ﺍ‪‬ﻴﻒ ﺑﺤﺠﻤﻪ ﻭﺳﻨﺎﻣﻪ ﺍﻟﺮﺍﺑﺾ ﻋﻠﻰ‬
‫ﻇﻬﺮﻩ ﻭﺑﺮﻗﺒﺘﺔ ﺍﻟﻄﻮﻳﻠﺔ ﺃﻭ ﺷﻔﺘﻪ ﺍ‪‬ﺪﻭﻋﺔ ﻋﻠﻪ ﻳﺠﺪ ﺍﻟﻔﺮﺻﺔ ﻟﻠﺘﺸﻔﻲ ﻣﻦ ﻫﺬﺍ ﺍﻟﻜﺎﺋﻦ ﺍﻟﻀﺨﻢ ﺍﻟﺬﻱ‬
‫ﻃﺎﳌﺎ ﺃﻳﻘﻈﻪ ﻫﻠﻮﻋﺎ ﻭﻣﻔﺰﻭﻋﺎﹰ‪.‬‬
‫ﺍﻷﺷﻴﺎﺀ ﺍﳉﻤﻴﻠﺔ ﻃﻔﻘﺖ ﺷﺎﺭﺩ ﺓ ﻣﻦ ﺫﺍﻛﺮﺗﻲ ﲟﻀﻲ ﺍﻟﻮﻗﺖ‪ ،‬ﻋﺪﺍ ﹶﺟ ﹶﻤﻞ ﺻﺪﻳﻘﻲ ﻭﺛﻮﺭﻱ ﻫﺎﺗﺎﻥ ﺍﳌﻔﺮﺩﺗﺎﻥ‬
‫ﺍﻟﻠﺘﺎﻥ ﻭﻃﻨﺘﺎ ﻗﺎﻉ ﺍﻟﺬﺍﻛﺮﺓ ﺍﻟﺒﻌﻴﺪﺓ ﻓﻼ ﺷﻲﺀ ﺍﺳﺘﺬﻛﺮﻩ ﻗﺒﻠﻬﺎ‪ ،‬ﺭﲟﺎ ﻛﺎﻧﺖ ﻫﺬﻩ ﺍﻟﻠﺤﻈﺔ ﺍﻟﻔﺎﺻﻠﺔ‬
‫ﺍﻟﺘﻲ ﺑﺪﺃﺕ ﻓﻴﻬﺎ ﺃﺩﺭﻙ ﺍﻷﺷﻴﺎﺀ ﻭﻓﻖ ﺗﺴﻤﻴﺎﺗﻬﺎ ﻻ ﻣﻌﺎﻧﻴﻬﺎ‪ ،‬ﺃﻧﺎ ﺍ‪‬ﻠﻮﻕ ﻣﻦ ﺭﺿﺎﺏ ﺍﳌﻮﺝ ﻭﺍﻟﺮﻣﻞ ﺍ‪‬ﻀﻠﺔ‬
‫ﺍﻟﺮﻃﺒﺔ ﻓﻲ ﻋﺪﻥ؛ ﺑﻞ ﺍﳌﻌﺠﻮﻥ ﺑﺮﺍﺋﺤﺔ ﺍﻟﻔﻞ‪ ،‬ﻭﺍﻟﻴﺎﺳﻤﲔ‪ ،‬ﻭﺍﻟﻜﺎﺫﻱ‪ ،‬ﻭﺍﻟﻘﺮﻧﻔﻞ‪ ،‬ﻭﺛﺮﻯ ﺍﻷﺭﺽ‪ ،‬ﻭﺍﳌﻄﺮ‪،‬‬
‫ﻭﺍﻟﺴﻴﻞ‪ ،‬ﻭ ﺍﻟﺰﺭﻉ‪ ،‬ﻭﺍﻟﺒﻠﺲ‪ ،‬ﻭﺍﳌﺸﻤﺶ‪ ،‬ﻭﻃﻞ ﺍﻟﺼﺒﺎﺡ‪ ،‬ﻭﺧﻔﺔ ﻭﺭﺷﺎﻗﺔ ﺍﻟﺼﺒﻴﺎﺕ ﺍﳉﻤﻴﻼﺕ ﺍﻟﻨﺎﻫﺪﺍﺕ‬
‫ﺍﻟﻜﻮﺍﻋﺐ‪ ،‬ﻭﺻﺒﺎﺑﺔ ﺍﻟﺮﻋﺎﺓ ﻓﻲ ﺣﻘﻞ ﺍﻟﻔﺆﺍﺩ‪.‬‬
‫ﻣﺎ ﺃﻗﺴﻰ ﻟﻄﻔﻞ ﻏﺾ ﻓﻲ ﻧﺎﺻﻴﺔ ﻋﻤﺮﻩ ﻣﺎ ﺣﺪﺙ ﻟﻪ ﻭﻷﺳﺮﺗﻪ ﻓﻲ ﺯﻣﻦ ﺍﻟﺜﻮﺭﺓ ﺍﳌﺘﺒﺨﺘﺮﺓ ﺑﺬﺍﺗﻬﺎ‬
‫ﻧﺎﻓﺶ ﺭﻳﺸﻪ ﺑﻨﺮﺟﺴﻴﺔ‪ ،‬ﻗﺪﺭﻱ ﻣﺪﻭﻥ ﻓﻲ ﳊﻈﺔ ﻣﻴﻼﺩﻱ ﺍﻷﻭﻟﻰ‪ ،‬ﻓﻌﻠﻰ ﻭﺷﻮﺷﺔ ﺍﳌﻮﺝ ﻓﻲ‬
‫ﹴ‬ ‫ﻛﻄﺎﺅﻭﺱ‬
‫ﺻﻴﺮﻩ ﻭﺃﺯﻳﺰ ﺭﺻﺎﺻﺎﺕ ﺍﻟﺜﻮﺭﺍﺕ ﺍﻟﺘﺤﺮﻳﺮﻳﺔ ﻛﺎﻧﺖ ﻭﻻﺩﺗﻲ‪ ،‬ﻭﻓﻲ ﻛﻨﻒ ﺍﻟﺜﻮﺭﺗﲔ ‪ ٢٦‬ﺳﺒﺘﻤﺒﺮ ﻭ‪ ١٤‬ﺃﻛﺘﻮﺑﺮ‬
‫ﻛﻨﺖ ﲟﺜﺎﺑﺔ ﺍﻟﺒﺸﺎﺭﺓ ﺍﻷﻭﻟﻰ ﻓﻲ ﻗﻴﺎﻡ ﺍﻟﺜﻮﺭﺓ ﻓﻲ ﺍﻟﺸﻤﺎﻝ‪ ،‬ﻭﺍﻟﻌﻼﻣﺔ ﺍﻷﺧﻴﺮﺓ ﻓﻲ ﻧﻌﺶ‬
‫ﹸ‬ ‫ﻧﺸﺄﺕ ﻭﺗﺮﻋﺮﻋﺖ‪،‬‬
‫ﺍﻟﻮﺟﻮﺩ ﺍﻷﺟﻨﺒﻲ ﻓﻲ ﺍﳉﻨﻮﺏ‪ ،‬ﻃﻔﻮﻟﺘﻲ ﻫﻜﺬﺍ ﻭﺳﻂ ﻫﺪﻳﺮ ﺍﶈﻴﻂ‪ ،‬ﻭﻏﻠﻴﺎﻥ ﺳﻨﻮﺍﺕ ﺍﻟﺜﻮﺭﺓ ﺍﻷﺭﺑﻊ ﺍﻟﺰﺍﺧﺮﺓ‬
‫ﺑﺎﻟﺘﻀﺤﻴﺎﺕ‪ ،‬ﻭﺍﻷﻣﺂﻝ‪ ،‬ﻭﺍﻷﺣﺰﺍﻥ ﻭﺍﻟﻨﻜﺴﺎﺕ‪ ,‬ﻳﻮﻡ ﺍﻻﺳﺘﻘﻼﻝ ﺍ‪‬ﻴﺪ ‪ ٣٠‬ﻧﻮﻓﻤﺒﺮ ‪١٩٦٧‬ﻡ ﻛﺎﻥ ﻳﻮﻡ ﻣﻴﻼﺩﻱ‬
‫ﺍﳊﻘﻴﻘﻲ ﺍﳉﺪﻳﺮ ﺑﺘﺪﻭﻳﻦ ﻛﻞ ﻓﻴﻤﺘﻮ ﺛﺎﻧﻴﺔ ﻓﻲ ﺫﺍﻛﺮﺗﻲ ﺍﻷﺑﺪﻳﺔ ﻣﺴﺘﺤﻴﻠﺔ ﺍﶈﻮ ﺃﻭ ﺍﻟﻨﺴﻴﺎﻥ ﺇﻟﻰ ﺃﻥ ﻳﺸﺎﺀ‬
‫ﺍﷲ‪ ،‬ﻛﻞ ﻣﺎ ﺃﺫﻛﺮﻩ ﺍﻵﻥ ﻓﻲ ﺗﻠﻜﻢ ﺍﻟﻠﺤﻈﺔ ﺍﳊﺰﻳﻨﺔ ﺍﻟﺘﻲ ﻭﻗﻔﺖ ﻓﻴﻬﺎ ﻓﻲ ﻣﺮﺳﻰ ﺍﻟﺴﻔﻦ ﻓﻲ ﺍﻟﺘﻮﺍﻫﻲ‬
‫ﻳﻮﻡ ﺍﻻﺳﺘﻘﻼﻝ ﺍﻟﺬﻱ ﻛﺎﻥ ﻓﻴﻪ ﺍﳌﻴﻨﺎﺀ ﻣﺰﺩﺣﻤﺎ ﹰ ﺑﺎﻟﺼﻮﺍﺭﻱ ﻭﺍﻷﺳﺮ ﻭﺩﻣﻮﻉ ﺍﻟﻮﺩﺍﻉ ﻟﻠﻌﻤﺔ ﺭﺍﺣﻴﻞ ﻭﺑﻨﺘﻴﻬﺎ‬
‫ﺳﺎﺭﺓ ﻭﺟﻮﻟﺪﺍ ﻗﺪ ﺍﺧﺘﺰﻝ ﺍﻟﻴﻮﻡ ﺍ‪‬ﻴﺪ ﻟﻸﺳﻒ ﳊﻈﺔ ﺣﺰﻥ ﺗﻜﻔﻲ ﻟﺘﺒﺪﻳﺪ ﺳﺎﻋﺎﺕ ﻭﺃﻳﺎﻡ ﻣﻦ ﺍﻟﻔﺮﺡ‪ ،‬ﻛﻞ‬
‫ﻣﺎ ﺍﺳﺘﺬﻛﺮﻩ ﻋﻦ ﻓﺮﺣﺔ ﻋﻴﺪ ﺍﻻﺳﺘﻘﻼﻝ ﻻ ﻳﺘﻌﺪﻯ ﳊﻈﺔ ﻭﺩﺍﻉ‪ ،‬ﻭﺩﻣﻮﻉ ﻓﺮﺍﻕ ﻭﺳﻔﻴﻨﺔ ﻋﻤﻼﻗﺔ ﺗﻠﻘﻔﺖ‬
‫ﻭﺍﺑﺘﻠﻌﺖ ﻣﻨﺎ ﺍﻟﻌﻤﺔ ﺍﳉﻤﻴﻠﺔ ﺭﺍﺣﻴﻞ ﻭﻓﺘﺎﺗﻴﻬﺎ‪ ،‬ﺫﻛﺮﻯ ﺍﻻﺳﺘﻘﻼﻝ ﻟﻄﻔﻞ ﻟﻢ ﻳﺤﺘﻤﻞ ﺑﻜﺎﺀ ﺍﻟﻮﺩﺍﻉ ﺍﺣﺘﻔﺮﺕ‬
‫ﻓﻲ ﺫﺍﻛﺮﺗﻲ ﺑﻬﻜﺬﺍ ﻣﺸﻬﺪ ﻭﺩﺍﺋﻌﻲ ﺣﺰﻳﻦ‪.‬‬
‫ﺛﻼﺛﺔ ﻋﻘﻮﺩ ﺧﻠﺖ ﻋﻠﻰ ﺟﻼﺀ ﺁﺧﺮ ﺟﻨﺪﻱ ﺑﺮﻳﻄﺎﻧﻲ ﻣﻦ ﺃﺭﺿﻨﺎ‪ ،‬ﳌﺮﺍﺕ ﻭﺃﻧﺎ ﺃﺣﺎﻭﻝ ﺍﺳﺘﺤﻀﺎﺭ ﺗﻠﻜﻢ ﺍﻟﺼﻮﺭﺓ‬
‫ﺍﳌﻜﺮﺭﺓ ﻓﻲ ﺍﻟﺸﺎﺷﺔ ﺍﻟﻔﻀﻴﺔ ﻷﻭﻟﺌﻚ ﺍﳉﻨﻮﺩ ﺍﻹﳒﻠﻴﺰ ﻭﻫﻢ ﻳﻨﺰﻟﻮﻥ ﻭﻳﻄﻮﻭﻥ ﻋﻠﻢ ﺍﻹﻣﺒﺮﺍﻃﻮﺭﻳﺔ ﻣﻦ ﻋﻠﻰ‬
‫ﺍﻟﺴﺎﺭﻳﺔ‪ ،‬ﺃﻭ ﻳﺤﻤﻠﻮﻥ ﺃﻣﺘﻌﺘﻬﻢ ﻭﻋﺘﺎﺩﻫﻢ ﻓﻲ ﻃﺎﺑﻮﺭ ﻳﻨﺘﻬﻲ ﻓﻲ ﺛﻨﺎﻳﺎ ﻃﺎﺋﺮﺓ ﻋﻤﻮﺩﻳﺔ ﻣﺘﺤﻔﺰﺓ ﻟﻺﻗﻼﻉ‪،‬‬
‫ﻛﻞ ﻣﺤﺎﻭﻻﺗﻲ ﻻﺳﺘﺒﺪﺍﻝ ﺍﻟﻠﺤﻈﺔ ﺍﳊﺰﻳﻨﺔ ﺍﳌﺴﺘﻮﻃﻨﺔ ﻧﺨﺎﻉ ﺫﺍﻛﺮﺗﻲ ﺧﺎﺑﺖ ﺃﻣﺎﻡ ﺳﻄﻮﺓ ﻭﻗﻮﺓ ﺩﻣﻮﻉ‬
‫ﺍﻟﻮﺩﺍﻉ‪ ،‬ﻟﻴﺘﻨﻲ ﺃﻗﻮﻯ ﻋﻠﻰ ﻣﺤﻮ ﺍﻟﺼﻮﺭ ﻭﺍﻟﺘﻮﺍﺭﻳﺦ ﺍﻟﻘﺒﻴﺤﺔ ﻭﺍﳌﻮﺟﻌﺔ ﻣﻦ ﺍﻟﺬﺍﻛﺮﺓ ﺍﻟﻠﻌﻴﻨﺔ ﺍﻟﻌﺼﻴﺔ‬
‫ﺍﻟﺘﻄﻮﻳﻊ ﳊﻔﻆ ﻛﻞ ﻣﺎ ﻫﻮ ﻧﻘﻲ ﻭﻣﺒﻬﺞ‪ ،‬ﻓﻤﺎ ﺃﺷﺒﻪ ﻫﺬﺍ ﺍﳌﻮﻗﻒ ﲟﻘﻮﻟﻪ ﻛﺎﺯﺍﺑﻨﻜﺎ ﺍﻟﺸﻬﻴﺮﺓ‪ :‬ﺇﺫﺍ ﻟﻢ‬
‫ﺗﺴﺘﻄﻊ ﺭﺅﻳﺔ ﺍﻷﺷﻴﺎﺀ ﺍﳉﻤﻴﻠﺔ ﻓﻲ ﺍﳊﻴﺎﺓ ﻓﻼﺑﺪ ﻣﻦ ﻃﺮﻳﻘﺔ ﻟﺘﻐﻴﻴﺮ ﺃﹸﻋﻴﻨﻨﺎ‪ ،‬ﻟﻴﺖ ﺍﳌﺴﺄﻟﺔ ﻓﻲ ﺑﺆﺑﺆﺓ‬
‫ﺍﻟﻌﲔ ﻟﻔﻌﻠﺖ ﻣﺜﻠﻤﺎ ﻳﻔﻌﻞ ﻓﻮﺗﻮﻏﺮﺍﻓﻲ ﻣﺤﺘﺮﻑ ﺑﻌﺪﺳﺔ ﻛﺎﻣﻴﺮﺗﻪ ﻧﺤﻮ ﺍﳌﻨﺎﻇﺮ ﺍﻟﺒﺪﻳﻌﺔ ﻭﺍﳋﻼﺑﺔ‪.‬‬
‫ﻓﻴﻤﺎ ﺍﻟﻌﺠﺐ ﺇﺫﻥ ﻭﳌﺎﺫﺍ ﺍﳊﺮﺝ ﻣﻦ ﳑﺎﺛﻠﺔ ﺍﻟﺜﻮﺭﺓ ﺑﺜﻮﺭ ﺍﻟﻌﻢ ﻋﺒﺪﺍﻟﺼﻤﺪ ﻭﺟﻤﺎﻝ ﺑﺎﻹﺑﻞ ﻭﺍﻻﺳﺘﻘﻼﻝ ﺑﺪﻣﻮﻉ‬
‫ﺍﻟﻮﺩﺍﻉ؟ ﺍﻟﻜﺘﺎﺑﺔ ﺑﻮﺡ ﻭﲡﺮﺩ ﺩﺍﺧﻠﻲ ﻣﻦ ﺍﻟﺰﻳﻒ ﻭﺍﻟﻜﺬﺏ‪ ،‬ﻟﺬﺍ ﻻ ﻣﻨﺪﻭﺣﺔ ﻣﻦ ﺍﻻﻋﺘﺮﺍﻑ ﺑﻜﺎﻣﻦ ﺍﳉﻮﻫﺮ‬
‫ﺍﳋﻔﻲ ﻋﻦ ﺍﻟﻨﺎﺱ‪ ،‬ﺍﻷﺷﻴﺎﺀ ﺍﻟﻌﻈﻴﻤﺔ ﻻ ﺗﺆﺛﺮ ﺑﻬﺎ ﺍﻟﺪﻻﻻﺕ ﻭﺍﳌﺴﻤﻴﺎﺕ ﻣﺜﻠﻤﺎ ﺍﻷﻓﻌﺎﻝ ﻭﺍﻷﻗﻮﺍﻝ ﺍﳌﺴﻴﺌﺔ‬
‫ﻟﻬﺎ‪ ،‬ﻣﺎ ﺃﻓﻴﺾ ﺑﻪ ﺑﻌﺪ ﻋﻘﻮﺩ ﺛﻼﺛﺔ ﻋﻠﻰ ﺭﺣﻴﻞ ﺍﳌﺴﺘﻌﻤﺮ ﻣﺠﺮﺩ ﺻﻮﺭ ﻭﺫﻛﺮﻳﺎﺕ ﺻﺒﻴﺎﻧﻴﺔ ﻭﺳﺎﺫﺟﺔ ﻻ‬
‫ﻗﺪﺭﺓ ﻟﻬﺎ ﻋﻠﻰ ﺍﻟﺘﻤﻴﻴﺰ ﻣﺎﺑﲔ ﺛﻮﺭﺓ ﻭﺛﻮﺭ‪ ،‬ﺃﹸﺳﻤﻲ ﺍﳌﺄﺧﻮﺫ ﻣﻦ ﺯﻋﻴﻢ ﻻ ﻳﺸﻖ ﻟﻪ ﻏﺒﺎﺭ ﻭﺟﻤﻞ ﻣﻔﺮﺩ ﺇﺑﻞ‪،‬‬
‫ﺍﻻﺳﺘﻘﻼﻝ ﻭﺩﻣﻌﺘﺎ ﺣﺰﻥ ﻓﻲ ﻭﺟﻨﺘﻲ ﺭﺍﺣﻴﻞ‪ ،‬ﻓﺤﺘﻰ ﻣﻌﻠﻤﻲ ﻓﻲ ﺍﻟﺴﻨﺔ ﺍﻷﻭﻟﻰ ﻛﺎﻥ ﻟﻘﺒﻪ )ﺟﻴﺒﻮﺗﻲ( ﻭﻣﻊ‬
‫ﺇﻥ ﺍﻟﻠﻘﺐ ﻫﻮ ﺍﺳﻢ ﻟﺪﻭﻟﺔ ﻋﺮﺑﻴﺔ ﺗﺸﺎﻃﺮﻧﺎ ﺑﻮﺍﺑﺔ ﺍﻟﺒﺤﺮ ﺍﻷﺣﻤﺮ؛ ﺇﻻ ﺇﻥ ﻗﺮﺹ ﺍﻟﺮﻭﺗﻲ ﻇﻞ ﺻﻨﻮﺍ ﻟﺬﻟﻚ‬
‫ﺍﳌﻌﻠﻢ ﺍﳉﻠﻴﻞ ﺍﻟﺬﻱ ﻋﻠﻖ ﺍﺳﻤﻪ ﻓﻲ ﺫﺍﻛﺮﺗﻲ ﻣﺬ ﺟﻠﺴﺖ ﻟﻠﺪﺭﺱ ﻷﻭﻝ ﻣﺮﺓ ﻓﻲ ﻋﺪﻥ‪.‬‬
‫ﺃﺷﺠﺎﻥ ﺑﻐﻨﺠﻬﺎ ﺍﻟﺮﻳﻔﻲ ﻭ ﺑﺴﺎﻃﺘﻬﺎ ﻭﺟﺮﺃﺗﻬﺎ ﻭﺣﻴﻮﻳﺘﻬﺎ ﻛـﺎﻧﺖ ‪ -‬ﺑﻼﺷﻚ ‪ -‬ﺃﻭﻝ ﺷﻲﺀ ﺷﺪﻧﻲ ﻓﻲ‬
‫ﺣﻘﻞ ﺍﻟﻔﺆﺍﺩ‪ ،‬ﻓﻤﻨﺬ ﻭﻃﺄﺕ ﻗﺪﻣﺎﻱ ﺍﳌﻜﺎﻥ ﻭﺍﻟﻄﻔﻠﺔ ﺃﺷﺠﺎﻥ ﺭﺍﻋﻴﺔ ﺍﻟﻀﺎﻥ ﻣﺜﻠﺖ ﻟﻮﺍﺣﺪ ﻣﺜﻠﻲ ﻳﻜﺒﺮﻫﺎ‬
‫ﺑﻀﻌﻒ ﺳﻨﻮﺍﺕ ﻋﻤﺮﻫﺎ ﻣﻦ ﺃﺟﻤﻞ ﺍﻷﺷﻴﺎﺀ ﺇﺛﺎﺭﺓ ﻭﺑﻬﺠﺔ ﻭﻧﻀﺎﺭﺓ‪ ،‬ﻛﺎﻥ ﻟﻬﺬﻩ ﺍﻟﺼﻨﻌﺎﻧﻴﺔ ﺍﳌﻨﻔﻴﺔ ﺃﻥ‬
‫ﺷﺪﺕ ﺍﻧﺘﺒﺎﻫﻲ ﺇﻟﻰ ﻋﻮﺍﳌﻬﺎ ﺍﻟﻼﻣﺘﻨﺎﻫﻴﺔ‪ ،‬ﻓﺮﻏﻢ ﺻﻐﺮ ﺳﻨﻬﺎ ﻭﻗﻠﺔ ﻣﻌﺮﻓﺘﻬﺎ ﺑﺎﳊﻴﺎﺓ ﺇﻻ ﺃﻥ ﺫﻟﻚ ﻻ ﳝﻨﻊ‬
‫ﻋﻠﻲ‪ ،‬ﺑﻞ ﻭﺑﻨﺒﻮﻏﻬﺎ ﻭﺗﻔﻮﻗﻬﺎ ﺇﺫﺍ ﻣﺎ ﺃﻗﺤﻤﺖ ﻓﻲ ﺍﻣﺘﺤﺎﻥ ﻣﺎﺭﺍﺛﻮﻧﻲ‬
‫ﻣﻦ ﺍﻻﻋﺘﺮﺍﻑ ﺑﻄﻮﻝ ﺑﺎﻋﻬﺎ ﻭﺳﺒﻘﻬﺎ ﱠ‬
‫ﻣﻌﻬﺎ‪ ،‬ﻓﻬﺬﻩ ﺍﻟﺮﺍﻋﻴﺔ ﺍﻟﺼﻐﻴﺮﺓ ﺗﺸﻌﺮﻙ ﻓﻲ ﻣﺸﻴﺘﻬﺎ ﻓﻮﻕ ﺍﻟﻬﻀﺎﺏ ﻭﺍﳉﺒﺎﻝ ﺍﳌﻨﻴﻔﺔ ﻭﻛﺄﻧﻬﺎ ﺑﻘﺪﻣﻴﻬﺎ‬
‫ﺍﳊﺎﻓﻴﺘﲔ ﲢﻴﻚ ﻗﻄﻌﺔ ﻗﻤﺎﺵ ﻣﻦ ﺍﳊﺮﻳﺮ‪ ،‬ﺃﻭ ﺗﺮﻗﺺ ﺭﻗﺼﺔ ﺑﺪﻳﻌﺔ ﺟﺎﻣﻌﺔ ﻟﻜﻞ ﺍﻟﺮﻗﺼﺎﺕ ﺍﻟﻔﻠﻜﻠﻮﺭﻳﺔ‬
‫ﺍﻟﻘﺪﳝﺔ ﻭﺍﳊﺪﻳﺜﺔ‪ ،‬ﺍﻟﺼﺎﺧﺒﺔ ﻭﺍﻟﻬﺎﺩﺋﺔ‪ ،‬ﺍﻟﻬﻨﺪﻳﺔ ﻭﺍﻟﻐﺮﺑﻴﺔ‪ ،‬ﺍﻟﺴﺎﻣﺒﺎ ﻭﺍﳉﺎﺯ‪ ،‬ﺍﻟﺘﻨﻮﺭﺓ‪ ،‬ﻭﺍﻟﺘﻬﺎﻣﻴﺔ‪،‬‬
‫ﻭﺍﻟﻠﺤﺠﻴﺔ‪ ،‬ﻭﺍﻟﺴﻮﺍﺣﻠﻴﺔ‪ ،‬ﻭﺍﻟﺒﺎﻟﻴﺔ ﻓﺠﻤﻴﻌﻬﺎ ﻫﻨﺎ ﻣﺠﺘﻤﻌﺔ ﻓﻲ ﺭﻗﺼﺔ ﻭﺍﺣﺪﺓ ﺗﺮﺳﻤﻬﺎ ﻫﺬﻩ ﺍﻟﺮﺍﻋﻴﺔ‬
‫ﺑﻘﺪﻣﲔ ﺣﺎﻓﻴﺘﲔ ﻭﺧﺼﺮ ﺃﻫﻴﻒ ﻧﺤﻴﻞ ﻃﻔﻮﻟﻲ‪.‬‬
‫ﺑﺄﻧﺎﻗﺔ ﻭﻏﻨﺞ ﺗﺮﻗﺺ ﺃﺷﺠﺎﻥ ﻛﻞ ﻫﺬﻩ ﺍﻟﺮﻗﺼﺎﺕ ﺑﺎﻟﻔﻄﺮﺓ ﻭﺍﳌﻤﺎﺭﺳﺔ‪ ،‬ﺍﻟﺮﻗﺺ ﺍﳉﺒﻠﻲ ﻟﻴﺲ ﻛﺎﻟﺮﻗﺺ‬
‫ﺍﻟﺴﺎﺣﻠﻲ ﻓﺎﻷﻭﻝ ﺣﺬﺭ ﻭﻣﺤﻔﻮﻑ ﺑﺎ‪‬ﺎﻃﺮ ﺑﻴﻨﻤﺎ ﺍﻵﺧﺮ ﻣﻘﺮﻭﻥ ﺑﺎﻟﺴﻼﻣﺔ‪ ،‬ﺍﻟﺼﺨﻮﺭ ﺩﻭﻣﺎ ﻋﺼﻴﺔ ﺍﻟﺘﻄﻮﻳﻊ‬
‫ﺍﳌﺘﻬﺠﻲ ﻓﻲ ﻓﻦ ﺍﻟﺮﻗﺺ ﻓﻌﻞ‬
‫ﱢ‬ ‫ﻟﺮﻏﺒﺔ ﻃﻔﻮﻟﻴﺔ ﻓﻲ ﺍﻟﺮﻗﺺ‪ ،‬ﺍﻟﺮﻣﺎﻝ ﺍﻟﺮﻃﺒﺔ ﺍ‪‬ﻀﻠﺔ ﲟﺎﺀ ﺍﻟ ﱢﻴﻢ ﺑﺈﻣﻜﺎﻥ‬
‫ﻣﺎ ﻳﺤﻠﻮ ﻟﻪ ﻣﻦ ﺍﻟﺮﻗﺼﺎﺕ‪ ،‬ﺭﻗﺼﺔ ﺍﻟﺘﻨﻮﺭﺓ ﺍﳌﺼﺮﻳﺔ ﺍﳌﺪﻳﺨﺔ ﻓﻲ ﺩﻭﺭﺍﻧﻬﺎ‪ ،‬ﺍﻟﺒﺎﻟﻴﺔ ﺍﻻﺳﺘﻌﺮﺍﺿﻴﺔ ﺍﻟﺮﻗﺺ‬
‫ﺍﻟﻬﻨﺪﻱ ﻭﺍﻷﻣﺮﻳﻜﻲ ﻻ ﺧﺸﻴﺔ ﻣﻦ ﺭﻗﺼﺘﻬﺎ ﻭﻋﻠﻰ ﺃﺻﻮﻟﻬﺎ ﻓﻲ ﺳﺎﺣﻞ ﻻ ﻳﺪﻣﻲ ﺃﻭ ﻳﺼﻴﺐ ﺑﻞ ﳝﺮﻏﻚ‬
‫ﺑﺤﺒﻴﺒﺎﺕ ﺭﻣﻠﻪ ﻭﻣﺎﺋﻪ‪ ،‬ﳌﺮﺍﺕ ﹸﻛ ﹸﺜﺮ ﻗﺎﺑﻠﺖ ﲢﺪﻱ ﻫﺬﻩ ﺍﻟﻄﻔﻠﺔ ﺍﳉﺒﻠﻴﺔ ﺑﺮﻗﺼﺔ ﺳﺎﺣﻠﻴﺔ ﺃﻭ ﻣﺎﺭﺍﺛﻮﻥ ﻟﺘﺒﺮﻳﺮ‬
‫ﻋﺠﺰﻱ ﻭﺧﻴﺒﺘﻲ ﻓﻲ ﻣﺠﺎﺭﺍﺗﻬﺎ‪ ،‬ﻓﻠﻄﺎﳌﺎ ﺃﺷﻌﺮﺗﻨﻲ ﻫﺬﻩ ﺍﻷﻧﺜﻰ ﺑﺎﳊﺮﺝ ﻭﺍﳋﺠﻞ ﺃﻧﺎ ﺍﻟﻔﺘﻰ ﺍﳌﺘﺒﺨﺘﺮ ﺣ ﱠﺪ‬
‫ﺍﻟﻐﻄﺮﺳﺔ ﺑﻌﻠﻮ ﻛﻌﺒﻪ ﻭﻣﻘﺎﻣﻪ‪ ،‬ﻓﻲ ﻛﻞ ﻣﺮﺓ ﺃﺟﺪﻧﻲ ﺃﺗﻌﻠﻢ ﺩﺭﺳﺎ ﺑﻠﻴﻐﺎ ﻣﻦ ﻫﺬﻩ ﺍ‪‬ﻠﻮﻗﺔ‪.‬‬
‫ﺣﺪﺱ ﺃﻣﻲ ﻛﺎﻥ ﻣﺒﻜﺮﺍ ﻧﺤﻮ ﺃﺷﺠﺎﻥ‪ ,‬ﻓﻠﻘﺪ ﺗﻨﺒﺄﺕ ﺑﻌﻠﻮ ﺷﺄﻥ ﻫﺬﻩ ﺍﻟﻄﻔﻠﺔ ﺍﳉﻤﻴﻠﺔ ﻣﻨﺬ ﺍﻟﻮﻫﻠﺔ‬
‫ﺍﻷﻭﻟﻰ ﻟﻮﺻﻮﻟﻬﺎ ﺇﻟﻰ ﺍﻟﻘﺮﻳﺔ ﲢﺖ ﻭﻃﺄﺕ ﺍﳋﻼﻓﺎﺕ ﻭﺍﻟﺼﺮﺍﻋﺎﺕ ﺍﻟﺜﻮﺭﻳﺔ ﺍﻟﺘﻲ ﻗﺴﺮﺗﻨﺎ ﻋﻠﻰ ﻣﻐﺎﺩﺭﺓ ﻣﻨﺰﻟﻨﺎ‬
‫ﺍﻟﻜﺎﺋﻦ ﻓﻲ ﻣﺪﻳﻨﺔ ﻛﺮﻳﺘﺮ ﺇﻟﻰ ﻫﺬﻩ ﺍﳋﺮﺍﺑﺔ ﺍﳌﺴﻤﺎﺓ ﺑﻴﺘﺎ؛ ﻭﻫﻲ ﻓﻲ ﺣﻘﻴﻘﺘﻬﺎ ﺑﻘﺎﻳﺎ ﺩﺍﺭ ﻫﺠﺮﻩ ﺻﺎﺣﺒﻪ‬
‫ﺍﻟﻴﻬﻮﺩﻱ ﺑﻼ ﻋﻮﺩﺓ‪ ,‬ﺃﺩﻳﺮﺓ ﻋﺘﻴﻘﺔ ﺻﺎﺭﺕ ﻗﺒﻠﺔ ﳌﻦ ﻫﻢ ﺑﻼ ﻣﺄﻭﻯ ﻣﺜﻠﻨﺎ ﺃﻭ ﻟﻠﻤﺸﺮﺩﻳﻦ ﻣﻦ ﺍﻟﺸﻤﺎﻝ ﻣﺜﻞ‬
‫ﺍﻟﻌﻢ ﻋﺒﺪﻩ ﺍﻟﺼﻨﻌﺎﻧﻲ ﻭﺍﻟﺪ ﺃﺷﺠﺎﻥ؛ ﺑﻞ ﻭﻟﻠﻔﺎﺭﻳﻦ ﻣﻦ ﺩﻳﺎﺭﻫﻢ ﺍﳌﺘﺴﻠﻄﺔ ﻋﻠﻰ ﺃﻧﻔﺎﺳﻬﻢ ﻭﺣﺮﻳﺎﺗﻬﻢ‪،‬‬
‫ﺍﻟﺬﻳﻦ ﻻ ﻣﺘﺴﻊ ﻟﻠﺒﻮﺡ ﻭﺍﻟﺘﻌﺒﻴﺮ ﻋﻤﺎ ﻓﻲ ﻟﻮﺍﻋﺠﻬﻢ ﻭﻧﻔﻮﺳﻬﻢ ﻏﻴﺮ ﻫﺬﻩ ﺍﻟﺪﻭﺭ ﺍﳌﻬﺠﻮﺭﺓ ﻣﺬ ﻏﺎﺩﺭﻫﺎ‬
‫ﺳﻜﺎﻧﻬﺎ ﺍﻟﻴﻬﻮﺩ ﻋﺎﻡ ‪١٩٤٨‬ﻡ ﻭﺷﺎﺀﺕ ﺍﻷﻗﺪﺍﺭ ﺃﻥ ﻧﺤﻂ ﺍﻟﺮﺣﺎﻝ ﻓﻲ ﺇﺣﺪﺍﻫﺎ‪.‬‬
‫ﻻ ﺃﺗﺨﻴﻞ ﺑﺮﻫ ﹰﺔ ﺍﻟﻌﻴﺶ ﻣﻦ ﺩﻭﻥ ﻫﺬﻩ ﺍﳊﻮﺍﺀ ﺍﻟﺘﻲ ﻭﺻﻔﻬﺎ ﺍﳊﻜﻴﻢ ﺍﻟﺼﻴﻨﻲ ﻛﻮﻧﻔﻮﺷﻴﻮﺱ ﺑﻘﻮﻟﺔ‪ :‬ﺍﳌﺮﺃﺓ‬
‫ﺃﺑﻬﺞ ﻣﺎ ﻓﻲ ﺍﳊﻴﺎﺓ‪ ،‬ﻓﻠﻜﻢ ﺗﺨﻴﻠﺖ ﺣﻘﻞ ﺍﻟﻔﺆﺍﺩ ﺩﻭﻧﻬﺎ؛ ﻓﻮﺟﺪﺗﻪ ﺑﻼ ﻗﻠﺐ ﺃﻭ ﺭﻭﺡ ﻧﺎﺑﻀﺔ ﺑﺎﳊﻴﺎﺓ‪ ،‬ﺣﺪﺱ‬
‫ﺃﻣﻲ ﻟﻢ ﻳﺨﺐ ﻓﻬﺎﻫﻲ ﺍ ﻟﺴﻨﻮﺍﺕ ﲡﻠﻲ ﺣﻘﻴﻘﺔ ﻣﺎ ﺗﻮﻗﻌﺘﻪ ﻟﺮﺍﻋﻴﺔ ﺍﻟﻀﺎﻥ‪ ،‬ﻓﻠﻢ ﺗﻜﻦ ﺃﺷﺠﺎﻥ ﺭﺍﻗﺼﺔ‬
‫ﺍﳉﺒﺎﻝ‪ ،‬ﺃﻭ ﻣﻠﻬﻤﺔ ﺃﻟﺒﺎﺏ ﺍﻟﻔﺘﻴﺎﺕ ﻓﺤﺴﺐ؛ ﻭﻟﻜﻨﻬﺎ ﺍﻛﺒﺮ ﻭﺃﻋﻈﻢ ﻣﻦ ﺃﻳﺔ ﺣﻜﺎﻳﺔ‪ ،‬ﺃﻭ ﺧﺮﺍﻓﺔ ﻓﻲ ﺍﳊﺐ‪،‬‬
‫ﻭﺍﳉﻤﺎﻝ‪ ،‬ﻭﺍﻟﻮﺩﺍﻋﺔ‪ ،‬ﻭﺍﻟﺴﺤﺮ‪ ،‬ﻓﺄﻋﻈﻢ ﺃﻣﺮﺍﻩ ﻭﻓﻖ ﻣﻌﻴﺎﺭ ﺍﻟﻔﻴﻠﺴﻮﻑ ﺍﻟﻴﻮﻧﺎﻧﻲ ﺳﻘﺮﺍﻁ ﻫﻲ ﺍﻟﺘﻲ ﺗﻌﻠﻤﻨﺎ‬
‫ﻛﻴﻒ ﻧﺤﺐ ﻭﻧﺤﻦ ﻧﻜﺮﻩ ﻭﻛﻴﻒ ﻧﻀﺤﻚ ﻭﻧﺤﻦ ﻧﺒﻜﻲ ﻭﻛﻴﻒ ﻧﺼﺒﺮ ﻭﻧﺤﻦ ﻧﺘﻌﺬﺏ؟ﺃﺷﺠﺎﻥ ﻣﻦ ﻫﺬﺍ‬
‫ﺍﻟﺼﻨﻒ ﺍﻟﻨﺎﺩﺭ ﻣﻦ ﺍﻟﻨﺴﺎﺀ‪ ،‬ﺇﺫ ﻛﺎﻥ ﻭﺟﻬﻬﺎ ﺍﻟﺒﺸﻮﺵ ﻭﺻﻮﺗﻬﺎ ﺍﻟﻌﺬﺏ ﺃﻭﻟﻰ ﺑﺸﺎﺭﺍﺕ ﺍﻟﺘﻔﺎﺅﻝ ﻭﺍﻟﺴﻌﺪ‬
‫ﺍﻟﻠﺬﻳﻦ ﺧﻔﻔﺎ ﻋﻨﺎ ﻛﺪﺭ ﻭﺑﺆﺱ ﺍﻟﻌﻮﺩﺓ ﳌﺮﺍﺑﻊ ﺍﻟﻘﺮﻳﺔ ﺍﻟﻘﻔﺮﺓ ﻣﻦ ﻛﻞ ﻭﺳﺎﺋﻞ ﺍﳊﺪﺍﺛﺔ ﻭﺍﳌﺪﻧﻴﺔ‪.‬‬
‫ﻣﺎﺯﻟﺖ ﺃﺗﺬﻛﺮ ﻧﺒﻮﺀﺓ ﺃﻣﻲ ﺇﺫ ﺫﺍﻙ ﺍﻟﻮﻗﺖ ﺍﻟﻌﺼﻴﺐ ﺍﻟﺬﻱ ﻟﻢ ﺃﺧﺬ ﻛﻼﻣﻬﺎ ﻋﻠﻰ ﻣﺤﻤﻞ ﺍﳉﺪ‪ ،‬ﻓﻤﺎ ﻧﻄﻘﺖ‬
‫ﺑﻪ ﻫﺬﻩ ﺍﻟﻔﺮﻋﻮﻧﺔ ﻣﻦ ﺣﻈﻮﺓ ﻭﻣﻜﺎﻧﺔ ﺗﻨﺘﻈﺮ ﺃﺷﺠﺎﻥ ﺧﻠﺘﻪ ﻣﻦ ﺑﺎﺏ ﺍ‪‬ﺎﻣﻠﺔ ﻭﺍﻟﺪﻋﺎﺑﺔ ﻟﻴﺲ ﺇﻻ‪ ،‬ﺃﻣﺎ ﻭﻗﺪ‬
‫ﺃﺛﺒﺘﺖ ﺍﻷﻳﺎﻡ ﺃﻥ ﺍﻟﻘﺎﺋﻠﺔ ﻗﺎﺭﺋﺔ ﻓﻨﺠﺎﻥ ﺑﺎﺭﻋﺔ ﻓﺒﻜﻞ ﺗﺄﻛﻴﺪ ﺃﻋﺘﺮﻑ ﺍﻵﻥ ﺇﻥ ﺃﺷﺠﺎﻥ ﻣﻦ ﺃﻗﺤﺎﺡ ﺍﳊﺴﻨﺎﻭﺍﺕ‬
‫ﺍﻟﻸﻱ ﻳﻨﺪﺭ ﻭﺟﻮﺩﻫﻦ ﻓﻲ ﺍﳊﻴﺎﺓ‪ ،‬ﻫﺬﺍ ﺍﻟﺼﻨﻒ ﻣﻦ ﺍﻟﻨﺴﺎﺀ ﻣﻦ ﺣﻮﺭﻳﺎﺕ ﺍﳉﻨﺔ‪ ،‬ﻓﻠﻮﻻ ﺇﻋﺠﺎﺏ ﺃﹸﻣﻲ ﺑﻬﺎ ﳌﺎ‬
‫ﺍﻫﺘﺪﻳﺖ ﺇﻟﻰ ﻫﺬﻩ ﺍﻟﻠﺆﻟﺆﺓ ﺍﳌﺘﺪﺛﺮﺓ ﲟﺤﺎﺭﺓ ﺭﺛﺔ‪ ,‬ﻓﺜﻤﺔ ﺃﺷﻴﺎﺀ ﻻ ﺗﺮﻯ ﺑﺎﻟﻌﲔ ﺍ‪‬ﺮﺩﺓ؛ ﺇﳕﺎ ﺑﺎﳊﺪﺱ ﺍﻟﻐﺎﺋﺺ‬
‫ﻓﻲ ﺍﻷﻋﻤﺎﻕ‪ ،‬ﻓﻤﻨﺬ ﺍﻟﻨﻈﺮﺓ ﺍﻷﻭﻟﻰ ﻭﺃﻣﻲ ﻣﺘﻴﻤﺔ ﺑﻬﺬﻩ ﺍﻟﺮﻳﻔﻴﺔ ﺍﳉﻤﻴﻠﺔ‪ ،‬ﻓﻠﻄﺎﳌﺎ ﻫﻤﺴﺖ ﻓﻲ ﺃﺫﻧﻲ‬
‫ﻗﺎﺋﻠﺔ‪ :‬ﺟﻤﺎﻝ ﺩﻱ ﺍﻟﺒﻨﺖ ﻃﻴﺮﺕ ﻟﻲ ﻧﺎﻓﻮﺧﻲ‪ ،‬ﻳﺂﻩ ﻟﻮ ﺻﺎﺭﺕ ﻣﻦ ﻧﺼﻴﺒﻚ ﻳﺎ ﻭﻟﺪ!‬
‫ﻟﻢ ﺃﻛﺘﺮﺙ ﻟﻜﻼﻣﻬﺎ ﻓﻲ ﺑﺎﺩﺉ ﺍﻷﻣﺮ ﺧﺎﺻﺔ ﻭﺇ ﱠﻥ ﻛﻼﻧﺎ ﻓﻲ ﻣﻘﺘﺒﻞ ﺍﻟﺒﺮﺍﺀﺓ ﻭﺍﻟﻄﻔﻮﻟﺔ‪ ،‬ﻟﻜﻦ ﲟﻀﻲ ﺍﻟﻌﻤﺮ‬
‫ﺃﺣﺒﺒﺖ ﺇﻋﺠﺎﺏ ﺃﹸﻣﻲ ﻭﺷﻐﻔﻬﺎ ﺑﻬﺬﻩ ﺍﻟﻔﺘﺎﺓ ﺇﻟﻰ ﺩﺭﺟﺔ ﺟﻌﻠﺘﻨﻲ ﺃﻭﻗﻒ ﺍﻟﻜﻼﻡ ﺗﻔﺎﺩﻳﺎ ﹰ ﻣﻦ ﺍﳊﺮﺝ‬
‫ﹸ‬ ‫ﻗﺪﺭﺕ ﺑﻞ‬
‫ﹸ‬
‫ﻭﺧﺸﻴ ﹰﺔ ﻣﻦ ﺇﺫﺍﻋﺘﻪ ﻋﻠﻰ ﺍﳌﻸ‪.‬‬
‫ﻣﺬ ﺛﻼﺛﺔ ﺃﻋﻮﺍﻡ ﻭﺇﻃﺮﺍﺅﻙ ﻟﻢ ﻳﺘﺒﺪﻝ ﻧﺤﻮ ﺃﺷﺠﺎﻥ ﺃﻻ ﺗﻼﺣﻈﲔ ﻛﻴﻒ ﺗﺘﻮﺭﺩ ﻭﺟﻨﺘﺎﻫﺎ ﻛﻠﻤﺎ‬ ‫‪-‬‬
‫ﺳﻤﻌﺘﻚ؟‪.‬‬
‫ﺟﻤﺎﻝ ﺑﻼ ﺣﻴﺎﺀ ﻭﺭﺩﺓ ﺑﻼ ﻋﻄﺮ‪ ،‬ﻭﺃﻣﻚ ﻭﻟﻮﻋﺔ ﻟﻠﻐﺎﻳﺔ ﻓﻲ ﺍﻟﻮﺭﺩﺓ ﺍﳋﺠﻮﻟﺔ ﻭﻓﻲ ﺷﺬﺍﻫﺎ‪ ،‬ﺩﻱ ﺍ‪‬ﻠﻮﻗﺔ‬ ‫‪-‬‬
‫ﻧﻔﺲ ﺟﻤﻴﻠﺔ ﻓﻲ ﺟﺴﺪ ﺟﻤﻴﻞ ﻭﻫﺬﺍ ﻫﻮ ﺍﳌﺜﻞ ﺍﻷﻋﻈﻢ ﻟﻠﺠﻤﺎﻝ‪.‬‬
‫ﻣﺎ ﺃﺟﻤﻞ ﻗﻮﻟﻚ ﻭﺭﺩﺓ ﺑﻼ ﻋﻄﺮ ﻭﻧﻔﺲ ﺟﻤﻴﻠﺔ!‬ ‫‪-‬‬
‫ﺑﻮﺷﻜﲔ ﻭﺗﻮﻟﺴﺘﻮﻱ ﻫﻤﺎ ﺍﻟﻘﺎﺋﻼﻥ ﻟﻬﺬﻳﻦ ﺍﻟﻘﻮﻟﲔ ﻭﻟﻴﺴﺖ ﺃﻣﻚ‪.‬‬ ‫‪-‬‬
‫ﻣﺎﺫﺍ ﺟﺮﻯ ﺑﺤﻖ ﺍﻟﺴﻤﺎﺀ ﻓﻤﺎ ﺍﻋﺘﺪﺕ ﻣﺜﻞ ﻫﺬﻩ ﺍﻟﺮﻭﻣﺎﻧﺴﻴﺔ؟‬ ‫‪-‬‬
‫ﻓﻲ ﺑﻼﺩ ﺍﻟﻌﻮﺭﺍﻥ ﻳﺘﻮﺟﺐ ﺳﻤﻞ ﺍﻟﻌﲔ ﻭﺃﻧﺎ ﺃﻗﻮﻝ ﻳﺎ ﺣﺎﻓﻆ ﻋﻠﻰ ﻋﻴﻨﻲ ﻣﻦ ﺍﺟﻞ ﺍﻷﺷﻴﺎﺀ ﺍﳉﻤﻴﻠﺔ‪.‬‬ ‫‪-‬‬
‫ﻳﺎ ﺍﷲ ﻣﺎ ﺃﻋﻈﻢ ﻫﺬﻩ ﺍﳌﺒﺼﺮﺓ ﻓﻲ ﺯﻣﻦ ﺍﻟﻌﻤﻴﺎﻥ! ﺃﻟﻢ ﻳﻘﻞ ﻣﺤﻤﻮﺩ ﺍﻟﻌﻘﺎﺩ‪ :‬ﺇﺫﺍ ﻛﺎﻧﺖ ﺍﳌﺮﺃﺓ ﺍﳉﻤﻴﻠﺔ‬
‫ﺟﻮﻫﺮﺓ ﻓﺎﳌﺮﺃﺓ ﺍﻟﻔﺎﺿﻠﺔ ﻛﻨﺰ!‬
‫ﻭﺃﻧﺎ ﻣﺪﻳﻦ ﻟﻬﺬﻩ ﺍﻷﹸﻡ ﺍﻟﻔﺎﺿﻠﺔ ﺍﻟﺘﻲ ‪ -‬ﺑﺤﻖ ‪ -‬ﺗﻌﺪ ﲡﺴﻴﺪﺍ ﹰ ﻟﻠﺤﻜﻤﺔ ﺍﻟﻬﻨﺪﻳﺔ ﺍﻟﻘﺎﺋﻠﺔ ﺑﺄﻥ ﺍﳌﻨﺰﻝ ﻟﻴﺲ‬
‫ﺣﺠﺮﺍﹰ؛ ﺑﻞ ﺍﻣﺮﺃﺓ‪ ،‬ﻛﻢ ﺃﻧﺎ ﻣﺸﺘﺎﻕ ﻟﻜﻼﻡ ﻫﺬﻩ ﺍﻵﺩﻣﻴﺔ‪ ،‬ﻓﻮﻗ ﹸﻊ ﻟﻜﻨﺘﻬﺎ ﺍﳌﺼﺮﻳﺔ ﺗﻄﺮﻕ ﻣﺴﻤﻌﻲ‪ ،‬ﻋﺎﻳﺰ ﺇﻳﻪ‬
‫ﻭﺷﻚ‪..‬ﺑﻘﻪ ﻛﺪﻩ‪ ..‬ﺣﺴﻚ ﻋﻴﻨﻚ‪ ..‬ﺣﻼﻝ ﻋﻠﻴﻚ‪ ..‬ﻛﻠﻤﺎﺕ ﻻ ﲤﺤﻰ ﻣﻦ ﺫﺍﻛﺮﺗﻲ‪.‬‬ ‫ﻳﺎﻭﻟﺪ؟ ﺍﻏﺴﻞ ﱢ‬
‫ﺍﻟﻌﺰﳝﺔ ﻣﺜﻠﺖ ﺍﻟﻮﺳﻴﻠﺔ ﺍﻟﻨﺎﺟﻌﺔ ﻷﹸﻣﻲ ﻓﻲ ﻣﻮﺍﺟﻬﺔ ﻣﺎ ﺣﺪﺙ ﻟﻨﺎ ﺑﻌﺪ ﺭﺣﻴﻞ ﺃﺑﻲ ﻏﻴﻠﺔ ﺇﻟﻰ ﺟﻬﺔ ﻏﻴﺮ‬
‫ﻣﻌﺮﻭﻓﺔ‪ ،‬ﻓﻤﻨﺬ ﺍﻗﺘﺤﺎﻡ ﺯﻭﺍﺭ ﺍﻟﻔﺠﺮ ﻣﻨﺰﻟﻨﺎ ﻣﻄﻠﻊ ﺍﻟﺴﺒﻌﻴﻨﺎﺕ ﻭﻋﻘﺐ ﺛﻮﺭﺓ ﺍﻟﺘﺄﻣﻴﻢ ﻭﻫﺬﻩ ﺍﳌﺮﺃﺓ ﻟﻢ ﺗﻬﻦ‬
‫ﺇﺭﺍﺩﺗﻬﺎ ﺭﻏﻢ ﻛﻞ ﻣﺎ ﻭﻗﻊ ﻟﻬﺎ ﺑﺪﺀﺍ ﹰ ﺑﺎﻋﺘﻘﺎﻝ ﺑﻌﻠﻬﺎ ﺍﻟﻘﻴﺎﺩﻱ ﺍﳌﺮﻣﻮﻕ ﻓﻲ ﺍﻟﺪﻭﻟﺔ ﺍﻟﻨﺎﺷﺌﺔ‪ ،‬ﻣﺮﻭﺭﺍ ﹰ ﲟﺼﺎﺩﺭﺓ‬
‫ﻭﺗﺄﻣﻴﻢ ﺃﻣﻮﺍﻝ ﻭﳑﺘﻠﻜﺎﺕ ﺃﺑﻴﻬﺎ ﺣﺴﲔ ﺍﻟﺴﻴﺪ ﻓﻲ ﻋﺪﻥ ﻭﻣﻦ ﺍﻟﺜﻮﺭﺓ ﺍﻟﺘﻲ ﻛﺎﻥ ﺫﺧﺮﻫﺎ ﻭﺳﺎﻋﺪﻫﺎ ﺫﺍﺕ‬
‫ﻳﻮﻡ‪ ،‬ﻭﻟﻴﺲ ﺍﻧﺘﻬﺎ ﹰﺀ ﲟﺎ ﺣﺪﺙ ﻷﺳﺮﺗﻬﺎ ﺍﻟﺼﻐﻴﺮﺓ ﻣﻦ ﺗﻨﻜﻴﻞ ﻭﺻﻞ ﺣﺪ ﻟﻔﻈﻬﺎ ﻭﻃﻔﻠﻴﻬﺎ ﺧﺎﺭﺝ ﺍﳌﺴﻜﻦ‬
‫ﺍﳌﺘﻮﺍﺿﻊ ﻓﻲ ﻋﺪﻥ ﻣﻦ ﺩﻭﻥ ﺃﺧﺬ ﺷﻲﺀ ﻣﻦ ﻣﺤﺘﻮﻳﺎﺕ ﺍﻟﺸﻘﺔ ﻣﻦ ﺃﻣﺘﻌﺔ ﻭﻣﻼﺑﺲ‪ ،‬ﻓﻤﺎﺯﺍﻟﺖ ﺗﺮﺍﺟﻴﺪﻳﺔ‬
‫ﺍﻟﻠﺤﻈﺔ ﻣﺎﺛﻠﺔ ﻟﻲ ﺃﻧﺎ ﺍﻟﻄﻔﻞ ﺍﻟﺬﻱ ﺃﺟﻬﺸﺖ ﺑﺎﻟﺒﻜﺎﺀ ﺣﻴﻨﻤﺎ ﺭﺃﻳﺖ ﺳﺮﻳﺮﻱ ﺍﳉﻤﻴﻞ ﻭﺣﻘﻴﺒﺔ ﺍﳌﺪﺭﺳﺔ‬
 ‫ﻭﻫﻤﺎ ﺿﻤﻦ ﺍﻟﻌﻔﺶ ﺍﳌﻨﻘﻮﻝ ﺇﻟﻰ ﺍﻟﺸﺎﺣﻨﺔ ﺍﻟﻮﺍﻗﻔﺔ ﻓﻲ ﺍﻟﻔﻨﺎﺀ ﺍﳋﺎﺭﺟﻲ ﻟﻠﻌﻤﺎﺭﺓ‪.‬‬
‫ﻇﻠﺖ ﺃﹸﻣﻲ ﺻﻠﺒﺔ ﻭﻗﻮﻳﺔ ﺭﻏﻢ ﺟﻮﺭ ﻣﺎ ﺣﺼﻞ‪ ،‬ﺇﻧﻬﺎ ﻣﺜﻞ ﻫﺮﻡ ﺧﻮﻓﻮ ﺍﻟﻮﺍﻗﻒ ﺑﻮﺟﻪ ﺍﻟﻄﺒﻴﻌﺔ ﺍﻟﻘﺎﺳﻴﺔ‬
‫ﻭﺍﻟﺰﻣﻦ ﺍﻟﺒﻌﻴﺪ‪ ،‬ﺍﻟﻈﺮﻭﻑ ﻛﺎﻧﺖ ﺃﻋﻈﻢ ﻣﻦ ﺍﺣﺘﻤﺎﻝ ﺍﻟﺮﺟﺎﻝ ﺍﻷﺷﺪﺍﺀ ﻋﻠﻰ ﺍﶈﻦ‪ ،‬ﻭﻣﻊ ﺫﻟﻚ ﻟﻢ ﺗﻜﺘﺮﺙ‬
‫ﺑﺴﻮﺍﻱ ﺃﻧﺎ ﻭﺷﻘﻴﻘﻲ ﻣﺤﻤﺪ ﻭﻛﺬﺍ ﺍﻟﺼﻨﺪﻭﻕ ﺍﻟﺼﻐﻴﺮ ﺍﳌﺜﻴﺮ ﻟﻼﺳﺘﻐﺮﺍﺏ ﻭﺍﻟﺪﻫﺸﺔ‪ ،‬ﻻ ﺃﺩﺭﻱ ﳌﺎﺫﺍ ﻧﻬﻤﻞ‬
‫ﺍﻷﺷﻴﺎﺀ ﺍﳉﻤﻴﻠﺔ ﻭﺍﻟﺜﻤﻴﻨﺔ ﻭﻧﺤﻦ ﻧﻠﻐﺐ ﻟﻬﺜﺎ ﹰ ﻭﺭﺍﺀ ﺯﺧﺮﻑ ﺍﳌﺎﻝ ﻭﺍﳉﺎﻩ ﻭﺍﻟﺴﻠﻄﺎﻥ!!‬
‫ﻧﺴﻮﺓ ﻛﺜﺮ ﻓﻲ ﻫﺬﻩ ﺍﳊﻴﺎﺓ ﺍﻟﺼﺎﺧﺒﺔ ﺍﳌﻀﻄﺮﺑﺔ‪ ،‬ﻫﻦ ﻣﺜﻞ ﺃﹰﻣﻲ ﻣﻬﻤﻼﺕ ﻣﺘﻮﺍﺭﻳﺎﺕ ﺑﻌﻴﺪﺍ ﹰ ﻋﻦ ﺑﺮﻳﻖ ﺍ‪‬ﺪ‬
‫ﻭﺍﻟﺸﻬﺮﺓ ﺭﻏﻢ ﺇﻧﻬﻦ ﻳﻔﻘﻦ ﺍﻟﺮﺟﺎﻝ ﻣﻠﻴﻮﻥ ﻣﺮﺓ ﻓﻲ ﺻﻔﺎﺗﻬﻦ ﻭﻃﺒﺎﻋﻬﻦ ﻭﺃﺧﻼﻗﻬﻦ ﻭﲢﻤﻠﻬﻦ ﻭﺻﺒﺮﻫﻦ‬
‫ﻋﻠﻰ ﺍﻟﺸﺪﺍﺋﺪ ﻭﺍﶈﻦ‪ ،‬ﻣﺎ ﻳﺴﺘﻔﺰﻧﻲ ﺟﺪﺍ ﹰ ﻫﻮ ﺍﺳﺘﻬﻼﻛﻨﺎ ﺍﳌﻌﺘﺴﻒ ﳌﻘﻮﻟﺔ )ﻭﺭﺍﺀ ﻛﻞ ﺭﺟﻞ ﻋﻈﻴﻢ ﺍﻣﺮﺃﺓ(‬
‫ﻓﺒﺤﺴﺐ ﻓﻠﺴﻔﺘﻲ ﺍﳌﺘﻮﺍﺿﻌﺔ ﺇﻥ ﺍﻟﻌﻈﻤﺔ ﺃﺻﻠﻬﺎ ﺍﻣﺮﺃﺓ‪ ،‬ﻓﻤﻦ ﺍﳉﺤﻮﺩ ﺍﻟﻘﻮﻝ ﺇﻥ ﻭﻓﺎﺀ ﺍﳌﺼﺮﻱ ﻛﺎﻧﺖ‬
‫ﺧﻠﻒ ﻋﻈﻤﺔ ﺭﺟﻞ ﺍﺳﻤﻪ ﺻﺎﺑﺮ‪ ،‬ﻓﺄﺻﺪﻕ ﺗﻌﺒﻴﺮ ﻫﻮ ﺃﻥ ﺍﻟﻌﻈﻤﺔ ﻣﺘﺠﺴﺪﺓ ﻓﻲ ﺍﻷﻧﺜﻰ‪ ،‬ﻓﻘﻠﻤﺎ ﳒﺪ ﺭﺟﺎﻻ ﹰ‬
‫ﻋﻈﺎﻣﺎ ﹰ ‪‬ﺮﺩ ﺫﻛﻮﺭﺗﻬﻢ‪ ،‬ﺃﻭ ﻛﺎﻧﻮﺍ ﻭﺭﺍﺀ ﻋﻈﻤﺔ ﺃﻧﺜﻰ‪ ،‬ﻣﺜﻼﹰ ﻟﻬﺬﻩ ﺍﻟﻌﻈﻤﺔ ﻫﻮ ﺃﻣﻲ ﻓﻬﻲ ﻛﺄﻱ ﺍﻣﺮﺃﺓ ﻋﺮﺑﻴﺔ‬
‫ﺃﻭ ﺷﺮﻗﻴﺔ ﻣﺠﺪﻫﺎ ﻭﳑﻠﻜﺘﻬﺎ ﻭﻋﻈﻤﺘﻬﺎ ﺍﳊﻘﻴﻘﻴﺔ ﺃﻧﻬﺎ ﺭﺍﺋﺪﺓ ﺃﺳﺮﺓ ﻣﺜﺎﻟﻴﺔ‪ ،‬ﻟﺴﺖ ﻗﺎﺋﻼﹰ ﻫﺬﺍ ﺍﻟﻜﻼﻡ‪،‬‬
‫ﻓﻘﺎﺋﻠﺘﻪ ﺃﻭﻝ ﺭﺍﺋﺪﺓ ﻓﻀﺎﺀ ﺭﻭﺳﻴﺔ )ﻓﺎﻟﻨﺘﻴﻨﺎ ﺗﻴﺮﻳﺸﻜﻮﻓﺎ( ﻓﻤﻊ ﺷﻬﺮﺗﻬﺎ ﻛﺄﻭﻝ ﺍﻣﺮﺃﺓ ﺗﺼﻌﺪ ﺇﻟﻰ ﺍﻟﻔﻀﺎﺀ‬
‫ﲤﻨﺖ ﺃﻥ ﺗﻜﻮﻥ ﺭﺍﺋﺪﺓ ﺃﺳﺮﺓ ﻛﺄﻳﺔ ﺍﻣﺮﺃﺓ ﻋﺮﺑﻴﺔ ﺃﻭ ﺷﺮﻗﻴﺔ‪.‬‬
‫ﺍﻷﹸﻡ ﺃﺳﻄﻮﺭﺓ ﺣﻴﺔ ﺃﺷﺒﻪ ﺑﺨﺮﺍﻓﻴﺔ ﺍﻟﺜﻼﺛﻴﺔ ﺍﻟﺸﻬﻴﺮﺓ ﺍﻟﻐﻮﻝ ﻭﺍﻟﻌﻨﻘﺎﺀ ﻭﺍﳋﻞ ﺍﻟﻮﻓﻲ‪ ،‬ﻓﻜﻞ ﻭﺍﺣﺪ ﻣﻨﺎ‬
‫ﻟﻪ ﻧﺼﻴﺐ ﻣﻦ ﺍﻷﻣﻬﺎﺕ ﻭﺍﳊﺒﻴﺒﺎﺕ ﺍﳌﻤﺎﺛﻼﺕ ﻓﻲ ﺩﻧﻴﺎﻧﺎ ﺍﳌﻸﻯ ﺑﺎﳉﻮﺍﻫﺮ ﻭﺍﻷﺳﺎﻃﻴﺮ ﻏﻴﺮ ﺍﳌﺪﺭﻛﺔ ﻣﻨﺎ‬
‫ﻧﺤﻦ ﺍﻟﻌﻤﻴﺎﻥ ﻏﻴﺮ ﺍﳌﺒﺼﺮﻳﻦ ﺣﻘﻴﻘﺔ ﻭﺟﻮﺩﻫﻦ ﺃﻭ ﻣﺂﺛﺮﻫﻦ ﺍﳋﺎﺭﻗﺔ ﻟﻠﻌﺎﺩﺓ‪ ،‬ﻓﺄﹸﻣﻲ ﻣﺠﺮﺩ ﺣﺎﻟﺔ ﺃﺟﺒﺮﺗﻬﺎ‬
‫ﺍﻟﻈﺮﻭﻑ ﺍﻟﺜﻮﺭﻳﺔ ﺍﻟﻄﺎﺋﺸﺔ ﻋﻠﻰ ﻣﻐﺎﺩﺭﺓ ﻣﺴﻜﻨﻬﺎ ﻓﻲ ﻋﺪﻥ ﺩﻭﳕﺎ ﺍﻋﺘﺒﺎﺭ ﻳﺬﻛﺮ ﻟﺘﻀﺤﻴﺔ ﺃﺑﻲ ﺃﺣﺪ‬
‫ﺭﺟﺎﻻﺕ ﺍﻟﺜﻮﺭﺓ‪ ،‬ﺃﻭ ﻋﻤﻲ ﺇﺑﺮﺍﻫﻴﻢ ﺍﻟﺼﻮﺕ ﺍﻟﺼﺎﺩﺡ ﻟﻠﺜﻮﺭﺓ ﻣﻦ ﺇﺫﺍﻋﺔ ﺗﻌﺰ ﻭﺍﻟﺴﺠﲔ ﻓﻲ ﻣﻌﺘﻘﻞ ﺍﻹﻣﺎﻡ‬
‫ﻓﻲ ﺣﺠﺔ‪ ،‬ﺃﻭ ﻋﻤﻲ ﻳﻮﺳﻒ ﺍﳌﻨﻔﻲ ﺧﺎﺭﺝ ﻭﻃﻨﻪ ‪‬ﺮﺩ ﺍﻧﺘﻤﺎﺋﻪ ﻟﻠﺠﺒﻬﺔ ﺍﻷﺧﺮﻯ ﺇﺑﺎﻥ ﺣﺮﺏ ﺍﻟﺘﺤﺮﻳﺮ‪ ،‬ﺃﻭ ﺩﻋﻢ‬
‫ﺟﺪﻱ ﺣﺴﲔ ﺍﳌﺼﺮﻱ‪ ،‬ﺃﻭ ﻟﺘﺎﺭﻳﺦ ﺟﺪﻱ ﺍﻟﺸﻴﺦ ﻋﺒﺪﺍﷲ ﻏﻴﻼﻥ ﺃﻭﻝ ﺍﻟﺜﺎﺋﺮﻳﻦ ﻋﻠﻰ ﺍﻻﺳﺘﻌﻤﺎﺭ ﻭﺃﺯﻻﻣﻪ ﻓﻲ‬
‫ﺍﻹﻣﺎﺭﺓ ﺍﻟﺸﺮﻗﻴﺔ‪ ،‬ﻭﻻ ﻟﺪﻣﻪ ﺍﳌﺜﻐﺐ ﻓﻲ ﻓﻠﺴﻄﲔ‪ ،‬ﻓﻜﻞ ﻫﺬﻩ ﺍﻷﻓﻌﺎﻝ ﺍ‪‬ﺘﺮﺣﺔ ﻟﻢ ﺗﺸﻔﻊ ﻟﻬﺬﻩ ﺍﳌﺮﺃﺓ‬
‫ﺍﻟﻌﻈﻴﻤﺔ ﺍﻟﺒﻘﺎﺀ ﻭﻃﻔﻠﻴﻬﺎ ﻓﻲ ﺑﻴﺘﻬﺎ ﻭﻛﺄ ﱠﻥ ﺟﺰﺍﺀ ﺳﻨﻤﺎﺭ ﻫﻮ ﺍﻟﻌﻘﺎﺏ ﺍﳉﺪﻳﺮ ﲟﻦ ﺿﺤﻰ ﻣﻦ ﺃﺟﻞ ﺣﺮﻳﺔ‬
‫ﺷﻌﺒﻪ ﻭﻭﻃﻨﻪ‪.‬‬
‫ﻟﻢ ﲤﻦ ﻋﻠﻰ ﺍﻟﺜﻮﺭﺓ ﺑﺸﻲﺀ ﻣﻦ ﺗﻠﻜﻢ ﺍﻷﻓﻌﺎﻝ ﻭﺍﳌﺂﺛﺮ ﺍﳉﺒﺎﺭﺓ ﺍﻟﺰﺍﻫﻴﺔ ﻓﻲ ﺳﻔﺮ ﺍﻟﻨﻀﺎﻝ‪ ،‬ﻻ‪ ..‬ﻻ ﻟﻢ ﺗﻔﻌﻞ‬
‫ﻫﺬﻩ ﺍﻷﻧﺜﻰ ﻣﺜﻠﻤﺎ ﻳﻔﻌﻞ ﺍﻟﺮﺟﺎﻝ ﺍﻷﺷﺎﻭﺱ ﻓﻲ ﺃﻭﻗﺎﺕ ﺍﻟﺸﺪﺍﺋﺪ ﻭﺍﶈﻦ‪ ،‬ﻓﻜﻤﺎ ﻫﻮ ﻣﻌﺮﻭﻑ ﻳﻠﺠﺄ ﻛﺜﻴﺮ‬
‫ﻣﻦ ﺍﻟﺮﺟﺎﻝ ﺇﻟﻰ ﻣﻘﺎﻳﻀﺔ ﺗﺎﺭﻳﺨﻬﻢ ﻭﻣﺠﺪﻫﻢ ﺑﺜﻤﻦ ﺑﺨﺲ‪ ،‬ﻻ ﻟﺸﻲﺀ ﻏﻴﺮ ﺣﻔﻆ ﻭﺟﻮﻫﻬﻢ ﻭﻣﻜﺎﻧﺘﻬﻢ‬
‫ﻭﻟﻮ ﻋﻨﺪ ﺃﻗﺪﺍﻡ ﺍﳊﺎﻛﻢ ﺍﳉﺪﻳﺪ‪ ،‬ﻭﻓﺎﺀ ﺍﳌﺼﺮﻱ ﻟﻴﺴﺖ ﻣﻦ ﻫﺬﺍ ﺍﻟﺼﻨﻒ ﺍﻟﻠﻌﲔ‪ ،‬ﺁﺛﺮﺕ ﻫﺬﻩ ﺍ‪‬ﻠﻮﻗﺔ ﻓﻲ‬
‫ﺍﻹﺳﻜﻨﺪﺭﻳﺔ ﺍﻟﻌﻴﺶ ﻓﻲ ﺍﳉﺤﻴﻢ ﻋﻠﻰ ﺃﻥ ﺗﺬﺑﺢ ﻛﺮﺍﻣﺘﻬﺎ ﻭﻛﺒﺮﻳﺎ ﹶﺀﻫﺎ ﻋﻠﻰ ﺟﺎﺩﺓ ﻟﺼﻮﺹ ﺍﻟﺜﻮﺭﺍﺕ‪،‬‬
‫ﻓﺎﻟﺴﻬﻢ ﻳﻐﺮﺯ ﺍﳉﺴﺪ ﺃﻣﺎ ﺍﻹﻫﺎﻧﺔ ﻓﺘﺨﺘﺮﻕ ﺍﻟﺮﻭﺡ ﻭﻓﻖ ﻣﻘﻮﻟﺔ ﻟﻐﺮﺍﺗﻴﺎﻥ‪ ،‬ﻓﻠﺘﻜﻦ ﺍﳊﻴﺎﺓ ﺑﺸﺮﻑ ﻭﻛﺮﺍﻣﺔ‬
‫ﻓﻲ ﻛﻨﻒ ﺍﻟﺜﻮﺭﺓ ﻭﺇﻻ ﺍﳌﻮﺕ ﺃﺭﺣﻢ ﻭﺃﺷﺮﻑ ﻟﻬﺎ ﻣﻦ ﻣﻘﺎﻳﻀﺔ ﻛﺮﺍﻣﺘﻬﺎ ﺑﻌﻴﺶ ﻣﺬﻝ ﻭﻣﻬﲔ ﻭﻟﻮ ﻟﻠﺤﻈﺎﺕ!‬
‫ﻫﺬﻩ ﺍﻷﻡ ﺍﻟﺘﻲ ﻟﻢ ﺗﻌﺮﻑ ﺳﻮﻯ ﺛﻼﺙ ﻣﺪﻥ ﺍﻹﺳﻜﻨﺪﺭﻳﺔ ﻭﺍﻟﻘﺎﻫﺮﺓ ﻭﻋﺪﻥ ﻓﻀﻠﺖ ﻣﻐﺎﺩﺭﺓ ﻣﻨﺰﻟﻬﺎ ﻻ‬
‫ﺛﺎﻏﻴﺔ ﺃﻭ ﺭﺍﻏﻴﺔ ﻏﻴﺮ ﻃﻔﻠﻴﻬﺎ ﻭﺍﻟﺼﻨﺪﻭﻕ ﺍﳋﺸﺒﻲ ﻋﺎﺩﺕ ﺇﻟﻰ ﺣﻘﻞ ﺍﻟﻔﺆﺍﺩ ﺑﻜﺮﺍﻣﺔ ﻣﺤﻔﻮﻇﺔ ﺩﻭﳕﺎ ﺗﻌﻘﺮ‬
‫ﺗﺎﺭﻳﺨﻬﺎ ﻭﺁﺩﻣﻴﺘﻬﺎ ﻣﺜﻠﻤﺎ ﻓﻌﻞ ﺃﻭﻟﺌﻚ ﺍﻷﺭﺍﺫﻝ ﺍﻟﺴﻔﻠﺔ ﺍﻟﺬﻳﻦ ﺻﺎﺭ ﻧﻀﺎﻟﻬﻢ ﻳﻘﺮﺿﻮﻧﻪ ﳌﻦ ﻳﺪﻓﻊ ﺃﺷﺒﺔ‬
‫ﺑﺒﻨﺎﺕ ﺍﻟﺒﻐﺎﺀ ﺍﳌﻮﻣﺴﺎﺕ ﻏﻴﺮ ﻋﺎﺑﺌﺎﺕ ﺑﻨﺸﻮﺯﻫﻦ ﺃﻭ ﻋﻔﺘﻬﻦ ﺍﳌﻬﺪﺭﺓ‪ ،‬ﻟﻢ ﺗﺴﺘﺠﺪ ﺃﻭ ﺗﻄﺮﻕ ﺑﺎﺏ ﺍﺣﺪﻫﻢ‪،‬‬
‫ﻓﻘﻤﺔ ﺍﳌﻬﺎﻧﺔ ﺃﻥ ﻳﻄﻠﺐ ﺍﻹﻧﺴﺎﻥ ﺍﻟﺼﻔﺢ ﻭﺍﻟﻐﻔﺮﺍﻥ ﻣﻦ ﺃﻧﺎﺱ ﻟﺌﻴﻤﻲ ﺍﻟﻜﺮﺍﻣﺔ‪ ،‬ﺑﺨﻼﺀ ﺍﻟﺮﺃﻱ ﻭﺍﳌﻮﻗﻒ‪.‬‬
‫ﻟﻜﻢ ﺗﺼﻮﺭ ﻣﺎﺫﺍ ﻳﻌﻨﻲ ﺍﻧﺘﺰﺍﻉ ﺳﻤﻜﺔ ﻣﻦ ﺍﳌﺎﺀ؟ ﺍﳌﻮﺕ ﺑﺎﻟﻄﺒﻊ! ﻟﻜﻦ ﺃﻣﻲ ﻟﻢ ﺗﻘﺾ ﻧﺤﺒﻬﺎ ﲟﻐﺎﺩﺭﺗﻬﺎ‬
‫ﺣﻴﺎﺓ ﺍﳌﺪﻳﻨﺔ ﺍ‪‬ﻠﻮﻗﺔ ﻣﻦ ﺭﺿﺎﺑﻬﺎ ﻭﺭﻣﻠﻬﺎ ﺍﻟﺮﻃﺐ‪ ،‬ﻋﺎﺷﺖ ﻋﻤﺮﻫﺎ ﺍﳌﻨﺼﺮﻡ ﻭﺳﻂ ﺍﻟﺒﺠﻊ‪ ،‬ﻭﺍﻟﻨﻮﺭﺱ‪،‬‬
‫ﻭﺍﻟﺪﻟﻔﲔ‪ ،‬ﻭﻣﻮﺝ ﺍﻟﺒﺤﺮ ﻭﺃﺳﻤﺎﻛﻪ ﻭﺃﺻﺪﺍﻓﻪ ﻭﺷﻌﺎﺑﻪ ﻭ ﻵﻟﺌﻪ‪ ،‬ﺍﺿﻄﺮﺗﻬﺎ ﺍﻟﻈﺮﻓﻴﺔ ﻋﻠﻰ ﻣﻮﻃﻦ ﺁﺧﺮ‬
‫ﻟﻠﻌﻘﺎﺏ‪ ،‬ﻭﺍﻟﻨﺴﻮﺭ‪ ،‬ﻭﺍﻟﺬﺋﺎﺏ‪ ،‬ﻭﺍﻟﺜﻌﺎﻟﺐ‪ ،‬ﻭﺍﳉﺒﺎﻝ ﺍﻟﺴﺎﻣﻘﺔ‪ ،‬ﻭﺍﻟﺰﺭﻉ ﻭﺍﳌﻄﺮ ﻭﻏﻴﺮﻫﺎ ﻣﻦ ﺍﻷﺷﻴﺎﺀ ﻏﻴﺮ‬
‫ﻫﻮ ﹸ‬
‫ﺍﳌﺄﻟﻮﻓﺔ ﻟﻬﺎ‪ ،‬ﻟﻜﻨﻬﺎ ﻟﻢ ﲤﺖ ﺃﻭ ﺗﻬﻦ ﳊﻈﺔ‪ .‬ﻳﺎ ﺇﻟﻬﻲ ﻛﻢ ﻫﻲ ﻗﻮﻳﻪ ﻭﻗﺎﺩﺭﺓ ﻋﻠﻰ ﺍﻟﺘﻜﻴﻒ ﻣﻊ ﺍ‪‬ﻠﻮﻗﺎﺕ‬
‫ﻛﺎﻓ ﹰﺔ؟ ﺃﺟﺒﺮﺕ ﻋﻠﻰ ﻣﻐﺎﺩﺭﺓ ﻣﻮﻃﻨﻬﺎ ﺍﻷﺻﻞ ﻭﻟﻢ ﲤﺖ ﺃﺑﺪﺍﹰ‪ ،‬ﺍﻗﺘﻠﻌﺖ ﻣﻦ ﺟﺬﺭﻫﺎ ﻛﻮﺭﺩﺓ ﺑﻬﻴﺔ ﺍﻟﻠﻮﻥ‪ ،‬ﺫﻛﻴﺔ‬
‫ﺍﻟﺮﺍﺋﺤﺔ‪ ،‬ﻭﻓﻲ ﳊﻈﺔ ﻣﺴﺘﻬﺘﺮﺓ ﻋﺎﺑﺜﺔ ﻻ ﺗﻘﻴﻢ ﻟﻠﺠﻤﺎﻝ ﻭﺯﻧﺎ‪ ،‬ﻟﻢ ﺗﺬﺑﻞ ﺃﻭ ﻳﺬﻫﺐ ﺷﺬﺍﻫﺎ! ﻫﺬﻩ ﺍﻹﻧﺴﺎﻧﺔ‬
‫ﻟﻢ ﺗﺰﺩﻫﺎ ﺍﻟﺸﻤﺲ ﺇﻻ ﺷﺬﺍ ﻭﻋﻄﺮﺍ! ﻟﻢ ﺗﺰﺩﻫﺎ ﺍﳊﺮﺍﺏ ﻭﺍﻟﻔﺆﻭﺱ ﺇﻻ ﺇﺻﺮﺍﺭﺍ ﻋﻠﻰ ﺍﳊﻴﺎﺓ ﻭﺍﻟﺮﺍﺋﺤﺔ ﺍﻟﺰﻛﻴﺔ‪،‬‬
‫ﺇﻧﻬﺎ ﻋﻮﺩ ﻋﻄﺮ ﻳﺰﻳﺪﻩ ﺍﻻﺣﺘﺮﺍﻕ ﻓﻮﺣﺎ‪ ،‬ﺇﻧﻬﺎ ﺷﺠﺮﺓ ﺻﻨﺪﻝ ﲡﻮﺩ ﺑﻌﻄﺮﻫﺎ ﺣﺘﻰ ﻟﻠﻔﺄﺱ ﺍﻟﺘﻲ ﺗﻘﻄﻌﻬﺎ‪،‬‬
‫ﺇﻧﻬﺎ ﺃﺷﺒﻪ ﲟﻌﺪﻥ ﺍﻟﺬﻫﺐ ﺍﻟﺬﻱ ﻛﻠﻤﺎ ﺯﺍﺩﺕ ﺩﺭﺟﺔ ﺣﺮﺍﺭﺓ ﺻﻬﺮﻩ ﺯﺍﺩ ﺑﺮﻳﻘﻪ ﻭﳌﻌﺎﻧﻪ‪.‬‬
‫ﻫﺬﻩ ﺍﻷﻡ ﻟﻢ ﺗﻨﻜﺴﺮ ﺇﺭﺍﺩﺗﻬﺎ ﻋﻨﺪ ﺍﻟﺘﻬﺎﻡ ﻗﻄﺔ ﺟﺎﺋﻌﺔ ﺃﺳﻤﻮﻫﺎ )ﺍﻟﺜﻮﺭﺓ( ﻟﺰﻭﺟﻬﺎ ﻣﺠﻬﻮﻝ ﻣﺼﻴﺮﻩ ﻭﺣﺘﻰ‬
‫ﺭﻓﺎﺗﻪ ﺇﺫﺍ ﻛﺎﻥ ﺑﺎﻟﻔﻌﻞ ﻗﺪ ﹸﻗﺘﻞ ﻋﻠﻰ ﺍﻳﺪﻱ ﺭﻓﺎﻗﻪ‪ ،‬ﻻ ﻓﺮﻕ ﺑﲔ ﺍﻟﻘﺘﻞ ﻭﺍﻟﻬﻼﻙ ﻭﺍﻻﺳﺘﺸﻬﺎﺩ ﻓﻜﻠﻬﺎ ﻓﻲ‬
‫ﺍﶈﺼﻠﺔ ﻣﻔﺮﺩﺍﺕ ﻻ ﺗﻐﻨﻲ ﻋﻦ ﺍﻟﺪﻣﻮﻉ ﻭﺍﳊﺰﻥ‪ ،‬ﻟﻢ ﺗﺜﻦ ﻋﺰﳝﺘﻬﺎ ﺭﺅﻳﺔ ﺃﻣﻼﻙ ﻭﻣﺎﻝ ﻭﺍﻟﺪﻫﺎ ﻭﻫﻲ ﺗﺆﱈ ﺑﻘﺮﺍﺭ‬
‫ﺑﲔ ﻋﺸﻴﺔ ﻭﺿﺤﺎﻫﺎ‪ ،‬ﻓﻼ ﲡﺪ ﻋﺎﺋﻠﺔ ﺣﺴﲔ ﺍﻟﺴﻴﺪ ﺷﻴﺌﺎ ﺫﺍ ﻧﻔﻊ ﺳﻮﻯ ﻣﺒﺎﺭﺣﺔ ﺍﳌﻜﺎﻥ ﺍﻟﺬﻱ ﺃﻋﻄﺘﻪ‬
‫ﺛﺮﻭﺗﻬﺎ ﻭﻋﻤﺮﻫﺎ ﻭﺃﺧﺬ ﻣﻨﻬﺎ ﻛﻞ ﺷﻲﺀ‪ ،‬ﻭﻻ ﺍﻟﻄﺮﻳﻘﺔ ﺍﻟﺘﻲ ﺍﻋﺘﻘﻞ ﺑﻬﺎ ﺻﺎﺑﺮ ﻓﻲ ﺫﻳﻨﻚ ﺍﻟﻔﻠﻖ ﺍﳌﺸﺆﻭﻡ‪ ،‬ﻭﻻ‬
‫ﻣﺘﺎﺑﻌﺘﻬﺎ ﺍﻟﺪﺅﻭﺑﺔ ﳌﻌﺮﻓﺔ ﺍﻟﺘﻬﻤﺔ‪ ،‬ﺃﻭ ﺍﳌﻌﺘﻘﻞ‪ ،‬ﺃﻭ ﺍﳌﺼﻴﺮ؛ ﻭﺣﺘﻰ ﻗﺒﺮﻩ ﺇﻥ ﻛﺎﻥ ﻟﻪ ﻗﺒﺮ ﻛﻴﻤﺎ ﺗﺰﻭﺭﻩ ﻭﺗﻀﻊ‬
‫ﻋﻠﻴﻪ ﺇﻛﻠﻴﻼﹰ ﻣﻦ ﺍﻟﻮﺭﺩ ﻭﺍﻟﺰﻫﻮﺭ! ﻣﺎ ﺣﺪﺙ ﻛﺎﻥ ﻛﻔﻴﻼ ﺑﻮﻗﻮﻉ ﺍﻟﺼﺨﻮﺭ ﺍﻟﻌﺘﻴﺪﻩ ﱠ‬
‫ﺃﻟﺼﻤﻪ‪ ،‬ﻓﻜﻴﻒ ﺑﺎﻣﺮﺃﺓ‬
‫ﺭﻗﻴﻘﺔ ﻣﺜﻞ ﺯﻧﺒﻘﺔ ﻻ ﺗﻘﻮﻯ ﻋﻠﻰ ﻧﺴﻤﺔ ﺭﻳﺢ ﺃﻭ ﺧﻴﻂ ﺷﻤﺲ؟؟‬
‫ﻛﺜﻴﺮﻭﻥ ﻫﻢ ﻣﻦ ﻳﺮﺗﻘﻮﻥ ﺳﻠﻢ ﺍ‪‬ﺪ ﺇﻣﺎ ﻋﻠﻰ ﺃﻛﺘﺎﻑ ﺃﺻﺪﻗﺎﺋﻬﻢ ﺃﻭ ﺟﻤﺎﺟﻢ ﺃﻋﺪﺍﺋﻬﻢ‪ ،‬ﻫﺬﺍ ﺍﻟﻘﻮﻝ‬
‫ﻟﻮﻧﺴﺘﻮﻥ ﺗﺸﺮﺷﻞ ﻳﺬﻛﺮﻧﻲ ﺩﻭﻣﺎ ﻛﻠﻤﺎ ﺃﻣﻌﻨﺖ ﺍﻟﻨﻈﺮ ﺑﻮﺟﻮﻩ ﺑﻘﺎﻳﺎ ﺃﺩﻋﻴﺎﺀ ﺍﻟﺜﻮﺭﺓ‪ ،‬ﻟﻴﺲ ﻷﻥ ﻫﺆﻻﺀ‬
‫ﺍﳊﻜﺎﻡ ﻫﻢ ﻣﻦ ﻗﺘﻞ ﺃﺑﻲ‪ ،‬ﻭﺷﺮﺩ ﻋﻤﻲ ﻳﻮﺳﻒ‪ ،‬ﻭﺻﺎﺩﺭ ﺛﺮﻭﺓ ﻭﺃﻣﻼﻙ ﺟﺪﻱ ﺣﺴﲔ ﺍﻟﺴﻴﺪ‪ ،‬ﻭﺃﻟﻘﻮﺍ ﺑﻨﺎ‬
‫ﺇﻟﻰ ﺍﻟﺸﺎﺭﻉ ﺫﺍﺕ ﺣﻘﺒﺔ ﺛﻮﺭﻳﺔ؛ ﺑﻞ ﻷﻧﻬﻢ ﻣﻐﺘﺼﺒﻮﻥ ﻟﻠﺴﻠﻄﺔ ﺑﺎﳊﺪﻳﺪ ﻭﺍﻟﺮﺻﺎﺹ! ﻣﺎ ﺃﺣﻘﺮﻫﻢ ﻋﻨﺪﻣﺎ‬
 ‫ﻳﺘﺤﺪﺛﻮﻥ ﻋﻦ ﺍﻟﺜﻮﺭﺓ ﻭﺍﻟﺜﻮﺍﺭ ﻭﻻ ﺃﺟﺪ ﻓﻌﻼﹰ ﻳﺤﺘﺮﻡ ﺩﻣﺎﺀ ﻭﺃﺭﻭﺍﺡ ﺍﻟﺸﻬﺪﺍﺀ!!‬
‫ﻓﻬﻞ ﻫﻨﺎﻟﻚ ﺃﻓﻈﻊ ﻣﻦ ﺭﺅﻳﺔ ﺛﻮﺭﺓ ﻛﻘﻄﺔ ﺟﺎﺋﻌﺔ ﺗﻠﺘﻬﻢ ﺛﻮﺍﺭﻫﺎ ﻭﺃﺣﺮﺍﺭﻫﺎ؟؟ ﻭﺃﻧﺎ ﺍﺣﺘﻘﺮﻫﻢ ﻛﺜﻴﺮﺍ ﹰ ﻷﻧﻬﻢ‬
‫ﻳﻘﺘﻠﻮﻥ ﺃﳒﺐ ﺍﻟﺮﺟﺎﻝ ﻟﻴﺒﻘﻮﺍ ﺃﻧﺬﺍﻟﻬﻢ‪ ،‬ﻓﻤﺎﺫﺍ ﺗﻌﻨﻲ ﺍﻟﺜﻮﺭﺓ ﻟﻮﺍﺣﺪ ﻣﺜﻠﻲ ﻟﻢ ﻳﺠﺪ ﺃﺛﺮﺍ ﹰ ﻟﺮﻣﺲ ﺃﺑﻴﻪ؟ ﻓﻔﻲ‬
‫ﻛﻞ ﻣﺮﺓ ﻳﺨﻄﺒﻮﻥ ﻓﻴﻨﺎ ﺑﺬﻛﺮﻯ ﺍﻟﺜﻮﺭﺓ ﻳﺜﻴﺮﻭﻥ ﺣﻤﻴﺘﻲ ﺑﺎﻻﻗﺘﺼﺎﺹ ﻷﺑﻲ‪ ،‬ﻛﻠﻤﺎ ﺭﺃﻳﺖ ﺳﻔﻴﻨﺔ ﺍﻟﺜﻮﺭﺓ‬
‫ﺗﺎﺋﻬﺔ ﻓﻲ ﻣﺤﻴﻂ ﻟﺞ ﻭﻣﻀﻄﺮﺏ ﺗﻴﻘﻨﺖ ﺃﻧﻬﻢ ﻗﺮﺍﺻﻨﺔ ﻻ ﺃﻛﺜﺮ‪.‬‬
‫ﺃﻣﻲ ‪ -‬ﻭﺍﷲ ‪ -‬ﺃﺟﺪﺭ ﻣﻦ ﻫﺆﻻﺀ ﺍﻟﺬﻳﻦ ﺃﺗﺨﻤﻮﺍ ﺍﻟﺒﻠﺪ ﺑﺎﻟﻔﺸﻞ ﻭﺍﻟﺸﻠﻞ ﻭﺍﻟﻌﻘﻢ‪ ،‬ﻭﻟﻜﻦ ﻛﻴﻒ ﻻﻣﺮﺃﺓ ﺃﻥ‬
‫ﲢﻜﻢ ﻓﻲ ﻇﻞ ﺛﻘﺎﻓﺔ ﺫﻛﻮﺭﻳﺔ ﻣﻐﺘﺼﺒﺔ ﻟﻜﻞ ﺷﻲﺀ؟؟ ﻓﻌﻠﻰ ﺍﻟﺮﻏﻢ ﻣﻦ ﺍﻟﺘﺒﺎﻫﻲ ﺑﺴﻴﺪﺗﲔ ﺣﻜﻤﺘﺎ‬
‫ﺍﻟﻴﻤﻦ ﺃﻓﻀﻞ ﺑﻜﺜﻴﺮ ﻣﻦ ﺣﻜﻢ ﺭﺟﺎﻝ ﻛﺜﺮ‪ ،‬ﺍﳌﺮﺃﺓ ﻫﻨﺎ ﻣﺤﺘﻘﺮﺓ ﻭﻧﺎﻗﺼﺔ ﻋﻘﻼﹰ ﻭﺩﻳﻨﺎﹰ‪ ،‬ﻓﺤﺘﻰ ﺻﻮﺗﻬﺎ ﻳﻌﺪ‬
‫ﻋﻮﺭﺓ ﻭﺷﻬﺎﺩﺗﻬﺎ ﻭﺩﻳﺘﻬﺎ ﺗﻮﺍﺯﻱ ﻧﺼﻒ ﺭﺟﻞ‪ ،‬ﻻ ﺃﺩﺭﻱ ﺣﻘﻴﻘ ﹰﺔ ﻛﻴﻒ ﺗﻜﻮﻥ ﺍﳌﻠﻜﺔ ﺑﻠﻘﻴﺲ ﻭﺍﺿﻌﺔ ﻋﻤﺎﺩ ﺃﻭﻝ‬
‫ﺩﳝﻘﺮﺍﻃﻴﺔ ﻓﻲ ﺍﻟﺘﺎﺭﻳﺦ ﺑﻴﻨﻤﺎ ﺣﻔﻴﺪﺍﺗﻬﺎ ﻻ ﻳﺮﺗﻘﲔ ﻟﻜﺮﺳﻲ ﻗﺎﺿﻴﺔ ﻣﺤﻜﻤﺔ؟؟ ﻛﻴﻒ ﻟﺸﻌﺐ ﻳﺘﻐﻨﻰ‬
‫ﺑﺄﻣﺠﺎﺩ ﻭﻋﺪﺍﻟﺔ ﺍﳌﻠﻜﺔ ﺍﻟﺼﻠﻴﺤﻴﺔ ﺃﺭﻭﻯ ﺑﻨﺖ ﺃﺣﻤﺪ ﻓﻴﻤﺎ ﺍﳌﺮﺃﺓ ﺍﳊﺎﺿﺮﺓ ﻭﻇﻴﻔﺘﻬﺎ ﺍﻹﻣﺘﺎﻉ ﻭﺍﳌﺆﺍﻧﺴﺔ‬
‫ﻭﺍﳋﻠﻔﺔ ﻭﺍﻟﺴﻤﻊ ﻭﺍﻟﻄﺎﻋﺔ ﺇﺫﺍ ﻣﺎ ﻫﺎﺟﺖ ﺛﻮﺭﺓ ﺍﻟﺮﺟﻞ ﺍﳉﻨﺴﻴﺔ؟؟ ﻓﺎﻷﻧﺜﻰ ﻣﺜﻞ ﺯﺍﺋﺪﺓ ﺍﳌﺼﺮﺍﻥ ﺍﻷﻋﻮﺭ‪ ،‬ﺃﻭ‬
‫ﻛﻨﺒﺘﺔ ﺷﻴﻄﺎﻧﻴﺔ ﻣﻦ ﺿﻠﻊ ﺃﻋﻮﺝ‪ ،‬ﻓﻤﻨﺬ ﺍﻟﻠﺤﻈﺔ ﺍﻟﻮﺟﻮﺩﻳﺔ ﺍﻷﻭﻟﻰ ﻭﺣﻮﺍﺀ ﻣﺠﺮﺩ ﻏﺎﻭﻳﺔ ﻭﺑﻼﺀ ﻣﺴﺘﻄﻴﺮ‬
‫ﺃﺧﺮﺝ ﺁﺩﻡ ﻣﻦ ﺍﻟﻔﺮﺩﻭﺱ‪ ،‬ﻓﻬﻞ ﻳﺠﺪﺭ ﺑﻌﺎﻗﻞ ﺍﺗ ﱢﺒﺎﻉ ﻣﺨﻠﻮﻗﺔ ﻗﻴﻤﺘﻬﺎ ﲟﻔﺎﺗﻨﻬﺎ ﺍﳌﺜﻴﺮﺓ ﻟﺸﻬﻮﺓ ﺍﻟﺬﻛﺮ‬
‫ﻭﻟﺸﺤﻨﺘﻪ ﺍﻟﻜﻬﺮﻭﻫﺮﻣﻮﻧﻴﺔ؟؟‬
‫ﻭﺳﻂ ﻧﻈﺮﺍﺕ ﺩﻭﻧﻴﺔ ﻭﺷﻬﻮﺍﻧﻴﺔ ﻛﺎﻥ ﻟﻬﺬﻩ ﺍﳊﻮﺍﺀ ﺍﻟﻔﺮﻋﻮﻧﻴﺔ ﺃﻥ ﻏﻴﺮﺕ ﻣﺠﺮﻯ ﺍﳊﻴﺎﺓ ﻓﻲ ﺣﻘﻞ ﺍﻟﻔﺆﺍﺩ ﻭﻓﻲ‬
‫ﺍﻟﺸﺮﻗﻴﺔ ﻋﺎﻣﺔ‪ ،‬ﻓﻤﻦ ﺣﺴﻦ ﺣﻈﻲ ﺃﻥ ﺣﺒﻴﺒﺘﻲ ﺃﺷﺠﺎﻥ ﻣﺜﻠﺖ ﺃﻭﻟﻰ ﺑﺬﺭﺍﺗﻬﺎ‪ ،‬ﻓﻠﻮﻻ ﻋﺰﳝﺔ ﺃﻣﻲ ﻭﺇﺭﺍﺩﺗﻬﺎ‬
‫ﺍﻟﻔﻮﻻﺫﻳﺔ ﳌﺎ ﺍﻟﺘﺤﻘﺖ ﺭﺍﻋﻴﺔ ﺍﻟﻀﺎﻥ ﺑﺎﳌﺪﺭﺳﺔ ﺃﺳﻮﺓ ﺑﺄﺧﺮﻳﺎﺕ ﻗﺪﺭ ﻟﻬﻦ ﺍﻟﺘﻌﻠﻢ ﺑﻔﻀﻞ ﻭﺟﻮﺩ ﻭﺑﺼﻴﺮﺓ‬
‫ﻫﺬﻩ ﺍﳌﺮﺃﺓ ﺍﻟﻜﺎﺳﺮﺓ ﻟﻘﻴﻮﺩ ﻭﻧﻈﺮﺍﺕ ﺍﻟﺬﻛﻮﺭ ﲡﺎﻩ ﺍﳉﻨﺲ ﺍﻵﺧﺮ‪ ،‬ﻓﺄﺷﺠﺎﻥ ﻭﺍﺣﺪﺓ ﻣﻦ ﺯﻫﺮﺍﺕ ﺃﻭﻝ ﺑﺎﻗﺔ‬
‫ﻭﺛﻤﺮﺓ ﻟﻨﻀﺎﻝ ﺧﺎﺿﺘﻪ ﺃﹸﻣﻲ ﻓﻲ ﺍﻟﻮﻋﻲ ﻭﺍﻟﺴﻠﻮﻙ‪ ،‬ﻓﻠﻮﻻﻫﺎ ﳌﺎ ﲢﺮﺭﺕ ﺑﻌﺾ ﺍﻟﻔﺘﻴﺎﺕ ﻣﻦ ﻋﺎﺩﺍﺕ ﻭﺗﻘﺎﻟﻴﺪ‬
‫ﻏﺎﺭﻗﺔ ﻓﻲ ﺍﻟﻌﺒﻮﺩﻳﺔ‪ ،‬ﺇﺫ ﺣﻤﻠﺖ ﻋﻠﻰ ﻋﺎﺗﻘﻬﺎ ﺗﻌﻠﻴﻢ ﺍﻟﻔﺘﺎﺓ ﺭﻏﻢ ﻭﻃﺄﺓ ﺍﳌﻌﺎﺭﺿﺔ ﻣﻦ ﺍﻵﺑﺎﺀ ﻭﺍﻷﻣﻬﺎﺕ‪،‬‬
‫ﻓﻔﻲ ﺍﻟﻌﺎﻡ ﺍﻷﻭﻝ ﲤﻜﻨﺖ ﻣﻦ ﺇﻗﻨﺎﻉ ﺃﻭﻟﻴﺎﺀ ﺳﺒﻊ ﻓﺘﻴﺎﺕ ﻣﻨﻬﻦ ﺑﺎﻟﻄﺒﻊ ﺃﺷﺠﺎﻥ‪ ،‬ﻓﻲ ﺍﻷﻋﻮﺍﻡ ﺍﻟﺘﺎﻟﻴﺔ‬
‫ﺑﺪﺃﺕ ﺍﳌﺪﺭﺳﺔ ﺗﻌﺞ ﺑﺎﻟﺼﻐﻴﺮﺍﺕ ﺍﳌﻠﺘﺤﻘﺎﺕ‪ ،‬ﻟﻢ ﺗﻜﺘﻒ ﺑﺎﻟﻮﻇﻴﻔﺔ ﺍﻟﺼﺒﺎﺣﻴﺔ ﺍﳌﺮﻫﻘﺔ ﻭﻻ ﲟﻜﺎﺑﺪﺗﻬﺎ‬
‫ﺍﳊﻴﺎﺓ ﺍﻟﺮﻳﻔﻴﺔ ﺍﻟﺸﺎﻗﺔ ﻣﻘﺎﺭﻧﺔ ﻣﻊ ﻣﻮﻃﻦ ﻭﻻﺩﺗﻬﺎ ﻭﺗﻌﻠﻤﻬﺎ ﻭﻋﻴﺸﻬﺎ ﻓﻲ ﺍﻟﺴﺎﺑﻖ‪ ،‬ﻭﺍﺟﻬﺖ ﺍﻟﻌﻴﺶ ﺩﻭﻥ‬
‫ﻛﻬﺮﺑﺎﺀ‪ ،‬ﺃﻭ ﺗﻠﻔﺎﺯ‪ ،‬ﺃﻭ ﺻﻨﺒﻮﺭﺓ ﻣﻴﺎﻩ‪ ،‬ﺃﻭ ﻃﺮﻳﻖ ﻣﻌﺒﺪ‪ ،‬ﺃﻭ ﻣﺴﺘﺸﻔﻰ؛ ﺑﻞ ﺗﻌ ﱠﺪ ﺍﻷﻣﺮ ﺇﻟﻰ ﻗﻴﺎﻣﻬﺎ ﺑﺘﺪﺭﻳﺲ‬
‫ﺍﻟﻨﺴﻮﺓ ﻓﻲ ﺍﳊﻘﻞ ﻭﻟﺜﻼﺙ ﺳﺎﻋﺎﺕ ﻳﻮﻣﻴﺎ ﹰ ﺗﺒﺪﺃ ﻋﻨﺪ ﺍﻟﺜﺎﻧﻴﺔ ﻇﻬﺮﺍﹰ‪.‬‬
‫ﺗﺰﺍﻣﻦ ﻋﻤﻞ ﺃﹸﻣﻲ ﻓﻲ ﺍﳌﺪﺭﺳﺔ ﻣﻊ ﺯﺧﻢ ﺛﻮﺭﻱ ﻻ ﻧﻈﻴﺮ ﻟﻪ ﻓﻲ ﻣﻄﻠﻊ ﺍﻟﺴﺒﻌﻴﻨﺎﺕ‪ ،‬ﻟﺬﺍ ﻛﺎﻧﺖ ﺍﳌﻬﻤﺔ ﺍﻷﻭﻟﻰ‬
‫ﻟﻬﺎ ﻧﻘﻞ ﻭﺇﻳﺼﺎﻝ ﻗﻴﻢ ﻭﻣﻌﺎﺭﻑ ﻣﻜﺘﺴﺒﺔ ﺇﻟﻰ ﻫﺆﻻﺀ ﺍﻟﺒﺴﻄﺎﺀ ﻓﻲ ﻫﺬﻩ ﺍﻟﺒﻘﻌﺔ ﺍﳌﻌﺰﻭﻟﺔ ﻋﻦ ﺍﻟﻌﺎﻟﻢ‬
‫ﻗﺒﻞ ﺃﻥ ﺗﻜﻮﻥ ﺭﻏﺒﺔ ﻓﻲ ﺍﳌﺮﺗﺐ ﺍﻟﺸﻬﺮﻱ ﺍﻟﻀﺌﻴﻞ ﺭﻏﻢ ﺍﻟﻔﺎﻗﺔ ﻟﺪﻧﺎﻧﻴﺮﻩ ﺍﻟﺰﻫﻴﺪﺓ‪ ،‬ﻣﺮﺣﻠﺔ ﻃﻐﺖ ﻓﻴﻬﺎ‬
‫ﺍﻟﺸﻌﺎﺭﺍﺕ ﺍﻟﺜﻮﺭﻳﺔ ﻛﺘﺤﺮﻳﺮ ﺍﳌﺮﺃﺓ ﻭﺗﺨﻔﻴﺾ ﺍﻟﺮﺍﺗﺐ ﻭﺍﺟﺐ‪ ،‬ﻫﺘﺎﻓﺎﺕ ﺗﻠﻚ ﺍﳊﻘﺒﺔ ﻟﻢ ﺗﺒﺮﺡ ﺃﹸﺫﻧﻲ‪ ،‬ﲢﺮﻳﺮ‬
‫ﺍﳌﺮﺃﺓ ﻭﺍﺟﺐ ﻋﻠﻴﻨﺎ ﻭﺍﺟﺐ‪ ،‬ﻭﻛﺬﺍ ﺍﻟﻬﺘﺎﻑ ﺍﻟﻘﺎﺋﻞ‪ :‬ﻳﺎ ﺭﻓﻴﻘﺔ ﺑﺎﻟﻌﻤﻞ ﺷﺎﺭﻛﻴﻨﺎ‪ ،‬ﻭﺍﺧﻠﻌﻲ ﺍﻟﺸﻴﺬﺭ ﻭﺳﻴﺮﻱ‬
‫ﻣﻌﻨﺎ ﻭﻏﻴﺮﻫﺎ ﻣﻦ ﺍﻟﻬﺘﺎﻓﺎﺕ ﺍﻟﺘﻲ ﺭﺣﻨﺎ ﻧﺮﺩﺩﻫﺎ ﻧﺤﻦ ﺗﻼﻣﻴﺬ ﺍﳌﺪﺍﺭﺱ ﻣﺜﻞ ﺍﻟﺒﺒﻐﺎﻭﺍﺕ‪ ،‬ﺣﺘﻰ ﺃﺷﺠﺎﻥ‬
‫ﺍﻟﻄﻔﻠﺔ ﺍﻟﺼﻐﻴﺮﺓ ﺑﺢ ﺻﻮﺗﻬﺎ ﺍﻟﻌﺬﺏ ﻭﺍﻟﻄﺮﻱ ﻓﻲ ﻫﻜﺬﺍ ﻫﺘﺎﻓﺎﺕ ﻻ ﻧﺎﻗﺔ ﻟﻬﺎ ﻓﻴﻬﺎ ﻭﻻ ﺟﻤﻞ‪ ،‬ﻓﻤﺎﺫﺍ‬
‫ﻳﻌﻨﻲ ﻟﻬﺎ ﺧﻠﻊ ﺍﻟﺸﻴﺬﺭ ﻭﺣﺮﻗﻪ؟؟ﺍﳌﺮﺃﺓ ﻓﻲ ﺍﳊﻘﻞ ﻻ ﺻﻠﺔ ﻟﻬﺎ ﺍﻟﺒﺘﺔ ﺑﺎﻟﺸﻴﺬﺭ ﺃﻭ ﺍﳊﺠﺎﺏ ﺣﺘﻰ ﺗﻨﺘﻔﺾ‬
‫ﻛﺴﺎﺋﺮ ﺍﻟﺸﻘﺎﺋﻖ ﺍﻟﺜﺎﺋﺮﺍﺕ ﻓﻲ ﺍﳌﺪﻥ‪ ،‬ﻓﺎﳌﺮﺃﺓ ﻫﻨﺎ ﺗﻌﻤﻞ ﺃﻛﺜﺮ ﻣﻦ ﺍﻟﺮﺟﻞ ﺇﺫ ﺗﻨﻬﺾ ﻋﻠﻰ ﺻﻮﺕ ﺍﻟﺪﻳﻚ‪،‬‬
‫ﻭﺗﺄﻭﻱ ﳌﺴﻜﻨﻬﺎ ﻣﻊ ﺃﻓﻮﻝ ﺍﻟﺸﻤﺲ‪.‬‬
‫ﺍﳌﺮﺃﺓ ﻓﻲ ﺍﳊﻘﻞ ﻟﻴﺴﺖ ﺑﺤﺎﺟﺔ ﳌﻦ ﻳﺤﺮﺭﻫﺎ ﻣﻦ ﺭﺑﻖ ﺍﳉﻠﺒﺎﺏ ﺃﻭ ﺍﳊﺠﺎﺏ ﺃﻭ ﺍﳉﺪﺭﺍﻥ ﺍﻷﺭﺑﻌﺔ؛ ﺑﻞ ﳌﻦ ﻳﺤﺮﺭﻫﺎ‬
‫ﻣﻦ ﺍﳉﻬﻞ ﺍﳌﻌﺮﻓﻲ ﻭﺍﻟﺘﻌﻠﻴﻤﻲ ﻭﻣﻦ ﻋﺒﻮﺩﻳﺔ ﺍﻟﺮﺟﻞ!! ﻫﺬﺍ ﻣﺎ ﻓﻄﻨﺘﻪ ﺃﹸﻣﻲ ﺑﻨﺖ ﺍﳌﺪﻧﻴﺔ‪ ،‬ﻟﺬﺍ ﺍﻧﺼﺐ‬
‫ﺟﻬﺪﻫﺎ ﻓﻲ ﺗﻌﻠﻴﻢ ﺍﻟﻔﺘﺎﺓ‪ ،‬ﻭﻣﺤﻮ ﺃﹸﻣﻴﺔ ﺍﻟﻨﺴﻮﺓ ﺍﻟﻼﺋﻲ ﻫﻦ ﻣﺘﺨﻤﺎﺕ ﺑﺴﺎﻋﺎﺕ ﺍﻟﻌﻤﻞ‪ ،‬ﻭﺻﺮ ﹶﻥ ﺣﺎﺿﺮﺍﺕ‬
‫ﻭﻓﺎﻋﻼﺕ ﻓﻲ ﺍﻟﺰﺭﺍﻋﺔ ﻭﺍﻟﺮﻱ ﻭﺍﳊﺼﺎﺩ ﻭﺣﺘﻰ ﻓﻲ ﺍﻷﺗﺮﺍﺡ ﻭﺍﻷﻓﺮﺍﺡ‪ ،‬ﻓﻼ ﻓﺮﻕ ﺃﻭ ﲤﻴﻴﺰ ﻓﻲ ﺍﻟﻌﻤﻞ ﻋﻠﻰ ﺃﺳﺎﺱ‬
‫ﺍﻟﻨﻮﻉ )ﺍﳉﻨﺪﺭ( ﻣﺜﻠﻤﺎ ﻫﻮ ﺣﺎﻝ ﺍﳌﺪﻥ ﺍﻟﻀﺎﺋﻘﺔ ﺑﻌﻤﻞ ﺍﻟﻨﺴﺎﺀ؛ ﺇﺫ ﺣﻘﻞ ﺍﻟﻔﺆﺍﺩ ﻣﺪﺭﺳﺔ ﻣﻨﻔﺘﺤﺔ ﺩﺍﻣﺠﺔ‬
‫ﻟﻄﺎﻗﺔ ﺍﳉﻨﺴﲔ ﻭﳌﺴﺘﻮﻯ ﺃﻥ ﺑﻴﻮﺗﺎ ﹰ ﻭﻣﻬﻨﺎ ﹰ ﺗﹸﻌﺮﻑ ﺑﺄﺳﻤﺎﺀ ﻧﺴﻮﻳﺔ ﻭﻻ ﻣﻨﺪﻭﺣﺔ ﻟﻠﺮﺟﺎﻝ ﺑﻬﺎ‪ ،‬ﻭﻋﻠﻴﻪ ﻓﺈﻥ‬
‫ﺍﻟﺸﻌﺎﺭﺍﺕ ﺍﻟﺜﻮﺭﻳﺔ ﺍﳌﺮﻓﻮﻋﺔ ﻛﺎﻧﺖ ﺃﺷﺒﻪ ﺑﺎﻷﺫﺍﻥ ﻓﻲ ﻣﺎﻟﻄﺎ‪ ،‬ﻓﺎﳌﺮﺃﺓ ﻓﻲ ﺍﳊﻘﻞ ﲤﺎﺛﻞ ﺍﳌﺮﺃﺓ ﻓﻲ ﻗﺮﻳﺔ‬
‫ﺍﳌﻨﻮﻓﻴﺔ ﺑﺼﻌﻴﺪ ﻣﺼﺮ‪ ،‬ﻓﻌﻨﺪﻣﺎ ﺍﺻﻄﺤﺒﺖ ﺃﹸﻣﻲ ﻭﺍﻟﺪﺗﻬﺎ ﺇﻟﻰ ﻫﻨﺎﻙ ﺫﺍﺕ ﺣﻘﺒﺔ ﻃﻔﻮﻟﻴﺔ ﻭﺟﺪﺕ ﺍﻟﻮﺍﻗﻊ‬
‫ﻧﻔﺴﻪ‪ ،‬ﻓﻼ ﻓﺮﻕ ﺑﲔ ﻓﺎﻃﻤﺔ ﺭﺿﺎ ﺍﳌﻨﻮﻓﻲ ﺻﺪﻳﻘﺔ ﻃﻔﻮﻟﺘﻬﺎ ﻓﻲ ﺍﻟﺼﻌﻴﺪ‪ ،‬ﻭﺑﲔ ﻓﺎﻃﻤﺔ ﻋﺒﺪﺍﻟﻜﺮﱘ ﻓﻲ‬
‫ﺍﳊﻘﻞ‪ ،‬ﻓﻜﻼﻫﻤﺎ ﻟﻢ ﺗﺸﻔﻊ ﻟﻬﻤﺎ ﻣﺸﺎﺭﻛﺘﻬﻤﺎ ﻣﻌﻈﻢ ﺍﻟﺸﺌﻮﻥ ﺍﳊﻴﺎﺗﻴﺔ؛ ﺇﺫ ﺃﹸﻗﺴﺮﺗﺎ ﻋﻠﻰ ﺍﻟﺰﻭﺍﺝ ﻣﻦ‬
‫ﺩﻭﻥ ﺭﻏﺒﺔ ﻭﺯﻓﺘﺎ ﺑﻨﺸﻴﺞ ﺣﺰﻳﻦ ﻭﺩﻣﻮﻉ ﺣ ﹼﺮﻯ ﻟﻢ ﺗﺮ ﹶﻕ ﺍﻟﻔﺮﺣ ﹸﺔ ﻣﺤﻴﺎﻫﻤﺎ ﳊﻈﺔ‪.‬‬
‫ﺍﻟﻨﺴﺎﺀ ﻫﻦ ﺍﻟﻨﺴﺎﺀ ﺍﻟﺮﻗﻴﻘﺎﺕ ﺍ‪‬ﻠﻮﻗﺎﺕ ﻣﻦ ﺍﳌﺸﺎﻋﺮ ﻭﺍﻟﻌﻮﺍﻃﻒ ﺍﻟﻔﻴﺎﺿﺔ‪ ،‬ﻓﻔﻲ ﻛﻞ ﺍﻷﺟﻨﺎﺱ ﻭﺍﻷﻋﺮﺍﻑ‬
‫ﻭﺍﻟﻠﻐﺎﺕ ﺗﺒﻘﻰ ﺍﳌﺮﺃﺓ ﻭﺍﺣﺪﺓ‪ ،‬ﻛﺘﻠﺔ ﻣﻦ ﺍﻟﻌﺎﻃﻔﺔ ﻭﺍﳊﻨﲔ ﻭﺍﳉﻤﺎﻝ ﻭﺍﻟﻮﻫﻦ‪ ،‬ﺍﻟﻨﺴﻮﺓ ﻓﻲ ﺍﳊﻘﻞ ﻻ ﻳﻜﺘﺮﺛﻦ‬
‫ﺑﺘﻔﺎﺻﻴﻞ ﻣﻈﻬﺮﻫﻦ ﻣﺜﻠﻤﺎ ﺑﻨﺎﺕ ﺟﻠﺪﺗﻬ ﱠﻦ ﻳﻔﻌﻠﻦ ﻓﻲ ﺍﳌﺪﻳﻨﺔ‪ ،‬ﺃﹸﻣﻲ ﺧﻴﺮ ﻣﻦ ﺃﺩﺭﻙ ﺃﻥ ﻵﻟﺊ ﺍﻟﻨﺴﻮﺓ‬
‫ﺗﻜﻤﻦ ﺑﺪﻭﺍﺧﻞ ﻫﺬﻩ ﺍﳌﻈﺎﻫﺮ ﺍﻟﺮﺛﺔ ﺍﳌﻬﻤﻠﺔ ﺍﻟﺒﺎﺩﻳﺔ ﻟﻠﻌﻴﺎﻥ‪ ،‬ﻭﺃﻥ ﺳﺮ ﺟﻤﺎﻟﻬﻦ ﺳﻴﻜﺘﺸﻒ ﺃﻛﺜﺮ ﻛﻠﻤﺎ‬
‫ﺗﻌﻠﻤﻦ ﻭﲢﺮﺭﻥ ﻣﻦ ﺍﻷﹸﻣﻴﺔ ﻭﺍﻟﻌﺒﻮﺩﻳﺔ‪ ،‬ﻫﻜﺬﺍ ﺇﺫﻥ ﺍﳌﺴﺄﻟﺔ ﺍﻛﺘﺸﺎﻑ ﺍﻷﻋﻤﺎﻕ ﻣﺜﻠﻤﺎ ﻫﻮ ﺩﻳﺪﻥ ﺍﳌﺪﺭﻙ ﻛﻨ ﹶﻪ‬
‫ﻣﺎ ﻓﻲ ﺟﻮﻑ ﻣﺤﺎﺭ ﺃﻭ ﺻﺪﻓﺔ ﺭﺛﺔ ﻣﻦ ﻵﻟﺊ ﺳﺎﻃﻌﺔ ﻧﻘﻴﺔ‪.‬‬
‫ﻳﺎ ﺇﻟﻬﻲ ﻣﺎ ﺃﺭﻭﻉ ﻫﺬﻩ ﺍ‪‬ﻠﻮﻗﺔ ﺍﻟﺘﻲ ﺟﺎﺩ ﺑﻬﺎ ﺍﻟﻨﻴﻞ ﻓﻲ ﳊﻈﺔ ﻋﻨﻔﻮﺍﻥ ﻭﻏﻀﺐ! ﻟﻢ ﲤﺖ ﻣﺜﻞ ﺳﻤﻜﺔ‬
‫ﻧﺰﻋﺖ ﻣﻦ ﻣﺎﺋﻬﺎ‪ ،‬ﺇﳕﺎ ﻗﺎﻭﻣﺖ ﺍﳉﺒﺎﻝ ﺍﳋﺸﻨﺔ‪ ،‬ﻛﺎﻥ ﻣﻠﺒﺴﻬﺎ ﻣﺜﺎﺭﺍ ﹰ ﻟﻔﻀﻮﻝ ﺍﻟﻌﻴﻮﻥ ﺍﻟﺰﺍﺋﻐﺔ ﺍﻟﻐﺎﺋﻠﺔ‬
‫ﳌﻔﺎﺗﻦ ﺃﻧﺜﻰ ﻣﺘﺤﺮﺭﺓ ﻣﻦ ﺭﺑﻖ ﺍﻟﺘﻘﺎﻟﻴﺪ ﺍﻟﺒﺎﻟﻴﺔ‪ ،‬ﻛﻞ ﻣﺎ ﻓﻲ ﻭﻓﺎﺀ ﺍﳌﺼﺮﻱ ﻣﺪﻋﺎﺓ ﻹﺛﺎﺭﺓ ﻏﺮﺍﺋﺰ ﺭﺟﺎﻝ ﺟﻞ‬
‫ﺗﻔﻜﻴﺮﻫﺎ ﺍﻋﺘﻼﺀ ﺍﳊﻠﻤﺎﺕ ﺃﻭ ﻣﺎ ﺩﻭﻥ ﺍﻟﺴﺮﺓ‪ ،‬ﻟﻢ ﻳﻌﺮ ﺃﺣﺪ ﻣﺆﻫﻠﻬﺎ ﺍﳉﺎﻣﻌﻲ ‪ -‬ﺑﻜﺎﻟﻮﺭﻳﻮﺱ ﻗﺎﻧﻮﻥ ‪ -‬ﺍﻟﻜﻔﻴﻞ‬
‫ﺑﺮﺋﺎﺳﺔ ﺩﻭﻟﺔ‪ ،‬ﻭﻻ ﺇﻟﻰ ﻣﻌﺎﺭﻓﻬﺎ ﻭﻣﻬﺎﺭﺍﺗﻬﺎ ﻭﻗﻴﻤﻬﺎ ﺍﻟﻌﺼﺮﻳﺔ ﺍﳉﺪﻳﺮﺓ ﺑﺎﻷﺧﺬ ﻭﺍﻻﻫﺘﻤﺎﻡ‪ ،‬ﻓﻜﻞ ﺍﻟﺘﺮﻛﻴﺰ‬
‫ﻭﺍﻻﻧﺸﻐﺎﻝ ﲟﺎ ﺗﺮﺗﺪﻱ ﻣﻦ ﺛﻴﺎﺏ ﺟﺬﺍﺑﺔ‪ ،‬ﺃﻧﻴﻘﺔ‪ ،‬ﻣﺜﻴﺮﺓ‪ ،‬ﻓﺎﻣﺮﺃﺓ ﺑﺒﻨﻄﻠﻮﻥ ﺟﻴﻨﺰ ﺃﺯﺭﻕ ﻳﻐﻄﻴﻪ ﻗﻤﻴﺺ ﺃﺑﻴﺾ‬
‫ﻓﺎﰌ ﺃﻭ ﺗﻨﻮﺭﺓ ﺑﻴﻨﻤﺎ ﺷﻌﺮ ﺍﻟﺮﺃﺱ ﺳﺎﻓﺮ ﺇﻻ ﻣﻦ ﻗﻤﺎﺵ ﺧﻔﻴﻒ ﻏﺎﻣﻖ ﻳﺘﺪﻟﻰ ﺇﻟﻰ ﺃﺳﻔﻞ ﺍﻟﻈﻬﺮ‪ ،‬ﻓﺒﻜﻞ‬
‫ﺗﺄﻛﻴﺪ ﺳﺘﻜﻮﻥ ﻗﺒﻠﺔ ﻟﻸﻋﲔ ﺍﳌﺘﻄﻔﻠﺔ ﻭﻷﻓﻮﺍﻩ ﺃﺩﻣﻨﺖ ﺍﳋﻮﺽ ﻓﻲ ﺍﻹﻓﻚ ﻭﺍﻟﺒﻬﺘﺎﻥ‪.‬‬
‫ﺗﻨﺎﻗﺾ ﻋﺠﻴﺐ ﻭﺻﺎﺭﺥ ﺑﲔ ﻗﻮﻝ ﻫﺆﻻﺀ ﺍﻟﻘﻮﻡ ﲟﺴﺎﻭﺍﺓ ﺍﳌﺮﺃﺓ ﻭﲢﺮﻳﺮﻫﺎ‪ ،‬ﻭﺑﲔ ﻓﻌﻠﻬﻢ ﺍﳉﺎﻣﺢ ﺑﺎﻟﺸﻬﻮﺍﻧﻴﺔ‬
‫ﻭﺍﻷﻭﺭﺟﺎﺯﻣﻴﺔ‪ ،‬ﺑﲔ ﺃﺩﺑﻴﺎﺗﻬﻢ ﺍﳌﺮﻓﻮﻋﺔ‪ ،‬ﻭﺑﲔ ﺃﻓﻌﺎﻟﻬﻢ ﺍﳌﻤﺎﺭﺳﺔ‪ ،‬ﻓﻠﻠﻮﻫﻠﺔ ﺍﻷﻭﻟﻰ ﺑﺪﺕ ﻟﻬﻢ ﺍﳌﻌﻠﻤﺔ ﻭﻓﺎﺀ‬
‫ﻛﺒﺎﺋﻊ ﺷﺎﻃﺮ ﻓﻲ ﻃﺮﻳﻘﺔ ﻋﺮﺿﻪ ﺑﻀﺎﻋﺘﻪ ﻓﻲ ﺍﻟﻮﻗﺖ ﺍﻟﺬﻱ ﺃﻗﺮﺍﻧﻪ ﻻﺷﻲﺀ ﻟﺪﻳﻬﻢ ﻳﻌﺮﺿﻮﻧﻪ‪ ،‬ﺍﳊﻖ ﻟﻴﺲ‬
‫ﻛﺬﻟﻚ ﻓﺎﻫﺘﻤﺎﻡ ﻭﻓﺎﺀ ﲟﻈﻬﺮﻫﺎ ﻻ ﻳﻌﻨﻲ ﺑﺤﺎﻝ ﻛﻤﻦ ﻳﻔﺘﺮﺵ ﺍﳉﺎﺩﺓ ﺑﻘﺼﺪ ﺍﺟﺘﺬﺍﺏ ﺃﻧﻈﺎﺭ ﺍﻟﺰﺑﺎﺋﻦ‪ ،‬ﺇﳕﺎ‬
‫ﻳﻨﻢ ﻋﻦ ﺛﻘﺎﻓﺔ ﻣﺘﺄﺻﻠﺔ ﺑﺎﻟﺘﻬﺬﻳﺐ ﻭﺍﻻﻫﺘﻤﺎﻡ ﺑﺎﳉﺴﺪ ﺍﻷﻧﺜﻮﻱ ﺣﺘﻰ ﻭﺻﻞ ﺇﻟﻰ ﺍﻟﺼﻮﺭﺓ ﺍﻟﺒﺪﻳﻌﺔ ﻭﺍﳌﺜﻴﺮﺓ‬
‫ﻟﻐﺮﺍﺋﺰ ﺍﻟﺮﺟﺎﻝ‪ ،‬ﺍﻟﺒﻌﺾ ﻣﻦ ﻫﺆﻻﺀ ﺻﺎﺭ ﻛﺎﻟﻜﻠﺐ ﺍﳌﺴﻌﻮﺭ ﻳﺮﻏﻲ ﻟﻌﺎﺑﻪ‪ ،‬ﻭﺁﺧﺮﻭﻥ ﻣﺜﻞ ﺫﺋﺎﺏ ﺟﺎﺋﺤﺔ ﺗﺘﺤﲔ‬
‫ﺍﳌﻌﻠﻤﺔ ﺍﻟﻌﻔﻴﻔﺔ ﺍﻟﻮﺍﺛﻘﺔ ﻣﻦ ﻧﻔﺴﻬﺎ‪ ،‬ﺍﻓﺘﻌﻠﺖ ﺍﳌﺜﺒﻄﺎﺕ ﺍﻟﻘﺬﺭﺓ‪ ،‬ﻃﻌﻦ ﻓﻲ ﺃﺧﻼﻗﻬﺎ ﺍﻟﻔﺎﺿﻠﺔ ﻓﻜﺎﻧﺖ‬
‫ﺑﺤﻖ ﻛﺸﺠﺮﺓ ﺍﻟﺼﻨﺪﻝ ﻻ ﺗﺰﻳﺪﻫﺎ ﺿﺮﺑﺎﺕ ﺍﻟﻔﺆﻭﺱ ﺇﻻ ﻋﻄﺮﺍ ﹰ ﻭﺷﺬﺍﹰ‪ ،‬ﳌﺮﺍﺕ ﹸﻛﺜﺮ ﺣﺎﻭﻟﻮﺍ ﺇﻃﻔﺎﺀ ﻭﻫﺠﻬﺎ‬
‫ﻭﺃﻟﻘﻬﺎ ﻓﻲ ﺩﺟﻰ ﺍﳊﻘﻞ ﺍﻟﺒﻬﻴﻢ ﻓﻔﺸﻠﻮﺍ‪ ،‬ﻟﻢ ﺗﻜﺴﺮ ﻋﺰﳝﺘﻬﺎ‪ ،‬ﻟﻢ ﺗﺘﻮﻗﻒ ﻋﻦ ﺭﺳﺎﻟﺘﻬﺎ‪ ،‬ﻟﻢ ﺗﻜﺘﺮﺙ‬
‫ﺑﻬﻢ ﻭﻻ ﺑﺄﻓﻌﺎﻟﻬﻢ‪ ،‬ﺻﻤﺪﺕ ﻭﻧﺎﺿﻠﺖ ﻭﻗﺎﻭﻣﺖ ﻣﻦ ﺃﺟﻞ ﺣﻖ ﺍﳌﺮﺃﺓ ﻓﻲ ﺍﻟﺘﻌﻠﻢ‪ ،‬ﻓﻲ ﺍﺧﺘﻴﺎﺭ ﺷﺮﻳﻚ ﺍﳊﻴﺎﺓ‪،‬‬
‫ﻓﻤﺎ ﺳﻄﺮﺗﻪ ﻫﺬﻩ ﺍﻷﻧﺜﻰ ﻣﻦ ﻣﻠﺤﻤﺔ ﺇﻧﺴﺎﻧﻴﺔ ﺟﺪﻳﺮ ﺓ ﺑﻜﺘﺎﺑﺘﻬﺎ ﺑﺤﺮﻭﻑ ﻣﻦ ﺫﻫﺐ‪ ،‬ﺁﻩ ﻣﺎ ﺃﺳﺨﻒ ﻫﺬﺍ‬
‫ﺍﻟﺮﺟﻞ ﺍﻟﺬﻱ ﺫﻫﻨﻪ ﻭﺣﻮﺍﺳﻪ ﻻ ﺗﻐﺎﺩﺭ ﺟﺴﺪ ﺍﻣﺮﺃﺓ‪ ،‬ﺗﻐﺎﺯﻟﻪ‪ ...‬ﺗﻄﻌﻨﻪ‪ ...‬ﺗﻘﺘﻠﻪ‪...‬ﲡﻬﻠﻪ‪...‬ﲤﺰﻗﻪ‪...‬ﲤﺮﻏﻪ ﻓﻲ‬
‫ﻭﺣﻞ ﺍﳋﺴﺔ ﻭﺍﻟﺸﻬﻮﺓ ﻭﺍﻟﻌﺒﻮﺩﻳﺔ‪.‬‬
‫ﺍﻵﻥ ﺃﺩﺭﻛﺖ ﻣﺪﻯ ﺍﻟﺒﻮﻥ ﺑﲔ ﲢﺮﺭ ﺍﻟﺮﺟﻞ ﺫﺍﺗﻪ ﻣﻦ ﺍﻷﻓﻜﺎﺭ ﺍﻟﻔﺎﺳﺪﺓ ﺍﳌﺘﺰﻣﺘﺔ‪ ،‬ﻭﺑﲔ ﺍﻟﺮﺟﻞ ﺍﳊﺎﻣﻞ ﻟﻠﺸﻌﺎﺭﺍﺕ‬
‫ﺍﻟﺘﻘﺪﻣﻴﺔ ﻋﻦ ﺟﻬﻞ ﻭﺑﻼﺩﺓ‪ ،‬ﻓﻤﻦ ﺩﻭﻥ ﺛﻮﺭﺓ ﻓﻲ ﻭﻋﻲ ﺍﻟﺮﺟﻞ ﺳﺘﻈﻞ ﺍﳌﺮﺃﺓ ﺃﺷﺒﻪ ﺑﺒﻴﻀﺔ ﺭﺩﻳﺌﺔ ﻣﻦ‬
‫ﻏﺮﺍﺏ ﺭﺩﻱﺀ‪ ،‬ﻣﻦ ﺩﻭﻥ ﻣﺪﺍﻭﺍﺓ ﻧﻔﻮﺳﻨﺎ ﺍﻟﺴﻘﻴﻤﺔ ﺑﺰﺣﺎﺭ ﺍﻟﺸﻬﻮﺓ ﻭﺍﻟﻠﺬﺓ ﺍﳉﻨﺴﻴﺔ ﻭﺍﳌﻌﺎﺷﺮﺓ ﺳﺘﻈﻞ‬
‫ﻣﺠﺘﻤﻌﺎﺗﻨﺎ ﺇﻟﻰ ﺍﻷﺑﺪ ﻣﺰﺍﺭ ﹶﻉ ﻟﺘﻮﺍﻟﺪ ﺍﻟﺒﺸﺮ ﻻ ﺃﻛﺜﺮ! ﺍﻟﻠﻌﻨﺔ ﻟﻘﻮﻡ ﻻ ﻳﻔﻜﺮﻭﻥ ﺳﻮﻯ ﺑﺠﻬﺎﺯﻫﻢ ﺍﻟﺘﻨﺎﺳﻠﻲ‪،‬‬
‫ﺗﺒﺎ ﹰ ‪‬ﺘﻤﻊ ﺷﻐﻞ ﺫﺍﺗﻪ ﺑﺎﻟﺴﺎﺋﻞ ﺍﳌﻨﻮﻱ ﻭﺑﺎﻧﺘﺼﺎﺏ ﺍﻟﻘﻀﻴﺐ ﺍﻟﺬﻛﺮﻱ ﻭﲟﻘﻮﻟﺔ ﺟﻮﺭﺝ ﺑﺮﻧﺎﺩﺷﻮ‪ :‬ﺍﳌﺮﺃﺓ ﻇﻞ‬
‫ﺍﻟﺮﺟﻞ ﻋﻠﻴﻬﺎ ﺃﻥ ﺗﺘﺒﻌﻪ ﻻ ﺃﻥ ﺗﻘﻮﺩﻩ‪ .‬ﺍﻟﻠﻌﻨﺔ ﻟﺴﺎﺩﻳﺔ ﺟﻌﻠﺘﻨﺎ ﻧﻐﻤﻂ ﺣﻘﻴﻘﺔ ﺩﻳﻦ ﺍﷲ ﺍﳌﻨﺰﻝ ﺍﻟﺬﻱ‬
‫ﻭﺿﻊ ﻣﻨﺰﻟﺔ ﺍﳌﺮﺃﺓ ﲟﻘﺎﻡ ﺍﻟﺮﺟﻞ‪) :‬ﺍﳌﺆﻣﻨﲔ ﻭﺍﳌﺆﻣﻨﺎﺕ ﺑﻌﻀﻬﻢ ﺃﻭﻟﻴﺎﺀ ﺑﻌﺾ ﻳﺄﻣﺮﻭﻥ ﺑﺎﳌﻌﺮﻭﻑ ﻭﻳﻨﻬﻮﻥ‬
‫ﻋﻦ ﺍﳌﻨﻜﺮ( ﻓﻼ ﻳﺆﺳﺲ ﺍﻟﺒﻴﺖ ﻋﻠﻰ ﺍﻷﺭﺽ؛ ﺑﻞ ﻋﻠﻰ ﺍﳌﺮﺃﺓ‪ ،‬ﻭﺍﳌﻨﺰﻝ ﻟﻴﺲ ﺣﺠﺮﺍﹰ؛ ﺇﳕﺎ ﺍﻣﺮﺃﺓ‪ ،‬ﻓﻬﺆﻻﺀ ﺩﻋﺎﺓ‬
‫ﻣﺴﺎﻭﺍﺓ ﺍﳌﺮﺃﺓ ﺑﺎﻟﺮﺟﻞ ﺃﻭ ﺍﳉﺎﺣﺪﻳﻦ ﺑﻬﺎ ﻻ ﻳﻔﻘﻬﻮﻥ ﺇﻥ ﺍﳌﺴﺎﻭﺍﺓ ﻣﻦ ﺍﷲ ﻭﺍﻥ ﺍﻟﺘﻤﻴﻴﺰ ﻣﻦ ﺻﻨﻊ ﺍﻟﺒﺸﺮ‪.‬‬
 ‫‪Ô„bÄÄÄÄÄÄÄÄÄÄr€a ›ó–€a‬‬
‫ﻓﻲ ﻋﺎﻡ ‪٧٨‬ﻡ ﻭﻋﻤﺮﻱ ﻭﻗﺘﺌﺬ ‪١٦‬ﻋﺎﻣﺎ ﹰ ﻛﺎﻥ ﺍﳊﻘﻞ ﻭﳝﻨﺎﺕ ﳝﻮﺭﺍﻥ ﺑﺎﳌﺮﺍﻫﻘﺔ ﺍﻟﺴﻴﺎﺳﻴﺔ ﺍﻟﻨﺰﻗﺔ ﻭﺍﻟﻄﺎﺋﺸﺔ‪،‬‬
‫ﻓﻜﻞ ﻣﻦ ﻓﻴﻬﻤﺎ ﻻ ﺣﺪﻳﺚ ﻟﻬﻢ ﺳﻮﻯ ﻣﺎ ﻳﻌﺘﻘﺪﻭﻥ ﺃﻧﻪ ﺳﻴﺎﺳﺔ‪ ,‬ﻟﺬﺍ ﻭﳉﺖ ﻣﻌﻬﻢ ﻣﺜﻞ ﺑﻘﻴﺔ ﺃﺗﺮﺍﺑﻲ‬
‫ﺍﻟﺼﻐﺎﺭ ﻓﻲ ﺍﳌﺪﺭﺳﺔ ﺍﻟﺬﻳﻦ ﻓﺮﺣﻮﺍ ﻭﻫﻠﻠﻮﺍ ﲟﻘﺘﻞ ﺍﳌﻘﺪﻡ ﺍﺣﻤﺪ ﺣﺴﲔ ﺍﻟﻐﺸﻤﻲ ﺑﺤﻘﻴﺒﺔ ﺍﳊﺎﺝ ﻣﻬﺪﻱ‬
‫»ﺗﻔﺎﺭﻳﺶ« ﺍﳌﻮﻓﺪ ﻣﻦ ﻋﺪﻥ ﺍﻗﺘﺼﺎﺻﺎ ﹰ ﻟﻠﺮﺋﻴﺲ ﺇﺑﺮﺍﻫﻴﻢ ﺍﳊﻤﺪﻱ‪ ،‬ﻭﺷﻘﻴﻘﻪ ﻋﺒﺪﺍﷲ ﺍﳊﻤﺪﻱ ﺍﻟﻠﺬﻳﻦ ﻗﺘﻼ‬
‫ﻏﺪﺭﺍ ﹰ ﻳﻮﻡ ‪١١‬ﺍﻛﺘﻮﺑﺮ ‪٧٧‬ﻡ ﻭﻗﺒﻞ ﻣﺠﻲﺀ ﺍﳊﻤﺪﻱ ﺇﻟﻰ ﺍﳉﻨﻮﺏ ﺑﻌﻴﺪ ﺍﻟﺜﻮﺭﺓ ‪١٤‬ﺍﻛﺘﻮﺑﺮ‪ ،‬ﺑﻞ ﻭﲤﺎﺩﻯ ﻓﺎﻋﻞ ﺍﳉﺮﳝﺔ‬
‫ﺍﻵﺛﻤﺔ ﺑﺠﻠﺒﻪ ﻟﻔﺘﺎﺗﲔ ﻓﺮﻧﺴﻴﺘﲔ ـ ﻓﻴﺮﻭﻧﻴﻚ ﺗﺮﻭﻱ ﻭﻓﺮﺍﻧﺴﻮﺍ ﺯﺳﻜﺮﻳﻔﺎﻧﻮـ ﺍﻟﻠﺘﲔ ﻭﺟﺪﺗﺎ ﻣﻘﺘﻮﻟﺘﲔ‬
‫ﺑﺠﻮﺍﺭ ﺍﳊﻤﺪﻱ ﻭﺷﻘﻴﻘﻪ‪.‬‬
‫ﻳﺎ ﺍﷲ ﻣﺎ ﺃﺿﺤﻞ ﻣﺎ ﻳﻔﻜﺮ ﺑﻪ ﺍﻟﺼﺒﻴﺎﻥ ﻓﺎﳌﺴﺄﻟﺔ ﺑﺎﻟﻨﺴﺒﺔ ﻟﻨﺎ ﻻ ﺗﺰﻳﺪ ﻋﻦ ﻟﻘﺎﺀ ﺍﻟﺮﺋﻴﺴﲔ ﺳﺎﳌﲔ‬
‫ﻭﺍﳊﻤﺪﻱ ﻳﻮﻡ ﺍﻟﻌﻴﺪ ﻟﺘﻘﺎﻡ ﺍﻟﻮﺣﺪﺓ ﺍﻟﺘﻲ ﻛﺎﻧﺖ ﻋﻴﻮﻧﻨﺎ ﺗﺘﻜﺤﻞ ﲟﺼﺎﻓﺤﺘﻬﺎ ﻓﻲ ﻛﺘﺎﺏ ﺍﻟﺘﺎﺭﻳﺦ ﺍﳌﻮﺣﺪ‬
‫ﺍﳌﻮﻗﻊ ﻓﻲ ﻣﻘﺪﻣﺘﻪ )ﺁﺑﺎﺅﻛﻢ ﺳﺎﻟﻢ ﺭﺑﻴﻊ ﻋﻠﻲ ﻭﺇﺑﺮﺍﻫﻴﻢ ﻣﺤﻤﺪ ﺍﳊﻤﺪﻱ( ﺃﻣﺎ ﺃﺫﺍﻧﻨﺎ ﻭﺃﺻﻮﺍﺗﻨﺎ ﻭﻗﻠﻮﺑﻨﺎ‪,‬‬
‫ﻓﺎﻟﻮﺣﺪﺓ ﻟﻬﺎ ﻛﺎﻟﻬﻮﺍﺀ ﻭﺍﳌﺎﺀ ﻣﻦ ﻓﺮﻁ ﺍﳊﺪﻳﺚ ﻭﺍﻟﺘﻐﻨﻲ ﺑﻬﺎ ﻓﻲ ﺍﻟﺮﺍﺩﻳﻮ ﺃﻭ ﺍﻟﻄﺎﺑﻮﺭ ﺍﳌﺪﺭﺳﻲ‪ .‬ﻓﻜﻴﻒ ﻳﺄﺗﻲ‬
‫ﺍﻟﻐﺸﻤﻲ ﻟﻴﻮﺃﺩ ﻛﻞ ﺷﻲﺀ ﻓﻲ ﳊﻈﺔ؟؟ ﻛﻼﻡ ﻃﻔﻮﻟﻲ ﺑﺮﻱﺀ ﻭﺳﺎﺫﺝ ﻟﻜﻨﻪ ﻳﻔﻴﺾ ﺑﺎﻟﻌﺪﺍﺀ ﻭﺍﻟﻜﺮﺍﻫﻴﺔ‬
‫ﻟﻶﺧﺮ ﻓﻌﻨﺪﻣﺎ ﹸﻗﺘﻞ ﺍﻟﻐﺸﻤﻲ ﻳﻮﻡ ‪٢٤‬ﻳﻮﻧﻴﻮ ‪٧٨‬ﻡ ﻛﺎﻥ ﺛﺄﺭﻧﺎ ﻟﻠﻮﺣﺪﺓ ﻣﻦ ﻋﻤﻴﻞ ﻭﺧﺎﺋﻦ‪ ,‬ﻓﻬﻜﺬﺍ ﺟﺮﺕ‬
‫ﺍﻟﻌﺎﺩﺓ ﻧﺤﻮ ﻣﻦ ﻳﻨﺎﺻﺐ ﺍﻟﻨﻈﺎﻡ ﺍﻟﺘﻘﺪﻣﻲ ﺃﻭ ﻳﻘﻒ ﻓﻲ ﻃﺮﻳﻘﻪ‪.‬‬
‫ﻳﻮﻣﺎﻥ ﻓﻘﻂ ﹶﻣﺮﱠﺍ ﻋﻠﻰ ﺍﻧﻔﺠﺎﺭ ﺣﻘﻴﺒﺔ ﻣﻮﻓﺪ ﺍﻟﺮﺋﻴﺲ ﺳﺎﳌﲔ ﻭﺇﺫﺍ ﺑﺎﻟﺮﻓﺎﻕ ﻳﺨﻮﺿﻮﻥ ﺻﺮﺍﻋﺎ ﹰ ﻋﺴﻜﺮﻳﺎ ﹰ‬
‫ﻳﻮﻡ ‪٢٦‬ﻳﻮﻧﻴﻮ ‪٧٨‬ﻡ ﻛﺎﻥ ﻣﻜﻠﻔﺎ ﹰ ﻭﺑﺎﻫﻈﺎ ﹰ ﺑﺎﻟﻨﻈﺮ ﺇﻟﻰ ﺍﻧﻘﻼﺏ ‪٢٢‬ﻳﻮﻧﻴﻮ ‪٦٩‬ﻡ ﻋﻠﻰ ﺍﻟﺮﺋﻴﺲ ﻗﺤﻄﺎﻥ ﺃﻭ ﺣﺘﻰ‬
‫ﺑﻜﺎﺭﺛﺔ ﲢﻄﻢ ﻃﺎﺋﺮﺓ ﺍﻟﺪﺑﻠﻮﻣﺎﺳﻴﲔ ﻭﻋﻠﻰ ﻣﺘﻨﻬﺎ ‪٧٤‬ﻭﺯﻳﺮﺍ ﹰ ﻭﺳﻔﻴﺮﺍ ﹰ ﻭﻛﺎﺩﺭﺍﹰ‪ ،‬ﻓﺒﻌﺪ ﺃﻳﺎﻡ ﻣﻦ ﺍﻻﻗﺘﺘﺎﻝ‬
‫ﹸﺣﺴﻤﺖ ﺍﻷﺣﺪﺍﺙ ﳌﺼﻠﺤﺔ ﺍﳉﻤﺎﻋﺔ ﺍﳌﻨﺎﻭﺋﺔ ﻟﻠﺮﺋﻴﺲ ﺳﺎﳌﲔ ﺍﻟﺬﻱ ﻳﻌﺪ ﻣﻦ ﺍﻟﺸﺨﺼﻴﺎﺕ ﺍﻟﻜﺎﺭﺯﻣﻴﺔ‬
‫ﺍﻟﺸﻌﺒﻮﻳﺔ ﺍﻟﺘﻲ ﺣﻜﻤﺖ ﺍﳉﻨﻮﺏ ‪٩‬ﺃﻋﻮﺍﻡ ﺣﻔﻠﺖ ﺑﺎﳊﻤﺎﺳﺔ ﺍﻟﺜﻮﺭﻳﺔ ﺍﳌﻨﺪﻓﻌﺔ ﺑﺠﻤﻮﺡ ﻭﻓﻲ ﺑﻠﺪ ﻣﺘﺮﻉ‬
‫ﺑﺎﳉﻬﻞ ﻭﺍﻟﻔﻘﺮ‪ ،‬ﻓﻤﺎ ﻳﺘﻢ ﻓﻌﻠﻪ ﺑﺴﺮﻋﺔ ﻻ ﻳﺤﺎﻟﻔﻪ ﺍﻹﺗﻘﺎﻥ‪ ،‬ﻭﻟﻌﻞ ﻣﺎ ﺳﻄﺮﻩ ﺍﻷﺩﻳﺐ ﺧﻠﻴﻞ ﺟﺒﺮﺍﻥ‬
‫ﺑﻘﻮﻟﻪ ﺍﳌﺄﺛﻮﺭ‪ :‬ﺍﻟﺴﻼﺣﻒ ﺃﻛﺜﺮ ﺧﺒﺮﺓ ﺑﺎﻟﻄﺮﻕ ﻣﻦ ﺍﻷﺭﺍﻧﺐ‪ ،‬ﻻ ﺃﺻﺪﻕ ﺗﻌﺒﻴﺮ ﳊﻘﺒﺔ ﺍﻟﺮﺋﻴﺲ ﺳﺎﳌﲔ ﺍﳌﻸﻯ‬
‫ﺑﺎﻟﻐﻤﻮﺽ ﻭﺍﻟﻌﻔﻮﻳﺔ ﻭﺍﻟﻨﺰﻕ ﻭﺍﻷﺳﺮﺍﺭ‪ ،‬ﻭﻟﻌﻞ ﺣﻜﺎﻳﺔ ﺍﻟﺸﻨﻄﺔ ﺍﳌﻠﻐﻮﻣﺔ‪ ،‬ﺃﻭ ﺣﺎﺩﺛﺔ ﺍﻟﻄﺎﺋﺮﺓ؛ ﻭﺣﺘﻰ‬
‫ﺍﳌﻘﺒﺮﺓ ﺍ‪‬ﻬﻮﻟﺔ ﺍﳊﺎﺿﻨﺔ ﺭﻓﺎﺓ ﺃﺑﻲ ﻣﻨﺬ ﺃﻥ ﺍﻗﺘﺎﺩﻩ ﺯﻭﺍﺭ ﺍﻟﻔﺠﺮ ﺇﻥ ﻟﻢ ﻧﻘﻞ ﺭﻣﺲ ﺍﻟﺮﺋﻴﺲ ﺳﺎﳌﲔ ﻭﺍﺣﺪﺓ‬
‫ﻣﻦ ﺟﻤﻠﺔ ﺍﳊﻜﺎﻳﺎﺕ‪.‬‬
‫ﺃﺧﺒﺮﻧﻲ ﻋﻤﻲ ﺇﺑﺮﺍﻫﻴﻢ ﺃﻥ ﺭﻓﺎﻗﻪ ﻣﻦ ﺍﳊﺮﺱ ﺍﻟﺸﻌﺒﻲ ﻭﺍﳌﻠﻴﺸﻴﺎ ﰎ ﺍﻟﺰﺝ ﺑﻬﻢ ﻓﻲ ﺃﺗﻮﻥ ﻣﻌﺮﻛﺔ ﻳﻮﻧﻴﻮ ‪٧٨‬ﻡ‬
‫ﺍﳌﺴﺘﻌﺮﺓ ﺃﻭﺍﺭﻫﺎ ﻓﻲ ﻣﻨﻄﻘﺔ ﺍﻟﻔﺘﺢ ﺑﺎﻟﺘﻮﺍﻫﻲ ﺣﻴﺚ ﺍﻟﺮﺋﻴﺲ ﺳﺎﳌﲔ ﻭﺟﻤﺎﻋﺘﻪ ﻓﻲ ﺍﻟﻘﺼﺮ ﺍﳌﺪﻭﺭ‪ ،‬ﻓﻄﻮﺍﻝ‬
‫ﻣﺴﻴﺮﻫﻢ ﻣﻦ ﳝﻨﺎﺕ ﺇﻟﻰ ﻋﺪﻥ ﻛﺎﻥ ﻫﺘﺎﻓﻬﻢ ﻟﺴﺎﳌﲔ )ﺳﺎﳌﲔ ﻧﺤﻦ ﺃﺷﺒﺎﻟﻚ ﻭﺃﻓﻜﺎﺭﻙ ﻟﻨﺎ ﻣﺼﺒﺎﺡ‪...‬‬
‫ﻭﺍﺷﻌﻠﻨﺎﻫﺎ ﺛﻮﺭﺓ ﺣﻤﺮﺍﺀ ﺑﻌﻨﻒ ﺍﻟﻌﺎﻣﻞ ﻭﺍﻟﻔﻼﺡ( ﻭ)ﺳﺎﳌﲔ ﻭﺍﻟﺸﻌﺐ ﻣ ﹶﺪﺭﹶﺏ‪..‬ﺳﺎﳌﲔ ﻣﻦ ﻛ ﱠﺬﺏ ﺟﺮﺏ(‬
‫ﺍﻟﻠﻌﻨﺔ ﻓﻬﻞ ﻭﺻﻠﺖ ﺍﳊﻤﺎﻗﺔ ﻭﺍﻟﺴﺬﺍﺟﺔ ﺇﻟﻰ ﻗﺘﻞ ﻣﻦ ﻧﺤﺐ ﻭﻧﻬﺘﻒ ﻟﻬﻢ ﺑﺎﻟﻮﻻﺀ ﻭﺍﳊﻴﺎﺓ؟؟ ﺍﳌﺘﻴﻤﻮﻥ‬
‫ﺑﻌﺸﻖ ﺍﻟﺒﺎﺭﻭﺩ ﻭﺍﻟﻘﺘﻞ ﻻ ﻟﺸﻲﺀ ﻏﻴﺮ ﺍﻹﺩﻣﺎﻥ ﻋﻠﻰ ﺍﳋﻄﻴﺌﺔ‪ ،‬ﻓﻔﻲ ﻋﺸﺮﺓ ﺃﺷﻬﺮ ﻗﺘﻠﺖ ﺃﻳﺪﻳﻬﻢ ﺛﻼﺛﺔ‬
‫ﺭﺅﺳﺎﺀ ﻭﺑﺪﻡ ﺑﺎﺭﺩ ﻧﺎﻫﻴﻚ ﻋﻦ ﺍﳌﺌﺎﺕ ﻣﻦ ﺍﻟﻘﺮﺍﺑﲔ ﺍﳌﺰﻫﻘﺔ ﻋﻠﻰ ﻗﺎﺭﻋﺔ ﺍﳊﻜﻢ‪ ،‬ﻓﺒﻌﺪ ﺃﻥ ﺃﻃﻴﺢ ﺑﺮﺃﺱ‬
‫ﺳﺎﳌﲔ ﻭﺳﻴﻄﺮﺓ ﻋﺒﺪ ﺍﻟﻔﺘﺎﺡ ﻭﺟﻤﺎﻋﺘﻪ ﻋﻠﻰ ﻣﻘﺎﻟﻴﺪ ﺍﻟﺴﻠﻄﺔ ﻓﻲ ﺍﳉﻨﻮﺏ ﻭﺩﺍﻥ ﺍﳊﻜﻢ ﻓﻲ ﺍﻟﺸﻤﺎﻝ‬
‫ﻟﻠﻤﻘﺪﻡ ﻋﻠﻲ ﻋﺒﺪﺍﷲ ﺻﺎﻟﺢ ﻳﻮﻡ ‪١٧‬ﻳﻮﻟﻴﻮ ‪٧٨‬ﻡ ﻇﻦ ﺍﳉﻤﻴﻊ ﺃﻥ ﻣﺎ ﺣﺪﺙ ﺳﺤﺎﺑﺔ ﺻﻴﻒ ﻭﺍﻧﻘﺸﻌﺖ‬
‫ﺧﺎﺻﺔ ﻭﺃﻥ ﻗﺘﻞ ﺳﺎﳌﲔ ﻭﻗﻊ ﲢﺖ ﻃﺎﺋﻞ ﺍﳊﻘﻴﺒﺔ ﺍﳌﻔﺨﺨﺔ‪ ،‬ﺑ ﹶ ﹾﻴ ﹶﺪ ﺃﻥ ﺍﳊﺮﺏ ﺍﻧﺪﻟﻌﺖ ﺑﲔ ﺍﻟﺸﻄﺮﻳﻦ ﻓﻲ‬
‫ﻓﺒﺮﺍﻳﺮ ‪٧٩‬ﻡ ﻭﻟﻢ ﺗﺘﻮﻗﻒ ﺳﻮﻯ ﺑﻌﺪ ﻟﻘﺎﺀ ﺍﻟﻘﻤﺔ ﻓﻲ ﺍﻟﻜﻮﻳﺖ ﺑﲔ ﻋﺒﺪ ﺍﻟﻔﺘﺎﺡ ﺇﺳﻤﺎﻋﻴﻞ ﻭﺍﳌﻘﺪﻡ ﻋﻠﻲ‬
‫ﻋﺒﺪﺍﷲ ﺻﺎﻟﺢ ‪٣٠-٢٨‬ﻣﺎﺭﺱ ‪٧٩‬ﻡ ﺍﻟﻠﺬﻳﻦ ﺍﺗﻔﻘﺎ ﻋﻠﻰ ﺗﻨﻔﻴﺬ ﻗﺮﺍﺭﺍﺕ ﺟﻠﺴﺔ ﺍﳉﺎﻣﻌﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺍﻟﻄﺎﺭﺋﺔ‬
‫ﻓﻲ ﺍﻟﻜﻮﻳﺖ ﻣﻦ ‪ ٦-٤‬ﻣﺎﺭﺱ ﻭﻛﺬﺍ ﻋﻠﻰ ﺇﻋﺪﺍﺩ ﻣﺸﺮﻭﻉ ﺩﺳﺘﻮﺭ ﺩﻭﻟﺔ ﺍﻟﻮﺣﺪﺓ ﺧﻼﻝ ﺳﺘﺔ ﺃﺷﻬﺮ‪.‬‬
‫ﻋﻠﻲ ﻋﺒﺪﺍﷲ ﺻﺎﻟﺢ ﺇﻟﻰ ﻣﺎ ﻗﺒﻞ ‪٢٧‬ﺇﺑﺮﻳﻞ ‪١٩٧٥‬ﻡ ﻛﺎﻥ ﺿﺎﺑﻄﺎ ﹰ ﻣﻦ ﺍﻟﺼﻒ ﺍﻟﺜﺎﻟﺚ ﺍﻟﺬﻱ ﻻ ﺗﺰﻳﺪ ﺣﺪﻭﺩ‬
‫ﻣﻌﺮﻓﺘﻪ ﻭﻣﺴﺌﻮﻟﻴﺘﻪ ﻛﺘﺎﺋﺒﻪ ﺍﳌﺪﺭﻋﺔ ﺍﳌﺮﺍﺑﻄﺔ ﻓﻲ ﺧﻄﻮﻁ ﺍﻟﺘﻤﺎﺱ ﻣﻊ ﺍﳉﻨﻮﺏ‪ ،‬ﻓﻸﻭﻝ ﻣﺮﺓ ﻳﺒﺮﺯ‬
‫ﺍﺳﻤﻪ ﺇﻟﻰ ﺍﻟﻮﺍﺟﻬﺔ ﻛﻘﺎﺋﺪ ﻟﻠﻮﺍﺀ ﺗﻌﺰ ﺇﺛﺮ ﻗﻴﺎﻡ ﺍﻟﺮﺋﻴﺲ ﺇﺑﺮﺍﻫﻴﻢ ﺍﳊﻤﺪﻱ ﺑﺘﻄﻬﻴﺮ ﺍﳉﻴﺶ ﻣﻦ ﺍﻟﻘﻴﺎﺩﺍﺕ‬
‫ﺍﻟﻌﺴﻜﺮﻳﺔ ﺍﳌﻨﺘﻤﻴﺔ ﻟﻌﺎﺋﻠﺔ ﺃﺑﻲ ﳊﻮﻡ ﻳﻮﻡ ‪٢٧‬ﺇﺑﺮﻳﻞ ﺇﺫ ﻛﺎﻥ ﻣﻮﻗﻔﻪ ﺍﳌﺆﻳﺪ ﻟﻠﺤﻤﺪﻱ ﻗﺪ ﺩﻓﻊ ﺑﻪ ﻟﻸﺿﻮﺍﺀ‪،‬‬
‫ﻓﻔﻲ ﺍﻟﻮﻗﺖ ﺍﻟﺬﻱ ﻛﺎﻥ ﻓﻴﻪ ﺍﻟﻘﺎﺿﻲ ﺍﻟﻌﺮﺷﻲ ﻭﻭﺯﻳﺮ ﺍﻟﺪﺍﺧﻠﻴﺔ ﻋﺒﺪ ﺍﻟﻌﺰﻳﺰ ﺍﻟﺒﺮ ﻃﻲ ﻳﺴﺘﻘﺒﻼﻥ ﺍﻟﻌﺰﺍﺀ‬
‫ﻓﻲ ﺍﻟﻘﺼﺮ ﺍﳉﻤﻬﻮﺭﻱ ﻗﺎﻡ ﺍﻟﻀﺎﺑﻂ ﺍﻟﻨﺤﻴﻞ ﺑﺎﻻﺳﺘﻴﻼﺀ ﻋﻠﻰ ﻣﻘﺮ ﺍﻟﻘﻴﺎﺩﺓ ﺍﻟﻌﺎﻣﺔ ﻭﻣﻨﻪ ﺇﻟﻰ ﺳﺪﺓ‬
‫ﺍﳊﻜﻢ ﻳﻮﻡ ‪ ١٧‬ﻳﻮﻟﻴﻮ ‪٧٨‬ﻡ‪ ،‬ﻓﻌﻠﻰ ﺍﻟﺮﻏﻢ ﻣﻦ ﻭﺟﻮﺩ ﻃﺎﺑﻮﺭ ﻃﻮﻳﻞ ﻣﻦ ﺍﻟﻘﻴﺎﺩﺍﺕ ﺍﻟﻌﺴﻜﺮﻳﺔ ﻭﺍﳌﺪﻧﻴﺔ‬
‫ﺍﳌﻌﺮﻭﻓﺔ ﻟﻠﺪﺍﺧﻞ ﻭﺍﳋﺎﺭﺝ ﻭﲢﻮﻝ ﺩﻭﻥ ﺗﺴﻠﻤﻪ ﳌﻘﺎﻟﻴﺪ ﺍﻟﺴﻠﻄﺔ‪ ،‬ﻭﻣﻊ ﻛﻞ ﺗﻠﻚ ﺍﻷﺳﻤﺎﺀ ﻭﺍﻟﺮﺗﺐ ﺍﳌﺪﻧﻴﺔ‬
‫ﻭﺍﻟﻌﺴﻜﺮﻳﺔ‪ ،‬ﻭﻛﺬﺍ ﺍﻟﺘﺸﺮﻳﻌﺎﺕ ﺍﻟﺪﺳﺘﻮﺭﻳﺔ ﺍﶈﺪﺩﺓ ﺳﻦ ﻣﻦ ﻳﺘﻮﻟﻰ ﺍﻟﺮﺋﺎﺳﺔ ﺑﺄﺭﺑﻌﲔ ﻋﺎﻣﺎ ﹰ ﻛﺤﺪ ﺃﺩﻧﻰ؛‬
‫ﲤﻜﻦ ﺗﻴﺲ ﺍﻟﻀﺒﺎﻁ ‪ -‬ﻭﻓﻖ ﺗﻌﺒﻴﺮ ﺍﳊﻤﺪﻱ ‪ -‬ﻣﻦ ﺍﻟﻮﺻﻮﻝ ﺇﻟﻰ ﺍﻟﻘﺼﺮ ﺍﳉﻤﻬﻮﺭﻱ ﻭﺳﻂ ﺫﻫﻮﻝ ﻭﺣﻴﺮﺓ‬
‫ﻭﺻﻤﺖ ﺍﻟﻠﺤﻈﺔ ﺍﻟﺘﺎﺭﻳﺨﻴﺔ ﺍﳌﻔﺰﻋﺔ ﻭﺍﳌﺆﳌﺔ‪ ،‬ﻧﺎﻫﻴﻚ ﻋﻦ ﻣﺆﺛﺮﺍﺕ ﻗﺒﻠﻴﺔ‪ ،‬ﻭﻃﺎﺋﻔﻴﺔ‪ ،‬ﻭﺟﻬﻮﻳﺔ ﺻﺒﺖ‬
‫ﲟﺼﻠﺤﺔ ﺍﻟﺮﺋﻴﺲ ﺍﳉﺪﻳﺪ ﺍﻟﺼﺎﻋﺪ ﻟﻜﺮﺳﻲ ﺍﻟﺮﺋﺎﺳﺔ ﻋﻠﻰ ﺃﻛﺘﺎﻑ ﻭﺭﺅﻭﺱ ﺍﻟﻘﻴﺎﺩﺍﺕ ﺍﻟﻌﻠﻴﺎ ﺍﻟﻌﺴﻜﺮﻳﺔ‬
‫ﻭﺍﻟﻘﺒﻠﻴﺔ ﻭﺍﳌﺪﻧﻴﺔ ﺍﻟﺘﻲ ﺗﻨﺤﺖ ﺟﺎﻧﺒﺎ ﹰ ﺭﻏﺒﺔ ﻭﻃﻮﻋﺎ ﹰ ﺃﻭ ﻛﺮﻫﺎ ﹰ ﻭﺧﻮﻓﺎ ﹰ ﻣﻦ ﺛﻤﻦ ﺍﻟﻜﺮﺳﻲ‪.‬‬
‫ﺍﻟﻌﻢ ﻋﺒﺪﻩ ﺍﻟﺼﻨﻌﺎﻧﻲ ﺣﻴﻨﻤﺎ ﺳﻤﻊ ﺑﺎﺳﻢ ﺍﻟﺮﺋﻴﺲ ﻷﻭﻝ ﻣﺮﺓ ﻓﻲ ﺍﳌﺬﻳﺎﻉ ﺍﻧﺘﺎﺑﻪ ﺷﻌﻮﺭﹲ ﺑﺎﳋﻴﺒﺔ ﻭﺍﻟﺸﻔﻘﺔ‪،‬‬
‫ﺧﻴﺒﺔ ﻣﻦ ﻛﻮﻧﻪ ﻟﻴﺲ ﻣﻦ ﺍﻟﺸﺨﺼﻴﺎﺕ ﺍﳌﻌﺮﻭﻓﺔ ﻭﺍ‪‬ﺮﺑﺔ ﻭﺷﻔﻘﺔ ﻣﻦ ﺍﻟﻘﺘﻞ ﺍﶈﺘﻢ ﻟﻪ ﻭﻓﻲ ﻣﺪﺓ ﺃﻗﻞ‬
‫ﺑﻜﺜﻴﺮ ﻣﻦ ﺍﻟﺴﺘﺔ ﺍﻷﺷﻬﺮ ﺍﻟﺘﻲ ﺣﺪﺩﻫﺎ ﺍﻟﺮﺋﻴﺲ ﻧﻔﺴﻪ ﻟﻼﻗﺘﺼﺎﺹ ﻟﺴﻠﻔﻪ ﺍﻟﻐﺸﻤﻲ‪ ،‬ﻓﺒﻌﺪ ﺃﻗﻞ‬
‫ﻣﻦ ﺛﻼﺛﺔ ﺃﺷﻬﺮ ﻗﺎﻡ ﺃﻧﺼﺎﺭ ﺍﻟﺮﺋﻴﺲ ﺍﳊﻤﺪﻱ ﺑﺎﻧﻘﻼﺏ ﻓﻲ ﺃﻛﺘﻮﺑﺮ ﻟﻜﻨﻬﻢ ﻓﺸﻠﻮﺍ ﻓﻲ ﺇﺳﻘﺎﻁ ﺍﳊﻜﻢ‬
‫ﺍﳉﺪﻳﺪ ﻭﺇﻋﺎﺩﺓ ﻋﺠﻠﺔ ﺍﳊﻜﻢ ﺇﻟﻰ ﻣﺎ ﻗﺒﻞ ﺍﻻﻧﻘﻼﺏ ﺍﻷﻭﻝ ﻳﻮﻡ ‪١١‬ﺍﻛﺘﻮﺑﺮ ‪٧٧‬ﻡ ﻗﻄﻊ ﻋﻠﻰ ﺇﺛﺮ ﻓﺸﻞ ﺍﳊﺮﻛﺔ‬
‫ﺍﻟﻨﺎﺻﺮﻳﺔ ﺭﺅﻭﺳﺎ ﹰ ﻛﺒﻴﺮ ﹰﺓ ﻣﻦ ﺍﻟﻘﻴﺎﺩﺍﺕ ﺍﻟﻨﺎﺻﺮﻳﺔ ﻭﺍﻟﺘﻲ ﺣﻜﻢ ﻋﻠﻰ ﺑﻌﻀﻬﺎ ﺑﺎﻹﻋﺪﺍﻡ ﻣﻦ ﺑﻴﻨﻬﺎ ﻋﻴﺴﻰ‬
‫ﻧﻮﺍﺡ ﻋﺪﺓ ﻣﻨﻬﺎ ﺇﻟﻰ ﺍﳉﻨﻮﺏ‪.‬‬
‫ﻣﺤﻤﺪ ﺳﻴﻒ ﺑﻴﻨﻤﺎ ﺁﺧﺮﻭﻥ ﻻﺫﻭﺍ ﺑﺎﻟﻔﺮﺍﺭ ﺇﻟﻰ ﹴ‬
‫ﻗﺒﻞ ﻭﻟﻮﺝ ﺍﳊﺮﺏ ﻛﺎﻥ ﺍﻟﺸﻄﺮ ﺍﳉﻨﻮﺑﻲ ﻗﺪ ﺷﻬﺪ ﻳﻮﻡ ‪١٣‬ﺃﻛﺘﻮﺑﺮ‪٧٨‬ﻡ ﺍﻹﻋﻼﻥ ﻋﻦ ﻗﻴﺎﻡ ﺍﳊﺰﺏ ﺍﻻﺷﺘﺮﺍﻛﻲ‬
‫ﺍﻟﻴﻤﻨﻲ ﺍﻟﺬﻱ ﻃﺎﳌﺎ ﻇﻠﻠﻨﺎ ﻧﺮﺩﺩ ﻓﻲ ﻃﺎﺑﻮﺭ ﺍﻟﺼﺒﺎﺡ ﺑﻘﻴﺎﻣﻪ ﻛﺤﺰﺏ ﻃﻠﻴﻌﻲ ﻣﻦ ﻃﺮﺍﺯ ﺟﺪﻳﺪ‪ ،‬ﻋﺼﺮ‬
‫ﺫﻟﻚ ﺍﻟﻴﻮﻡ ﻻ ﳝﻜﻦ ﻧﺴﻴﺎﻧﻪ ﺃﺑﺪﺍ ﹰ ﺇﺫ ﻣﺎ ﺯﺍﻟﺖ ﺻﻮﺭﺓ ﺍﻟﻌﻢ ﺇﺑﺮﺍﻫﻴﻢ ﻣﺎﺛﻠﺔ ﻓﻲ ﻣﺨﻴﻠﺘﻲ ﻫﻮ ﻭﻧﺪﻣﺎﺅﻩ‬
‫ﻣﺸﺪﻭﻫﻮﻥ ﻟﻠﻤﺬﻳﺎﻉ ﻓﻲ ﻧﺸﺮﺓ ﺍﻟﻌﺼﺮ ﺍﻟﺬﻳﻦ ﺭﺍﺣﺖ ﺃﻳﺪﻳﻬﻢ ﺗﺼﻔﻖ ﺑﺤﺮﺍﺭﺓ ﻭﺣﻤﺎﺳﺔ ﻭﻗﺒﻞ ﺃﻥ ﻳﻨﻬﻲ‬
‫ﺍﳌﺬﻳﻊ ﺧﺒﺮﻩ‪ ،‬ﻓﻲ ﺗﻠﻜﻢ ﺍﻷﺛﻨﺎﺀ ﻫﺎﺝ ﻗﺎﺋﻼﹰ‪ :‬ﻳﺎ ﺳﻼﻡ ﻋﻠﻰ ﺍﻻﺧﺘﻴﺎﺭ ﺍﳌﻮﻓﻖ ﻻﺳﻢ ﺍﳊﺰﺏ ﻓﻠﻘﺪ ﺧﺸﻴﺖ‬
‫ﻣﻦ ﺣﺸﺮ ﺍﻟﺸﻴﻮﻋﻴﺔ ﻓﻲ ﺍﳌﺴﻤﻰ ﻓﻲ ﻇﻞ ﻭﺍﻗﻊ ﻛﻬﺬﺍ! ﻭﻗﺘﻬﺎ ﻭﺑﻔﻀﻮﻝ ﻃﻔﻮﻟﻲ ﺳﺄﻟﺖ ﻋﻦ ﺍﻟﻔﺮﻕ‬
‫ﺑﲔ ﺍﻟﺸﻴﻮﻋﻲ ﻭﺍﻻﺷﺘﺮﺍﻛﻲ ﻓﺄﺟﺎﺏ ﻣﻨﺘﺸﻴﺎﹰ‪ :‬ﺍﻟﺸﻴﻮﻋﻴﺔ ﻻ ﺗﻨﺎﺳﺒﻨﺎ ﻛﻤﺠﺘﻤﻊ ﻣﺴﻠﻢ ﻭﻣﺆﻣﻦ ﺑﺎﷲ‬
‫ﺑﺎﻋﺘﺒﺎﺭﻫﺎ ﻗﺎﺋﻤﺔ ﻋﻠﻰ ﻣﺒﺎﺩﺉ ﺍﳌﺎﺩﻳﺔ ﻭﺍﻹﳊﺎﺩ ﺑﻴﻨﻤﺎ ﺍﻻﺷﺘﺮﺍﻛﻴﺔ ﻻ ﺃﺣﺪ ﻳﺮﻓﻀﻬﺎ ﻓﺎﻹﺳﻼﻡ ﻗﺎﺋﻢ ﻋﻠﻰ‬
‫ﻣﺒﺪﺃ ﺍﳌﺸﺎﺭﻛﺔ ﻭﺍﻟﻌﺪﺍﻟﺔ ﺍﻻﺟﺘﻤﺎﻋﻴﺔ‪.‬‬
‫ﺍﻟﻴﻮﻡ ﺍﻟﺘﺎﻟﻲ ﻗﺎﻣﺖ ﺍﻟﺪﻧﻴﺎ ﻭﻟﻢ ﺗﻘﻌﺪ ﻣﻦ ﻓﺮﻁ ﺍﻟﺘﻈﺎﻫﺮﺍﺕ ﺍﳉﻤﺎﻫﻴﺮﻳﺔ ﺍﳌﺆﻳﺪﺓ ﻟﻘﻴﺎﻡ ﺍﳊﺰﺏ‪ ،‬ﻣﺜﻞ ﻏﻴﺮﻱ‬
‫ﻣﻦ ﺍﻟﻄﻼﺏ ﺑﺢ ﺻﻮﺗﻲ ﻣﻦ ﺷﺪﺓ ﺟﻔﺎﻑ ﺣﻨﺠﺮﺗﻲ ﺑﺎﻟﻬﺘﺎﻑ )ﻳﺎ ﺷﺒﺎﺏ ﺍﻟﻌﺎﻟﻢ ﺛﻮﺭﻭﺍ ﻳﺎ ﻋﻤﺎﻝ ﻳﺎ ﻓﻼﺣﲔ‪...‬‬
‫ﺣﺪ ﺍﻟﺸﻔﻘﺔ ﳊﺎﻝ ﺍﻟﻨﺎﺱ ﻭﻗﺘﺌﺬ ﻭﻫﻢ‬
‫ﺷﻴﺪﻭﺍ ﺍﻻﺷﺘﺮﺍﻛﻴﺔ ﺩﻣﺮﻭﺍ ﺍﻹﻣﺒﺮﻳﺎﻟﻴﺔ( ﻛﻠﻤﺎ ﺗﺬﻛﺮﺕ ﺍﻵﻥ ﺃﺿﺤﻚ ﹼ‬
‫ﻳﺤﻤﻠﻮﻥ ﻋﻠﻰ ﻋﺎﺗﻘﻬﻢ ﲢﺮﻳﺮ ﺍﻟﻌﺎﻟﻢ ﻣﻦ ﺷﺒﻖ ﻭﺭﺑﻖ ﺍﻟﺮﺃﺳﻤﺎﻟﻴﺔ‪ ،‬ﺷﻌﺎﺭﺍﺕ ﻛﺒﻴﺮﺓ ﺣﻤﻠﻮﻫﺎ ﻓﻲ ﻫﺬﻩ‬
‫ﺍﻟﺒﻘﻌﺔ ﻣﻦ ﺍﻷﺭﺽ ﻭ ﺑﺄﺑﺪﺍﻧﻬﻢ ﺍﳌﻨﻬﻜﺔ ﻭﺍﻟﻔﻘﻴﺮﺓ ﻟﻠﺪﻡ ﺭﺍﺣﻮﺍ ﻳﻨﺸﺪﻭﻥ )ﳝﻦ ﺩﳝﻘﺮﺍﻃﻲ ﻣﻮﺣﺪ ﻧﻔﺪﻳﻪ‬
‫ﺑﺎﻟﺪﻡ ﻭﺍﻷﺭﻭﺍﺡ‪...‬ﺳﻮﻑ ﻧﻘﺎﺗﻞ ﺳﻮﻑ ﻧﻨﺎﺿﻞ ﺛﻮﺭﺓ ﺛﻮﺭﺓ ﻻ ﺇﺻﻼﺡ( ﻭ)ﻗﺴﻤﺎ ﹰ ﺃﻥ ﻧﻨﺎﺿﻞ ﻛﻞ ﻳﻮﻡ ﻣﻦ ﺟﺪﻳﺪ‬
‫ﻭﻧﺴﻘﻲ ﻣﻦ ﺩﻣﺎﺋﻨﺎ ﺗﺮﺑﺔ ﺍﻟﻴﻤﻦ ﺍﻟﺴﻌﻴﺪ( ﻫﺘﺎﻓﺎﺕ ﺟﻠﻬﺎ ﻣﺤﺮﺿﺔ ﻟﻠﺪﻡ ﻭﺍﻟﻌﻨﻒ‪ ،‬ﻧﺸﻮﺍﻥ ﺍﳊﻤﻴﺮﻱ ﻣﻦ‬
‫ﳒﺒﺎﺀ ﻭﻓﻼﺳﻔﺔ ﻭﺭﻭﺍﺩ ﺍﳊﺪﺍﺛﺔ ﻣﺎ ﻗﺒﻞ ﺍﻟﻨﻬﻀﺔ ﺑﻘﺮﻭﻥ ﻻ ﺃﺩﺭﻱ ﻛﻴﻒ ﺻﺎﺭ ﻣﺪﻓﻌﺎ ﹰ ﻳﻠﻘﻲ ﺑﺤﻤﻤﻪ ﻋﻠﻰ‬
‫ﺭﺅﻭﺱ ﺍﻟﻴﻤﻨﻴﲔ ﺍﳌﺘﻘﺎﺗﻠﲔ! ﺭﲟﺎ ﺗﻜﻮﻥ ﺃﻏﻨﻴﺔ ﺍﳌﺮﺷﺪﻱ ﺍﳌﺼﺎﻏﺔ ﻣﻦ ﺍﻟﺪﻛﺘﻮﺭ ﺍﻟﺼﺮ ﳝﻲ ﻭﺭﺍﺀ ﺷﻬﺮﺓ ﻧﺸﻮﺍﻥ‬
‫ﺍﳌﺪﻓﻊ ﺍﻟﺮﻭﺳﻲ ﺍﶈﺮﻕ ﻟﻸﺧﻀﺮ ﻭﺍﻟﻴﺎﺑﺲ‪ ،‬ﻭﻗﺪ ﻳﻜﻮﻥ ﻧﺘﺎﺟﺎ ﹰ ﻟﺘﺄﺛﻴﺮ ﺍﳊﺮﺏ ﺍﳌﺸﺎﻫﺪﺓ ﺑﲔ ﺍﻷﺧﻮﺓ ﺍﻷﻋﺪﺍﺀ‬
‫ﻓﺎﳊﺮﺏ ﻭﻓﻖ ﺗﻌﺒﻴﺮ ﻓﺮﻏﺴﻮﻥ‪ :‬ﺍﻟﺘﺴﻠﻴﺔ ﺍﻟﻮﺣﻴﺪﺓ ﺍﳌﺴﻤﻮﺣﺔ ﻣﻦ ﺍﻟﺰﻋﻤﺎﺀ ﻣﺸﺎﺭﻛﺔ ﺃﻓﺮﺍﺩ ﺍﻟﺸﻌﺐ‪.‬‬
‫ﻣﻲ ﻭﺍﳊﺮﺏ ﻣﺴﺘﻌﺮﺓ ﻓﻲ ﺳﺎﺣﺔ ﺍﻟﻮﻏﻰ‪ ،‬ﳑﺎ ﺃﺫﻛﺮﻩ ﻣﻦ ﺧﻄﺒﺘﻪ‬ ‫ﻓﻲ ﺇﺣﺪﻯ ﺍﳌﺮﺍﺕ ﺯﺍﺭﻧﺎ ﻣﺴﺌﻮ ﹲﻝ ﺃ ﹸ ﹲ‬
‫ﺍﻟﺴﻤﺠﺔ ﺍﳌﻘﺮﻓﺔ ﻫﻮ ﺃﻧﻪ ﹼ‬
‫ﺑﺸﺮﻧﺎ ﻧﺤﻦ ﺍﻷﻃﻔﺎﻝ ﻓﻲ ﺍﳌﺪﺭﺳﺔ ﺑﺎﻟﻘﺘﻞ ﻭﺍﻟﺪﻣﺎﺭ ﻭﺍﻟﺪﻣﺎﺀ ﻭﺍﻷﺭﻭﺍﺡ‪ ،‬ﻓﺒﻮﺳﻊ‬
‫ﺍﻟﺼﻮﺍﺭﻳﺦ ﺍﳌﻮﺟﻮﺩﺓ ﻟﺪﻳﻪ ﻃﻤﺲ ﻣﺪﻳﻨﺔ ﻣﻦ ﺍﻟﻮﺟﻮﺩ‪ .‬ﻳﺎ ﺍﷲ ﻛﻢ ﻧﺤﻦ ﺳﺬﺝ ﻭﺟﻬﻠﻪ؟؟ﻭﺍﺣﺪ ﻣﺤﺎﺭﺏ‬
‫ﺑﺎﺳﻢ ﺍﻟﺘﻘﺪﻣﻴﺔ ﻭﺍﻟﻌﻤﺎﻝ ﻭﺍﻟﻔﻼﺣﲔ ﻭﺍﻷﺧﺮ ﺫﺍﺋﺪ ﻋﻦ ﺍﻹﺳﻼﻡ ﻭﺍﻟﺒﺮﺟﻮﺍﺯﻳﺔ ﻭﺍﻹﻗﻄﺎﻉ‪ ،‬ﺍﳉﻨﻮﺏ ﺇﻧﺎﺑﺔ ﻋﻦ‬
‫ﺍﻻﺷﺘﺮﺍﻛﻴﺔ ﻭﺍﻟﺒﺮﻭﻟﻴﺘﺎﺭﻳﺎ ﻭﺣﻠﻒ ﻭﺍﺭﺳﻮ‪ ،‬ﻭﺍﻟﺸﻤﺎﻝ ﻧﻴﺎﺑﺔ ﻋﻦ ﺍﻟﺮﺃﺳﻤﺎﻟﻴﺔ ﻭﺍﻟﺮﺟﻌﻴﺔ ﻭﺣﻠﻒ ﺍﻷﻃﻠﺴﻲ‪،‬‬
‫ﻟﺴﻨﻮﺍﺕ ﻭﺍﻟﺸﻮﻕ ﻳﺪﻓﻌﻨﻲ ﻟﻌﺒﻮﺭ ﺫﻟﻜﻢ ﺍﳋﻂ ﺍﻟﻠﻌﲔ ﺍﻟﺬﻱ ﺭﺳﻤﻪ ﺍﻷﺗﺮﺍﻙ ﻭﺍﻻﻧﻜﻠﻴﺰ ﺫﺍﺕ ﺣﻘﺒﺔ‬
‫ﺗﺎﺭﻳﺨﻴﻪ‪ ،‬ﻓﻤﻨ ﹸﺬ ﺃﻥ ﺍﺟﺘﺎﺯﻩ ﺻﺎﺑﺮ ﻭﻣﺤﻤﺪ ﻭﺃﻧﺎ ﻛﻠﻤﺎ ﻧﻈﺮﺕ ﺷﻄﺮ ﺍﳋﻂ ﺍﻟﻠﻌﲔ ﻋﺎﺩﺕ ﺻﻮﺭﺓ ﺍﻟﺴﻴﺪ ﻃﻪ‬
‫ﻧﻮﺍﺡ ﻋﺪﺓ ﻣﻦ ﺃﺩﳝﻪ ﺇﻟﻰ ﺫﺍﻛﺮﺗﻲ‪ ،‬ﻓﺸﻌﺮ ﺭﺃﺳﻪ ﺍﳌﺘﺴﺎﻗﻂ‪ ،‬ﻭﺃﺻﺎﺑﻌﻪ‬ ‫ﺍﳌﺸﻮﻫﺔ ﻭﺍﳌﻨﻬﻜﺔ ﻭﺍﳌﺸﻮﻳﺔ ﻓﻲ ﹴ‬
‫ﺍﳌﺮﺗﻌﺸﺔ‪ ،‬ﻭﺣﺪﻳﺜﻪ ﻋﻦ ﺍﻟﺘﻌﺬﻳﺐ ﺍﻟﺬﻱ ﻟﻔﻴﻪ ﻓﻲ ﺍﻟﺸﻤﺎﻝ ‪‬ﺮﺩ ﺯﻳﺎﺭﺓ ﻟﻘﺮﻳﺒﻪ ﻫﻨﺎﻙ؛ ﻛﺎﻥ ﻛﺎﻓﻴﺎ ﹰ ﻷﻥ ﻳﻘﻠﻊ‬
‫ﺍﻹﻧﺴﺎﻥ ﻋﻦ ﺍﻟﺘﻔﻜﻴﺮ ﺑﺎﺟﺘﻴﺎﺯ ﺍﳊﺪﻭﺩ‪ ،‬ﺻﻮﺭﺓ ﺍﻟﺮﺟﻞ ﻣﺎﺛﻠﺔ ﺃﻣﺎﻣﻲ ﻣﻨﺬ ﰎ ﻋﺮﺽ ﺣﺎﻟﺘﻪ ﻓﻲ ﻣﺪﺭﺳﺘﻨﺎ‪،‬‬
‫ﻋﺒﻮﺭ ﺍﳊﺪﻭﺩ ﻛﺎﻥ ﻣﻬﻤﺔ ﺳﻬﻠﺔ ﻭﻏﻴﺮ ﻣﺆﺫﻳﺔ ﺇﺑﺎﻥ ﺍﶈﺘﻠﲔ ﺍﻹﻧﻜﻠﻴﺰ ﻭﺍﻷﺗﺮﺍﻙ ﻭﺣﺘﻰ ﻓﻲ ﺯﻣﻦ ﺣﻜﻢ ﺍﻷﺋﻤﺔ‪،‬‬
‫ﺃﻣﺎ ﻓﻲ ﻋﻬﺪ ﺍﻟﺜﻮﺭﺗﲔ ﻭﺍﻟﺪﻭﻟﺘﲔ ﺍﳌﺘﺤﺎﺭﺑﺘﲔ ﻣﻦ ﺃﺟﻞ ﺇﺯﺍﻟﺔ ﻭﻃﻤﺲ ﺧﻂ ﺍﻟﻌﺎﺭ ﻭﺍﻻﺳﺘﻌﻤﺎﺭ‪ ،‬ﻓﺒﻜﻞ‬
‫ﺗﺄﻛﻴﺪ ﺍﳌﻬﻤﺔ ﺷﺎﻗﺔ ﻭﻣﻜﻠﻔﺔ ﻗﺪ ﺗﺄﺧﺬ ﺣﻴﺎﺓ ﺍﻟﻮﺍﺣﺪ‪ ،‬ﻓﻤﻮﺳﻜﻮ ﻭﻭﺍﺷﻨﻄﻦ ﻭﺑﺮﻟﲔ ﻭﺑﺎﺭﻳﺲ ﻭﻟﻨﺪﻥ ﻭﺑﺮﺍﻍ‬
‫ﻭﻫﺎﻓﺎﻧﺎ ﻭﻏﻴﺮﻫﺎ ﻣﻦ ﻣﺪﻥ ﺍﻟﻌﺎﻟﻢ ﺍﻟﺮﺃﺳﻤﺎﻟﻲ ﺃﻭ ﺍﻻﺷﺘﺮﺍﻛﻲ ﺃﻗﺮﺏ ﻭﺃﺭﺣﻢ ﻣﻦ ﺍﺟﺘﻴﺎﺯ ﻫﺬﺍ ﺍﳋﻂ‪.‬‬
‫ﻓﻲ ﻓﺒﺮﺍﻳﺮ ‪٧٩‬ﻡ ﺍﻧﺪﻟﻌﺖ ﺍﳊﺮﺏ ﻓﻲ ﺟﺒﻬﺎﺕ ﺍﻟﺒﻴﻀﺎﺀ ﻗﻌﻄﺒﺔ ﺍﻟﻮﺍﺯﻋﻴﺔ‪ ،‬ﻓﻜﺎﻥ ﺍﻣﺘﺤﺎﻧﺎ ﹰ ﺻﻌﺒﺎ ﹰ ﻟﺮﺋﻴﺲ ﻻ‬
‫ﻳﺘﺠﺎﻭﺯ ﻧﻄﺎﻕ ﺣﻜﻤﻪ ﺍﻟﻌﺎﺻﻤﺔ ﺻﻨﻌﺎﺀ ﻭﻣﺎ ﻋﺪﺍﻫﺎ ﺳﺎﺣﺔ ﺣﺮﺏ ﻣﺴﺘﻌﺮﺓ ﺑﲔ ﺍﳉﺒﻬﺔ ﺍﻟﻮﻃﻨﻴﺔ ﺍﳌﻨﺎﻭﺋﺔ‬
‫ﻟﻠﻨﻈﺎﻡ ﻓﻲ ﺍﻟﺸﻤﺎﻝ ﺍﳌﺪﻋﻮﻣﺔ ﻣﻦ ﻧﻈﺎﻡ ﺍﳉﻨﻮﺏ‪ ،‬ﻭﺑﲔ ﺍﻟﻘﻮﺍﺕ ﺍﶈﺪﻭﺩﺓ ﻟﻠﺠﻴﺶ ﻓﻲ ﺍﻟﺸﻤﺎﻝ ﺍﳌﺪﻋﻮﻣﺔ‬
‫ﻣﻦ ﺍﻟﻘﺒﺎﺋﻞ ﻭﺍﳉﻤﺎﻋﺎﺕ ﺍﻟﺪﻳﻨﻴﺔ ﺍﳉﻬﺎﺩﻳﺔ‪ ،‬ﻛﺎﻥ ﻣﻦ ﺣﻆ ﺍﳊﻘﻞ ﻓﻲ ﺍﳊﺮﺏ ﺍﻷﻭﻟﻰ ﺛﻼﺙ ﺃﹸﺳﺮ ﺍﺳﺘﻘﺮﺕ ﻓﻲ‬
‫ﺍﻟﺒﻴﻮﺕ ﺍﻟﻘﺪﳝﺔ‪ ،‬ﻣﻦ ﻫﺬﻩ ﺍﻟﻌﺎﺋﻼﺕ ﺍﻟﻨﺎﺯﺣﺔ ﻋﺎﺋﻠﺔ ﺍﻟﻌﻢ ﻋﺒﺪﻩ ﺍﻟﺼﻨﻌﺎﻧﻲ ﻭﺍﻟﺪ ﺃﺷﺠﺎﻥ ﻭﺻﺎﺩﻕ ﻭﻋﺒﺪ‬
‫ﺍﻟﻌﺰﻳﺰ ﻭﻣﺤﻤﺪ ﻭﻓﺎﻃﻤﺔ‪ ،‬ﻓﺮﲟﺎ ﺍﻟﻘﺪﺭ ﻫﻮ ﺍﻟﺬﻱ ﺍﻧﺘﺰﻉ ﺍﻟﻌﻤﺔ ﺍﻟﻄﻴﺒﺔ ﺟﻤﻴﻠﺔ ﺃﹸﻡ ﺃﺷﺠﺎﻥ ﻣﻦ ﻋﺮﻭﻗﻬﺎ‬
‫ﺑﺤﻤﺮﺓ ﺍﳉﻠﻨﺎﺭ ﺍﳉﺎﺫﺑﺔ‬
‫ﺍﻟﺮﻣﺎﻥ ﺍﻟﺒﺪﻳﻌﺔ ﺍﳉﻤﺎﻝ ﹸ‬
‫ﻭﺗﺮﺑﺘﻬﺎ ﻭﺭﻭﺿﺘﻬﺎ ﺻﻨﻌﺎﺀ ﻟﺘﻐﺮﺱ ﺛﺎﻧﻴﺔ ﻫﻨﺎ ﻣﺜﻞ ﺷﺠﺮﺓ ﹼ‬
‫ﻟﻠﻌﲔ‪ ،‬ﻓﺠﻤﻴﻠﺔ ﻻ ﲤﻮﺕ ﺃﺑﺪﺍ ﹰ ﻻﻗﺘﻼﻋﻬﺎ ﺃﻭ ﻛﺴﺮ ﻋﻮﺩﻫﺎ‪ ،‬ﻓﻤﻦ ﻃﺒﻴﻌﺔ ﺍﻟﻜﺎﺋﻨﺎﺕ ﺍﳉﻤﻴﻠﺔ ﻭﺍﳌﻔﻴﺪﺓ ﺃﻧﻬﺎ‬
‫ﻻ ﲤﻮﺕ ﺑﺴﻠﺨﻬﺎ ﻭﺍﻗﺘﻼﻋﻬﺎ ﻣﻦ ﺃﺻﻠﻬﺎ ﺑﻞ ﺗﻮﻟﺪ ﻭﺗﻨﻤﻮ ﻣﻦ ﺑﻘﺎﻳﺎﻫﺎ ﻭﻣﻦ ﺟﺬﻋﻬﺎ ﺍﳌﻨﺴﻠﺦ ﻛﺤﺎﻝ ﺍﻟﻮﺭﺩ‬
‫ﻭﺍﻟﺰﻫﺮ ﻭﺍﻟﺸﺠﺮ ﺍﳌﺜﻤﺮ‪ ،‬ﻓﻬﺬﻩ ﺍﳌﺮﺃﺓ ﻓﻲ ﻛﻔﺎﺣﻬﺎ ﻭﺇﺭﺍﺩﺗﻬﺎ ﻭﻧﻀﺎﺭﺗﻬﺎ ﻛﺄﻧﻬﺎ ﺷﺠﺮﺓ ﺍﳌﻴﻼﺩ ﺍﳌﺴﺘﺪﳝﺔ‬
‫ﺍﻻﺧﻀﺮﺍﺭ‪ ،‬ﻓﻤﻬﻤﺎ ﻛﺎﻧﺖ ﻗﺴﻮﺓ ﺍﻟﻈﺮﻭﻑ ﺍﳌﻨﺎﺧﻴﺔ ﻻ ﺗﺬﺑﻞ‪ ،‬ﺃﻭ ﺗﺴﻘﻂ ﺃﻭﺭﺍﻗﻬﺎ ﻟﻌﺎﺻﻔﺔ ﺻﻘﻴﻊ ﺃﻭ‬
‫ﻟﺸﺪﺓ ﺣﺮﺍﺭﺓ ﺻﻴﻒ‪ ،‬ﻭﺃﹸﻡ ﺃﺷﺠﺎﻥ ﻻ ﺗﺸﻴﺦ ﺃﻭ ﺗﻜﺒﺮ ﺃﻭ ﺗﻔﻨﻰ‪ ،‬ﺃﻧﻬﺎ ﲤﺎﺛﻞ ﻣﺎ ﻳﺆﻣﻦ ﺑﻪ ﺻﺪﻳﻘﻲ ﺍﻟﻜﻤﺒﻮﺩﻱ‬
‫)ﺭﻳﺦ ﺳﻴﺪﺧﺎ( ﺍﻟﺬﻱ ﻃﺎﳌﺎ ﺣﺪﺛﻨﻲ ﺑﺎﻥ ﺍﻹﻧﺴﺎﻥ ﺑﻌﺪ ﻣﻮﺗﻪ ﺗﻐﺎﺩﺭﻩ ﺭﻭﺣﻪ ﻟﻜﺎﺋﻦ ﺁﺧﺮ ﻣﺨﺘﻠﻒ ﻛﺎﻟﻌﺼﺎﻓﻴﺮ‬
‫ﺃﻭ ﺍﻟﺰﻭﺍﺣﻒ ﺃﻭ ﺍﳊﺸﺮﺍﺕ‪ ،‬ﻓﺒﺤﺴﺐ ﻣﻌﺘﻘﺪﻩ ﺃﻥ ﺍﳌﻮﺕ ﻳﺄﺧﺬ ﻓﻘﻂ ﺟﺴﺪﻩ ﺃﻣﺎ ﺭﻭﺣﻪ ﻓﺴﺘﻈﻞ ﺣﻴﺔ ﻻ‬
‫ﲤﻮﺕ ﺑﻘﺪﺭ ﻣﺎ ﺗﺘﻘﻤﺺ ﺷﻜﻼﹰ ﺁﺧﺮ ﻓﻲ ﺣﻴﺎﺓ ﺃﺑﺪﻳﺔ )ﺍﻟﻨﻴﺮﻓﺎﻧﺎ(‪.‬‬
‫ﻋﻨﺪﻣﺎ ﺻﻤﺖ ﺩﻭﻱ ﺍﳌﺪﻓﻊ ﻧﺸﻮﺍﻥ ﻋﻘﺐ ﺍﺗﻔﺎﻕ ﺍﻟﻜﻮﻳﺖ ﺣﺪﺙ ﺃﻥ ﺍﻧﺘﻘﻞ ﺍﻟﻜﺜﻴﺮ ﻣﻦ ﺍﻟﺸﺒﺎﺏ ﻓﻲ ﺣﻘﻞ‬
‫ﺍﻟﻔﺆﺍﺩ ﻭﺣﺘﻰ ﺃﺭﺑﺎﺏ ﺑﻌﺾ ﺍﻷﺳﺮ ﺇﻟﻰ ﺍﻟﺸﻤﺎﻝ‪ ،‬ﺍﻟﺒﻌﺾ ﻣﻨﻬﻢ ﺑﺤﺜﺎ ﹰ ﻋﻦ ﻓﺮﺹ ﻋﻤﻞ ﺷﺎﻗﺔ ﻓﻴﻤﺎ ﺍﻷﻏﻠﺐ‬
‫ﺫﻫﺐ ﺑﺪﺍﻓﻊ ﺍﻟﻌﻮﺩﺓ ﺑﺴﻠﻊ ﺍﻟﺮﺃﺳﻤﺎﻟﻴﺔ ﺍﳉﺎﺫﺑﺔ ﻷﻧﻈﺎﺭ ﻭﻗﻠﻮﺏ ﺍﻟﻐﻮﺍﻧﻲ ﺍﳉﻤﻴﻼﺕ‪ ،‬ﻓﻜﺜﻴﺮ ﻣﻦ ﻫﺆﻻﺀ ﻋﺎﺩﻭﺍ‬
‫ﺑﺄﺷﻴﺎﺀ ﺍﺳﺘﻬﻼﻛﻴﺔ ﻛﺎﻟﻘﻤﺎﺵ »ﺍﻟﺸﻜﻦ« ﻭ«ﺃﺑﻮ ﺳﻴﻠﻪ«‪ ،‬ﺃﻭ ﺍﻟﺘﺒﻎ »ﺍﻟﺴﺮﺍﺕ«‪ ،‬ﺃﻭ ﺃﺟﻬﺰﺓ ﺍﻟﺘﻠﻔﺎﺯ ﺃﺑﻴﺾ‬
‫ﺃﺳﻮﺩ ﺃﻭ ﻏﻴﺮﻫﺎ ﻣﻦ ﺍﳌﻠﺒﻮﺳﺎﺕ ﻭﺃﺩﻭﺍﺕ ﺍﻟﺰﻳﻨﺔ ﺍﻟﺘﻲ ﺗﺄﺗﻲ ﺩﺍﺋﻤﺎ ﹰ ﻣﻬﺮﺑﺔ‪ ،‬ﻫﺬﻩ ﺍﻟﺴﻠﻊ ﻣﻦ ﺍﻟﺸﻤﺎﻝ ﻛﺎﻥ‬
‫ﻳﻘﺎﺑﻠﻬﺎ ﻣﻮﺍ ﱞﺩ ﻣﺪﻋﻮﻣﺔ ﻓﻲ ﺍﳉﻨﻮﺏ ﻣﺜﻞ ﺍﳊﻠﻴﺐ‪ ،‬ﻭﺍﻟﺴﻜﺮ‪ ،‬ﻭﻛﺬﺍ ﺍﻟﺴﻼﺡ ﺍﻟﺮﻭﺳﻲ »ﺍﻟﻜﻼﺷﻴﻨﻜﻮﻑ«‬
‫ﻭ«ﺍﳌﻴﻜﺎﺭﻳﻮﻑ« ﻭﺣﺘﻰ ﻗﻨﻴﻨﺔ ﺍﻟﺒﻴﺮﺓ )ﺻﻴﺮﻩ(‪ ،‬ﺍﻟﺒﻌﺾ ﻓﻲ ﺍﳊﻘﻞ ﺗﺮﻙ ﻣﺪﺭﺳﺘﻪ ﻭﺁﺧﺮﻭﻥ ﻭﻇﺎﺋﻔﻬﻢ ﻓﻔﻲ‬
‫ﺫﻟﻚ ﺍﻟﻮﻗﺖ ﻋﺒﺮ ﻫﺆﻻﺀ ﺍﳊﺪﻭﺩ ﻓﻲ ﻣﻮﺟﺔ ﺟﻤﺎﻋﻴﺔ ﺃﺷﺒﻪ ﲟﻮﺿﺔ ﻣﻐﺮﻳﺔ ﺣﻔﺰﺕ ﺍﻟﻜﺜﻴﺮ ﻟﺘﺮﻙ ﺍﻟﻮﻇﻴﻔﺔ‬
‫ﻭﺍﻟﺘﻌﻠﻴﻢ ﻷﺟﻞ ﻛﻤﺎﻟﻴﺎﺕ ﺯﺍﻟﺖ ﺑﺎﻧﺘﻬﺎﺀ ﺍﻷﻳﺎﻡ ﻭﺍﻷﺷﻬﺮ ﻓﻲ ﺍﻟﺸﻤﺎﻝ‪ ،‬ﺍﻟﺸﺮﻗﻴﺔ ﺍﺳﺘﻘﺒﻠﺖ ﻣﻮﺟﺔ‬
‫ﻣﻦ ﺍﻷﺳﺮ ﺍﻟﻔﺎﺭﺓ ﻣﻦ ﺍﻟﺸﻤﺎﻝ ﻭﻟﻴﺲ ﺍﻟﺒﺎﺣﺜﺔ ﻋﻦ ﻋﻤﻞ‪ ،‬ﻓﻔﻲ »ﳝﻨﺎﺕ« ﻭ«ﺍﳊﻘﻞ« ﺍﺳﺘﻘﺮ ﺍﻟﻌﺪﻳﺪ ﻣﻦ‬
‫ﻫﺬﻩ ﺍﻷﺳﺮ ﺍﻟﺸﺎﺭﺩﺓ ﻣﻦ ﻟﻈﻰ ﺍﳊﺮﻭﺏ ﺍﻟﻘﺒﻠﻴﺔ ﺃﻭ ﺍﻟﻨﻈﺎﻣﻴﺔ‪ ،‬ﻟﻢ ﻳﻌﺪ ﻣﻦ ﻫﺆﻻﺀ ﻓﻤﻨﻬﻢ ﻣﻦ ﻗﻄﻦ‬
‫ﺍﳊﻘﻞ‪ ،‬ﻭﻣﻨﻬﻢ ﻣﻦ ﺍﺳﺘﻘﺮ ﻓﻲ ﺃﻣﺎﻛﻦ ﻣﺨﺘﻠﻔﺔ ﻣﻦ ﳝﻨﺎﺕ‪ ،‬ﻓﻜﻞ ﺍﳌﻬﺠﺮﻳﻦ ﻣﻦ ﻣﻨﺎﻃﻘﻬﻢ ﻭﻗﺮﺍﻫﻢ‬
‫ﻣﻨﺤﻮﺍ ﺍﻟﻮﻇﻴﻔﺔ ﻭﺍﳌﻨﺰﻝ ﻭﺍﻷﺭﺽ‪ ،‬ﻓﻤﺜﻠﻤﺎ ﻋﻤﻠﺖ ﺍﻟﺪﻭﻟﺔ ﻣﻊ ﺍﻟﻨﺎﺯﺣﲔ ﺇﺛﺮ ﺍﳊﺮﺏ ﺍﻷﻭﻟﻰ ﺑﲔ ﺍﻟﺸﻄﺮﻳﻦ‬
‫‪٢٦‬ﺳﺒﺘﻤﺒﺮ ‪١٢-‬ﺍﻛﺘﻮﺑﺮ‪٧٢‬ﻡ؛ ﻓﻌﻠﺖ ﻣﻊ ﺍﻟﻘﺎﺩﻣﲔ ﺍﻟﺬﻳﻦ ﺍﺣﺘﻀﻨﺘﻬﻢ ﻭﻗﺪﻣﺖ ﻟﻬﻢ ﺍﻟﺮﻋﺎﻳﺔ ﺍﻟﻜﺎﻣﻠﺔ‬
‫ﻛﻤﻮﺍﻃﻨﲔ ﳝﻨﻴﲔ ﻓﻲ ﺍﳉﻨﻮﺏ ﻻ ﻛﻤﺎ ﻋﻤﻞ ﺍﻟﺸﻤﺎﻝ ﻣﻊ ﺍﻟﻨﺎﺯﺣﲔ ﺇﻟﻴﻪ ﻣﻦ ﺍﳉﻨﻮﺏ ﻣﺜﻞ ﺻﺎﺑﺮ ﻭﻣﺤﻤﺪ‬
‫ﻭﻏﻴﺮﻫﻤﺎ ﳑﻦ ﺑﺎﻟﻜﺎﺩ ﻋﻮﻣﻠﻮﺍ ﻛﻤﻘﻴﻤﲔ ﻓﻲ ﺍﻟﺸﻤﺎﻝ‪.‬‬
‫ﻛﺎﻥ ﻻﺗﻔﺎﻕ ﺍﻟﻜﻮﻳﺖ ﺃﻥ ﺃﻭﻗﻒ ﺍﳊﺮﺏ ﻭﺳﺤﺐ ﺍﻟﻘﻮﺍﺕ ﺍﳌﺘﻮﻏﻠﺔ ﻓﻲ ﻣﺤﺎﻓﻈﺎﺕ ﺍﻟﺸﻤﺎﻝ ﻟﺘﺸﻬﺪ ﺍﻟﺴﻨﻮﺍﺕ‬
‫ﻣﺎ ﺑﻌﺪ ﺍﳊﺮﺏ ﺣﻮﺍﺭﺍﺕ ﺑﲔ ﺍﻟﻨﻈﺎﻡ ﻓﻲ ﺍﻟﺸﻤﺎﻝ ﻭﻗﻴﺎﺩﺍﺕ ﻣﻴﺪﺍﻧﻴﺔ ﻓﻲ ﺍﳉﺒﻬﺔ ﺍﻟﻮﻃﻨﻴﺔ ﻭﻣﻦ ﺛﻢ ﺍﻟﻘﻮﻯ‬
‫ﺍﻟﻮﻃﻨﻴﺔ ﺍﻷﺧﺮﻯ ﺍﳌﻮﺟﻮﺩﺓ ﻓﻲ ﺍﻟﺴﺎﺣﺔ‪ ،‬ﻓﺠﻤﻴﻊ ﻫﺬﻩ ﺍﳌﺴﻤﻴﺎﺕ ﻋﺎﺩﺕ ﻻﺳﺘﻠﻬﺎﻡ ﻓﻜﺮﺓ ﺍﳌﺆﲤﺮ ﺍﻟﺸﻌﺒﻲ‬
‫ﺍﻟﻌﺎﻡ ﺍﳌﻄﺮﻭﺣﺔ ﻓﻲ ﻋﻬﺪ ﺍﻟﺮﺋﻴﺲ ﺍﳊﻤﺪﻱ‪ ،‬ﻓﻔﻲ ﻳﻮﻡ ‪ ٢٤‬ﺃﻏﺴﻄﺲ ‪٨٢‬ﻡ ﺃﻋﻠﻦ ﻋﻦ ﻗﻴﺎﻡ ﺍﳌﺆﲤﺮ ﻭﻣﻴﺜﺎﻗﻪ‬
‫ﺍﻟﻮﻃﻨﻲ ﻛﻤﺮﺟﻌﻴﺔ ﻓﻜﺮﻳﺔ ﺟﺎﻣﻌﺔ ﻟﻜﻞ ﺍﻷﻃﻴﺎﻑ ﺍﻟﻔﻜﺮﻳﺔ ﻭﺍﻟﺴﻴﺎﺳﻴﺔ ﻭﺍﻟﺪﻳﻨﻴﺔ ﻭﺍﻟﻘﺒﻠﻴﺔ‪ ،‬ﻟﻴﻨﺸﻐﻞ‬
‫ﺍﻟﺸﻤﺎﻝ ﺑﺎﳌﺆﲤﺮ ﻭﻣﻴﺜﺎﻗﻪ ﺍﳌﺴﺘﻤﺪ ﻣﻦ ﺍﻟﻬﻮﻳﺔ ﺍﻟﻮﻃﻨﻴﺔ ﺍﻹﺳﻼﻣﻴﺔ ﺍﳌﻨﺎﻫﻀﺔ ﻟﻠﻬﻮﻳﺔ ﺍﳌﺴﺘﻮﺭﺩﺓ ﻣﻦ‬
‫ﺍﳋﺎﺭﺝ ﻣﺜﻠﻤﺎ ﻫﻮ ﺣﺎﻝ ﺍﻟﻔﻜﺮ ﺍﻹﳊﺎﺩﻱ ﺍﻟﺸﻴﻮﻋﻲ ﻓﻲ ﺍﳉﻨﻮﺏ‪،‬‬
‫ﻟﺴﻨﻮﺍﺕ ﻭﺍﻟﺸﻤﺎﻝ ﻫﺪﻳﺮﻩ ﻻ ﻳﺘﻮﻗﻒ‪ ،‬ﻓﻤﺜﻠﻤﺎ ﺍﳉﻨﻮﺏ ﻋﺎﺵ ﺯﺧﻤﺎ ﹰ ﺛﻮﺭﻳﺎ ﹰ ﻟﻢ ﻳﻨﺘﻪ ﺑﻘﻴﺎﻡ ﺍﳊﺰﺏ ﺍﻟﻄﻠﻴﻌﻲ‬
‫ﻣﻦ ﻃﺮﺍﺯ ﺟﺪﻳﺪ ﻓﻲ ﺍﻛﺘﻮﺑﺮ‪٧٨‬ﻡ ﺍﻟﺸﻤﺎﻝ ﻫﻠﻞ ﻭﻛﺒﺮ ﺑﺘﺄﺳﻴﺲ ﺍﳌﺆﲤﺮ ﻓﻲ ﺃﻏﺴﻄﺲ ‪٨٢‬ﻡ ﻛﻜﻴﺎﻥ ﻣﻦ‬
‫ﻃﺮﺍﺯ ﻓﺮﻳﺪ ﻭﻧﺎﺩﺭ ﻟﻄﺎﳌﺎ ﺃﺩﻫﺶ ﺍﻟﻌﻢ ﻋﺒﺪﻩ ﺑﺮﺅﻳﺘﻪ ﺍﳉﺎﻣﻌﺔ ﻟﻜﻞ ﺍﻟﻘﻮﻯ ﺍﻟﻮﻃﻨﻴﺔ ﺍﳊﺪﺍﺛﻴﺔ ﻭﺍﻟﺘﻘﻠﻴﺪﻳﺔ‬
‫ﺍﻟﻴﺴﺎﺭﻳﲔ ﻭﺍﻟﻴﻤﻴﻨﻴﲔ‪.‬‬
‫ﻋﻤﻲ ﺇﺑﺮﺍﻫﻴﻢ ﻛﺎﻥ ﺃﻥ ﺃﺛﺮﺕ ﻓﻴﻪ ﻋﺎﺻﻤﺔ ﺃﺣﺮﺍﺭ ﺍﻟﻌﺮﺏ ﻭﻗﻠﻌﺔ ﺛﻮﺍﺭ ﺍﻟﻌﺎﻟﻢ )ﻋﺪﻥ(ﻫﻜﺬﺍ ﺍﺳﺘﺤﺎﻟﺖ‬
‫ﻣﻦ ﻗﺒﻠﺔ ﻟﺴﻔﻦ ﻭﲡﺎﺭﺓ ﺍﻟﻌﺎﻟﻢ ﺇﻟﻰ ﻣﺪﻳﻨﺔ ﻟﺜﻮﺍﺭ ﺍﻟﻘﺎﺭﺍﺕ‪ ،‬ﻛﻞ ﺷﻲﺀ ﺗﻐﻴﺮ ﺑﺸﻘﻴﻖ ﺃﺑﻲ ﺍﻷﻛﺒﺮ‪ ،‬ﺑﺪﺍ ﻟﻲ‬
‫ﻟﻠﻮﻫﻠﺔ ﺍﻷﻭﻟﻰ ﺍﻟﺘﻲ ﻗﺎﺑﻠﺘﻪ ﻓﻲ ﻣﻜﺘﺒﻪ ﻓﻲ ﻋﺰ ﻗﻀﻴﺾ ﲤﻮﺯ‪ ،‬ﻛﺄﻥ ﻋﻨﻔﻮﺍﻥ ﺍﳌﺪﻳﻨﺔ ﺍﳌﺘﺄﺟﺞ ﻗﺪ ﻧﺰﻉ ﻋﻨﻪ‬
‫ﺟﻠﺒﺎﺏ ﺍﻟﺘﻘﻮﻯ ﻭﺍﻟﻮﺭﻉ ﻭﺍﻟﻌﻔﻮﻳﺔ ﻭﺍﻟﻮﺳﻄﻴﺔ ﻭﻫﻲ ﺍﻟﺴﻤﺎﺕ ﺍﻟﺘﻲ ﹸﻋﺮﻑ ﺑﻬﺎ ﳊﻘﺒﺔ ﻃﻮﻳﻠﺔ‪ ،‬ﻓﺮﺩﺍﺅﻩ ﺍﻟﻮﻗﻮﺭ‬
‫ﻭﺍﶈﺎﻓﻆ ﻟﻢ ﻳﻌﺪ ﻳﻨﺎﺳﺒﻪ ﻣﺜﻠﻤﺎ ﻫﻮ ﺍﳉﺎﻛﺖ ﻭﺍﻟﺒﻨﻄﻠﻮﻥ ﻭﺭﺑﻄﺔ ﺍﻟﻌﻨﻖ‪ ،‬ﺃﻓﻜﺎﺭﻩ ﻣﻨﻄﻘﻪ ﺣﺪﻳﺜﻪ ﻛﻞ‬
‫ﺷﻲﺀ ﻓﻴﻪ ﺗﻐﻴﺮ ﺣﺘﻰ ﺷﻌﻴﺮﺍﺕ ﺫﻗﻨﻪ ﺍﺟﺘﺰﺕ ﺑﺸﻔﺮﺓ ﺣﻼﻗﺔ‪ ،‬ﻓﻤﻦ ﻳﺼﺪﻕ ﺃﻥ ﺍﻟﺸﻴﺦ ﺇﺑﺮﺍﻫﻴﻢ ﺍﻟﺮﺟﻞ‬
‫ﺍﶈﺎﻓﻆ ﻋﻠﻰ ﺍﻟﺼﻼﺓ ﻓﻲ ﺟﻤﺎﻋﺔ ﻭﺍﳌﻮﺍﻇﺐ ﻋﻠﻰ ﺧﻄﺒﺔ ﻭﺻﻼﺓ ﺍﳉﻤﻌﺔ ﻭﺍﻟﻮﺍﻋﻆ ﻓﻲ ﺩﻳﻦ ﺍﷲ ﺻﺎﺭ‬
‫ﺍﻟﻴﻮﻡ ﺩﺍﻋﻴﺎ ﹰ ﻭﻋﺮﺍﺑﺎ ﹰ ﻟﻠﺸﻴﻮﻋﻴﺔ ﺍﻟﻌﻠﻤﻴﺔ؟؟ ﻓﻤﺎ ﻋﺎﺩ ﻳﺴﺘﺮﺷﺪ ﺑﻨﺼﻮﺹ ﺍﻟﻔﺮﻗﺎﻥ ﺃﻭ ﺃﺣﺎﺩﻳﺚ ﺍﻟﺮﺳﻮﻝ‬
‫ﻭﺍﻷﺛﺮ ﺍﻟﺼﺎﻟﺢ ﺑﻞ ﺑﻜﺘﺐ ﻣﺎﺭﻛﺲ ﻭﻟﻴﻨﲔ ﻭﺇﳒﻠﺰ‪ ،‬ﻭﻗﻊ ﻫﺬﺍ ﺍﻟﺘﺤﻮﻝ ﺃﻭ ﻗﻮﻟﻮﺍ ﺍﻻﻧﺤﺮﺍﻑ ﺍﳌﻔﺎﺟﺊ ﻋﻠﻰ‬
‫ﻭﺍﺣﺪ ﺑﻌﻤﺮ ﺍﳌﺮﺍﻫﻘﺔ ﻭﺍﻟﻔﺘﻮﺓ ﻣﺜﻠﻲ ﻛﺎﻥ ﺛﻘﻴﻼﹰ ﻭﺻﻌﺒﺎﹰ‪ ،‬ﺃﻣﺮ ﻻ ﻳﺼﺪﻕ ﺃﻭ ﳝﻜﻦ ﺍﺣﺘﻤﺎﻟﻪ ﻓﻲ ﺍﻟﺴﻴﺎﺳﺔ‪،‬‬
‫ﻓﻜﻴﻒ ﻓﻲ ﺍﻟﺪﻳﻦ ﻭﺍﳌﻌﺘﻘﺪ ﺍﻟﺬﻱ ﻓﻄﺮ ﺍﻹﻧﺴﺎﻥ ﻋﻠﻴﻪ؟؟؟ ﻓﺤﺘﻰ ﺍﻷﻧﺒﻴﺎﺀ ﻭﺍﻟﺮﺳﻞ ﻭﻫﻢ ﺣﻤﻠﺔ ﺍﻟﺪﻳﻦ ﺍﳊﻖ‬
‫ﺍﻟﻬﺎﺩﻱ ﻟﻠﺒﺸﺮﻳﺔ ﺻﺪﻭﺍ ﻭﻗﻮﺗﻠﻮﺍ ﻣﻦ ﺑﻨﻲ ﻗﻮﻣﻬﻢ ﺍﻟﻐﺎﺭﻗﲔ ﻓﻲ ﺍﻟﻀﻼﻟﺔ ﻭﺍﻟﺰﻳﻎ ﻻ ﻟﺸﻲﺀ ﺃﻭ ﺑﺮﻫﺎﻥ ﻏﻴﺮ‬
‫ﻓﻄﺮﺗﻬﻢ ﻋﻠﻰ ﻋﺒﺎﺩﺓ ﺍﻷﻭﺛﺎﻥ ﻣﺜﻠﻤﺎ ﻋﺒﺪﻫﺎ ﺁﺑﺎﺅﻫﻢ ﻭﺃﺳﻼﻓﻬﻢ!! ﺃﻣﺎ ﻭﻗﺪ ﻣﻀﻰ ﺃﺭﺑﻌﺔ ﻋﺸﺮ ﻗﺮﻧﺎ ﹰ ﻋﻠﻰ‬
‫ﺩﻳﻦ ﺍﻹﺳﻼﻡ ﺍﳌﺆﻳﺪ ﲟﻌﺠﺰﺓ ﻣﺎﺩﻳﺔ )ﺍﻟﻘﺮﺁﻥ( ﺍﳉﺎﻣﻊ ﻟﻜﻞ ﺭﺳﺎﻻﺕ ﺍﻟﺴﻤﺎﺀ ﻭﺃﻧﺒﻴﺎﺋﻪ ﻓﻼﺷﻚ ﺃﻥ ﻣﺎ ﺳﻤﻌﺘﻪ‬
‫ﻣﻦ ﺍﻟﺸﻴﺢ ﺍﻟﻔﻘﻴﻪ ﻛﺎﻥ ﻗﺪ ﻗﻠﺐ ﻛﻴﺎﻧﻲ ﺭﺃﺳﺎ ﹰ ﻋﻠﻰ ﻋ ﹺﻘﺐ‪.‬‬
‫ﻟﻴﺲ ﻋﻤﻲ ﻫﻮ ﺍﻷﻭﻝ ﻣﻦ ﺟﻬﺮ ﺑﺠﺤﻮﺩﻩ‪ ،‬ﻓﻠﻘﺪ ﺳﻤﻌﺖ ﻣﺜﻞ ﻛﻼﻣﻪ ﻣﻦ ﺃﺳﺘﺎﺫ ﺍﻟﻔﻠﺴﻔﺔ ﻓﻲ ﺁﺧﺮ ﺳﻨﺔ‬
‫ﺛﺎﻧﻮﻱ ﻟﻜﻨﻬﺎ ﻟﻢ ﺗﺴﺘﻘﺮ ﻓﻲ ﺫﻫﻨﻲ ﺳﻮﻯ ﺑﻌﺪ ﻟﻔﻈﻬﺎ ﻣﻦ ﺍﻟﻌﻢ ﺇﺑﺮﺍﻫﻴﻢ ﺍﻟﺬﻱ ﻃﺎﳌﺎ ﺃﺳﻤﻌﻨﻲ ﻣﻮﺍﻋﻈﻪ‬
‫ﻭﻧﺼﺎﺋﺤﻪ ﺍﶈﺮﺿﺔ ﻋﻠﻰ ﺍﳉﻬﺎﺩ ﻓﻲ ﺳﺒﻴﻞ ﺍﳊﻔﺎﻅ ﻋﻠﻰ ﺍﻟﺪﻳﻦ ﻭﺍﻟﺸﺮﻑ ﻭﺍﻟﻨﻔﺲ ﻭﺍﳌﺎﻝ ﻭﺍﻟﻨﺴﻞ‪ ،‬ﻓﺎﻟﺪﻳﻦ‬
‫ﻓﻲ ﺍﳌﻘﺎﻡ ﺍﻷﻭﻝ ﻳﺴﺘﻮﺟﺐ ﺍﻟﺘﻀﺤﻴﺔ ﺑﺎﻟﻨﻔﺲ‪ ،‬ﻛﺎﻥ ﺷﻐﻮﻓﺎ ﹰ ﻭﻣﺎﺯﺍﻝ ﺑﺎﻟﻔﺎﺭﻭﻕ ﻋﻤﺮ ﺑﻦ ﺍﳋﻄﺎﺏ ﻭﺑﻌﺪﻟﻪ‬
‫ﻓﺤﺘﻰ ﺑﻌﺪ ﺭﺩﺗﻪ ﻋﻦ ﺍﻹﺳﻼﻡ ﺑﻞ ﻭﻟﻜﻞ ﻣﺎﻟﻪ ﺑﺎﻟﻐﻴﺒﻴﺎﺕ ﺍﳌﺜﺎﻟﻴﺔ ﺍﳌﻴﺘﺎﻓﻴﺰﻳﻘﻴﺔ‪ ،‬ﻓﺎﻟﺮﻓﻴﻖ ﺇﺑﺮﺍﻫﻴﻢ ﻳﺤﻤﻞ‬
‫ﻓﻲ ﺟﻌﺒﺘﻪ ﺇﻛﺴﻴﺮﺍ ﹰ ﻣﻦ ﺷﺬﺭﺍﺕ ﺍﳊﻜﻢ ﺍﻟﻌﺎﺩﻟﲔ ﺍﻟﻌﻤﺮﻳﻦ ﺍﻟﻠﺬﻳﻦ ﻣﺜﻼ ﺑﺤﻜﻤﻬﻤﺎ ﺍﻟﻌﺎﺩﻝ ﻭﺍﻟﻨﺰﻳﻪ‬
‫ﺫﺭﻭﺓ ﺍﳊﻖ ﻓﻲ ﺩﻋﻮﺓ ﺍﻟﺸﻴﻮﻋﻴﺔ ﺍﻟﻘﺎﺋﻤﺔ ﻋﻠﻰ ﺍﻟﻌﺪﻝ ﻭﺍﳌﺴﺎﻭﺍﺓ ﻭﻏﻴﺮﻫﻤﺎ ﻣﻦ ﻣﺒﺎﺩﺉ ﻭﻗﻴﻢ ﺍﺟﺘﻤﺎﻋﻴﺔ‬
‫ﺃﺻﻴﻠﻪ‪.‬‬
‫ﻓﻲ ﺍﳌﺮﺣﻠﺔ ﺍﻷﺳﺎﺳﻴﺔ ﻣﻦ ﺍﻟﺘﻌﻠﻴﻢ ﻗﺎﻝ ﻟﻨﺎ ﺍﳌﻌﻠﻢ ﻣﻦ ﺑﺎﺏ ﺍﻟﺪﻋﺎﺑﺔ ﺇ ﱠﻥ ﺃﺭﻛﺎﻥ ﺍﻹﺳﻼﻡ ﺛﻼﺛﺔ ﻫﻲ‬
‫ﺟﻴﺰﺍﻥ ﻭﳒﺮﺍﻥ ﻭﻋﺴﻴﺮ‪ ،‬ﻓﻌﻠﻰ ﻟﺴﺎﻥ ﻋﺒﺪ ﺍﻟﻔﺘﺎﺡ ﺇﺳﻤﺎﻋﻴﻞ ﻛﺎﻧﺖ ﻫﺬﻩ ﺇﺟﺎﺑﺔ ﻋﻦ ﺳﺆﺍﻝ ﳌﻠﻚ ﺍﻟﻌﺮﺑﻴﺔ‬
‫ﺍﻟﺴﻌﻮﺩﻳﺔ‪ ،‬ﻓﺤﻴﻨﻤﺎ ﺃﺭﺍﺩ ﺍﳌﻠﻚ ﻓﻲ ﺃﺣﺪ ﺍﻟﻠﻘﺎﺀﺍﺕ ﺇﺣﺮﺍﺝ ﺧﺼﻤﻪ ﺣﺎﻣﻞ ﻣﺸﻌﻞ ﺍﻟﻔﻜﺮ ﺍﳌﺎﺭﻛﺴﻲ ﻓﻲ‬
‫ﺍﳌﻨﻄﻘﺔ ﺑﺴﺆﺍﻟﻪ ﻋﻦ ﺃﺭﻛﺎﻥ ﺍﻹﺳﻼﻡ ﺍﳋﻤﺴﺔ ﺍﺧﺘﺰﻟﻬﺎ ﺍ‪‬ﻴﺐ ﺑﺜﻼﺛﺔ ﻣﻨﺎﻃﻖ ﻣﺤﺘﻠﺔ ﻣﻦ ﺍﻟﺴﻌﻮﺩﻳﺔ‪،‬‬
‫ﺷﻄﻂ ﻭﻋﻨﻔﻮﺍﻥ ﺛﻮﺭﻱ ﻻ ﻧﻈﻴﺮ ﻟﻪ ﻓﻲ ﺫﻟﻜﻢ ﺍﻟﻌﻬﺪ ﺍﻟﺬﻱ ﺭﺿﻌﻨﺎ ﻣﻦ ﺣﻠﻤﺎﺗﻪ‪ ،‬ﻓﻜﻞ ﺍﻟﺪﻧﻴﺎ ﺗﻜﺎﺩ ﺗﻜﻮﻥ‬
‫ﻣﺴﺘﻌﺮﺓ ﺑﻨﺎﺭ ﺍﳊﺮﺏ ﺍﻟﻘﻄﺒﻴﺔ ﺑﺪﺀﺍ ﹰ ﺑﺠﺰﻳﺮﺓ ﻛﻮﺑﺎ ﻓﻲ ﺗﺨﻮﻡ ﻭﻻﻳﺔ ﻓﻠﻮﺭﻳﺪﺍ ﻣﺮﻭﺭﺍ ﹰ ﺑﺜﻮﺭﺍﺕ ﺃﻣﺮﻳﻜﺎ ﺍﳉﻨﻮﺑﻴﺔ‬
‫ﻭﺇﻓﺮﻳﻘﻴﺎ ﻭﻟﻴﺲ ﺍﻧﺘﻬﺎ ﹰﺀ ﺑﻔﻠﺴﻄﲔ ﻭﻓﻴﺘﻨﺎﻡ ﻭﺍﻟﺼﲔ ﻭﺃﻓﻐﺎﻧﺴﺘﺎﻥ ﻭﻟﺒﻨﺎﻥ ﻭﺍﻟﻴﻤﻦ ﻭﺃﳒﻮﻻ ﻭﻛﺸﻤﻴﺮ‬
‫ﻭﻏﻴﺮﻫﺎ ﻣﻦ ﺍﻟﺪﻭﻝ ﺍﳌﻀﻄﺮﺑﺔ‪ ،‬ﻭﲟﺎ ﺃﻥ ﺍﳊﺮﻭﺏ ﻻ ﺗﺴﺘﻌﺮ ﻧﻴﺮﺍﻧﻬﺎ ﻓﻲ ﺟﻮﻑ ﺍﳌﺪﺍﻓﻊ ﻓﺤﺴﺐ؛ ﺑﻞ ﻓﻲ ﻗﻠﻮﺏ‬
‫ﺍﻟﻨﺎﺱ ﻭﺃﻓﻜﺎﺭﻫﻢ ﺃﻳﻀﺎ ﻭﻓﻖ ﻗﻮﻝ ﻟﻸﺩﻳﺐ ﻣﻴﺨﺎﺋﻴﻞ ﻧﻌﻴﻤﺔ؛ ﻓﺈﻥ ﻣﺎ ﺣﺪﺙ ﻓﻲ ﻫﺬﻩ ﺍﻟﺒﻘﻌﺔ ﻣﻦ ﺍﻟﻜﻮﻥ‬
‫ﺷﻜﻞ ﻓﻴﻨﻲ ﺭﻭﺍﺳﺐ ﻭﺑﺜﻮﺭ ﻓﻲ ﺫﺍﻛﺮﺗﻲ ﻣﻦ ﺍﻟﺼﻌﻮﺑﺔ ﻣﺤﻮﻫﺎ ﺑﻘﺮﺍﺭ ﺳﻴﺎﺳﻲ‪.‬‬
‫ﺟﻴﻞ ﻛﻨﺖ ﻭﺍﺣﺪﺍ ﹰ ﻣﻨﻬﻢ ﻛﺎﻥ ﺣﻈﻪ ﺍﻟﻌﺎﺛﺮ ﺃﻧﻪ ﻭﻟﺪ ﻣﻦ ﺭﺣﻢ ﺍﳊﺮﺏ ﺍﻟﺒﺎﺭﺩﺓ‪ ،‬ﻓﺬﺍﻙ ﻓﻲ ﺍﻟﺸﻤﺎﻝ ﱠ‬
‫ﺗﻨﺸﺄ‬
‫ﻋﻠﻰ ﺑﻐﺾ ﻣﺎﻟﻪ ﺻﻠﺔ ﺑﻨﻈﺎﻡ ﺍﳉﻨﻮﺏ ﻭﺇﻳﺪﻳﻮﻟﻮﺟﻴﺘﻪ‪ ،‬ﻭﺁﺧﺮ ﺗﺮﺑﻰ ﻋﻠﻰ ﻛﺮﺍﻫﻴﺔ ﺍﻟﻨﻈﺎﻡ ﺍﻟﻘﺒﻠﻲ ﺍﻟﺮﺟﻌﻲ‬
‫ﻓﻲ ﺍﻟﺸﻤﺎﻝ‪ ،‬ﻓﻲ ﺇﺣﺪﻯ ﺍﳌﺴﺎﺑﻘﺎﺕ ﺍﻟﺜﻘﺎﻓﻴﺔ ﻟﻄﻼﺏ ﺍﻟﺜﺎﻧﻮﻳﺔ ﺍﻟﻌﺎﻣﺔ ﺳﺄﻟﻨﺎ ﺍﳌﻮﺟﻪ ﺍﻟﺴﻴﺎﺳﻲ ﺳﺆﺍﻻ ﹰ‬
‫ﺍﻋﺘﻴﺎﺩﻳﺎ ﹰ ﻭ ﺳﺎﺫﺟﺎ ﹰ ﻭﻟﻜﻨﻪ ﻟﻴﺲ ﺑﺒﻼﻫﺔ ﺍﻹﺟﺎﺑﺔ‪:‬‬
 ‫ﻣﺘﻰ ﻭﻛﻴﻒ ﺳﺘﺘﺤﻘﻖ ﺍﻟﻮﺣﺪﺓ ﺍﻟﻴﻤﻨﻴﺔ؟؟ ﺍﻟﻄﺎﻟﺐ‪:‬‬
‫ﻋﻨﺪﻣﺎ ﻳﺘﻔﻖ ﺍﻟﺮﺅﺳﺎﺀ‪.‬‬
‫ﺍﺟﻠﺲ ﻳﺎ ﻏﺒﻲ‪ ..‬ﻃﺎﻟﺐ ﺁﺧﺮ‪:‬‬
‫ﻋﻨﺪ ﺳﻘﻮﻁ ﺍﻹﻣﺒﺮﻳﺎﻟﻴﺔ ﺍﻷﻣﺮﻳﻜﻴﺔ ﻭﺍﻧﺘﺼﺎﺭ ﺍﻻﺷﺘﺮﺍﻛﻴﺔ‪.‬‬
‫ﺍﳌﻮﺟﻪ ﻳﺒﺘﺴﻢ ﻣﻊ ﺇﳝﺎﺋﻪ ﺑﺨﻄﺄ ﺍﻹﺟﺎﺑﺔ‪ ..‬ﻃﺎﻟﺐ ﺁﺧﺮ‪:‬‬
‫ﻓﻲ ﺍﻹﺫﺍﻋﺔ ﻭﺍﻟﺘﻠﻴﻔﺰﻳﻮﻥ ﻳﺎ ﺃﺳﺘﺎﺫ!‬
‫ﺍﳌﻮﺟﻪ‪ :‬ﻻ‪..‬ﻻ‪ ..‬ﻃﺎﻟﺐ ﺁﺧﺮ‪:‬‬
‫ﻓﻲ ﺃﻏﺎﻧﻲ ﺃﻳﻮﺏ ﻃﺎﺭﺵ ﻭﺃﻣﻞ ﻛﻌﺪﻝ ﻭﺃﺣﻤﺪ ﻗﺎﺳﻢ ﻭﺍﳌﺮﺷﺪﻱ ﻳﺎ ﺃﺳﺘﺎﺫ‪ :‬ﺫﻣﺎﺭ ﺭﺩﺍﻉ ﻭﺣﻀﺮﻣﻮﺕ ﻣﺰﺍﺭﻉ!‬
‫ﺍﳌﻮﺟﻪ‪ :‬ﻣﺎ ﻫﺬﻩ ﺍﻹﺟﺎﺑﺎﺕ ﺍﻟﺒﻠﻬﺎﺀ ﻭﺍﻟﺴﺎﺫﺟﺔ؟ ﻗﺎﻝ ﻓﻲ ﺍﻹﺫﺍﻋﺔ ﻭﻓﻲ ﺍﻷﻏﻨﻴﺔ ﻭﻋﻨﺪ ﺳﻘﻮﻁ ﺃﻣﺮﻳﻜﺎ ﻫﻴﻪ‬
‫ﻭﺍﺣﺪ ﺁﺧﺮ ﻳﻨﻬﺾ‪ ،‬ﺣﻔﻆ ﺍﷲ ﺍﻷﺷﻮﻝ ﻣﻦ ﺍﳉﺒﻬﺔ ﺍﻟﻮﻃﻨﻴﺔ ﺍﳌﻌﺎﺭﺿﺔ ﻟﻠﺤﻜﻢ ﻓﻲ ﺍﻟﺸﻤﺎﻝ ﻣﺠﻴﺒﺎﹰ‪:‬‬
‫ﻣﻦ ﺍﳌﺴﺘﺤﻴﻞ ﻗﻴﺎﻡ ﺍﻟﻮﺣﺪﺓ ﻓﻲ ﺍﻟﻮﻗﺖ ﺍﻟﺮﺍﻫﻦ ﻧﻈﺮﺍ ﹰ ﻟﺘﻀﺎﺩ ﺍﻟﻨﻈﺎﻣﲔ ﺍﻟﻘﺎﺋﻤﲔ ﻭﻋﻠﻴﻪ ﻓﺈ ﱠﻥ ﺍﻟﻮﺣﺪﺓ‬
‫ﺳﺘﺘﻢ ﻓﻘﻂ ﻋﻨﺪ ﺍﺳﺘﻴﻼﺀ ﺍﻟﻘﻮﻯ ﺍﻟﺘﻘﺪﻣﻴﺔ ﻋﻠﻰ ﺍﳊﻜﻢ ﻓﻲ ﺍﻟﺸﻤﺎﻝ ﻣﻦ ﺩﻭﻥ ﺍﳋﻼﺹ ﻣﻦ ﺍﻟﻨﻈﺎﻡ‬
‫ﺍﻟﻘﺒﻠﻲ ﺍﻹﻗﻄﺎﻋﻲ ﺍﻟﻜﻤﺒﺮﺍﺩﻭﺭﻱ ﻳﺼﻌﺐ ﺍﳊﺪﻳﺚ ﻋﻦ ﺍﻟﻮﺣﺪﺓ‪.‬‬
‫ﺍﳌﻮﺟﻪ‪ :‬ﺳﻤﻌﺘﻢ ﻳﺎ ﺃﻏﺒﻴﺎﺀ ﻣﺎ ﻗﺎﻟﻪ ﺍﻷﺷﻮﻝ‪ ،‬ﻓﺎﻟﻮﺣﺪﺓ ﻟﻦ ﺗﺘﻢ ﺇﻻ ﺑﻮﺻﻮﻝ ﺍﳉﺒﻬﺔ ﺍﻟﻮﻃﻨﻴﺔ ﻟﻠﺴﻠﻄﺔ‪.‬‬
‫ﻋﻘﺪ ﺍﻟﺜﻤﺎﻧﻴﻨﺎﺕ ﻣﻦ ﺍﻟﻘﺮﻥ ﺍﻟﻔﺎﺋﺖ ﺍﺳﺘﻬﻞ ﻋﺎﻣﻪ ﺍﻷﻭﻝ ﺑﺈﻗﺼﺎﺀ ﻋﺒﺪﺍﻟﻔﺘﺎﺡ ﺇﺳﻤﺎﻋﻴﻞ ﺑﻄﺮﻳﻘﻪ‬
‫ﺳﻠﻤﻴﻪ ﻓﻔﻲ ﺫﺍﻙ ﺍﻟﻴﻮﻡ ﻣﻦ ﻧﻴﺴﺎﻥ ﻧﻘﻠﺖ ﺍﻹﺫﺍﻋﺔ ﺟﻠﺴﺔ ﺗﻨﺤﻴﺘﻪ ﻋﻦ ﺍﻟﺴﻠﻄﺔ ﻋﺒﺮ ﺍﻷﺛﻴﺮ‪ ،‬ﻛﺎﻥ‬
‫ﻣﻌﻠﻤﻮ ﺍﳌﺪﺭﺳﺔ ﻗﺪ ﺻﻌﻘﻮﺍ ﺑﻨﺒﺄ ﺗﻨﺤﻴﺔ ﺍﻷﻣﲔ ﺍﻟﻌﺎﻡ ﻭﺧﻴﺎﺭﻩ ﲟﻐﺎﺩﺭﺓ ﻋﺪﻥ ﺇﻟﻰ ﻣﻨﻔﺎﻩ ﲟﻮﺳﻜﻮ‪ ،‬ﻛﺎﻥ‬
‫ﻣﻌﻠﻢ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺃﻛﺜﺮﻫﻢ ﺣﺰﻧﺎ ﹰ ﻭﻭﺟﻮﻣﺎ ﹰ ﻋﻠﻰ ﺭﺣﻴﻞ ﺫﻳﺰﻥ ﺍﻟﺸﺎﻋﺮ ﻭﺍﻟﺴﻴﺎﺳﻲ ﻓﻤﻦ ﻓﺮﻁ ﺇﻋﺠﺎﺑﻪ‬
‫ﺑﺸﻌﺮﻩ ﻛﺎﻥ ﻻ ﳝﻞ ﻣﻦ ﻗﺼﻴﺪﺗﻪ ﺍﳌﻘﺮﺭﺓ ﻋﻠﻰ ﻃﻼﺏ ﺳﻨﺔ ﺛﺎﻧﻲ ﺇﻋﺪﺍﺩﻱ ﺍﻟﺘﻲ ﻣﻄﻠﻌﻬﺎ‪) :‬ﺍ‪‬ﺪ ﻟﻠﻴﻤﻦ‪..‬‬
‫ﻗﻠﻮﺑﻨﺎ ﺧﻔﺎﻗﺔ ﺑﺤﺒﻚ ﺍﻟﻜﺒﻴﺮ‪ ..‬ﻋﻘﻮﻟﻨﺎ ﻣﻀﻴﺌﺔ ﺑﻔﺠﺮﻙ ﺍﳌﻨﻴﺮ‪ ..‬ﺩﻣﺎﺅﻧﺎ ﺃﺭﻭﺍﺣﻨﺎ ﻟﻌﺰﺗﻚ ﺛﻤﻦ‪(..‬‬
 ‫‪s€bÄÄÄÄÄÄÄÄr€a ›ó–€a‬‬
‫ﻛﻞ ﻣﻦ ﻓﻲ ﺍﻟﻄﺎﺋﺮﺓ ﻭﺟﻮﻫﻬﻢ ﻭﺟﻤﺔ ﻣﺤﺘﺮﻗﺔ ﻣﻦ ﻗﻀﻴﺾ ﺍﳌﻜﺎﻥ ﻭﺍﻹﻧﺴﺎﻥ‪ ،‬ﺯﻣﻦ ﺍﻟﺮﺣﻠﺔ ﻣﻦ ﻋﺪﻥ‬
‫ﺇﻟﻰ ﻣﻮﺳﻜﻮ ﺳﺒﻊ ﺳﺎﻋﺎﺕ ﻭﻣﻊ ﺫﻟﻚ ﺯﺍﺩﺕ ﺛﻼﺙ ﺳﺎﻋﺎﺕ ﻟﺘﻌﺮﻳﺠﻬﺎ ﻋﻠﻰ ﻣﻄﺎﺭ ﺍﻟﻘﺎﻫﺮﺓ ﻭﺳﻴﻤﻔﺮﻭﺑﻴﻞ‬
‫ﺗﺮﺍﻧﺰﻳﺖ‪ ،‬ﻓﻲ ﺍﻷﻭﻟﻰ ﻟﻢ ﻳﺴﻤﺢ ﻟﻨﺎ ﻏﻴﺮ ﺍﻟﺘﻠﺼﺺ ﻭﺑﺤﺴﺮﺓ ﻣﻦ ﺧﻠﻒ ﺯﺟﺎﺝ ﺍﻟﻨﺎﻓﺬﺓ‪ ,‬ﻓﻠﻜﻢ ﻛﺎﻥ ﺍﳌﺸﻬﺪ‬
‫ﻣﺆﳌﺎ ﹰ ﻭﺍﳉﻨﺪ ﻳﺤﻔﻮﻧﻨﺎ ﺑﺒﻨﺎﺩﻗﻬﻢ ﻓﻴﻤﺎ ﻧﺤﻦ ﻓﻲ ﻣﻘﺎﻋﺪﻧﺎ ﺟﺎﺛﻤﲔ ﻭﳑﻨﻮﻋﲔ ﻣﻦ ﻣﻐﺎﺩﺭﺓ ﺍﻟﻄﺎﺋﺮﺓ‪ ،‬ﺑﻜﻴﺖ‬
‫ﻣﻦ ﻓﺆﺍﺩﻱ ﻭﺟﻌﺎ ﹰ ﻭﺣﺰﻧﺎﹰ‪ ،‬ﺻﺮﺧﺖ ﻛﺎﻟﻜﻈﻴﻢ‪ :‬ﺍ ﹲ ﹴﻑ ﻟﻜﻢ ﻣﻦ ﺟﺒﺎﺑﺮﺓ ﻭﻋﺘﺎﻩ ﻓﺤﺘﻰ ﻣﻮﻃﻦ ﺃﻣﻲ ﳑﻨﻮ ﹲﻉ ﻣﻦ‬
‫ﻣﻼﻣﺴﺔ ﺗﺮﺍﺑﻪ! ﻳﺎ ﻟﺴﺨﺎﻓﺔ ﻓﻌﻠﻜﻢ ﻳﺎﻋﺮﺏ!!‪.‬‬
‫ﻛﺎﻥ ﺑﻮﺩﻱ ﺳﻤﺎﻉ ﺷﻲﺀ ﻣﻦ ﺍﻟﻄﺮﺏ ﺍﳉﻤﻴﻞ ﺍﻟﻜﺎﺳﺮ ﻟﺴﺄﻡ ﻭﻣﻠﻞ ﺍﻟﺮﺣﻠﺔ ﻟﻜﻦ ﻻ ﻳﺒﺪﻭ ﺍﻟﻮﻗﺖ ﻣﻨﺎﺳﺒﺎ‬
‫ﻟﺴﻤﺎﻉ ﺍﻟﻔﻨﺎﻥ ﺃﻳﻮﺏ ﻃﺎﺭﺵ ﻭﻫﻮ ﻳﻄﺮﺏ ﺑﺼﻮﺗﻪ ﺍﻟﻌﺬﺏ ﺍﻟﺮﻗﺮﺍﻕ )ﺟﻨﺤﺖ ﻭﺍﺟﻨﺎﺣﻲ ﺣﺪﻳﺪ ﻻ ﺭﻳﺶ ﻓﺎﺭﻗﺖ‬
‫ﺃﺭﺿﻲ ﺣﻴﺚ ﺃﺣﺐ ﻭﺃﻋﻴﺶ( ﺻﺮﻓﺖ ﺍﻟﻨﻈﺮ ﻃﺎﳌﺎ ﻭﺍﻟﻜﻞ ﻋﺎﺑﺲ ﻭﻳﺘﺮﻗﺐ ﳊﻈﺔ ﺍﻟﻮﺻﻮﻝ ﻭﻻ ﻳﻜﺘﺮﺙ ﻟﻐﻴﺮﻫﺎ‪.‬‬
‫ﻳﺎ ﺍﷲ ﻛﻢ ﺗﺆﺛﺮ ﻓﻴﻨﻲ ﻫﺬﻩ ﺍﻷﻏﻨﻴﺔ ﻭﺃﻧﺎ ﺑﲔ ﺃﻫﻠﻲ ﻭﺭﺑﻌﻲ ﻓﻜﻴﻒ ﺇﺫﺍ ﻣﺎ ﲤﺎﺛﻞ ﺣﺎﻟﻲ ﻣﻊ ﻭﻗﻊ ﺍﻟﻔﺮﺍﻕ ﺍﳌﻌﺒﺮﺓ‬
‫ﻋﻨﻪ ﻛﻠﻤﺎﺕ ﺍﻷﻏﻨﻴﺔ؟؟ﻓﻜﻞ ﺇﻧﺴﺎﻥ ﻟﻪ ﻗﻠﺐ ﻣﺤﺐ ﺑﻼﺷﻚ ﺳﺘﺆﺛﺮ ﻓﻴﻪ ﺍﻷﻏﻨﻴﺔ‪ ،‬ﻓﻤﺎ ﺃﻛﺜﺮ ﺍﻷﻭﻗﺎﺕ ﺍﻟﺘﻲ‬
‫ﺃﺧﺬﺗﻨﻲ ﻓﻴﻬﺎ ﺇﻟﻰ ﺣﺒﻴﺒﺘﻲ ﺃﺷﺠﺎﻥ! ﺣﺘﻰ ﺇﻧﻨﻲ ﻣﻦ ﻓﺮﻁ ﺷﻮﻗﻲ ﻭﻟﻬﻔﺘﻲ ﻓﺎﺿﺖ ﻣﻘﻠﺘﻲ ﳌﺮﺍﺕ ﻭﺃﻧﺎ ﻓﻲ‬
‫ﻋﺪﻥ‪ ،‬ﻓﻠﻜﻢ ﺳﺎﺣﺖ ﺩﻣﻌﻲ ﻋﻠﻰ ﺧﺪﻱ ﻟﺼﻮﺕ ﺍﻟﻔﻨﺎﻥ ﺍﻟﺸﺒﻴﻪ ﺑﺸﻼﻝ ﻳﻨﺪﺍﺡ ﺷﻮﻗﺎ ﻭﻭﺟﺪﺍ؟ ﻓﻤﻦ ﺫﺍ‬
‫ﺍﻟﺬﻱ ﻳﺤﺘﻤﻞ ﻭﻫﻮ ﻓﻲ ﺟﻮﻑ ﺍﻟﻄﺎﺋﺮﺓ ﻭﻗﻊ ﺍﻟﻠﺤﻦ ﺍﳊﺰﻳﻦ ﻟﻸﺑﻴﺎﺕ؟ ﺣﺪﻳﺪ ﻣﻦ ﺃﻳﻦ ﺍﳊﺪﻳﺪ ﻳﻄﺮﺏ؟ ﺣﺪﻳﺪ‬
‫ﻻﺫﺍﻕ ﺍﻟﻬﻮﻯ ﻭﻻ ﺣﺐ‪ ...‬ﻻﺷﻲﺀ ﻓﻲ ﺭﻭﺣﻲ ﺳﻮﻯ ﺍﺷﺘﻴﺎﻗﻲ‪ ..‬ﻟﻠﻨﻬﺮ ﻟﻠﺮﻋﻴﺎﻥ ﻭﺍﻟﺴﻮﺍﻗﻲ‪ ،‬ﻭﻟﻬﻔﺘﻲ ﻟﻔﺮﺣﺔ‬
‫ﺍﻟﺘﻼﻗﻲ‪ ..‬ﳌﻦ ﻓﺆﺍﺩﻱ ﻓﻲ ﻫﻮﺍﻩ ﺑﺎﻗﻲ‪.‬‬
‫ﻒ ﺟﺬﻭﺓ ﺍﻟﺸﻮﻕ ﻟﺒﺮﻫﺔ ﺳﻮﻯ ﻃﻘﺲ‬ ‫ﺷﻮﻕ ﻭﺣﻨﲔ ﻳﻐﻠﻴﺎﻥ ﻓﻲ ﺻﺪﺭﻱ ﻃﻮﺍﻝ ﺳﺎﻋﺎﺕ ﺍﻟﺮﺣﻠﺔ‪ ،‬ﻓﻠﻢ ﻳ ﹶ ﹾ‬
‫ﻄ ﹺ‬
‫ﻣﻮﺳﻜﻮ ﺍﻟﺒﺎﺭﺩ ﻟﻨﺎ ﻧﺤﻦ ﺍﻟﻘﺎﺩﻣﻮﻥ ﻣﻦ ﻣﺪﻳﻨﺔ ﻓﻲ ﺃﻗﺼﻰ ﺣﻤﻴﻢ ﺁﺳﻴﺎ ﺣﺮﺍﺭﺓ ﻓﻲ ﺃﻏﺴﻄﺲ ﺗﺰﻳﺪ ﻋﻦ‬
‫‪+٣٧‬ﹾ ﺑﻴﻨﻤﺎ ﺗﻜﻮﻥ ﻓﻲ ﻣﻮﺳﻜﻮ ﻓﻮﻕ ﺍﻟﻌﺸﺮﻳﻦ ﺩﺭﺟﺔ ﻓﻲ ﺃﻭﺝ ﺣﺮﺍﺭﺗﻬﺎ‪ .‬ﺻﺒﻴﺎﻥ ﻓﻲ ﺭﺑﻴﻊ ﺍﻟﻌﻤﺮ ﻋﻨﻔﻮﺍﻥ‪،‬‬
‫ﻭﺣﻤﺎﺳﺔ‪ ،‬ﻭﻧﺰﻕ؛ ﺑﻞ ﻗﻮﻟﻮﺍ ﻋﻠﻴﻨﺎ ﻏﺒﺮﺓ ﻗﻮﻡ ﺛﻤﻮﺩ‪ ،‬ﻛﻞ ﺷﻲﺀ ﻓﻲ ﻗﺒﻠﺔ ﺃﺣﺮﺍﺭ ﺍﻟﻌﺎﻟﻢ ﻣﺪﻋﺎﺓ ﻟﻠﺪﻫﺸﺔ‬
‫ﻭﺍﻻﻧﺒﻬﺎﺭ‪ ،‬ﺍﳌﺪﻳﻨﺔ‪ ،‬ﻭﺍﻟﻨﺎﺱ‪ ،‬ﻭﻧﻈﺎﻡ ﺍﳊﻴﺎﺓ ﺍﻟﺪﻗﻴﻖ ﻭﺍﻟﺴﺮﻳﻊ ﻭﺍ‪‬ﺘﻠﻒ ﻛﻠﻴﺎ ﹰ ﻋﻤﺎ ﺃﻟﻔﻨﺎﻩ ﻣﻦ ﻓﻮﺿﻰ‪ ،‬ﻭﺭﺗﺎﺑﺔ‪،‬‬
‫ﻭﺗﺨﻠﻒ‪ ،‬ﻓﻲ ﺍﻟﻄﺎﺑﻖ ﺍﻟﺮﺍﺑﻊ ﻋﺸﺮ ﻣﻦ ﺩﻭﺭ ﺍﺳﺘﻘﺒﺎﻝ ﺍﻟﻮﺍﻓﺪﻳﻦ ﻟﻼﲢﺎﺩ ﺍﻟﺴﻮﻓﻴﺘﻲ ﻛﺎﻧﺖ ﻣﺤﻄﺘﻨﺎ ﻗﺒﻞ‬
‫ﺍﻷﺧﻴﺮﺓ‪ ،‬ﺃﺣﺪ ﺍﻟﺮﻓﺎﻕ ﻭﺑﺼﻮﺕ ﻳﻐﻠﻔﻪ ﺍﻻﻧﺒﻬﺎﺭ ﻧﺤﻮ ﺍﻟﻌﻤﺮﺍﻥ ﻓﻲ ﻣﻮﺳﻜﻮ‪:‬‬
‫»ﺑﺮﻳﻠﻮﻓﺎ« ﻣﺠﺮﺩ ﺿﺎﺣﻴﺔ ﻣﻘﻔﺮﺓ ﻻ ﺗﻜﺎﺩ ﺗﻌﺮﻑ ﻓﻲ ﺧﺮﻳﻄﺔ ﺍﳌﺪﻳﻨﺔ!‬
‫ﻭﻟﻜﻨﻬﺎ ﻛﺎﻓﻴﺔ ﻟﺘﻮﻃﲔ ﻣﻠﻴﻮﻥ ﻭﻧﺼﻒ ﳝﻨﻲ ﺃﻧﻬﻜﺘﻬﻢ ﺍﻟﺼﺮﺍﻋﺎﺕ ﻭﺍﻟﺸﻌﺎﺭﺍﺕ ﻭﺍﳌﺰﺍﻳﺪﺍﺕ!!‬
‫ﻫﻪ‪..‬ﻫﻪ‪ ..‬ﻣﺎﻭ ﺗﺴﻲ ﺗﻮﻧﻎ ﻗﺎﻝ ﻫﺬﺍ ﺍﻟﻜﻼﻡ ﳌﻮﻓﺪ ﺍﻟﻴﻤﻦ ﺍﻟﺪﳝﻘﺮﺍﻃﻲ ﻋﻠﻰ ﺳﺒﻴﻞ ﺍﻟﺪﻋﺎﺑﺔ ﻭﺍﳌﺰﺍﺡ ﻟﻴﺲ ﺇﻻ‪:‬‬
‫ﻓﻬﻞ ﺻﺪﻗﺖ ﺃﻥ ﺍﻟﺼﲔ ﺗﺒﻨﺖ ﻓﻜﺮﺓ ﺍﻟﺘﻮﻃﲔ ﻟﺪﻭﻟﺔ ﻭﺷﻌﺐ ﻓﻲ ﻋﻤﺎﺭﺓ ﻟﺘﻜﻔﻲ ﺍﻟﺒﻠﺪ ﺷﺮ ﻣﺎ ﻳﺤﺪﺙ؟؟‬
‫ﻭﳌﺎﺫﺍ ﻻ ﺗﻜﻮﻥ ﺍﳌﻘﻮﻟﺔ ﻣﻦ ﺑﺎﺏ ﺍﻟﺸﻔﻘﺔ ﻭﺍﻟﺮﺣﻤﺔ ﻭﻟﻴﺲ ﺍﻟﺴﺨﺮﻳﺔ ﻭﺍﻻﺳﺘﻬﺰﺍﺀ؟؟‬
‫ﻃﺮﻳﻖ ﺍﻟﺜﻮﺭﺍﺕ ﻳﺎ ﺭﻓﻴﻖ ﺟﻤﺎﻝ ﳑﻬﺪ ﺑﺎﻟﺪﻣﺎﺀ‪ ،‬ﻫﻜﺬﺍ ﻫﻲ ﺍﻟﺜﻮﺭﺍﺕ ﻓﻲ ﻗﺎﻣﻮﺱ ﺯﻋﻴﻢ ﺍﻟﺜﻮﺭﺍﺕ ﺍﻟﺴﻠﻤﻴﺔ‬
‫ﺍﳌﻬﺎﲤﺎ ﻏﺎﻧﺪﻱ‪ ،‬ﻭﺑﻼﺩ ﻟﻴﻨﲔ ﺍﻟﻌﻈﻴﻢ ﻟﻢ ﺗﻨﻬﺾ ﻣﻦ ﺩﻭﻥ ﺗﻀﺤﻴﺔ ﻭﻗﺮﺍﺑﲔ!‬
‫‪٢٠‬ﻣﻠﻴﻮﻧﺎ ﹰ ﻗﺘﻠﻮﺍ ﻓﻲ ﺳﺒﻴﻞ ﺃﻣﺘﻬﻢ ﻭﻭﻃﻨﻬﻢ؛ ﻓﺄﻳﻦ ﻫﻲ ﺍﳌﻘﺎﺭﻧﺔ ﻣﻊ ﻣﻦ ﺍﺟﺘﺮﺣﻮﺍ ﺍﻟﻜﻮﺍﺭﺙ ﻭﺍﳌﺂﺳﻲ‬
‫ﻟﻮﻃﻨﻨﺎ ﻭﻟﻨﺎ؟؟‪.‬‬
‫ﻛﻞ ﻋﻠﺔ ﻭﺃﺑﻮﻫﺎ ﺍﻟﺒﺮﺩ ﻭﻧﺤﻦ ﺍﻟﺼﺒﻴﺔ ﺍ‪‬ﻠﻮﻗﻮﻥ ﻣﻦ ﺭﻣﻀﺎﺀ ﺍﻟﺸﻤﺲ ﺗﻮﺍﻗﻮﻥ ﻟﺘﻴﺎﺭ ﺻﻘﻴﻊ ﳝﺤﻮ ﺳﻤﺮﺓ‬
‫ﺍﻟﻮﺟﻪ ﻭﺍﻟﺒﺪﻥ‪ ،‬ﻛﺄﳕﺎ ﻫﺬﻩ ﺍﻟﺴﻤﺮﺓ ﻣﻴﺴﻢ ﻓﻲ ﺟﺒﲔ ﻛﻞ ﺁﺕ ﻣﻦ ﻗﻌﺮ ﺍﻟﻜﻮﻥ ﺍﳌﺘﻠﻈﻲ ﺑﻨﺎﺭ ﺍﻟﻄﺒﻴﻌﺔ‬
‫ﻋﻠﻲ ﺍﻻﺑﺘﻬﺎﺝ ﺑﻠﻔﺤﺔ‬
‫ﺇﻟﻰ ﺫﺭﻭﺗﻪ ﺍ‪‬ﻀﻠﺔ ﺍﻟﺒﺎﺭﺩﺓ‪.‬ﻣﺜﻞ ﺃﺗﺮﺍﺑﻲ ﺍﳌﺮﺍﻫﻘﲔ ﺍﳌﺘﺮﻋﲔ ﺑﺎﻟﻬﺰﺍﻝ ﻭﺍﻟﻮﺟﻞ ﻛﺎﻥ ﹼ‬
‫ﺑﺮﺩ ﻋﺎﺑﺮﺓ ﻛﻴﻤﺎ ﺗﺬﻫﺐ ﻋﻨﻲ ﺧﺪﺭ ﺍﻟﻔﺮﺍﻕ ﻭﻟﻬﻴﺐ ﺍﻟﺴﻨﻮﺍﺕ ﲢﺖ ﺳﻴﺎﻁ ﺍﻟﻬﺎﺟﺮﺓ‪ ،‬ﻓﺎﻟﺸﻤﺲ ﻓﻲ ﺍﳌﺸﺮﻕ‬
‫ﻗﻄﻌﺔ ﻣﻦ ﺟﻬﻨﻢ ﻣﻠﻠﺘﻬﺎ ﻭ ﺍﺟﺘﻮﻳﺘﻬﺎ‪ ،‬ﻟﺬﺍ ﺗﻌﺠﻠﺖ ﺳﻘﻮﻁ ﺣﺒﻴﺒﺎﺕ ﺍﻟﺜﻠﺞ ﺑﻠﻬﻔﺔ ﻭﺷﻮﻕ ﻋﻠﻬﺎ ﺗﺪﺍﻭﻱ‬
‫ﺳﺤﻨﺘﻲ ﺍﻟﺸﺮﻗﻴﺔ ﺍﳌﺮﺍﺩ ﺍﳋﻼﺹ ﻣﻨﻬﺎ ﺑﺪﺭﺟﺔ ﺗﺒﺪﺃ ﻋﻨﺪ ﺍﻟﺼﻔﺮ ﻭﻻ ﺗﻨﺘﻪ ﺏﹾ‪١٥‬ﲢﺖ ﺍﻟﺼﻔﺮ‪ ،‬ﻧﺎﺱ ﹸﻛﺜﺮ‬
‫ﺍﻟﺴﻤﺮﺓ ﻷﺑﺪﺍﻧﻬﻢ ﺍﳊﹸﻤﺮﺓ ﺃﺩﳝﻬﺎ‪ ،‬ﻣﻔﺎﺭﻗﺔ ﻋﺠﻴﺒﺔ ﺑﺪﺕ ﻟﻠﻮﻫﻠﺔ ﺍﻷﻭﻟﻰ‪ ،‬ﻓﺒﻴﻨﻤﺎ‬
‫ﻓﻲ ﻫﺬﻩ ﺍﻟﺒﻼﺩ ﻳﺸﺘﻬﻮﻥ ﹸ‬
‫ﻫﺆﻻﺀ ﻳﺴﺘﻠﺬﻭﻥ ﻛﻠﻤﺎ ﺗﺸﻤﺴﺖ ﺟﻠﻮﺩﻫﻢ ﻓﻲ ﺍﻟﺼﻴﻒ ﺑﺤﺜﺎ ﹰ ﻋﻦ ﹸ‬
‫ﺳﻤﺮﺓ ﺍﻟﺸﺮﻕ؛ ﻛﻨﺖ ﻭﺃﺻﺪﻗﺎﺋﻲ‬
‫ﺁﺑﻘﲔ ﻣﻨﻬﺎ ﻏﻴﺮ ﺁﺑﻬﲔ ﺑﺎﻷﺑﺪﺍﻥ ﺍﳌﺼﻄﻠﻴﺔ ﺍﳌﺘﻠﺬﺫﺓ ﺑﻮﻫﺞ ﻧﻬﺎﺭ ﺻﻴﻔﻲ ﺑﻘﺪﺭ ﺍﻫﺘﻤﺎﻣﻨﺎ ﺑﻠﺤﻈﺔ ﻫﻄﻮﻝ‬
‫ﺍﻟﺜﻠﺞ‪.‬‬
‫ﺍﻟﺸﻤﺲ ﻓﻲ ﺃﻏﺴﻄﺲ ﻭﻓﻲ ﻣﺪﻳﻨﺔ ﺃﻭﺩﻳﺴﺎ ﺗﻜﻮﻥ ﻋﺎﺩﺓ ﺟﺬﻟﺔ ﻭﻳﻨﺪﺭ ﺍﺣﺘﺸﺎﻣﻬﺎ‪ ،‬ﺍﻟﻔﺘﻴﺎﺕ ﺍﳊﺴﻨﺎﻭﺍﺕ‬
‫ﺍﻟﺴﺎﻓﺮﺍﺕ ﺃﺧﺬﻥ ﺗﻔﻜﻴﺮﻱ ﺑﻌﻴﺪﺍ ﹰ ﻋﻦ ﻓﺮﺣﺔ ﻫﺆﻻﺀ ﺍﻟﺬﻳﻦ ﻻ ﻳﺴﺄﻣﻮﻥ ﺍﻟﺸﻤﺲ‪ ،‬ﻓﺎﳌﺪﻳﻨﺔ ﺍﻟﻐﻨﺠﺔ‬
‫ﺑﻄﺒﻴﻌﺘﻬﺎ ﺍﻟﺴﺎﺣﺮﺓ ﻭﺑﻨﺴﺎﺋﻬﺎ ﺍﳉﻤﻴﻼﺕ ﺍﳌﺘﺤﺪﺭﺍﺕ ﻣﻦ ﺃﺭﻭﻣﺔ ﺳﻼﻓﻴﺔ ﺳﺎﻣﻴﺔ ﻣﻊ ﻧﻔﺤﺔ ﺷﺮﻗﻴﺔ ﻟﻢ‬
‫ﲤﻨﺤﻨﻲ ﻓﺮﺻﺔ ﻟﻠﺘﻔﻜﻴﺮ ﺃﻭ ﺍﻻﺳﺘﻤﺘﺎﻉ ﺑﻮﻫﺞ ﺷﻤﺲ ﻫﺬﺍ ﺍﻟﺸﻬﺮ ﻓﻲ ﻣﺼﻴﻒ ﻣﺘﺎﺧﻢ ﻷﺭﻭﻉ ﻣﺼﻄﺎﻑ‬
‫ﻋﻠﻰ ﺍﻷﺭﺽ _ﺍﻟﻘﺮﻡ _ ﺣﻴﺚ ﻳﻘﻀﻲ ﺍﻟﺰﻋﻤﺎﺀ ﺍﻟﺴﻮﻓﻴﺎﺕ ﺇﺟﺎﺯﺗﻬﻢ ﺍﻟﺼﻴﻔﻴﺔ‪ ،‬ﻓﻜﻞ ﻣﺎ ﻓﻲ ﺃﻭﺩﻳﺴﺎ‬
‫ﻣﺪﻋﺎﺓ ﻟﻼﻧﺒﻬﺎﺭ ﻭﺍﻟﻌﺠﺐ‪ ،‬ﻓﺎﳊﻮﺭﻳﺎﺕ ﺍﻟﻐﺎﻧﻴﺎﺕ ﻳﺄﺧﺬﻥ ﺍﻟﻌﻘﻞ ﻭﺍﻟﺮﻭﺡ ﻣﻌﺎ ﹰ ﻭﻫﻦ ﻳﺘﺸﻤﺴﻦ ﺑﺄﺑﺪﺍﻧﻬﻦ‬
‫ﺍ‪‬ﻀﻠﺔ ﺍﻟﺮﻃﺒﺔ ﺑﺤﺜﺎ ﹰ ﻋﻦ ﻟﺬﺓ ﺃﻭ ﻟﻮﻥ ﺩﺍﻛﻦ ﻛﺎﻟﺬﻱ ﻃﺮﺃ ﻋﻠﻰ ﻭﺟﻪ ﻭﺑﺪﻥ ﻻﺭﻳﺴﺎ ﺍﻟﻔﺘﺎﺓ ﺍﻟﺸﻘﺮﺍﺀ ﺑﻌﺪ‬
‫ﺃﻥ ﻗﻀﺖ ﺷﻬﺮﻳﻦ ﻓﻲ ﺍﻟﺘﺼﻠﻴﺔ ﺣﺘﻰ ﺑﺪﺕ ﻛﻮﺭﻗﺔ ﺧﺮﻳﻒ ﲢﻠﻠﺖ ﻣﻦ ﺧﻀﺮﺗﻬﺎ‪ ،‬ﺍﳌﺘﺼﻠﻴﺎﺕ ﻛﻦ ﻗﺒﻠﺔ‬
‫ﳊﻮﺍﺳﻨﺎ ﻭﻏﺮﺍﺋﺰﻧﺎ ﺍﻟﺸﺮﻗﻴﺔ ﺍﳌﻜﺒﻮﺗﺔ‪ ،‬ﻻﺷﻲﺀ ﺟﺪﻳﺮ ﺑﺎﻟﺘﻔﻜﻴﺮ ﻭﺍﳌﺘﻌﺔ ﺃﻛﺜﺮ ﻣﻦ ﺭﺅﻳﺔ ﺍﻟﺴﺎﺣﻞ ﻭﻫﻮ ﻳﻌﺞ‬
‫ﺑﺰﺣﺎﻡ ﺷﺪﻳﺪ ﻷﺑﺪﺍﻥ ﺃﻧﺜﻮﻳﺔ ﺷﺒﻪ ﻋﺎﺭﻳﺔ‪ ،‬ﺭﻏﺒﺎﺕ ﺟﺎﻣﺤﺔ ﻭﺟﺪﺕ ﺿﺂﻟﺘﻬﺎ ﻫﻨﺎ ﻓﻲ ﻫﺬﻩ ﺍﻟﺒﻘﻌﺔ ﺍﳌﺘﺤﺮﺭﺓ‬
‫ﻣﻦ ﺍﻻﺣﺘﺸﺎﻡ‪.‬‬
‫ﻳﺎ ﺇﻟﻬﻲ ﻣﺎ ﻟﻨﺎ ﺟﻴﺎﻉ ﻭﻋﻄﺸﻰ ﻟﻠﺠﻨﺲ ﺍﻵﺧﺮ ﺇﻟﻰ ﻫﺬﺍ ﺍﳊﺪ! ﻣﺎ ﻟﻨﺎ ﻣﻨﻬﻜﻮﻥ ﻭﻣﻨﻐﻤﺴﻮﻥ ﻓﻲ ﻣﻔﺎﺗﻦ‬
‫ﺍﳊﺴﻨﺎﻭﺍﺕ ﺍﳌﺆﺟﺠﺔ ﻟﻠﺸﻬﻮﺓ ﺃﻛﺜﺮ ﻣﻦ ﺍﻧﺸﻐﺎﻟﻨﺎ ﺑﺠﻤﺎﻝ ﺭﻭﺡ ﺍﻷﻧﺜﻰ ﺫﺍﺗﻬﺎ ﺍﳌﻠﻬﻤﺔ ﻟﻠﺨﻠﻖ ﻭﺍﳊﻴﺎﺓ‬
‫ﻭﻓﻲ ﺍﻟﻄﺒﻴﻌﺔ ﺍﳋﻼﺑﺔ! ﺍﻟﻠﻌﻨﺔ ﻟﺬﻟﻜﻢ ﺍﻟﺼﻨﺪﻭﻕ ﺍﳋﺸﺒﻲ ﺍﳌﺘﻮﺳﺪ ﻏﺮﻓﺔ ﻧﻮﻣﻲ ﻣﻨﺬ ﺍﻟﻄﻔﻮﻟﺔ ﻣﻦ ﺩﻭﻥ‬
‫ﻣﻌﺮﻓﺔ ﻣﺤﺘﻮﺍﻩ! ﻫﺎﺃﻧﺬﺍ ﻣﺜﻞ ﺭﺟﺎﻝ ﹸﻛﺜﺮ ﻗﺪﻣﻮﺍ ﺍﳌﺪﻳﻨﺔ ﺑﻌﻘﻠﻴﺔ ﻭﺳﻠﻮﻙ ﺍﻟﻐﺠﺮ ﺍﻟﺬﻳﻦ ﻻ ﻣﻮﻃﻦ ﺃﻭ ﻫﻮﻳﺔ‬
‫ﻟﻬﻢ ﻏﻴﺮ ﺍﻟﺘﺴﻜﻊ ﻭﺍﻟﺸﺤﺎﺗﺔ! ﺟﻤﻴﻌﻨﺎ ﻣﺜﻞ ﺻﻨﺪﻭﻕ ﺃﺑﻲ ﺍﳌﻘﻔﻞ ﳊﲔ ﻣﻦ ﺍﻟﺪﻫﺮ‪ ،‬ﺍﻟﻔﺎﺭﻕ ﺃﻥ ﺍﻟﺼﻨﺪﻭﻕ‬
‫ﻻ ﻳﻔﺘﺢ ﻭﻻ ﻳﺆﺫﻱ ﺑﻴﻨﻤﺎ ﻧﺤﻦ ﺍﻟﺼﻨﺎﺩﻳﻖ ﺍﻟﺒﺸﺮﻳﺔ ﻳﺤﺴﺒﻬﺎ ﺍﻹﻧﺴﺎﻥ ﻭﻗﻮﺭﺓ ﻭﺻﺎﻣﺘﺔ ﻣﻦ ﺍﻟﻨﻀﺞ ﻭﺇﺫﺍ ﺑﻬﺎ‬
‫ﻣﻸﻱ ﺑﺎﳌﺸﺎﻋﺮ ﺍﳌﻜﺒﻮﺗﺔ ﻭﺍﻟﻐﺮﺍﺋﺰ ﻭﺍﻟﻜﺮﺍﻫﻴﺔ ﻭﺍﳊﻘﺪ ﻭﺍﳊﺴﺪ ﻭﻏﻴﺮﻫﺎ ﻣﻦ ﺍﳌﻜﺒﻮﺗﺎﺕ ﺍﻟﺘﻲ ﺗﻄﻔﺢ ﻋﻨﺪ‬
‫ﺃﻭﻝ ﺟﺮﻋﺔ ﺧﻤﺮﺓ ﺃﻭ ﻧﻈﺮﺓ ﻣﻦ ﺑﺎﺋﻌﺔ ﻫﻮﻯ‪.‬‬
‫ﻣﺴﻜﻴﻨﺔ ﺃﻣﻲ ﺧﺎﻓﺖ ﺃﻥ ﺗﺜﻘﻞ ﻛﺎﻫﻠﻲ ﺑﺬﺍﻙ ﺍﻟﺼﻨﺪﻭﻕ ﺍﻟﺬﻱ ﻻ ﺃﻋﻠﻢ ﻣﺎ ﺑﺪﺍﺧﻠﻪ‪ ،‬ﻓﻠﻘﺪ ﻛﺎﻥ ﺣﺮﻱ ﺑﻬﺎ‬
‫ﻋﻠﻲ ﻣﻦ ﻫﺬﻩ ﺍﳌﺪﻳﻨﺔ ﺍﻟﻨﺎﺿﺤﺔ ﺑﺎﳉﻤﺎﻝ ﻭﺍﻹﺛﺎﺭﺓ ﻭﺍﳌﺘﻌﺔ ﻭﺍﻟﺮﺫﻳﻠﺔ‪ ،‬ﻓﻮﺍﺣﺪ ﻣﺜﻠﻲ ﻳﹸﺠﺰﻉ ﻋﻠﻴﻪ‪ ،‬ﺭﲟﺎ‬
‫ﺍﳋﺸﻴﺔ ﱠ‬
‫ﺭﻫﺎﻧﻬﺎ ﻋﻠﻰ ﺍﻟﻨﺸﺄﺓ ﺍﳌﺘﺤﺮﺭﺓ ﻣﻦ ﻛﺜﻴﺮﻣﻦ ﺍﻟﻘﻴﻮﺩ ﺍﻟﻜﺎﺑﺤﺔ ﻟﻌﻘﻞ ﺍﻹﻧﺴﺎﻥ ﻭﻭﺟﺪﺍﻧﻪ‪ ،‬ﻓﺎﻟﺘﺮﺑﻴﺔ ﺍﳌﻨﻔﺘﺤﺔ‬
‫ﻋﻠﻰ ﺍﳉﻨﺲ ﺍﻵﺧﺮ ﻛﺎﻥ ﺭﻫﺎﻧﻬﺎ ﺍﻷﻭﻝ‪ ،‬ﻓﻠﻄﺎﳌﺎ ﻗﺎﻟﺖ ﻟﻲ ﺃﻥ ﺍﻻﻧﻐﻼﻕ ﻭﺍﻟﺘﺰﻣﺖ ﺃﻏﻼ ﹲﻝ ﻣﺼﻔﺪﺓ ﻟﻠﺮﻏﺒﺎﺕ‬
‫ﺍﻟﻌﺎﻃﻔﻴﺔ‪ ،‬ﻟﻜﻨﻬﺎ ﻟﻦ ﲢﻮﻝ ﺩﻭﻥ ﺍﻧﻔﺠﺎﺭ ﻫﺬﻩ ﺍﳌﻜﺒﻮﺗﺎﺕ ﻓﻲ ﺃﻳﺔ ﳊﻈﺔ‪ ،‬ﻓﺠﺬﺭ ﺍﳌﺸﻜﻠﺔ ﻟﻴﺲ ﺍﻟﺸﻔﺎﻓﻴﺔ‬
‫ﻭﺍﻟﻌﻼﻗﺔ ﺍﻟﺴﻮﻳﺔ ﺑﲔ ﺍﻟﺮﺟﻞ ﻭﺍﳌﺮﺃﺓ‪ ،‬ﻭﺇﳕﺎ ﻓﻲ ﺍﻟﻜﺒﺖ ﻭﺍﻟﻘﻄﻴﻌﺔ ﻭﺍﳊﺮﻣﺎﻥ ﺍﻟﻌﺎﻃﻔﻲ ﻭﺍﻟﻐﺮﺍﺋﺰﻱ‪ ،‬ﺍﳋﻮﻑ‬
‫ﻳﺄﺗﻲ ﻣﻦ ﺍﳉﻬﻞ ﻭﻟﻴﺲ ﻣﻦ ﺍﻟﻌﻠﻢ‪ ,‬ﻓﺎﻟﺸﻬﻮﺍﻧﻴﺔ ﺗﺄﺗﻲ ﻣﻦ ﺍﻟﺘﻔﻜﻴﺮ ﻏﻴﺮ ﺍﻟﺴﻮﻱ‪.‬‬
‫ﻻﻣﺤﻴﺺ ﻣﻦ ﺍﻟﻮﻗﻮﻉ ﻓﻲ ﺷﺮﻙ ﺣﻮﺍﺀ‪ ،‬ﻓﺎﻹﻧﺴﺎﻥ ﻣﻬﻤﺎ ﻳﻜﻦ ﺍﺑﻦ ﺑﻴﺌﺘﻪ ﻓﻲ ﺍﶈﺼﻠﺔ ﻓﻌﻠﻰ ﺍﻟﺮﻏﻢ‬
‫ﻣﻦ ﺃﻧﻨﻲ ﻟﻢ ﺃﻓﻌﻞ ﻣﺜﻞ ﺻﺪﻳﻘﻲ ﻣﺤﻤﺪ ﺍﻟﺒﺪﻭﻱ ﺍﻟﺬﻱ ﺭﺍﺡ ﻳﺬﺭﻉ ﺍﻟﺸﺎﻃﺊ ﻃﻮﻻ ﹰ ﺑﻌﺮﺽ ﻭﺩﻭﳕﺎ ﹴ‬
‫ﻛﻠﻞ ﺃﻭ‬
‫ﹶﺼﺐ ﻳﻈﻞ ﺳﺎﻋﺎﺕ ﺍﻟﻨﻬﺎﺭ ﻣﺤﺪﺟﺎ ﹰ ﺑﻨﻈﺮﺍﺕ ﻣﺘﻔﺮﺳﺔ ﻻ ﺗﺮﻣﺶ ﻓﻲ ﺃﺑﺪﺍﻥ ﺃﻧﺜﻮﻳﺔ ﻧﺎﻋﻤﺔ ﺗﻔﺘﺮﺵ ﺭﻣﻞ‬
‫ﻧ ﹶ‬
‫ﺍﳌﻨﺘﺠﻊ ﺍﻟﺼﻴﻔﻲ ﺍﳌﺰﺣﻢ ﻋﻠﻰ ﺃﺷﺪﻩ؛ ﻓﺈﻧﻨﻲ ﺃﻋﺘﺮﻑ ﺑﻌﺠﺰﻱ ﻋﻦ ﻣﻘﺎﻭﻣﺔ ﺭﻏﺒﺔ ﻓﻲ ﺟﺴﺪ ﺃﻧﺜﻰ‪ ،‬ﻓﻜﻞ‬
‫ﺇﻧﺴﺎﻥ ﻟﻪ ﻗﻠﺐ ﻣﺮﻫﻒ ﻭﺭﻗﺮﺍﻕ ﻻﺑﺪ ﻟﻪ ﻣﻦ ﺍﻟﻮﻗﻮﻉ ﻓﻲ ﻋﺸﻖ ﺍﻟﻐﺎﻧﻴﺎﺕ ﺍﳌﻔﺮﻃﺎﺕ ﻓﻲ ﺍﳉﺎﺫﺑﻴﺔ ﻭﺍﻟﻌﺮﻱ‪،‬‬
‫ﻓﻬﻨﺎ ﺗﺘﻜﺸﻒ ﺍﻟﺸﻌﺎﺏ ﺍﻟﻘﻔﺮﺓ ﻣﻦ ﻣﻈﺎﻫﺮ ﺍﻻﻧﻔﺘﺎﺡ ﻋﻠﻰ ﺍﳉﻨﺲ ﺍﻵﺧﺮ‪ ،‬ﻓﺎﳌﺸﺎﻫﺪ ﺍﳌﺘﺮﻓﺔ ﺑﺎﳊﻤﻴﻤﻴﺔ‬
‫ﻭﺍﻹﺛﺎﺭﺓ ﺑﻼﺷﻚ ﻣﺮﻫﻘﺔ ﻟﻠﻐﺮﻳﺰﺓ ﻭﺍﻹﺑﺼﺎﺭ؛ ﻓﻜﻴﻒ ﺑﻮﺍﺣﺪ ﻣﺪﻋﻲ ﺍﻟﺘﺤﻀﺮ ﻭﺍﻻﻧﻔﺘﺎﺡ ﻓﻲ ﻭﺍﻗﻊ ﻣﺘﺮﻑ‬
‫ﺑﺎﻟﺜﻘﺎﻓﺔ ﺍﻟﺬﻛﻮﺭﻳﺔ ﺃﻭ ﻣﺜﻞ ﺻﺪﻳﻘﻲ ﻣﺤﻤﺪ ﺍﻟﻘﺎﺩﻡ ﻣﻦ ﻗﻌﺮ ﺍﻟﺒﺪﺍﻭﺓ ﻭﺍﻟﺘﺼﺤﺮ؟‬
‫ﻣﺤﻤﺪ ﲟﻀﻲ ﺍﻷﻳﺎﻡ ﺻﺎﺭ ﺯﻳﺮ ﻧﺴﺎﺀ ﻓﻜﻠﻤﺎ ﺯﺍﺩﺕ ﻣﻔﺮﺩﺍﺕ ﺍﳊﺐ ﻭﺍﻟﻐﺮﺍﻡ ﺭﺍﺡ ﻳﺠﻬﺪ ﻧﻔﺴﻪ ﻓﻲ ﺇﻳﺼﺎﻟﻬﺎ‬
‫ﻟﺒﻨﺎﺕ ﺍﻟﻬﻮﻯ ﺍﻟﻼﺋﻲ ﻫ ﱠﻦ ﻓﻲ ﺍﳌﺪﻳﻨﺔ ﺍﻟﺴﻴﺎﺣﻴﺔ ﳝﺘﺰ ﹶﻥ ﺑﻘﺪﺭﺓ ﻋﺠﻴﺒﺔ ﻋﻠﻰ ﺍﺟﺘﺬﺍﺏ ﺍﻷﻏﺮﺍﺏ ﻣﺜﻞ ﺻﺪﻳﻘﻲ‬
‫ﺍﻟﺒﺪﻭﻱ ﺍﻟﺬﻱ ﻳﺆﺟﺮ ﺟﺴﻤﻪ ﻟﻠﻨﺴﺎﺀ ﻛﻤﺎ ﺗﺆﺟﺮ ﱡ‬
‫ﺍﻟﺒﻐﻲ ﻧﻔﺴﻬﺎ ﻟﻠﺮﺟﺎﻝ؛ ﺑﻞ ﻭﺑﺘﻘﺪﻳﺮ ﻣﺎﻟﻪ ﻣﻦ ﺳﺤﻨﺘﻪ‬
‫ﻭﻫﻮﻳﺘﻪ‪ ،‬ﻓﻴﻜﻔﻲ ﺃﻥ ﺗﻜﻮﻥ ﻋﺮﺑﻴﺎ ﹰ ﻟﺘﻨﺴﻞ ﻋﻠﻰ ﻣﺴﺎﻣﻌﻚ ﻣﻔﺮﺩﺍﺕ ﺍﻟﻌﺮﺑﻴﺔ ﺍﻟﺴﻮﻗﻴﺔ ﻭﺑﻠﻜﻨﺎﺕ ﻟﻴﺒﻴﺔ‬
‫ﻭﺟﺰﺍﺋﺮﻳﺔ ﻭﳝﻨﻴﺔ ﻭﺳﻮﺭﻳﺔ ﻭﻓﻠﺴﻄﻴﻨﻴﺔ‪ ,‬ﻓﺒﺎﺋﻌﺎﺕ ﺍﻟﻬﻮﻯ ﻳﺘﻔﺎﻭﺗﻦ ﲟﻘﺪﺍﺭ ﺍﻟﺪﻓﻊ ﻟﻬﻦ ﻧﻈﻴﺮ ﻟﻴﻠﺔ ﺣﻤﺮﺍﺀ‬
‫ﺗﺒﺪﺃ ﻓﺼﻮﻟﻬﺎ ﻓﻲ ﻓﻨﺪﻗﻲ ﺍﻟﺒﺤﺮ ﺍﻷﺳﻮﺩ ﻭﺍﻷﺣﻤﺮ ﺑﺎﻫﻈﻲ ﺍﻟﻜﻠﻔﺔ ﻭﻻ ﺗﻨﺘﻬﻲ ﲟﻀﺎﺟﻌﺔ ﻓﻲ ﻏﺮﻑ ﻣﻦ‬
‫ﺻﻔﻴﺢ‪.‬‬
‫ﻣﺎ ﺃﺟﻤﻞ ﺳﺤﺮ ﺍﳌﺪﻳﻨﺔ ﺍﻟﻴﻘﻈﺔ ﺩﻭﻣﺎ ﹰ ﻓﻲ ﺍﻟﺼﻴﻒ‪ ،‬ﻓﻠﻠﻴﻢ ﻋﺸﺎﻗﻪ ﺍﳌﺘﻴﻤﻮﻥ ﺑﻪ ﺣﺪ ﺍﻟﻌﺒﺎﺩﺓ‪ ،‬ﻟﻠﻮﺭﺩ‬
‫ﺧﺎﺻﻴﺔ ﻭﺻﻠﺔ ﻗﺮﺍﺑﺔ ﻻ ﺗﻨﻘﻄﻊ ﻣﻊ ﺃﻫﻞ ﺍﳌﺪﻳﻨﺔ‪ ،‬ﻟﻠﺸﻌﺮ ﻭﺍﻟﺮﻗﺺ ﻭﺍﳌﻮﺳﻴﻘﻰ ﻃﻐﻴﺎﻥ ﻻ ﻳﻘﺎﻭﻡ ﻓﻬﺬﻩ‬
‫ﺍﻷﺷﻴﺎﺀ ﲡﺪﻫﺎ ﻣﺎﺛﻠﺔ ﻓﻲ ﻛﻞ ﺇﻧﺴﺎﻥ ﻣﻬﻤﺎ ﻋﻼ ﺷﺄﻧﻪ ﺃﻭ ﺩﻧﻰ‪ ،‬ﻓﺎﻭﺩﻳﺴﺎ ﻻ ﲡﺪ ﺑﻬﺎ ﻣﺨﻠﻮﻗﺎ ﹰ ﻻ ﺗﺴﺘﻬﻮﻳﻪ‬
‫ﺃﻭ ﺗﻄﺮﺑﻪ ﺍﻷﻏﺎﻧﻲ ﺍﻟﺮﺍﻗﺼﺔ ﺃﻭ ﺍﳌﻮﺳﻴﻘﻰ ﺍﻟﺸﺠﻴﺔ‪ ،‬ﻟﻌﻄﻠﺔ ﺍﻷﺳﺒﻮﻉ‪ ،‬ﻭﻟﻸﻋﻴﺎﺩ ﻣﺬﺍﻕ ﻭﻧﻜﻬﺔ ﻻ ﲡﺪﻫﺎ‬
‫ﻓﻲ ﺑﻘﻌﺔ ﺛﺎﻧﻴﺔ‪ ،‬ﻓﻬﺆﻻﺀ ﺍﻟﺒﺸﺮ ﻟﻬﻢ ﺧﺎﺻﻴﺔ ﲤﻴﺰﻫﻢ ﻋﻦ ﺑﻘﻴﺔ ﺍﻷﻗﻮﺍﻡ ﺍﻷﺧﺮﻯ‪ ،‬ﻓﻜﻮﻧﻬﻢ ﻓﺨﻮﺭﻳﻦ‬
‫ﺑﺘﺎﺭﻳﺦ ﻣﺪﻳﻨﺘﻬﻢ ﺍﻟﺒﻄﻠﺔ ﻓﻲ ﺍﳊﺮﺏ ﺍﻟﻜﻮﻧﻴﺔ ﺍﻟﺜﺎﻧﻴﺔ‪ ،‬ﻭﻓﻲ ﺃﻭﻟﺌﻚ ﺍﻟﺼﻨﺎﺩﻳﺪ ﺍﳌﻘﺎﻭﻣﲔ ﻟﻠﻐﺰﺍﺓ ﻓﻲ ﺍﳊﻘﺐ‬
‫ﺍ‪‬ﺘﻠﻔﺔ؛ ﺇﻻ ﺇﻥ ﺍﻷﺣﺰﺍﻥ ﻭﺍﻵﻻﻡ ﻟﻢ ﲤﻨﻊ ﺷﺮﻫﻬﻢ ﻭﻧﻬﻤﻬﻢ ﻟﻠﻤﻮﺳﻴﻘﻰ ﻭﺍﻷﻧﺎﻗﺔ ﻭﻟﻜﻞ ﻣﺎ ﻫﻮ ﺁﺕ ﻋﺒﺮ‬
‫ﺍﳊﺪﻭﺩ ﻭﻟﻮ ﻛﺎﻥ ﻫﻴﻨﺎ ﹰ ﻣﺜﻞ ﻋﻠﺒﺔ ﺭﻭﺛﻤﺎﻥ ﺃﻭ ﺑﺎﻝ ﻣﺎﻝ‪ ،‬ﺃﻭ ﺁﻟﺔ ﺗﺴﺠﻴﻞ ﻳﺎﺑﺎﻧﻴﺔ‪ ،‬ﺃﻭ ﺳﺎﻋﺔ ﻳﺪ‪ ،‬ﺃﻭ ﺑﻨﻄﻠﻮﻥ‬
‫ﺟﻴﻨﺰ؛ ﻭﺣﺘﻰ ﻣﻌﺠﻮﻥ ﺍﻷﺳﻨﺎﻥ ﺇﻥ ﻟﻢ ﻧﻘﻞ ﺃﻭﺭﺍﻕ ﺍﻟﺸﺎﻱ ﻭﺍﻟﻠﺒﺎﻥ‪.‬‬
‫ﻧﻈﺮﺍﺕ ﺍﻟﺴﺎﺑﻠﺔ ﺍﳌﺘﻔﺮﺳﺔ ﻓﻲ ﺍﳌﻠﺒﺲ ﺃﻭ ﺍﻟﺪﺧﺎﻥ ﺑﻼﺷﻚ ﺟﻌﻠﺘﻨﻲ ﺃﻧﺎ ﺍﻟﻔﺘﻰ ﺍﻟﻴﺎﻓﻊ ﺃﺗﺴﺎﺀﻝ ﻋﻦ ﻣﺎﻫﻴﺔ‬
‫ﺍﻟﻌﻈﻤﺔ ﻭﺍﻟﻘﻮﺓ ﺍﻟﻌﺎﺟﺰﺓ ﻋﻦ ﺣﻴﺎﻛﺔ ﻧﺴﻴﺞ ﻣﺜﻞ ﺍﻟﺬﻱ ﺃﺭﺗﺪﻱ؟؟ ﺃﻟﻢ ﻳﻐ ﹸﺰ ﻫﺆﻻﺀ ﺍﻟﻘﻮﻡ ﺍﻟﻔﻀﺎﺀ ﻭﻳﺠﻴﺒﻮﺍ‬
‫ﺍﶈﻴﻄﺎﺕ ﺑﺄﺳﺎﻃﻴﻠﻬﻢ ﻭﻏﻮﺍﺻﺎﺗﻬﻢ ﺍﻟﻨﻮﻭﻳﺔ؟؟ ﳌﺎﺫﺍ ﻳﺘﻄﻠﻌﻮﻥ ﻓﻲ ﺍﻟﻘﻤﻴﺺ ﺃﻭ ﺍﳊﺬﺍﺀ ﻭﻻ ﻳﺄﺑﻬﻮﻥ ﺑﻮﺟﻮﻫﻨﺎ‬
‫ﻭﺃﺑﺪﺍﻧﻨﺎ ﺍﻟﻘﺘﺮﺓ ﻭﺍﻟﻌﻴﻠﺔ ﻭﺍﻟﻔﻘﻴﺮﺓ ﻟﻠﺪﻡ ﻭﺍﳊﻴﺎﺀ؟؟ ﺍﳌﺪﻳﻨﺔ ﺍﻟﺼﺎﺧﺒﺔ ﺍﻟﻀﺎﺋﻘﺔ ﺑﺎﻷﺟﻨﺒﻲ ﺍﳌﺴﺘﻔﺰ ﺑﺪﻭﻻﺭﺍﺗﻪ‬
‫ﻭﻫﻨﺪﺍﻣﻪ‪ ،‬ﻫﻲ ﺫﺍﺗﻬﺎ ﺍﳌﺪﻳﻨﺔ ﺍﳌﻐﺪﻗﺔ ﺑﺠﻮﺩﻫﺎ ﻭﺳﺨﺎﺋﻬﺎ ﻭﻋﻄﻔﻬﺎ ﺍﻟﺬﻱ ﻻ ﺃﺟﺪﻩ ﻓﻲ ﻣﻮﻃﻨﻲ ﺍﻷﺻﻞ‪،‬‬
‫ﻟﻦ ﺃﻏﻤﻂ ﻓﻀﻞ ﺃﻫﻠﻬﺎ ﻭﺧﻴﺮﻫﻢ ﺃﻭ ﺟﻤﺎﻟﻬﺎ ﻭﻋﺸﻘﻬﺎ ‪‬ﺮﺩ ﺣﺎﺩﺛﺔ ﺷﺮﻳﺮﺓ ﻭﺫﻣﻴﻤﺔ ﺍﻗﺘﺮﻓﺖ ﻓﻲ ﳊﻈﺔ‬
‫ﻻﻭﺍﻋﻴﺔ! ﻛﻞ ﺑﻘﺎﻉ ﺍﻟﺪﻧﻴﺎ ﻳﻘﻄﻦ ﻓﻴﻬﺎ ﺍﻟﺸﺮ ﻭﺍﳋﻴﺮ ﻣﻌﺎﹰ؛ ﻓﻜﻴﻒ ﲟﺪﻳﻨﺔ ﻣﺴﺘﻴﻘﻈﺔ ﻻ ﺗﻨﺎﻡ ﻛﺄﻭﺩﻳﺴﺎ؟‬
‫ﺍﶈﻴﻂ ﺍﻟﻔﺴﻴﺢ ﻟﻄﺎﳌﺎ ﺿﺎﻕ ﻣﻦ ﺍﻟﻜﺎﺋﻨﺎﺕ ﺍﶈﺒﺔ ﻟﻪ‪ ،‬ﻫﻜﺬﺍ ﺃﺧﺎﻝ ﺍﳌﺪﻳﻨﺔ ﺍﳌﻸﻯ ﲟﺒﺎﻫﺞ ﺍﳊﻴﺎﺓ ﺍﻟﺰﺍﺧﺮﺓ‬
‫ﺑﻬﺎ ﺍﻷﻣﻜﻨﺔ ﻭﺍﻟﻮﺟﻮﺩ ﺍﻹﻧﺴﺎﻧﻲ ﺍﻟﻜﺜﻴﻒ ﻭﺍﻟﺮﺍﺋﻊ‪ ،‬ﻓﻼ ﻳﻌﻨﻲ ﻭﺟﻮﺩ ﺣﺜﺎﻟﺔ ﺑﺸﺮ )ﺍﳋﻮﳉﺎﻥ( ﻓﻮﻕ ﺃﺩﱘ ﺍﳌﻜﺎﻥ‬
‫ﻧﺴﻴﺎﻥ ﻣﺎ ﻳﺮﻓﻞ ﺑﻪ ﻣﻦ ﺍﳋﻴﺮ ﻭﺍﳉﻤﺎﻝ‪.‬‬
‫ﺻﺪﻳﻘﻲ ﻣﺤﻤﺪ ﻛﻞ ﻣﺎ ﺗﻌﻠﻤﻪ ﻓﻲ ﺍﳉﺎﻣﻌﺔ ﺍﳌﺎﺭﻛﺴﻴﺔ ﻫﻮ )ﺃﺅﻣﻦ ﻭﻻ ﺃﺅﻣﻦ( ﻓﻴﻤﺎ ﻧﻈﺮﻳﺔ ﺍﻟﻨﺸﻮﺀ‬
‫ﻭﺍﻻﺭﺗﻘﺎﺀ ﻟﺪﺍﺭﻭﻳﻦ ﻻﺷﻲﺀ ﻓﻴﻬﺎ ﻳﺜﻴﺮ ﻓﻀﻮﻟﻪ ﺃﻛﺜﺮ ﻣﻦ ﺍﻟﺴﺆﺍﻝ ﻋﻦ ﺫﻳﻞ ﺍﻹﻧﺴﺎﻥ ﺇﺫﺍ ﻣﺎ ﻛﺎﻥ ﺃﺻﻠﻪ ﻗﺮﺩﺍ ﹰ‬
‫ﻣﺜﻠﻤﺎ ﻳﺴﺘﺮﺳﻞ ﻣﻌﻠﻢ ﺍﻟﺸﻴﻮﻋﻴﺔ ﺍﻟﻌﻠﻤﻴﺔ ﺍﻟﺒﺮﻭﻓﻴﺴﻮﺭ ﺍﻟﻜﺴﻨﺪﺭ ﺃﻭﳋﲔ! ﻣﺤﻤﺪ ﺑﻨﻈﺮ ﺍﻷﺷﻘﺎﺀ‬
‫ﺍﻟﻮﺍﻓﺪﻳﻦ ﻣﻦ ﻟﻴﺒﻴﺎ ﻭﺍﻟﺸﻄﺮ ﺍﻟﺸﻤﺎﻟﻲ ﻳﻌﺪ ﻣﻦ ﺃﺗﺒﺎﻉ )ﺍﻟﺪﻳﻦ ﺃﻓﻴﻮﻥ ﺍﻟﺸﻌﻮﺏ( ﻟﻜﺎﺭﻝ ﻣﺎﺭﻛﺲ‪ ،‬ﻭﻟﻜﻲ‬
‫ﻳﻜﻮﻥ ﻣﺤﻤﺪ ﺷﻴﻮﻋﻴﺎ ﹰ ﻣﺨﻠﺼﺎ ﹰ ﻛﺎﻥ ﻋﻠﻴﻪ ﻣﻌﺎﺩﺍﺓ ﺍﻟﺮﺟﻌﻴﺔ ﻭﺍﻹﻣﺒﺮﻳﺎﻟﻴﺔ ﻭﻟﻮ ﺑﺎﻟﺸﻌﺎﺭﺍﺕ ﺍﻟﺜﻮﺭﻳﺔ ﺃﻭ‬
‫ﺍﳌﺄﺛﻮﺭﺍﺕ ﺍﻟﺘﻲ ﻳﺤﻔﻈﻬﺎ ﻋﻦ ﻗﺎﺋﻠﻬﺎ ﻓﻼﺩﳝﻴﺮ ﻟﻴﻨﲔ‪ ،‬ﻛﺄﳕﺎ ﻣﻨﺼﻮﺭ ﺍﻵﺗﻲ ﻣﻦ ﺻﺤﺎﺭﻱ ﻟﻴﺒﻴﺎ ﻭﺃﺣﻤﺪ ﺍﻟﻘﺎﺩﻡ‬
‫ﻣﻦ ﺟﺒﺎﻝ ﺍﻟﻴﻤﻦ ﻫﻤﺎ ﻗﺮﻧﺎ ﺍﻟﺮﺃﺳﻤﺎﻟﻴﺔ ﺃﻭ ﺃﻥ ﻛﻠﻴﻬﻤﺎ ﻧﺼﺒﺎ ﻧﻔﺴﻴﻬﻤﺎ ﻟﻠﺬﻭﺩ ﻋﻦ ﹺﺣﻤﻰ ﺍﻹﺳﻼﻡ ﻣﻦ ﳒﺲ‬
‫ﻭﻗﺬﺍﺭﺓ ﺍﳋﻨﺰﻳﺮ ﺍﻟﺮﻭﺳﻲ‪.‬ﻣﻨﺼﻮﺭ ﻭﺃﺣﻤﺪ ﻭﻣﺤﻤﺪ ﺛﻼﺛﺘﻬﻢ ﻓﺮﺳﺎﻥ ﻓﻲ ﺍ‪‬ﻮﻥ ﻭﺍﻟﺮﺫﻳﻠﺔ ﻭﺭﻛﻮﺏ ﺍﳊﻠﻤﺎﺕ‪،‬‬
‫ﺃﻗﺰﺍﻡ ﻓﻲ ﺍﻟﻌﻠﻮﻡ ﻭﺍﻟﻔﻦ ﻭﺍﳌﻌﺮﻓﺔ ﻭﻋﻤﺎﻟﻘﺔ ﻻ ﻳﻀﺎﻫﻮﻥ ﻓﻲ ﺍﻟﻠﻴﺎﻟﻲ ﺍﳊﻤﺮﺍﺀ ﻓﻲ ﻓﻨﺎﺩﻕ ﺳﺒﻌﺔ ﳒﻮﻡ‪ ،‬ﻭﻓﻲ‬
‫ﻣﺮﺍﻗﺼﺔ ﻭﻣﻌﺎﺷﺮﺓ ﺑﻨﺎﺕ ﺍﻟﻬﻮﻯ‪ ،‬ﻓﺎﺭﲡﺎﺟﺔ ﻧﻬﺪ ﻟﺜﻼﺛﺘﻬﻢ ﺗﻀﺎﻫﻲ ﻛﻞ ﺍﻟﻌﻠﻮﻡ ﻭﺍﳌﻌﺎﺭﻑ‪.‬‬
‫ﻳﺎ ﺇﻟﻬﻲ ﻣﺎ ﺃﻗﺒﺢ ﺻﻮﺭﺗﻨﺎ ﻓﻲ ﻫﺬﻩ ﺍﳉﻨﺎﻥ ﺍﻟﺒﺪﻳﻌﺔ‪ ،‬ﻓﻼﺷﻲﺀ ﻳﺴﺘﺤﻖ ﺍﻟﻌﻨﺎﺀ ﻭﺍﻟﺒﺤﺚ‪ ،‬ﻓﻌﺪﺍ ﺍﻟﺴﻴﺠﺎﺭ‬
‫ﺍﳌﺎﺭﻟﺒﻮﺭﻭ‪ ،‬ﺻﺎﺑﻮﻧﻪ ﻟﻮﻛﺲ‪ ،‬ﺍﳌﺎﻛﻴﺎﺝ ﺍﻟﻔﺮﻧﺴﻲ‪ ،‬ﺍﳌﻠﺒﺲ ﺍﻟﻔﺨﻢ‪ ،‬ﺍﻟﺪﻭﻻﺭﺍﺕ ﺍﳌﺒﻌﺰﻗﺔ ﻋﻠﻰ ﺍﳋﻤﺮﺓ ﻭﺑﻨﺎﺕ‬
‫ﺍﳌﻮﺍﺧﻴﺮ؛ ﻻ ﺗﻮﺟﺪ ﺛﻤﺔ ﻣﻬﻤﺔ ﻭﻃﻨﻴﺔ ﻭﻗﻮﻣﻴﺔ ﻭﺇﻧﺴﺎﻧﻴﺔ ﺗﻮﺣﺪ ﻫﺆﻻﺀ ﺍﻷﻋﺮﺍﺏ‪ ،‬ﻋﺪﺍ ﺃﺑﺪﺍﻧﻬﻢ ﺍﻟﻬﺰﻳﻠﺔ‬
‫ﻭﻋﻄﺸﻬﻢ ﻟﻠﺸﺮﺏ ﺍﻟﻬﻴﻢ ﻭﺗﻔﻜﻴﺮﻫﻢ ﺍﻟﻀﻴﻖ ﺍﻟﺬﻱ ﻻ ﻳﺘﻌﺪﻯ ﺻﺪﺭ ﺍﳌﺮﺃﺓ ﻭﺃﺳﻔﻠﻬﺎ؛ ﻻ ﺟﺎﻣﻊ ﻟﺜﻼﺛﺘﻬﻢ‪،‬‬
‫ﻏﻴﺮ ﻫﻤﺠﻴﺘﻬﻢ ﻭﺷﻮﺍﻇﻬﻢ ﺍﳌﺘﻮﻗﺪ ﻟﻠﺠﻨﺲ؛ ﻻ ﺷﻲﺀ ﻳﻔﺎﺧﺮﻭﻥ ﺑﻪ‪ ،‬ﻭﻟﻜﻨﻤﺎ ﻟﻌﻨﺔ ﺍﺑﻦ ﺧﻠﺪﻭﻥ ﺣﻠﺖ‬
‫ﺑﻘﻮﻣﻪ ﻟﻸﺑﺪ‪.‬‬
‫ﻓﻲ ﺍﻭﺩﻳﺴﺎ ﺟﻮﺍﻫﺮ ﻭﻷﻟﺊ‪ ،‬ﻓﻴﺮﻭﺯﺍﺕ‪ ،‬ﻭﺷﻄﺂﻥ‪ ،‬ﻭﺣﺪﺍﺋﻖ‪ ،‬ﻭﻣﺄﺛﻮﺭﺍﺕ‪ ،‬ﻭﺣﻜﺎﻳﺎﺕ‪ ،‬ﻭﺃﻣﻜﻨﻪ ﺟﺎﺫﺑﺔ ﻭﻣﻠﻬﻤﺔ‪،‬‬
‫ﻓﻔﻲ ﺍﳌﺪﻳﻨﺔ ﺃﺷﻴﺎﺀ ﻻ ﺗﻘﺪﺭ ﺑﺜﻤﻦ ﻏﻴﺮ ﺍﳊﺎﻧﺎﺕ‪ ،‬ﻭﺍﳌﻼﻫﻲ‪ ،‬ﻭﺍﳋﻮﳉﺎﻥ‪ ،‬ﻓﻬﻨﺎﻙ ﺍﻟﺮﻣﺎﻝ ﻓﻲ ﺟﻨﺒﺎﺗﻬﺎ‬
‫ﻭﻭﺷﻮﺷﺔ ﺍﳌﻮﺝ ﻭﺧﻴﻮﻁ ﺍﻟﺸﻤﺲ ﺍﻟﻠﺬﻳﺬﺓ‪ ،‬ﻓﻲ ﻗﻠﺒﻬﺎ ﻭﺭﻭﺣﻬﺎ ﺍﻻﻧﻔﺘﺎﺡ ﻭﺍﻟﺘﻌﺎﻳﺶ ﺍﻟﺜﻘﺎﻓﻲ ﺍﻹﻧﺴﺎﻧﻲ‬
‫»ﺍﻟﻜﻮﺯﻣﻮﺑﻮﻟﻴﺘﺎﻧﻲ«‪ ،‬ﻓﻲ ﺟﺎﻣﻌﺎﺗﻬﺎ ﻭﻣﺮﺍﻛﺰﻫﺎ ﺍﻟﻌﻠﻤﻴﺔ ﺗﺰﺩﺍﻥ ﻗﺎﻋﺎﺗﻬﺎ ﻭﺃﺭﻭﻗﺘﻬﺎ ﺑﺼﻮﺭ ﺍﻟﻌﻈﻤﺎﺀ ﺍﻟﻨﺠﺒﺎﺀ‬
‫ﻣﺜﻞ ﺍﺑﻦ ﺭﺷﺪ ﻭﺍﺑﻦ ﺧﻠﺪﻭﻥ ﻭﺍﺑﻦ ﺳﻴﻨﺎﺀ ﺍﻟﺬﻳﻦ ﺗﻮﺷﺤﺖ ﺑﻬﻢ ﻗﺎﻋﺔ ﺍﳉﺎﻣﻌﺔ ﺍﻟﺘﻲ ﻳﺪﺭﺱ ﺑﻬﺎ ﺃﺣﻔﺎﺩﻫﻢ‬
‫ﻛﺎﻟﺒﻬﺎﺋﻢ ﻭﺍﻷﻧﻌﺎﻡ ﺣﺘﻰ ﻓﻲ ﻗﺮﺍﺀﺓ ﺃﺳﻤﺎﺀ ﺃﺳﻼﻓﻬﻢ ﺍﻟﻌﺮﺏ ﺍﻟﺬﻳﻦ ﻻ ﻳﺸﺒﻬﻮﻥ ﻣﻨﺼﻮﺭﺍ ﹰ ﻭﺃﺣﻤ ﹶﺪ ﻭﻣﺤﻤﺪﺍ ﹰ‬
‫ﺑﺸﻲﺀ ﻏﻴﺮ ﺃﺭﻭﻣﺔ ﺍﻷﺻﻞ ﻭﺍﻟﻔﺼﻞ‪.‬‬
‫ﺍﳊﺠﺮﺓ ﺍﳌﺼﻤﻤﺔ ﻟﻄﺎﻟﺒﲔ ﺍﺛﻨﲔ ﻛﺎﻥ ﺻﺪﻳﻘﻲ ﻣﺤﻤﺪ ﻗﺪ ﺃﺣﺎﻝ ﻣﺘﻨﻔﺴﻬﺎ ﻭﺟﺪﺭﺍﻧﻬﺎ ﺇﻟﻰ ﲤﺎﺛﻴﻞ ﺑﺮﻭﻧﺰﻳﺔ‬
‫ﻭﺭﺧﺎﻣﻴﺔ ﻟﺮﺟﺎﻝ ﻋﻈﺎﻡ ﻓﻲ ﺍﻟﺘﺎﺭﻳﺦ ﺍﳊﺪﻳﺚ ﺍﺑﺘﺪﺍﺀ ﺑﺎﻟﺜﻼﺛﺔ ﻟﻴﻨﲔ ﻭﻣﺎﺭﻛﺲ ﻭﺇﳒﻠﻴﺰ ﻣﺮﻭﺭﺍ ﹰ ﲟﺆﺳﺲ‬
‫ﺍﻻﺷﺘﺮﺍﻛﻴﺔ ﻓﻲ ﺍﻟﻴﻤﻦ ﻋﺒﺪﺍﻟﻔﺘﺎﺡ ﺇﺳﻤﺎﻋﻴﻞ‪ ،‬ﺃﻭ ﻓﻴﺪﻝ ﻛﺎﺳﺘﺮﻭ ﺑﺬﻗﻨﻪ ﺍﻟﻜﺚ ﻭﻗﺒﻌﺘﻪ ﺍﻟﻌﺴﻜﺮﻳﺔ‪،‬‬
‫ﻭﺍﻧﺘﻬﺎ ﹰﺀ ﺑﺼﻮﺭ ﻫﻮﺷﻲ ﻣﻨﻪ ﻭﺗﺸﻲ ﺟﻴﻔﺎﺭﺍ‪ ،‬ﻭﺣﺪﻫﺎ ﺻﻮﺭﺓ ﺃﺷﺠﺎﻥ ﺍﳌﹸﺴﻔﺮﺓ ﺍﳌﻀﻴﺌﺔ ﻭﺳﻂ ﺣﻀﻮﺭ‬
‫ﻛﺜﻴﻒ ﻟﺮﺟﺎﻝ ﺑﺂﺳﺮﺓ ﻛﺎﳊﺔ‪ ،‬ﻓﻠﻄﺎﳌﺎ ﺳﺄﻟﻨﻲ ﺯﻭﺍﺭ ﺍﻟﻐﺮﻓﺔ ﻋﻦ ﺻﺎﺣﺒﺔ ﺍﻟﺒﺮ ﻭﺗﺮﻳﺔ ﻓﺄﺟﻴﺒﻬﻢ ﺩﺍﺋﻤﺎﹰ‪ :‬ﺇﻧﻬﺎ‬
‫ﻣﻦ ﺍﳌﻨﺎﺿﻼﺕ ﺍﻟﺜﺎﺋﺮﺍﺕ ﻣﻦ ﺍﺟﻞ ﺍﳊﺮﻳﺔ ﻭﺍﻻﺷﺘﺮﺍﻛﻴﺔ‪.‬‬
‫ﺫﺍﺕ ﻣﺴﺎﺀ ﺟﻤﻴﻞ ﺍﻧﻔﻜﺖ ﺃﺳﺎﺭﻳﺮ ﻣﺤﻤﺪ ﻧﺤﻮ ﺑﺮﻭﺗﺮﻳﺔ ﻫﺬﻩ ﺍﻷﻧﺜﻰ ﺍﻟﺒﺪﻳﻌﺔ ﻭﺍﳌﺜﻴﺮﺓ ﻟﺘﺴﺎﺅﻻﺕ ﻛﻞ ﻣﻦ‬
‫ﻳﻠﺞ ﻏﺮﻓﺔ ﻫﻲ ﺃﺷﺒﻪ ﲟﻌﺒﺪ ﻫﻨﺪﻭﺳﻲ‪.‬‬
‫ﺍﻟﺮﻓﺎﻕ ﻳﺎ ﺟﻤﺎﻝ ﺟﻞ ﻃﺮﺣﻬﻢ ﻓﻲ ﺍﺟﺘﻤﺎﻉ ﺍﳌﻨﻈﻤﺔ ﺍﳊﺰﺑﻴﺔ ﻋﻦ ﺣﺒﻴﺒﺘﻚ ﺍﳌﻨﺎﺿﻠﺔ ﺍﻟﺘﻲ ﻟﻢ ﲡﺪ‬ ‫‪-‬‬
‫ﻟﻬﺎ ﻣﻄﺮﺣﺎ ﹰ ﺳﻮﻯ ﻏﺮﻓﺔ ﺍ‪‬ﺪ!‬
‫ﺃﻳﻦ ﻫﻲ ﻏﺮﻓﺔ ﺍ‪‬ﺪ ﻳﺎ ﻣﺤﻤﺪ؟‬ ‫‪-‬‬
‫ﻫﺬﻩ ﺍﻟﺘﻲ ﺃﺷﺎﻃﺮﻙ ﺇﻳﺎﻫﺎ ﺃﻭ ﺇﻧﻚ ﻻ ﺗﻌﻠﻢ ﺑﻘﺮﺍﺭ ﺇﺣﺎﻟﺘﻬﺎ ﺇﻟﻰ ﻏﺮﻓﺔ ﻣﺠﺪ ﻓﻲ ﺍﻟﻜﻠﻴﺔ!‬ ‫‪-‬‬
‫ﻛﻞ ﻣﺎ ﺃﻋﻠﻤﻪ ﺃﻧﻬﺎ ﻏﺮﻓﺔ ﻧﻮﻡ ﻟﻨﺎ ﺍﻻﺛﻨﲔ ﻭﻻ ﻳﻠﻴﻖ ﺟﻌﻠﻬﺎ ﻣﺰﺍﺭﺍ ﹰ ﻳﺆﻣﻪ ﺍﻟﻄﻼﺏ‪.‬‬ ‫‪-‬‬
‫ﺍﳌﺰﺍﻳﺪﻭﻥ ﻛﺜﺮ ﻳﺎ ﺟﻤﺎﻝ ﺣﺘﻰ ﺇﻧﻬﻢ ﺍﻧﺘﻘﺪﻭﻧﻲ ﻟﺘﻨﺎﻭﻟﻲ ﺍﻟﻜﺤﻮﻝ ﻓﻲ ﺳﺮﻳﺮﻱ ﻭﺃﻋﻄﻮﻧﻲ ﺇﻧﺬﺍﺭﺍ ﹰ ﺇﺫﺍ‬ ‫‪-‬‬
‫ﻣﺎ ﺗﻜﺮﺭﺕ ﺍﳌﺴﺄﻟﺔ‪.‬‬
‫ﺃﻧﺖ ﻭﺭﺍﺀ ﺍﳌﺼﻴﺒﺔ ﻓﻠﻮ ﺇﻧﻚ ﻟﻢ ﲡﻠﺐ ﻫﺬﻩ ﺍﻟﺘﻤﺎﺛﻴﻞ ﻭﺍﻟﺼﻮﺭ؛ ﻟﻜﺎﻧﺖ ﻏﺮﻓﺘﻨﺎ ﻣﺜﻞ ﺑﻘﻴﺔ ﻣﺌﺎﺕ‬ ‫‪-‬‬
‫ﺍﻟﻐﺮﻑ ﻓﻲ ﺍﻟﻌﻤﺎﺭﺓ ﺍﻟﻀﺨﻤﺔ‪.‬‬
‫ﻗﻞ ﻣﺎ ﺷﺌﺖ ﺍﳌﻬﻢ ﻫﻮ ﻧﺰﻋﻚ ﺻﻮﺭﺓ ﻓﺘﺎﺗﻚ ﻭﺣﻔﻈﻬﺎ ﻓﻲ ﻣﺨﺰﻥ ﺍﶈﻔﻮﻇﺎﺕ ﻟﺌﻼ ﻳﺼﻴﺮ ﻭﺟﻮﺩﻫﺎ‬ ‫‪-‬‬
‫ﻓﺮﺻﺔ ﻟﺪﻕ ﺇﺳﻔﲔ ﺑﻴﻨﻨﺎ‪.‬‬
‫ﺃﻣﺎ ﻛﺎﻥ ﺃﺟﺪﺭ ﺑﻚ ﺃﻥ ﺗﻘﻮﻝ ﻟﺮﻓﺎﻗﻚ ﺇﻧﻬﺎ ﺻﻮﺭﺓ ﻟﺜﺎﺋﺮﺓ ﻣﺜﻠﻤﺎ ﺳﺒﻖ ﻭ ﻗﻠﺘﻪ ﻟﻸﺻﺪﻗﺎﺀ‪.‬‬ ‫‪-‬‬
‫ﻛﻴﻒ ﻭﺟﻤﻴﻌﻨﺎ ﻣﻦ ﺍﻟﻴﻤﻦ ﻭﻟﻴﺲ ﻣﻦ ﺟﺰﺭ ﺍﻟﻜﺎﺭﻳﺒﻲ ﺃﻭ ﻣﺪﻏﺸﻘﺮ؟؟‬ ‫‪-‬‬
‫ﻫﺆﻻﺀ ﺍﻟﺬﻳﻦ ﻳﺠﻬﻠﻮﻥ ﺃﻋﻼﻣﺎ ﹰ ﻣﺜﻞ ﺍﺑﻦ ﺭﺷﺪ ﻭﺍﺑﻦ ﺧﻠﺪﻭﻥ ﻭﺍﺑﻦ ﺳﻴﻨﺎﺀ ﺍﳌﺆﻛﺪ ﺃﻧﻬﻢ ﻳﺠﻬﻠﻮﻥ‬ ‫‪-‬‬
‫ﺃﺳﻤﺎﺀ ﻧﺴﻮﻳﺔ ﻣﺜﻞ ﳒﻮﻯ ﻣﻜﺎﻭﻱ‪ ،‬ﻭﺟﻤﻴﻠﺔ ﺑﻮ ﺣﺮﻳﺪ‪ ،‬ﻭﻟﻴﻠﻰ ﺍﳋﺎﻟﺪ؛ ﻓﻜﻴﻒ ﺑﺼﻮﺭﻫﻦ؟؟‬
‫ﺻﺎﺣﺒﻚ ﺑﺪﻭﻱ ﺭﺍﻋﻲ ﺇﺑﻞ‪.‬‬ ‫‪-‬‬
‫ﻭﺭﻓﻴﻘﻚ ﻗﺮﻭﻱ ﺭﺍﻋﻲ ﻏﻨﻢ!‬ ‫‪-‬‬
‫ﻳﻀﺤﻚ ﻣﺤﻤﺪ ﺿﺤﻜﺔ ﺍﳌﻨﺘﺸﻲ ﺑﺎﳋﻤﺮﺓ ﻭﻗﺒﻞ ﺃﻥ ﻳﺴﺘﻠﻘﻲ ﻋﻠﻰ ﺳﺮﻳﺮﻩ ﻋﻠﻖ ﻗﺎﺋﻼﹰ‪:‬‬
‫ﺑﺎﻟﺴﺒﺤﺎﺕ ﻭﺍﳌﺼﺎﺣﻒ ﻭﻗﻨﺎﻧﻲ ﻣﺎﺀ ﺯﻣﺰﻡ‪ ،‬ﻭﺍﻵﻥ ﺗﺒﺪﻟﺖ ﻗﺒﻠﺘﻨﺎ‬
‫ﹸ‬ ‫ﻛﺎﻥ ﺍﳊﹸ ﱠﺠﺎﺝ ﻳﻌﻮﺩﻭﻥ ﻣﻦ ﻣﻜﺔ‬ ‫‪-‬‬
‫ﻭﺣﺠﻨﺎ؛ ﻭﺣﺘﻰ ﻫﺪﻳﺘﻨﺎ ﺻﺎﺭﺕ ﺃﺻﻨﺎﻣﺎ ﹰ ﻭﻗﻮﺍﺭﻳﺮ ﻓﻮﺩﻛﺎ ﺃﻭ ﻛﻮﻧﻴﺎﻙ ﻣﻌﺘﻖ ﺃﺭﻣﻴﻨﻲ ﺃﻭ ﺟﻮﺭﺟﻲ!‬
‫ﺇﺫﻥ ﻫﻲ ﻫﺪﺍﻳﺎ ﻭﻟﻴﺴﺖ ﻟﻼﺳﺘﻌﺮﺍﺽ ﻭﺍﻟﺘﺒﺎﻫﻲ ﺑﻬﺎ ﺃﻣﺎﻡ ﺍﻵﺧﺮﻳﻦ ﻭﻋﻠﻴﻪ ﻓﺈﻥ ﻣﻜﺎﻧﻬﺎ ﻓﻲ ﺍ‪‬ﺰﻥ‬ ‫‪-‬‬
‫ﳊﲔ ﺍﻟﺴﻔﺮ!‬
‫ﺳﺒﻖ ﺍﻟﺴﻴﻒ ﺍﻟﻌﺬﻝ ﻓﺎﻟﻘﺮﺍﺭ ﻳﻨﻔﺬ ﺛﻢ ﻳﻨﺎﻗﺶ ﺃﻭ ﺇﻧﻚ ﻻ ﺗﺪﺭﻱ!‬ ‫‪-‬‬
‫ﹼ‬
‫ﺍﳌﺬﻛﺮﺓ ﳌﺎ ﻳﻔﺘﺮﺽ ﻧﺴﻴﺎﻧﻪ ﺑﻴﻨﻤﺎ ﺍﻟﺼﻮﺭﺓ‬ ‫ﻣﺎ ﺃﻋﺮﻓﻪ ﻫﻮ ﺃﻧﻲ ﻣﺜﻠﻚ ﻣﺜﻘﻞ ﺑﺼﻮﺭ ﻗﺘﻠﻰ ﺍﻟﺼﺮﺍﻋﺎﺕ‬ ‫‪-‬‬
‫ﺍﳊﻴﺔ ﺍﻟﻨﺎﺑﻀﺔ ﺑﺎﳊﻴﺎﺓ ﻭﺍﳊﺐ ﻭﺍﻷﻣﻞ ﻳﺮﺍﺩ ﺩﻓﻨﻬﺎ ﻓﻲ ﺍﻷﺳﻔﻞ!‬
‫ﺑﻼ ﻓﻠﺴﻔﺔ ﻛﺜﻴﺮﺓ ﻃ ﱠﻴﺮﺕ ﺍﻟﺴﻜﺮﺓ ﻣﻦ ﺭﺃﺳﻲ ﻫﻴﻪ ﺻﻮﺭﺓ ﻭﺍﳊﺎﺿﺮ ﺍﻟﻘﺎﻃﻦ ﻣﻌﻚ ﺃﻭﻟﻰ ﻣﻦ‬ ‫‪-‬‬
‫ﺍﻟﻐﺎﺋﺐ‪.‬‬
‫ﺍﳌﺴﺄﻟﺔ ﻳﺎ ﻣﺤﻤﺪ ﺗﺘﻌﺪﻯ ﻧﺰﻉ ﺑﺮﻭﺗﺮﻳﺔ ﺇﻟﻰ ﺍﻷﺫﻯ ﻭﺍﻟﻌﺒﺚ ﺑﺤﻖ ﺍﻵﺧﺮ ﻭﻋﻮﺍﻃﻔﻪ ﻭﺫﻛﺮﻳﺎﺗﻪ!‬ ‫‪-‬‬
‫ﺃﻭﻩ ﻳﺎ ﺟﻤﺎﻝ ﻗﺪﻫﺎ ﻣﻘﺒﺮﺓ ﻓﺪﻋﻨﻲ ﺃﻣﻮﺕ ﺑﲔ ﺍﳌﻮﺗﻰ!‬ ‫‪-‬‬
‫ﺃ ﹸ ﱢﻑ ﻣﻨﻜﻢ ﻳﺎ ﺭﻓﺎﻕ ﺣﺘﻰ ﺟﻨﺔ ﺍﷲ ﺿﺎﻗﺖ ﻣﻦ ﺯﻧﺒﻘﺔ ﺟﺬﻟﺔ ﺑﺎﳊﻴﺎﺓ ﻛﺄﺷﺠﺎﻥ!‬ ‫‪-‬‬
‫ﻗﻬﻘﻬﺔ ﻃﻔﻮﻟﻴﺔ ﺛﻤﻠﺔ ﺃﻃﻠﻘﻬﺎ ﻣﺤﻤﺪ ﻓﻲ ﺑﻬﻮ ﺍﳌﻜﺎﻥ‪ ،‬ﻭﻗﺒﻞ ﺃﻥ ﻳﻄﻠﻖ ﺍﻟﻌﻨﺎﻥ ﻟﺸﺨﻴﺮﻩ ﻛﻌﺎﺩﺗﻪ‬
‫ﻋﻘﺐ ﺍﺿﻄﺠﺎﻋﻪ ﻋﻠﻰ ﻓﺮﺍﺷﻪ ﺃﻧﺸﺪ ﺃﺑﻴﺎﺗﺎ ﹰ ﻟﻄﺎﳌﺎ ﺭﺩﺩﻧﺎﻫﺎ ﻧﺤﻦ ﺍﻟﻘﺎﺩﻣﻮﻥ ﻣﻦ ﺃﻗﺼﻰ ﺍﻷﺭﺽ‪) :‬ﻟﻴﻨﲔ‬
‫ﺃﻧﺖ ﻣﻌﻠﻤﻨﺎ(‪...‬‬
‫ﻓﻲ ﺍﻟﻌﺎﻡ ‪٨٦‬ﻡ ﺩﺷﻦ ﺍﻟﺸﻤﺎﻝ ﺃﻭﻝ ﻧﺎﻗﻠﺔ ﻧﻔﻂ ﻣﻦ ﺣﻘﻞ ﺻﺎﻓﺮ ﻓﻲ ﻣﺄﺭﺏ ﺇﺫ ﻇﻬﺮ ﺍﻟﺮﺋﻴﺲ ﻭﺑﺠﻮﺍﺭﻩ‬
‫ﺭﺋﻴﺲ ﺷﺮﻛﺔ ﻫﻨﺖ ﺟﻮﺭﺝ ﺑﻮﺵ ﺣﻴﻨﻬﺎ‪ ،‬ﻓﻲ‪١٥‬ﺍﺑﺮﻳﻞ ‪٨٧‬ﻡ ﺃﻋﻠﻦ ﻓﻲ ﺍﳉﻨﻮﺏ ﻋﻦ ﺍﻛﺘﺸﺎﻑ ﺍﻟﻨﻔﻂ ﻓﻲ‬
‫ﺷﺒﻮﺓ‪ ،‬ﻓﻤﺎﺯﻟﺖ ﺃﺗﺬﻛﺮ ﻛﻴﻒ ﺍﺳﺘﻘﺒﻠﻨﺎ ﻧﺤﻦ ﺍﻟﻄﻼﺏ ﺍﳌﻮﻓﺪﻭﻥ ﻟﻠﺪﺭﺍﺳﺔ ﻓﻲ ﺍﻻﲢﺎﺩ ﺍﻟﺴﻮﻓﻴﺘﻲ ﻧﺒﺄ‬
‫ﺍﺳﺘﺨﺮﺍﺟﻪ؟؟ ﻓﻔﻲ ﺫﻟﻚ ﺍﻟﻴﻮﻡ ﲡﻤﻌﻨﺎ ﺣﻮﻝ ﻧﺸﺮﺓ ﺍﻟﺘﺎﺳﻌﺔ ﻣﻦ ﺗﻠﻴﻔﺰﻳﻮﻥ ﻣﻮﺳﻜﻮ‪ ،‬ﻭﻗﺘﻬﺎ ﻇﻬﺮﺕ‬
‫ﻗﻴﺎﺩﺓ ﺍﳊﺰﺏ ﻭﺑﺠﻮﺍﺭﻫﺎ ﺍﳋﺒﺮﺍﺀ ﺍﻟﺴﻮﻓﻴﺖ ﻓﻴﻤﺎ ﺍﻟﺸﻌﻠﺔ ﺍﶈﺘﺮﻗﺔ ﻓﻲ ﺍﳌﻜﺎﻥ ﻛﺎﻧﺖ ﻗﺪ ﺃﺧﺬﺗﻨﺎ ﺇﻟﻰ ﻋﻮﺍﻟﻢ‬
 ‫ﻣﻦ ﺍﻷﺣﻼﻡ ﻭﺍﻷﻣﺎﻧﻲ ﺍﳌﺮﺟﻮﺓ ﻣﻦ ﺍﻟﺬﻫﺐ ﺍﻷﺳﻮﺩ‪.‬‬
‫ﻓﻲ ﺍﻟﻌﺎﻡ ‪٨٨‬ﻡ ﻛﺎﺩﺕ ﺍﳌﻮﺍﺟﻬﺔ ﺍﻟﻌﺴﻜﺮﻳﺔ ﺃﻥ ﺗﻘﻊ ﺑﲔ ﺍﻟﻴﻤﻨﻴﲔ ﺇﺛﺮ ﺧﻼﻑ ﻧﺸﺐ ﺣﻮﻝ ﺗﺒﻌﻴﺔ ﺣﻘﻞ‬
‫ﻧﻔﻄﻲ ﻓﻲ ﺍﳌﻨﻄﻘﺔ ﺍﳊﺪﻭﺩﻳﺔ ﺑﲔ ﺷﺒﻮﺓ ﻭﻣﺄﺭﺏ‪ ،‬ﺍﶈﻴﻂ ﺍﻟﺪﻭﻟﻲ ﻳﻌﺞ ﲟﺸﻜﻼﺕ ﺃﻛﺒﺮ ﻭﺃﺿﺨﻢ ﻣﻦ‬
‫ﺍﺣﺘﺮﺍﺏ ﺍﻟﻴﻤﻨﻴﲔ ﻋﻠﻰ ﻣﺴﺎﺣﺔ‪.‬‬
‫ﳉﺄ ﺍﻟﻄﺮﻓﺎﻥ ﺇﻟﻰ ﺍﳊﻮﺍﺭ ﻭﺍﻻﺗﻔﺎﻕ ﻻﺳﺘﺜﻤﺎﺭ ﺍﳌﻨﻄﻘﺔ ﺍﳌﺘﻨﺎﺯﻉ ﺣﻮﻟﻬﺎ ﺑﺪﻻ ﹰ ﻋﻦ ﺍﳊﺮﺏ‪ ،‬ﺍﻟﺮﺋﻴﺲ ﺍﻷﻣﺮﻳﻜﻲ‬
‫ﺭﻭﻧﺎﻟﺪ ﺭﻳﺠﺎﻥ ﻳﺰﻭﺭ ﻣﻮﺳﻜﻮ ﻓﻲ ﺍﻟﻌﺎﻡ ﺍﻷﺧﻴﺮ ﻣﻦ ﻭﻻﻳﺘﻪ ﺍﻟﺜﺎﻧﻴﺔ‪ ،‬ﻣﻮﻛﺐ ﺍﻟﺮﺋﻴﺴﲔ ﻏﻮﺭﺑﺎﺗﺸﻮﻑ ﻭﺭﻳﺠﺎﻥ‬
‫ﺍﻧﻬﺎﻟﺖ ﻋﻠﻴﻪ ﻫﺬﻩ ﺍﳌﺮﺓ ﺍﻟﻮﺭﻭﺩ ﻣﻦ ﺍﳌﻮﺳﻜﻮﻓﻴﲔ ﺍﻟﻮﺍﻗﻔﲔ ﻋﻠﻰ ﺟﺎﻧﺒﻲ ﺍﻟﻄﺮﻳﻖ ﻭﻋﻠﻰ ﻋﻜﺲ ﺍﻟﻮﻓﻮﺩ‬
‫ﺍﻷﻣﺮﻳﻜﻴﺔ ﺍﻟﺴﺎﻟﻔﺔ ﺍﻟﺰﺍﺋﺮﺓ ﻟﻌﺎﺻﻤﺔ ﺍﻟﻌﻤﺎﻝ ﺍﻟﺒﺮﻭﻟﻴﺘﺎﺭﻳﺔ‪ ،‬ﻻ ﺃﺣﺪ ﻣﻦ ﺍﻟﻘﻮﺗﲔ ﺍﳌﻜﺘﺸﻔﺘﲔ ﻟﻠﻨﻔﻂ‬
‫ﻓﻲ ﺍﻟﺸﻤﺎﻝ ﻭﺍﳉﻨﻮﺏ ﲟﺴﺘﻄﺎﻋﻪ ﺩﻋﻢ ﺍﻟﻨﻈﺎﻣﲔ ﺍﳊﻠﻴﻔﲔ ﻟﻬﻤﺎ ﻓﻲ ﺣﻘﺒﺔ ﺍﳊﺮﺏ ﺍﻟﺒﺎﺭﺩﺓ‪ ،‬ﻓﻜﻼﻫﻤﺎ ﻻ‬
‫ﻭﻗﺖ ﻟﺪﻳﻬﻤﺎ ﻟﻺﻟﺘﻔﺎﺕ ﻟﻠﻴﻤﻨﻴﲔ‪ ،‬ﻳﻄﺮﻕ ﺍﻟﺸﻤﺎﻝ ﺑﻮﺍﺑﺔ ﺍﻟﺒﻴﺖ ﺍﻷﺑﻴﺾ ﻓﻼ ﻳﺠﺪ ﺃﺫﻧﺎ ﹰ ﺻﺎﻏﻴﺔ ﻟﻪ‪ ،‬ﻳﺬﻫﺐ‬
‫ﺍﳉﻨﻮﺏ ﺇﻟﻰ ﺍﻟﻜﺮﻣﻠﲔ ﻓﻴﺠﺪﻩ ﻓﻲ ﺃﺳﻮﺃ ﺣﺎﻝ‪.‬‬
 ‫‪…iaãÄÄÄÄÄÄÄÄ€a ›ó–€a‬‬
‫ﺁﻧﺎ ﺑﻴﺘﺮﻭﻓﻨﺎ )ﺃﻧﻮﺷﻜﺎ( ﻣﺠﺮﺩ ﺫﻛﺮ ﺍﺳﻤﻬﺎ ﲡﺪ ﻧﺒﻀﻚ ﻳﺮﺗﻔﻊ ﻓﻲ ﺻﺪﺭﻙ ﺑﻴﻨﻤﺎ ﺩﻣﻚ ﻳﺴﺮﻱ ﻓﻲ ﻋﺮﻭﻗﻚ‬
‫ﺻﺎﻋﺪﺍ ﹰ ﻣﻦ ﺣﻔﻲ ﺍﻟﻘﺪﻣﲔ ﺇﻟﻰ ﺩﻣﺎﻏﻚ‪ ،‬ﻣﺎ ﺃﺟﻤﻞ ﻫﺬﻩ ﺍﻟﺸﻘﺮﺍﺀ ﺍﻟﻨﺎﺿﺤﺔ ﻓﺘﻨﺔ ﻭﺧﻔﺔ ﻭﺃﻧﻮﺛﺔ‪ ،‬ﻻ ﺃﺩﺭﻱ‬
‫ﳌﺎﺫﺍ ﻳﻨﺘﺎﺑﻨﻲ ﺇﺣﺴﺎﺱ ﺑﺎﻟﻐﻴﺮﺓ ﻋﻠﻴﻬﺎ ﻣﻦ ﺃﻋﲔ ﻣﺘﻄﻔﻠﺔ ﻣﺮﺍﻫﻘﺔ ﻣﺜﻞ ﻫﺬﻩ ﺍﻟﺘﻲ ﺗﻔﺘﺮﺳﻬﺎ ﻓﻲ ﻏﺪﻭﻫﺎ‬
‫ﻋﻠﻲ ﻋﻼﻗﺔ ﻏﺮﺍﻡ ﺑﲔ ﺃﻧﻮﺷﻜﺎ ﻭﺃﺣﺪ ﺍﻟﻄﻼﺏ ﺍﻷﻓﺎﺭﻗﺔ‪ ،‬ﻓﻤﻨ ﹸﺬ‬
‫ﻭﺍﻵﺻﺎﻝ؟ ﺻﺪﻳﻘﻲ ﺯﻳﺮ ﺍﻟﻨﺴﺎﺀ ﻣﺤﻤﺪ ﻗﺺ ﱠ‬
‫ﺳﺮﺩﻩ ﺗﻠﻚ ﺍﳊﻜﺎﻳﺔ ﻭﺃﻧﺎ ﻛﻠﻤﺎ ﺭﺃﻳﺖ ﺫﺍﻙ ﺍﻟﻄﺎﻟﺐ ﺍﻟﻔﺎﺭﻉ ﺍﻟﻄﻮﻝ ﺗﺴﺘﻌﺮ ﺍﻟﻨﺎﺭ ﻓﻲ ﺟﻮﻓﻲ ﻏﻴﺮ ﹰﺓ ﻭﻧﺪﺍﻣﺔ‬
‫ﻋﻠﻰ ﻣﻌﻠﻤﺘﻲ ﺍﳊﺴﻨﺎﺀ‪ ،‬ﻓﻲ ﻛﻞ ﳊﻈﺔ ﺃﻗﺎﺑﻞ ﻓﻴﻬﺎ ﺍﻧﻄﻮﻧﻴﻮ ﺃﺗﺴﺎﺀﻝ ﻋﻦ ﺳﺮ ﺷﻐﻒ ﻭﺣﺐ ﺃﻧﻮﺷﻜﺎ‬
‫ﻟﻬﺬﺍ ﺍﻟﺰﳒﻲ ﺍﳌﻔﺘﻮﻝ ﺍﻟﻌﻀﻼﺕ ﻭﺍﳌﻌﻘﻮﻑ ﺧﺸﻤﻴﻪ! ﺭﲟﺎ ﺻﺪﻳﻘﻲ ﻣﺤﻤﺪ ﺣﺎﻙ ﻗﺼﺘﻪ ﻣﻦ ﺍﻟﻌﺪﻡ‪..‬‬
‫ﻻ‪ ..‬ﻻ‪ ..‬ﻻ ﻳﻌﻘﻞ ﺃﻥ ﻭﺍﺣﺪﺓ ﺑﺠﻤﺎﻝ ﺃﻧﻮﺷﻜﺎ ﻟﻢ ﲡﺪ ﻣﻦ ﺑﲔ ﻣﺌﺎﺕ ﺍﻟﻄﻼﺏ ﻓﻲ ﺍﻟﻜﻠﻴﺔ ﻏﻴﺮ ﻫﺬﺍ ﺍﻟﺰﳒﻲ‬
‫ﺍﻟﻜﺌﻴﺐ‪ ،‬ﻫﻜﺬﺍ ﺭﺣﺖ ﺃﻃﻤﺌﻦ ﻧﻔﺴﻲ ﻭﻟﻮ ﺑﺎﺳﺘﺪﻋﺎﺀ ﺍﻷﻧﺎﻧﻴﺔ ﻭﺍﻟﻌﻨﺼﺮﻳﺔ ﺍﳌﻘﻴﺘﺔ ﺍﻟﺘﻲ ﻻ ﺗﻘﻞ ﺑﺸﺎﻋﺔ‬
‫ﻭﻗﺒﺤﺎ ﻋﻦ ﻫﺘﺎﻓﺎﺕ ﺷﻮﻓﻴﻨﻴﺔ ﺗﻄﻠﻘﻬﺎ ﺍﳉﻤﺎﻋﺎﺕ ﺍﳌﻌﺎﺩﻳﺔ ﻟﻸﺟﺎﻧﺐ ﻋﺎﻣﺔ‪.‬‬
‫ﺃﻧﻮﺷﻜﺎ ﻭﺃﻧﻄﻮﻧﻴﻮ ﺭﲟﺎ ﺟﺴﺪﺍ ﻣﻘﻮﻟﺔ ﺷﻜﺴﺒﻴﺮ ﺍﳊﺐ ﺃﻋﻤﻰ‪ ،‬ﺭﺑﱢﻲ ﺍﻣﻨﺤﻨﻲ ﺍﻟﺼﺒﺮ ﻭﺍﻟﻘﻮﺓ ﻻ ﺃﲢﻤﻞ ﻫﺬﺍ‬
‫ﺍﳊﺐ ﺍﻷﻋﻤﻰ ﺍﻟﺒﺼﻴﺮﺓ‪ ،‬ﻭﺍﺣﺪ ﻣﺜﻠﻲ ﻻ ﻳﻘﺪﺭ ﻋﻠﻰ ﺇﺧﻤﺎﺩ ﺭﻏﺒﺔ ﺟﺎﻣﺤﺔ ﻓﻲ ﺍﺣﺘﻀﺎﻥ ﻭﻫﺼﺮ ﻫﺬﻩ ﺍﻟﻐﻴﺪﺍﺀ‬
‫ﺍﻟﻨﺎﻋﻤﺔ ﻭﺍﳌﺒﻬﺠﺔ ﻭﺍﳌﺜﻴﺮﺓ ﻟﻠﺤﻮﺍﺱ‪ ،‬ﻣﻦ ﺃﻳﻦ ﻟﻨﺎ ﻧﺤﻦ ﺍﳌﺮﺍﻫﻘﻮﻥ ﺍﻟﻘﺪﺭﺓ ﻋﻠﻰ ﺍﺳﺘﻴﻌﺎﺏ ﻗﻮﺍﻋﺪ ﺍﻟﻔﻴﺰﻳﺎﺀ‬
‫ﺃﻭ ﺍﻟﻬﻨﺪﺳﺔ؟ ﻻ ﺷﻲﺀ ﻳﺴﺘﺤﻖ ﺍﻻﻫﺘﻤﺎﻡ ﺃﻛﺜﺮ ﻣﻦ ﻗﺎﻋﺪﺓ ﻭﺃﺿﻼﻉ ﻭﺯﻭﺍﻳﺎ ﻭﻣﻜﻌﺒﺎﺕ ﺃﻧﻮﺷﻜﺎ‪.‬‬
‫ﺟﻤﻴﻌﻨﺎ ﻣﺸﺪﻭﻫﻮﻥ ﻓﺎﻏﺮﻭ ﺍﻷﻓﻮﺍﻩ ﺃﻭ ﻃﺎﺋﻔﻮﻥ ﺣﻮﻝ ﻫﺬﻩ ﺍﻷﻧﺜﻰ ﺍﻟﻔﺎﺋﻀﺔ ﺟﺎﺫﺑﻴﺔ ﻭﺳﺤﺮﺍ ﹰ ﻭﻋﺬﻭﺑﺔ‪،‬‬
‫ﺗﺨﻴﻠﺖ ﺯﻣﻼﺋﻲ ﻣﺜﻠﻲ ﻻ ﻳﺮﺗﻮﻭﻥ ﻣﻦ ﺭﺣﻴﻖ ﺛﻐﺮﻫﺎ ﺍﻟﻮﺭﺩﻱ‪ ،‬ﺃﻭ ﳝﻠﻮﻥ ﻣﻦ ﻣﺪﺍﻋﺒﺔ ﻧﻬﺪﻳﻬﺎ ﺍﳌﺴﺘﻈﻠﲔ‬
‫ﺑﻘﻤﻴﺺ ﺷﻔﺎﻑ‪ ،‬ﻓﻜﻠﻤﺎ ﺟﻬﺪﺕ ﺃﻧﻮﺷﻜﺎ ﻧﻔﺴﻬﺎ ﻹﻳﺼﺎﻝ ﺍﳌﻌﻠﻮﻣﺔ ﺇﻟﻰ ﻋﻘﻮﻟﻨﺎ؛ ﺯﺍﻏﺖ ﺃﻓﻜﺎﺭﻧﺎ ﻓﻲ‬
‫ﺃﺭﻫﻘﺖ ﺫﺍﺗﻬﺎ ﻓﻲ ﺍﻟﺸﺤﻨﺎﺕ ﺃﻭ ﺍﳌﺜﻠﺜﺎﺕ ﺍﻟﻬﻨﺪﺳﻴﺔ؛ ﺭﺍﻏﺖ ﺣﻮﺍﺳﻨﺎ ﻓﻲ ﻣﺜﻠﺚ ﻣﺎﺩﻭﻥ‬
‫ﹾ‬ ‫ﻣﻔﺎﺗﻨﻬﺎ‪ ،‬ﻭﻛﻠﻤﺎ‬
‫ﺍﻟﺴﺮﺓ ﻭﻓﻲ ﺍﻟﺴﻴﻘﺎﻥ ﻭﺗﻜﻌﻴﺒﺎﺕ ﺍﻟﺼﺪﺭ‪.‬‬
‫ﹼ‬
‫ﻓﻲ ﺩﻭﺍﺧﻠﻨﺎ ﻟﻬﻴﺐ ﻭﺷﻮﻕ ﻧﺤﻮ ﺃﻧﻮﺷﻜﺎ‪ ،‬ﻭﻟﻜﻦ ﻻ ﺃﺣﺪ ﻳﺠﺴﺮ ﻋﻠﻰ ﻣﻜﺎﺷﻔﺘﻬﺎ‪ ،‬ﻛﻠﻨﺎ ﻧﻮﺩ ﺗﻘﺒﻴﻞ ﺍﻟﺘﺮﺍﺏ‬
‫ﺍﻟﺬﻱ ﲤﺸﻲ ﺭﺍﻗﺼﺔ ﻓﻮﻗﻪ‪ ،‬ﻣﻦ ﻳﺪﺭﻱ ﺑﺤﻘﻴﻘﺔ ﻣﺸﺎﻋﺮ ﻣﻌﻠﻤﺔ ﺗﻜﺒﺮﻧﺎ ﺑﻌﺎﻣﲔ ﺃﻭ ﺛﻼﺛﺔ؟ ﺻﺒﻴﺔ ﻓﻲ ﻧﻈﺮﻫﺎ‬
‫ﻓﻤﻦ ﻗﻠﺔ ﺍﻟﺬﻭﻕ ﻭﺍﳊﻴﺎﺀ ﺃﻥ ﻳﻨﻈﺮ ﺍﻟﺘﻠﻤﻴﺬ ﳌﻌﻠﻤﺘﻪ ﺑﺸﻬﻮﺍﻧﻴﺔ ﺃﻭ ﻳﺮﲡﻲ ﻣﻨﻬﺎ ﻣﻌﺎﺷﺮﺗﻪ ﻭﻣﻀﺎﺟﻌﺘﻪ‪..‬‬
‫ﺃﺳﺌﻠﺔ ﺑﻼ ﺇﺟﺎﺑﺎﺕ‪ ،‬ﻣﺨﺎﻭﻑ ﻭﺗﻮﺟﺴﺎﺕ ﻻ ﺗﻨﺘﻬﻲ‪ ..‬ﻧﻈﺮﺍﺕ ﺷﺰﺭﺓ ﻭﺣﻜﺎﻳﺎﺕ ﻭﻭﺳﺎﺋﻞ ﻛﻞ ﻣﻦ ﻳﺒﺘﺪﻋﻬﺎ‬
‫ﺃﻭ ﻳﺤﻠﻢ ﺑﻬﺎ ﻻ ﻓﺮﻕ ﻣﻦ ﺃﺟﻞ ﺍﻟﻈﻔﺮ ﺑﺎﺑﺘﺴﺎﻣﺔ ﺃﻭ ﺭﻣﻘﻪ‪ ...‬ﻣﻨﺼﻮﺭ ﺃﺟﺰﻝ ﺍﻟﺘﺮﺍﺏ ﺑﻨﻘﻮﺩﻩ ﻭﻋﻄﺎﻳﺎﻩ ﻇﻨﺎ ﹰ‬
‫ﻣﻨﻪ ﺃﻥ ﺍﳌﺎﻝ ﺃﻓﻀﻞ ﻭﺳﻴﻠﺔ ﻟﻠﺠﺬﺏ ﻭﺍﻹﻏﺮﺍﺀ‪ ،‬ﺃﺣﻤﺪ ﺃﻏﺪﻕ ﺳﺒﻴﻠﻬﺎ ﺑﺎﻟﻮﺭﺩ ﻭﺍﻟﻌﻄﺮ ﺭﺍﺟﻴﺎ ﻭﺻﺎﻟﻬﺎ ﲟﺎ‬
‫ﲢﺒﻪ ﻭﺗﻬﻮﺍﻩ ﻣﻦ ﻃﻴﺐ ﻭﺟﻤﺎﻝ‪ ،‬ﺑﺮﻫﺎﻥ ﺍﻟﺪﻳﻦ ﻛﺎﻧﺖ ﻭﺳﻴﻠﺘﻪ ﺍﻷﻧﺎﻗﺔ ﻭﺍﻟﻮﺳﺎﻣﺔ ﻭﻫﺎﺗﺎﻥ ﺍﻟﺼﻔﺘﺎﻥ ﺍﻟﻠﺘﺎﻥ‬
‫ﺗﻔﻀﻠﻬﻤﺎ ﺍﳌﺮﺃﺓ ﻓﻲ ﻓﺘﻰ ﺃﺣﻼﻣﻬﺎ‪.‬‬
‫ﺃﻧﻮﺷﻜﺎ ﺍﻟﻮﺍﻗﻔﺔ ﺃﻣﺎﻣﻲ ﺍﻵﻥ ﻛﻮﺭﺩﺓ ﺭﻭﺯ ﻏﻀﺔ ﻻ ﻳﺒﺪﻭ ﻣﻦ ﻫﻴﺌﺘﻬﺎ ﻭﻭﺟﻬﻬﺎ ﺃﺳﻰ ﺍﻟﻔﺮﺍﻕ ﻷﻧﻄﻮﻧﻴﻮ‬
‫ﺍﻟﻌﺎﺋﺪ ﻟﺒﻼﺩﻩ ﻗﺒﻞ ﺃﻳﺎﻡ ﻓﻘﻂ‪ ،‬ﻓﻤﻌﺎﺷﺮﺓ ﺇﻧﺴﺎﻥ ﻻﺑﺪ ﺃﻥ ﺗﺘﺮﻙ ﻋﻼﻣﺔ ﻭﺃﺛﺮﺍ ﹰ ﻇﺎﻫﺮﺍ ﹰ ﻟﻠﻌﻴﺎﻥ ﻭﺃﻧﻮﺷﻜﺎ ﻻ‬
‫ﻳﺒﺪﻭ ﻋﻠﻴﻬﺎ ﻣﻀﺎﺟﻌﺔ ﺃﻧﻄﻮﻧﻴﻮ ﻗﺒﻞ ﺃﻥ ﻳﻘﻔﻞ ﻣﻐﺎﺩﺭﺍ ﹰ ﺇﻟﻰ ﻣﻮﻃﻨﺔ‪.‬‬
‫ﺫﻫﺒﻨﺎ ﺟﻤﻴﻌﺎ ﹰ ﻓﻲ ﻋﻄﻠﺔ ﺍﻟﺼﻴﻒ‪ ،‬ﺍﳋﻀﺮﺓ ﺗﻜﺴﻮ ﺍﳌﻬﺎﺩ‪ ،‬ﻓﻔﻲ ﺁﺏ ﺍﻟﺴﻤﺎﺀ ﺗﺮﺳﻞ ﻫﺠﻴﺮﻫﺎ ﻭﻣﺎﺅﻫﺎ‬
‫ﻭﺍﺻﺐ‪ ،‬ﺍﻟﻨﺎﺱ ﻓﻲ ﻣﺜﻞ ﻫﺬﺍ ﺍﻟﻮﻗﺖ ﲡﺪﻫﻢ ﻳﺸﻮﻭﻥ ﺟﻠﻮﺩﻫﻢ ﺑﺴﻴﺎﻁ ﺍﻟﺸﻤﺲ ﻓﻲ ﺍﳌﺼﻄﺎﻑ ﻋﻠﻰ‬
‫ﹲ‬
‫ﺍﻟﺒﺤﺮ ﺍﻷﺳﻮﺩ ﺃﻭ ﻓﻲ ﺍﳊﺪﺍﺋﻖ ﻭﺍﳌﺘﻨﹶﺰﻫﺎﺕ‪ ،‬ﻭﻛﺄﻥ ﺣﺠﺮﺍﺕ ﺍﳌﻨﺎﺯﻝ ﺃﻓﺮﻏﺖ ﻣﺎ ﻓﻲ ﺃﺣﺸﺎﺋﻬﺎ ﻭﻟﻢ ﺗﺒﻖ ﺷﻴﺌﺎ‬
‫ﺇﻻ ﻭﻗﺬﻓﺖ ﺑﻪ ﺇﻟﻰ ﺍﳋﺎﺭﺝ‪ ،‬ﻟﺴﻨﻮﺍﺕ ﻭﺃﻧﺎ ﺃﻫﺰﺃ ﻣﻦ ﺗﺼﺮﻓﺎﺕ ﻣﺤﻤﺪ ﺍﳌﻘﺮﻓﺔ ﻭﻫﺎﺃﻧﺬﺍ ﺃﻗﺘﻔﻲ ﺃﺛﺮﻩ ﻭﺳﻂ‬
‫ﺃﺑﺪﺍﻥ ﻋﺎﺭﻳﺔ ﺇﻻ ﻣﻦ ﺧﻴﻮﻁ ﺗﻐﻄﻲ ﺣﻠﻤﺘﻲ ﺍﻟﻨﻬﺪﻳﻦ ﺃﻭ ﺍﻟﻔﺮﺟﲔ‪ ،‬ﻣﺬ ﻋﺮﻓﺖ ﺍﳌﻜﺎﻥ ﻟﻠﻮﻫﻠﺔ ﺍﻷﻭﻟﻰ ﻭﺍﳌﻜﺎﻥ‬
‫ﻳﻌﺞ ﺑﺎﻟﻨﻬﻮﺩ ﻭﺍﻟﺼﺪﻭﺭ ﺍﻟﻌﺎﺟﻴﺔ ﺍﻟﺒﻴﻀﺎﺀ ﺃﻭ ﺍﻟﺴﻴﻘﺎﻥ ﺍﳌﻠﺴﺎﺀ‪ ،‬ﺍﻵﻥ ﻓﻘﻂ ﺍﺷﻌﺮ ﺑﺜﻮﺭﺓ ﻫﺎﺋﺠﺔ ﻣﻦ‬
‫ﺍﻟﺸﻬﻮﺓ‪ ،‬ﺭﻏﺒﺔ ﺟﻤﻮﺣﺔ ﻓﻲ ﻭﻟﻮﺝ ﻋﻮﺍﻟﻢ ﺍﳉﺴﺪ‪ ،‬ﻓﻌﻨﺪﻣﺎ ﻳﺜﻮﺭ ﺍﶈﻴﻂ ﻳﻘﺬﻑ ﲟﺎ ﻓﻲ ﺃﻋﻤﺎﻗﻪ ﺍﻟﻘﺬﺭﺓ‬
‫ﻛﻞ ﻧﻈﺮﻱ ﻣﻦ‬‫ﺇﻟﻰ ﺍﻟﺴﻄﺢ‪ ،‬ﻫﻜﺬﺍ ﻫﻮ ﺍﻟﺮﺟﻞ ﻋﻨﺪ ﻫﻴﺠﺎﻧﻪ ﻳﻄﻔﺢ ﺑﻘﺬﺍﺭﺗﻪ ﻷﺩﳝﻪ‪ ،‬ﺗﻔﺮﺳﺖ ﺣﺘﻰ ﱠ‬
‫ﺍﻟﺘﺤﺪﻳﻖ ﻓﻲ ﺃﺑﺪﺍﻥ ﺍﻟﻔﺘﻴﺎﺕ ﺍﶈﺘﺮﻗﺔ ﲢﺖ ﻟﻔﻴﺢ ﺍﻟﻮﺍﺟﻤﺔ‪ ،‬ﺗﻔﺤﺼﺖ ﺑﻌﻴﻨﻴﲔ ﺯﺍﺋﻐﺘﲔ ﺟﺎﺋﺤﺘﲔ ﺃﺩﻕ‬
‫ﺗﻔﺎﺻﻴﻞ ﻫﺬﻩ ﺍﻟﺼﺪﻭﺭ ﺃﻭ ﺍﻟﻔﺨﻮﺫ ﺍﳌﺘﺮﺍﺻﺔ ﻛﺄﻋﻮﺍﺩ ﺍﳋﻴﺰﺭﺍﻥ‪ ،‬ﻃﻔﻘﺖ ﺍﺑﺤﺚ ﲢﺖ ﺍﻟﻬﺎﺟﺮﺓ ﻋﻦ ﺷﻲﺀ ﻣﻦ‬
‫ﻧﻬﺪﻱ ﺃﻧﻮﺷﻜﺎ ﺍﳌﺴﺘﻔﺰﻳﻦ‪ ،‬ﺷﻲﺀ ﻣﻦ ﻗﺪﻫﺎ ﺍﻷﻫﻴﻒ ﺃﻭ ﺳﺎﻗﻴﻬﺎ‪ ،‬ﻓﻤﺎ ﺃﺟﻤﻞ ﻫﺆﻻﺀ ﺍﻟﻔﺎﺗﻨﺎﺕ ﺍﻷﻳﺎﻣﻰ‬
‫ﻭﻫﻦ ﻳﺼﺪﺩﻥ ﺑﻌﺪﺳﺎﺗﻬﻦ ﻭﺭﻣﻮﺷﻬﻦ ﺍﻟﻨﺎﻋﺴﺔ ﻭﺟﻪ ﺍﻟﺸﻤﺲ ﺍﳌﺴﺘﺮﺳﻠﺔ ﻓﻲ ﻟﻔﺢ ﺍﺑﺪﺃﻧﻬﻦ ﺍﻟﻐﻀﺔ‬
‫ﺍﻟﺮﻃﺒﺔ‪ ،‬ﻛﻢ ﻫﻲ ﺍﻟﺸﻤﺲ ﺍﻟﺜﺎﻭﻳﺔ ﻓﻲ ﺍﻟﺴﻤﺎﺀ ﺃﻳﺎﻡ ﺍﻟﺼﻴﻒ ﻣﺤﻈﻮﻇﺔ ﻓﻲ ﻭﻟﻮﺝ ﻣﺴﺎﻣﺎﺕ ﻫﺬﻩ‬
‫ﺍﻷﺟﺴﺎﺩ ﺍﳌﺴﺘﺴﻠﻤﺔ ﻟﻬﺎ ﺑﻠﺬﺓ ﻭﻣﺘﻌﺔ؟ ﺟﻠﺖ ﺑﺒﺆﺑﺆﺓ ﻋﻴﻨﻲ ﻛﻞ ﻣﺘﺮ ﻓﻲ ﺍﳌﺼﻄﺎﻑ ﻛﺎﻟﻨﻬﺎﺭ ﺍﻟﻨﺎﺷﺮ‬
‫ﺿﻮ ﹶﺀﻩ ﻓﻲ ﺃﺭﺟﺎﺀ ﺍﳌﻜﺎﻥ‪ ،‬ﺭﺣﺖ ﺃﻧﺜﺮ ﻣﺎ ﻓﻲ ﺣﻮﺍﺳﻲ ﻣﻦ ﻣﻜﺒﻮﺗﺎﺕ ﻓﻲ ﺭﻃﺐ ﺍﻟﻐﺎﻧﻴﺎﺕ ﺍﳉﻤﻴﻼﺕ ﺍﻟﻜﺎﺷﻔﺎﺕ‬
‫ﻣﻔﺎﺗﻨﻬﻦ ﻟﻘﺒﻠﺔ ﺍﻟﺴﻤﺎﺀ ﻭﺃﻋﲔ ﺟﻴﺎﺡ ﻣﺴﻐﺒﺔ‪ ،‬ﺿﻘﺖ ﺫﺭﻋﺎ ﹰ ﻣﻦ ﺍﳋﻴﻮﻁ ﺍﻟﺴﺎﺩﻟﺔ ﻟﻠﻨﻬﺪﻳﻦ ﻭﺍﻟﻔﺮﺟﲔ‬
‫ﻭﻛﺄﳕﺎ ﻏﺮﻳﺰﺗﻲ ﺍﻟﺸﺮﻗﻴﺔ ﻻ ﺗﻬﺪﺃ ﺳﻮﻯ ﺑﺎﻟﺘﻌﺮﻱ ﺍﻟﺘﺎﻡ‪.‬‬
‫ﺍﻟﺒﺤﺮ ﺍﻷﺳﻮﺩ ﻋﻨﺪﻣﺎ ﻳﻐﻀﺐ ﻳﻐﻮﺭ ﻧﻘﺎﺅﻩ ﻓﻲ ﺍﻷﻋﻤﺎﻕ‪ ،‬ﻓﻼ ﻳﺬﺭ ﻟﻌﺸﺎﻗﻪ ﻏﻴﺮ ﺍﻟﻘﺬﺍﺭﺓ ﺍﻟﻨﺘﻨﺔ ﺍﻟﻄﺎﻓﺤﺔ‬
‫ﻓﻲ ﺳﺪﳝﻪ‪ ،‬ﺃﺳﻤﻊ ﺻﻮﺗﺎ ﹰ ﻣﻦ ﺑﻌﻴﺪ‪ ،‬ﻓﻴﻔﺴﺪ ﻋﻠﻲ ﻟﺬﺓ ﺃﺻﻴﻠﻪ ﺍﻋﺘﺎﺩﻫﺎ ﺍﻟﺸﺮﻗﻲ ﺃﻳﻨﻤﺎ ﺣﻠﻞ‪ ،‬ﺇﻧﻪ ﺻﻮﺕ‬
‫ﺑﺮﻫﺎﻥ ﺍﻟﺪﻳﻦ‪ :‬ﺟﻤﺎﻝ ﻛﺎﻓﻴﺮ ‪ -‬ﻫﻜﺬﺍ ﻳﻨﻄﻖ ﻛﺎﻓﺮ‪ -‬ﺟﻠﺖ ﺑﻨﻈﺮﻱ ﻧﺤﻮﻩ ﻭﺇﺫﺍ ﺑﻪ ﻭﺃﺣﻤﺪ ﺍﻟﺸﺮﻳﻒ ﻳﺸﻴﺮﺍﻥ‬
‫ﻟﻲ ﻣﻦ ﺷﺮﻓﺔ ﻣﻄﻠﺔ ﻋﻠﻰ ﺍﻟﺸﺎﻃﺊ‪:‬‬
‫ﺟﻤﺎﻝ ﺍﻧﻈﺮ ﻣﻦ ﻫﻨﺎﻙ ﻓﻲ ﺍﻟﻨﺎﺣﻴﺔ ﺍﳌﻘﺎﺑﻠﺔ!‬ ‫‪-‬‬
‫ﻣﻨﺼﻮﺭ ﺑﺒﺪﻧﻪ ﺍﻟﻨﺤﻴﻞ ﺍﻟﺪﺍﻛﻦ ﻳﻀﻄﺠﻊ ﻟﻠﺸﻤﺲ ﻣﻠﺘﺼﻘﺎ ﹰ ﺑﻔﺘﺎﺗﻪ‪ ،‬ﻟﻢ ﺃﺻﻌﻖ ﲟﺎ ﺭﺃﻳﺘﻪ ﻣﻦ ﺍﺛﻨﲔ‬
‫ﺛﻤﻠﲔ ﺣﻮﻝ ﻃﺒﻖ ﳊﻢ ﺧﻨﺰﻳﺮ ﻣﺸﻮﻱ ﻟﻬﻤﺎ‪ ،‬ﺃﻭ ﻣﻦ ﻣﻨﻈﺮ ﻣﻨﺼﻮﺭ ﺍﳌﻠﺘﻮﻱ ﻛﺜﻌﺒﺎﻥ ﺣﻮﻝ ﺟﺬﻉ ﺣﺴﻨﺎﺀ‪،‬‬
 ‫ﻓﺄﻧﺎ ﺭﺍﺑﻌﻬﻢ ﻛﺎﻟﻜﻠﺐ ﺍﳌﺴﻌﻮﺭ ﻟﻠﺤﻢ ﺍﻟﺒﺸﺮ ﺍﻟﺬﻱ ﻋﺎﺩﺓ ﻳﺴﺒﻘﻪ ﺭﻏﺎﺀ ﻓﻤﻪ ﺇﻟﻰ ﺍﻟﻀﺤﻴﺔ‪.‬‬
‫ﺣﺰﻣﺖ ﺃﻣﺘﻌﺘﻲ ﻭﺭﺣﻠﺖ ﻋﻦ ﺍﳌﺪﻳﻨﺔ ﺑﻔﺆﺍﺩ ﻣﻔﻄﻮﺭ ﻭﺻﺪﺭ ﻣﻜﺴﻮﺭ‪ ،‬ﻓﻲ ﺍﳊﺠﺮﺓ ‪٦٥‬ﻣﻦ ﺍﻟﻘﻄﺎﺭ ﺍﳌﺘﺠﻪ‬
‫ﺇﻟﻰ ﻣﺪﻳﻨﺔ ﻛﻴﻴﻒ ﻗﻀﻴﺖ ﺳﺎﻋﺎﺕ ﺍﻟﺮﺣﻠﺔ‪ ،‬ﺟﻠﺴﺖ ﻗﺮﺏ ﺍﻟﻨﺎﻓﺬﺓ ﺃﺗﻄﻠﻊ ﻓﻲ ﺍﻟﻐﺎﺑﺎﺕ ﺍﻟﻜﺜﻴﻔﺔ ﺍﻟﺘﻲ‬
‫ﺗﺸﻄﺮﻫﺎ ﺳﻜﺔ ﺍﳊﺪﻳﺪ ﺇﻟﻰ ﺷﻄﺮﻳﻦ‪ ،‬ﻣﺤﻤﺪ ﻗﺮﺭ ﺍﻟﺒﻘﺎﺀ ﻓﻲ ﺍﻭﺩﻳﺴﺎ ﻓﻲ ﺁﺧﺮ ﳊﻈﺔ‪ ،‬ﻟﺬﺍ ﺑﻘﻴﺖ ﻭﺣﺪﻱ ﻓﻲ‬
‫ﺍﻟﻐﺮﻓﺔ ﻳﺸﺎﻃﺮﻧﻲ ﺍﳌﻠﻞ ﻭﺍﻟﺴﺄﻡ ﻣﻦ ﻓﺮﻁ ﺍﻟﻮﻗﺖ ﺍﻟﻄﻮﻳﻞ ﻓﻮﻕ ﺳﺮﻳﺮ ﻭﻣﻘﻄﻮﺭﺓ ﺣﺪﻳﺪ ﻛﺌﻴﺒﺔ ﻻ ﻳﻄﺎﻕ‬
‫ﻫﺴﻴﺴﻬﺎ ﺍﻟﺼﺎﻓﺮ‪ ،‬ﺻﻠﺼﻠﺘﻬﺎ‪ ،‬ﻓﺮﻗﻌﺔ ﻣﻮﺻﻼﺗﻬﺎ ﻭ ﺃﺻﻮﺍﺗﻬﺎ ﺍﻟﺼﺎﻋﺪﺓ ﻣﻦ ﺃﺳﻔﻠﻬﺎ‪ ،‬ﻟﻴﻮﻡ ﻭﻟﻴﻠﺔ ﻭﺃﻧﺎ‬
‫ﺑﲔ ﺃﺭﺑﻌﺔ ﺟﺪﺭ‪ ،‬ﺳﺌﻤﺖ ﺍﻟﻮﺣﺪﺓ ﻭﺍﻟﻔﺮﺍﻍ ﻭﺣﺘﻰ ﺍﻟﻘﺮﺍﺀﺓ ﺍﻟﺘﻲ ﻫﻲ ﺯﺍﺩﻱ ﻭﻣﺆﻧﺴﻲ ﻓﻲ ﺍﻟﺴﻔﺮ ﺻﺎﺭﺕ ﻻ‬
‫ﺗﻄﺎﻕ ﻧﺘﻴﺠﺔ ﻟﻠﺼﻠﺼﻠﺔ ﻭﺍﻟﻔﺮﻗﻌﺔ ﺍﻟﻨﺎﺧﺮﺓ ﻟﻸﹸﺫﻧﲔ‪ ،‬ﻛﻞ ﺍﳌﺴﺎﻓﺮﻳﻦ ﺇﻣﺎ ﻳﻐﻄﻮﻥ ﻓﻲ ﺍﻟﻜﺮﻯ ﺃﻭ ﻳﻠﻬﻮﻥ‬
‫ﻭﳝﺮﺣﻮﻥ ﻭﻳﺘﺠﺎﺫﺑﻮﻥ ﺍﻟﻜﻼﻡ ﻓﻲ ﻏﺮﻓﻬﻢ‪ ،‬ﺇﻻ ﺍﻧﺎ ﻣﺎﺑﲔ ﺍﳌﻘﺼﻮﺭﺓ ﺍﻟﻀﻴﻘﺔ ﻭﺍﻟﺴﺮﻳﺮ ﺫﻫﺎﺑﺎ ﹰ ﻭﺇﻳﺎﺑﺎﹰ‪ ،‬ﺿﻘﺖ ﺫﺭﻋﺎ ﹰ‬
‫ﻣﻦ ﺍﻟﺼﻤﺖ ﻓﻲ ﺍﻟﻴﻮﻡ ﺍﻷﻭﻝ‪ ،‬ﻓﺮﺣﺖ ﺃﻓﺘﺶ ﻓﻲ ﺳﻠﺴﻠﺔ ﺍﳌﻘﻄﻮﺭﺍﺕ ﻋﻠﻨﻲ ﺃﺟﺪ ﻣﺎﻳﺆﻧﺴﻨﻲ ﺃﻭ ﻳﺨﺮﺱ‬
‫ﺃﺻﻮﺍﺕ ﻣﻌﺪﺗﻲ‪ ،‬ﻣﺮﺕ ﺳﺎﻋﺎﺕ ﺍﻟﺮﺣﻠﺔ ﺛﻘﻴﻠﺔ ﻭﻣﻦ ﺷﺪﺓ ﺭﺗﺎﺑﺘﻬﺎ ﻛﺄﻧﻬﺎ ﺳﻨﻮﺍﺕ ﻓﻲ ﺯﻧﺰﺍﻧﺔ ﺍﻧﻔﺮﺍﺩﻳﺔ ﻻ‬
‫ﻭﺳﻂ ﺭﻳﺎﺽ ﻭﻏﺎﺑﺎﺕ ﻣﻜﺴﻮﺓ ﺑﺄﺷﺠﺎﺭ ﺍﻟﺴﺮﻭ ﻭﺍﻟﺒﻠﻮﻁ ﻭﺍﻟﻜﺴﺘﻨﺎﺀ ﻭﺍﻟﺼﻨﻮﺑﺮ ﻭﺍﻟﺰﺍﻥ ﻭﺍﻟﺰﻳﺰﻓﻮﻥ ﻭﺍﻟﺒﺘﻮﻻ‬
‫ﻭﺍﳊﻮﺭ ﺍﻟﺮﻭﻣﻲ ﻭﺍﻹﻋﺸﺎﺏ ﻭﺍﳋﻀﺮﺓ‪.‬‬
‫ﺗﻮﻗﻔﺖ ﺃﺧﻴﺮﺍ ﹰ ﺣﺮﻛﺔ ﺍﻟﻘﻄﺎﺭ‪ ،‬ﻓﺒﻌﺪ ﻣﺴﻴﺮﺓ ﻗﻄﻊ ﺧﻼﻟﻬﺎ ‪٧٥٠‬ﻛﻴﻠﻮ ﻣﺘﺮﺍ ﹰ ﺗﻘﺮﻳﺒﺎ‪ ،‬ﻫﺎﻫﻮ ﺍﻟﻘﻄﺎﺭ‬
‫ﺍﻟﻌﺘﻴﻖ ﻳﻠﻔﻆ ﻣﺎ ﻓﻲ ﺟﻮﻓﻪ ﻓﻲ ﺍﶈﻄﺔ‪ ،‬ﺍﻟﻮﻗﺖ ﻛﺎﻥ ﻣﺒﻜﺮﺍﹰ‪ ،‬ﺑﺪﺍ ﻭﺟﻪ ﺍﳌﺪﻳﻨﺔ ﻏﺎﻃﺎ ﹰ ﻓﻲ ﺳﺒﺎﺕ ﻏﺴﻖ‬
‫ﺍﻟﻔﺠﺮ ﺍﳌﻨﺴﻠﺔ ﺧﻴﻮﻃﻪ ﺍﻟﺒﻴﻀﺎﺀ ﻓﻲ ﺍﻷﻓﻖ ﻣﺒﺪﺩﺓ ﻭﺣﺸﺔ ﺍﻟﻌﺘﻤﺔ ﺍﳌﻠﺘﺤﻔﺔ ﺍﳌﻜﺎﻥ‪ ،‬ﻗﺮﻗﻌﺎﺕ ﺃﺣﺬﻳﺔ‬
‫ﻓﻲ ﺍﻟﺸﻌﻮﺭ ﻋﻠﻰ ﻣﺼﺎﻓﺤﺔ ﻣﺼﺪﺭ‬
‫ﺍﻟﻨﺴﻮﺓ ﺗﺨﺘﺮﻕ ﺳﻜﻴﻨﺔ ﻭﺭﺗﺎﺑﺔ ﺍﻟﻠﺤﻈﺔ‪ ،‬ﻗﺮﻗﻌﺔ ﻟﻄﺎﳌﺎ ﺃﻳﻘﻈﺖ ﹼ‬
‫ﺍﻧﺒﻌﺎﺛﻬﺎ ﺭﻏﻢ ﺃﻧﻔﻲ‪.‬ﺍﳊﺎﻓﻠﺔ ﺍﻟﻮﺍﻗﻔﺔ ﻓﻲ ﻓﻨﺎﺀ ﺍﶈﻄﺔ ﻗﺎﺑﻠﺘﻨﺎ ﺑﻮﺟﻪ ﻋﺒﻮﺱ ﻭﻓﺎﺗﺮ‪ ،‬ﻓﻨﺪﻕ »ﻣﻴﺮ« ﺍﻟﺮﺍﺑﺾ‬
‫ﺑﺸﻤﻮﺧﻪ ﻓﻲ ﺻﺪﺭ ﺭﺑﻮﺓ ﻛﺄﻧﻪ ﻳﺰﻓﺮ ﻛﺂﺑﺔ ﻇﻠﻤﺔ ﺁﺧﺮ ﺍﻟﻠﻴﻞ ﻓﻲ ﻭﺟﻮﻫﻨﺎ ﻧﺤﻦ ﺍﻟﻮﺍﻓﺪﻭﻥ ﻟﻪ‪ ،‬ﻓﺤﺘﻰ‬
‫ﻣﻮﻇﻔﺔ ﺍﻻﺳﺘﻘﺒﺎﻝ ﺃﻳﻀﺎ ﺍﺳﺘﻘﺒﻠﺘﻨﺎ ﺑﻮﺟﻪ ﻭﺍﺟﻢ ﻭﺑﺰﻓﺮﺍﺕ ﲤﺎﺛﻞ ﺃﻧﻔﺎﺱ ﺷﺠﺮ ﺍﳌﺪﻳﻨﺔ‪ ،‬ﻟﻢ ﺃﺣﺘﻤﻞ ﻛﺂﺑﺔ‬
‫ﺍﻟﺪﻗﺎﺋﻖ ﻓﻜﺴﺮﺕ ﺣﺎﻟﺔ ﺍﻟﺼﻤﺖ ﺍ‪‬ﻴﻤﺔ ﻓﻲ ﺻﺎﻟﺔ ﺍﻻﻧﺘﻈﺎﺭ‪ :‬ﺃﻫﻜﺬﺍ ﻳﺎ ﻛﻴﻴﻒ ﻳﺎ ﺳﺖ ﺍﳊﺴﻦ ﻭﺍﳉﻤﺎﻝ‬
‫ﺗﺴﺘﻘﺒﻠﲔ ﻣﺤﺒﺎ ﹰ ﻣﺘﻴﻤﺎ ﹰ ﻓﻴﻚ!! ﻟﺴﺖ ﺍﻷﻣﻴﺮ ﺧﺎﻥ ﺑﺂﻱ ﺍﻟﻌﺘﻞ ﺍﻟﺰﻧﻴﻢ ﺍﻟﻄﺎﻣﻊ ﺑﻀﻤﻚ ﻏﺼﺒﺎ ﹰ ﳌﻤﻠﻜﺘﻪ‬
‫ﺣﺘﻰ ﺗﻨﻔﺜﲔ ﺑﻮﺟﻬﻲ ﺯﻓﻴﺮ ﺃﺳﺎﻙ ﻭ ﺣﺰﻧﻚ!! ﻓﺄﻧﺎ ﻣﺜﻞ ﺍﻷﻣﻴﺮ ﺷﻐﻮﻑ ﺑﺴﺤﺮﻙ ﻭﺩﻻﻟﻚ ﻭﻻ ﺃﺷﺒﻬﻪ ﻓﻲ‬
‫ﻋﺸﻘﻲ ﻭﻏﺰﻭﺗﻲ!‬
‫ﻓﻲ ﺍﻟﺼﺒﺎﺡ ﻧﻬﻀﺖ ﻋﻠﻰ ﻗﺮﻋﺎﺕ ﺑﺎﺏ ﺍﻟﻐﺮﻓﺔ‪ ،‬ﻓﻤﻦ ﻋﻠﻮ ﺍﳌﻜﺎﻥ ﺍﳌﻄﻞ ﻋﻠﻰ ﺃﻛﺜﺮ ﻣﻦ ﻭﺟﻪ ﺑﺎﻧﻮﺭﺍﻣﻲ‬
‫ﻟﻜﻴﻴﻒ ﻛﺎﻧﺖ ﺍﺳﺘﻔﺎﻗﺘﻲ ﺍﻟﺘﻲ ﺃﻳﻘﻈﺖ ﻣﻌﻬﺎ ﻛﻞ ﺣﻮﺍﺳﻲ‪ ،‬ﻣﻦ ﻧﺎﻓﺬﺓ ﺍﳊﺠﺮﺓ ﻗﺪﺭ ﻟﻲ ﳌﺢ ﻭﺟﻪ ﺍﳌﺪﻳﻨﺔ‬
‫ﺍﻟﺒﺪﻳﻊ ﻷﻭﻝ ﻣﺮﺓ‪ ،‬ﻭﺟﻪ ﻣﻦ ﻭﺟﻮﻩ ﻣﺘﻌﺪﺩﺓ‪ ،‬ﻓﻜﻴﻴﻒ ﻟﻬﺎ ﺃﻛﺜﺮ ﻣﻦ ﻭﺟﻪ ﻭﺃﻛﺜﺮ ﻣﻦ ﻣﻠﻤﺢ ﻭﺻﻮﺭﺓ‪ ،‬ﻣﺎ‬
‫ﺭﺃﻳﺘﻪ ﺣﲔ ﺍﻟﻮﺻﺎﻝ ﻟﻴﺲ ﺇﻻ ﺍﻟﻮﺟﻪ ﺍﳌﻌﺘﻢ ﳌﺮﺁﺓ ﺳﺎﻃﻌﺔ ﺍﻟﻀﻮﺀ ﻓﻲ ﺃﻛﺜﺮ ﻣﻦ ﻭﺟﻪ‪ ،‬ﺑﻌﺪ ﺃﻥ ﺍﻧﺼﺪﻉ‬
‫ﻋﻤﻮﺩ ﺍﻟﺼﺒﺎﺡ ﻭﺃﺷﺮﻗﺖ ﺍﻟﺸﻤﺲ ﻋﻠﻰ ﺍﳌﺪﻳﻨﺔ ﻣﻦ ﻭﺭﺍﺀ ﺧﺪﺭﻫﺎ ﺑﺪﺕ ﻛﻴﻴﻒ ﺑﺄﻭﺟﻪ ﻣﺘﻌﺪﺩﺓ ﻻ ﲡﻤﻌﻬﺎ‬
‫ﻋﺪﺳﺔ ﻭﺍﺣﺪﺓ ﺃﻭ ﻋﲔ‪ ،‬ﻓﻜﻴﻴﻒ ﻓﻲ ﺗﻼﻟﻬﺎ ﻭﺍﻟﺘﻮﺍﺀﺍﺗﻬﺎ ﻭﻣﻨﺤﺪﺭﺍﺗﻬﺎ ﻭﻫﻀﺎﺑﻬﺎ ﺗﺸﺒﻪ ﺗﻀﺎﺭﻳﺴﻬﺎ ﺍﳊﺎﳌﺔ‬
‫ﺗﻌﺰ‪ ،‬ﺍﻟﻔﺎﺭﻕ ﺃﻥ ﺍﻷﺧﻴﺮﺓ ﺑﺴﻴﻄﺔ ﻭﳝﻜﻦ ﺟﻤﻌﻬﺎ ﻓﻲ ﻣﺸﻬﺪ ﻣﻦ ﺟﺒﻞ ﺻﺒﺮ ﺍﻟﺸﺎﻫﻖ ﺑﻴﻨﻤﺎ ﻛﻴﻴﻒ ﻻ‬
‫ﲡﺘﻤﻊ ﻓﻲ ﺻﻮﺭﺓ ﻭﺍﺣﺪﺓ ﺳﻮﻯ ﻣﻦ ﺍﻟﻔﻀﺎﺀ‪ ،‬ﻓﻤﺴﺎﺣﺘﻬﺎ ﺍﳌﺘﻤﺪﺩﺓ ﻋﻠﻰ ﻃﻮﻝ ﺿﻔﺘﻲ ﺍﻟﻨﻬﺮ ﻭ ﻷﻛﺜﺮ ﻣﻦ‬
‫ﺧﻤﺴﲔ ﻛﻴﻠﻮﻣﺘﺮ ﻣﻦ ﺍﻟﺸﻤﺎﻝ ﺇﻟﻰ ﺍﳉﻨﻮﺏ ﻧﺎﻫﻴﻚ ﻋﻦ ﻛﻮﻧﻬﺎ ﻭﺍﻗﻌﺔ ﻓﻮﻕ ﺳﻠﺴﻠﺔ ﻣﻦ ﺍﻟﺘﻼﻝ ﺍﳌﻨﺤﺪﺭﺓ‬
‫ﻭﺍﳌﺮﺗﻔﻌﺔ ﺗﺪﺭﻳﺠﻴﺎ ﹰ ﻓﻮﻕ ﻣﺴﺘﻮﻯ ﻧﻬﺮ ﺍﻟﺪﻧﻴﺒﺮ ﺟﻌﻠﺖ ﻣﻦ ﺍﻻﺳﺘﺤﺎﻟﺔ ﺟﻤﻊ ﻫﺬﻩ ﺍﳌﺪﻳﻨﺔ ﺍﻟﻐﺎﺭﻗﺔ ﺑﺎﳋﻀﺮﺓ‪،‬‬
‫ﻭﺍﳊﺪﺍﺋﻖ‪ ،‬ﻭﺍﻟﺮﻳﺎﺽ‪ ،‬ﻭﺍﻟﻬﻀﺎﺏ‪ ،‬ﻭﺍﻟﻜﺎﺗﺪﺭﺍﺋﻴﺎﺕ ﺫﺍﺕ ﺍﻟﻘﺒﺎﺏ ﺍﻟﺬﻫﺒﻴﺔ ﻓﻲ ﻣﺸﻬﺪ ﻭﺍﺣﺪ ﻣﻦ ﺍﻷﺭﺽ‪.‬‬
‫ﻛﻴﻴﻒ ﺑﺤﻖ ﻣﺨﻠﻮﻗﺔ ﻣﻦ ﺍﻷﺳﺎﻃﻴﺮ ﻭﺍﻟﻴﻘﲔ‪ ،‬ﻓﻌﻮﺽ ﻋﻦ ﺍﻷﺳﻄﻮﺭﺓ ﺍﻟﻘﺎﺋﻠﺔ ﺑﺘﺄﺳﻴﺴﻬﺎ ﻗﺒﻞ‬
‫ﻋﺸﺮﻳﻦ ﺃﻟﻒ ﺳﻨﺔ ﻭﲢﺪﻳﺪﺍ ﹰ ﻓﻲ ﺍﻟﻌﺼﺮ ﺍﳊﺠﺮﻱ ﻋﻠﻰ ﻳﺪﻱ ﺍﻷﺭﺑﻌﺔ ﺍﻷﺷﻘﺎﺀ ﻛﻴﻲ ﻭﺷﺘﺸﻴﻚ ﻭﺧﻮﺭﻳﻒ‬
‫ﻭﺷﻘﻴﻘﺘﻬﻢ ﻟﻴﺒﻴﺪ ﺍﻟﺬﻳﻦ ﻛﺎﻧﻮﺍ ﻳﺒﺤﺮﻭﻥ ﻓﻲ ﺍﻟﻨﻬﺮ ﻭﻋﻨﺪ ﺭﺅﻳﺘﻬﻢ ﺍﻟﺘﻼ ﹶﻝ ﻗﺮﺭﻭﺍ ﺍﻟﻨﺰﻭﻝ ﻣﻦ ﺍﻟﻴﺨﺖ ﻭﻣﻦ‬
‫ﺛﻢ ﺍﻻﺳﺘﻴﻄﺎﻥ ﻓﻲ ﺍﳌﻜﺎﻥ ﺍﻟﺬﻱ ﺃﺟﻤﻊ ﺍﻷﺷﻘﺎﺀ ﻋﻠﻰ ﺗﺴﻤﻴﺘﻪ ﺑﺎﺳﻢ ﺍﻟﺸﻘﻴﻖ ﺍﻷﻛﺒﺮ ﻛﻴﻲ‪ ،‬ﻓﺈ ﱠﻥ ﺍﳌﺪﻳﻨﺔ‬
‫ﻓﻲ ﺍﻟﻮﺍﻗﻊ ﻣﻦ ﺃﺟﻤﻞ ﻣﺪﻥ ﺃﻭﺭﻭﺑﺎ ﻋﻠﻰ ﺍﻹﻃﻼﻕ‪ ،‬ﺇﺫ ﺟﻤﻌﺖ ﻣﺎﺑﲔ ﺟﻤﺎﻝ ﺍﻟﻄﺒﻴﻌﺔ ﺍﻷﻭﺭﺑﻴﺔ ﻭﻋﺮﺍﻗﺔ‬
‫ﺍﳌﺎﺿﻲ ﻭﺣﺪﺍﺛﺔ ﺍﻟﻌﺼﺮ‪ ،‬ﻓﻬﻲ ﺇﺫﻥ ﻣﺪﻳﻨﺔ ﻛﻞ ﺍﻟﻌﺼﻮﺭ ﻭﺍﻷﺩﻳﺎﻥ ﻭﺍﻷﺟﻨﺎﺱ ﻭﺍﳋﺮﺍﻓﺔ ﻭﺍﻟﻮﺍﻗﻊ‪ ،‬ﻓﻠﻢ ﺗﺨﻂ‬
‫ﺍﳌﺮﺷﺪﺓ ﺍﻟﺴﻴﺎﺣﻴﺔ ﺣﻴﻨﻤﺎ ﺍﺳﺘﻌﺎﺭﺕ ﻭﺻﻔﺎ ﹰ ﺃﻃﻠﻘﻪ ﺃﺣﺪ ﺃﺳﺎﻃﻨﺔ ﺍﻟﺴﻴﺎﺣﺔ ﻓﻲ ﺃﻭﺭﻭﺑﺎ ﻋﻠﻰ ﻛﻴﻴﻒ‬
‫ﻭﺍﻟﻘﺎﺋﻞ )ﺭﺃﻳﺖ ﺣﺪﺍﺋﻖﹶ ﻭﺧﻀﺮﺓ ﻓﻲ ﺍﳌﺪﻥ ﻟﻜﻨﻨﻲ ﻟﻢ ﺃﺟﺪ ﻣﺪﻳﻨﺔ ﻓﻲ ﺣﺪﻳﻘﺔ ﺳﻮﻯ ﻛﻴﻴﻒ(‬
‫ﻓﻲ ﻓﺼﻞ ﺍﻟﺼﻴﻒ ﺗﻜﻮﻥ ﺍﳌﺪﻳﻨﺔ ﺑﲔ ﻋﺎﳌﲔ ﻣﻦ ﺍﻟﻮﺟﻮﺩ ﻭﺍﳋﻠﻮﺩ‪ ،‬ﻓﺎﻻﺛﻨﺎﻥ ﺗﻮﺃﻣﺎﻥ ﻓﻲ ﺑﻘﻌﺔ ﻭﺍﺣﺪﺓ ﻭﺯﻣﻦ‬
‫ﻭﺍﺣﺪ‪ ،‬ﻛﺎﺗﺪﺭﺍﺋﻴﺎﺕ ﺑﻘﺒﺎﺑﻬﺎ ﺍﳌﻄﻠﻴﺔ ﲟﺎﺀ ﺍﻟﺬﻫﺐ ﻭﺟﺪﺭﺍﻥ ﻳﻜﺴﻮﻫﺎ ﺍﻟﻜﻠﺲ ﺍﻷﺯﺭﻕ ﻭﺍﻷﺧﻀﺮ ﻭﺍﻷﺑﻴﺾ‪،‬‬
‫ﻛﻨﻴﺴﺔ ﺍﻟﻘﺪﻳﺴﺔ ﺻﻮﻓﻴﺎ ﻭﺍﺣﺪﺓ ﻣﻦ ﻛﺎﺗﺪﺭﺍﺋﻴﺎﺕ ﺍﻟﻜﻨﻴﺴﺔ ﺍﻟﺸﺮﻗﻴﺔ ﺍﻷﺭﺛﻮﺫﻛﺴﻴﺔ ﺑﻼ ﺃﺟﺮﺍﺱ ﺑﻼ‬
‫ﹸﻋ ﹼﺒﺎﺩ ﻳﺆﻣﻮﻧﻬﺎ‪ ،‬ﻛﻨﻴﺴﺔ ﺍﻟﻌﺬﺭﺍﺀ ﻻ ﺃﺩﺭﻱ ﺃﻳﻦ ﻣﻮﺿﻌﻬﺎ ﺑﲔ ﻫﺬﻩ ﺍﻟﻜﻨﺎﺋﺲ؟ ﻻ ﺃﺩﺭﻱ ﳌﺎﺫﺍ ﺷﻌﺮﺕ ﺑﺎﻟﺮﻫﺒﺔ‬
‫ﻭﺍﻟﺮﻭﺣﺎﻧﻴﺔ ﻭﺃﻧﺎ ﺃﺗﺄﻣﻞ ﻓﻲ ﺍﻟﻜﺎﺗﺪﺭﺍﺋﻴﺎﺕ ﺍﳌﺴﻴﺤﻴﺔ ﺍﻟﻘﺪﳝﺔ ﺍﳌﺸﻜﻠﺔ ﻟﺮﻭﺡ ﺍﳌﺪﻳﻨﺔ؟ ﻓﺒﻌﺪ ﻧﺤﻮ ﺃﻟﻒ‬
‫ﻋﺎﻡ ﻋﻠﻰ ﺍﻋﺘﻨﺎﻕ ﺍﻷﻣﻴﺮ ﻓﻼﺩﳝﻴﺮ ﺍﳌﺴﻴﺤﻴﺔ ﻭﻛﻴﻴﻒ ﺗﻌﺪ ﻣﺮﻛﺰ ﺍﻟﻌﺎﻟﻢ ﺍﳌﺴﻴﺤﻲ ﺍﻷﺭﺛﻮﺫﻛﺴﻲ ﻓﻲ‬
‫ﺃﻭﺭﻭﺑﺎ‪ ،‬ﻓﻤﻨﺬ ﻭﺟﻮﺩ ﻛﻴﻴﻒ ﻗﺒﻞ ‪١٥٠٠‬ﻋﺎﻡ ﻭﻫﻲ ﻗﺒﻠﺔ ﻟﻠﻤﺴﻴﺤﻴﺔ ﺇﻟﻰ ﺃﻥ ﻗﺎﻣﺖ ﺛﻮﺭﺓ ﺃﻛﺘﻮﺑﺮ ﺍﻟﺒﻠﺸﻔﻴﺔ‬
‫‪١٩١٧‬ﻡ‪ ،‬ﻻ ﺃﺣﺪ ﺍﻟﻴﻮﻡ ﺳﻴﺤﺪﺛﻚ ﻋﻦ ﻛﺎﺗﺪﺭﺍﺋﻴﺔ ﺍﻟﻘﺪﻳﺴﺔ ﺻﻮﻓﻴﺎ ﺃﻭ ﺃﻧﺪﺭﻳﻴﻔﺴﺎﻛﻴﺎ ﺃﻭ ﺍﳌﺴﻴﺢ ﺍ‪‬ﻠﺺ‪،‬‬
‫ﺃﻭ ﻋﻦ ﺍﻟﻜﻨﻴﺴﺔ ﺍﻷﻭﻟﻰ ﻓﻲ ﻣﻨﻄﻘﺔ ﺑﺘﺸﻴﺮﺳﻜﺎ ﺍﳌﺰﻳﻨﺔ ﲟﻮﺯﺍﻳﻴﻚ ﻭﺭﺳﻮﻣﺎﺕ‪ ،‬ﺗﻼﻝ ﻭﺧﻀﺮﺓ ﻭﺷﺠﺮ‬
‫ﺑﻠﻮﻁ ﳝﺘﺪ ﻋﻤﺮﻫﺎ ﻷﻟﻒ ﻋﺎﻡ‪ ،‬ﻭﻗﺼﻮﺭ ﺃﺑﻬﺔ‪ ،‬ﻭﻣﺂﺛﺮ ﺳﻄﺮﻫﺎ ﺃﻫﻞ ﺍﳌﺪﻳﻨﺔ ﻓﻲ ﻣﻘﺎﻭﻣﺔ ﺍﻟﻐﺰﺍﺓ ﺍﻟﻄﺎﻣﻌﲔ‪،‬‬
‫ﲤﺜﺎﻝ ﺍﻟﺒﻄﺮﻳﺮﻙ ﺍﻟﺬﻱ ﳝﺜﻞ ﻣﺘﺤﻔﺎ ﹰ ﻟﻠﺤﺮﺏ ﺍﻟﻌﺎﳌﻴﺔ ﺍﻟﺜﺎﻧﻴﺔ ﻭﺍﺣﺪ ﻣﻨﻬﺎ ﻭﻳﺸﺒﻪ ﲤﺜﺎﻝ ﺍﳊﺮﻳﺔ ﺍﻟﺸﻬﻴﺮ‬
‫ﻓﻲ ﻧﻴﻮﻳﻮﺭﻙ‪.‬‬
‫ﻏﻨﺞ ﻭﺩﻻﻝ ﻭﺷﻲﺀ ﻣﻦ ﺍﻟﺒﺆﺱ ﻭﺍﻟﻌﻴﻠﺔ ﺍﳌﻤﺰﻭﺟﲔ ﺑﺎﻷﻧﻔﺔ ﻭﺍﻟﻜﺒﺮﻳﺎﺀ‪ ،‬ﺣﺘﻰ ﻧﻬﺮ ﺍﻟﺪﻧﻴﺒﺮ ﺛﺎﻟﺚ ﺃﻃﻮﻝ ﺍﻧﻬﺎﺭ‬
‫ﺃﻭﺭﻭﺑﺎ ‪ ٢٢٨٦‬ﻛﻢ ﻣﻨﻬﺎ ‪١٢٠٥‬ﻛﻢ ﻓﻲ ﺃﻭﻛﺮﺍﻧﻴﺎ‪ ،‬ﻛﺄﻧﻪ ﻣﺜﻠﻲ ﻓﻲ ﻫﺪﻭﺀﻩ ﻭﺍﻏﺘﺮﺍﺑﻪ‪ ،‬ﻓﻬﺬﺍ ﺍ‪‬ﺮﻯ ﺍﻟﻨﺎﺑﻊ ﻣﻦ‬
‫ﻫﻀﺒﺔ ﻓﺎﻟﺪﺍﻱ ﺑﺮﻭﺳﻴﺎ ﻳﺠﺮﻱ ﻣﺎﺅﻩ ﻓﻲ ﺭﻭﺳﻴﺎ ﻭﺑﻴﻠﻮﺭﻭﺳﻴﺎ ﻗﺒﻞ ﺃﻥ ﻳﺼﻞ ﺑﻼﺩ ﺍﻟﺴﻜﺮ)ﺃﻭﻛﺮﺍﻧﻴﺎ( ‪ -‬ﻭﻓﻖ‬
‫ﺗﻌﺒﻴﺮ ﻗﺪﻣﺎﺀ ﺍﻷﻭﺭﺑﻴﲔ ‪ -‬ﻟﻴﺮﻭﻱ ﻛﻴﻴﻒ ﺍﻟﺘﻲ ﻳﺸﻘﻬﺎ ﺇﻟﻰ ﺿﻔﺘﲔ ﻣﻀﻔﻴﺎ ﹰ ﻋﻠﻴﻬﺎ ﺳﺤﺮﺍ ﹰ ﻭﺟﻤﺎﻻ ﹰ ﻳﺨﻴﻞ‬
‫ﻟﻠﻤﺮﺀ ﺃﻧﻪ ﻓﻲ ﺍﻟﻔﺮﺩﻭﺱ‪ ,‬ﻋﺸﻘﺘﻪ ﻣﻦ ﺃﻭﻝ ﻧﻈﺮﺓ ﺭﻏﻢ ﻣﺴﺤﺔ ﺍﻟﻮﺟﻢ ﺍﻟﺒﺎﺩﻳﺔ ﻋﻠﻰ ﻭﺟﻬﻪ‪ ،‬ﻻ ﺃﺩﺭﻱ ﻣﺎ‬
‫ﺳﺮ ﻫﺬﺍ ﺍﻟﻮﻟﻊ ﺑﻪ؟ ﻫﻞ ﻷﻧﻪ ﻳﺸﺒﻬﻨﻲ ﻓﻲ ﺑﺆﺳﻲ ﻭﺍﻏﺘﺮﺍﺑﻲ؟ ﺃﻡ ﺃﻥ ﻛﻼﻧﺎ ﻋﺎﺑﺮ ﺳﺒﻴﻞ ﻭﺳﻨﻤﻀﻲ ﺳﻮﻳﺔ‬
‫ﺇﻟﻰ ﻫﻨﺎﻙ ﺣﻴﺚ ﻣﺜﻮﺍﻩ ﻓﻲ ﺗﺨﻮﻡ ﺍﻟﺒﺤﺮ ﺍﻷﺳﻮﺩ ﺷﺮﻕ ﻣﺪﻳﻨﺘﻲ ﺍﳉﻤﻴﻠﺔ ﺃﻭﺩﻳﺴﺎ!!‬
‫ﻛﻞ ﻣﺎ ﳝﺘﻊ ﺍﻟﻌﲔ ﻣﻦ ﺭﻭﺿﺎﺕ ﻭﺟﻨﺎﻥ ﺍﻟﻄﺒﻴﻌﺔ ﲡﻮﺩ ﺑﻪ ﻛﻴﻴﻒ ﺑﺠﺰﻝ ﻻ ﻧﻈﻴﺮ ﻟﻪ‪ ،‬ﻟﻜﻨﻨﻲ ﺗﻌﻮﺯﻧﻲ ﺃﻧﺜﻰ‬
‫ﺗﺆﻧﺲ ﻭﺣﺪﺗﻲ ﻭﺗﺒﻬﺠﻨﻲ ﻓﻲ ﺍﳌﺪﻳﻨﺔ ﺍﳌﻸﻯ ﺑﺎﻟﻐﺎﻧﻴﺎﺕ‪ ،‬ﺁﻩ ﻟﻮ ﺃﻥ ﱠﺭﺍﻋﻴﺔ ﺍﻟﻀﺎﻥ ﺃﺷﺠﺎﻥ ﺑﺠﻮﺍﺭﻱ ﻫﻨﺎ ﻓﻲ‬
‫ﺟﻨﺔ ﺍﻟﺪﻧﻴﺎ‪ ،‬ﲤﻨﻴﺖ ﻟﻮ ﺃﻥ ﻣﻌﻠﻤﺘﻲ ﺃﻧﻮﺷﻜﺎ ﺳﺘﻨﺒﻊ ﻣﻦ ﻣﺎﺀ ﺍﻟﻨﻬﺮ ﺍﻟﻬﺎﺩﺉ ﻧﺤﻠﺔ ﻛﻌﺮﻭﺳﺔ ﺍﻟﺒﺤﺮ‪،‬‬
‫ﻓﻜﻞ ﺍﻷﺳﺎﻃﻴﺮ ﻓﻲ ﻣﺪﻳﻨﺔ ﺍﻷﺳﺎﻃﻴﺮ ﳑﻜﻨﺔ‪ ،‬ﻛﻴﻴﻒ ﻟﻮﺍﺣﺪ ﻣﺜﻠﻲ ﺑﺪﺕ ﻫﺎﻣﺪﺓ ﺑﺎﺭﺩﺓ ﻓﻲ ﻋﺰ ﻗﻀﻴﻀﻬﺎ‬
‫ﻭﺻﺨﺒﻬﺎ‪ ،‬ﺭﲟﺎ ﻇﻼﻝ ﺷﺠﺮﻫﺎ ﺍﻟﺪﺍﺋﺐ ﻛﺎﻥ ﻭﺭﺍﺀ ﻫﺬﻩ ﺍﻟﺮﺗﺎﺑﺔ ﻭﺍﻟﻜﺂﺑﺔ ﺍﳌﺸﺎﻫﺪﺗﲔ ﻓﻲ ﺍﻟﺴﺎﺑﻠﺔ!! ﻻﺷﻲﺀ‬
‫ﻣﻦ ﺻﺨﺐ ﻭﻣﺮﺡ ﻭﻋﻨﻔﻮﺍﻥ ﺃﻭﺩﻳﺴﺎ‪ ،‬ﺭﲟﺎ ﺗﻌﺪﺩ ﺃﻭﺟﻪ ﺍﳌﺪﻳﻨﺔ ﺃﺭﺑﻜﻨﻲ ﺟﻌﻠﻨﻲ ﻻ ﺃﻓﺮﻕ ﺑﲔ ﻭﺟﻪ ﻭﺁﺧﺮ! ﻭﻗﺪ‬
‫ﻳﻜﻮﻥ ﻣﻦ ﺳﻮﺀ ﻃﺎﻟﻌﻲ ﺃﻧﻨﻲ ﺭﺃﻳﺖ ﻓﻮﺩﻫﺎ ﺍﻟﺮﺗﻴﺐ ﻓﻲ ﻛﻞ ﻣﺮﺓ ﺗﻄﻠﻌﺖ ﻓﻴﻬﺎ!‬
‫ﻓﻲ ﺍﻟﻠﻴﻞ ﻛﻴﻴﻒ ﺃﺷﺒﻪ ﲟﻠﻬﻰ ﺭﺣﺐ ﻭﻣﻊ ﺫﻟﻚ ﻓﻀﻠﺖ ﺍﳌﻠﻬﻰ ﺍﻟﺼﻐﻴﺮ ﻋﻠﻨﻲ ﺑﺎﳌﻮﺳﻴﻘﻰ ﻭﺍﻟﻄﺮﺏ‬
‫ﺍﻟﺼﺎﺩﺣﲔ ﻣﻦ ﻗﺎﻋﺔ ﺍﻟﻔﻨﺪﻕ ﺃﻃﺮﺩ ﺍﻟﻐﻢ ﻭﺍﻟﻬﻢ ﻣﻦ ﻟﻮﻋﺔ ﺍﻻﺷﺘﻴﺎﻕ‪ ،‬ﻣﻦ ﻳﺪﺭﻱ ﻓﻘﺪ ﺗﻜﻮﻥ ﺃﻧﻮﺷﻜﺎ‬
‫ﺿﻤﻦ ﺍﻟﻨﺎﺯﻟﲔ ﻫﺬﺍ ﺍﻟﺼﺒﺎﺡ! ﺣﺴﻨﺎﻭﺍﺕ ﻳﻌﺞ ﺑﻬﻦ ﺍﳌﻠﻬﻰ‪ ،‬ﺳﺎﺋﺤﺎﺕ ﺃﳌﺎﻧﻴﺎﺕ ﻣﻸﻥ ﺍﳌﻜﺎﻥ ﺣﻴﻮﻳﺔ ﻭﺣﺒﻮﺭﺍﹰ‪،‬‬
‫ﺟﻤﻴﻌﻬﻦ ﻣﻦ ﺷﺒﻴﺒﺔ ﺍﻟﻜﻤﻴﺴﻤﻮﻝ ﻓﻲ ﺃﳌﺎﻧﻴﺎ ﺍﻟﺸﺮﻗﻴﺔ‪ ،‬ﻻ ﺃﺫﻛﺮ ﻛﻢ ﺭﺍﻗﺼﺖ ﻣﻦ ﺍﻟﻔﺘﻴﺎﺕ ﺍﳉﻤﻴﻼﺕ‬
‫ﻭﺍﻟﺮﺷﻴﻘﺎﺕ ﻟﻴﻠﺘﺌﺬ؟؟ ﻣﺎ ﺃﻋﻠﻤﻪ ﻫﻮ ﺇﻧﻬﻦ ﺃﺫﻫﱭ ﻟﺒﻲ ﲟﺮﺍﻫﻘﺘﻬﻦ ﻭﻧﻘﺎﺋﻬﻦ ﻭﻣﺤﺎﻭﻟﺘﻬﻦ ﺍﻟﺒﺎﺋﺴﺔ‬
‫ﻟﺘﻌﻠﻴﻤﻲ ﺍﻟﻠﻐﺔ ﻭﺍﻟﺮﻗﺺ؛ ﻭﺣﺘﻰ ﺍﻟﻘﺒﻼﺕ ﻭﻋﻠﻰ ﻃﺮﻳﻘﺔ ﻛﻴﻒ ﺗﺘﻌﻠﻢ ﺍﻷﳌﺎﻧﻴﺔ ﻓﻲ ﻟﻴﻠﺔ ﺣﻤﺮﺍﺀ؟‬
‫ﻋﻨﺪ ﺗﻮﻗﻒ ﺍﳉﻮ ﺍﳌﺎﺋﺞ ﺑﺎﻷﻧﻮﺍﺭ ﻟﺒﺮﻫﺔ ﻛﺎﺷﻒ ﻣﺎ ﺧﻔﻲ‪ ،‬ﺳﺮﺭﺕ ﺑﺮﺅﻳﺔ ﺃﺭﺑﻌﺔ ﻣﻦ ﺑﻨﻲ ﺟﻠﺪﺗﻲ ﻓﻲ ﺍﻟﻨﺎﺣﻴﺔ‬
‫ﺍﳌﻘﺎﺑﻠﺔ‪ ،‬ﻓﻤﻦ ﻣﻼﻣﺤﻬﻢ ﻭﻭﺟﻮﺩﻫﻢ ﻓﻲ ﺣﺎﻧﺔ ﻻ ﻳﻘﻮﻯ ﻋﻠﻴﻬﺎ ﻏﻴﺮ ﺍﻟﻌﺎﻣﺮﺓ ﺟﻴﻮﺑﻬﻢ ﺑﺎﳌﺎﻝ‪ ،‬ﻣﺎ ﻳﺆﻛﺪ‬
‫ﺃﻧﻬﻢ ﻋﺮﺏ ﺃﻗﺤﺎﺡ‪ ،‬ﻃﺎﻫﺮ ﻭﻭﻟﻴﺪ ﻣﻦ ﻓﻠﺴﻄﲔ ﻭﻋﺒﺪ ﺍﻟﻮﻫﺎﺏ ﻭﺣﺴﻦ ﻣﻦ ﺍﻟﻴﻤﻦ‪ ،‬ﺃﺭﺑﻌﺘﻬﻢ ﻳﺪﺭﺳﻮﻥ‬
‫ﺍﻟﺸﻴﻮﻋﻴﺔ ﻭﺍﻟﻌﻼﻗﺎﺕ ﺍﻟﺪﻭﻟﻴﺔ‪ ،‬ﻓﺮﺣﺘﻲ ﺑﻬﻢ ﻟﻢ ﺗﺪﻡ ﺳﻮﻯ ﺩﻗﺎﺋﻖ ﺇﺫ ﻛﺎﻧﺖ ﺟﺮﺍﻣﺎﺕ ﻣﻦ ﻧﺒﻴﺬ ﺃﺭﻣﻴﻨﻲ‬
‫ﻛﻔﻴﻠﺔ ﺑﺈﺣﺎﻟﺘﻬﻢ ﺇﻟﻰ ﺩﻳﻜﺔ ﺗﺘﻌﺎﺭﻙ‪ ،‬ﻓﻄﺎﻫﺮ ﻭﻭﻟﻴﺪ ﺍﳌ ﱠﺘﺸﺤﺎﻥ ﺑﻌﻠﻢ ﻓﻠﺴﻄﲔ ﻛﺎﻧﺎ ﻳﺮﻓﻌﺎﻥ ﻧﺨﺒﻬﻤﺎ‬
‫ﺑﺤﻴﺎﺓ ﻗﺎﺩﺗﻬﻤﺎ‪ ،‬ﺍﻷﻭﻝ ﻳﺮﻓﻊ ﻛﺄﺳﻪ ﺑﺎﺳﻢ ﺃﺑﻲ ﻋﻤﺎﺭ ﻓﻴﺮﺩ ﺍﻵﺧﺮ ﻣﺘﻠﻌﺜﻤﺎ ﹰ ﺑﺤﻴﺎﺓ ﺟﻮﺭﺝ ﺣﺒﺶ‪ ،‬ﻋﺒﺪ‬
‫ﺍﻟﻮﻫﺎﺏ ﻳﺮﻓﻊ ﻧﺨﺒﻪ ﺑﺎﺳﻢ ﻓﺘﺎﺡ ﺍﻟﻌﻈﻴﻢ ﻓﻴﻨﻬﺾ ﺣﺴﻦ ﻣﺮﺗﻌﺸﺎ ﹰ ﻣﺘﺒﺎﻫﻴﺎ ﹰ ﺑﺠﻴﺶ ﻋﻨﺘﺮ ﺍﻟﺒﻄﻞ‪،‬‬
‫ﻳﻨﻔﻀﻮﻥ‬
‫ﱡ‬ ‫ﺃﺭﺑﻌﺘﻬﻢ ﺃﻟﻔﻮﺍ ﺍﳌﻜﺎﻥ ﻭﺍﻋﺘﺎﺩﻭﺍ ﻟﻔﻆ ﻣﺎ ﻓﻲ ﺻﺪﻭﺭﻫﻢ ﻣﻦ ﻛﻮﺍﻣﻦ ﻗﺒﻴﺤﺔ‪ ،‬ﻣﻘﻴﺘﺔ ﻭﻣﻦ ﺛﻢ‬
‫ﻣﻐﺎﺩﺭﻳﻦ ﺍﳌﻠﻬﻰ ﻭﺍﺣﺪﺍ ﹰ ﺑﻌﺪ ﺍﻵﺧﺮ ﻏﻴﺮ ﻋﺎﺑﺌﲔ ﺑﺴﻮﻯ ﻓﺤﻮﻟﺘﻬﻢ ﺍﳌﺘﻮﻗﺪﺓ ﳉﺴﺪ ﻭﻣﻬﺠﻊ‪.‬‬
‫ﺍﳋﺪﺭ ﺃﺣﺴﺴﺖ ﺑﻪ ﻳﺴﺮﻱ ﻓﻲ ﻗﺪﻣﻲ‪ ،‬ﺍﻟﺜﻤﺎﻟﺔ ﺗﻘﻮﺩ ﺻﺎﺣﺒﻬﺎ ﺇﻟﻰ ﺍﻟﻮﺿﺎﻋﺔ ﻭﺍﻟﺴﻔﺎﻟﺔ‪ ،‬ﻣﺎ ﺣﺪﺙ ﻣﻌﻲ‬
‫ﻓﻲ ﺗﻠﻚ ﺍﻟﻠﻴﻠﺔ ﻛﺎﻥ ﺍﻟﻌﻜﺲ‪ ،‬ﻓﺒﻌﺪ ﺍﻷﻗﺪﺍﺡ ﺍﳌﻨﺴﻜﺒﺔ ﻓﻲ ﺟﻮﻓﻲ ﻭ ﻣﺮﺍﻗﺼﺔ ﺍﻟﻔﺘﻴﺎﺕ ﺍﻷﳌﺎﻧﻴﺎﺕ ﺧﺮﺟﺖ‬
‫ﻋﻦ ﺻﻤﺘﻲ ﻭﺧﻮﻓﻲ‪ ،‬ﻓﻸﻭﻝ ﻣﺮﺓ ﺃﻣﺘﻠﻚ ﺍﳉﺮﺃﺓ ﻭﺍﻟﺸﺠﺎﻋﺔ ﻋﻠﻰ ﺍﻟﺒﻮﺡ ﻭﺍﳊﺪﻳﺚ ﻭﺩﻭﳕﺎ ﻣﺮﻳﺔ ﺃﻭ ﺭﻫﺒﺔ‬
‫ﺃﻭ ﺣﺪﻭﺩ‪ ،‬ﻋﻨﺪﻣﺎ ﻧﻔﺾ ﻧﺪﻣﺎﺋﻲ ﺍﻷﺭﺑﻌﺔ ﻣﺎ ﻓﻲ ﺩﻭﺍﺧﻠﻬﻢ ﻣﻦ ﻣﻜﺒﻮﺗﺎﺕ ﺣﻘﻴﻘﻴﺔ ﻣﻌﺒﺮﺓ ﺑﺼﺪﻕ ﻋﻦ‬
‫ﻗﺒﺤﻬﻢ ﺍﻟﻜﺎﻣﻦ‪ ،‬ﺍﻧﺘﺎﺑﺘﻨﻲ ﺭﻏﺒﺔ ﺟﺎﻣﺤﺔ ﻹﻓﺮﺍﻍ ﻣﺎ ﻓﻲ ﺻﺪﺭﻱ ﻧﺤﻮ ﺍﻟﻨﺮﺟﺴﺔ ﺃﻧﻮﺷﻜﺎ‪ ،‬ﺧﻠﺖ ﻧﻔﺴﻲ‬
‫ﺃﺷﺒﻪ ﺑﺼﻨﺪﻭﻕ ﺃﺑﻲ ﺍﻟﻌﺠﻴﺐ ﺍﻟﺬﻱ ﻻ ﻳﻔﺘﺤﻪ ﺳﻮﺍﻱ ﻭﺇﺫﺍ ﺑﻨﺸﻮﺓ ﺍﳋﻤﺮﺓ ﺗﻘﺘﺤﻤﻨﻲ ﻋﻠﻰ ﺣﲔ ﻏﺮﺓ‬
‫ﺟﺎﻫﺮﺓ ﺑﻜﻞ ﻣﺎ ﺃﺧﻔﻴﻪ‪ ،‬ﺃﺧﺬﺕ ﺃﻗﻠﺐ ﻣﺬﻛﺮﺗﻲ ﺑﺤﺜﺎ ﹰ ﻋﻦ ﺗﻠﻴﻔﻮﻥ ﺃﻧﻮﺷﻜﺎ ﻭﻋﻨﻮﺍﻧﻬﺎ ﺍﳌﺪﻭﻥ ﺑﺨﻂ ﻳﺪﻫﺎ‪،‬‬
‫ﻓﻤﻨﺬ ﺗﺪﻭﻳﻨﻬﺎ ﺍﻟﺮﻗﻢ ﻭﺍﻟﻌﻨﻮﺍﻥ ﻗﺒﻞ ﻋﺎﻡ ﻭﺃﻧﺎ ﻛﻠﻤﺎ ﺍﺷﺘﺪ ﺣﻨﻴﻨﻲ ﻟﺼﻮﺗﻬﺎ ﺍﻟﻌﺬﺏ‪ ،‬ﻭﻟﺜﻐﺮﻫﺎ ﻭﻭﺟﻬﻬﺎ‬
‫ﺍﳌﻨﺤﻮﺕ ﻣﻦ ﺍﳌﺎﺱ ﻋﺪﺕ ﺃﻓﺘﺶ ﻣﺎ ﺧﻄﺘﻪ ﺑﺄﻧﺎﻣﻠﻬﺎ ﺍﻟﺬﻫﺒﻴﺔ )ﺁﻧﺎ ﺑﻴﺘﺮﻭﻓﻨﺎ ﺷﺎﺭﻉ ﻣﺎﻟﻴﻨﻮﻓﺴﻜﺎﻳﺎ ﻋﻤﺎﺭﺓ‬
‫ﺍﻟﺴﻼﻡ ﺩﻭﺭ ‪ ٩‬ﺷﻘﺔ ‪٤٥‬ﺗﻠﻴﻔﻮﻥ ‪ (٣٥٦٤٨١٠‬ﻟﻢ ﺃﺟﺮﺅ ﻳﻮﻣﺎ ﹰ ﻓﻲ ﻣﻬﺎﺗﻔﺘﻬﺎ ﻛﻤﻌﻠﻤﺔ ﻓﻜﻴﻒ ﲟﻐﺎﺯﻟﺘﻬﺎ‬
‫ﻭﻣﻮﺍﻋﺪﺗﻬﺎ؟؟‬
‫ﺭﻓﻌﺖ ﺍﻟﺴﻤﺎﻋﺔ ﺑﻴﺪ ﻣﺮﺗﻌﺸﺔ ﻣﻦ ﺍﳋﻤﺮﺓ ﻭﻋﻘﻞ ﻻ ﻳﺒﺎﻟﻲ ﺑﺸﻲﺀ ﻏﻴﺮ ﺍﻟﻜﻼﻡ ﻣﻊ ﻣﻦ ﺃﺧﺬﺕ ﻟﺒﻪ!‬
‫ﺿﻐﻄﺖ ﺑﺼﻌﻮﺑﺔ ﻋﻠﻰ ﺃﺭﻗﺎﻡ ﺍﻟﻬﺎﺗﻒ‪ ،‬ﺭﻥ‪..‬ﺭﻥ‪..‬ﺭﻥ‪..‬‬
‫ﺻﻮﺕ ﺍﻣﺮﺃﺓ ﻓﻲ ﺍﻟﻄﺮﻑ ﺍﻵﺧﺮ ﻟﻜﻨﻪ ﻟﻴﺲ ﺻﻮﺕ ﺃﻧﻮﺷﻜﺎ ﺍﻟﺮﻗﻴﻖ ﻭﺍﳌﻤﻴﺰ ﻣﻦ ﻣﻠﻴﻮﻥ ﺻﻮﺕ‪.‬‬
‫ﻋﻠﻲ‬
‫ﺭﲟﺎ ﻫﻲ ﺃﻣﻬﺎ ﻻ ﻳﻬﻢ ﻣﻦ ﻫﻲ ﺻﺎﺣﺒﺔ ﺍﻟﺼﻮﺕ؟ ﻓﺎﳌﻬﻢ ﺃﻧﻪ ﻣﻨﺰﻝ ﺃﻧﻮﺷﻜﺎ ﻭﻣﺤﺪﺛﺘﻲ ﺃﺷﺎﺭﺕ ﱠ‬
‫ﲟﻌﺎﻭﺩﺓ ﺍﻻﺗﺼﺎﻝ ﺑﻌﺪ ﺳﺎﻋﺔ ﺑﺎﻷﻛﺜﺮ ﺁﺧﺬﺓ ﺍﺳﻤﻲ ﻭﻣﻜﺎﻥ ﻧﺰﻭﻟﻲ ﻓﻲ ﺍﻟﻔﻨﺪﻕ‪.‬‬
‫ﺑﺪﻧﻲ ﺍﳌﻨﻬﻚ ﺍﳋﺎﺋﺮ ﺷﺮﻉ ﻳﺮﻗﺺ ﻭﻳﺤﻠﻖ ﻓﻲ ﺟﻨﺒﺎﺕ ﺍﻟﻐﺮﻓﺔ ﺍﳌﻄﻠﺔ ﻋﻠﻰ ﺍﻟﺪﻧﻴﺒﺮ‪ ،‬ﻳﺎ ﺇﻟﻬﻲ ﺳﺎﻋﺔ ﻛﺎﻣﻠﺔ‬
‫ﻻ ﲢﺘﻤﻞ ﻓﻘﺪ ﺃﻏﻂ ﻓﻲ ﻧﻮﻣﻲ ﺑﻔﻌﻞ ﻫﺬﺍ ﺍﻟﻜﻮﻧﻴﺎﻙ ﺍﻟﻠﻌﲔ‪ ،‬ﻓﺄﻧﺎ ﺃﺷﻌﺮ ﺑﺪﻭﺍﺭ ﻭﻟﺴﺎﻧﻲ ﺗﺜﻘﻞ ﺭﻭﻳﺪﺍ ﹰ ﺭﻭﻳﺪﺍﹰ!‬
‫ﻭﻟﻜﻦ ﻫﺬﻩ ﺃﻧﻮﺷﻜﺎ ﻓﻜﻴﻒ ﺳﻴﺄﺗﻲ ﺍﻟﻨﻮﻡ؟؟‬
‫ﻋﻘﺎﺭﺏ ﺍﻟﺴﺎﻋﺔ ﻭﺍﻗﻔﺔ ﺃﻭ ﺑﻄﻴﺌﺔ ﻛﺴﻮﻟﺔ ﻛﺎﻟﺴﻠﺤﻔﺎﺓ‪ ،‬ﺻﻮﺗﻬﺎ ﻳﻨﻘﺮ ﺇﺫﻧﻲ ﺗﻴﻚ ﺗﺎﻙ‪..‬ﺗﻴﻚ ﺗﺎﻙ‪..‬‬
‫ﻋﺎﻭﺩﺕ ﺍﻻﺗﺼﺎﻝ ﻋﻨﺪ ﺍﳊﺎﺩﻳﺔ ﻋﺸﺮﺓ ﻣﺴﺎ ﹰﺀ‪ ،‬ﺳﻤﻌﺖ ﻧﻔﺴﻬﺎ ﻳﺘﺪﻓﻖ ﻛﺸﻼﻝ ﻳﻔﻠﻖ ﺑﺼﻮﺗﻪ ﺍﻟﻔﺆﺍﺩ ﻗﺒﻞ‬
‫ﺭﺅﻳﺘﻪ‪.‬‬
‫ﺁﻟﻮ‪ ..‬ﺟﻤﺎﻝ ﻛﻴﻒ ﺣﺎﻟﻚ ﻭﻫﻞ ﺣﻘﺎ ﹰ ﺃﻧﺖ ﻓﻲ ﻛﻴﻴﻒ؟؟‬ ‫‪-‬‬
‫ﻧﻌﻢ‪ ..‬ﻭﺑﺠﻮﺍﺭ ﺍﻟﺪﻧﻴﺒﺮ ﻭﺣﻴﺪ ﻣﻦ ﺩﻭﻥ ﺣﺒﻴﺐ!‬ ‫‪-‬‬
‫ﺃﻳﻦ ﺭﻓﺎﻗﻚ ﻓﻲ ﺍﻟﺮﺣﻠﺔ ﻭﳌﺎﺫﺍ ﺃﻧﺖ ﻭﺣﺪﻙ؟؟‬ ‫‪-‬‬
‫ﻛﻞ ﻟﻪ ﻣﺤﺒﻮﺏ ﻭﺁﻧﺎ ﻟﻲ ﺍﷲ ﻫﻞ ﺳﻤﻌﺘﻲ ﺑﺄﻏﻨﻴﺔ ﻣﻦ ﻫﺬﺍ ﺍﻟﻘﺒﻴﻞ؟؟‬ ‫‪-‬‬
‫ﺿﺤﻜﺔ ﺧﺠﻠﺔ ﺃﺣﺴﺴﺖ ﻣﻌﻬﺎ ﺑﺼﻌﻘﺔ ﺗﻴﺎﺭ ﺗﻐﻮﺭ ﻓﻲ ﺃﻋﻤﺎﻗﻲ‪.‬‬
‫ﺟﻤﺎﻝ ﺃﻧﺖ ﺛﻤﻞ ﻛﺜﻴﺮ!‬ ‫‪-‬‬
‫ﻻ ﺃﻧﺎ ﻋﺎﺷﻖ ﻣﺘﻴﻢ ﻭﻣﻔﺎﺭﻕ‪ ،‬ﻓﻔﺮﺍﻕ ﺍﻷﺣﺒﺎﺏ ﺳﻘﺎﻡ ﻟﻸﻟﺒﺎﺏ!‬ ‫‪-‬‬
‫ﻧﻄﻘﺖ ﺃﺧﻴﺮﺍ ﹰ ﻳﺎ ﺗﻠﻤﻴﺬﻱ ﺍﳋﺠﻮﻝ‪ ،‬ﻓﻘﻞ ﳌﻌﻠﻤﺘﻚ ﻣﻦ ﻫﻲ ﻣﻌﺸﻮﻗﺘﻚ ﺍﻟﺘﻲ ﺣﻠﻠﺖ ﻋﻘﺪﺓ ﺻﻤﺘﻚ‬
‫ﹾ‬ ‫‪-‬‬
‫ﻭﺧﺠﻠﻚ؟؟‬
‫ﺃﻧﺖ ﻳﺎ ﺃﻧﻮﺷﻜﺎ!!‬
‫ﹺ‬ ‫‪-‬‬
 ‫ﺃﻧﻮﺷﻜﺎ ﺣﺎﻑ ﺟﺎﻑ ﻳﺎ ﺟﻤﺎﻝ!‬ ‫‪-‬‬
‫ﻭﻫﻞ ﻣﺎﺯﻟﺖ ﺗﻠﻤﻴﺬﻙ ﺍﻟﺒﺎﺋﺲ ﺍﻟﺬﻱ ﻟﻢ ﻳﺠﺮﺅ ﻋﻠﻰ ﻣﺼﺎﺭﺣﺘﻚ؟؟‬ ‫‪-‬‬
‫ﻧﻌﻢ ﺳﺘﻈﻞ ﺗﻠﻤﻴﺬﻱ ﺍﳉﻤﻴﻞ‪.‬‬ ‫‪-‬‬
‫ﻭﺃﻧﺖ ﻣﻌﻠﻤﺘﻲ ﻭﺣﺒﻴﺒﺘﻲ ﻭﻋﺸﻘﻲ ﺍﻷﺑﺪﻱ‪.‬‬ ‫‪-‬‬
‫ﺟﻤﺎﻝ ﺃﻃﻠﺖ ﻋﻠﻴﻚ ﺍﳊﺪﻳﺚ‪ ،‬ﻋﻨﺪ ﻋﻮﺩﺗﻚ ﻫﺎﺗﻔﻨﻲ ﻭﺃﻧﺖ ﺑﻮﻋﻴﻚ‪.‬‬ ‫‪-‬‬
‫ﻟﻴﺘﻨﻲ ﺃﺣﺪﺛﻚ ﻟﻸﺑﺪ!ﻭﻟﻴﺘﻨﻲ ﺛﻤﻠﺖ ﻣﻦ ﺯﻣﻦ!‬ ‫‪-‬‬
‫ﻣﺘﻰ ﻋﺪﺕ ﺍﺗﺼﻠﺖ ﻳﺎ ﺍﷲ ﺗﺼﺒﺢ ﻋﻠﻰ ﺧﻴﺮ‪.‬‬ ‫‪-‬‬
‫ﻟﻴﺘﻨﻲ ﻣﻊ ﺍﻟﻨﻬﺮ ﻣﺴﺎﻓﺮ ﺇﻟﻴﻚ‪..‬ﻻ‪ ..‬ﻻ‪..‬ﻣﻊ ﺷﻬﻴﻘﻚ ﺁﻳﺐ ﺇﻟﻴﻚ ﺍﻵﻥ‪.‬‬ ‫‪-‬‬
‫ﺃﻧﺖ ﻣﺠﻨﻮﻥ ﺣﺪ ﺍﻹﻓﺮﺍﻁ ﺑﺮﺣﻠﺔ ﺇﻟﻰ ﻛﻴﻴﻒ ﺃﻭ ﻟﻴﻨﻴﻨﺠﺮﺍﺩ ﻟﻴﻌﻮﺩ ﺇﻟﻰ ﺃﻭﺩﻳﺴﺎ!‬ ‫‪-‬‬
‫ﻭﻋﻘﺎﺏ ﺇﻧﻬﻤﺎ ﻣﻦ ﺩﻭﻧﻚ ﺻﻮﺭﺗﺎﻥ ﺑﻼ ﺭﻭﺡ!‬
‫ﹲ‬ ‫ﻛﻴﻴﻒ ﻭﻟﻴﻨﻨﺠﺮﺍﺩ ﻧﻜﺎ ﹲﻝ‬ ‫‪-‬‬
‫ﻳﺒﺪﻭ ﺃﻥ ﺟﻤﺎﻝ ﺍﻟﺬﻱ ﺃﻋﺮﻓﻪ ﻓﻜﺖ ﻋﻘﺪﺗﻪ ﻓﻘﻞ ﺣﻴﺎﺅﻩ ﺍﻟﻠﻴﻠﺔ‪..‬‬ ‫‪-‬‬
‫ﻳﺎ ﺭﻳﺖ ﻗﻞ ﺣﻴﺎﺋﻲ ﻣﺬ ﺃﻭﻝ ﻧﻈﺮﺓ ﻳﺎ ﺣﺒﻴﺒﺘﻲ‪..‬‬ ‫‪-‬‬
‫ﺿﺤﻜﺔ ﻃﻔﻮﻟﻴﺔ ﺗﺘﺒﻌﻬﺎ ﺑﺘﻮﺩﻳﻌﻪ ﺣﺎﻧﻴﺔ‪:‬ﻧﻮﻣﻪ ﻫﺎﺩﺋﺔ ﻭﺗﻌﻮﺩ ﺑﺎﻟﺴﻼﻣﺔ ﻳﺎ ﺟﻤﺎﻝ‪..‬‬
‫ﺗﺼﺒﺤﲔ ﺑﻌﺎﻓﻴﺔ ﻭﺇﻟﻰ ﺍﻟﻠﻘﺎﺀ‪..‬‬ ‫‪-‬‬
‫ﻟﻢ ﺃﱎ ﻟﻴﻠﺘﻬﺎ ﺣﺘﻰ ﺗﻨﻔﺲ ﺍﻟﻔﺠﺮ‪ ،‬ﻃﺎﺭﺕ ﻧﺸﻮﺓ ﺍﻟﻨﺒﻴﺬ ﺍﳌﻌﺘﻖ‪ ،‬ﻻ ﺃﺻﺪﻕ ﻣﺎ ﻓﻌﻠﺘﻪ‪ ،‬ﻓﺸﻜﺮﺍ ﹰ ﻟﻚ ﻛﻴﻴﻒ‪،‬‬
‫ﻓﻠﻮﻻ ﺻﻤﺘﻚ ﺍﻟﺮﻫﻴﺐ ﻣﺎ ﺗﻜﻠﻤﺖ‪ ،‬ﻭﻟﻮﻻ ﻧﻬﺮﻙ ﺍﳊﺰﻳﻦ ﻣﺎ ﻃﺮﻗﺖ ﺍﻟﺴﻌﺎﺩﺓ ﻗﻠﺒﻲ‪ ،‬ﻗﻀﻴﺖ ﺳﺎﻋﺎﺕ ﺍﻟﻠﻴﻞ‬
‫ﺃﻋﻴﺪ ﻛﻠﻤﺎﺕ ﺃﻧﻮﺷﻜﺎ ﺍﳌﻨﺜﻮﺭﺓ ﻣﻦ ﺛﻐﺮﻫﺎ ﻣﺜﻞ ﺣﺒﻴﺒﺎﺕ ﺍﻟﻠﺆﻟﺆ‪) ،‬ﻭﺃﺧﻴﺮﺍ ﻧﻄﻘﺖ ﻳﺎ ﺗﻠﻤﻴﺬﻱ‪..‬ﺃﻧﻮﺷﻜﺎ‬
‫ﺣﺎﻑ ﺟﺎﻑ‪..‬ﻫﺎﺗﻔﻨﻲ ﻋﻨﺪ ﻋﻮﺩﺗﻚ( ﻛﺎﻥ ﻟﻬﺬﻩ ﺍﻟﻜﻠﻤﺎﺕ ﺑﺎﻟﺬﺍﺕ ﻣﻔﻌﻮﻟﻬﺎ ﻭﺳﺤﺮﻫﺎ‪ ،‬ﻳﻜﻔﻲ ﺇﻧﻨﻲ ﻋﺸﺖ‬
‫ﺣﻠﻤﺎﹰ‪ ،‬ﻳﻜﻔﻲ ﺇﻧﻨﻲ ﲡﺎﺳﺮﺕ ﻭﻗﻠﺖ ﺷﻴﺌﺎ ﹰ ﻟﻬﺬﻩ ﺍ‪‬ﻠﻮﻗﺔ! ﺷﻜﺮﺍ ﹰ ﻟﻜﻢ ﻳﺎ ﺭﻓﺎﻕ ﻋﺮﻓﺎﺕ ﻭﺣﺒﺶ ﻭﻓﺘﺎﺡ‬
‫ﻭﻋﻨﺘﺮ ﻋﻠﻰ ﻓﻌﻠﻜﻢ ﺍﻟﻘﺒﻴﺢ‪ ،‬ﻓﻤﻨﻪ ﺗﻌﻠﻤﺖ ﻛﻢ ﻧﺤﻦ ﺑﺎﺋﺴﻮﻥ ﻭﻏﺎﺭﻗﻮﻥ ﻓﻲ ﻣﺮﺍﺑﻊ ﺍﻟﻘﺮﻭﻳﺔ ﻭﺍﳌﻨﺎﻃﻘﻴﺔ‬
‫ﻭﺍﻟﻘﺒﻠﻴﺔ ﻭﺍﻟﺸﻌﺎﺭﺍﺕ ﺍﻟﺒﻠﻬﺎﺀ ﻭﺍﳋﺮﻗﺎﺀ ﺍﻟﺘﻲ ﻻ ﺗﺴﺘﻘﻴﻢ ﺃﺑﺪﺍ ﻣﻊ ﻃﺒﻴﻌﺘﻨﺎ ﺍﻟﻬﻤﺠﻴﺔ ﺍﳌﺘﺄﺻﻠﺔ؟؟ ﻛﻢ‬
‫ﻫﻲ ﺃﻓﻌﺎﻟﻨﺎ ﻧﻜﺮﺓ ﻭﻣﻌﻮﺟﺔ ﺃﺷﺒﻪ ﺑﺴﻠﻄﻌﻮﻥ ﺃﺭﺳﻄﻮ ﺍﻟﺬﻱ ﻻﳝﻜﻦ ﺗﻌﻠﻴﻤﻪ ﺍﻟﺴﻴﺮ ﻣﺴﺘﻘﻴﻤﺎﹰ؟؟‪.‬‬
‫ﻣﻜﺜﺖ ﺃﻋ ﱡﺪ ﺍﻟﺜﻮﺍﻧﻲ ﻭﺍﻟﺪﻗﺎﺋﻖ ﻟﻸﻳﺎﻡ ﺍﻟﺜﻼﺛﺔ ﺍﳌﻘﺮﺭﺓ ﻟﻠﺮﺣﻠﺔ‪ ،‬ﻟﻢ ﻭﻟﻦ ﺃﲢﻤﻠﻬﺎ‪ ،‬ﺻﺮﺧﺖ ﻣﻦ ﻋﻠﻮ ﺍﳌﻜﺎﻥ‪:‬‬
‫ﻛﻴﻴﻒ ﻳﺎ ﻫﺒﺔ ﺍﻟﺴﻤﺎﺀ ﻭﺩﺍﻋﺎ ﹰ ﻫﺎ ﺃﻧﺬﺍ ﺍﻟﻔﺘﻰ ﻋﺎﺑﺮ ﺳﺒﻴﻞ ﻛﻤﻴﺎﻩ ﻧﻬﺮﻙ ﺍﻟﺒﺎﺳﺮﺓ ﻭﺍﳌﻔﺎﺭﻗﺔ‪ ،‬ﻋﺰﻣﺖ ﺍﻟﺮﺣﻴﻞ‬
‫ﻣﻌﻪ ﺣﻴﺜﻤﺎ ﻫﻮ ﺳﺎﺋﺮ ﺇﻟﻰ ﻣﺪﻳﻨﺔ ﺃﻭﺩﻳﺴﺎ‪ ،‬ﻭﺩﺍﻋﺎ ﹰ ﻳﺎ ﻗﺒﻠﺔ ﺍﻟﻴﺴﻮﻉ ﺍﻷﻭﻟﻰ ﻓﻲ ﺍﳌﺸﺮﻕ ﺍﻷﻭﺭﺑﻲ‪ ،‬ﺳﺄﻋﻮﺩ‬
‫ﻳﻮﻣﺎ ﹰ ﻋﻠﻰ ﻭﻗﻊ ﺃﺟﺮﺍﺱ ﻛﻨﻴﺴﺔ ﺃﻧﺪﺭﻳﻴﻔﺴﻜﺎﻳﺎ ﺍﳉﻤﻴﻠﺔ ﺍﻟﺼﺪﺋﺔ ﻭﺍﳌﺴﺘﻜﻴﻨﺔ ﺍﻟﻴﻮﻡ‪.‬‬
‫ﺃﺟﻔﻠﺖ ﻋﺎﺋﺪﺍ ﹰ ﺑﻔﺮﺣﺔ ﻭﺷﻮﻕ ﺍﳌﻔﺎﺭﻕ‪ ،‬ﺭﺍﺡ ﺍﻟﻘﻄﺎﺭ ﳝﺨﺮ ﻋﺒﺎﺏ ﺍﻟﻐﺎﺑﺎﺕ ﺍﻟﻜﺜﻴﻔﺔ ﺑﺄﺷﺠﺎﺭ ﺍﻟﺒﻠﻮﻁ ﻭﺍﻟﺴﺮﻭ‬
‫ﻭﺍﻟﺰﺍﻥ ﻭﺍﻟﺰﻳﺰﻓﻮﻥ ﻭﺍﻟﻜﺴﺘﻨﺎﺀ ﻭﺍﻟﺒﺘﻮﻻ ﻭﺍﳊﻮﺭ ﺍﻟﺮﻭﻣﻲ ﻭﺃﻧﻮﺍﻉ ﻻ ﺣﺼﺮ ﻟﻬﺎ ﻣﻦ ﺍﻟﻨﺒﺎﺗﺎﺕ ﻭﺍﳋﻀﺮﺓ ﻭﺍﻷﻋﺸﺎﺏ‬
‫ﺍﳌﻄﻠﻴﺔ ﺑﻬﺎ ﺳﺪﱘ ﻣﺴﺎﺣﺔ ﺛﺎﻧﻲ ﺃﻛﺒﺮ ﺩﻭﻟﺔ ﻓﻲ ﺍﻻﲢﺎﺩ ﺍﻟﺴﻮﻓﻴﺘﻲ ﻭ ﺃﺭﻭﺑﺎ‪ ،‬ﻭﺳﻠﺔ ﻏﺬﺍﺀ ﺩﻭﻟﻪ ﺍﳋﻤﺴﺔ‬
‫ﻋﺸﺮ )ﺃﻭﻛﺮﺍﻧﻴﺎ( ﻓﻮﺳﻂ ﻫﺬﻩ ﺍﻟﻐﺎﺑﺎﺕ ﻭﺍﳌﺪﻥ ﻭﺍﻟﻘﺮﻯ ﻭﺍﶈﻄﺎﺕ ﻛﺎﻥ ﺍﻟﻘﻄﺎﺭ ﺃﺷﺒﻪ ﺑﻴﺨﺖ ﳝﻀﻲ ﻓﻲ‬
‫ﻣﺠﺮﺍﻩ ﺍﻷﺧﻀﺮ‪ ،‬ﻓﺎﻟﺴﻜﺔ ﺍﳊﺪﻳﺪﻳﺔ ﻓﻲ ﺍﻟﺘﻮﺍﺀﺍﺕ ﻣﺴﺎﺭﻫﺎ ﲤﺎﺛﻞ ﺫﻟﻜﻢ ﺍﻟﻨﻬﺮ ﺍﻟﺼﺎﺩﻉ ﺑﲔ ﺍﻟﻌﺎﺻﻤﺘﲔ‬
‫ﺍﻟﺴﻴﺎﺳﻴﺔ ﻛﻴﻴﻒ ﻭﺍﻻﻗﺘﺼﺎﺩﻳﺔ ﻭﺍﻟﺴﻴﺎﺣﻴﺔ ﺍﻭﺩﻳﺴﺎ‪ ،‬ﻓﻜﻠﻤﺎ ﺍﻧﺤﺪﺭ ﺑﻨﺎ ﺍﻟﻘﻄﺎﺭ ﻓﻲ ﺳﻬﻮﺏ ﺍﳉﻨﻮﺏ ﲡ ﹼﻠﺖ‬
‫ﺃﺷﺠﺎﺭ ﺍﻟﻜﺴﺘﻨﺎﺀ ﺍﻟﺒﺮﻳﺔ‪ ،‬ﻭﺍﻟﺪﻓﺮﺍﻥ‪ ،‬ﻭﺷﺠﺮﺓ ﺍﻟﺘﺮﺑﻨﺘﺘﲔ‪ ،‬ﺃﻭ ﺍﻟﻔﺴﺘﻖ ﺍﻟﺒﺮﻳﺔ‪ ،‬ﻭﺍﻷﻋﺸﺎﺏ ﻭﺍﻟﻨﺒﺎﺗﺎﺕ‪.‬‬
‫ﺃﻭﺩﻳﺴﺎ ﻳﺎ ﻣﺪﻳﻨﺔ ﺍﳌﺮﺡ ﻭﺍﻟﺒﺤﺮ ﻭﺍﻟﻐﻮﺍﻧﻲ ﺍﳉﻴﺪ ﻭﺍﳋﻮﳉﺎﻥ ﺃﻳﻀﺎ‪ ،‬ﻓﻤﺎ ﻣﻦ ﻭﺭﺩﺓ ﺭﻭﺯ ﺟﻤﻴﻠﺔ ﻣﻦ ﺩﻭﻥ ﺷﻮﻙ‪،‬‬
‫ﻣﺪﻥ ﺍﳌﺮﺍﻓﺊ ﻫﻜﺬﺍ ﻻ ﺗﻌﺮﻑ ﺍﻟﺴﻜﻮﻥ ﺃﻭ ﺍﻟﻌﺒﻮﺱ ﺃﻭ ﺍﳊﺰﻥ‪ ،‬ﻛﻢ ﺃﻋﺸﻘﻚ ﻭﺃﺣﺒﻚ ﺭﻏﻢ ﺷﻘﺎﺋﻚ ﻭﻣﻜﺮﻙ؟‬
‫ﺃﻭﺩﻳﺴﺎ ﻣﺎﻣﺎ ﺃﻧﺎ ﻃﻔﻠﻚ ﺍﳌﺪﻟﻞ ﺍﻟﻌﺎﺋﺪ ﺑﺸﻮﻕ ﻭﻟﻬﻔﺔ ﻷﺣﻀﺎﻧﻚ ﺍﻟﺪﺍﻓﺌﺔ ﻻﺑﺘﺴﺎﻣﺘﻚ ﺍﻟﻌﺬﺑﺔ‪ ،‬ﻟﻮﺟﻬﻚ‬
‫ﺍﻟﺒﺪﻳﻊ ﻭﺍﻷﻟﻴﻒ‪ ،‬ﺍﺷﺘﻘﺖ ﻟﻚ ﻳﺎ ﺳﺖ ﺍﳌﺪﻥ ﻭ ﻟﺮﻣﺎﻟﻚ ﻭﺷﻄﺂﻧﻚ ﻭﻟﺸﻤﺴﻚ ﻭ ﺃﻣﻮﺍﺟﻚ ﻭﻇﻼﻟﻚ‪،‬‬
‫ﺍﻓﺘﻘﺪﺕ ﺷﻮﺍﺭﻋﻚ ﻭﺃﺷﺠﺎﺭﻙ ﺍﻟﺒﺎﺳﻘﺔ‪ ،‬ﻭﺃﺯﻫﺎﺭﻙ ﻭﺣﻴﻮﻳﺘﻚ‪ ،‬ﻟﻔﻮﺿﻰ ﻭﻋﻨﺠﻬﻴﺔ ﺍﻷﻣﻜﻨﺔ ﺍﻟﺼﺎﺧﺒﺔ‪،‬‬
‫ﻟﺸﺎﺭﻉ ﺩﻳﺮﻳﺒﺎ ﺳﻮﻓﺴﻜﺎﻳﺎ ﻟﺴﻼﻟﻢ ﺑﻮﺗﻴﻮ ﻣﻜﲔ ﳌﺪﺭﺟﺎﺗﻪ ﺍﻝ‪ ،١٩٢‬ﳊﺪﻳﻘﺔ ﺷﺎﻓﻴﺸﻴﻨﻜﺎ‪ ،‬ﳌﻨﺰﻝ ﺑﻮﺷﻜﲔ‬
‫ﻟﺘﻤﺜﺎﻟﻪ‪ ،‬ﻟﺜﺎﻧﻲ ﺃﻛﺒﺮ ﺩﺍﺭ ﺃﻭﺑﺮﺍ ﻓﻲ ﺃﻭﺭﻭﺑﺎ‪ ،‬ﻷﻧﻮﺷﻜﺎ ﺍﳌﻌﻠﻤﺔ ﻭﺍﳊﺒﻴﺒﺔ ﻣﻌﺎ‪ ،‬ﻟﻠﺸﻘﺮﺍﻭﺍﺕ ﺍﻟﻨﺎﺿﺤﺎﺕ ﺧﻔ ﹰﺔ‬
‫ﻭﻋﺬﻭﺑﺔ‪ ،‬ﻟﻜﻞ ﺍﻟﻨﺴﻮﺓ ﻭﺍﻟﺮﺟﺎﻝ ﺍﳌﺘﺮﻓﲔ ﺑﺎﳊﻴﻮﻳﺔ ﻭﺍﳌﺮﺡ‪..‬‬
‫ﻟﻢ ﺃﻧﺘﻈﺮ ﻛﻴﻤﺎ ﺃﻭﺻﻞ ﺃﻣﺘﻌﺘﻲ ﺇﻟﻰ ﺍﻟﺴﻜﻦ‪ ،‬ﻫﺎﺗﻔﺖ ﺃﻧﻮﺷﻜﺎ ﻣﻦ ﺃﻭﻝ ﻛﺎﺑﻴﻨﺔ ﺍﺗﺼﺎﻝ ﻓﻲ ﺍﶈﻄﺔ‪ ،‬ﻛﻨﺖ‬
‫ﻣﺤﻈﻮﻇﺎ ﹰ ﺇﻧﻬﺎ ﺃﻭﻝ ﺍ‪‬ﻴﺒﲔ ﻋﻠﻰ ﺭﻧﺔ ﺍﻟﻬﺎﺗﻒ‪ ،‬ﺣﺎﺩﺛﺘﻬﺎ ﺑﻠﻜﻨﺔ ﺍﳌﻀﻄﺮﺏ ﺍﻟﻮﺍﺛﻖ ﺍﳌﺒﺘﻬﺞ ﺑﺤﺒﻴﺒﺘﻪ‬
‫ﺍﳋﺎﺋﻒ ﻣﻦ ﻣﻌﻠﻤﺘﻪ‪ ،‬ﺷﻤﻤﺖ ﺭﺍﺋﺤﺘﻬﺎ ﻣﻦ ﻧﻔﺴﻬﺎ ﺍﻵﺳﺮ‪ ،‬ﺭﺃﻳﺘﻬﺎ ﻣﻦ ﺻﻮﺗﻬﺎ ﻭﺿﺤﻜﺘﻬﺎ ﺍﻟﺴﺎﺣﺮﺓ‪،‬‬
‫ﻋﺪﺕ ﻳﺎ ﻣﺠﻨﻮﻥ ﻗﺎﻟﺘﻬﺎ ﳑﺰﻭﺟﺔ ﺑﺎﻟﻀﺤﻜﺔ!!‬
‫ﻭﻋﺪ ﺍﳊﺮ ﺩﻳﻦ ﻭﺣﺴﺒﻚ ﺗﺨﻠﻔﲔ ﻭﻋﺪﻙ ﻳﺎ ﻣﻌﻠﻤﺘﻲ‪.‬‬ ‫‪-‬‬
‫ﻗﻄﻌﺎ ﹰ ﻻ ﻭﻟﻜﻦ ﺛﻤﺔ ﻣﻮﻋﺪ ﻳﺎ ﻋﺰﻳﺰﻱ ﻣﻊ ﺍﻟﺴﻮﺑﺮ ﻣﺎﺭﻛﺖ ﻭﻟﻦ ﻳﺴﺘﻐﺮﻕ ﻭﻗﺘﺎ‪.‬‬ ‫‪-‬‬
‫ﺁﻩ ﺣﺴﺒﺖ ﺍﻟﺴﻮﻕ ﺷﺨﺼﺎ ﹰ ﺗﻮﺍﻋﺪﻳﻨﻪ‪.‬‬ ‫‪-‬‬
‫ﺿﺤﻜﺖ‪ ..‬ﺣﺎﳌﺎ ﺗﺼﻞ ﺇﻟﻰ ﺳﻜﻨﻚ ﻭﺗﻔﺮﻍ ﺟﻌﺒﺘﻚ ﺃﻛﻮﻥ ﻗﺪ ﺍﺑﺘﻌﺖ ﺃﻏﺮﺍﺿﻲ ﻣﻦ ﺍﻟﺴﻮﺑﺮ‬
‫ﹾ‬ ‫‪-‬‬
‫ﻣﺎﺭﻛﻴﺖ‪.‬‬
‫ﺇﺫﻥ ﻣﻮﻋﺪﻧﺎ ﺍﳌﺴﺎﺀ ﺍﻟﺴﺎﻋﺔ ﺍﻟﺴﺎﺩﺳﺔ‪.‬‬ ‫‪-‬‬
‫ﺟﻴﺪ ﺍﻟﺴﺎﺩﺳﺔ ﻋﻨﺪ ﺑﻮﺍﺑﺔ ﺳﻴﻨﻤﺎ ﻣﺮﻛﺰ ﺍﳌﺪﻳﻨﺔ‪.‬‬ ‫‪-‬‬
‫ﺳﻴﻨﻤﺎ ﻛﻨﺖ ﺍﻧﺘﻈﺮﻙ ﺗﻘﻮﻟﲔ ﻓﻨﺪﻕ ﺍﻟﺒﺤﺮ ﺍﻷﺳﻮﺩ ﺃﻭ ﺍﻷﺣﻤﺮ‪ ،‬ﺃﻭ ﻣﻨﺘﺠﻊ ﺍﻟﺮﻛﺎﺩﻳﺎ‪ ،‬ﺃﻭ ﺃﻳﺔ ﻣﻠﻬﻰ ﻟﻴﻠﻲ‪،‬‬
‫ﻓﺘﻠﻤﻴﺬﻙ ﻳﻌﺮﻑ ﻫﺬﻩ ﺍﻷﻣﻜﻨﺔ ﻋﻦ ﻇﻬﺮ ﻗﻠﺐ ﺃﻣﺎ ﻋﻦ ﻣﺘﺤﻒ ﺃﻭ ﺩﻭﺭ ﺳﻴﻨﻤﺎ ﺃﻭ؛ ﺣﺘﻰ ﻣﻠﻌﺐ ﻧﺎﺩﻱ‬
‫)ﺗﺸﻮﺭﻧﻴﻤﻮﺭﺗﺲ( ﺍﻟﺬﻱ ﺃﺷﺠﻌﻪ ﺑﺠﻨﻮﻥ ﻭﺍﻋﺮﻑ ﺃﺳﻤﺎﺀ ﻻﻋﺒﻴﻪ ﻓﻼ ﺗﺴﺄﻟﲔ ﺇﺫ ﻻ ﺃﻋﺮﻑ ﺃﻳﻦ ﺍﳌﻠﻌﺐ؟‬
‫ﺿﺤﻜﺖ ﺃﻧﻮﺷﻜﺎ ﺿﺤﻜﺔ ﺃﻓﻘﺪﺗﻨﻲ ﺗﻮﺍﺯﻧﻲ‪.‬‬
‫ﺃﻫﻄﻌﺖ ﺇﻟﻰ ﺍﳌﻜﺎﻥ ﻗﺒﻞ ﺍﳌﻮﻋﺪ ﺑﺴﺎﻋﺔ ﻭﻇﻠﻠﺖ ﻓﻴﻬﺎ ﺃﺻﻮﻝ ﻭﺃﺟﻮﻝ ﺍﻟﻔﻨﺎﺀ ﺍﳋﺎﺭﺟﻲ ﻟﺪﺍﺭ ﺍﻟﻌﺮﺽ‪ ،‬ﻓﻴﻠﻢ‬
‫ﺍﻟﻠﻴﻠﺔ ﻫﻨﺪﻳﺎ ﻭﺃﻧﺎ ﻣﻦ ﻋﺸﺎﻕ ﺍﻷﻓﻼﻡ ﺍﻟﻬﻨﺪﻳﺔ ﺍﳌﺘﺮﻓﺔ ﺑﺠﻤﺎﻝ ﺍﻟﻄﺒﻴﻌﺔ ﻭﺍﻟﻨﺴﺎﺀ ﻭﺍﻷﻏﻨﻴﺎﺕ ﻭﺍﻟﺮﻗﺼﺎﺕ‬
‫ﻭﺍﻟﻀﺤﻜﺎﺕ ﻭﺣﺘﻰ ﻧﻬﺎﻳﺘﻬﺎ ﺍﳌﻌﺘﺎﺩﺓ ﺑﺎﻧﺘﺼﺎﺭ ﺍﻟﺒﻄﻞ‪ ،‬ﺍﻟﺰﻣﻦ ﻳﺄﺯﻑ ﺳﺮﻳﻌﺎ‪ ،‬ﺍﻷﺳﺌﻠﺔ ﲢﺎﺻﺮﻧﻲ‪ ،‬ﺍﳉﹸﻤﻞ‬
‫ﺍﳌﻨﻤﻘﺔ ﺗﻌﺮﺽ ﻗﺪﺭﺗﻬﺎ ﻓﻲ ﺟﺬﺏ ﺃﻧﻮﺷﻜﺎ‪ ،‬ﺍﳋﻮﻑ ﻭﺍﻟﻘﻠﻖ ﻳﺸﺘﺪﺍﻥ ﻳﻨﺘﺰﻋﺎﻥ ﺃﻭﺻﺎﻟﻲ ﺍﳌﺘﻤﺎﺳﻜﺔ‪ ،‬ﻓﻜﻠﻤﺎ‬
‫ﺍﻗﺘﺮﺑﺖ ﺍﻟﻠﺤﻈﺔ ﺷﻌﺮﺕ ﺑﺄﻃﺮﺍﻓﻲ ﺗﺒﺘﻌﺪ ﺃﻛﺜﺮ ﻭﺃﻛﺜﺮ‪ ،‬ﻻ ﺃﺩﺭﻱ ﻣﺎ ﺇﺫﺍ ﻛﻨﺖ ﺃﻧﺘﻈﺮ ﻣﻌﻠﻤﺘﻲ ﺍﳊﺴﻨﺎﺀ ﺍﻟﺘﻲ‬
‫ﺇﻥ ﻭﳉﺖ ﺳﺎﺣﺔ ﺍﳉﺎﻣﻌﺔ ﺟﺬﺑﺖ ﻟﻬﺎ ﻛﻞ ﺍﻷﻧﻈﺎﺭ‪ ،‬ﻭﺍﻥ ﻭﻗﻔﺖ ﻗﺪﻣﺎﻫﺎ ﻋﻦ ﺍﻟﻘﺒﻘﺒﺔ ﺗﻮﻗﻒ ﺍﳉﻤﻴﻊ ﻋﻦ‬
‫ﺍﻟﻜﻼﻡ ﺃﻡ ﻓﻲ ﺍﻧﺘﻈﺎﺭ ﺍﻟﻮﻫﻢ ﺍﻟﺬﻱ ﺍﻧﺘﺎﺑﻨﻲ ﻓﻲ ﳊﻈﺔ ﻳﻘﻈﺔ!‪.‬‬
‫ﳌﺎﺫﺍ ﺍﺧﺘﺎﺭﺕ ﺍﻟﺴﻴﻨﻤﺎ ﻭﺍﻟﻔﻠﻢ ﺍﻟﻬﻨﺪﻱ؟ ﺭﲟﺎ ﻫﻲ ﺷﻐﻮﻓﺔ ﻣﺜﻠﻲ ﺑﺴﺤﺮ ﺍﻟﺸﺮﻕ ﻭﺟﻤﺎﻟﻪ! ﻣﻦ ﻳﺪﺭﻱ ﻗﺪ‬
‫ﻳﻜﻮﻥ ﺍﳌﻜﺎﻥ ﻣﺠﺮﺩ ﻧﻘﻄﺔ ﺍﻟﺘﻘﺎﺀ ﺍﺛﻨﲔ ﺃﻭ ﺃﻛﺜﺮ ﻭﻗﺪ ﺗﻜﻮﻥ ﺍﻟﻨﻘﻄﺔ ﻣﺮﻛﺰﺍ ﻟﺪﺍﺋﺮﺓ ﺃﻭ ﺗﻘﺎﻃﻊ ﺃﻭ ﻏﻴﺮﻫﺎ ﻣﻦ‬
‫ﺍﻷﺷﻜﺎﻝ ﺍﻟﻬﻨﺪﺳﻴﺔ؟‬
‫ﺃﻟﻢ ﺗﻌﻠﻤﻨﺎ ﺃﻧﻮﺷﻜﺎ ﻫﻜﺬﺍ! ﻳﺎ ﺭﺑﱢﻲ ﺃﻭﺯﻋﻨﻲ ﺻﺒﺮﺍ ﹰ ﻓﻤﺎﺫﺍ ﺑﻮﺳﻌﻲ ﻋﻤﻠﻪ ﻧﺤﻮ ﻣﻌﻠﻤﺘﻲ ﺑﻌﺪ ﺃﻥ ﺗﺒﺨﺮﺕ‬
‫ﺃﻓﻜﺎﺭﻱ ﻭﺻﺮﺕ ﺃﻫﺬﻱ ﺑﻬﻜﺬﺍ ﺃﺳﺌﻠﺔ ﻭﺗﻜﻬﻨﺎﺕ ﺃﻭ ﻗﻮﻟﻮﺍ ﻫﺮﻃﻘﺎﺕ‪ ،‬ﻏﺮﺳﺖ ﻳﺪﺍﻱ ﻓﻲ ﺟﻴﺒﻲ ﻭﺑﺪﺃﺕ ﺃﺫﺭﻉ‬
‫ﻓﻨﺎﺀ ﺍﻟﺪﺍﺭ ﻃﻮﻻ ﺑﻌﺮﺽ ﻓﻴﻤﺎ ﻓﺆﺍﺩﻱ ﻳﻐﺮﺱ ﻧﺼﻠﻪ ﻓﻲ ﺻﺪﺭﻱ ﻭﺃﻭﺻﺎﻟﻲ ﻣﺮﲡﻔﺔ ﻣﺒﻌﺜﺮﺓ‪.‬‬
‫ﺣﺎﻭﻟﺖ ﺃﻥ ﺃﲤﺎﻟﻚ ﻧﻔﺴﻲ ﻣﻦ ﻭﺳﺎﻭﺱ ﺗﻌﺘﻠﺞ ﺻﺪﺭﻱ ﻭﺇﺫﺍ ﺑﺎﻟﺴﺆﺍﻝ ﻛﻴﻒ ﻫﻮ ﺛﻮﺑﻬﺎ ﻭﻣﻦ ﺃﻳﺔ ﻧﺎﺣﻴﺔ‬
‫ﺳﺘﺄﺗﻲ ﻭﻫﻞ ﺍﺳﺘﻘﺒﻠﻬﺎ ﻛﺘﻠﻤﻴﺬ ﺧﺎﺋﺐ ﺟﺎﺀﺕ ﻟﺘﻌﻠﻤﻪ ﺍﻷﺩﺏ ﺃﻡ ﻛﻌﺎﺷﻖ ﻣﻠﺘﺎﻉ؟‬
‫ﺟﻤﺎﻝ‪ ..‬ﺟﻤﺎﻝ‪ ..‬ﻟﻔﻈﺖ ﺍﺳﻤﻲ ﺑﺮﻗﺔ ﻭﻋﺬﻭﺑﺔ ﺃﺯﺍﺣﺖ ﻋﻦ ﻛﺎﻫﻠﻲ ﻭﺗﻔﻜﻴﺮﻱ ﺟﺒﺎﻻ ﹰ ﻣﻦ ﺍﻟﺘﺴﺎﺅﻻﺕ‪ ،‬ﺍﻟﺘﻔﺖ‬
‫ﻧﺎﺣﻴﺔ ﺍﻟﺼﻮﺕ ﺍﻟﺮﺧﻴﻢ ﺍﳌﺘﻬﺪﺝ ﺑﻜﻴﺎﻧﻲ ﻛﻠﻪ ﻛﺎﻟﻀﺒﻊ ﺑﻨﻈﺮﺗﻪ ﻟﻸﺷﻴﺎﺀ‪ ،‬ﺍﺳﺘﺪﺭﺕ ﻧﺎﺣﻴﺘﻪ ﻭﺑﺪﺃﺕ‬
‫ﺍﻗﺘﻠﻊ ﻗﺪﻣﻲ ﻗﻠﻌﺎ ﹰ ﻭﻛﺄﻧﻬﻤﺎ ﻣﻐﺮﻭﺳﺘﺎﻥ ﻓﻲ ﺍﻟﻮﺣﻞ‪ ،‬ﻣﺜﻞ ﻧﺒﺘﺔ ﺍﻟﻜﺘﺎﻥ ﺑﺴﺎﻗﻴﻬﺎ ﺍﳌﺴﺘﻘﻴﻤﺘﲔ ﻭﺯﻫﺮﻫﺎ‬
‫ﺍﻟﺒﻀﲔ‬
‫ﱢ‬ ‫ﺍﻷﺯﺭﻕ ﶈﺘﻬﺎ ﺑﻜﺎﻣﻞ ﻗﻴﺎﻓﺘﻬﺎ‪ ،‬ﻗﻤﻴﺺ ﺑﻨﻔﺴﺠﻲ ﺷﻔﺎﻑ ﻭﺗﻨﻮﺭﺓ ﺃﺭﺟﻮﺍﻧﻴﺔ ﺗﻐﻄﻲ ﺍﻟﺴﺎﻗﲔ‬
‫ﻓﻴﻤﺎ ﺷﻌﺮﻫﺎ ﺍﻷﺷﻘﺮ ﻣﺴﺘﺮﺳﻞ ﻟﻠﺨﻠﻒ ﻭﺍﻟﻜﺘﻔﲔ‪ ،‬ﻭﺟﻨﺘﺎ ﺃﻧﻮﺷﻜﺎ ﺑﺪﺗﺎ ﻛﻮﺭﺩﺗﲔ ﻃﺮﻳﺘﲔ ﻧﺎﺑﺘﺘﲔ‬
‫ﻓﻲ ﺑﻴﺎﺽ ﺍﻟﺜﻠﺞ‪ ،‬ﻋﻴﻨﺎﻫﺎ ﺍﻟﺴﻮﺩﺍﻭﺍﻥ ﺟﺎﺫﺑﺘﺎﻥ ﻭﺁﺳﺮﺗﺎﻥ ﻛﻌﻴﻨﻲ ﺍﳌﻬﺎﺓ‪ ،‬ﺻﺎﻓﺤﺘﻬﺎ ﺑﻴﺪ ﺧﺠﻠﺔ ﻣﺮﺗﺒﻜﺔ‪،‬‬
‫ﻭﺑﻠﺴﺎﻥ ﻫﺎﻣﺪ ﻻ ﻳﻘﻮﻯ ﻋﻠﻰ ﺍﳊﺮﺍﻙ‪ ،‬ﺍﻣﺘﺼﺖ ﺧﺠﻠﻲ ﻭﺩﻫﺸﺘﻲ ﺑﺼﻔﺎﺡ ﺣﺎﺭ ﻭﺩﺍﻓﺊ؛ ﺇﺫ ﻗﺒﻀﺖ ﻋﻠﻰ‬
‫ﻳﺪﻱ ﻭﺿﻐﻄﺘﻬﺎ ﺑﻜﻠﺘﺎ ﻳﺪﻳﻬﺎ ﻭﻟﻜﻨﻤﺎ ﺃﺭﺍﺩﺕ ﺍﻟﺘﺄﻛﻴﺪ ﺑﻬﺎ ﻋﻠﻰ ﻣﻘﺪﺭﺗﻬﺎ ﺍﻟﻔﺎﺋﻘﺔ ﻭﻋﻠﻰ ﻋﻠﻮ ﻛﻌﺒﻬﺎ ﻓﻲ‬
‫ﺍﻟﻌﺸﻖ ﻣﺜﻞ ﺍﻟﺪﺭﺱ‪ ،‬ﻛﺎﻥ ﻟﺼﻔﺎﺣﻬﺎ ﺍﳊﻤﻴﻢ ﺃﻥ ﺑﺪﺩ ﺍﻟﺘﻮﺟﺴﺎﺕ ﻭﺍﳊﺪﻭﺩ ﻛﻤﺎ ﺃﻥ ﺍﺑﺘﺴﺎﻣﺘﻬﺎ ﳊﻈﺘﺌﺬ‬
‫ﺯﺭﻋﺖ ﻓﻲ ﻧﻔﺴﻲ ﺍﻟﺜﻘﺔ ﻭﺍﻟﻄﻤﺄﻧﻴﻨﺔ ﺑﻴﻨﻤﺎ ﺭﺍﺋﺤﺘﻬﺎ ﺍﻟﺬﻛﻴﺔ ﻭﺟﺬﻟﻬﺎ ﺣﺮﻛﺎ ﻓﻲ ﺃﻋﻤﺎﻗﻲ ﺗﻠﻜﻢ ﺍﻟﺮﻏﺒﺔ‬
‫ﺍﳉﺎﻣﺤﺔ ﻓﻲ ﻫﺼﺮﻫﺎ ﺑﲔ ﺟﻮﺍﻧﺤﻲ‪..‬‬
‫ﺃﻧﻮﺷﻜﺎ ﺍﻟﻔﻴﻠﻢ ﺍﳌﺜﻴﺮ ﺭﻭﻣﺎﻧﺴﻴﺔ ﻭﺟﺎﺫﺑﻴﺔ ﺑﺪﺃ ﻫﻨﺎ ﻓﻲ ﺧﺎﺭﺝ ﺻﺎﻟﺔ ﺍﻟﻌﺮﺽ!‬
‫ﺃﻻ ﺗﻮﺩ ﻣﺸﺎﻫﺪﺓ ﺍﻟﻔﻴﻠﻢ ﺍﻟﻬﻨﺪﻱ ﺟﻤﺎﻝ!‬ ‫‪-‬‬
‫ﺑﻘﺮﺑﻚ ﺃﺣﺐ ﺍﻷﻓﻼﻡ ﺟﻤﻴﻌﻬﺎ ﺣﺘﻰ ﺍﻟﺮﻭﺳﻴﺔ ﺍﻟﺴﺆﻭﻣﺔ ﻭﺍﳌﻤ ﹼﻠﺔ‪.‬‬ ‫‪-‬‬
‫ﺩﻟﻔﻨﺎ ﺇﻟﻰ ﻗﺎﻋﺔ ﺍﻟﻌﺮﺽ ﺑﺘﺬﻛﺮﺗﲔ ﰎ ﺍﺑﺘﻴﺎﻋﻬﺎ ﺑــ ‪ ٦‬ﺭﻭﺑﻞ‪ ،‬ﻛﺎﻥ ﻣﻘﻌﺪﺍﻧﺎ ﻓﻲ ﺁﺧﺮ ﺍﻟﺼﺎﻟﺔ ﻭﻗﺒﻞ ﺇﻃﻔﺎﺀ‬
‫ﺃﻧﻮﺍﺭ ﺍﻟﻘﺎﻋﺔ ﺳﺄﻟﺘﻨﻲ‪:‬‬
 ‫ﻣﻦ ﳒﻤﻚ ﺍﳌﻔﻀﻞ ﻓﻲ ﺑﻄﻮﻟﺔ ﺍﻷﻓﻼﻡ ﺍﻟﻬﻨﺪﻳﺔ؟‬ ‫‪-‬‬
‫ﺃﺣﺐ ﺃﻣﻴﺘﺎ ﺑﺎﺗﺸﻦ‪ ،‬ﻭﺩﺍﺭﻣﺎﻧﺪﺭﻩ‪ ،‬ﻭﺷﻴﺸﻲ ﻛﺎﺑﻮﺭ؛ ﻓﺜﻼﺛﺘﻬﻢ ﺃﺑﻄﺎﻟﻲ ﻭﺇﻥ ﻓﻀﻠﺖ ﺃﻭﻟﻬﻢ‪.‬‬ ‫‪-‬‬
‫ﻭﻣﻦ ﺍﻟﻨﺠﻤﺎﺕ؟‬ ‫‪-‬‬
‫ﻫﻴﻤﺎ ﻣﺎﻟﻴﻨﻲ ﻭﺻﻔﺎﺀ ﺍﻟﺴﺒﻊ ﻭﺇﻥ ﻛﺎﻧﺖ ﺍﻟﺜﺎﻧﻴﺔ ﺃﻗﺮﺏ ﺇﻟﻰ ﺭﻭﺣﻲ‪.‬‬ ‫‪-‬‬
‫ﻣﻦ‪ ..‬ﻣﻦ‪» ..‬ﺳﻔﺎ ﺳﺒﻮ« – ﻫﻜﺬﺍ ﻧﻄﻘﺖ ﺻﻔﺎﺀ ﺍﻟﺴﺒﻊ ‪ -‬ﺃﺗﻮﺟﺪ ﳑﺜﻠﺔ ﻫﻨﺪﻳﺔ ﺑﻬﺬﺍ ﺍﻻﺳﻢ؟؟‬ ‫‪-‬‬

‫ﻻ‪ ..‬ﻻ ﻫﻲ ﳑﺜﻠﺔ ﻋﺮﺑﻴﺔ ﻣﻦ ﻣﺼﺮ ﻭﺃﻛﺜﺮ ﻣﺎ ﺃﻋﺠﺒﻨﻲ ﻓﻴﻬﺎ ﻫﻮ ﻭﺟﻬﻬﺎ ﺍﻷﻧﺜﻮﻱ ﺍﻟﻔﺎﺗﻦ‬ ‫‪-‬‬
‫ﳌﺎﺫﺍ ﻭﺟﻬﻬﺎ ﻭﻟﻴﺲ ﺃﻓﻼﻣﻬﺎ ﺃﻭ ﺃﺩﻭﺍﺭﻫﺎ؟‬ ‫‪-‬‬
‫ﻷﻧﻪ ﳝﺎﺛﻞ ﻭﺟﻬﻚ‪ ،‬ﻛﺄﻧﻪ ﻧﺴﺨﺔ ﺃﺻﻠﻴﻪ ﻧﺎﻃﻘﺔ ﺑﺎﻟﻌﺮﺑﻴﺔ ﻣﻨﻚ ﺃﻧﻮﺷﻜﺎ!‬ ‫‪-‬‬
‫ﺧﻔﻀﺖ ﺍﻹﺿﺎﺀﺓ ﺷﻴﺌﺎ ﻓﺸﻴﺌﺎ‪ ،‬ﺑﺪﺍ ﺍﻟﻔﻴﻠﻢ ﺍﻟﺮﻭﻣﺎﻧﺴﻲ ﻣﻔﻌﻤﺎ ﺑﺎﳌﺸﺎﻫﺪ ﺍﳌﺜﻴﺮﺓ ﳌﺮﺍﻫﻖ ﻣﺜﻠﻲ‪ ،‬ﺍﳌﺸﺎﻫﺪ‬
‫ﻓﻲ ﺍﳌﻘﻌﺪﻳﻦ ﺍ‪‬ﺎﻭﺭﻳﻦ ﺃﻛﺜﺮ ﺇﺛﺎﺭﺓ ﻋﻤﺎ ﻳﺘﻢ ﻋﺮﺿﻪ ﻓﻲ ﺍﻟﻔﻴﻠﻢ‪ ،‬ﻣﺎﺯﻟﺖ ﺧﺎﺋﻔﺎ ﻣﻦ ﻣﻌﻠﻤﺘﻲ ﺣﺘﻰ ﻃﺮﺩﺕ‬
‫ﺍﳋﺠﻞ ﺑﺮﺅﻳﺘﻲ ﺍﺑﺘﺴﺎﻣﺘﻬﺎ ﺍﻟﻌﺮﻳﻀﺔ ﺗﻨﻴﺮ ﻋﺘﻤﺔ ﻋﺎﺷﻘﲔ‪ ،‬ﺟﺬﺑﺘﻬﺎ ﻣﻦ ﻛﺘﻔﻬﺎ ﻗﺒﻞ ﺃﻥ ﺃﻃﺒﻊ ﻗﺒﻠﺔ‬
‫ﻓﻲ ﻓﻮﺩﻫﺎ ﺍﻷﳝﻦ‪ ،‬ﻛﺎﻧﺖ ﺍﻟﻘﺒﻠﺔ ﲟﺜﺎﺑﺔ ﺍﳌﻔﺘﺎﺡ ﺍﻟﺴﺤﺮﻱ ﻟﻠﻮﻟﻮﺝ ﺇﻟﻰ ﻋﻮﺍﻟﻢ ﻫﺬﻩ ﺍﻷﻧﺜﻰ‪ ،‬ﻛﺎﻧﺖ ﺍﻟﻘﺒﻠﺔ‬
‫ﺷﺮﺍﺭﺓ ﻧﺎﺭ ﻟﺜﻮﺭﺓ ﺑﺮﻛﺎﻥ ﻻ ﺗﺨﻤﺪ‪ ،‬ﺭﺣﺖ ﺃﻟﺜﻤﻬﺎ ﺑﻨﻬﻢ ﻭﺷﺮﺍﻫﺔ ﻓﻲ ﺟﻴﺪﻫﺎ ﻭ ﻭﺟﻨﺘﻴﻬﺎ ﺇﻟﻰ ﺃ ﹾﻥ ﺑﻠﻐﺖ‬
‫ﺷﻔﺘﻴﻬﺎ ﺍﻟﺒﺎﺭﺩﺗﲔ ﺍﳌﺘﻮﻗﺪﺗﲔ ﻟﺘﻮﻫﻤﺎ ﺑﻘﺒﻼﺕ ﺳﺎﺧﻨﺔ ﻛﺄﻧﻬﺎ ﺷﻼﻝ ﻛﺒﺮﻳﺘﻲ ﺣﺎﺭ‪.‬‬
‫ﻏﺎﺩﺭﻧﺎ ﺻﺎﻟﺔ ﺍﻟﻌﺮﺽ ﹶﺟ ﹺﺬﻟﹶ ﹾﲔ‪ ،‬ﺍﻵﻥ ﺃﻳﻘﻨﺖ ﺃﻥ ﺍﳌﺴﺄﻟﺔ ﻟﻢ ﺗﻜﻦ ﺣﻠﻤﺎ ﹰ ﺃﻭ ﻣﺼﺎﺩﻓﺔ؛ ﻓﻘﺪ ﺭﺃﻳﺖ ﺍﻟﻔﺮﺣﺔ ﺗﺸﻊ‬
‫ﻣﻦ ﻣﺤﻴﺎﻫﺎ ﻭﻣﻦ ﺍﺑﺘﺴﺎﻣﺘﻬﺎ ﺍﳌﻀﻴﺌﺔ ﺟﻮﺍﻧﺐ ﺍﳌﻤﺮ ﺍﳌﻔﻀﻲ ﻟﻠﻔﻨﺎﺀ ﺍﳋﺎﺭﺟﻲ‪ ،‬ﺧﻴﻞ ﻟﻲ ﻭﺃﻧﺎ ﺑﺠﻮﺍﺭﻫﺎ‬
‫ﻭﻛﺄﻥ ﺍﻟﻌﺎﻟﻢ ﲢﺖ ﺇﺑﻄﻲ ﻭﻓﻲ ﺃﺣﻀﺎﻧﻲ‪ ،‬ﻓﺮﻏﻢ ﺃﻧﻲ ﺍﻧﺘﺰﻋﺖ ﻣﻦ ﺍﳌﻘﻌﺪ ﻛﻄﻔﻞ ﺃﹸﺧﺬ ﻗﺴﺮﺍ ﹰ ﻣﻦ ﺃﺑﻮﻳﻪ؛‬
‫ﺇﻻ ﺃﻥ ﺛﻤﺔ ﺷﻌﻮﺭﹴ ﺍ ﹰ ﺑﺎﻟﻐﺒﻄﺔ ﻭﺍﳋﻴﻼﺀ‪ ،‬ﻓﺄﻥ ﺃﻇﻔﺮ ﲟﻌﻠﻤﺘﻲ ﺭﻭﺣﺎ ﻭﺟﺴﺪﺍ ﻓﻲ ﺃﻭﻝ ﻣﻘﺎﺑﻠﺔ ﻏﺮﺍﻣﻴﺔ ﻓﻬﺬﻩ‬
‫ﺟﺪﻳﺮﺓ ﺑﺎﻟﺸﻜﺮ ﻭﺍﻟﺜﻨﺎﺀ ﻟﻠﺮﺏ‪ :‬ﻓﻌﻨﺪ ﺭﺅﻳﺔ ﺍﳉﻤﺎﻝ ﻳﻨﺒﻐﻲ ﲤﺠﻴﺪ ﺍﳋﺎﻟﻖ ﻭﻓﻖ ﺍﳌﺜﻞ ﺍﻟﺘﺮﻛﻲ‪ ،‬ﻓﻜﻴﻒ ﺇﺫﺍ ﻣﺎ‬
‫ﻛﺎﻥ ﺍﳉﻤﺎﻝ ﻓﻲ ﺃﺣﻀﺎﻧﻲ؟؟‬
‫ﺛﻮﺭﺓ ﺍﻟﺸﺮﻗﻲ ﻻ ﺗﻬﻤﺪ ﺑﺎﻟﻘﺒﻼﺕ ﻭﺍﻟﺮﻗﺼﺎﺕ ﺑﻞ ﲟﺎﺀ ﺍﳉﺴﺪ‪ ،‬ﺃﺧﻤﺪﺕ ﻋﻨﻔﻮﺍﻥ ﺍﻟﺮﻏﺒﺔ ﺍﳉﺎﻣﺤﺔ ﺑﻘﺴﻮﺓ‬
‫ﻭﻏﻠﻈﺔ ﻓﻠﻘﺪ ﻭﺩﻋﺘﻬﺎ ﺑﻘﺒﻠﺔ ﻭﻭﺭﺩﺓ ﺟﻤﻴﻠﺔ ﻓﺮﺣﺔ ﲤﺎﺛﻞ ﺣﻤﺮﺓ ﺧﺪﻫﺎ ﻭﻛﻨﺖ ﻗﺪ ﺃﻫﺪﻳﺘﻬﺎ ﻟﻬﺎ ﻗﺒﻞ ﺃﻥ‬
‫ﲡﻔﻞ ﻋﺎﺋﺪﺓ ﻓﻲ ﺍﳌﺘﺮﻭ ﺍﻟﺼﻐﻴﺮ‪ .‬ﺗﻜﺮﺭﺕ ﺍﳌﻬﺎﺗﻔﺎﺕ ﻭﺍﻟﻠﻘﺎﺀﺍﺕ‪ ،‬ﻭﻓﻲ ﻛﻞ ﻟﻘﺎﺀ ﺃﺟﺪﻧﻲ ﺃﺗﻌﻠﻢ ﺩﺭﺳﺎ ﹰ ﻋﻤﻠﻴﺎ ﹰ‬
‫ﻣﻦ ﻣﻌﻠﻤﺘﻲ‪ ،‬ﺃﺧﺬﺗﻨﻲ ﻟﺒﻀﻌﺔ ﺃﻳﺎﻡ ﺇﻟﻰ ﺳﺤﺮ ﺍﳌﺪﻳﻨﺔ ﺍﳌﺪﻓﻮﻥ‪ ،‬ﺇﻟﻰ ﺍﳌﺴﺮﺡ ﻭﺍﻟﺴﺮﻙ‪ ،‬ﺇﻟﻰ ﺻﺎﻟﺔ ﺗﺪﺭﻳﺐ‬
‫ﺍﻟﺒﺎﻟﻴﺔ ﻭﺍﻟﺘﻨﺲ ﻭﻛﺮﺓ ﺍﻟﺴﻠﺔ‪ ،‬ﺃﺩﻫﺸﺘﻨﻲ ﲟﻌﺮﻓﺘﻬﺎ ﻟﺘﺎﺭﻳﺦ ﻭﺁﺛﺎﺭ ﻭﻣﻠﺤﻤﺔ ﺃﻭﺩﻳﺴﺎ ﺍﳌﺴﻄﺮﺓ ﻓﻲ ﺍﳊﺮﺏ‬
‫ﺍﻟﻜﻮﻧﻴﺔ ﺍﻟﺜﺎﻧﻴﺔ ﻭﻣﻨﺤﺖ ﺍﳌﺪﻳﻨﺔ ﻟﻘﺐ ﺍﻟﺒﻄﻠﺔ‪ ،‬ﺗﺬﻭﻗﺖ ﺷﻌﺮ ﺑﻮﺷﻜﲔ ﻓﻲ ﺛﻐﺮﻫﺎ‪ ،‬ﺃﺣﺒﺒﺖ ﻣﺴﺮﺣﻴﺎﺗﻪ‬
‫ﻭﺣﺘﻰ ﺳﺤﻨﺘﻪ ﺍﻟﺴﻤﺮﺍﺀ ﺍﻟﻘﺮﻳﺒﺔ ﻣﻦ ﺃﺭﻭﻣﻴﺔ ﺻﺪﻳﻘﻲ ﺳﻠﻤﻮﻥ ﺍﳊﺒﺸﻲ‪ ،‬ﺍﺳﺘﻌﺬﺑﺖ ﺻﻮﺕ ﺍﻟﻔﻨﺎﻧﺔ‬
‫ﺻﻮﻓﻴﺎ ﺭﻭﺗﺎﺭﻭ ﻣﻦ ﺭﻗﺔ ﺻﻮﺗﻬﺎ ﻭﻫﻲ ﺗﺴﺘﺠﺪﻱ ﺍﻟﻘﻤﺮ ﺑﺄﻥ ﻳﺮﺳﻞ ﺿﻮﺀ ﹸﻩ ﻭﻣﻦ ﺭﻗﺼﻬﺎ ﻭﲤﻮﺟﻬﺎ ﺍﻵﺧﺬ‬
 ‫ﻟﻸﻟﺒﺎﺏ‪.‬‬
‫ﻋﺸﻘﺖ ﺍﻭﺩﻳﺴﺎ ﺑﺸﻮﺍﺭﻋﻬﺎ ﻭﺣﺪﺍﺋﻘﻬﺎ ﻭﺃﻧﺎﺳﻬﺎ ﻭﺳﻮﺍﺣﻠﻬﺎ ﻭﺗﺎﺭﻳﺨﻬﺎ ﻭﲤﺎﺛﻴﻠﻬﺎ؛ ﻭﺣﺘﻰ ﺃﺳﻤﺎﺀ ﺍﻷﺣﻴﺎﺀ‬
‫ﻭﺍﶈﻄﺎﺕ‪ ،‬ﻟﺴﻨﻮﺍﺕ ﺧﻠﺖ ﻭﻣﻌﺮﻓﺘﻲ ﻻ ﺗﺰﻳﺪ ﻋﻦ ﺍﻟﺸﺎﺭﻉ ﺍﳌﻤﺘﺪ ﻣﻦ ﺍﻟﺴﻜﻦ ﺇﻟﻰ ﺍﳌﻠﻬﻰ ﺍﻟﻠﻴﻠﻲ ﺍﻟﺮﻛﺎﺩﻳﻪ‬
‫ﺍﻟﺼﺎﺧﺐ ﺑﺎﻷﺿﻮﺍﺀ ﻭﺍﻟﺒﻐﺎﺀ ﻭﺍﻟﺜﻤﺎﻟﺔ ﻭﺣﺘﻰ ﺍﻟﺒﺎﺋﻌﺎﺕ ﻟﻼﻳﺪﺯ ﻭﺍﻟﺴﻴﻔﻠﺲ ﻭﺍﻟﺰﻫﺮﻱ ﻭﺍﻟﻼﺋﻲ ﻳﺒﻌﻦ ﻭﻳﺠﺪﻥ‬
‫ﻟﻸﺳﻒ ﻣﻦ ﻳﺸﺘﺮﻱ‪ ،‬ﺃﻭ ﺍﶈﻄﺔ ﺍﳋﺎﻣﺴﺔ ﻭﲤﺜﺎﻟﻬﺎ ﺍﳌﻨﺘﺼﺐ ﻓﻲ ﺍﳌﻜﺎﻥ‪.‬‬
‫ﺍﻟﻮﻗﺖ ﺃﺯﻑ ﻋﻠﻰ ﺍﻟﻌﻮﺩﺓ ﻟﺒﻠﺪﻱ‪ ،‬ﺍﻟﻌﻘﺪ ﺍﻟﺴﻮﻓﻴﺘﻲ ﺃﺭﺟﻮ ﺍﷲ ﺃﻥ ﻳﻜﻠﺆﻩ ﻭﻟﻮ ﻟﺜﻼﺛﺔ ﺃﺷﻬﺮ ﻋﻠﻰ ﺭﺃﺱ‬
‫ﺍﻟﺴﻨﺔ ‪١٩٩٠‬ﻡ‪ ،‬ﺃﻳﺎﻡ ﻗﻼﺋﻞ ﻭﺳﺄﻋﻮﺩ ﻷﺷﺠﺎﻥ ﻭﺃﻫﻠﻲ ﻓﻲ ﺣﻘﻞ ﺍﻟﻔﺆﺍﺩ‪ ،‬ﺍﻟﺒﻴﺮﻭﺳﺘﺮﻳﻜﺎ ﻭﺍﳉﻼﺳﻨﻮﺳﺖ‬
‫ﻛﻼﻫﻤﺎ ﺭﺍﺋﻌﺘﺎﻥ ‪‬ﺘﻤﻌﺎﺕ ﻗﻬﺮﻫﺎ ﺍﺳﺘﺒﺪﺍﺩ ﺍﳊﺰﺏ ﺍﻟﻮﺍﺣﺪ‪ ،‬ﻗﺮﻳﻨﺔ ﺍﻟﺮﺋﻴﺲ ﻏﻮﺭﺑﺎﺗﺸﻮﻑ )ﺭﺍﻳﺎ( ﺻﺎﺭ ﻇﻬﻮﺭﻫﺎ‬
‫ﺑﺠﻮﺍﺭ ﺍﻟﺮﺟﻞ ﺍﻷﻭﻝ ﻣﻦ ﺍﻟﺜﻮﺍﺑﺖ ﺍﳉﺪﻳﺪﺓ ﻓﻲ ﻧﺸﺮﺓ ﺍﻟﺘﺎﺳﻌﺔ‪ ،‬ﻻﺷﻲﺀ ﻳﻌﻜﺮ ﺍﳌﺰﺍﺝ ﻣﺜﻞ ﻃﺎﻋﻮﻥ ﺍﻟﻌﺼﺮ‬
‫ﻓﻴﺮﻭﺱ ﻧﻘﺺ ﺍﳌﻨﺎﻋﺔ )ﺍﻹﻳﺪﺯ(‪ ،‬ﺛﻤﺔ ﺍﻋﺘﻘﺎﺩ ﺧﺎﻃﺊ ﺃﻥ ﺍﻟﻔﻴﺮﻭﺱ ﻣﻦ ﺍﳉﻨﺲ ﺍﻷﺳﻮﺩ ﺍﻟﻘﺎﺩﻡ ﻣﻦ ﺇﻓﺮﻳﻘﻴﺎ‬
‫ﺣﻴﺚ ﺍﻟﻘﺮﻭﺩ ﺍﳌﺘﺴﺒﺒﺔ ﻓﻲ ﺍﻟﻌﺪﻭﻯ‪ ،‬ﺗﺮﺣﻴﻞ ﻃﺎﻟﺐ ﺇﻓﺮﻳﻘﻲ ﺇﻟﻰ ﻣﻮﻃﻨﻪ ﻳﻔﻘﺪﻧﻲ ﺟﻬﺎﺯﻱ ﺍﻟﺘﻨﺎﺳﻠﻲ‬
‫ﻛﻠﻤﺎ ﻫﻤﻤﺖ ﲟﻀﺎﺟﻌﺔ ﺃﻧﺜﻰ ﻓﻲ ﺍﳌﺪﻳﻨﺔ‪.‬‬
‫ﺃﻧﻮﺷﻜﺎ ﻟﻴﺴﺖ ﻣﻦ ﺑﺎﺋﻌﺎﺕ ﺍﻟﻬﻮﻯ ﻓﻲ ﺍﳌﻮﺍﺧﻴﺮ ﻭﺍﳊﺎﻧﺎﺕ‪ ،‬ﻻ ﺃﺑﺪﺍ ﹰ ﻟﻦ ﺃﺻﻮﻡ ﺃﻛﺜﺮ‪ ،‬ﻟﻦ ﺃﻓﻄﺮ ﺑﻘﺒﻠﺔ ﻭﻫﺼﺮ‬
‫ﻗ ‪‬ﺪ ﺃﻫﻴﻒ‪ ،‬ﻻ ﻫﺬﻩ ﺍﻟﺰﻧﺒﻘﺔ ﺍﻟﻮﺩﻳﻌﺔ ﻛﻼ ﻟﻦ ﺃﻭﺩ ﻣﻔﺎﲢﺘﻬﺎ ﺑﺄﻣﺮ ﺃﻧﻄﻮﻧﻴﻮ؛ ﻓﻤﺎﺫﺍ ﻳﻌﻨﻲ ﺳﺆﺍﻝ ﻭﻗﺢ ﻛﻬﺬﺍ‬
‫ﻏﻴﺮ ﺍﻟﻮﺿﺎﻋﺔ ﻭﺍﳋﺴﺔ؟ ﻓﻲ ﺍﻷﻭﻝ ﻫﺪ ﻟﻌﻼﻗﺔ ﺍﻟﻐﺮﺍﻡ ﺍﻟﻄﺎﻫﺮﺓ ﻭﻓﻲ ﺍﻵﺧﺮ ﺇﻃﻼﻕ ﺭﺻﺎﺻﺔ ﺍﻟﺮﺣﻤﺔ‪ ،‬ﺃﻟﻢ‬
‫ﻳﻘﻞ ﺳﻮﻓﺎﺝ‪ :‬ﺍﻟﻐﻴﺮﺓ ﻓﻲ ﺍﳊﺐ ﻛﺎﳌﺎﺀ ﻟﻠﻮﺭﺩﺓ ﻗﻠﻴﻠﻪ ﻳﻨﻌﺶ ﻭﻛﺜﻴﺮﻩ ﻳﻘﺘﻞ‪ ،‬ﻳﺎ ﳋﻴﺒﺘﻲ ﻭﺃﻧﺎﻧﻴﺘﻲ ﺣﺘﻰ ﺍﳌﺮﺃﺓ‬
‫ﺍﻟﺘﻲ ﺻﺪﺕ ﺍﳋﻠﻖ ﻭﺩﺍﻧﺖ ﻟﺘﻠﻤﻴﺬﻫﺎ ﺍﺳﺘﺮﻳﺐ ﺑﻨﻘﺎﺋﻬﺎ ﻭﺣﺒﻬﺎ‪ ..‬ﻭﺩﻋﺘﻬﺎ ﻓﻲ ﺣﺪﻳﻘﺔ ﺑﻮﺷﻜﲔ ﺻﺒﺎﺣﺎ‬
‫ﻠﺤﺎ ﹰ ﻋﻠﻴﻬﺎ ﻗﻀﺎﺀ ﺑﻘﻴﺔ ﺍﻟﻴﻮﻡ ﻓﻲ ﺍﻟﺒﺤﺮ‪ ،‬ﺣﺰﻣﺖ ﺃﻣﺘﻌﺘﻲ ﻭﺯﺍﺩﻱ ﻭﻃﻔﻘﺖ ﺇﻟﻰ ﻫﻨﺎﻙ ﺣﻴﺚ ﻳﺰﺩﺣﻢ‬
‫ﹸﻣ ﹼ‬
‫ﺍﳌﺼﻄﺎﻑ‪ ،‬ﺑﻘﻲ ﻋﻠﻰ ﻣﻮﻋﺪ ﺳﻔﺮﻱ ﺃﻳﺎﻡ ﻭﲤﻮﺯ ﻭﺁﺏ ﺗﺘﺴﺎﻗﻂ ﺃﻳﺎﻣﻬﻤﺎ ﻓﻲ ﺍﳌﺪﻳﻨﺔ ﻣﺜﻞ ﺃﻭﺭﺍﻕ ﺍﳋﺮﻳﻒ‪،‬‬
‫ﻛﻌﺎﺩﺗﻬﺎ ﺃﻧﻮﺷﻜﺎ ﻓﻲ ﺍﺣﺘﺮﺍﻡ ﺍﻟﻮﻗﺖ ﻭﺻﻠﺖ ﻣﻊ ﻋﻘﺮﺏ ﺍﻟﺴﺎﻋﺔ ﺍﻟﺴﻮﻳﺴﺮﻳﺔ‪ ،‬ﺍﻓﺘﺮﺷﻨﺎ ﺍﻟﺮﻣﻞ ﺑﺴﺠﺎﺩ‬
‫ﺑﻼﺳﺘﻴﻜﻲ ﲢﺖ ﻇﻼﻝ ﺷﺠﺮﺓ ﻛﺜﺔ ﻭﺿﻌﻨﺎ ﻣﺘﺎﻋﻨﺎ ﻗﺒﻞ ﻧﺼﺒﻨﺎ ﺧﻴﻤﺔ ﺯﻭﺟﻴﺔ ﻓﻲ ﻣﻜﺎﻥ ﻗﺼﻲ ﻋﻦ‬
‫ﺍﻟﺴﺎﺑﻠﺔ‬
‫ﻳﺎ ﺍﷲ ﻛﻢ ﺍﻧﺘﻈﺮﺕ ﻭﺣﻠﻤﺖ ﺑﺮﺅﻳﺔ ﺃﻧﻮﺷﻜﺎ ﲟﺎﻳﻮﻩ ﺍﻟﺴﺒﺎﺣﺔ؟؟ ﻫﺎ ﻫﻲ ﺍﻟﻠﺤﻈﺔ ﺩﺍﻧﺖ ﻳﺎ ﺟﻤﺎﻝ‪ ،‬ﺍﻟﻘﻠﺐ‬
‫ﻳﺨﻔﻖ ﻭﺍﻟﺒﺪﻥ ﻳﺮﲡﻒ ﻣﺜﻞ ﻭﺭﻗﺔ ﺣﻮﺭ ﺭﺟﺮﺍﺝ ﻛﻠﻤﺎ ﻧﻀﺖ ﻣﻼﺀﺗﻬﺎ ﻋﻦ ﺟﺴﺪﻫﺎ‪ ،‬ﻓﻤﻌﻠﺘﻲ ﻻ ﺗﺪﺭﻙ ﻣﺎ‬
‫ﻭﺟﺒﻠﺖ ﻋﻠﻴﻬﺎ ﻣﻨﺬ ﺍﻟﺼﻐﺮ‪،‬‬
‫ﹾ‬ ‫ﻓﻲ ﺃﺣﺸﺎﺋﻲ ﻣﻦ ﻟﻮﻋﺔ ﻭﺭﻏﺒﺔ ﻣﺪﻓﻮﻧﺔ ﻟﻌﺮﻱ ﺑﺪﻧﻬﺎ‪ ،‬ﻟﻬﺎ ﺍﳌﺴﺄﻟﺔ ﻋﺎﺩﻳﺔ‬
‫ﻟﺸﺮﻗﻲ ﻣﺜﻠﻲ ﻓﺈ ﱠﻥ ﺃﻗﺼﻰ ﻣﺎ ﲤﻨﻴﺘﻪ ﻫﻮ ﺭﺅﻳﺔ ﻣﻔﺎﺗﻨﻬﺎ ﻋﻠﻰ ﻫﺬﺍ ﺍﳌﻨﺤﻰ‪ ،‬ﺛﻮﺭﺓ ﺷﺮﻗﻴﺔ ﻣﺘﻮﺛﺒﺔ ﻻﻗﺘﺤﺎﻡ‬
‫ﻣﻔﺎﺗﻦ ﺃﻧﺜﻰ ﻟﻄﺎﳌﺎ ﻗﻠﺖ ﺇ ﱠﻥ ﻟﻬﺎ ﺟﺎﺫﺑﻴﺔ ﻭﻋﺬﻭﺑﺔ ﻻ ﺗﺸﺎﻃﺮﻫﺎ ﻓﻴﻬﻤﺎ ﻣﺨﻠﻮﻗﺔ‪ ،‬ﻟﻢ ﻳﺨﺐ ﺗﻮﻗﻲ ﻟﻬﺬﻩ‬
‫ﺍﳊﻮﺍﺀ‪ ،‬ﻓﻤﺎ ﺃﺭﺍﻩ ﺃﻣﺎﻣﻲ ﺍﻵﻥ ﻳﺆﻛﺪ ﺃﻧﻬﺎ ﻟﻴﺴﺖ ﻣﺜﻞ ﺳﺎﺋﺮ ﺍﻟﻨﺴﻮﺓ ﻓﻲ ﺍﳌﺼﻄﺎﻑ‪ ،‬ﻓﺒﻌﺪ ﺗﻨﻀﻴﺘﻬﺎ‬
‫ﻷﺳﻤﺎﻟﻬﺎ ﺑﺪﺕ ﻛﺸﺠﺮﺓ ﺍﻟﺒﻨﻔﺴﺞ ﺍ‪‬ﺘﺒﺌﺔ ﺑﲔ ﻟﻔﺎﺋﻒ ﺍﻷﺩﻏﺎﻝ‪ ،‬ﻓﺤﺘﻰ ﻓﻲ ﺍﻧﺘﻘﺎﺀ ﻣﻠﺒﺴﻬﺎ ﺍﻟﺒﻜﻴﻨﻲ‬
‫ﺍﻷﺯﺭﻕ ﺍﳌﺎﺋﻲ ﻟﻨﻬﺪﻳﻬﺎ ﻭﺳﺎﻓﻠﻬﺎ ﻓﻴﻪ ﺫﻭﻕ ﺑﺪﻳﻊ ﻭﺗﻨﺎﺳﻖ ﻣﻊ ﺯﺭﻗﺔ ﺍﻟﺒﺤﺮ ﻭﺍﻟﺴﻤﺎﺀ‪ ،‬ﺑﺪﻥ ﻳﺘﻸﻷ ﺑﻴﺎﺿﺎ‬
‫ﹰﻭﺳﻄﻮﻋﺎ ﹰﺍﻓﻘﺪﻧﻲ ﻟﺒﻲ ﻭﺻﻮﺍﺑﻲ‪ ،‬ﻛﺄﻧﻬﺎ ﻟﺆﻟﺆﺓ ﻣﻦ ﺍﻟﺸﻤﺲ ﻓﻲ ﺯﺭﻗﺔ ﺍﳌﺎﺀ‪ ،‬ﺷﻌﺮﻫﺎ ﺍﻷﺷﻘﺮ ﻭﻗﺪﻫﺎ‬
‫ﺍﻷﻏﻴﺪ ﻭﺃﺩﳝﻬﺎ ﺍﻷﺑﻴﺾ ﻫﻲ ﺫﺍﺗﻬﺎ ﺍﳋﺼﺎﻝ ﺍﻟﺘﻲ ﺭﺟﻮﺗﻬﺎ ﻣﻦ ﻧﻬﺮ ﺍﻟﺪﻧﻴﺒﺮ‪ ،‬ﺧﻔﺖ ﻋﻠﻴﻬﺎ ﻣﻦ ﺍﳌﻮﺝ ﻋﻠﻰ‬
‫ﺯﺭﻗﺔ ﻣﻠﺒﺴﻬﺎ ﻭﻣﻦ ﺧﻴﻮﻁ ﺍﻟﺸﻤﺲ ﻋﻠﻰ ﺳﺪﳝﻬﺎ ﺍﻟﺮﻃﺐ‪ ،‬ﻏﻤﺮﺗﻨﺎ ﺍﳌﻴﺎﻩ ﺇﻟﻰ ﺍﳊﻠﻘﻮﻡ‪ ،‬ﻓﻜﺄﻧﻨﺎ ﺍﻻﺛﻨﺎﻥ‬
‫ﻧﺘﺪﺛﺮ ﺍﶈﻴﻂ ﺍﻷﺯﺭﻕ ﻭﻧﻔﺘﺮﺵ ﳉﻪ ﺟﻠﻮﺳﺎ ﹰ ﻓﻴﻤﺎ ﺍﳌﺎﺀ ﻳﻐﺸﺎﻧﺎ ﺇﻟﻰ ﺃﺭﻧﺒﺔ ﺍﻷﺫﻧﲔ‪ ،‬ﻣﺸﻬﺪ ﺧﺮﺍﻓﻲ ﺭﺣﻨﺎ ﻓﻴﻪ‬
‫ﻧﺮﻧﻮ ﺇﻟﻰ ﺑﻌﻀﻨﺎ‪ ،‬ﺗﻐﺎﻃﻴﻨﺎ ﻓﻲ ﺍﳌﺎﺀ‪ ،‬ﺿﺤﻜﻨﺎ‪ ،‬ﻭﺳﺒﺤﻨﺎ‪ ،‬ﻭﻋﺪﻭﻧﺎ ﻓﻲ ﺍﳌﺎﺀ ﻭﺍﻟﺮﻣﻞ ﻛﺎﻷﻃﻔﺎﻝ ﺍﻟﺼﻐﺎﺭ ﺣﺘﻰ‬
‫ﺃﺳﻠﻤﻨﺎ ﺟﺴﺪﻳﻨﺎ ﻟﻠﺸﻤﺲ‪.‬‬
‫ﺍﺳﺘﻠﻘﺖ ﺃﻧﻮﺷﻜﺎ ﻋﻠﻰ ﻓﺮﺍﺷﻬﺎ ﺍﳋﺰﻑ ﺑﻴﻨﻤﺎ ﺭﺍﺣﺖ ﺗﻘﻠﺐ ﺑﺪﻧﻬﺎ ﺍﻟﺮﻃﺐ ﳋﻴﻮﻁ ﺍﻟﻬﺎﺟﺮﺓ ﻋﻨﺪ ﺍﻟﻈﻬﻴﺮﺓ‪،‬‬
‫ﻇﻠﻠﺖ ﺃﺟﻮﻝ ﺑﻨﻈﺮﻱ ﻓﻲ ﻧﻬﺪﻳﻬﺎ ﻭﺻﺪﺭﻫﺎ ﻭﺣﺘﻰ ﺭﻣﺎﻧﺔ ﺳﺎﻗﻴﻬﺎ ﻭﻛﺄﻧﻨﻲ ﺭﺳﺎﻡ ﻣﺤﺘﺮﻑ‪ ،‬ﺭﺣﺖ ﺃﺭﻣﻖ‬
‫ﻭﺃﻏﻮﺹ ﻓﻲ ﻣﺴﺎﻣﺎﺕ ﺃﺩﳝﻬﺎ ﺍﻷﺑﻴﺾ‪ ،‬ﻟﻢ ﺃﲤﺎﻟﻚ ﻧﻔﺴﻲ ﻓﻬﻤﺴﺖ ﻓﻲ ﺃﺫﻧﻬﺎ‪:‬‬
‫ﻣﺎ ﺃﺟﻤﻠﻚ ﻳﺎ ﻣﻌﻠﻤﺘﻲ!‬ ‫‪-‬‬
‫ﺭﻣﻘﺘﻨﻲ ﺑﺎﺑﺘﺴﺎﻣﺔ ﺧﺠﻠﺔ ﻣﺰﻫﻮﺓ ﺳﺄﻣﻮﺕ ﻳﻮﻣﺎ ﹰ ﻭﺗﺒﻘﻰ ﻣﺤﻠﻘﺔ ﻓﻲ ﺍﳌﻜﺎﻥ ﻟﻸﺑﺪ‪ .‬ﺛﻢ ﺃﺭﺩﻓﺖ ﻗﺎﺋﻠﺔ‪:‬‬
‫ﺍﺳﺘﻠﻘﻲ ﺟﻤﺎﻝ ﻟﺴﻴﺎﻁ ﺍﻟﺸﻤﺲ ﻟﺘﻠﺞ ﻓﻲ ﺑﺪﻧﻚ ﻛﺎﻟﻮﺧﺰ ﺍﻟﻠﺬﻳﺬ‪.‬‬ ‫‪-‬‬
‫ﺳﻴﺎﻁ ﺑﺆﺑﺆﺓ ﻋﻴﻨﻲ ﻓﻲ ﺃﺩﳝﻚ ﺃﻧﻔﻊ ﻭﺃﻋﺬﺏ‪ ،‬ﻻ ﺑﻞ ﺣﻮﺍﺳﻲ ﻣﻨﺼﺒﺔ ﻓﻴﻚ ﻛﺎﻷﻧﻬﺎﺭ ﺍﻟﻐﺎﺋﺮﺓ ﻓﻲ ﺍﻟﺒﺤﺮ‬
‫ﺍﻷﺳﻮﺩ ﻫﺬﺍ‪.‬‬
‫ﺍﺿﻄﺠﻌﺖ ﻫﻨﺎ ﻋﻠﻰ ﻇﻬﺮﻫﺎ ﻣﻠﻘﻴﺔ ﻭﺟﻬﻬﺎ ﻟﻠﺴﻤﺎﺀ ﺑﺎﺑﺘﺴﺎﻣﺔ ﻏﻨﺠﻪ ﺟﺬﻟﺔ ﺭﲟﺎ ﲟﺎ ﺳﻤﻌﺘﻪ ﻣﻦ‬
‫ﺗﻠﻤﻴﺬﻫﺎ ﺍﳋﺎﺋﺐ ﻓﻲ ﺍﻟﻬﻨﺪﺳﺔ ﻭﻗﺒﻞ ﺃﻥ ﺗﻐﻤﺾ ﺭﻣﺸﻴﻬﺎ ﻟﺸﻤﺲ ﻃﻔﻠﺖ ﻓﻲ ﺍﻷﺻﻴﻞ‪:‬‬
‫ﺃﻧﺎ ﺍ‪‬ﻠﻮﻗﺔ ﺍﻟﺒﺴﻴﻄﺔ ﻛﻞ ﻫﺬﺍ ﺍﶈﻴﻂ ﺍﻟﻔﺴﻴﺢ‪ ،‬ﻓﺄﺭﻧﻲ ﺃﻳﻦ ﻫﻲ ﺃﻧﻬﺎﺭﻙ ﻳﺎ ﻓﺎﻟﺢ ﻓﻲ ﺧﻄﺐ ﻭﺩ‬ ‫‪-‬‬
‫ﺍﻟﻨﺴﺎﺀ ﻭﻣﻀﺎﺟﻌﺘﻬﻦ؟؟‬
‫ﺃﺛﺎﺭﺗﻨﻲ ﺑﺴﺆﺍﻟﻬﺎ ﺍﻟﺒﺮﻱﺀ‪ ،‬ﻓﺮﺣﺖ ﻣﻨﻘﻀﺎ ﹰ ﻋﻠﻴﻬﺎ ﻛﺼﺎﺋﺪ ﻓﺮﺍﺋﺲ‪ ،‬ﻭﺑﺨﺸﻮﻧﺔ ﻓﺘﻰ ﺷﺮﻗﻲ ﺛﺮﺕ ﻋﻠﻰ‬
‫ﺃﻧﻮﺷﻜﺎ ﺍﻟﻮﺩﻳﻌﺔ ﺍﳌﺴﻠﻤﺔ ﺟﺴﺪﻫﺎ ﺍﻟﻠﺬﻳﺬ ﻟﺴﻴﺎﻁ ﺍﻟﺴﻤﺎﺀ‪ ،‬ﺃﺧﺬﺕ ﺃﻧﺜﺮ ﺍﻟﻘﺒﻼﺕ ﻋﻠﻰ ﻭﺟﻨﺘﻴﻬﺎ‬
‫ﻭﺟﻴﺪﻫﺎ ﻭﺷﻔﺘﻴﻬﺎ ﻭﻧﻬﺪﻳﻬﺎ ﻭﻣﻮﺍﻃﻦ ﻻ ﺃﻋﻠﻢ ﻛﻴﻒ ﺍﻫﺘﺪﻳﺖ ﻟﻬﺎ؟؟‬
‫ﻏﺮﺍﺋﺰ ﺷﺮﻗﻴﺔ ﻣﻜﺒﻮﺗﺔ ﻟﻢ ﲡﺪ ﺃﻧﻮﺷﻜﺎ ﺑﺪﺍ ﹰ ﻣﻦ ﺍﻻﺳﺘﺴﻼﻡ ﻟﻬﺎ‪ ،‬ﻓﺒﻌﺪ ﻣﻘﺎﻭﻣﺔ ﻟﺬﻳﺬﺓ ﺃﺫﻋﻨﺖ ﻟﺘﻠﻤﻴﺬﻫﺎ‬
‫ﺍ‪‬ﻨﻮﻥ ﻓﻲ ﺃﻥ ﻳﺮﻳﻬﺎ ﺃﻧﻬﺎﺭﻩ ﺍﻟﻐﺎﺋﺮﺓ ﻓﻲ ﺍﻟﺒﺤﺮ ﺍﻷﺳﻮﺩ‪:‬‬
‫ﻫﺬﺍ ﻳﺎ ﻣﻌﻠﻤﺘﻲ ﻧﻬﺮ ﺍﻟﻌﻮﺍﺻﻢ )ﺍﻟﺪﺍﻧﻮﺏ( ﻳﻨﺒﻊ ﻣﻦ ﻫﺎﻫﻨﺎ ﻓﻲ ﺍﻟﻐﺎﺑﺔ ﺍﻟﺸﻘﺮﺍﺀ ﻣﻦ ﻏﺮﺏ ﺃﳌﺎﻧﻴﺎ ﻣﺎﺭﺍ ﹰ ﺑﻌﺸﺮ‬
‫ﺩﻭﻝ ﺑﺪﺍﻳﺔ ﺑﻬﺬﻳﻦ ﺍﻟﻨﻬﺪﻳﻦ ﺍﻟﺮﺍﺑﻀﲔ )ﺃﳌﺎﻧﻴﺎ ﻭﺍﻟﻨﻤﺴﺎ( ﻣﺮﻭﺭﺍ ﹰ ﻓﻲ ﺳﻬﻮﺏ ﺳﻠﻮﻓﺎﻛﻴﺎ ﻭﺍ‪‬ﺮ ﻭﺳﻠﻮﻓﻴﻨﻴﺎ‬
‫ﻭﻛﺮﻭﺍﺗﻴﺎ ﻭﺻﺮﺑﻴﺎ ﻭﺑﻠﻐﺎﺭﻳﺎ ﻭﺭﻭﻣﺎﻧﻴﺎ ﻭﺃﻭﻛﺮﺍﻧﻴﺎ ﻭﻧﻬﺎﻳﺘﻪ ﻫﻨﺎ ﻓﻲ ﺍﻟﺒﺤﺮ ﺍﻷﺳﻮﺩ‪ ،‬ﻛﻢ ﻫﻮ ﻣﺤﻈﻮﻅ ﺍﻟﺪﺍﻧﻮﺏ‪،‬‬
‫ﻓﺒﻌﺪ ﻗﺮﺍﺑﺔ ‪٣٠٠٠‬ﻛﻢ ﻫﺎﻫﻮ ﻳﺼﺐ ﻣﺎ ﹶﺀﻩ ﻓﻲ ﻫﺬﻩ ﺍﻟﺒﺤﻴﺮﺓ ﺍﳌﻐﻠﻘﺔ؟؟‪.‬‬
‫ﺃﻧﻮﺷﻜﺎ ﻣﻘﺎﻃﻌﺔ‪ :‬ﺟﻤﺎﻝ ﻧﻬﺮﻙ ﺳﺎﻟﻚ ﻓﻮﻕ ﺟﺴﺪﻱ ﻭﻣﺎﺅﻙ ﻏﺎﺋﺮ ﻓﻲ ﺃﺳﻔﻠﻲ!‬
‫ﻭﻟﻜﻨﻲ ﻟﻢ ﺃﺣﺪﺛﻚ ﻋﻦ ﺃﻧﻬﺮ ﺍﻟﺪﻧﻴﺘﺲ ﻭﺍﻟﺪﻧﻴﺴﺘﺮ ﻭ ﻛﺎﺗﺸﺎﺭ ﻭ ﺗﺸﻴﺮﻧﺎ ﻭﻏﻴﺮﻫﺎ ﻣﻦ ﺍﻷﻧﻬﺎﺭ ﺍﻟﺘﻲ‬ ‫‪-‬‬
‫ﻟﻢ ﻳﻀﻖ ﺑﻬﺎ ﺍﻟﺒﺤﺮ ﺍﻷﺳﻮﺩ ﺭﻏﻢ ﺻﻐﺮﻩ ﻭﺿﻴﻘﻪ‪.‬‬
‫ﺳﺎﺋﺢ ﻓﻮﻕ ﺃﻭﺻﺎﻟﻲ ﱠ‬
‫ﻓﻬﻼ ﺃﺑﻘﻴﺖ ﻣﻦ ﺣﻜﺎﻳﺎﺕ ﺃﻧﻬﺎﺭﻙ ﺍﻟﻠﺬﻳﺬﺓ ﺇﻟﻰ ﺍﳋﻴﻤﺔ؟؟‪.‬‬ ‫ﹲ‬ ‫ﻧﻬﺮﻙ‬ ‫‪-‬‬
‫ﻓﻲ ﻫﺬﻩ ﺍﻟﺒﻘﻌﺔ ﺍﻟﻘﻔﺮﺓ ﻣﻦ ﻋﻴﻮﻥ ﺍﻟﺴﺎﺑﻠﺔ ﻛﺎﻧﺖ ﳑﺎﺭﺳﺔ ﺍﳊﺐ ﻋﻠﻰ ﺃﺻﻮﻟﻪ‪ ،‬ﻓﺮﺍﺵ ﻭﺳﺠﺎﺩﺓ ﻭﺭﻣﻠﺔ‬
‫ﻭﺧﻴﻤﺔ ﻭﺳﻤﺎﺀ ﺍﷲ ﺍﻟﻮﺍﺳﻌﺔ‪ ،‬ﻃﻔﻘﺖ ﳉﻠﺐ ﺍﻟﻠﺤﻢ ﺍﳌﺸﻮﻱ ﻭﺍﳋﺒﺰ ﻭﺍﻟﻨﺒﻴﺬ‪ ،‬ﻭﻛﻤﻦ ﻓﺘﺢ ﻋﻤﻮﺭﻳﺔ ﻋﺪﺕ‬
‫ﻣﻨﺘﺸﻴﺎ ﹰ ﻓﺮﺣﺎ ﹰ ﲟﺎ ﺃﳒﺰﺗﻪ ﻣﻦ ﻓﻌﻞ ﻟﺬﻳﺬ ﺟﺪﻳﺮ ﺑﺸﻬﺎﺩﺓ ﺗﻘﺪﻳﺮ ﻣﻦ ﻣﻌﻠﻤﺘﻲ ﺍﳊﺴﻨﺎﺀ‪ ،‬ﻓﻠﻄﺎﳌﺎ ﺃﺧﻔﻘﺖ‬
‫ﻓﻲ ﺇﺛﺒﺎﺕ ﺗﻔﻮﻗﻲ ﻓﻲ ﺍﻟﻔﺼﻞ ﻫﺎﺃﻧﺬﺍ ﺃﳒﺢ ﻓﻲ ﺍﻟﺒﺤﺮ ﻭﺍﳋﻴﻤﺔ!‬
‫ﻋﻠﻲ ﺃﺻﻮﻝ ﺍﻟﺮﻗﺺ‬
‫ﻓﻲ ﻟﻴﻠﺔ ﻣﻦ ﻟﻴﺎﻟﻲ ﺃﻟﻒ ﻟﻴﻠﺔ ﺧﻠﺖ ﻧﻔﺴﻲ ﺷﻬﺮﻳﺎﺭ ﻓﻴﻤﺎ ﺃﻧﻮﺷﻜﺎ ﺷﻬﺮﺯﺍﺩ ﻗﺎﺻﺔ ﱠ‬
‫ﻭﺍﳌﺪﺍﻋﺒﺔ ﻭﺍﳉﻨﺲ ﻭﺣﺘﻰ ﺍﻟﺸﺮﺏ ﻭﺍﻟﻜﻼﻡ‪ ،‬ﻟﻴﺘﻨﻲ ﻛﻨﺖ ﺃﻋﻠﻢ ﺃ ﱠﻥ ﺯﺟﺎﺟﺔ ﺷﻤﺒﺎﻧﻴﺎ ﺳﺘﻜﻮﻥ ﻓﺎﲢﺔ ﻟﺸﻬﻴﺔ‬
‫ﺃﻧﻮﺷﻜﺎ ﻓﻲ ﺍﻟﺒﻮﺡ ﻭﻣﻄﺎﺭﺣﺔ ﺍﻟﻐﺮﺍﻡ! ﻣﺎ ﺇﻥ ﺻ ﱠﺒﺖ ﻛﺄﺳﻬﺎ ﺍﻷﻭﻝ ﻓﻲ ﺟﻮﻓﻬﺎ ﺣﺘﻰ ﻃﺮﺩﺕ ﻧﺎﻣﻮﺱ ﺍﳋﺠﻞ‬
‫ﻣﺜﻠﻲ ﻓﻲ ﺗﻠﻚ ﺍﻟﻠﻴﻠﺔ ﺍﳊﻤﺮﺍﺀ‪ ،‬ﺃﺧﺬﺕ ﺗﺮﻗﺺ ﻛﺎﻟﻔﺮﺍﺷﺔ‪ ،‬ﺗﺪﻭﺭ ﺑﺘﻨﻮﺭﺗﻬﺎ ﻛﺎﻟﺮﺣﻰ‪ ،‬ﺗﻐﻨﻲ ﻭﺗﺘﻌﺮﻯ ﻛﻄﻔﻠﺔ‬
‫ﺑﺮﻳﺌﺔ ﺗﻔﻌﻞ ﻛﻞ ﻣﺎﻳﺤﻠﻮ ﻟﻬﺎ‪ ،‬ﺍﺳﺘﻌﺮﺿﺖ ﺟﺬﻟﺔ ﻛﻴﻒ ﻃﺎﻑ ﻧﻬﺮ ﺍﻟﺪﺍﻧﻮﺏ ﻓﻲ ﻣﺪﻧﻬﺎ ﺍﳉﻤﻴﻠﺔ ﺇﻟﻰ‬
‫ﺃﻥ ﻭﺻﻞ ﻣﺠﺮﺍﻩ ﻋﻨﺪ ﺳﺎﻗﻴﻬﺎ ﺍﻷﻧﻴﻘﺘﲔ ﺍﻟﻐﺎﺋﺮﺗﲔ ﻓﻲ ﻣﺎﺀ ﺍﻟﺒﺤﺮ؟؟ ﻗﺼﺼﺖ ﻋﻠﻴﻬﺎ ﺣﻜﺎﻳﺎﺕ ﺍﻷﻧﻬﺮ‬
‫ﺍﻷﺭﺑﻌﺔ ﺣﺘﻰ ﺛﻤﻠﺖ ﻣﻦ ﺍﻟﻠﺬﺓ ﻭﺍﳌﺘﻌﺔ‪ ،‬ﻓﻨﺎﻣﺖ ﻋﻠﻰ ﺻﺪﺭﻱ ﺣﺎﺳﺮﺓ ﺍﻟﺮﺃﺱ ﻭﺍﻟﺒﺪﻥ ﻛﻄﻔﻠﺔ ﻭﺩﻳﻌﺔ‪ ،‬ﺭﺍﺣﺖ‬
‫ﺃﻧﺎﻣﻠﻲ ﺗﻌﺒﺚ ﺑﺸﻌﺮﻫﺎ ﺍﻷﺷﻘﺮ‪ ،‬ﺗﻄﻮﻑ ﺑﻬﺎ ﻋﻠﻰ ﻭﺟﻨﺘﻴﻬﺎ ﻭﺗﻬﺪﻫﺪ ﻋﻠﻰ ﻧﻬﺪﻳﻬﺎ‪ ،‬ﻏﻄﻨﺎ ﺍﻻﺛﻨﲔ ﻓﻲ‬
‫ﻧﺼﺢ ﺇﻻ ﻋﻠﻰ ﺗﺒﻠﺞ ﻧﻬﺎﺭ ﺁﺧﺮ ﻓﻲ ﺍﳌﺼﻄﺎﻑ‪.‬‬
‫ﹸ‬ ‫ﺍﻟﻨﻮﻡ ﻛﺘﻮﺃﻣﲔ ﺳﻴﺎﻣﻴﲔ‪ ،‬ﻓﻠﻢ‬
‫ﺛﻼﺛﺔ ﺃﻳﺎﻡ ﺑﻠﻴﺎﻟﻴﻬﺎ ﻛﺎﻧﺖ ﺃﺷﺒﻪ ﺑﻄﻴﻒ ﺑﺪﻳﻊ ﻭﺧﺮﺍﻓﻲ‪ ،‬ﺃﻧﻮﺷﻜﺎ ﻣﻨﺬ ﺍﻟﻨﻈﺮﺓ ﺍﻷﻭﻟﻰ ﻭﺃﻧﺎ ﺃﺷﻌﺮ ﺑﺄﻟﻔﺔ‬
‫ﻭﺣﻤﻴﻤﻴﺔ ﻧﺤﻮﻫﺎ ﲤﺘﺪ ﺇﻟﻰ ﻣﺎ ﻗﺒﻞ ﺇﻃﻼﻟﺔ ﻭﺟﻬﻬﺎ ﻷﻭﻝ ﻣﺮﺓ ﻓﻲ ﺃﻭﻝ ﻳﻮﻡ ﺩﺭﺍﺳﻲ‪ ،‬ﻓﻠﻘﺪ ﻛﺎﻧﺖ ﻣﻼﻣﺤﻬﺎ‬
‫ﺍﻟﻘﺮﻳﺒﺔ ﻣﻦ ﺍﻟﻔﻨﺎﻧﺔ ﺻﻔﺎﺀ ﺍﻟﺴﺒﻊ ﻣﻦ ﺃﻛﺜﺮ ﺍﻷﺷﻴﺎﺀ ﺍﻟﺪﺍﻓﻌﺔ ﻟﻼﻋﺘﻘﺎﺩ ﺑﺜﻤﺔ ﻗﺮﺍﺑﺔ ﻭﺃﻟﻔﺔ ﻗﺪﳝﺔ‪ ،‬ﻟﻢ‬
‫ﺗﻜﻦ ﻏﺮﻳﺒﺔ ﻋﻠﻲ ﺑﺴﻮﻯ ﺍﻟﻠﻐﺔ ﻭﺍﳌﻜﺎﻥ ﻭﺍﻻﺳﻢ‪ ،‬ﺃﻣﺎ ﻭﺟﻬﻬﺎ ﻭﺭﻭﺣﻬﺎ ﻓﻜﺄﻧﻬﻤﺎ ﻓﻲ ﺫﺍﻛﺮﺗﻲ ﻭﺃﺣﻼﻣﻲ‬
‫ﻭﺃﻋﻤﺎﻗﻲ ﺍﻟﺒﻌﻴﺪﺓ‪ ،‬ﻓﺼﺒﺎﺑﺔ ﺍﻟﻌﺸﻖ ﺍﻟﻄﻔﻮﻟﻲ ﺗﻈﻞ ﻣﺤﻔﻮﺭﺓ ﻓﻲ ﺫﺍﻛﺮﺓ ﺍﻹﻧﺴﺎﻥ ﺍﻷﺑﺪﻳﺔ‪ ،‬ﻭﺃﻧﻮﺷﻜﺎ‬
‫ﺍﻟﻐﻨﺠﺔ ﻛﺎﻧﺖ ﻓﻲ ﺟﻮﺍﻧﺤﻲ ﻭﺃﻋﻤﺎﻗﻲ‪ ،‬ﻓﻬﻲ ﺍﻟﺼﻔﺎﺀ ﻭﺍﻟﻠﺬﺓ ﻭﺍﻟﻌﺬﻭﺑﺔ ﻭﺍﻷﻧﺎﻗﺔ ﻣﻦ ﺻﻔﺎﺀ ﺍﻟﻄﻔﻮﻟﺔ‬
‫ﺍﳌﻤﺜﻠﺔ ﺍﳌﺼﺮﻳﺔ ﺻﻔﺎﺀ ﺍﻟﺴﺒﻊ‪ ،‬ﻓﻠﻜﻢ ﺃﹸﻋﺠﺒﺘﻨﻲ ﺍﳌﺴﻠﺴﻼﺕ ﺍﻟﺘﻠﻴﻔﺰﻳﻮﻧﻴﺔ ﺍﻟﺘﻲ ﺗﻜﻮﻥ ﻓﻴﻬﺎ ﺣﺎﺿﺮﺓ‬
‫ﳒﻤﺘﻲ ﺍﻟﺮﺍﺋﻌﺔ؟ ﻭﻟﻜﻢ ﻛﺎﻥ ﺍﺳﻤﻬﺎ ﻓﻲ ﺍﻟﺸﺎﺷﺔ ﻳﺠﺬﺑﻨﻲ ﻭﻳﺸﺪﻧﻲ ﺇﻟﻰ ﺭﺅﻳﺔ ﺻﺎﺣﺒﺘﻪ ﺍﻷﻧﻴﻘﺔ ﻭﺍﻵﺳﺮﺓ‬
‫ﻟﻘﻠﺒﻲ؟ ﻓﻤﻨﺬ ﺃﻭﻝ ﻧﻈﺮﺓ ﻟﻬﺎ ﻭﺻﻮﺭﺗﻬﺎ ﻋﺎﻟﻘﺔ ﻓﻲ ﺫﺍﻛﺮﺗﻲ ﺍﻟﺒﻌﻴﺪﺓ ﺩﻭﳕﺎ ﻧﺴﻴﺎﻥ‪ ،‬ﻭﺟﻬﻬﺎ ﺍﻟﺒﺪﻳﻊ‪ ،‬ﺛﻐﺮﻫﺎ‪،‬‬
‫ﺍﺑﺘﺴﺎﻣﺘﻬﺎ‪ ،‬ﺿﺤﻜﺘﻬﺎ‪ ،‬ﻋﻴﻨﺎﻫﺎ‪ ،‬ﻗﺪﻫﺎ ﺍﻟﻐﻴﺪ‪ ،‬ﺃﹸﻧﻮﺛﺘﻬﺎ‪ ،‬ﻣﺸﻴﺘﻬﺎ ﺟﻤﻴﻌﻬﺎ ﺍﺳﺘﻮﻃﻨﺖ ﻭﺗﲔ ﻓﺆﺍﺩﻱ‬
‫ﻭﻋﻘﻠﻲ‪ ،‬ﻟﻔﺘﻰ ﻣﺮﺍﻫﻖ ﻣﺜﻠﻲ ﻛﺎﻥ ﻫﺬﺍ ﺍﻹﻋﺠﺎﺏ ﺑﻔﻨﺎﻧﺔ ﻃﺎﳌﺎ ﺃﺧﺬﻧﻲ ﺇﻟﻰ ﺃﺣﻼﻡ ﻳﻘﻈﺔ ﻋﺸﺘﻬﺎ ﻣﻊ‬
‫ﻫﺬﻩ ﺍ‪‬ﻠﻮﻗﺔ ﺍﻟﻔﺎﺗﻨﺔ ﺍﻟﻘﺎﻃﻨﺔ ﻓﻲ ﺃﻋﻤﺎﻗﻲ ﺍﻷﺑﺪﻳﺔ‪ ،‬ﻟﺬﺍ ﻓﺒﻤﺠﺮﺩ ﺭﺅﻳﺔ ﺃﻧﻮﺷﻜﺎ ﻷﻭﻝ ﻣﺮﺓ ﺧﻴﻞ ﻟﻲ‬
‫ﺃﻧﻨﻲ ﺃﻋﺮﻓﻬﺎ ﻣﺬ ﺃﻣﺪ ﻃﻮﻳﻞ‪ ،‬ﻓﻮﺟﻬﻬﺎ ﻭﺿﺤﻜﺘﻬﺎ ﻭﺍﺑﺘﺴﺎﻣﺘﻬﺎ ﻭﻋﻴﻨﺎﻫﺎ ﻭﻗﺎﻣﺘﻬﺎ ﻭﺭﻗﺘﻬﺎ ﻭﻗﻴﺎﻓﺘﻬﺎ‬
‫ﻫﻲ ﺫﺍﺗﻬﺎ ﺍﻟﺘﻲ ﺍﺳﺘﻴﻘﻈﺖ ﺍﻵﻥ ﻓﻲ ﺃﻋﻤﺎﻗﻲ ﻣﻦ ﺟﺪﻳﺪ ﻭﻛﺄﳕﺎ ﻣﺸﻴﺌﺔ ﺍﻟﺮﺏ ﺃﺭﺍﺩﺕ ﻟﻬﺎ ﺇﲤﺎﻡ ﺣﻠﻤﻬﺎ‬
‫ﺍﻟﻄﻔﻮﻟﻲ ﺍﳉﻤﻴﻞ‪.‬‬
‫ﻓﻲ ﺧﻴﻤﺔ ﺑﺴﻴﻄﺔ ﻧﻀﻴﺪﺓ ﻓﺎﻏﺮﺓ ﻓﻤﻬﺎ ﻋﻠﻰ ﺍﻟﺮﻣﻞ ﻭﺭﺿﺎﺏ ﺍﳌﻮﺝ ﻋﻠﻤﺘﻨﻲ ﺃﻧﻮﺷﻜﺎ ﻣﺎ ﻟﻢ ﺃﻋﺮ ﹾﻓﻪ ﻓﻲ‬
‫ﻋﻘﺪﻳﻦ ﻣﻀﻴﺎ‪ ،‬ﺃﻭﻝ ﻫﺬﻩ ﺍﻟﺪﺭﻭﺱ ﻧﻈﺮﺗﻲ ﺍﻟﺸﺮﻗﻴﺔ ﺇﻟﻰ ﺟﺴﺪﻫﺎ ﻭﻣﻔﺎﺗﻨﻬﺎ‪ ،‬ﻓﺒﻌﺪ ﺃﻥ ﺟﻠﺖ ﻭﺍﺳﺘﻮﻃﻨﺖ‬
‫ﻓﻴﻬﺎ ﻫﺎﺃﻧﺬﺍ ﺃﺟﻬﺪ ﻧﻔﺴﻲ ﻓﻲ ﺍﻟﻐﻮﺹ ﺇﻟﻰ ﺃﻋﻤﺎﻕ ﺍﻟﺮﻭﺡ ﻏﻴﺮ ﺍﳌﺪﺭﻛﺔ ﻟﻠﺒﺎﺣﺜﲔ ﻋﻦ ﻟﺬﺓ ﺍﳉﺴﺪ‪ ،‬ﺃﻧﻮﺷﻜﺎ‬
‫ﺣﻘﺖ ﻭﻭﺟﺒﺖ ﺣﻘﻴﻘﺔ ﺍﻟﻘﺒﺢ‬‫ﻧﻀﺖ ﻋﻨﻲ ﺍﳊﺸﻤﺔ ﺍﻟﺰﺍﺋﻔﺔ ﺑﺎﻟﻮﺭﻉ ﻭﺍﻟﺘﻘﻰ‪ ،‬ﻓﺒﻌﺪ ﻣﻌﺎﺷﺮﺗﻲ ﺍﻟﻬﻤﺠﻴﺔ ﹼ‬
‫ﺍﻟﺪﺍﺧﻠﻲ ﺍﻟﺬﻱ ﺑﺪﺍ ﻋﺎﺭﻳﺎ ﻟﻬﺎ ﻭﻟﻲ ﺃﻧﺎ ﺍﻟﻔﺘﻰ ﺍﻟﺸﺮﻗﻲ ﺍﻟﻌﺘﻞ ﻭﺍﻟﻐﻠﻆ ﺍﻟﺬﻱ ﺃﺷﻐﻞ ﺗﻔﻜﻴﺮﻩ ﻓﻲ ﻏﺮﺍﺋﺰﻩ‬
‫ﺍﳌﻜﺒﻮﺗﺔ ﺍﳌﺘﻔﺠﺮﺓ ﺍﻵﻥ ﻛﺜﻮﺭﺓ ﺑﺮﻛﺎﻥ ﻋﻤﺮﻩ ﻣﻼﻳﲔ ﺍﻟﺴﻨﲔ‪ ،‬ﻣﺎ ﻳﺤﺴﺐ ﻟﻬﺬﻩ ﺍﻷﻧﺜﻰ ﺍﻟﺮﺍﺋﻌﺔ ﺃﻧﻬﺎ‬
‫ﻋﻠﻤﺘﻨﻲ ﺩﺭﺳﺎ ﻟﻦ ﺃﻧﺴﺎﻩ ﺃﺑﺪﺍ‪ ،‬ﻭﺣﻘﻴﻘﺘﻪ ﺃﻥ ﺍﳌﺮﺃﺓ ﻟﻴﺴﺖ ﻛﺎﻟﺮﺟﺎﻝ ﺑﻴﻮﻟﻮﺟﻴﺎ ﺣﺘﻰ ﻳﻠﻐﺐ ﺍﻹﻧﺴﺎﻥ‬
‫ﻧﻔﺴﻪ ﻓﻲ ﻣﺤﺎﻭﻻﺗﻪ ﺍﳊﻴﻮﺍﻧﻴﺔ ﻹﻓﺮﺍﻍ ﺷﻬﻮﺗﻪ ﺍﻟﻄﺎﻓﺤﺔ‪ ،‬ﻓﺎﳌﺮﺃﺓ ﻭﻓﻖ ﺩﺭﺱ ﺃﻧﻮﺷﻜﺎ ‪ ٪٨٠‬ﻣﻦ ﳑﺎﺭﺳﺘﻬﺎ‬
‫ﻟﻠﺠﻨﺲ ﺗﻌﺘﻤﺪ ﻋﻠﻰ ﺍﻟﻌﺎﻃﻔﺔ ﻭﺍﻟﺮﻏﺒﺔ ﻭﺍﻟﻠﻴﺎﻗﺔ ﺑﻴﻨﻤﺎ ﺍﻟﺮﺟﻞ ﺍﻟﻌﻜﺲ ﲤﺎﻣﺎ ﻓﺘﺮﻛﻴﺒﻪ ﺍﻟﺒﻴﻮﻟﻮﺟﻲ‬
‫ﻳﻀﻌﻪ ﻓﻲ ﻗﺎﺋﻤﺔ ﺍﳊﻴﻮﺍﻧﻴﺔ ﺍﳉﻨﺴﻴﺔ‪..‬‬
‫ﺗﺬﻛﺮﺕ ﻛﻴﻒ ﺛﺎﺭﺕ ﻭﻣﺎﺟﺖ ﻏﺮﻳﺰﺗﻲ ﺍﳊﻴﻮﺍﻧﻴﺔ ﺣﻴﻨﻤﺎ ﻧﻀﺖ ﻣﻌﻠﻤﺘﻲ ﺳﺘﺮﺗﻬﺎ ﻟﻠﻮﻫﻠﺔ ﺍﻷﻭﻟﻰ ﻓﻲ‬
‫ﺍﻟﺸﺎﻃﺊ؟ ﻛﻴﻒ ﻫﻴﺠﺘﻨﻲ ﻭﳌﺮﺍﺕ ﻋﺪﺓ؟ ﻣﻼﺑﺴﻬﺎ ﺍﻟﺪﺍﺧﻠﻴﺔ ﺍﻟﻘﺮﻧﻔﻠﻴﺔ ﻭﺍﻟﺒﻨﻔﺴﺠﻴﺔ ﻭﺍﻟﺘﺮﻛﻮﺍﺯﻳﺔ‬
‫ﻭﺍﳌﺎﺋﻴﺔ ﺍﻟﺰﺭﻗﺎﺀ ﻭﻏﻴﺮﻫﺎ ﻣﻦ ﺍﻟﺘﻔﺎﺻﻴﻞ ﺍﻟﺪﻗﻴﻘﺔ ﻟﺜﻮﺭ ﻫﺎﺋﺞ ﻣﺜﻠﻲ‪ ،‬ﻓﺎﻟﻨﻔﺎﺫ ﻷﻋﻤﺎﻕ ﺍﻹﻧﺴﺎﻥ ﻫﻮ ﺃﺟﻤﻞ‬
‫ﻣﺎ ﺗﻌﻠﻤﺘﻪ ﻣﻦ ﻫﺬﻩ ﺍﻷﻧﺜﻰ‪ ،‬ﺍﻟﻘﻤﺮ ﻭﻫﻮ ﻳﺘﻮﺍﺭﻯ ﻓﻲ ﻏﻤﺎﺭ ﺍﻟﺴﺤﺎﺏ‪ ،‬ﺍﻟﺸﻤﺲ ﻭﻫﻲ ﺟﺎﻓﻠﺔ ﻓﻲ ﺍﶈﻴﻂ‪،‬‬
‫ﺍﻟﺮﻗﺺ ﺑﺼﺪﺭﻳﻦ ﻣﻠﺘﺼﻘﲔ‪ ،‬ﺍﻟﻌﺸﻖ ﳊﻮﺍﺀ ﻛﻜﺎﺋﻦ ﻣﻔﻌﻢ ﺑﺎﻷﺣﺎﺳﻴﺲ ﻭﺍﳌﺸﺎﻋﺮ ﺍﻟﺮﻗﻴﻘﺔ‪ ،‬ﻻ ﻛﻄﻔﺎﻳﺔ‬
‫ﺳﻴﺠﺎﺭ ﻛﻠﻤﺎ ﺗﻮﻗﺪﺕ ﺷﻮﺍﻅ ﻧﻴﺮﺍﻥ ﺁﺩﻡ‪ ،‬ﺍﳊﺐ ﻟﻠﻤﺮﺃﺓ ﻳﺒﺪﺃ ﻣﻦ ﻓﺆﺍﺩﻫﺎ ﻭﺭﻭﺣﻬﺎ ﻭﺭﻏﺒﺘﻬﺎ ﻻ ﻣﻦ ﺃﻋﻀﺎﺋﻬﺎ‬
‫ﺍﻟﺘﻨﺎﺳﻠﻴﺔ ﻭﺷﻜﻠﻬﺎ ﻓﺤﺴﺐ‪..‬‬
 ‫‪êflbÄÄÄÄÄÄÄ©a ›ó–€a‬‬
‫ﻓﻲ ﺍﻟﻬﺰﻳﻊ ﺍﻷﺧﻴﺮ ﻣﻦ ﺍﻟﻌﺎﻡ ‪١٩٨٩‬ﻡ ﻛﺎﻧﺖ ﻋﺪﻥ ﻣﺨﺘﻠﻔﺔ ﻧﺴﺒﻴﺎ ﻋﻦ ﺗﻠﻚ ﺍﶈﺘﺮﻗﺔ ﻭﺍﻟﺒﺎﺋﺴﺔ‪ ،‬ﻗﺮﺃﺕ‬
‫ﻫﺬﺍ ﺍﻟﺘﺤﻮﻝ ﻓﻲ ﺻﺤﻴﻔﺘﻲ ‪١٤‬ﺃﻛﺘﻮﺑﺮ ﻭﺍﻟﺜﻮﺭﻱ ﺍﳌﻮﺯﻋﺘﲔ ﻓﻲ ﺃﺣﺪ ﺃﻛﺸﺎﻙ ﺃﻭﺩﻳﺴﺎ ﺧﻼﻝ ﺍﻟﺜﻼﺛﺔ ﺍﻷﻋﻮﺍﻡ‬
‫ﺍﳌﻨﺼﺮﻣﺔ‪ ،‬ﻣﺎ ﺭﺃﻳﺘﻪ ﻓﻲ ﻋﺪﻥ ﺃﻛﺜﺮ ﻣﻦ ﺍﻻﻧﺘﻘﺎﺩﺍﺕ ﺍﳌﻨﺸﻮﺭﺓ ﻓﻲ ﺍﻟﺼﺤﻴﻔﺘﲔ ﺍﻟﻨﺎﻃﻘﺘﲔ ﺑﺎﺳﻢ ﺍﻟﺪﻭﻟﺔ‬
‫ﻭﺍﳊﺰﺏ ﺍﻟﻮﺍﺣﺪ‪ ،‬ﺍﳌﺸﻬﺪ ﺑﺪﺍ ﻟﻲ ﻧﺴﺨﺔ ﻣﺼﻐﺮﺓ ﻣﻦ ﺻﻮﺭﺓ ﺍﻟﺪﺏ ﺍﻟﺴﻮﻓﻴﺘﻲ ﺍﻵﻳﻞ ﻟﻠﺴﻘﻮﻁ‪ ،‬ﺍﻟﺮﺃﻱ‬
‫ﺍﻵﺧﺮ ﻭﺍﻟﺘﻌﺪﺩﻳﺔ ﺍﻟﺴﻴﺎﺳﻴﺔ ﻭﺍﻹﺻﻼﺣﺎﺕ ﺍﻻﻗﺘﺼﺎﺩﻳﺔ ﻭﺍﻻﻧﺘﺨﺎﺑﺎﺕ ﻭﺍﻟﺪﳝﻘﺮﺍﻃﻴﺔ ﻭﺍﳊﺮﻳﺎﺕ‪ ،‬ﺟﻤﻴﻌﻬﺎ‬
‫ﻣﻮﺿﻮﻋﺎﺕ ﺗﺘﺼﺪﺭ ﻣﺎﻧﺸﻴﺘﺎﺕ ﺍﻟﺼﺤﻒ ﻭﺑﺎﻟﺬﺍﺕ )ﺻﻮﺕ ﺍﻟﻌﻤﺎﻝ( ﺻﺤﻴﻔﺔ ﺍﻟﻨﻘﺎﺑﺎﺕ ﺍﻟﺘﻲ ﻣﺜﻠﺚ‬
‫ﺍﻟﺸﺮﺍﺭﺓ ﺍﻷﻭﻟﻰ ﻋﻠﻰ ﺍﻟﺼﻮﺕ ﺍﻟﻮﺍﺣﺪ ﻭﺍﻟﺮﺃﻱ ﺍﻟﻮﺍﺣﺪ‪ ،‬ﺇﻗﺒﺎﻝ ﺍﻟﻨﺎﺱ ﻋﻠﻰ ﺍﻟﺼﺤﻴﻔﺔ ﻛﻞ ﻳﻮﻡ ﺧﻤﻴﺲ ﻛﺎﻥ‬
‫ﻣﺆﺷﺮﺍ ﹰ ﳌﺮﺣﻠﺔ ﺟﺪﻳﺪﺓ ﻻ ﻳﻌﺮﻑ ﻛﻨﻬﺘﻬﺎ ﺃﻭ ﺟﻬﺘﻬﺎ!‬
‫‪ / ٣٠‬ﻧﻮﻓﻤﺒﺮ ‪١٩٨٩ /‬ﻡ ﻛﻨﺖ ﻭﻗﺘﺌﺬ ﺑﺠﻮﺍﺭ ﺍﻟﻨﺼﺐ ﺍﻟﺘﺬﻛﺎﺭﻱ ﻟﻠﺸﻬﺪﺍﺀ ﻓﻲ ﺍﻟﺘﻮﺍﻫﻲ ﺑﺎﳌﺼﺎﺩﻓﺔ‪ ،‬ﻋﻠﻲ‬
‫ﺳﺎﻟﻢ ﺍﻟﺒﻴﺾ ﺃﻣﲔ ﻋﺎﻡ ﺍﳊﺰﺏ ﺍﻻﺷﺘﺮﺍﻛﻲ ﺍﻟﻴﻤﻨﻲ ﻓﻲ ﺩﻭﻟﺔ ﺍﳉﻨﻮﺏ‪ ،‬ﻭﺍﻟﻌﻘﻴﺪ ﻋﻠﻲ ﻋﺒﺪﺍﷲ ﺻﺎﻟﺢ‬
‫ﺭﺋﻴﺲ ﺍﳉﻤﻬﻮﺭﻳﺔ ﻭﺍﻟﻘﺎﺋﺪ ﺍﻟﻌﺎﻡ ﻟﻠﻘﻮﺍﺕ ﺍﳌﺴﻠﺤﺔ ﻓﻲ ﺍﻟﺸﻤﺎﻝ ﻳﻀﻌﺎﻥ ﺑﺎﻗﺔ ﻣﻦ ﺍﻟﻮﺭﺩ ﻋﻠﻰ ﺿﺮﻳﺢ‬
‫ﺍﻟﺸﻬﺪﺍﺀ‪ ،‬ﻣﺎ ﻭﻗﻊ ﳊﻈﺘﺌﺬ ﻣﻦ ﺣﺮﺱ ﺍﻟﺮﺋﻴﺲ ﺍﻟﻜﺜﻴﻒ ﻛﺎﻥ ﻏﻴﺮ ﻣﻌﺘﺎﺩ ﺃﻭ ﻣﺄﻟﻮﻑ ﻟﺪﻯ ﺭﺟﺎﻝ ﺍﳌﺮﻭﺭ ﺃﻭ‬
‫ﺍﳌﻮﺍﻃﻨﲔ ﺍﻟﻮﺍﻗﻔﲔ ﻋﻠﻰ ﻧﺎﺣﻴﺔ ﺍﻟﻄﺮﻳﻖ ﺍﳌﺰﺣﻮﻡ ﲟﻮﻛﺐ ﺍﻟﺮﺋﻴﺲ‪ ،‬ﻓﻠﻘﺪ ﺃﻭﻗﻔﺖ ﺍﳊﺮﻛﺔ ﻓﻲ ﺍﳋﻂ ﺍﳌﺆﺩﻱ‬
‫ﺇﻟﻰ ﺍﻟﺮﺋﺎﺳﺔ ﻭﻋﻨﺪﻣﺎ ﺗﺪﺧﻞ ﺷﺮﻃﻲ ﺍﳌﺮﻭﺭ ﺍﳌﺴﻜﲔ ﻧﺤﻮ ﺍ‪‬ﺎﻟﻔﺔ ﺍﳌﺮﺗﻜﺒﺔ ﻓﻲ ﺑﻮﺍﺑﺔ ﺍﳊﺪﻳﻘﺔ ﺻﺮﺥ‬
‫ﺑﻮﺟﻬﻪ ﺿﺎﺑﻂ ﳑﺴﻚ ﺑﺠﻬﺎﺯ ﺍﺗﺼﺎﻝ‪ ،‬ﻣﺸﻬﺪ ﻓﻮﺿﻮﻱ ﻫﻤﺠﻲ ﻋﺎﺑﺮ ﻟﻜﻨﻪ ﺑﺎﻕ ﻓﻲ ﺫﺍﻛﺮﺗﻲ ﻭﻟﻦ ﹸﳝ ﹾ ﹶﺤﻰ‬
‫ﻋﻠﻰ ﺍﳌﺪﻯ ﺍﻟﺒﻌﻴﺪ‪..‬‬
‫ﻣﻦ ﻓﺮﻁ ﻟﻘﺎﺀﺍﺕ ﺍﻟﻘﻤﺔ ﺃﻭ ﺍﻻﺗﻔﺎﻗﻴﺎﺕ ﻭﺍﻟﺒﻴﺎﻧﺎﺕ ﻭﺣﺘﻰ ﺍﳌﻌﺎﺭﻙ ﺍﳌﺴﻠﺤﺔ ﺃﻭ ﺍﻟﻔﻜﺮﻳﺔ ﻭﺍﻹﻋﻼﻣﻴﺔ ﺻﺎﺭﺕ‬
‫ﺍﻟﻮﺣﺪﺓ ﻣﺎﺩﺓ ﻟﻼﺳﺘﻬﻼﻙ ﺍﻟﻮﺟﺪﺍﻧﻲ ﻭﺍﻟﺸﻌﺒﻲ ﻃﻮﺍﻝ ﻋﻘﻮﺩ ﻣﺎ ﺑﻌﺪ ﺍﻟﺜﻮﺭﺗﲔ ﻭﺍﻟﺪﻭﻟﺘﲔ‪ ،‬ﺍﺗﻔﺎﻕ ﻋﺪﻥ‬
‫ﺍﻟﺘﺎﺭﻳﺨﻲ ﻳﻮﻡ ﺫﻛﺮﻯ ﺍﻻﺳﺘﻘﻼﻝ ﻓﻲ ﺍﳉﻨﻮﺏ ‪ / ٣٠‬ﻧﻮﻓﻤﺒﺮ ‪١٩٨٩ /‬ﻡ ﺃﹸﺣﻴﻞ ﻣﺸﺮﻭﻉ ﺩﺳﺘﻮﺭ ﺩﻭﻟﺔ ﺍﻟﻮﺣﺪﺓ‬
‫ﹲ‬
‫ﺣﺪﺙ ﻣﺜﻞ ﻫﺬﺍ‬ ‫ﺇﻟﻰ ﻣﺠﻠﺴﻲ ﺍﻟﺸﻌﺐ ﻭﺍﻟﺸﻮﺭﻯ ﻓﻲ ﺍﻟﺸﻄﺮﻳﻦ ﻟﻠﺘﺼﺪﻳﻖ ﻋﻠﻴﻪ ﺧﻼﻝ ﻓﺘﺮﺓ ﺳﺘﺔ ﺃﺷﻬﺮ‪،‬‬
‫ﻏ ﱠﻴﺮ ﺍﻟﺼﻮﺭﺓ ﺍﻟﻨﻤﻄﻴﺔ ﺍﻟﻘﺎﺋﻤﺔ ﻣﻨﺬ ﺍﺗﻔﺎﻕ ﺍﻟﻘﺎﻫﺮﺓ ‪ / ٢٨‬ﺃﻛﺘﻮﺑﺮ ‪ ١٩٧٢/‬ﻡ ﺃﻭ ﺑﻴﺎﻥ ﻃﺮﺍﺑﻠﺲ ‪ / ٢٨‬ﻧﻮﻓﻤﺒﺮ‬
‫‪١٩٧٢ /‬ﻡ ﺍﳌﻮﻗﻌﲔ ﺑﲔ ﺳﺎﻟﻢ ﺭﺑﻴﻊ ﻋﻠﻲ ﻭﺍﻟﻘﺎﺿﻲ ﻋﺒﺪﺍﻟﺮﺣﻤﻦ ﺍﻹﺭﻳﺎﻧﻲ ﻭﻫﻮ ﺍﻻﺗﻔﺎﻕ ﻋﻠﻰ ﻣﺸﺮﻭﻉ ﻗﻴﺎﻡ‬
‫ﺩﻭﻟﺔ ﻣﻮﺣﺪﺓ ﺑﲔ ﺍﻟﺸﻄﺮﻳﻦ ﺗﺴﻤﻰ ﺍﳉﻤﻬﻮﺭﻳﺔ ﺍﻟﻴﻤﻨﻴﺔ ﻭﻋﻠﻰ ﻋﻠﻤﻬﺎ ﻭﻋﺎﺻﻤﺘﻬﺎ ﻣﺮﻭﺭﺍ ﺑﻘﻤﺔ ﻗﻌﻄﺒﺔ‬
‫ﻭﺻﻨﻌﺎﺀ ﺑﲔ ﺍﻟﺮﺋﻴﺴﲔ ﺳﺎﳌﲔ ﻭﺍﳊﻤﺪﻱ ﺃﻭ ﻗﻤﺔ ﺍﻟﻜﻮﻳﺖ ﺑﲔ ﻋﺒﺪﺍﻟﻔﺘﺎﺡ ﺇﺳﻤﺎﻋﻴﻞ ﻭﻋﻠﻲ ﻋﺒﺪﺍﷲ‬
‫ﺻﺎﻟﺢ ‪/ ٣٠–٢٨‬ﻣﺎﺭﺱ ‪١٩٧٩‬ﻡ ﻭﻟﻴﺲ ﻧﻬﺎﻳ ﹰﺔ ﺑﻘﻤﻢ ﺻﻨﻌﺎﺀ ﻭﺗﻌﺰ ﻭﺍﻟﻜﻮﻳﺖ ﻭﺳﻴﺌﻮﻥ ﻭﻋﺪﻥ ﺑﲔ ﻋﻠﻲ ﻧﺎﺻﺮ‬
‫ﻣﺤﻤﺪ ﻭﻋﻠﻲ ﻋﺒﺪﺍﷲ ﺻﺎﻟﺢ ﺃﻭ ﻃﺮﺍﺑﻠﺲ ‪١٩٨٦‬ﻡ ﺑﲔ ﻋﻠﻲ ﻋﺒﺪﺍﷲ ﺻﺎﻟﺢ ﻭﺣﻴﺪﺭ ﺍﻟﻌﻄﺎﺱ ﺃﻭ ﺻﻨﻌﺎﺀ‬
‫ﻭﺗﻌﺰ ﺑﲔ ﻋﻠﻲ ﺳﺎﻟﻢ ﺍﻟﺒﻴﺾ ﻭﻋﻠﻲ ﻋﺒﺪﺍﷲ ﺻﺎﻟﺢ‪ ،‬ﻓﻜﻞ ﻫﺬﻩ ﺍﻻﺗﻔﺎﻗﻴﺎﺕ ﻭﺍﻟﻘﻤﻢ ﻛﺎﻧﺖ ﺣﺒﺮﺍ ﹰ ﻋﻠﻰ ﻭﺭﻕ‬
‫ﻭﻟﻼﺳﺘﻬﻼﻙ ﺍﻟﺴﻴﺎﺳﻲ‪ ،‬ﻓﻼ ﻭﺟﻮﺩ ﻟﻬﺎ ﺳﻮﻯ ﻓﻲ ﻧﺸﺮﺍﺕ ﺍﻷﺧﺒﺎﺭ ﻭﺍﻷﻏﺎﻧﻲ ﺍﻟﻮﺣﺪﻭﻳﺔ‪..‬‬
‫ﺳﻤﺢ ﻟﻠﻤﻮﺍﻃﻨﲔ ﺑﺎﻟﺘﻨﻘﻞ‬
‫ﻋﻨﺪ ﺇﻟﻐﺎﺀ ﺍﻟﻨﻘﺎﻁ ﺍﳊﺪﻭﺩﻳﺔ ﺑﲔ ﺍﻟﺸﻄﺮﻳﻦ ﻓﻲ ‪ /٤‬ﻣﺎﻳﻮ ‪١٩٨٨ /‬ﻡ ﻛﺎﻥ ﻗﺪ ﹸ‬
‫ﻭﺍﳌﺮﻭﺭ ﻋﺒﺮ ﺍﻟﻨﻘﺎﻁ ﺍﳌﺸﺘﺮﻛﺔ ﺑﺎﻟﺒﻄﺎﻗﺔ ﺍﻟﺸﺨﺼﻴﺔ‪ ،‬ﺻﺪﻳﻘﻲ ﻣﺤﻤﺪ ﺳﻨﺤﺖ ﻟﻪ ﺍﻟﻔﺮﺻﺔ ﻻﺟﺘﻴﺎﺯ‬
‫ﺑﺮﺍﻣﻴﻞ ﻛﺮﺵ ﻭﺍﻟﺸﺮﻳﺠﺔ ﻓﻲ ﺃﺛﻨﺎﺀ ﻋﻮﺩﺗﻪ ﺇﻟﻰ ﺍﻟﻮﻃﻦ ﻓﻲ ﺃﻏﺴﻄﺲ ﻣﻦ ﺍﻟﻌﺎﻡ ﺫﺍﺗﻪ‪ ،‬ﻋﺎﺩ ﻣﺤﻤﺪ‬
‫ﻣﺘﺒﺨﺘﺮﺍ ﺑﺤﻘﻴﺒﺔ ﺩﺑﻠﻮﻣﺎﺳﻴﺔ ﻣﻠﺌﺖ ﺑﻘﻄﻊ ﺍﻟﺼﺎﺑﻮﻥ ﻟﻮﻛﺲ ﻭﻋﻠﺐ ﺍﻟﺴﻴﺠﺎﺭﺓ ﺭﻭﺛﻤﺎﻥ ﻭﻏﻴﺮﻫﺎ ﻣﻦ‬
‫ﺍﻷﺷﻴﺎﺀ ﺍﻟﺘﻲ ﺟﻠﺒﻬﺎ ﻣﻌﻪ ﺇﻟﻰ ﺃﻭﺩﻳﺴﺎ ﻓﻲ ﺃﺛﻨﺎﺀ ﻋﻮﺩﺗﻪ ﻣﻦ ﻭﻃﻨﻪ ﻭﻋﺪﻫﺎ ﺻﺎﺣﺒﻬﺎ ﻛﺪﻻﻟﺔ ﻟﻮﻟﻮﺟﻪ‬
‫ﺍﻟﻌﺎﻟﻢ ﺍﻟﺮﺃﺳﻤﺎﻟﻲ‪.‬‬
‫ﻭﻷﻥ ﺍﺗﻔﺎﻕ ﻋﺪﻥ ﺗﺰﺍﻣﻦ ﻣﻊ ﻋﻮﺩﺗﻨﺎ ﻣﻦ ﺍﻻﲢﺎﺩ ﺍﻟﺴﻮﻓﻴﺘﻲ ﺍﻟﺬﻱ ﺃﻭﺷﻚ ﻋﻘﺪﻩ ﺃﻥ ﻳﺘﻨﺎﺛﺮ ﻛﺴﺒﺤﺔ‪ ،‬ﻓﺼﺮﺧﺎﺕ‬
‫ﺑﻮﺭﻳﺲ ﻳﻠﺘﺴﻦ ﻣﻦ ﺃﺟﻞ ﺭﻭﺳﻴﺎ ﻣﺎﺯﺍﻝ ﻭﻗﻌﻬﺎ ﻓﻲ ﺃﺫﻧﻲ‪ ،‬ﻭﺗﻴﺮﺓ ﺍﳋﻄﻰ ﺯﺍﺩﺕ ﻧﺤﻮ ﺍﻟﺘﻮﺣﺪ ﻓﻲ ﺍﻟﻴﻤﻦ‪ ،‬ﺳﻮﺭ‬
‫ﺑﺮﻟﲔ ﺍﳌﻘﺎﻡ ﻋﻠﻰ ﻣﺴﺎﺣﺔ ‪١٥٣‬ﻛﻴﻠﻮ ﻣﺘﺮﺍ ﹰ ﺍﺑﺘﺪﺍ ﹰﺀ ﻣﻦ ‪١٣‬ﺍﻏﺴﻄﺲ ‪١٩٦١‬ﻡ ﻳﻬﺪ ﻣﻦ ﺍﻟﻨﺎﺣﻴﺔ ﺍﻟﺸﺮﻗﻴﺔ‬
‫ﻣﺴﺎﺀ ﻳﻮﻡ ‪١٠‬ﻧﻮﻓﻤﺒﺮ ‪٨٩‬ﻡ ﻭﺳﻂ ﺫﻫﻮﻝ ﺍﻟﻌﺎﻟﻢ‪ ،‬ﺗﺸﺎﺷﻴﺴﻜﻮ ﻭﻗﺮﻳﻨﺘﻪ ﻳﻘﺘﻼﻥ ﻓﻲ ﺑﻮﺧﺎﺭﺳﺖ ﺇﺛﺮ ﺛﻮﺭﺓ‬
‫ﻃﻼﺑﻴﺔ ﻋﺎﺭﻣﺔ ﺑﺪﺃﺕ ﻓﻲ ﺳﺎﺣﺔ ﺍﳉﺎﻣﻌﺔ ﻭﺗﻄﻮﺭﺕ ﺇﻟﻰ ﺳﻘﻮﻁ ﻗﺘﻠﻰ ﻋﻠﻰ ﻗﺎﺭﻋﺔ ﺍﻟﻮﺻﻮﻝ ﻟﻠﺮﺋﺎﺳﺔ‪،‬‬
‫ﺳﺘﺔ ﺃﺷﻬﺮ ﻓﻘﻂ ﻋﻠﻰ ﺗﻮﻗﻴﻊ ﺍﺗﻔﺎﻕ ﻋﺪﻥ ﻛﺎﻧﺖ ﻛﻔﻴﻠﺔ ﺑﺪﻣﺞ ﺍﻟﺪﻭﻟﺘﲔ ﻭﺇﻋﻼﻥ ﻗﻴﺎﻡ ﺩﻭﻟﺔ ﺍﻟﻮﺣﺪﺓ ﻳﻮﻡ‬
‫‪ /٢٢‬ﻣﺎﻳﻮ ‪١٩٩٠ /‬ﻡ‪.‬‬
‫ﻛﻞ ﺫﻟﻚ ﻭﻗﻊ ﻓﻲ ﳌﺢ ﺍﻟﺒﺼﺮ‪ ،‬ﻛﺄﻧﻪ ﻃﻴﻒ ﻗﻮﺱ ﻗﺰﺡ‪ ،‬ﻋﻠﻢ ﺍﻟﺪﻭﻟﺔ ﺍﳌﺘﻮﺣﺪﺓ ﻳﺮﻓﻊ ﻓﻲ ﺳﺎﺭﻳﺔ ﺍﻟﺪﻭﻟﺔ‬
‫ﺍﻟﺸﻄﺮﻳﺔ ﻓﻲ ﻣﻨﻄﻘﺔ ﺍﻟﻔﺘﺢ‪ ،‬ﺍﻟﻨﺸﻴﺪ ﺍﻟﻮﻃﻨﻲ )ﺭﺩﺩﻱ ﺃﻳﺘﻬﺎ ﺍﻟﺪﻧﻴﺎ ﻧﺸﻴﺪﻱ( ﻳﺘﻀﻮﻉ ﺇﺫ ﺫﺍﻙ ﻓﻲ ﻧﻘﻞ‬
‫ﺣﻲ ﻣﺒﺎﺷﺮ ﻓﻲ ﺍﻹﺫﺍﻋﺔ ﻭﺍﻟﺘﻠﻔﺰﻳﻮﻥ‪ ،‬ﻭﺩﺩﺕ ﺍﻟﺘﻌﺒﻴﺮ ﻋﻤﺎ ﻓﻲ ﻣﻜﻨﻮﻧﻲ ﻣﻦ ﺧﻠﺠﺎﺕ‪ ،‬ﻟﻜﻦ ﺷﻴﺌﺎ ﹰ ﺃﻗﻌﺪﻧﻲ‬
‫ﻻ ﺃﻋﺮﻑ ﻛﻨﻬﻪ‪ ،‬ﺭﲟﺎ ﻛﺎﻥ ﺳﺒﺒﻪ ﻫﺆﻻﺀ ﺍﳌﻨﺪﻫﺸﻮﻥ ﻭﺍﳊﺎﺋﺮﻭﻥ ﺍﻟﺬﻳﻦ ﺍﻛﺘﻔﻮﺍ ﺑﺎﻟﻔﺮﺟﺔ ﻭﺍﻟﺪﻫﺸﺔ ﻣﻌﺎ‪ ،‬ﻓﻤﺎ‬
‫ﺗﻨﻘﻠﻪ ﺍﻟﺸﺎﺷﺔ ﺍﻟﻔﻀﻴﺔ ﻭﺑﺸﻜﻞ ﻣﺘﺴﺎﺭﻉ ﻻ ﳝﻨﺤﻚ ﻓﺮﺻﺔ ﺍﻟﺘﻌﺒﻴﺮ ﻋﻦ ﻓﺮﺣﻚ ﺃﻭ ﺩﻫﺸﺘﻚ‪ ،‬ﻛﻞ ﻣﺎ‬
‫ﻗﺪﺭﺕ ﻋﻠﻴﻪ ﻫﻮ ﺃﻧﻨﻲ ﺗﺬﻛﺮﺕ ﺯﻣﻴﻠﻲ ﺣﻔﻆ ﺍﷲ ﺍﻷﺷﻮﻝ ﺍﻟﻄﺎﻟﺐ ﺍﳌﻨﺘﻤﻲ ﻟﻠﺠﺒﻬﺔ ﺍﻟﻮﻃﻨﻴﺔ ﻭﻫﻮ ﻳﺠﻴﺐ‬
‫ﻋﻦ ﺳﺆﺍﻝ ﺍﳌﺴﺎﺑﻘﺔ ﺍﻟﺜﻘﺎﻓﻴﺔ‪ :‬ﻣﺘﻰ ﺗﺘﺤﻘﻖ ﺍﻟﻮﺣﺪﺓ؟‬
‫ﻋﻨﺪ ﻭﺻﻮﻝ ﺍﻟﻘﻮﻯ ﺍﻟﺘﻘﺪﻣﻴﺔ ﺇﻟﻰ ﺍﳊﻜﻢ ﻓﻲ ﺍﻟﺸﻤﺎﻝ ﺍﶈﻜﻮﻡ ﺑﻨﻈﺎﻡ ﻗﺒﻠﻲ ﺇﻗﻄﺎﻋﻲ ﺭﺟﻌﻲ! ﺍﻟﻌﻢ‬
‫ﻋﺒﺪﻩ ﺍﻟﺼﻨﻌﺎﻧﻲ ﺍﻟﻔﺎﺭ ﻣﻦ ﺍﻟﺸﻤﺎﻝ ﻳﻜﺎﺩ ﺍﻟﻮﺣﻴﺪ ﺍﻟﻜﻨﻮﺩ ﳑﺎ ﻳﺤﺪﺙ‪:‬‬
‫ﻋﺘﻨﺪﻣﻮﺍ‪ ..‬ﻧﺎﻫﻲ ﻗﻠﻨﺎ ﻋﺘﺒﺴﺮﻭﺍ ﻛﻼﻡ ﻋﻤﻜﻢ ﻋﺒﺪﻩ!‬ ‫‪-‬‬
‫ﻻ ﺗﺼﺪﻗﻮﺍ ﻋﺒﺪﻩ ﺍ‪‬ﺮﺏ ﻟﻘﺪ ﹶﻗ ﹶﺘ ﹶﻞ ﻫﻨﺎﻙ ﻭﺟﺎﺀﻧﺎ ﻣﻨﺎﺿﻞ ﻭﺍﻵﻥ ﺍﻟﻮﺣﺪﺓ ﺳﺘﻔﻀﺢ ﺃﻣﺮﻩ‪.‬‬ ‫‪-‬‬
‫ﻛﻠﻮﺍ ﺑﺴﻜﻮﻳﺖ ﺯﺑﺪﻩ ﻭﺍﺷﺮﺑﻮﺍ ﻋﺼﻴﺮ ﳝﺎﻧﻲ ﻭﺍﻓﺮﺣﻮﺍ ﺑﺎﻷﺛﺎﺙ ﻭﺍﻟﺮﺗﺐ ﻭﺣﻖ ﺍﻹﻳﺠﺎﺭ‪ ،‬ﻫﺬﻩ ﻭﺣﺪﺓ‬ ‫‪-‬‬
‫ﻋﺼﻴﺮ ﻻ ﻭﺣﺪﺓ ﻣﺼﻴﺮ ﻳﺎ ﺟﻬﻠﻪ!‬
 ‫ﻣﺎ ﺑﺎﻗﻲ ﺷﻴﻮﻋﻴﺔ ﺇﻻ ﺑﺮﺍﺳﻚ ﻳﺎ ﻋﺒﺪﻩ ﺷﻔﺖ ﲤﺜﺎﻝ ﻟﻴﻨﲔ ﻛﻴﻒ ﺍﻗﺘﻠﻊ ﻓﻲ ﺍﻟﺘﻮﺍﻫﻲ؟‬ ‫‪-‬‬
‫ﻭﳌﹶﺎ ﺟﺌﺖ ﺃﺳﻜﻦ ﻓﻲ ﺑﻴﺖ ﻫﺎﺭﻭﻥ ﺍ ﻟﻴﻬﻮﺩﻱ ﺍ ﳌﻬﺠﻮﺭ!‬
‫ﻟﻮ ﻓﻲ ﺍﻟﺸﻤﺎﻝ ﺧﻴﺮ ﻣﺎﺑﺮﺣﺖ ﺩﺍﺭﻱ ﻭﺃﻫﻠﻲ ﹶ‬ ‫‪-‬‬
‫ﻭﺍﷲ ﻣﺎ ﻧﺼﺪﻕ ﻛﻼﻣﻚ ﺍﻟﻴﻮﻡ‪ ،‬ﻓﺒﻌﺪ ﺳﻨﻮﺍﺕ ﻣﺎ ﺑ ﹺ ﹾ‬
‫ﺶ ﺣﻜﻮﻣﺔ‪ ،‬ﻧﻈﺎﻡ ﺑﻴﺪ ﺍﳌﺸﺎﻳﺦ ﻭﺍﻟﻌﺴﻜﺮ‪،‬‬ ‫‪-‬‬
‫ﺳﺠﻮﻥ ﻭﻗﻴﻮﺩ ﻫﺎﻫﻮ ﺍﻟﺸﻤﺎﻝ ﻓﻴﻪ ﻃﺮﻕ ﻭﻋﻤﺎﺭﺍﺕ ﻭﻣﺼﺎﻧﻊ ﻭﻣﺴﺘﺸﻔﻴﺎﺕ ﻭﺃﺳﻮﺍﻕ ﻭﲡﺎﺭﺓ ﻭﺑﻼ ﻃﺎﺑﻮﺭ ﺃﻭ‬
‫ﺑﻄﺎﻗﺔ!‪.‬‬
‫ﻃﻔﺢ ﻛﻴﻞ ﺍﻟﻌﻢ ﻋﺒﺪﻩ‪ ،‬ﻧﻈﺮ ﺷﺰﺭﺍ ﻓﻲ ﺍﻟﻮﺟﻮﻩ ﻭﻣﻀﻰ ﻛﻌﺎﺩﺗﻪ ﻳﻘﺮﻅ ﻣﻦ ﺷﻌﺮ ﺍﻟﺒﺮﺩ ﻭﻧﻲ‪:‬‬
‫ﻣﺎﺫﺍ ﺃﺣﺪﺙ ﻋﻦ ﺻﻨﻌﺎﺀ ﻳﺎ ﺃﺑﺘﻲ‬
‫ﻣﻠﻴﺤﺔ ﻋﺎﺷﻘﺎﻫﺎ ﺍﻟﺴﻞ ﻭﺍﳉﺮﺏ‬
‫ﺍﻟﻌﻢ ﻋﺒﺪﻩ ﺫﻭ ﺍﻟﻌﻘﺪ ﺍﻟﺴﺘﻴﻨﻲ ﻛﺎﻥ ﺍﻟﻮﺣﻴﺪ ﺍﳉﺰﻉ ﻓﻲ ﺣﻘﻞ ﺍﻟﻔﺆﺍﺩ ﳑﺎ ﻳﺤﺪﺙ ﺣﻮﻟﻪ ﻣﻦ ﻣﺘﻐﻴﺮﺍﺕ‬
‫ﻭﻃﻨﻴﺔ ﻭﻋﺮﺑﻴﺔ ﻭﺩﻭﻟﻴﺔ‪ ،‬ﻛﺎﻥ ﻳﻜﺘﻔﻲ ﺍﻹﺟﺎﺑﺔ ﺑﺄﺑﻴﺎﺕ ﻣﻦ ﺷﻌﺮ ﺍﻟﺒﺮ ﺩﻭﻧﻲ ﻓﺄﻳﺎ ﻛﺎﻥ ﺍﻟﺴﺎﺋﻞ ﺃﻭ ﺍﻟﺴﺆﺍﻝ‪،‬‬
‫ﻳﻜﺘﻒ ﺑﺘﻼﻭﺓ‬
‫ﹺ‬ ‫ﻓﺎﻟﻌﻢ ﻋﺒﺪﻩ ﻟﺪﻳﻪ ﻣﺨﺰﻭﻥ ﻫﺎﺋﻞ ﻣﻦ ﻗﺼﺎﺋﺪ ﺍﻟﺸﺎﻋﺮ ﺍﻟﺜﻮﺭﻱ ﻋﺒﺪﺍﷲ ﺍﻟﺒﺮﺩﻭﻧﻲ ﺍﻟﺬﻱ ﻟﻢ‬
‫ﳊﻦ‬
‫ﺷﻌﺮﻩ ﺍﻟﺒﺪﻳﻊ ﻋﻦ ﻇﻬﺮ ﻗﻠﺐ ﺑﻞ ﻭﺑﺼﻮﺕ ﺃﺟﺶ ﻭﻓﺨﻢ ﲡﺪﻩ ﻳﻀﻮﻉ ﻵﻟﺌﻪ ﻓﻲ ﻓﻀﺎﺀ ﺍﳌﻜﺎﻥ ﻭﻛﺄﻧﻬﺎ ﹲﹰ‬
‫ﺷﺠﻲ ﻻ ﻳﻮﺩ ﺍﻹﻧﺴﺎﻥ ﺃﻥ ﻳﻨﺘﻬﻲ‪ ،‬ﻛﻤﺎ ﺃﻧﻪ ﻻ ﻳﻜﺘﻔﻲ ﺑﺄﺑﻴﺎﺗﻪ ﺍﳌﻨﺘﻘﺎﺓ ﺑﻌﻨﺎﻳﺔ ﻓﺎﺋﻘﺔ‪ ،‬ﻟﻜﻨﻪ ﻳﺤﺪﺛﻚ ﻋﻦ‬
‫ﹲ‬
‫ﻣﻨﺎﺳﺒﺘﻬﺎ ﻭﻗﺼﺘﻬﺎ ﻭﻣﺎ ﺇﺫﺍ ﻫﻲ ﻣﻦ ﺩﻳﻮﺍﻥ )ﻣﻦ ﺃﺭﺽ ﺑﻠﻘﻴﺲ( ﺃﻭ )ﻓﻲ ﻃﺮﻳﻖ ﺍﻟﻔﺠﺮ( ﺃﻭ )ﻣﺪﻳﻨﺔ ﺍﻟﻐﺪ( ﺃﻭ‬
‫)ﻟﻌﻴﻨﻲ ﺃﻡ ﺑﻠﻘﻴﺲ( ﺃﻭ )ﺍﻟﺴﻔﺮ ﺇﻟﻰ ﺍﻷﻳﺎﻡ ﺍﳋﻀﺮ( ﺃﻭ )ﻭﺟﻮﻩ ﺩﺧﺎﻧﻴﺔ ﻓﻲ ﻣﺮﺍﻳﺎ ﺍﻟﻠﻴﻞ( ﺃﻭ )ﺗﺮﺟﻤﺔ ﺭﻣﻠﻴﺔ‬
‫ﻷﻋﺮﺍﺱ ﺍﻟﻐﺒﺎﺭ( ﻭﺣﺘﻰ ﺁﺧﺮ ﺩﻭﺍﻭﻳﻦ ﺍﻟﺒﺮﺩﻭﻧﻲ )ﺭﻭﺍﻍ ﺍﳌﺼﺎﺑﻴﺢ(‪.‬‬
‫ﻇﻦ ﺃﻫﻞ ﺍﳊﻘﻞ ﺇﻥ ﺍﻟﻌﻢ ﻋﺒﺪﻩ ﺍﻟﺼﻨﻌﺎﻧﻲ ﺳﻴﻜﻮﻥ ﺃﻭﻝ ﺍﻟﻌﺎﺑﺮﻳﻦ ﻟﻨﻘﻄﺔ ﺍﳊﺪﻭﺩ‪ ،‬ﻟﻘﺪ ﺧﺎﺏ ﺗﻮﻗﻌﻬﻢ‬
‫ﻓﻬﻮ ﻟﻢ ﻳﻌﺪ ﻭﻋﻠﻰ ﺍﻟﻌﻜﺲ ﻗﺎﺑﻞ ﻓﻀﻮﻝ ﻫﺆﻻﺀ ﺑﻨﻈﺮﺍﺕ ﺷﺰﺭﺓ ﺳﺎﺧﺮﺓ ﻣﺤﺒﻄﺔ‪ ،‬ﻇﻞ ﻣﻼﺯﻣﺎ ﹰ ﻟﻘﺮﻳﺘﻪ‬
‫ﺍﳊﻘﻞ ﻭﳌﻨﺰﻟﻪ ﺍﻟﻌﺘﻴﻖ ﻏﻴﺮ ﻋﺎﺑﺊ ﺑﺘﺨﺮﺳﺎﺕ ﺍﻟﻨﺎﺱ ﺃﻭ ﺟﺬﻟﻬﻢ ﺍﳌﺒﺎﻟﻎ ﻓﻴﻪ‪ ،‬ﻓﻤﻨﺬ ﻣﺠﻴﺌﻪ ﻭﻋﺎﺋﻠﺘﻪ ﺇﻟﻰ‬
‫ﻫﺬﻩ ﺍﻟﺒﻘﻌﺔ ﺍﻟﻨﺎﺋﻴﺔ ﻭﺍﻟﻮﺣﺪﺓ ﻏﺎﻳﺔ ﻧﻀﺎﻟﻪ ﻭﻭﺟﻮﺩﻩ ﺃﻣﺎ ﺍﻵﻥ ﻭﺑﻌﺪ ﺃﻥ ﲢﻘﻘﺖ ﺩﻭﻥ ﺇﻫﺮﺍﻕ ﻗﻄﺮﺓ ﺩﻡ ﺃﻭ‬
‫ﻟﻌﻠﻌﺔ ﺻﻠﻴﺔ ﺭﺷﺎﺵ‪ ،‬ﻓﻠﻢ ﺗﻌﺪ ﺍﳌﺴﺄﻟﺔ ﺗﻔﺮﺣﻪ ﻣﺜﻠﻤﺎ ﺗﻮﻗﻊ ﺍﻟﻜﺜﻴﺮ ﻓﻌﻠﻰ ﺍﻟﻌﻜﺲ ﻛﺎﻥ ﻛﻈﻴﻤﺎ ﹰ‬
‫ﻭﻭﺍﺟﻤﺎﹰ‪.‬‬
‫ﺛﻼﺛﺔ ﺃﺷﻬﺮ ﻓﻘﻂ ﻋﻠﻰ ﻣﻴﻼﺩ ﺩﻭﻟﺔ ﺍﻟﻮﺣﺪﺓ ﻭﺇﺫﺍ ﺑﺎﻟﻌﺮﺍﻕ ﻳﺠﺘﺎﺡ ﺩﻭﻟﺔ ﺍﻟﻜﻮﻳﺖ ﺻﺒﺎﺡ ﺍﳋﻤﻴﺲ ‪٢‬ﺃﻏﺴﻄﺲ‬
‫‪٩٠‬ﻡ‪ ،‬ﺍﻟﺮﺋﻴﺲ ﺻﺪﺍﻡ ﺣﺴﲔ ﻳﻌﻠﻦ ﺿﻤﻪ ﻟﻠﻜﻮﻳﺖ ﻛﻤﺤﺎﻓﻈﺔ ﻋﺮﺍﻗﻴﺔ ﺭﻗﻢ ‪ ،١٨‬ﺍﻧﺼﺮﻑ ﺍﳉﻤﻴﻊ ﻓﻲ‬
‫ﻣﺘﺎﺑﻌﺔ ﺍﳊﺪﺙ‪ ،‬ﺗﻮﺍﺭﻯ ﻫﺘﺎﻑ ﺍﻟﻴﻤﻨﻴﲔ )ﺑﺎﻟﺮﻭﺡ ﺑﺎﻟﺪﻡ ﻧﻔﺪﻳﻚ ﻳﺎ ﳝﻦ( ﺧﻠﻒ )ﺑﺎﻟﺮﻭﺡ ﺑﺎﻟﺪﻡ ﻧﻔﺪﻳﻚ ﻳﺎ ﺻﺪﺍﻡ(‬
‫ﺍﻧﺸﻐﻞ ﺍﻟﻜﻞ ﻓﻲ ﺃﻡ ﺍﳌﻌﺎﺭﻙ ﺍﳌﻘﺒﻠﺔ‪ ،‬ﺑﻘﻮﺓ ﺍﳉﻴﺶ ﺍﻟﻌﺮﺍﻗﻲ ﺍﳋﻔﻴﺔ‪ ،‬ﻣﻠﻴﻮﻧﺎ ﻣﻐﺘﺮﺏ ﳝﻨﻲ ﻳﻨﺴﻠﻮﻥ ﻋﺎﺋﺪﻳﻦ‬
‫ﻣﻦ ﺩﻭﻝ ﺍﳋﻠﻴﺞ ﻧﺘﻴﺠﺔ ﳌﻮﻗﻒ ﺍﻟﻴﻤﻦ ﺍﳌﺆﻳﺪ ﻟﻠﻌﺮﺍﻕ‪ ،‬ﺇﺫ ﻣ ﱠﺜﻞ ﲢﻔﻆ ﻣﻨﺪﻭﺏ ﺍﻟﻴﻤﻦ ﻋﺒﺪﺍﷲ ﺍﻷﺷﻄﻞ ﻋﻠﻰ‬
‫ﻗﺮﺍﺭ ﻳﺪﻳﻦ ﻣﺎ ﺣﺪﺙ ﻭﻳﺪﻋﻮ ﺍﻟﻌﺮﺍﻕ ﻟﻼﻧﺴﺤﺎﺏ ﻣﻦ ﺍﻟﻜﻮﻳﺖ ﲟﺜﺎﺑﺔ ﺍﻟﺸﺮﺍﺭﺓ ﺍﻷﻭﻟﻰ ﺍﻟﺘﻲ ﻗﺴﻤﺖ ﻇﻬﺮ‬
‫ﺍﻟﺪﻭﻟﺔ ﺍﳉﺪﻳﺪﺓ‪ ،‬ﻣﻌﺮﻛﺔ ﺧﺎﻃﻔﺔ ﻗﺎﺩﺗﻬﺎ ﺍﻟﻮﻻﻳﺎﺕ ﺍﳌﺘﺤﺪﺓ ﻭﺃﻛﺜﺮ ﻣﻦ ﺛﻼﺛﲔ ﺩﻭﻟﺔ ﻟﺘﺤﺮﻳﺮ ﺍﻟﻜﻮﻳﺖ‪ ،‬ﻭﺳﻂ‬
‫ﺍﻧﻘﻼﺏ ﻋﺴﻜﺮ ﹸﻱ ﻋﻠﻰ ﻣﻴﺨﺎﺋﻴﻞ ﻏﻮﺭﺑﺎﺗﺸﻮﻑ ﻓﻲ ﻣﻮﺳﻜﻮ ﻗﺎﺩﻩ ﺭﺋﻴﺲ ﺍﻟﺪﻭﻣﺎ _ﺍﻟﻨﻮﺍﺏ _ﻭﻭﺯﻳﺮ‬
‫ﹲ‬ ‫ﺍﳌﻌﺮﻛﺔ‬
‫ﺍﻟﺪﻓﺎﻉ ﻭﻗﻴﺎﺩﺍﺕ ﺷﻴﻮﻋﻴﺔ ﻣﻨﺎﻫﻀﺔ ﻻﺳﺘﻘﻼﻝ ﺩﻭﻝ ﺍﻻﲢﺎﺩ ﺍﻟﺴﻮﻓﻴﻴﺘﻲ‪ ،‬ﺑﻮﺭﻳﺲ ﻳﻠﺘﺴﻦ ﻳﺼﻌﺪ ﳒﻤﻪ‬
‫ﺇﺛﺮ ﺧﻄﺒﺔ ﻋﺼﻤﺎﺀ ﺭﺍﻓﻀﺔ ﻟﻼﻧﻘﻼﺏ ﻭﻣﻦ ﻋﻠﻰ ﻇﻬﺮ ﺩﺑﺎﺑﺔ ﻣﺤﺎﺻﺮﺓ ﻟﻠﺒﺮﳌﺎﻥ‪ ،‬ﻓﺸﻞ ﺍﻻﻧﻘﻼﺏ ﻭﺑﺮﻭﺯ ﳒﻢ‬
‫ﻳﻠﺘﺴﻦ ﻛﺎﻥ ﺑﺪﺍﻳﺔ ﻟﺘﻔﻜﻚ ﺩﻭﻝ ﺍﻻﲢﺎﺩ‪ ،‬ﺍﳉﺎﻣﻌﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺗﻔﺸﻞ ﻓﻲ ﺣﺴﻢ ﺍﻟﻨﺰﺍﻉ ﺑﺈﻋﺎﺩﺓ ﺍﻟﻮﺿﻊ ﺇﻟﻰ‬
‫ﻣﺎ ﻗﺒﻞ ﺍﻟﻐﺰﻭ ﺍﻟﻌﺮﺍﻗﻲ ﻟﻠﻜﻮﻳﺖ‪ ،‬ﺍﻧﻘﺴﻢ ﺍﻟﻌﺮﺏ ﻣﺎﺑﲔ ﺃﻏﻠﺒﻴﺔ ﻣﻊ ﺍﻟﻘﺮﺍﺭ‪ ،‬ﻭﺃﻗﻠﻴﺔ ﺿﺪﻩ‪ ،‬ﺍﻟﻴﻤﻦ ﻭﺍﻷﺭﺩﻥ‬
‫ﺍﻟﻀﺪ‪.‬‬
‫ﻭﺍﻟﺴﻮﺩﺍﻥ ﻭﻓﻠﺴﻄﲔ ﻭﻟﻴﺒﻴﺎ ﻣﺬ ﺫﺍﻙ ﺍﻟﻘﺮﺍﺭ ﻭﺗﺼﻨﻴﻔﻬﺎ ﺑﺪﻭﻝ ﹼ‬
‫ﺍﻟﻌﻢ ﻋﺒﺪﻩ ﺍﻟﺼﻨﻌﺎﻧﻲ ﻟﻢ ﻳﺆﻳﺪ ﺍﻟﻌﺮﺍﻕ‪ ،‬ﻭﻗﻒ ﻭﺣﻴﺪﺍ ﹰ ﻓﻲ ﻣﻮﺍﺟﻬﺔ ﺟﻤﻴﻊ ﺍﳌﻨﺎﺻﺮﻳﻦ ﻟﺼﺪﺍﻡ ﺣﺴﲔ‪:‬‬
‫ﺛﻤﺎﻧﻴﺔ ﺃﻋﻮﺍﻡ ﻓﻲ ﺣﺮﺏ ﻋﺒﺜﻴﻪ ﻣﻊ ﺇﻳﺮﺍﻥ ﻭﺍﻟﻴﻮﻡ ﻳﺴﻠﻢ ﺷﻂ ﺍﻟﻌﺮﺏ ‪‬ﺮﺩ ﺗﺄﻣﲔ ﻇﻬﺮﻩ ﻓﻲ ﺣﺮﺏ‬ ‫‪-‬‬
‫ﺟﺪﻳﺪﺓ ﺧﺎﺳﺮﺓ!!‬
‫ﺃﻧﺖ ﺃﻛﻴﺪ ﻣﺎ ﻋﻨﺪﻙ ﺩﻡ ﺃﻭ ﺃﻧﻚ ﻋﻤﻴﻞ ﺻﻬﻴﻮﻧﻲ ﻭﺇﻻ ﻣﺎ ﺗﺨﹾ ﹼﺮﺻﺖ ﻋﻠﻰ ﺯﻋﻴﻢ ﺍﻷﻣﺔ ﺻﺪﺍﻡ!‬ ‫‪-‬‬
‫ﻋﺮﻭﺑﺘﻜﻢ ﻭﻓﺎﺭﺳﻜﻢ ﻫﻨﻴﺌﺎ ﹰﻟﻜﻢ ﺑﻪ‪ ،‬ﻭﻟﻜﻨﻲ ﺃﺳﺄﻝ ﺃﻟﻢ ﻳﻜﻦ ﺻﺪﺍﻡ ﻫﻮ ﻣﻦ ﻣﺰﻕ ﻣﻌﺎﻫﺪﺓ ﺍﳉﺰﺍﺋﺮ‬ ‫‪-‬‬
‫ﺍﳌﺴﻠﻢ ﺑﻬﺎ ﺍﻟﻴﻮﻡ ﺑﻌﺪ ﺣﺮﺏ ﺩﺍﻣﺖ ﺛﻤﺎﻧﻴﺔ ﺃﻋﻮﺍﻡ؟‬
‫ﺍﺻﻤﺖ ﻻ ﺗﺘﻜﻠﻢ ﻋﻠﻰ ﻓﺎﺭﺱ ﺍﻟﻌﺮﺏ ﺍﻟﺬﻱ ﲢﺪﻯ ﺃﻣﺮﻳﻜﺎ ﻭﺳﻴﺪﻣﺮ ﺇﺳﺮﺍﺋﻴﻞ!‬ ‫‪-‬‬
‫ﻭﻣﺎ ﺩﺧﻞ ﺍﻟﻜﻮﻳﺖ ﻓﻲ ﲢﺪﻳﻪ ﻷﻣﺮﻳﻜﺎ ﻭﺇﺳﺮﺍﺋﻴﻞ ﻭﺍﷲ ﺇﻥ ﺑﺮﺍﻗﺶ ﺟﻨﺖ ﻋﻠﻰ ﻧﻔﺴﻬﺎ ﻓﻠﻮﻻ ﻏﺰﻭﻩ‬ ‫‪-‬‬
‫ﻟﻠﻜﻮﻳﺖ ﻣﺎ ﻭﺻﻠﺖ ﺍﻟﻘﻮﺍﺕ ﺍﻷﺟﻨﺒﻴﺔ ﺇﻟﻰ ﺍﳌﻨﻄﻘﺔ!‬
‫ﺇﻥ ﺷﺎﺀ ﺍﷲ ﺳﺘﻜﻮﻥ ﻣﻘﺒﺮﺓ ﻫﺬﻩ ﺍﻟﻘﻮﺍﺕ ﻓﻲ ﺃﻡ ﺍﳌﻌﺎﺭﻙ!!‬ ‫‪-‬‬
‫ﻗﻮﻟﻮﺍ ﻳﺎ ﺃﻭﻻﺩﻱ ﺃﻡ ﺍﻟﻬﺰﺍﺋﻢ!‬ ‫‪-‬‬
‫ﺍﻟﻌﻢ ﺇﺑﺮﺍﻫﻴﻢ ﻛﺎﻥ ﺃﻛﺜﺮ ﺍﻟﻨﺎﺱ ﺣﻴﺮﺓ ﻭﻗﻠﻘﺎ ﹰ ﻣﻦ ﺍﻟﻘﺎﺩﻡ‪ ،‬ﻓﺎﻟﺮﺟﻞ ﻧﻴﻒ ﻋﻤﺮﻩ ﺍﻟﺴﺘﲔ ﻟﻜﻨﻪ ﺃﺑﺪﺍ ﻣﺎ ﺑﺪﺕ‬
‫ﻋﻠﻴﻪ ﺣﺎﻟﺔ ﺍﻟﻮﻫﻦ ﻭﺍﻻﻧﻜﺴﺎﺭ ﻣﺜﻠﻤﺎ ﻫﻮ ﺍﻵﻥ ﺑﻌﺪ ﺍﻟﻀﺮﺑﺎﺕ ﺍﳌﺘﺘﺎﻟﻴﺔ ﺍﳌﻮﺟﻌﺔ ﻭﺍﻟﻘﺎﺗﻠﺔ ﻟﻺﺷﺘﺮﺍﻛﻴﺔ‬
‫ﻓﻲ ﻋﻘﺮ ﺩﺍﺭﻫﺎ ﺍﻻﲢﺎﺩ ﺍﻟﺴﻮﻓﻴﺘﻲ‪ ،‬ﻏﺒﺎﺭ ﺍﻻﻧﻬﻴﺎﺭ ﻟﻠﻨﻈﺎﻡ ﺍﻻﺷﺘﺮﺍﻛﻲ ﻭﺻﻞ ﺇﻟﻰ ﺣﻘﻞ ﺍﻟﻔﺆﺍﺩ ﺣﻴﺚ‬
‫ﺟﺬﻭﺓ ﺍﳌﻘﺎﻭﻣﺔ ﺍﻷﻭﻟﻰ ﻟﻠﺮﺟﻌﻴﺔ ﻭﺍﻹﻣﺒﺮﻳﺎﻟﻴﺔ‪ ،‬ﻣﺎ ﺣﺪﺙ ﻛﺎﻥ ﻭﻗﻌﻪ ﺛﻘﻴﻼﹰ ﻋﻠﻰ ﺇﺑﺮﺍﻫﻴﻢ ﻭﺭﻓﺎﻗﻪ ﺍﳌﺆﻣﻨﲔ‬
‫ﺑﺤﺘﻤﻴﺔ ﺍﻻﻧﺘﺼﺎﺭ ﻟﻼﺷﺘﺮﺍﻛﻴﺔ‪ ،‬ﻫﻜﺬﺍ ﺳﺎﺩ ﺍﻻﻋﺘﻘﺎﺩ ﺑﺄﻥ ﺍﻟﺸﻴﻮﻋﻴﺔ ﻋﻮﺩﺓ ﻟﻠﻤﺮﺣﻠﺔ ﺍﳌﺸﺎﻋﻴﺔ ﺍﻟﺒﺪﺍﺋﻴﺔ‬
‫ﺍﻟﺘﻲ ﺍﻧﻘﻀﺖ ﻋﻠﻴﻬﺎ ﺍﻟﻌﺒﻮﺩﻳﺔ ﻗﺒﻞ ﺃﻥ ﺗﺄﺗﻲ ﺍﻹﻗﻄﺎﻋﻴﺔ ﻭﻣﻦ ﺛﻢ ﺍﻟﺮﺃﺳﻤﺎﻟﻴﺔ ﻟﺘﺄﺗﻲ ﺍﻟﺸﻴﻮﻋﻴﺔ ﻛﻤﻨﻘﺬ‬
‫ﻭﻣﺨﻠﺺ ﻟﻠﺒﺸﺮﻳﺔ ﺟﻤﻴﻌﺎ ﹰ ﻣﻦ ﺍﻻﺳﺘﻐﻼﻝ ﻭﺍﻻﺣﺘﻜﺎﺭ‪ ،‬ﻣﺮﺕ ﺍﻟﺜﻮﺭﺓ ﺑﺄﻭﻗﺎﺕ ﻋﺼﻴﺒﺔ ﻭﻣﻬﻠﻜﺔ ﺃﺣﻴﺎﻧﺎ‬
‫ﻟﻜﻨﻬﺎ ﻟﻢ ﺗﺆﺛﺮ ﻓﻲ ﺇﺑﺮﺍﻫﻴﻢ ﺃﻭ ﺗﻬﺰﻣﻪ ﻣﻌﻨﻮﻳﺎ ﹰ ﻭﻧﻔﺴﻴﺎ ﹰ ﻣﺜﻠﻤﺎ ﺣﺎﻟﻪ ﻓﻲ ﺍﳊﺎﺿﺮ‪.‬‬
‫ﺇﺑﺮﺍﻫﻴﻢ ﺑﺪﺃ ﻃﻔﻮﻟﺘﻪ ﻣﺆﺫﻧﺎ ﹰ ﻓﻲ ﺍﳌﺴﺠﺪ ﻭﻗﺒﻞ ﺃﻥ ﻳﺼﻴﺮ ﻓﻘﻴﻬﺎ ﹰ ﻟﻺﻣﺎﺭﺓ ﺍﻟﺸﺮﻗﻴﺔ‪ ،‬ﻛﺎﻥ ﻗﺪ ﺳﺠﻦ ﻓﻲ‬
‫ﺳﺠﻦ ﺍﻟﻘﻠﻌﺔ ﺑﺤﺠﺔ ﺇﺛﺮ ﻓﺸﻞ ﺍﻟﺜﻮﺭﺓ ﺍﻟﺪﺳﺘﻮﺭﻳﺔ ﻋﺎﻡ ‪٤٨‬ﻡ ﻭﻋﻘﺐ ﻓﺮﺍﺭﻩ ﻣﻦ ﺍﻟﺴﺠﻦ ﻋﺎﺩ ﺇﻟﻰ ﻗﺮﻳﺘﻪ‬
‫ﺍﳊﻘﻞ ﻟﻴﻘﺘﺮﻥ ﺑﺄﹸﻡ ﻗﺤﻄﺎﻥ ﺩﻧﻴﺎ‪ ،‬ﻗﺎﺩ ﺑﻌﺪﺋﺬ ﺣﺮﻛﺔ ﻣﺎ ﺳﻤﻴﺖ ﺑﺎﻟﺸﻴﻮﻋﻴﺔ ﻋﺎﻡ ‪٥٨‬ﻡ ﺍﻟﺘﻲ ﺳﻘﻂ ﻓﻴﻬﺎ‬
‫ﺻﻬﺮﻩ ﻗﺤﻄﺎﻥ ﻭﺃﹸﻣﻪ ﻭﺷﺮﺩ ﺃﻫﻠﻪ ﻭﻧﻬﺒﺖ ﺩﺍﺭﻩ ﻭﺃﺭﺿﻪ ﺃﺳﻮﺓ ﺑﺪﻳﺎﺭ ﻭﺃﺭﺽ ﺭﻓﺎﻗﻪ ﺍﳌﺘﻤﺮﺩﻳﻦ ﻋﻠﻰ ﺍﶈﺘﻞ‬
‫ﻭﺳﺪﻧﺘﻪ‪ ،‬ﻋﻨﺪ ﻗﻴﺎﻡ ﺍﻟﺜﻮﺭﺓ ‪١٤‬ﺍﻛﺘﻮﺑﺮ‪٦٣‬ﻡ ﻛﺎﻥ ﺇﺑﺮﺍﻫﻴﻢ ﺻﻮﺗﻬﺎ ﺍﳌﺪﻭﻱ ﺍﳌﺰﻟﺰﻝ ﻟﻸﺭﺽ ﻣﻦ ﲢﺖ ﺃﻗﺪﺍﻡ‬
‫ﺍﳌﺴﺘﻌﻤﺮ ﻭﺃﻋﻮﺍﻧﻪ ﻣﺜﻞ ﺍﻷﻣﻴﺮ ﺷﻌﻼﻥ ﻭﺍﻟﺸﻴﺦ ﺣﺴﻦ ﺍﻟﻐﻮﻟﻲ ﻭﺍﻟﻔﻘﻴﻪ ﻋﺒﺪﺍﷲ‪ ،‬ﺧﺎﺽ ﻣﻊ ﺭﻓﺎﻗﻪ‬
‫ﺍﻟﺜﻮﺍﺭ ﻣﺂﺛﺮ ﻣﺠﻴﺪﺓ ﻓﻲ ﺟﺒﻬﺎﺕ ﺍﻟﻘﺘﺎﻝ ﻭﺍﻟﻔﻜﺮ ﺣﺘﻰ ﺍﻧﺘﺰﻉ ﺍﻻﺳﺘﻘﻼﻝ ﻳﻮﻡ ‪٣٠‬ﻧﻮﻓﻤﺒﺮ‪٦٧‬ﻡ ﻧﻔﻲ ﻭﻟﺪ‬
‫ﻋﻤﻪ ﻳﻮﺳﻒ ﺯﻭﺝ ﺷﻘﻴﻘﺘﻪ ﺃﻣﻞ ﺇﻟﻰ ﺍﻟﻘﺎﻫﺮﺓ ﻋﺸﻴﺔ ﺍﻻﺳﺘﻘﻼﻝ ﻣﺜﻞ ﺃﻭﻟﻰ ﺍﻟﻀﺮﺑﺎﺕ ﺍﳌﺆﳌﺔ‪ ،‬ﺍﺧﺘﻔﺎﺀ‬
‫ﺷﻘﻴﻘﻪ ﺻﺎﺑﺮ ﻓﻲ ﻇﺮﻭﻑ ﻏﺎﻣﻀﺔ ﻛﺎﻥ ﺍﻟﻀﺮﺑﺔ ﺍﻟﺘﺎﻟﻴﺔ‪ ،‬ﺭﹸﻓﺪ ﻣﻦ ﺍﻟﻘﻀﺎﺀ ﺇﻟﻰ ﻣﺪﺭﺳﺔ ﺍﻻﺷﺘﺮﺍﻛﻴﺔ‬
‫ﺍﻟﻌﻠﻤﻴﺔ ﻋﻘﺐ ﺭﻓﻀﻪ ﺗﺪﺧﻼﺕ ﺷﺨﺼﻴﺎﺕ ﻧﺎﻓﺬﺓ ﻓﻲ ﺃﺣﻜﺎﻡ ﻗﻀﺎﺋﻴﺔ‪ ،‬ﺷﻴﻮﻋﻲ ﻣﺘﻄﺮﻑ ﳌﺎﺩﻳﺔ ﺍﳋﻠﻖ‬
‫ﻭﺍﻟﻮﺟﻮﺩ‪ ،‬ﻣﻨﺎﻫﺾ ﻋﻨﻴﺪ ﻭﺻﻠﺐ ﻟﻜﻞ ﻣﺎ ﳝﺖ ﺑﺼﻠﺔ ﻟﻺﻣﺒﺮﻳﺎﻟﻴﺔ ﻭﺍﻟﺮﺟﻌﻴﺔ ﺑﺪﺀﺍ ﹰ ﺑﺎﻟﺪﻭﻝ ﺍﻟﻐﺮﺑﻴﺔ ﻣﺮﻭﺭﺍ ﹰ‬
‫ﺑﺪﻭﻝ ﺍﳌﻨﻄﻘﺔ ﻭﺍﻧﺘﻬﺎ ﹰﺀ ﺑﺎﻟﺘﺠﺎﺭ ﻭﺍﳌﺸﺎﻳﺦ ﻭﺍﻹﻗﻄﺎﻉ ﺍﻟﻜﻤﺒﺮﺍﺩﻭﺭ ﻭﺭﺟﺎﻝ ﺍﻟﺴﻴﺎﺳﺔ ﻭﺍﻟﺪﻳﻦ ﻭﺍﻟﻔﻜﺮ ﻭﺍﻷﺩﺏ‬
‫ﻭﻟﻜﻞ ﺍﳌﻐﺮﺩﻳﻦ ﺧﺎﺭﺝ ﺳﺮﺏ ﺍﻟﺘﻘﺪﻣﻴﺔ‪.‬‬
‫ﺍﻟﻌﻢ ﺇﺑﺮﺍﻫﻴﻢ ﺃﺷﺒﻪ ﺑﺼﺪﻳﻘﻪ ﻋﺒﺪﻩ ﺍﻟﺼﻨﻌﺎﻧﻲ‪ ،‬ﻓﻜﻼﻫﻤﺎ ﻣﻦ ﺍﳌﺪﺭﺳﺔ ﺍﻟﺪﻳﻨﻴﺔ ﺇﻟﻰ ﺍﳌﺪﺭﺳﺔ‬
‫ﺍﻻﺷﺘﺮﺍﻛﻴﺔ‪ ،‬ﻣﻦ ﺍﳌﺜﺎﻟﻴﺔ ﺇﻟﻰ ﺍﳌﺎﺩﻳﺔ‪ ،‬ﻃﻔﻮﻟﺔ ﻓﻲ ﺣﻔﻆ ﺍﻟﻘﺮﺁﻥ ﻭﺗﻌﻠﻢ ﻋﻠﻮﻣﻪ ﻛﺎﻟﻔﻘﻪ ﻭﺍﻟﺴﻴﺮﺓ ﻭﺍﳊﺪﻳﺚ‬
‫ﻭﺍﻷﺣﻜﺎﻡ ﻭﺍﻟﺘﻼﻭﺓ‪ ،‬ﻓﺘﻮﺓ ﻓﻲ ﻣﺆﻟﻔﺎﺕ ﻣﺎﺭﻛﺲ ﻭﻟﻴﻨﲔ ﻭﺇﳒﻠﺰ ﻭﻗﺮﺍﺀﺓ ﺳﻴﺮﺓ ﻫﻮﺷﻲ ﻣﻨﻪ ﻭﺗﺸﻲ ﺟﻴﻔﺎﺭﺍ‬
‫ﻭﻛﻴﻢ ﺁﻳﻞ ﺳﻮﻧﻎ ﻭﻋﺒﺪ ﺍﻟﻨﺎﺻﺮ‪ ،‬ﻣﻦ ﺍﳌﺬﺍﻫﺐ ﺍﻟﺴﻨﻴﺔ ﺍﻷﺭﺑﻌﺔ ﺍﻟﺸﺎﻓﻌﻴﺔ ﻭﺍﳌﺎﻟﻜﻴﺔ ﻭﺍﳊﻨﻔﻴﺔ ﻭﺍﳊﻨﺒﻠﻴﺔ‬
‫ﺇﻟﻰ ﺍﳌﺬﺍﻫﺐ ﺍﻻﺷﺘﺮﺍﻛﻴﺔ ﺍﳌﺎﺭﻛﺴﻴﺔ ﻭﺍﳌﺎﻭﻳﺔ ﻭﺍﳉﻴﻔﺎﺭﻳﺔ ﺍﻟﺜﻮﺭﻳﺔ ﻭﺍﳌﺴﻴﺤﻴﺔ ﻭﺍﻟﻔﺎﺑﻴﺔ ﻭﺍﻟﻌﺮﺑﻴﺔ‪ ،‬ﻣﻦ‬
‫ﺻﺤﻴﺤﻲ ﺑﺨﺎﺭﻱ ﻭﻣﺴﻠﻢ ﻭﻛﺘﺐ ﺑﻦ ﻣﺎﺟﻪ ﻭﺍﻟﻨﺴﺎﺋﻲ ﻭﺍﻟﺘﺮﻣﺬﻱ ﻭﺍﻟﻐﺰﺍﻟﻲ ﻭﺍﺑﻦ ﺣﺰﻡ ﻭﺍﺑﻦ ﻛﺜﻴﺮ ﻭﺍﺑﻦ‬
‫ﺗﻴﻤﻴﻪ ﺇﻟﻰ ﺭﺃﺱ ﺍﳌﺎﻝ ﻭﺍﻟﻴﺴﺎﺭﻳﺔ ﺍﻟﻄﻔﻴﻠﻴﺔ ﻭﻏﻴﺮﻫﺎ ﻣﻦ ﺍﻟﻜﺘﺐ ﻭﺍﳌﺮﺍﺟﻊ‪.‬‬
‫ﺍﻟﻌﻢ ﺇﺑﺮﺍﻫﻴﻢ ﺑﻮﺟﻬﻪ ﺍﻟﻐﻀﻦ ﺍﳌﺘﺠﻌﺪ ﻭﻧﻈﺎﺭﺗﻪ ﺍﻟﻌﺘﻴﻘﺔ ﻟﻢ ﻳﻔﻖ ﻣﻦ ﻫﻮﻝ ﻣﺎ ﺟﺮﻯ ﻟﻼﲢﺎﺩ ﺍﻟﺴﻮﻓﻴﺘﻲ‬
‫ﻭﺍﻟﺪﻭﻝ ﺍﻟﺴﺎﻟﻜﺔ ﻓﻲ ﻓﻠﻜﻪ‪ ،‬ﻓﻤﻨﺬ ﺑﺰﻭﻍ ﳒﻢ ﻏﻮﺭﺑﺎﺗﺸﻮﻑ ﻭﺍﻟﺒﺮﻭﺳﺘﺮﻭﻳﻜﺎ ﻭﻫﻮ ﻳﺮﺩﺩ ﻋﺒﺎﺭﺓ ﻓﻴﺪﻝ‬
‫ﻛﺎﺳﺘﺮﻭ‪ :‬ﺑﺮﻭﺳﺘﺮﻭﻳﻜﺎ ﻏﻮﺭﺑﺎﺗﺸﻮﻑ ﺳﻴﻒ ﺫﻭ ﺣﺪﻳﻦ ﻓﺈﻣﺎ ﺃﻥ ﺗﻜﻮﻥ ﻹﻋﺎﺩﺓ ﺑﻨﺎ ﺀ ﺍﻻﺷﺘﺮﺍﻛﻴﺔ ﻭﺇﻣﺎ ﳌﻮﺗﻬﺎ‪.‬‬
‫ﻛﺎﻥ ﻣﻌﺘﻘﺪﻩ ﺃﻥ ﺛﻮﺭﺓ ﺃﻛﺘﻮﺑﺮ ﺍﻟﻌﻈﻤﻰ ﻓﻲ ﺭﻭﺳﻴﺎ ‪١٩١٧‬ﻡ ﻟﻜﻞ ﺃﺣﺮﺍﺭ ﺍﻟﻌﺎﻟﻢ‪ ،‬ﺇﻟﻰ ﻣﺎ ﺑﻌﺪ ﺍﻻﺳﺘﻘﻼﻝ‬
‫ﺑﺤﻮﻟﲔ ﻭﺇﺑﺮﺍﻫﻴﻢ ﻓﻘﻴﻪ ﻓﻲ ﺍﻟﻌﻠﻮﻡ ﺍﻟﺸﺮﻋﻴﺔ ﻭﺍﻟﺪﻳﻨﻴﺔ‪ ،‬ﻣﻨﺬ ﺗﺒﺪﻟﺖ ﻗﺒﻠﺘﻪ ﻣﻦ ﻣﻜﺔ ﺇﻟﻰ ﺍﻟﻜﺮﻣﻠﲔ ﻭﻫﻮ‬
‫ﻓﻲ ﺧﻀﻢ ﻣﻌﺮﻛﺔ ﻻ ﺗﻨﺘﻬﻲ ﺑﲔ ﺍﳌﺜﻘﻒ ﺍﻟﻼﺩﻳﻨﻲ ﺍﳌﻠﺤﺪ ﻭﺍﳌﺜﻘﻒ ﺍﻟﺪﻳﻨﻲ ﺍﳉﺎﻣﺪ‪.‬‬
‫ﺍﻻﲢﺎﺩ ﺍﻟﺴﻮﻓﻴﺘﻲ ﻋﻠﻰ ﻭﺷﻚ ﺍﻟﺘﻔﻜﻚ ﻭﺍﻻﻧﻬﻴﺎﺭ ﻟﺒﻨﻴﺎﻧﻪ‪ ،‬ﺗﺸﺎﺷﻴﺴﻜﻮ ﺍﻟﺸﻴﻮﻋﻲ ﺍﻟﺮﻭﻣﺎﻧﻲ ﺍﻟﻘﻮﻱ‬
‫ﻳﺴﻘﻂ ﻭﻋﻘﻴﻠﺘﻪ ﻓﻲ ﺛﻮﺭﺓ ﻃﻼﺑﻴﺔ ﻏﺎﺿﺒﺔ ﺍﻧﺪﻟﻌﺖ ﻓﻲ ﺟﺎﻣﻌﺔ ﺑﻮﺧﺎﺭﺳﺖ‪ ،‬ﺍﻷﳌﺎﻥ ﺍﻟﺸﺮﻗﻴﻮﻥ ﻳﻬﺪﻭﻥ‬
‫ﺳﻮﺭ ﺑﺮﻟﲔ ﻭﻳﻌﺒﺮﻭﻥ ﺇﻟﻰ ﺍﻟﻨﺎﺣﻴﺔ ﺍﻟﻐﺮﺑﻴﺔ‪ ،‬ﺍﻟﻴﻤﻦ ﻳﺘﻮﺣﺪ ﻓﻲ ﻇﺮﻑ ﺃﺷﻬﺮ ﻣﻌﺪﻭﺩﺓ‪ ،‬ﻛﺎﻧﺖ ﻭﺗﻴﺮﺓ ﺍﻷﺣﺪﺍﺙ‬
‫ﺃﺳﺮﻉ ﻭﺃﻛﺒﺮ ﳑﺎ ﻳﺤﺘﻤﻠﻪ ﺍﻟﻌﻢ ﺇﺑﺮﺍﻫﻴﻢ ﺍﻟﺴﺎﺩﺭ ﻓﻲ ﻣﺤﻴﻂ ﻟﺞ ﻭﻣﻀﻄﺮﺏ‪ ،‬ﻋﻨﺎﺩﻩ ﺟﻌﻠﻪ ﻻ ﻳﺴﺘﺴﻠﻢ‬
‫ﺑﺴﻬﻮﻟﺔ ﺑﻞ ﻋﻠﻰ ﺍﻟﻌﻜﺲ ﺭﺍﺡ ﻳﺠﻬﺪ ﺫﺍﺗﻪ ﺍﻟﻜﻬﻠﺔ ﻓﻲ ﺍﻟﺴﺒﺎﺣﺔ ﻋﻜﺲ ﺍﻟﺘﻴﺎﺭ ﻗﻠﺖ ﻟﻪ‪:‬‬
‫ﻳﺎ ﻋﻢ ﺇﺑﺮﺍﻫﻴﻢ ﻻ ﺗﻜﺎﺑﺮ ﻭﺍﺭﻛﺐ ﺳﻔﻴﻨﺔ ﻧﻮﺡ‪ ،‬ﺇﻧﻲ ﺃﺧﺸﻰ ﻋﻠﻴﻚ ﻣﻦ ﺍﻟﻄﻮﻓﺎﻥ!‬ ‫‪-‬‬
‫ﺃﻳﻦ ﻫﻲ ﺳﻔﻴﻨﺘﻚ ﻭﺃﻳﻦ ﻫﻮ ﺍﳉﺒﻞ؟؟‬ ‫‪-‬‬
‫ﺍﻟﻌﻮﺩﺓ ﻟﻠﺮﺏ ﻣﻨﺠﺎﺓ ﻓﻠﻘﺪ ﻋﺎﺩﺕ ﺭﻭﺳﻴﺎ ﻟﺼﻠﺒﺎﻧﻬﺎ ﻭﻟﻠﻴﺴﻮﻉ ﻭﺇﳒﻴﻠﻪ ﺍﳌﻘﺪﺱ ﻭﺃﻧﺖ ﻣﺎﺯﻟﺖ ﻛﻨﻮﺩﺍ ﹰ‬ ‫‪-‬‬
‫ﺇﻧﻨﻲ ﺃﺧﺸﻰ ﻋﻠﻴﻚ ﻣﻦ ﺍﻟﻐﺮﻕ ﻭ ﺃﻟﺘﺒﺎﺭ ﻭﺍﻟﻬﻼﻙ!‬
‫ﻻ ﻛﻬﻨﻮﺗﻴﺔ ﻭﻻ ﻻﻫﻮﺗﻴﺔ ﻓﻲ ﺍﻹﺳﻼﻡ ﻳﺎ ﺟﻤﺎﻝ؛ ﻓﻬﻞ ﺻﺮﺕ ﺑﲔ ﻋﺸﻴﺔ ﻭﺿﺤﺎﻫﺎ ﻭﻛﻴﻼﹰ ﷲ ﻣﺜﻞ‬ ‫‪-‬‬
‫ﺃﻭﻟﺌﻚ ﺍﳌﻄﺎﻭﻋﺔ ﺍﻟﺬﻳﻦ ﳝﻨﺤﻮﻥ ﺍﳋﻠﻖ ﺻﻜﻮﻛﺎ ﹰ ﺇﻟﻰ ﺍﳉﻨﺔ ﺃﻭ ﺍﻟﻨﺎﺭ؟؟‬
‫ﻭﻟﻜﻨﻬﻢ ﻫﻢ ﺍﻟﻐﺎﻟﺒﻮﻥ ﻭﻋﻠﻴﻨﺎ ﺍﻻﻋﺘﺮﺍﻑ ﺃﻥ ﺩﻳﻨﻬﻢ ﺣﻖ ﻭﻗﺒﻠﺘﻬﻢ ﺣﻖ!!‬ ‫‪-‬‬
‫ﻓﻲ ﻗﺒﻠﺘﻬﻢ ﻧﻌﻢ ﻭﻣﺎ ﻋﺪﺍﻫﺎ ﱠﻛﻼ ﻓﻬﻢ ﻓﻲ ﻣﻮﺿﻊ ﺳﺤﻴﻖ‪.‬‬ ‫‪-‬‬
‫ﺳﺘﻐﺮﻕ‪...‬ﺳﺘﻤﻮﺕ‪...‬ﻳﺎ ﻋﻢ ﺇﺑﺮﺍﻫﻴﻢ‪ ،‬ﻓﻼ ﻗﺪﺭﺓ ﻟﻚ ﻋﻠﻰ ﺍﻟﺴﺒﺎﺣﺔ ﻭﻣﻘﺎﻭﻣﺔ ﺍﻟﻄﻮﻓﺎﻥ!!‬ ‫‪-‬‬
‫ﺃﻟﻢ ﺗﺴﻤﻊ ﻳﺎ ﻓﺘﻰ ﺣﻘﻴﻘﺔ ﺃﻥ ﺍﻷﺳﻤﺎﻙ ﺍﳊﻴﺔ ﻫﻲ ﺍﻟﺴﺎﺑﺤﺔ ﺑﻮﺟﻪ ﺍﻟﺘﻴﺎﺭ ﺃﻭ ﺍﳌﻮﺝ ﺃﻣﺎ ﺍﳌﻴﺘﺔ ﻓﻤﻊ‬ ‫‪-‬‬
‫ﺍﳌﻮﺟﻪ ﻣﻨﺠﺮﻓﺔ!!‬
‫ﻻ‪ ...‬ﻭﻟﻜﻨﻲ ﺳﻤﻌﺖ ﺑﻘﺼﺔ ﺍﳉﺒﻞ ﺍﻟﺬﻱ ﻟﻢ ﻳﻌﺼﻢ ﻭﻟﺪ ﻧﻮﺡ ﻣﻦ ﺍﻟﻬﻼﻙ‪ ،‬ﻭﺃﻧﺖ ﻻ ﻣﺴﺘﺼﺮﺥ ﻟﻚ‬ ‫‪-‬‬
‫ﻻ ﺟﺒﻞ ﺃﻭ ﺟﺰﻳﺮﺓ ﺳﺘﺆﻭﻳﻚ ﻣﻦ ﻫﻮﻝ ﺍﶈﻴﻂ‪.‬‬
‫ﻧﻔﺲ‪.‬‬
‫ﻓﻲ ﹲ‬‫ﺳﺄﹸﻗﺎﻭﻡ ﻭﻟﻦ ﺃﺭﻓﻊ ﺍﻟﺮﺍﻳﺔ ﺍﻟﺒﻴﻀﺎﺀ ﻣﺎ ﺑﻘﻲ ﹼ‬ ‫‪-‬‬
‫ﺍﻟﻌﻢ ﻳﻮﺳﻒ ﻟﻢ ﻳﺴﺘﻘﺮ ﺑﻪ ﺍﳌﻘﺎﻡ ﻓﻲ ﺍﻟﺸﻤﺎﻝ ﺑﻌﺪ ﻓﻚ ﺍﳊﺼﺎﺭ ﻋﻦ ﺻﻨﻌﺎﺀ ﺇﺫ ﻛﺎﻥ ﻣﺜﻞ ﺻﺎﺣﺒﻪ‬
‫ﺍﻟﺜﺎﺋﺮ ﺗﺸﻲ ﺟﻴﻔﺎﺭﺍ ﺑﺘﻨﻘﻠﻪ ﻣﻦ ﺑﻠﺪ ﺇﻟﻰ ﺁﺧﺮ ﻓﻲ ﺃﻣﺮﻳﻜﺎ ﺍﻟﻼﺗﻴﻨﻴﺔ‪ ،‬ﻳﻮﺳﻒ ﻣﺜﻠﻪ ﻓﻤﺎ ﺇﻥ ﺍﻧﺘﺼﺮﺕ ﺍﻟﺜﻮﺭﺓ‬
‫ﻓﻲ ﺍﳉﻨﻮﺏ ﻭﻧﻔﻲ ﺇﻟﻰ ﺍﻟﻘﺎﻫﺮﺓ ﺣﺘﻰ ﻋﺎﺩ ﺇﻟﻰ ﺻﻨﻌﺎﺀ ﺃﺛﻨﺎﺀ ﺣﺼﺎﺭﻫﺎ ﻣﻦ ﺍﳌﻠﻜﻴﲔ ﻭﻋﻨﺪﻣﺎ ﺍﻧﺘﺼﺮﺕ‬
‫ﺍﳉﻤﻬﻮﺭﻳﺔ ﺑﻔﻚ ﺍﳊﺼﺎﺭ ﻏﺎﺩﺭ ﻳﻮﺳﻒ ﺇﻟﻰ ﻟﺒﻨﺎﻥ ﻭﻣﻨﻬﺎ ﺇﻟﻰ ﺍﻟﺪﻭﻝ ﺍﻟﻌﺮﺑﻴﺔ ﺍﶈﺎﺭﺑﺔ ﻹﺳﺮﺍﺋﻴﻞ‪ ،‬ﻟﺴﻨﻮﺍﺕ‬
‫ﻭﻳﻮﺳﻒ ﺣﺎﻣﻞ ﺭﻭﺣﻪ ﻋﻠﻰ ﻛﻔﻪ ﻓﻲ ﺍﳉﺒﻬﺎﺕ ﺍﳌﺴﺘﻌﺮﺓ ﻣﻊ ﺇﺳﺮﺍﺋﻴﻞ‪ ،‬ﻟﻢ ﺗﻨﻞ ﻣﻨﻪ ﺍﻟﻘﻨﺎﺑﻞ ﻭﺍﻟﺼﻮﺍﺭﻳﺦ‬
‫ﺍﳌﻤﺰﻗﺔ ﻷﺣﺸﺎﺀ ﻣﺪﻳﻨﺔ ﺑﻴﺮﻭﺕ ﻓﻲ ﺣﺮﺏ ﺍﻻﺟﺘﻴﺎﺡ ﻣﻄﻠﻊ ﺍﻟﺜﻤﺎﻧﻴﻨﺎﺕ‪ ،‬ﺍﻟﺮﺻﺎﺹ ﻭﺍﻟﺪﻣﺎﺀ ﺍﻟﻘﺎﻧﻴﺔ ﻭﺍﻷﺷﻼﺀ‬
‫ﲢﻤﻞ ﺍﻟﺒﺮﺩ ﺍﻟﻘﺎﺭﺱ‬
‫ﻭﺍﻟﺸﻈﺎﻳﺎ ﺟﻤﻴﻌﻬﺎ ﺻﺎﺭﺕ ﻣﺄﻟﻮﻓﺔ ﻟﺪﻳﻪ‪ ،‬ﻓﺤﺼﺎﺭ ﺻﻨﻌﺎﺀ ﻣﻨﺤﻪ ﺍﻟﻘﺪﺭﺓ ﻋﻠﻰ ﱡ‬
‫ﻭﺍﳉﻮﻉ ﻭﺍﻟﻌﻄﺶ ﻭﻣﻘﺎﻭﻣﺔ ﺍﻻﺳﺘﻌﻤﺎﺭ ﻓﻲ ﻋﺪﻥ ﺃﻛﺴﺒﻪ ﺍﻟﻘﻮﺓ ﻭﺍﻟﻌﺰﳝﺔ ﻓﻲ ﺍﳌﻌﺮﻛﺔ ﻏﻴﺮ ﺍﳌﺘﻜﺎﻓﺌﺔ‪.‬‬
‫ﻓﻲ ﺑﻴﺮﻭﺕ ﻛﺎﻥ ﻳﻮﺳﻒ ﻓﻲ ﻏﺎﻳﺔ ﺍﻟﻔﺨﺮ ﻭﺍﻟﺒﺴﺎﻟﺔ ﻭﻫﻮ ﻳﺮﻯ ﺍﻟﺪﻡ ﺍﻟﻌﺮﺑﻲ ﻳﺠﻤﻌﻪ ﺑﺈﺧﻮﺍﻧﻪ ﺍﻟﻌﺮﺏ‬
‫ﺍﻟﺬﺍﺋﺪﻳﻦ ﻋﻦ ﺍﻟﻜﺮﺍﻣﺔ ﻭﺍﻟﺸﺮﻑ ﻭﺍﻟﺴﻴﺎﺩﺓ‪ ،‬ﻟﻢ ﻳﻔﻜﺮ ﳊﻈﺔ ﲟﻐﺎﺩﺭﺓ ﺑﻴﺮﻭﺕ ﺣﻴﺎﹰ‪ ،‬ﻓﻤﻊ ﺇﻃﺒﺎﻕ ﺍﻟﻌﺪﻭ ﻋﻠﻰ‬
‫ﺃﻧﻔﺎﺱ ﺍﳌﺪﻳﻨﺔ ﻣﻦ ﻛﻞ ﻧﺎﺣﻴﺔ ﺃﻳﻘﻦ ﻳﻮﺳﻒ ﺃﻥ ﺍﳌﻮﺕ ﻣﺤﺘﻮ ﹲﻡ‪ ,‬ﻟﻢ ﻳﻈﻔﺮ ﻳﻮﺳﻒ ﺑﺎﻟﺸﻬﺎﺩﺓ ﻓﻲ ﺑﻴﺮﻭﺕ‬
‫ﻓﻜﻤﺎ ﺗﺎﻕ ﻟﻠﺸﻬﺎﺩﺓ ﻓﻲ ﻋﺪﻥ ﻭﺻﻨﻌﺎﺀ ﻭﻓﻠﺴﻄﲔ ﻭﺍﳉﻮﻻﻥ ﻭﺳﻴﻨﺎﺀ ﺣﺮﻡ ﻣﻨﻬﺎ ﺃﻳﻀﺎ ﻓﻲ ﺑﻴﺮﻭﺕ ﻭﺑﻌﺪ ﺃﻥ‬
‫ﺳﺤﻘﺖ ﺟﻨﺎﺯﻳﺮ ﺍﻟﺪﺑﺎﺑﺎﺕ ﻣﺘﺮﺍﺳﻪ ﻭﺃﺣﺎﻟﺘﻪ ﺇﻟﻰ ﻛﻮﻣﺔ ﻣﺨﻠﻔﺎﺕ‪ ،‬ﺩﻣﺮﺕ ﺩﺍﻧﺎﺕ ﺍﳌﻌﺮﻛﺔ ﻋﺮﻭﺳﺔ ﺍﻟﺸﺮﻕ‬
‫ﺩﻣﺎﺭﺍ ﹰ ﻓﻈﻴﻌﺎ ﹰ ﻓﻮﻕ ﺭﺅﻭﺱ ﺃﻫﻠﻬﺎ ﻭﻣﻘﺎﻭﻣﻴﻬﺎ ﻭﺑﻘﻰ ﻳﻮﺳﻒ ﻣﺜﻠﻬﻢ ﻟﻢ ﳝﺖ ﺃﻭ ﻳﺴﺘﺴﻠﻢ‪.‬‬
‫ﻛﺎﻧﺖ ﻭﺟﻬﺘﻪ ﺍﻟﻐﺮﺑﺔ ﻫﺬﻩ ﺍﳌﺮﺓ‪ ،‬ﺍﺷﺘﻐﻞ ﻓﻲ ﻣﻬﻦ ﱡﺣﺮﺓ ﺑﺤﺜﺎ ﹰ ﻋﻦ ﻟﻘﻤﺔ ﺍﻟﻌﻴﺶ ﻓﻲ ﺃﻋﻤﺎﻕ ﺍﻟﺒﺤﺎﺭ ﻭﻓﻲ‬
‫ﺍﻟﺼﺤﺎﺭﻱ ﻭﺍﳌﺮﺍﻓﺊ ﻭﺍﳌﺪﻥ‪ ،‬ﺳﻨﻮﺍﺕ ﻣﻦ ﺍﻟﻜﺪ ﻭﺍﻻﻏﺘﺮﺍﺏ ﻭﺍﻵﻥ ﻋﺎﺩ ﺇﻟﻰ ﻭﻃﻨﻪ ﺇﻧﺴﺎﻧﺎ ﺑﺴﻴﻄﺎ ﹰ ﻻ ﳝﻠﻚ ﻏﻴﺮ‬
‫ﺻﻨﺒﻮﻕ ﻭﺷﺒﻜﺔ ﺻﻴﺪ ﺍﺑﺘﺎﻋﻬﺎ ﻣﻦ ﺃﺟﻤﻞ ﺃﻳﺎﻡ ﻋﻤﺮﻩ ﻓﻲ ﺟﺰﺭ ﺍﳋﻠﻴﺞ‪ ،‬ﻛﻞ ﻣﺎ ﺍﺩﺧﺮﻩ ﻓﻲ ﺍﻟﻐﺮﺑﺔ ﺃﻧﻔﻘﻪ‬
‫ﻋﻠﻰ ﻣﺴﻜﻦ ﻣﺘﻮﺍﺿﻊ ﺑﺠﻮﺍﺭ ﺍﻟﺒﺤﺮ ﻭﻗﺎﺭﺏ ﺻﻴﺪ ﻳﻘﻴﻪ ﻣﻦ ﻣﺨﻤﺼﺔ‪ ،‬ﺍﳌﻨﻔﻰ ﻋﻠﻤﻪ ﺍﻟﺼﺒﺮ ﻭﺍﳉﻮﺩ‬
‫ﻭﺍﳊﺬﺭ ﻭﺍﳉﹶﻠﹶﺪ ﻭﺍﳌﻘﺎﻭﻣﺔ ﻭﺍﻟﻘﻨﺎﻋﺔ ﻭﻏﻴﺮﻫﺎ ﻣﻦ ﺍﻟﺼﻔﺎﺕ‪ ،‬ﻟﺬﺍ ﻛﺎﻥ ﻳﻮﺳﻒ ﻗﻨﻮﻋﺎ ﹰ ﺑﺤﻴﺎﺗﻪ ﺍﳉﺪﻳﺪﺓ‪ ،‬ﻻ‬
‫ﻳﻀﻤﺮ ﺣﻘﺪﺍ ﹰ ﳌﻦ ﺃﺟﺒﺮﻩ ﻋﻠﻰ ﺍﻟﺮﺣﻴﻞ‪ ،‬ﻻ ﳝﻦ ﻋﻠﻰ ﻭﻃﻨﻪ ﻭﺛﻮﺭﺗﻪ ﺃﻭ ﻳﺘﺎﺟﺮ ﺑﻨﻀﺎﻟﻪ ﻭﺗﻀﺤﻴﺎﺗﻪ ﺍﻟﻮﻃﻨﻴﺔ‬
‫ﻭﺍﻟﻘﻮﻣﻴﺔ ﺃﻭ ﻳﻌﺪ ﺍﻟﺴﻌﻲ ﺧﻠﻒ ﺍﻟﺮﺯﻕ ﻧﻘﺼﺎﻧﺎ ﹰ ﻣﻦ ﺗﻀﺤﻴﺘﻪ ﻭﻧﻀﺎﻟﻪ ﻧﺤﻮ ﻭﻃﻨﻪ ﻭﺃﻣﺘﻪ ﻓﺮﻛﻮﺏ ﺃﻫﻮﺍﻝ‬
‫ﺍﻟﺒﺤﺮ ﻓﻲ ﺳﻦ ﺍﻟﻜﻬﻮﻟﺔ ﻭﺍﺟﺐ ﺁﺧﺮ ﻣﻨﻪ ﲡﺎﻩ ﺃﺳﺮﺗﻪ ﻭﺃﻫﻠﻪ‪.‬‬
‫ﻳﻮﺳﻒ ﺭﻏﻢ ﻣﺎ ﻭﻗﻊ ﻟﻪ ﻣﻦ ﻧﻔﻲ ﻭﺷﺘﺎﺕ ﻟﻪ ﻭﻷﺳﺮﺗﻪ‪ ،‬ﻻ ﻳﺤﺰﻧﻪ ﺃﻛﺜﺮ ﻣﻦ ﺭﺅﻳﺔ ﳒﻠﻪ ﺻﺎﺑﺮ ﺍﻟﻌﺎﺋﺪ ﻣﻦ‬
‫ﺟﺒﺎﻝ ﺃﻓﻐﺎﻧﺴﺘﺎﻥ ﺇﻟﻰ ﺍﳊﻘﻞ ﺑﻠﺤﻴﺘﻪ ﺍﳌﺴﺘﺮﺳﻠﺔ ﺇﻟﻰ ﺻﺪﺭﻩ‪ ،‬ﻭﻗﻤﻴﺼﻪ ﺍﳌﺴﺒﻞ ﺇﻟﻰ ﻋﺎﻗﺒﻴﻪ‪ ،‬ﻋﻼﻭﺓ‬
‫ﻋﻠﻰ ﻓﻬﻤﻪ ﺍﻟﻘﺎﺻﺮ ﻟﻠﺪﻳﻦ‪ ،‬ﻫﺬﻩ ﺍﻷﺷﻴﺎﺀ ﺟﻌﻠﺖ ﺻﺎﺑﺮ ﺃﻗﺮﺏ ﺇﻟﻰ ﺟﻤﺎﻋﺔ ﺍﻟﺘﻜﻔﻴﺮ ﻭﺍﳉﻬﺎﺩ‪ ،‬ﻻ ﺷﻲﺀ ﻓﻲ‬
‫ﺻﺎﺑﺮ ﻳﺸﺒﻪ ﺃﺑﺎﻩ ﻳﻮﺳﻒ ﺍﻟﻌﺎﺋﺪ ﻣﻦ ﻣﻨﻔﺎﻩ ﺍﻟﻘﺴﺮﻱ ﺃﻭ ﻣﻦ ﻋﻤﻪ ﺻﺎﺑﺮ؛ ﺑﻞ ﻫﻮ ﻳﺸﺒﻪ ﺍﻟﺜﻼﺛﺔ ﺍﻟﻌﺎﺋﺪﻳﻦ‬
‫ﻣﻠﻚ ﺿﺎﺋﻊ ﻭﺍﻟﺸﻴﺦ ﺣﺴﻦ ﻭﺍﻟﻔﻘﻴﻪ ﻋﺒﺪﺍﷲ ﻓﺜﻼﺛﺘﻬﻢ‬
‫ﻣﻌﻪ ﺇﻟﻰ ﺍﳊﻘﻞ‪ ،‬ﺍﻷﻣﻴﺮ ﺷﻌﻼﻥ ﺍﻟﺒﺎﺣﺚ ﻋﻦ ﹴ‬
‫ﻋﺎﺋﺪﻭﻥ ﻟﻺﻣﺎﺭﺓ ﻭﺍﳌﺸﻴﺨﺔ ﻭﺍﻹﻣﺎﻣﺔ‪ ،‬ﺍﻟﻔﺎﺭﻕ ﺃﻥ ﺻﺎﺑﺮ ﻻ ﳝﻠﻚ ﻣﻦ ﺍﻟﺰﻣﻦ ﺍﻟﻐﺎﺑﺮ ﻏﻴﺮ ﻣﺎ ﺳﻄﺮﻩ ﺃﺑﻮﻩ ﻣﻦ‬
‫ﻣﺠﺪ ﻭﺗﺎﺭﻳﺦ‪.‬‬
‫ﻛﻨﺖ ﻣﺤﻈﻮﻇﺎ ﺑﺘﻮﻗﻴﺖ ﺍﻗﺘﺮﺍﻧﻲ ﺑﺄﺷﺠﺎﻥ ﻣﻊ ﻗﻴﺎﻡ ﺩﻭﻟﺔ ﺍﻟﻮﺣﺪﺓ ﻋﺎﻡ ‪٩٠‬ﻡ‪ ،‬ﻓﻠﻮﻻ ﻣﺎ ﺣﺪﺙ ﳌﺎ ﺭﺃﻳﺖ‬
‫ﹸ‬
‫ﺷﻤﻞ ﺍﻷﺳﺮﺓ ﲢﺖ ﺳﻘﻒ ﺧﻴﻤﺔ ﻭﺍﺣﺪﺓ‪ ،‬ﺍﻟﻌﻢ ﺇﺑﺮﺍﻫﻴﻢ ﺍﻟﻴﺴﺎﺭﻱ ﺍﳌﺘﻄﺮﻑ ﻭﺍﻟﻌﻢ ﻳﻮﺳﻒ ﺍﳌﻨﻔﻲ ﻣﻨﺬ‬
‫ﻋﺸﻴﺔ ﺍﻻﺳﺘﻘﻼﻝ ﺇﻟﻰ ﺟﺎﻧﺐ ﺍﻟﻌﻢ ﻋﺒﺪﻩ ﺍﻟﺼﻨﻌﺎﻧﻲ ﻭﺍﻟﺪ ﺃﺷﺠﺎﻥ ﺍﳌﺸﺮﺩ ﻫﻨﺎ ﻓﻲ ﺍﳊﻘﻞ ﻣﻨﺬ ﻣﻄﻠﻊ‬
‫ﺍﻟﺴﺒﻌﻴﻨﺎﺕ‪ ،‬ﻭﻛﺬﺍ ﺍﻟﺸﻴﺦ ﺣﺴﻦ ﺍﻟﻐﻮﻟﻲ ﻭﳒﻠﻪ ﻣﻘﻴﺒﻞ ﻭﺍﻟﻔﻘﻴﻪ ﻋﺒﺪﺍﷲ ﻭﳒﻠﻪ ﻋﺒﺪﺍ ﻟﻜﺮﱘ ﺍﻟﻌﺎﺋﺪﻳﻦ‬
‫ﺃﺭﺑﻌﺘﻬﻢ ﺇﻟﻰ ﺍﳊﻘﻞ ﺑﻌﺪ ﻋﻘﺪﻳﻦ ﻭﻧﻴﻒ ﻣﻦ ﻫﺮﻭﺑﻬﻢ ﺇﻟﻰ ﺍﻟﺸﻤﺎﻝ ﺇﺛﺮ ﲢﻘﻴﻖ ﺍﻻﺳﺘﻘﻼﻝ‪ ،‬ﻧﺎﻫﻴﻚ ﻋﻦ‬
‫ﺻﺎﺑﺮ ﻭﻣﺤﻤﺪ ﻭﺃﻣﻬﻤﺎ ﺍﻟﻌﻤﺔ ﺃﻣﻞ ﻭﺛﻼﺛﺘﻬﻢ ﻓﺮﻭﺍ ﺃﻳﻀﺎ ﺇﻟﻰ ﺍﻟﺸﻤﺎﻝ ﺑﻌﺪ ﺃﻥ ﺗﻌﺬﺭ ﻋﻮﺩﺓ ﺭﺏ ﺍﻷﺳﺮﺓ‬
‫ﻳﻮﺳﻒ‪.‬‬
‫ﻛﺎﻥ ﻳﻮﻡ ﻓﺮﺣﻲ ﺃﻛﺜﺮ ﻣﻦ ﻣﻨﺎﺳﺒﺔ ﻭﻋﻴﺪ‪ ،‬ﻓﺤﻘﻞ ﺍﻟﻔﺆﺍﺩ ﻳﻮﻡ ﻋﺮﺳﻲ ﻏ ﹾﻴﺮ ﺍﳊﻘﻞ ﺍﻟﺬﻱ ﻏﺎﺩﺭﺗﻪ ﻗﺒﻞ ﺑﻀﻌﺔ‬
‫ﺃﻋﻮﺍﻡ‪ ،‬ﻭﻗﺘﺌﺬ ﻛﺎﻥ ﺍﳌﻜﺎﻥ ﻳﻌﺞ ﺑﺎﻟﺸﻌﺎﺭﺍﺕ ﻭﺍﳋﻄﺐ ﺍﻟﺜﻮﺭﻳﺔ ﺍﻟﻘﺎﺋﻠﺔ ﺑﻮﺃﺩ ﺍﳌﺆﺍﻣﺮﺓ‪ ،‬ﺁ ﺧﺮ ﺍﻷﺷﻴﺎﺀ ﺍﳉﻤﻴﻠﺔ‬
‫ﺍﻟﻌﺎﻟﻘﺔ ﻓﻲ ﺫﺍﻛﺮﺗﻲ ﻛﺎﻥ ﺭﺅﻳﺔ ﺃﺷﺠﺎﻥ ﻓﻲ ﺫﺍﻙ ﺍﻟﺼﺒﺎﺡ ﺍﻷﻏﺮ ﻭﺧﺒﺰﻫﺎ ﺍﻟﺬﻱ ﺳﺒﻘﺘﻪ ﺭﺍﺋﺤﺘﻪ ﺍﻟﺬﻛﻴﺔ‬
‫ﺇﻟﻰ ﺃﻧﻔﻲ ﻭﺩﻣﺎﻏﻲ ﺍﻟﻘﺎﻃﻨﺔ ﻓﻴﻪ‪ ،‬ﻋﺪﺍ ﻭﺩﺍﻋﻴﺔ ﺃﺷﺠﺎﻥ ﻭﻓﻄﻮﺭﻫﺎ‪ ،‬ﻛﺎﻥ ﺍﳊﻘﻞ ﻣﺘﺸﺤﺎ ﺑﺎﻟﺴﻮﺍﺩ ﻭﺃﻫﻠﻪ‬
‫ﻛﺄﻧﻬﻢ ﻳﻨﺸﺪﻭﻥ ﻭﻳﺮﻗﺼﻮﻥ ﻋﻠﻰ ﺣﻮﺍﻑ ﻣﻘﺒﺮﺓ ﻣﻸﻱ ﺑﺎﻷﺿﺮﺣﺔ ﻭﺭﻓﺎﺓ ﺍﻟﻘﺘﻠﻰ‪ ،‬ﺳﻴﺎﺭﺓ ﺳﻜﺮﺗﻴﺮ ﺍﳌﻨﻈﻤﺔ‬
‫ﺍﳊﺰﺑﻴﺔ ﻣﻜﺴﻮﺓ ﺑﺼﻮﺭ ﺍﻟﺸﻬﺪﺍﺀ‪ ،‬ﺻﻮﺕ ﺍﳌﺬﻳﺎﻉ ﻻ ﻳﻜﻞ ﺇﻻ ﱠ ﻋﻨﺪ ﺍﳋﻠﻮﺩ ﻟﻠﻨﻮﻡ‪ ،‬ﻣﻜﺒﺮﺍﺕ ﺍﻟﺼﻮﺕ ﺍﳋﺎﺭﻗﺔ‬
‫ﺑﺎﻕ ﻳﺎ ﻓﺘﺎﺡ ﺣﺰﺏ ﺍﻟﻌﺎﻣﻞ ﻭﺍﻟﻔﻼﺡ(‬
‫ﻟﻄﺒﻠﺔ ﺍﻷﺫﻥ ﻻ ﺗﻜﻒ ﻋﻦ ﺗﺮﺩﻳﺪ ﺍﻷﻧﺎﺷﻴﺪ ﻭﺍﻟﻬﺘﺎﻓﺎﺕ ﻣﺜﻞ )ﺣﺰﺑﻚ ﹴ‬
‫ﺳﺤﻘﺎ ﹰ ﻟﻠﻌﻤﻼﺀ(ﻭﻏﻴﺮﻫﺎ ﻣﻦ ﺍﻟﺸﻌﺎﺭﺍﺕ‪.‬‬
‫ﺳﺤﻘﺎ ﹰ ﹸ‬
‫ﻭ)ﻋﻬﺪﺍ ﻋﻬﺪﺍ ﹰ ﻟﻠﺸﻬﺪﺍﺀ ﹸ‬
‫ﻓﻔﻲ ﻣﻨﺘﺼﻒ ﺍﻟﺜﻤﺎﻧﻴﻨﺎﺕ ﻭﺻﻠﺖ ﺃﻭﺿﺎﻉ ﺍﳉﻨﻮﺏ ﺇﻟﻰ ﺫﺭﻭﺓ ﺗﺄﺯﻣﻬﺎ ﺍﻟﻔﻜﺮﻱ ﻭﺍﻟﺴﻴﺎﺳﻲ ﻭﺍﻻﻗﺘﺼﺎﺩﻱ‪،‬‬
‫ﻓﻜﺎﻧﺖ ﻛﺎﺭﺛﺔ ‪١٣‬ﻳﻨﺎﻳﺮ ‪٨٦‬ﻡ ﺑﺤﻖ ﺿﺮﺑﺔ ﻣﻮﺟﻌﺔ ﻭﺃﺧﻴﺮﺓ ﺃﻃﺎﺣﺖ ﺑﻜﻞ ﺍﻟﺘﺠﺮﺑﺔ ﺍﻟﻮﻃﻨﻴﺔ‪ ،‬ﺃﻳﺔ ﺣﺮﺏ ﻫﺬﻩ‬
‫ﺍﻟﺘﻲ ﺗﺴﻠﺒﻚ ﺭﻭﺣﻚ ﻭﻋﻘﻠﻚ ﺑﻼ ﻓﺎﺋﺪﺓ ﻭ‪‬ﺮﺩ ﻋﺼﺒﻴﺔ ﺷﻮﻓﻴﻨﻴﻪ ﻟﻠﻤﻜﺎﻥ ﺍﳌﻮﻟﻮﺩ ﻓﻴﻪ‪ ،‬ﺍﳌﺸﻬﺪ ﻛﺎﻥ‬
‫ﻣﺄﺳﺎﻭﻳﺎ ﹰ ﺇﻟﻰ ﺣﺪ ﻻ ﳝﻜﻦ ﲢﻤﻠﻪ ﺃﻭ ﺗﺼﻮﺭﻩ ﻓﻲ ﺃﻓﻼﻡ ﺍﻟﺮﻋﺐ ﺍﻟﻬﻮﻟﻴﻮﺩﻳﺔ ﻧﻈﺮﺍ ﹰ ﻟﺒﺸﺎﻋﺔ ﻣﺎ ﺣﺪﺙ ﺑﲔ‬
‫ﺍﻹﺧﻮﺓ‪ ،‬ﺑﻀﻌﺔ ﺃﻳﺎﻡ ﻣﺮﻋﺒﺔ ﻃﺎﻟﺖ ﻛﻞ ﺷﻲﺀ ﺍﻹﻧﺴﺎﻥ ﻭﺍﳊﻴﺎﺓ ﻭﺍﳌﻌﻴﺸﺔ ﻭﺍﻟﻮﺋﺎﻡ‪ ،‬ﺃﻧﺎﺱ ﻟﻘﻮﺍ ﺣﺘﻔﻬﻢ‬
‫‪‬ﺮﺩ ﺍﻧﺘﻤﺎﺋﻬﻢ ﺍﳌﻨﺎﻃﻘﻲ‪ ،‬ﺛﻼﺛﺔ ﺃﻋﺮﻓﻬﻢ ﺟﻴﺪﺍ ﹰ ﻗﻀﻮﺍ ﻧﺤﺒﻬﻢ ﻭﻫﻢ ﻓﻲ ﻃﺮﻳﻘﻬﻢ ﳉﻠﺐ ﺩﺟﺎﺝ ﻻ‬
‫ﺃﻛﺜﺮ‪ ،‬ﻭﺑﺴﺒﺐ ﻫﻮﻳﺘﻬﻢ ﺍﳉﻐﺮﺍﻓﻴﺔ ﻻ ﺍﻟﻌﺮﻗﻴﺔ ﺃﻭ ﺍﻟﻄﺎﺋﻔﻴﺔ ﺩﻓﻨﻮﺍ ﻓﻲ ﻣﻘﺒﺮﺓ ﺟﻤﺎﻋﻴﺔ‪ ،‬ﺭﺟﺎﻝ ﻛﺜﺮ ﰎ‬
‫ﺳﻤﻠﺖ ﺃﻋﻴﻨﻬﻢ ﺃﻭ ﺑﺘﺮﺕ ﺷﻔﺎﻫﻬﻢ‬ ‫ﺗﻘﻄﻴﻊ ﺃﻃﺮﺍﻓﻬﻢ ﻭﺃﺟﺴﺎﺩﻫﻢ ﺑﻔﺆﻭﺱ ﻭﺳﻜﺎﻛﲔ‪ ،‬ﺍﻟﺒﻌﺾ ﺍﻷﺧﺮ ﹸ‬
‫ﺃﻭ ﺣﻮﺍﺳﻬﻢ ﺃﻭ ﺃﻋﻀﺎﺅﻫﻢ ﺍﻟﺘﻨﺎﺳﻠﻴﺔ ﻭﻫﻨﺎﻙ ﻣﻦ ﻣﺰﻗﺖ ﺃﺑﺪﺍﻧﻬﻢ ﺇﺭﺑﺎ ﹰ ﺇﺭﺑﺎ ﹰ ﺃﻭ ﺃﹸﺣﺮﻗﻮﺍ ﻓﻲ ﺍﳌﻌﺘﻘﻼﺕ‬
‫ﻭﺍﻟﺰﻧﺎ ﺯﻳﻦ ﺃﻭ ﺩﻓﻨﻮﺍ ﺃﺣﻴﺎﺀ ﻓﻲ ﺣﺎﻭﻳﺎﺕ ﺍﳌﻮﺕ‪ ،‬ﺃﻳﺔ ﻟﻌﻨﺔ ﺃﺻﺎﺑﺖ ﻫﺬﻩ ﺍﳌﺪﻳﻨﺔ ﻭﺃﻫﻠﻬﺎ!! ﺃﻳﺔ ﻣﺼﻴﺒﺔ ﺣﻠﱠﺖ‬
‫ﻭﺍﺳﺘﻮﻃﻨﺖ ﻫﺬﻩ ﺍﻟﺒﻘﻌﺔ ﺍﻟﻄﻴﺒﺔ!! ﻃﻮﻓﺎﻥ ﻧﻮﺡ ﻭﺭﻳﺢ ﺛﻤﻮﺩ ﻭﺳﻴﻞ ﺍﻟﻌﺮﻡ ﻛﺎﻥ ﻋﻘﺎﺑﺎ ﹰ ﻣﻦ ﺍﻟﺴﻤﺎﺀ‪ ،‬ﻭﻟﻜﻦ‬
‫ﻋﻘﺎﺑﻨﺎ ﻣﻦ ﺍﳋﻠﻖ ﻭﺍﻷﺭﺽ‪ ،‬ﺃﻓﺮﺍﻥ ﺍﻟﻨﺎﺯﻳﺔ ﻛﺎﻧﺖ ﺃﺭﺣﻢ ﺑﺎﻟﻴﻬﻮﺩ ﳑﺎ ﻭﻗﻊ ﻟﻺﻧﺴﺎﻥ ﻓﻲ ﻳﻨﺎﻳﺮ ‪٨٦‬ﻡ ﺍﻟﺴﻔﺎﺡ‬
‫ﺃﺑﻮ ﺍﻟﻌﺒﺎﺱ ﻛﺄﻧﻲ ﺑﻪ ﻭﻫﻮ ﻳﺆﺳﺲ ﳌﻠﻜﻪ ﻋﻠﻰ ﺃﺷﻼﺀ ﻭﺟﻤﺎﺟﻢ ﺧﺼﻮﻣﻪ ﺍﻷﻣﻮﻳﲔ‪ ،‬ﻧﻴﺮﻭﻥ ﺃﺣﺮﻕ ﺭﻭﻣﺎ‪،‬‬
‫ﻫﻮﻻﻛﻮ ﻋﺎﺙ ﺑﺒﻐﺪﺍﺩ ﺧﺮﺍﺑﺎ ﹰ ﻭﺩﻣﺎﺭﺍﹰ‪ ،‬ﻓﻲ ﻛﻼ ﺍﳊﺎﻟﺘﲔ ﻟﻢ ﳝﺖ ﻗﻠﺐ ﺍﻹﻧﺴﺎﻥ ﻟﻢ ﳝﺖ ﻣﺜﻠﻤﺎ ﻫﻮ ﺣﺎﻟﻪ ﻓﻲ‬
‫ﻫﺬﻩ ﺍﻟﺰﺍﻭﻳﺔ ﻣﻦ ﺍﻟﻌﺎﻟﻢ‪.‬‬
‫ﻣﺄﺳﺎﺓ ﻻ ﻣﺜﻴﻞ ﻟﻬﺎ ﻓﻲ ﺍﻷﺳﺎﻃﻴﺮ ﻭﺍﳊﻜﺎﻳﺎﺕ ﺍﻟﻘﺪﳝﺔ‪ ،‬ﺍﻟﻔﺎﺷﻴﺔ ﻭﺍﻟﻌﻨﺼﺮﻳﺔ ﻭﺍﻟﺒﺮﺑﺮﻳﺔ ﻭﺍﻟﻬﻤﺠﻴﺔ‬
‫ﻭﺍﻟﻮﺣﺸﻴﺔ ﻛﻠﻬﺎ ﻣﺠﺘﻤﻌﺔ ﻭﻗﻌﺖ ﻫﻨﺎ ﺑﻼ ﺃﺩﻧﻰ ﻣﺒﺮﺭ ﺃﺧﻼﻗﻲ ﻭﺇﻧﺴﺎﻧﻲ‪ ،‬ﻓﺄﻳﺔ ﺷﻮﻓﻴﻨﻴﺔ ﺇﻳﺪﻳﻮﻟﻮﺟﻴﺔ ﺃﻭ‬
‫ﻋﺮﻗﻴﺔ ﺃﻭ ﺩﻳﻨﻴﺔ ﺃﻭ ﺟﻐﺮﺍﻓﻴﺔ ﻫﺬﻩ ﺍﻟﺘﻲ ﺗﺪﻓﻊ ﺍﻟﻮﺍﺣﺪ ﻣﻨﺎ ﻟﺴﻠﺦ ﺃﺧﻴﻪ ﻣﺜﻞ ﺷﺎﻩ ﺃﻭ ﻟﻨﺤﺮﻩ ﻭﺩﻓﻨﻪ ﺣﻴﺎﹰ‪،‬‬
‫ﺁﻩ ﻛﻢ ﻧﺤﻦ ﺳﻔﻠﺔ ﻭﺣﻘﺮﺍﺀ ﻋﻨﺪﻣﺎ ﻧﻔﺘﻚ ﺑﺒﻌﺾ ﻭﻣﻦ ﺛﻢ ﻧﻬﺘﻒ ﻭﻧﻨﺸﺪ ﺑﺤﻴﺎﺓ ﺍﻟﻘﺘﻠﺔ ﻭﺍﻟﺴﻔﻠﺔ؟؟ﺍ‬
‫ﻛﺎﻧﺖ ﻛﺎﺭﺛﺔ ﻳﻨﺎﻳﺮ ‪٨٦‬ﻡ ﻗﺪ ﻋﺎﺩﺕ ﺑﺄﻭﻝ ﻭﺯﻳﺮ ﺩﻓﺎﻉ ﺃﻋﻘﺐ ﺍﻻﺳﺘﻘﻼﻝ ﺍﻟﻮﻃﻨﻲ ﻟﻠﺠﻨﻮﺏ ـ‪٣٠‬ﻧﻮﻓﻤﺒﺮ ‪١٩٦٧‬ﻡ‬
‫ـ ﻋﻠﻲ ﺳﺎﻟﻢ ﺍﻟﺒﻴﺾ ﺇﻟﻰ ﻣﻨﺼﺐ ﺍﻷﻣﲔ ﺍﻟﻌﺎﻡ ﻟﻠﺤﺰﺏ ﺍﻟﺬﻱ ﻗﺎﻡ ﺑﺘﺠﻤﻴﺪﻩ ﻋﺎﻡ ‪٨١‬ﻡ ﺍﺛﺮ ﻣﺨﺎﻟﻔﺘﻪ‬
‫ﻟﻘﺎﻧﻮﻥ ﺍﻷﺳﺮﺓ ﺍﻟﺬﻱ ﻳﺤﺮﻡ ﺍﻻﻗﺘﺮﺍﻥ ﺑﺄﻛﺜﺮ ﻣﻦ ﺍﻣﺮﺃﺓ ﻣﻦ ﺩﻭﻥ ﻋﻠﺔ ﺃﻭ ﺳﺒﺐ ﺟﻮﻫﺮﻱ‪ ،‬ﻣﺄﺳﺎﺓ ﻳﻨﺎﻳﺮ ﻛﺎﻧﺖ‬
‫ﻛﻔﻴﻠﺔ ﺑﺈﻣﺎﻃﺔ ﺍﻟﻠﺜﺎﻡ ﻋﻦ ﺣﻘﻴﻘﺔ ﻣﺎ ﺣﺪﺙ ﻟﻠﺒﻠﺪ ﻭﺃﻫﻠﻪ ﻓﻲ ﻣﺠﻤﻞ ﺍﻟﺼﺮﺍﻋﺎﺕ ﺍﻟﺪﺍﺋﺮﺓ ﺑﲔ ﺍﻟﻘﺒﺎﺋﻞ‬
‫ﻭﺍﳌﻨﺎﻃﻖ ﻋﻠﻰ ﺍﻟﺴﻠﻄﺔ‪ ،‬ﺍﻏﻠﺐ ﻣﻦ ﺑﻘﻲ ﻓﻲ ﺍﻟﺴﺎﺣﺔ ﺍﳉﻨﻮﺑﻴﺔ ﻫﻢ ﻗﻴﺎﺩﺍﺕ ﻣﻦ ﺍﻟﺮﻋﻴﻞ ﺍﻷﺩﻧﻰ ﻗﻠﻴﻠﻮ‬
‫ﺍﳋﺒﺮﺓ‪ ،‬ﻓﻜﺎﺭﺛﺔ ﻳﻨﺎﻳﺮ ﻟﻢ ﺗﻜﻦ ﻣﺠﺮﺩ ﺍﻧﺘﺼﺎﺭ ﻃﻐﻤﺔ ﻓﺘﺎﺡ ﻭﻋﻨﺘﺮ ﻭﻣﺼﻠﺢ ﻭﺷﺎﺋﻊ ﻭﻫﺰﳝﺔ ﻋﻠﻲ ﻧﺎﺻﺮ‬
‫ﻭﺯﻣﺮﺗﻪ‪ ،‬ﺑﻞ ﻣﺜﻠﺖ ﺍﻟﺮﺻﺎﺻﺔ ﺍﻟﻘﺎﺿﻴﺔ ﻋﻠﻰ ﺍﻟﺪﻭﻟﺔ ﻭﺍﻟﺘﺠﺮﺑﺔ ﺍﻻﺷﺘﺮﺍﻛﻴﺔ ﻓﻲ ﺍﳉﻨﻮﺏ‪.‬‬
‫ﻫﻜﺬﺍ ﺗﺮﻛﺖ ﺍﳊﻘﻞ ﺑﺎﻷﻣﺲ ﺃﻣﺎ ﺍﻵﻥ‪ ،‬ﻓﻮﺟﻪ ﺍﳊﻘﻞ ﺃﺷﺒﻪ ﺑﺨﺮﺑﺸﺎﺕ ﻭﻃﻼﺳﻢ ﻓﻮﺿﻮﻳﺔ ﻻ ﺟﺎﻣﻊ ﻟﻬﺎ ﺃﻭ‬
‫ﻣﻠﻤﺢ ﻏﻴﺮ ﺍﻻﻧﺘﻤﺎﺀ ﻟﻠﻤﻜﺎﻥ ﺍﻟﻮﺍﺣﺪ‪ ،‬ﻋﺪﺍ ﺫﻟﻚ ﻻ ﺻﻠﺔ ﺍﻟﺒﺘﺔ ﻟﻜﻞ ﺍﻟﻮﺟﻮﻩ ﺍﶈﺘﻔﻴﺔ ﻓﻲ ﺧﻴﻤﺔ ﺍﻟﻌﺮﺱ‪،‬‬
‫ﻓﻬﺬﺍ ﺍﻟﻌﻢ ﺇﺑﺮﺍﻫﻴﻢ ﻭﻋﺒﺪﻩ ﺍﻟﺼﻨﻌﺎﻧﻲ ﻭﻏﻴﺮﻫﻤﺎ ﻣﻦ ﺃﻫﻞ ﺍﳊﻘﻞ ﻻ ﻳﻄﻴﻘﻮﻥ ﺫﺭﻋﺎ ﹰ ﺑﺎﻟﺸﻴﺦ ﺍﻟﻐﻮﻟﻲ‬
‫ﻭﺍﻟﻔﻘﻴﻪ ﻭﻣﻦ ﻋﻠﻰ ﺷﺎﻛﻠﺘﻬﻢ ﻣﻦ ﺍﻟﻌﺎﺋﺪﻳﻦ ﻟﻠﺤﻘﻞ‪ ،‬ﻗﺤﻄﺎﻥ ﺍﺑﻦ ﺍﻟﻌﻢ ﺇﺑﺮﺍﻫﻴﻢ ﻭﺍﻟﻌﺎﺋﺪ ﻟﺘﻮﻩ ﻣﻦ‬
‫ﻣﻮﺳﻜﻮ ﻓﻲ ﺟﺪﻝ ﻣﺴﺘﻤﺮ ﻣﻊ ﺍﺑﻦ ﻋﻤﻪ ﺻﺎﺑﺮ ﺍﻟﻌﺎﺋﺪ ﻣﻦ ﻣﺤﺎﺭﺑﺔ ﺍﻟﺸﻴﻮﻋﻴﺔ ﻓﻲ ﺟﺒﺎﻝ ﺃﻓﻐﺎﻧﺴﺘﺎﻥ‪،‬‬
‫ﻗﺤﻄﺎﻥ ﻭﺻﺎﺑﺮ ﺃﺣﺎﻻ ﺍﻟﻔﺮﺣﺔ ﺑﺠﻤﻊ ﺍﻟﺸﻤﻞ ﺇﻟﻰ ﺟﺪﻝ ﻋﻘﻴﻢ ﻻ ﻳﻨﺘﻬﻲ ﺇﻻ ﺑﺎﻟﻌﺮﺍﻙ ﺑﺎﻷﻳﺪﻱ ﻭﺑﺎﻟﺘﻬﺪﻳﺪ‬
‫ﻭﺍﻟﻮﻋﻴﺪ‪ ،‬ﻛﻼﻫﻤﺎ ﺃﻓﺴﺪﺍ ﺍﳌﻨﺎﺳﺒﺔ ﺑﻐﻠﻮﻫﻤﺎ ﻭﺗﻌﺼﺒﻬﻤﺎ ﻟﺮﺃﻳﻬﻤﺎ‪ ،‬ﻓﻘﺤﻄﺎﻥ ﻳﺼﺐ ﺟﺎﻡ ﻏﻀﺒﻪ ﻋﻠﻰ‬
‫ﺻﺎﺑﺮ‪:‬‬
‫ﺃﻧﺘﻢ ﺍﳌﻄﺎﻭﻋﺔ ﻋﻤﻼﺀ ﻭﺣﺎﺭﺑﺘﻢ ﻓﻲ ﺃﻓﻐﺎﻧﺴﺘﺎﻥ ﺇﻧﺎﺑﺔ ﻋﻦ ﺃﻣﺮﻳﻜﺎ ﻭﺣﻠﻔﺎﺋﻬﺎ ﺍﳌﺮﺗﺰﻗﺔ ﻛﻤﺎ ﺃﻥ‬ ‫‪-‬‬
‫ﺻﻼﺗﻜﻢ ﻭﺩﻳﻨﻜﻢ ﺯﺍﺋﻔﺎﻥ ﻭﻣﻦ ﺃﺟﻞ ﺍﳌﺎﻝ ﻭﺿﺮﺏ ﺍﻟﻘﻮﻯ ﺍﻟﻮﻃﻨﻴﺔ ﻭﺍﻟﺘﻘﺪﻣﻴﺔ‪.‬‬
‫ﺻﺎﺑﺮ ﺑﺬﻗﻨﻪ ﺍﻟﻜﺚ ﻟﻢ ﳝﻬﻞ ﺍﳌﺘﺤﺪﺙ ﳊﲔ ﻳﻨﺘﻬﻲ ﻣﻦ ﻛﻼﻣﻪ‪:‬‬
‫ﺍﻟﺪﺳﺘﻮﺭ ﻫﻮ ﺍﻟﻘﺮﺁﻥ ﻭﺍﻟﺴﻨﺔ ﻭﺍﳊﺰﺑﻴﺔ ﻫﻲ ﺣﺰﺏ ﺍﷲ ﻭﺣﺰﺏ ﺍﻟﺸﻴﻄﺎﻥ ﻭﻣﺤﺎﺭﺑﺔ ﺍﻟﺮﻭﺱ ﺍﻟﻜﻔﺎﺭ‬ ‫‪-‬‬
‫ﻓﻲ ﺃﻓﻐﺎﻧﺴﺘﺎﻥ ﻓﺮﺽ ﻋﲔ ﻋﻠﻰ ﻛﻞ ﻣﺴﻠﻢ ﻳﺎ ﺟﺎﻫﻞ ﺑﺎﻟﺪﻳﻦ‪ ،‬ﻓﺎﻟﻌﻬﺪ ﺍﻟﺬﻱ ﺑﻴﻨﻨﺎ ﻭﺑﻴﻨﻬﻢ ﺍﻟﺼﻼﺓ ﻓﻤﻦ‬
‫ﺗﺮﻛﻬﺎ ﻓﻘﺪ ﻛﻔﺮ ﻭﺃﻧﺘﻢ ﻭﺍﳋﻨﺎﺯﻳﺮ ﺍﻟﺮﻭﺱ ﻻ ﺩﻳﻦ ﻟﻜﻢ‪.‬‬
 ‫‪ëÜbÄÄÄÄÄÄÄÄè€a ›ó–€a‬‬
‫ﺃﺷﺠﺎﻥ ﺫﺍﺕ ﺍﻟﻌﺸﺮﻳﻦ ﺭﺑﻴﻌﺎ ﹰ ﺑﺪﺕ ﻟﻴﻠﺔ ﺍﻟﺰﻓﺎﻑ ﺑﺜﻮﺑﻬﺎ ﻭﻃﺮﺣﺘﻬﺎ ﺍﻟﺒﻴﻀﺎﺀ ﻛﺰﻧﺒﻘﺔ ﺍﻟﻴﺎﺳﻤﲔ ﺍ‪‬ﻀﻠﺔ‬
‫ﺑﻨﺪﻯ ﺍﻟﺼﺒﺎﺡ‪ ،‬ﺇﻧﻬﺎ ﺃﺟﻤﻞ ﻣﻦ ﺻﻮﺭﺗﻬﺎ ﺍﻟﻔﻮﻧﻐﺮﺍﻓﻴﺔ ﺍﶈﻔﻮﻇﺔ ﻓﻲ ﻣﺬﻛﺮﺓ ﺟﻴﺒﻲ ﺍ‪‬ﺴﻤﺔ ﻣﻨﻬﺎ ﻓﻲ‬
‫ﻏﺮﻓﺔ ﻧﻮﻣﻲ‪ ،‬ﻛﻞ ﻧﺴﺎﺀ ﺍﻟﺪﻧﻴﺎ ﻳﺤﺒﺬﻥ ﺍﻟﺼﻮﺭﺓ ﺃﻧﻀﺮ ﻣﻦ ﺍﻷﺻﻞ‪ ،‬ﺑﺎﺳﺘﺜﻨﺎﺀ ﻫﺬﻩ ﺭﺍﻋﻴﺔ ﺍﻟﻀﺎﻥ ﺍﻟﺒﺎﺩﻳﺔ‬
‫ﺍﻵﻥ ﻛﺤﻮﺭﻳﺔ ﻣﻦ ﺍﻟﻔﺮﺩﻭﺱ‪ ،‬ﻭﺃﻧﺎ ﺃﺗﻄﻠﻊ ﺇﻟﻴﻬﺎ ﻭﻫﻲ ﺑﻜﺎﻣﻞ ﺃﻧﺎﻗﺘﻬﺎ ﺍﻟﺴﺎﻟﺒﺔ ﻟﻸﻟﺒﺎﺏ ﺃﺩﺭﻛﺖ ﺣﻘﻴﻘﺔ‬
‫ﺃﻥ ﺍﳌﺮﺃﺓ ﺃﺑﻬﺞ ﻣﺎ ﻓﻲ ﺍﳊﻴﺎﺓ‪ ،‬ﺗﺄﺑﻄﺖ ﺫﺭﺍﻋﻬﺎ ﺍﳌﺮﲡﻔﺔ ﻭﻣﻀﻴﺖ ﻣﺰﻫﻮﺍ ﹰ ﻛﻤﻦ ﺳﻠﺐ ﺑﺪﺭ ﺍﻟﺴﻤﺎﺀ ﻫﺎﻟﺔ‬
‫ﺿﻴﺎﺀﻩ‪.‬‬
‫ﺃﺷﺠﺎﻥ ﺍﻟﻮﺍﺟﻔﺔ ﻓﻲ ﻣﺸﻴﺘﻬﺎ ﻻ ﺗﺸﺒﻪ ﺃﺷﺠﺎﻥ ﺍﻟﺮﺍﻋﻴﺔ ﺍﻟﺮﺍﻗﺼﺔ ﺑﻘﺪﻣﻴﻬﺎ ﺍﳊﺎﻓﻴﺘﲔ ﻓﻲ ﺍﳉﺒﺎﻝ‪،‬‬
‫ﺍﻟﺴﻨﻮﺍﺕ ﺍﳋﻤﺲ ﺍﳌﺎﺿﻴﺔ ﺃﻧﻀﺠﺖ ﻓﻴﻬﺎ ﻛﻞ ﺷﻲﺀ‪ ،‬ﻓﺤﺘﻰ ﻣﺸﻴﺘﻬﺎ ﺻﺎﺭﺕ ﻣﺤﺘﺸﻤﺔ ﻭﺣﺴﺎﺳﺔ‬
‫ﻣﺜﻞ ﺯﻫﺮﺓ ﺍﳌﻴﻤﻮﺯﺍ ﺍﻟﻨﺎﺿﺤﺔ ﺑﺮﺍﺋﺤﺔ ﺍﻟﻌﻄﺮ‪ ،‬ﻓﺠﻤﺎﻝ ﺑﻼ ﺣﻴﺎﺀ ﻭﺭﺩﺓ ﺑﻼ ﺭﺍﺋﺤﺔ ﻭﺃﺷﺠﺎﻥ ﺑﺎﺑﺘﺴﺎﻣﺘﻬﺎ‬
‫ﺍﻟﻄﻔﻮﻟﻴﺔ ﻭﻧﻈﺮﺗﻬﺎ ﺍﳋﺠﻠﺔ ﺑﺪﺕ ﺃﺻﺪﻕ ﺗﻌﺒﻴﺮﺍ ﹰ ﻟﻬﺬﺍ ﺍﻟﻮﺻﻒ ﺍﻟﺒﺪﻳﻊ ﻟﻠﺸﺎﻋﺮ ﺑﻮﺷﻜﲔ ﻭﻛﻨﺖ ﻗﺪ‬
‫ﺳﻤﻌﺘﻪ ﻣﻦ ﺃﹸﻣﻲ ﺫﺍﺕ ﻳﻮﻡ‪ ،‬ﻓﻠﻄﺎﳌﺎ ﻗﺎﻟﺖ ﻟﻲ ﺇ ﱠﻥ ﺟﻤﺎﻝ ﺍﳌﺮﺃﺓ ﻳﻜﻤﻦ ﻓﻲ ﺣﻴﺎﺋﻬﺎ ﻭﻣﺘﻰ ﻓﻘﺪﺗﻪ ﺫﻫﺐ‬
‫ﺟﻤﺎﻟﻬﺎ‪ ،‬ﺃﻧﻮﺷﻜﺎ ﻋﻨﺪﻣﺎ ﻧﻀﺖ ﻣﻠﺒﺴﻬﺎ ﻋﻦ ﺟﺴﺪﻫﺎ ﻗﺒﻞ ﻏﺴﻠﻪ ﲟﺎﺀ ﺍﻟﺒﺤﺮ ﺍﻷﺳﻮﺩ ﻟﻢ ﺗﺴﺘﻄﻊ ﻧﺰﻉ‬
‫ﺣﻴﺎﺀﻫﺎ ﻣﻦ ﺩﺍﺧﻠﻬﺎ ﻣﺜﻠﻤﺎ ﻓﻌﻠﺖ ﻣﻊ ﻇﺎﻫﺮﻫﺎ‪ ،‬ﻓﻜﺜﻴﺮﺍ ﹰ ﻣﺎ ﺣﺪﺛﺘﻨﻲ ﺃﻧﻮﺷﻜﺎ ﻋﻦ ﺍﻹﺳﻄﺎﻃﻴﻘﻴﺎ )ﻋﻠﻢ‬
‫ﺍﳉﻤﺎﻝ( ﺍﻟﺒﺎﺣﺚ ﻓﻲ ﺍﳉﻤﺎﻟﻴﺔ ﻋﺎﻣﺔ ﻭﻓﻲ ﺍﻟﺸﻌﻮﺭ ﺍﻟﺒﺎﻋﺚ ﻟﻠﺠﻤﺎﻝ ﻓﻲ ﺍﻟﻨﻔﻮﺱ ﺧﺎﺻﺔ‪ ،‬ﺍﻵﻥ ﻭﺃﻧﺎ ﺃﻧﻈﺮ‬
‫ﺑﻮﺟﻪ ﺃﺷﺠﺎﻥ ﺃﺗﺬﻛﺮ ﻣﺎ ﻫﻤﺴﺖ ﺑﻪ ﺃﻧﻮﺷﻜﺎ ﻓﻲ ﻣﺴﻤﻌﻲ ﺃﻛﺜﺮ ﻣﻦ ﻣﺮﺓ‪ :‬ﻳﻜﺎﺩ ﺣﻴﺎﺀ ﺍﳌﺮﺃﺓ ﺃﻥ ﻳﻜﻮﻥ‬
‫ﺃﺷﺪ ﺟﺎﺫﺑﻴﺔ ﻣﻦ ﺟﻤﺎﻟﻬﺎ‪ ،‬ﻣﻘﻮﻟﺔ ﻣﺄﺛﻮﺭﺓ ﻣﻦ ﺍﻟﻴﺎﺑﺎﻥ ﺍﺳﺘﻌﺬﺑﺘﻬﺎ ﻛﻠﻤﺎ ﺭﺃﺕ ﻓﻌﻼﹰ ﻭﻗﺤﺎ ﹰ ﻭﻓﻈﺎ ﹰ ﻻ ﻳﺮﻗﻰ‬
‫ﻟﻨﻌﻮﻣﺔ ﻭﺭ ﹼﻗﺔ ﺍﻷﻧﺜﻰ‪.‬‬
‫ﻳﺎ ﺇﻟﻬﻲ ﻣﺎﺫﺍ ﺳﺘﻘﻮﻝ ﻣﻌﻠﻤﺘﻲ ﻣﻦ ﺍﻷﻗﻮﺍﻝ ﺃﻭ ﺍﻟﺸﻌﺮ ﲡﺎﻩ ﻫﺬﻩ ﺍ‪‬ﻠﻮﻗﺔ ﻣﻦ ﺍﳊﻴﺎﺀ ﻭﺍﻟﺮﻗﺔ ﻭﺍﻟﻌﺬﻭﺑﺔ؟‬
‫ﻣﻦ ﺃﻳﺔ ﻟﻐﺔ ﺳﺘﻨﺘﻘﻲ ﻣﻔﺮﺩﺍﺗﻬﺎ ﻟﺘﺼﻒ ﻋﺮﻭﺳﺘﻲ ﺃﺷﺠﺎﻥ ﺍﳌﻬﺼﻮﺭﺓ ﻓﻲ ﺣﻀﻨﻲ ﻛﻄﻔﻠﺔ ﻭﺩﻳﻌﺔ؟؟‬
‫ﺑﺄﻳﺔ ﻋﺪﺳﺔ ﻛﺎﻣﻴﺮﺍ ﺳﺘﻠﺘﻘﻂ ﺻﻮﺭﺓ ﻟﺒﺪﻧﻬﺎ ﺍﻷﻫﻴﻒ ﺍﳌﺮﲡﻒ ﺍﻷﻭﺻﺎﻝ ﺑﲔ ﺟﻨﺎﺣﻲ؟ ﻓﺄﺷﺠﺎﻥ ﻛﺴﺎﺋﺮ‬
‫ﻋﺬﺍﺭﻯ ﺍﻟﺸﺮﻕ ﺍﻟﻼﺋﻲ ﻻ ﻳﻌﺮﻓﻦ ﻋﻦ ﺍﻟﺸﺮﻳﻚ ﺍﻵﺧﺮ ﺳﻮﻯ ﻣﺎ ﺍﻋﺘﺪﻥ ﺳﻤﺎﻋﻪ ﻓﻲ ﺍﻟﺜﻘﺎﻓﺔ ﺍﻟﺸﻌﺒﻴﺔ‪،‬‬
‫ﻓﻜﻼﻫﻤﺎ ﺍﻟﻌﺮﻳﺲ ﻭﺍﻟﻌﺮﻭﺱ ﻳﺨﻀﻌﺎﻥ ﻟﻀﻐﻂ ﻧﻔﺴﻲ ﻭﺟﺴﺪﻱ ﻧﺘﻴﺤﻪ ﺍﻟﺘﻬﻴﺆ ﺍﻟﺬﻫﻨﻲ ﻟﻬﺬﻩ ﺍﻟﺬﺍﻛﺮﺓ‬
‫ﺍﻟﺸﻌﺒﻴﺔ ﺍﳌﺘﻮﺍﺭﺛﺔ ﻟﺒﻄﻮﻻﺕ ﻭﺍﻧﺘﻜﺎﺳﺎﺕ ﻓﻲ ﻓﺮﺍﺵ ﺍﻟﻠﻴﻠﺔ ﺍﻷﻭﻟﻰ‪.‬‬
‫ﺑﺪﺕ ﺃﺷﺠﺎﻥ ﻟﻴﻠﺘﺌﺬ ﻛﺪﺭﺓ ﺧﺎﺋﺮﺓ ﺍﻟﻘﻮﻯ ﻛﺄﻧﻬﺎ ﺫﺍﻫﺒﺔ ﺇﻟﻰ ﻣﻘﺼﻠﺔ ﺍﻟﻌﻘﺎﺏ ﻭﺍﻟﻬﻼﻙ ﻻ ﺇﻟﻰ ﺍﻟﻨﻌﻴﻢ‬
‫ﻭﺍﳊﻴﺎﺓ‪ ،‬ﺧﻔﻘﺎﻥ ﻗﻠﺒﻬﺎ ﺃﺣﺴﺴﺖ ﺑﻪ ﻳﻨﻘﺮ ﻋﻈﻤﺎﺕ ﻗﻔﺼﻲ ﺍﻟﺼﺪﺭﻱ‪ ،‬ﻟﻢ ﺃﺣﺘﻤﻞ ﻫﻠﻌﻬﺎ ﻓﺒﺎﺩﺭﺗﻬﺎ‬
 ‫ﻗﺎﺋﻼﹰ‪:‬‬
‫ﺃﻧﺎ ﺣﺒﻴﺒﻚ ﺍﳌﺘﻴﻢ ﺑﺮﻗﺼﻚ ﻭﺭﻭﺣﻚ ﻣﺬ ﺻﺒﺎﻙ ﻓﻌﻼﻡ ﻫﺬﺍ ﺍﻟﻮﺟﻞ ﻭﺍﻟﺮﻋﺐ ﻳﺎ ﺇﻗﺤﻮﺍﻧﺘﻲ‬ ‫‪-‬‬
‫ﺍﻟﺮﻗﻴﻘﺔ؟؟‬
‫ﺷﻮﻗﺎ ﹰ ﻭﻟﻬﻔ ﹰﺔ ﻭﺃﻳﻀﺎ ﺧﺸﻴﺔ ﻣﻦ ﻓﻈﺎﻇﺘﻚ ﻭﻏﻠﻈﺘﻚ!!‬ ‫‪-‬‬
‫ﺍﺭﻗﺼﻲ ﻭﺍﺑﺘﻬﺠﻲ ﻛﻄﺎﺅﻭﺳﻪ ﻣﺘﺒﺨﺘﺮﺓ ﺑﺮﻳﺸﻬﺎ ﺍﻟﺒﺪﻳﻊ ﻭﺍﻃﻮﻱ ﻳﺎ ﺣﺒﻴﺒﺘﻲ ﻣﻦ ﺫﺍﻛﺮﺗﻚ ﻓﻈﺎﻇﺘﻲ‬ ‫‪-‬‬
‫ﻭﺟﻼﻓﺘﻲ ﺍﻟﺸﺮﻗﻴﺔ!!‬
‫ﺍﺑﺘﺴﺎﻣﺔ ﺧﺠﻠﻪ ﻭﻭﺟﻠﺔ‪:‬‬
‫ﻛﻞ ﻓﺘﻴﺎﺕ ﺍﳊﻘﻞ ﻭﺟﺴﺎﺕ ﻣﺮﺗﻌﺒﺎﺕ ﻣﻦ ﺧﺸﻮﻧﺔ ﺍﻟﻠﻴﻠﺔ ﺍﻷﻭﻟﻰ!‬ ‫‪-‬‬
‫ﺍﻃﻤﺌﻨﻲ ﻓﻐﻠﻈﺘﻲ ﻭﻓﻈﺎﻇﺘﻲ ﻧﺰﻋﺘﻬﻤﺎ ﻫﻨﺎﻙ ﺣﻴﺚ ﺭﺿﺎﺏ ﺍﻟﺒﺤﺮ ﺍﻷﺳﻮﺩ‪.‬‬ ‫‪-‬‬
‫ﺃﺷﺠﺎﻥ ﻛﻤﻦ ﻟﺴﻌﻪ ﺯﻧﺒﻮﺭﹲ ﻓﺰﻋﺖ ﻭﻫﺎﺟﺖ ﻏﺎﺿﺒﺔ ﻣﻜﻔﻬﺮﺓ‪:‬‬
‫ﻣﺎﺫﺍ ﺃﻳﻦ؟؟ ﻓﻲ ﺍﻟﺒﺤﺮ ﺍﻷﺳﻮﺩ ﺩﻓﻨﺖ ﺑﻌﻮﻟﺘﻚ!‬ ‫‪-‬‬
‫ﻻ‪ ...‬ﻻ‪ ...‬ﻟﻢ ﺃﻗﻞ ﺭﺟﻮﻟﺘﻲ ﺇﳕﺎ ﻗﻠﺖ ﻃﺒﺎﻋﻲ ﺍﻟﻐﻠﻈﺔ‪..‬‬ ‫‪-‬‬
‫ﻛﻴﻒ؟ ﻻ ﺍﻓﻬﻢ ﻣﺎ ﺗﻘﺼﺪﻩ؟ ﻓﻬﻞ ﺛﻤﺔ ﻓﺎﺭﻕ ﺑﲔ ﺍﻟﺮﺟﻮﻟﺔ ﻭﺍﻟﻐﻠﻈﺔ؟‬ ‫‪-‬‬
‫ﻭﺑﺨﺖ ﻧﻔﺴﻲ‬
‫ﻳﺎ ﺍﷲ ﻟﻄﻔﻚ ﻣﻦ ﻫﺬﻩ ﺍﻟﻮﺭﻃﺔ ﺍﻟﺴﺨﻴﻔﺔ ﺍﳌﻌﻜﺮﺓ ﳌﺰﺍﺝ ﺃﺷﺠﺎﻥ ﻟﻴﻠﺔ ﻋﺮﺳﻬﺎ‪ ،‬ﻫﻜﺬﺍ ﹼ‬
‫ﻓﻲ ﺳﺮﻳﺮﺗﻲ ﻭﻓﻲ ﻣﺤﺎﻭﻟﺔ ﻣﻨﻲ ﻟﺘﻔﺎﺩﻱ ﻣﺎ ﺃﻓﺴﺪﺗﻪ ﻣﻦ ﺩﻭﻥ ﻗﺼﺪ‪:‬‬
‫ﻟﺴﺖ ﻋﻨﺰﺓ ﻟﻴﻬﺮﻕ ﺩﻣﻚ ﻭﻳﺴﻴﺢ ‪‬ﺮﺩ ﺭﻏﺒﺔ ﺃﺳﺘﻠﺬ ﺑﻬﺎ‪ ،‬ﻫﺬﺍ ﻣﺎ ﺃﺭﺩﺕ ﻗﻮﻟﻪ ﻟﺘﻬﻨﺌﻲ‬‫ﹺ‬ ‫ﺣﺒﻴﺒﺘﻲ‬ ‫‪-‬‬
‫ﻭﺗﻌﻴﺸﻲ ﻓﺮﺣﺘﻚ ﺑﻌﻴﺪﺍ ﹰ ﻋﻦ ﻫﻮﺍﺟﺴﻚ ﺍ‪‬ﻴﻔﺔ ﻭﺍﳌﻘﻠﻘﺔ‪...‬‬
‫ﻫﺪﺃﺕ ﻣﻦ ﺭﻭﻋﻬﺎ ﻭﻗﺒﻞ ﺃﻥ ﺗﻄﻠﻖ ﺯﻓﺮﺓ ﺗﻨﻬﻴﺪﺓ ﻣﻦ ﻗﺎﻉ ﺭﺋﺘﻴﻬﺎ ﺃﺭﺩﻓﺖ‪:‬‬
‫ﺃﻓﻀﻞ ﺃﻥ ﺍﹸﺫﺑﺢ ﻗﺮﺑﺎﻧﺎ ﹰ ﻟﻚ ﻋﻠﻰ ﺃﻥ ﺗﺸﺎﻃﺮﻧﻲ ﻓﻴﻚ ﺍﻣﺮﺃﺓ‪..‬‬ ‫‪-‬‬
‫ﻳﺎ ﻟﻮﻗﺎﺣﺘﻲ ﻭﺳﺬﺍﺟﺘﻲ‪ ،‬ﻓﻤﺎﺫﺍ ﻟﻮ ﻋﻠﻤﺖ ﲟﻐﺎﻣﺮﺗﻲ ﺍﻟﻌﺎﻃﻔﻴﺔ؟؟‬
‫ﻭﻟﻜﻨﻬﺎ ﺳﺘﻜﺘﺸﻒ ﲟﻀﻲ ﺍﻷﻳﺎﻡ ﻣﺎ ﺃﺳﺪﺗﻪ ﻟﻬﺎ ﺃﻧﻮﺷﻜﺎ ﻣﻦ ﺻﻨﻴﻊ‪ ،‬ﻗﻄﻌﺎ ﹰ ﺳﺘﺪﺭﻙ ﺣﻴﻨﻤﺎ ﲡﺪ ﹼ‬
‫ﻓﻲ‬
‫ﻛﻞ ﻣﺎ ﺗﺒﺤﺚ ﻋﻨﻪ ﺍﻣﺮﺃﺓ ﻓﻲ ﺭﺟﻞ‪ ،‬ﺳﺘﻘﻮﻝ ﻋﻨﺪﻫﺎ ﻭﻟﻮ ﻓﻲ ﺧﺎﳉﻬﺎ‪:‬ﺷﻜﺮﺍ ﹰ ﻟﻚ ﺃﻳﺘﻬﺎ ﺍﳌﻌﻠﻤﺔ ﺃﻧﻮﺷﻜﺎ‪،‬‬
‫ﻓﺼﻨﻴﻌﻚ ﻟﻦ ﻳﻨﺴﻰ‪ ،‬ﻓﻤﺎ ﺃﻗﺒﺢ ﻣﺎ ﺃﺧﺬﺗﻴﻪ ﻣﻦ ﺍﻟﻐﻠﻈﺔ ﻭﺍﳊﻴﻮﺍﻧﻴﺔ ﻭﺍﻷﻧﺎﻧﻴﺔ ﻭﺍﻟﺴﻘﻢ ﺍﻟﻌﺎﻃﻔﻲ‪ ،‬ﻭﻣﺎ‬
‫ﺃﺭﻭﻉ ﻣﺎ ﻭﻫﺒﺘﻴﻪ ﻟﺮﺟﻠﻲ ﺍﻟﺸﺮﻗﻲ ﻣﻦ ﻭﺩﺍﻋﺔ ﻭﻟﻄﻒ ﻭﻋﺎﻃﻔﺔ ﻭﻣﻌﺮﻓﺔ ﺑﺤﻖ ﺍﻷﻧﺜﻰ ﻭﺑﺮﻏﺒﺎﺗﻬﺎ ﺍﳌﻜﺒﻮﺗﺔ‬
‫ﻭﺍﳌﺪﻓﻮﻧﺔ‪..‬‬
‫ﺃﺷﺠﺎﻥ ﻟﻢ ﺗﺄﻧﺲ ﺍﳌﺮﺍﻗﺺ ﻭﺍﻟﺼﺪﻭﺭ ﺍﻟﻼﺻﻘﺔ ﺃﻭ ﺍﻷﺫﺭﻉ ﺍﳋﺎﺻﺮﺓ ﻟﻠﻘﺪﻭﺩ ﺃﻭ ﻣﻼﺛﻤﺔ ﺍﻟﺜﻐﻮﺭ‪ ،‬ﺭﲟﺎ ﺭﻗﺼﺖ‬
‫ﻓﻲ ﺍﳉﺒﺎﻝ ﺃﻭ ﻫﺰﺟﺖ ﻭﺗﺮﳕﺖ ﺑﺼﻮﺗﻬﺎ ﻓﺮﲟﺎ ﺭﺃﺕ ﻣﻦ ﻳﺨﺎﺻﺮ ﺍﻣﺮﺃﺓ ﺃﻭ ﻳﻘﺒﻠﻬﺎ‪ ،‬ﻋﺪﺍ ﺫﻟﻚ ﻓﺈﻧﻬﺎ ﻋﻠﻰ‬
‫ﺍﻟﻔﻄﺮﺓ ﻟﺬﺍ ﻋﻠﻴﻬﺎ ﻣﻦ ﺍﻵﻥ ﻭﺻﺎﻋﺪﺍ ﻧﺰﻉ ﺷﻲﺀ ﻣﻦ ﺍﳋﻮﻑ ﺍﳌﺴﻴﻄﺮ ﻋﻠﻰ ﻛﻞ ﻓﺘﺎﺓ ﺑﺘﻮﻝ‪ ،‬ﻛﻨﺖ ﺃﺷﺪ‬
‫ﺧﻔﻘﺎﻧﺎ ﹰ ﻣﻦ ﻋﺮﻭﺳﺘﻲ ﻟﻮﻻ ﻣﺨﺎﺻﺮﺗﻲ ﻣﻌﻠﻤﺘﻲ ﺃﻧﻮﺷﻜﺎ ﻭﻣﻌﺎﺷﺮﺗﻬﺎ‪ ،‬ﻻ ﻏﻀﺎﺿﺔ ﺃﺟﺪﻫﺎ ﻓﻲ ﻫﺼﺮ‬
‫ﺃﺷﺠﺎﻥ ﺍﳌﺴﺘﺴﻠﻤﺔ ﺑﲔ ﺫﺭﺍﻋﻲ‪ ،‬ﻣﺎ ﺃﻋﺬﺏ ﻫﺬﻩ ﺍﻷﻧﺜﻰ ﻭﻣﺎ ﺃﻟﺬﻫﺎ ﻋﻨﺪﻣﺎ ﺗﺘﻮﺭﺩ ﻭﺟﻨﺘﺎﻫﺎ ﺧﺠﻼﹰ ﺃﻭ ﺣﻴﻨﻤﺎ‬
‫ﺗﺮﻧﻮ ﺑﻌﻴﻨﻴﻬﺎ ﺍﳋﺠﻠﺘﲔ ﺍﻵﺳﺮﺗﲔ‪ ،‬ﻷﻭﻝ ﻣﺮﺓ ﲡﺪ ﻧﻬﺪﻳﻬﺎ ﻭﺻﺪﺭﻫﺎ ﻻﺻﻘﲔ ﻓﻲ ﺻﺪﺭ ﺭﺟﻞ ﻃﺎﳌﺎ ﺑﺎﺩﻟﺘﻪ‬
‫ﺍﳊﺐ ﺍﻟﻌﺬﺭﻱ ﺍﻟﻌﻔﻴﻒ‪ ،‬ﻫﻲ ﻻ ﺗﺪﺭﻱ ﻣﺎ ﻳﺴﺘﻮﺟﺐ ﻓﻌﻠﻪ‪ ،‬ﺇﻧﻬﺎ ﻛﻤﻦ ﺻﻌﻘﻬﺎ ﺗﻴﺎﺭ ﻣﻦ ﺣﻔﺎﻫﺎ ﺇﻟﻰ ﺭﺃﺳﻬﺎ‪،‬‬
‫ﻓﻜﻞ ﺷﻲﺀ ﻫﻨﺎ ﻳﺄﺗﻲ ﻣﻦ ﺍﻟﺮﺟﻞ‪ ،‬ﻫﻜﺬﺍ ﺍﳌﺮﺃﺓ ﺍﻟﺸﺮﻗﻴﺔ ﻛﺎﺑﺤﺔ ﻟﺮﻏﺒﺎﺗﻬﺎ ﻭﺃﻓﻌﺎﻟﻬﺎ ﺣﺘﻰ ﲢﺖ ﺳﻘﻒ‬
‫ﺍﻟﺰﻭﺟﻴﺔ‪ ،‬ﺍﻟﺪﻡ ﻳﺰﺩﺍﺩ ﺿﺨﺎ ﹰ ﻛﻠﻤﺎ ﻧﺰﺕ ﺑﺼﺪﺭﻱ ﻧﻬﺪﻳﻬﺎ ﺍﻟﻄﺮﻳﲔ‪ ،‬ﻻ ﻣﻘﺎﻭﻣﺔ ﺗﺬﻛﺮ ﻟﻘﺒﻼﺗﻲ ﺍﻟﺴﺎﺧﻨﺔ‬
‫ﺍﳌﻠﺘﺎﻋﺔ ﳉﺴﺪ ﺃﻧﺜﻰ‪ ،‬ﻟﻢ ﺗﻌﺪ ﺗﺘﺬﻛﺮ ﻣﺎ ﻗﻠﺘﻪ ﻗﺒﻞ ﺳﺎﻋﺔ ﻓﻠﻘﺪ ﺃﺳﻠﻤﺖ ﺑﺪﻧﻬﺎ ﺍﻟﻐﺾ ﺍﻟﻄﺮﻱ ﻷﻧﻘﺶ‬
‫ﻓﻴﻪ ﻛﻞ ﻣﺎ ﺗﻌﻠﻤﺘﻪ ﻣﻦ ﺃﻧﻮﺷﻜﺎ‪.‬‬
‫ﺍﳌﺮﺃﺓ ﻣﻦ ﺩﻭﻥ ﺭﺟﻞ ﺣﺪﻳﻘﺔ ﺑﻼ ﺳﻴﺎﺝ‪ ،‬ﻣﺎ ﺃﺑﺪﻉ ﻏﺮﻭﺗﺮ ﺇﺫﺍ ﻣﺎ ﻛﺎﻥ ﺍﳌﻮﺻﻮﻑ ﺃﺷﺠﺎﻥ ﺍﳊﺪﻳﻘﺔ ﺍﻟﻐﻨﺎﺀ ﺍﻟﻮﺍﺭﻓﺔ‬
‫ﺍﳉﻤﺎﻝ ﻭﺍﳌﺘﻌﺔ ﻭﺍﻟﻠﺬﺓ ﻟﻠﻌﲔ ﻭﺍﻟﺮﻭﺡ ﻭﺍﳉﺴﺪ‪ ،‬ﺧﻴﻞ ﻟﻲ ﺃﻥ ﺃﺷﺠﺎﻥ ﺣﺪﻳﻘﺔ ﻻ ﻣﺘﻨﺎﻫﻴﺔ ﻣﻦ ﺍﻟﺰﻫﺮ ﻭﺍﻟﻮﺭﺩ‬
‫ﻭﺍﻟﺮﻳﺎﺣﲔ ﻭﺍﻟﻔﺎﻛﻬﺔ ﻭﺍﻟﻔﻀﺎﺀ ﻭﺍﻟﻨﻬﺮ‪ ،‬ﻓﺠﻤﻴﻊ ﻫﺬﻩ ﺍﻷﺷﻴﺎﺀ ﻓﻲ ﻟﻮﺣﺔ ﺑﺎﻧﻮﺭﺍﻣﻴﺔ ﺍﺳﻤﻬﺎ ﺃﺷﺠﺎﻥ‪.‬‬
‫ﺍﻟﻠﻮﺣﺔ ﺍﻟﻜﺎﻣﻠﺔ ﳌﺪﻳﻨﺔ ﻛﻴﻴﻒ ﻭﻧﻬﺮﻫﺎ ﺍﻟﺼﺎﺩﻉ ﺍﻟﺪﻧﻴﺒﺮ ﻟﻢ ﺃﻇﻔﺮ ﺑﻬﻤﺎ ﺁﻧﺬﺍﻙ‪ ،‬ﻛﻼﻫﻤﺎ ﺍﳌﺪﻳﻨﺔ ﻭﺍﻟﻨﻬﺮ‬
‫ﻓﻲ ﻫﺬﻩ ﺍ‪‬ﻠﻮﻗﺔ ﺍﳌﻼﺋﻜﻴﺔ ﺍﳌﺘﺮﻋﺔ ﺑﺠﻨﺎﻥ ﻭﺳﺤﺮ ﻭﺃﺳﺎﻃﻴﺮ ﻭﺗﻮﺍﺑﻞ ﺍﻟﺸﺮﻕ‪ ،‬ﺍﳉﻤﺎﻝ ﻭﺍﻟﻨﻘﺎﺀ ﻭﺍﻟﻌﻔﺔ‬
‫ﻭﺍﳊﻴﺎﺀ ﻭﺍﻟﻄﻴﺒﺔ ﻭﺍﻟﻔﻀﻴﻠﺔ ﻛﻠﻬﺎ ﻣﺠﺘﻤﻌﻪ ﻓﻲ ﺃﻧﺜﻰ ﻭﺍﺣﺪﺓ‪ ،‬ﺳﻠﻤﻮﻥ ﺍﳊﺒﺸﻲ ﻟﻄﺎﳌﺎ ﻗﺎﻝ ﻟﻲ‪ :‬ﻭﻃﻦ‬
‫ﺍﳌﺮﺃﺓ ﺯﻭﺟﻬﺎ ﻳﺎ ﺟﻤﺎﻝ‪ ،‬ﺍﻵﻥ ﺃﺗﺬﻛﺮ ﺻﺪﻳﻘﻲ ﺳﻠﻤﻮﻥ‪ ،‬ﻻ ﺃﺩﺭﻱ ﻫﻞ ﻷﻧﻪ ﺻﺪﻗﻨﻲ ﺍﻟﻘﻮﻝ ﺃﻡ ﻟﻮﻓﺎﺋﻪ ﳊﺒﻴﺒﺘﻪ‬
‫ﺍﻟﺴﻤﺮﺍﺀ ﺃﺩﻳﺲ؟‬
‫ﺍﳌﺮﺃﺓ ﻣﻮﻃﻨﻬﺎ ﺍﻟﺮﺟﻞ ﻭﻏﻴﺮ ﺫﻟﻚ ﺗﺒﻘﻰ ﺃﺷﺒﻪ ﺑﺤﺪﻳﻘﺔ ﺑﻼ ﺳﻴﺎﺝ ﻣﺜﻞ ﺍﳊﺴﻨﺎﺀ ﺃﻧﻮﺷﻜﺎ‪ ،‬ﺭﲟﺎ ﺃﺗﺬﻛﺮﻩ‬
‫ﻟﻘﻮﻟﻪ ﻋﻨﺪ ﺍﻻﻓﺘﺮﺍﻕ‪ :‬ﺳﺘﺬﻛﺮﻧﻲ ﺟﻤﺎﻝ ﺣﻴﻨﻤﺎ ﻳﺠﻤﻌﻚ ﺍﻟﺮﺏ ﺑﺄﺷﺠﺎﻥ ﺍﻟﻄﻬﺮ ﻭﺍﻟﻌﻔﺎﻑ‪.‬‬
‫ﺑﻌﻴﻨﻴﲔ ﻻ ﺗﺮﻣﺸﺎﻥ ﻣﺎﺯﻟﺖ ﻣﺘﻔﺮﺳﺎ ﹰ ﻭﺟﻪ ﻭﺑﺪﻥ ﻫﺬﻩ ﺍﻟﻌﺬﺭﺍﺀ ﺍﳌﻀﻄﺮﺑﺔ ﻣﻦ ﺍﻟﻘﺒﻼﺕ ﺍﳊﺎﺭﺓ‪ ،‬ﺭﲟﺎ ﻫﻤﺠﻴﺔ‬
‫ﺍﻟﻠﺤﻈﺔ ﺍﻟﺮﺍﺳﺒﺔ ﻓﻲ ﺫﺍﻛﺮﺓ ﻛﻞ ﻓﺘﺎﺓ ﺑﺘﻮﻝ ﺟﻌﻠﺘﻬﺎ ﻣﻨﺘﻈﺮﺓ ﺍﻷﺫﻯ ﻭﺍﻟﻮﺟﻊ ﻭﻟﺴﺎﻥ ﺣﺎﻟﻬﺎ ﻳﺮﺩﺩ ﻣﻘﻮﻟﺔ‬
‫ﻋﻠﻲ ﺇﺯﺍﻟﺔ ﺷﻲﺀ ﻣﻦ ﻫﺬﺍ ﺍﳌﻌﺘﻘﺪ ﺍﻟﺒﺎﻟﻲ ﻭﻟﻮ ﻣﻦ ﺭﺃﺱ ﻭﺳﻠﻮﻙ‬
‫ﺑﻄﻮﻟﺲ‪ :‬ﻛﻞ ﻟﺬﺓ ﻳﺮﺍﻓﻘﻬﺎ ﺃﻟﻢ‪ ،‬ﻟﺬﺍ ﻛﺎﻥ ﹼ‬
‫ﺷﺮﻳﻜﺔ ﻋﻤﺮﻱ ﺃﺷﺠﺎﻥ‪ ،‬ﻓﻠﻢ ﺃﻓﻌﻞ ﻣﻦ ﺗﻠﻚ ﺍﻟﻔﺘﻮﺣﺎﺕ ﺍﻟﺸﺮﻗﻴﺔ ﺍﳌﻤﻬﺪﺓ ﺑﺎﳋﻮﻑ ﻭﺍﻟﺪﻡ ﻭﺍﻟﺮﺻﺎﺹ‬
‫ﻭﻛﺄﳕﺎ ﻓﺘﺤﺖ ﻋﻤﻮﺭﻳﺔ‪ ،‬ﻓﻜﻞ ﻣﺎ ﻓﻌﻠﺘﻪ ﻭﻗﺘﺌﺬ ﻻ ﻳﺰﻳﺪ ﻋﻦ ﺍﻟﻘﺒﻼﺕ ﺭﻏﻢ ﺍﺳﺘﺴﻼﻡ ﺃﺷﺠﺎﻥ ﻟﻔﻌﻞ‬
‫ﻣﺎﻫﻮ ﻣﺤﺘﻢ ﻭﻣﻌﺘﺎﺩ‪ ،‬ﺗﺮﻳﺜﺖ ﻭﻟﻢ ﺃﻓﻌﻞ ﻛﻤﺎ ﻳﻔﻌﻞ ﺍﻷﻗﺤﺎﺡ ﺍﻟﺸﺮﻗﻴﻮﻥ ﳊﲔ ﺗﻜﻮﻥ ﻣﺴﺘﻌﺪﺓ ﳌﻄﺎﺭﺣﺔ‬
‫ﺍﻟﻐﺮﺍﻡ‪.‬‬
‫ﺗﻮﺍﻟﺖ ﺍﻷﻳﺎﻡ ﻭﺃﺷﺠﺎﻥ ﻟﻢ ﺗﺄﻧﺲ ﺣﻀﻨﻲ ﻣﺜﻠﻤﺎ ﻇﻨﻨﺖ ﺑﻞ ﺯﺍﺩﺕ ﺧﻮﻓﺎ ﹰ ﻭﺫﺑﻮﻻ ﹰ ﺑﺪﻻ ﹰ ﻣﻦ ﺍﻟﺜﻘﺔ ﻭﺍﳉﺮﺃﺓ‬
‫ﺍﻟﺘﻲ ﻋﻬﺪﺗﻬﺎ ﻣﻨﻬﺎ‪ ،‬ﻛﻨﺖ ﻗﺪ ﺭﺍﻫﻨﺖ ﻋﻠﻰ ﺩﺭﻭﺱ ﻣﻌﻠﻤﺘﻲ‪ ،‬ﻣﺎ ﺣﺪﺙ ﻫﻮ ﺃ ﱠﻥ ﻣﺎ ﺍﺳﺘﻘﺮ ﻭﺭﺳﺦ ﻓﻲ‬
‫ﺫﻫﻦ ﺃﺷﺠﺎﻥ ﺃﻗﻮﻯ ﻭﺃﻣﻀﻲ ﳑﺎ ﺗﺮﺍﻩ ﺑﻌﻴﻨﻬﺎ‪ ،‬ﻟﺬﺍ ﻛﺬﺑﺖ ﻋﻴﻨﺎﻫﺎ ﻭﺃﺫﻧﺎﻫﺎ ﻭﺭﺍﺣﺖ ﻛﺄﻱ ﻣﺸﺮﻗﻴﺔ ﺗﺨﺸﻰ‬
‫ﺳﻘﻮﻁ ﻋﺸﻬﺎ ﻣﺴﺘﺠﻴﺮﺓ ﺑﺘﻤﻴﻤﺔ ﻓﻲ ﺻﻨﺪﻭﻕ ﻋﻔﺸﻬﺎ ﻋﻠﻬﺎ ﺗﻔﻚ ﺍﻟﺴﺤﺮ ﻋﻨﻲ ﺃﻧﺎ ﺍﳌﺼﻔﺪ ﺑﺮﺑﺎﻁ‬
‫ﺍﻟﻌﺬﻝ‪ ،‬ﺃﺧﺮﺟﺖ ﺍﻟﺘﻤﻴﻤﺔ ﻣﻦ ﺛﻨﺎﻳﺎ ﺣﻠﻴﻬﺎ ﻭﻣﺪﺗﻬﺎ ﻟﻲ ﻗﺎﺋﻠﺔ‪:‬‬
‫ﻫﺎﻩ‪ ...‬ﺍﺭﺑﻄﻬﺎ ﺟﻤﺎﻝ ﺣﻮﻝ ﻋﻨﻘﻚ ﻳﺒﻄﻞ ﻭ ﻳﺒﻮﺭ ﻋﻤﻞ ﺍﳌﻼﻋﲔ‪ ،‬ﻓﻠﻘﺪ ﺍﺳﺘﺸﻌﺮﺕ ﺃﹸﻣﻲ ﺃﻧﻬﻢ ﻟﻦ‬ ‫‪-‬‬
‫ﻳﺘﺮﻛﻮﻧﻨﺎ ﻣﻦ ﺩﻭﻥ ﺃﺫﻯ!!‬
‫ﻣﻦ ﻫﺆﻻﺀ ﻳﺎ ﺣﺒﻴﺒﺘﻲ؟؟‬ ‫‪-‬‬
‫ﺍﻟﻌﺬﻝ ﻛﺜﺮ ﻭﻣﺼﻴﺮﻙ ﺗﻌﺮﻑ‪..‬‬ ‫‪-‬‬
‫ﻭﻟﻜﻨﻲ ﻟﺴﺖ ﻣﺴﺤﻮﺭﺍ ﹰ ﺇﳕﺎ ﺃﺭﺩﺕ ﺍﻟﺼﺒﺮ ﺇﻟﻰ ﺃﻥ ﺗﺄﻧﺴﲔ!‬ ‫‪-‬‬
‫ﺃﳊﺖ ﻋﻠﻲ ﻭﺍﻟﺪﻣﻮﻉ ﻫﺎﻃﻠﺔ ﻣﻦ ﻣﺤﺠﺮﻳﻬﺎ ﻣﺜﻞ ﺑﻠﻮﺭﺍﺕ ﻣﻦ ﺍﳌﺎﺱ ﻗﺎﺋﻠﺔ‪:‬‬
‫ﺍﺭﺑﻄﻬﺎ ﻟﻴﻄﻤﺌﻦ ﻗﻠﺒﻲ ﻭﻟﻴﻤﺤﻖ ﻛﻴﺪﻫﻢ!‬ ‫‪-‬‬
‫ﻳﺎ ﺇﻟﻬﻲ ﻣﺎﺫﺍ ﺃﺳﻤﻊ؟ ﻭﻣﻦ ﺍﳌﺘﻜﻠﻢ ﺃﺷﺠﺎﻥ ﺍﻟﺘﻲ ﻓﻌﻠﺖ ﻣﺎ ﻓﻌﻠﺖ ﻷﺟﻠﻬﺎ؟‬
‫ﻭﺃﻧﺎ ﺃﻓﻌﻞ ﻣﻦ ﺃﺟﻠﻨﺎ ﺍﻻﺛﻨﲔ ﻓﻀﻊ ﺍﻟﺘﻤﻴﻤﺔ ﻋﻠﻰ ﺟﻴﺪﻙ! ﻗﺎﻟﺘﻬﺎ ﻭﺍﻟﺪﻣﻮﻉ ﺗﺘﺴﺎﻗﻂ ﻣﻦ ﻣﻘﻠﺘﻴﻬﺎ‬ ‫‪-‬‬
‫ﺑﻐﺰﺍﺭﺓ ﻣﻀﻴﻔﺔ ﻟﻌﻴﻨﻴﻬﺎ ﺻﻔﺎ ﹰﺀ ﻭﻧﻘﺎ ﹰﺀ‪.‬‬
‫ﻫﺎﺗﻲ ﻃﻼﺳﻤﻚ ﻳﺎ ﻣﻬﺠﺘﻲ ﻭﻛﻔﻜﻔﻲ ﺩﻣﻮﻋﻚ!‬ ‫‪-‬‬
‫ﺃﻋﻠﻢ ﺃ ﱠﻥ ﻓﻌﻠﻚ ﻛﺎﻥ ﺟﻤﻴﻼﹰ ﻭﺭﺍﻗﻴﺎ ﹰ ﻣﻘﺎﺭﻧﺔ ﺑﺘﻤﺎﺋﻤﻲ ﺍﻟﺒﺎﻟﻴﺔ ﻭﻣﻊ ﺫﻟﻚ ﻫﺎﺕ ﻋﻨﻘﻚ ﻭﺩﻋﻨﻲ ﺃﺭﺑﻄﻬﺎ‬ ‫‪-‬‬
‫ﺧﺸﻴﺔ ﻭﻣﺤﺒﺔ!‬
‫ﻇﻔﺮﺕ ﺃﺷﺠﺎﻥ ﺑﻠﻴﻠﺔ ﺭﺍﺋﻌﺔ ﻣﻦ ﺩﻭﻥ ﻭﺟﻊ ﺃﻭ ﺃﻟﻢ‪ ،‬ﲤﻴﻤﺘﻬﺎ ﻭﺧﻮﻓﻬﺎ ﻣﻦ ﺍﻟﺴﺤﺮ ﺟﻌﻼﻫﺎ ﻏﻴﺮ ﻋﺎﺑﺌﺔ‬
‫ﹾ‬
‫ﺑﺎﻟﻮﺟﻊ‪ ،‬ﻫﻠﻌﻬﺎ ﻣﻦ ﻋﺠﺰﻱ ﻓﻲ ﺍﺟﺘﺮﺍﺡ ﺍﳌﺄﺛﺮﺓ ﻛﺒﻘﻴﺔ ﺍﻟﺮﺟﺎﻝ ﺍﻟﺼﻨﺎﺩﻳﺪ ﺟﻌﻠﻬﺎ ﻻ ﺗﺒﺎﻟﻲ ﺑﺸﻲﺀ ﺳﻮﻯ‬
‫ﺑﻴﺘﻬﺎ ﻭﺯﻭﺟﻬﺎ ﺍﻟﻠﺬﻳﻦ ﻫﻤﺎ ﺍﻵﻥ ﺭﻫﻨﺎ ﻓﺾ ﻏﺸﺎﺀ ﺍﻟﺒﻜﺎﺭﺓ ﻣﻦ ﻋﺪﻣﻪ‪ ،‬ﻻ ﺃﺩﺭﻱ ﻣﺎ ﺇﺫﺍ ﻛﺎﻥ ﻷﻧﻮﺷﻜﺎ ﺿﻠﻊ ﻓﻲ‬
‫ﻣﺎ ﺣﺪﺙ ﻣﻦ ﺟﺮﺃﺓ ﺃﻡ ﻣﺮﺟﻊ ﺫﻟﻚ ﻃﻼﺳﻢ ﺃﺷﺠﺎﻥ!! ﺍﳌﻬﻢ ﻣﺮﺕ ﺍﻟﻠﻴﻠﺔ ﺑﺴﻼﻡ ﻭﻧﺎﻟﺖ ﺃﺷﺠﺎﻥ ﻣﺒﺘﻐﺎﻫﺎ‬
‫ﻣﻦ ﺩﻭﻥ ﻣﺸﻘﺔ ﺃﻭ ﻫﻠﻊ‪ ،‬ﻟﻘﺪ ﳒﺤﺖ ﻓﻲ ﻛﻼ ﺍﳊﺎﻟﺘﲔ ﻭ ﺷﺎﻃﺮﺗﻨﻲ ﺑﻠﻬﻔﺔ ﻭﺭﻏﺒﺔ ﻓﻲ ﺍﳌﻌﺎﺷﺮﺓ‪ ،‬ﺑﺪﺕ‬
‫ﺑﻌﺪ ﺍﳌﻀﺎﺟﻌﺔ ﺍﻷﻭﻟﻰ ﻣﺜﻞ ﻃﻴﻒ ﻓﻲ ﺍﻟﺴﻤﺎﺀ ﺑﻌﺪ ﻳﻮﻡ ﻣﻄﻴﺮ‪ ،‬ﻓﻜﻞ ﺍﻷﻟﻮﺍﻥ ﺗﺸﻊ ﻣﻦ ﻭﺟﻬﻬﺎ ﺑﻌﺬﻭﺑﺔ‬
‫ﻭﺭﻗﺔ ﻭﺟﺎﺫﺑﻴﺔ ﻳﻨﻔﻄﺮ ﻟﻬﺎ ﺍﻟﺼﺨﺮ‪ ،‬ﻛﺄﻧﻬﺎ ﻣﻜﺘﻨﺰﺓ ﻣﺎ ﻓﻲ ﺍﻷﺯﻣﻨﺔ ﻭﺍﻷﻣﻜﻨﺔ ﻭﺍﻟﻨﺴﺎﺀ ﻣﻦ ﻣﻔﺎﺗﻦ ﻭﻃﻴﺒﺔ‬
‫ﻭﺟﻤﺎﻝ ﻭﺣﻴﺎﺀ‪ ،‬ﻓﺎﳌﺜﻞ ﺍﻷﻋﻠﻰ ﻟﻠﺠﻤﺎﻝ ﻭﺟﻮﺩ ﻧﻔﺲ ﺟﻤﻴﻠﺔ ﻓﻲ ﺟﺴﺪ ﺟﻤﻴﻞ‪ ،‬ﻭﺃﺷﺠﺎﻥ ﺃﺟﺪﺭ ﺑﻬﺬﺍ‬
‫ﺍﻟﻮﺻﻒ ﻟﺘﻮﻟﺴﺘﻮﻱ‪ ،‬ﺍﻟﻄﻴﺒﺔ ﻭﺍﻟﻌﻔﺔ ﻭﺍﻟﻔﻀﻴﻠﺔ ﻭﺍﻟﺒﺮﺍﺀﺓ ﻭﺍﻟﻐﻨﺞ ﻭﺍﻟﻮﻓﺎﺀ ﻛﻞ ﻫﺬﻩ ﺍﻟﺼﻔﺎﺕ ﺇﻛﻠﻴﻞ‬
‫ﻳﺰﻳﻦ ﻓﺆﺍﺩ ﻭﺟﺴﺪ ﻫﺬﻩ ﺍﻟﺮﺍﻋﻴﺔ‪ ،‬ﻓﻤﺜﻠﻬﺎ ﻟﻴﻨﻘﺼﻬﺎ ﻣﻌﺮﻓﺔ ﺍﳉﻨﺲ ﺍﻵﺧﺮ ﻓﻘﻂ ﻛﻤﺎ ﻫﻮ ﻓﻲ ﺑﺎﻃﻨﻪ‬
‫ﻻ ﻇﺎﻫﺮﻩ‪ ،‬ﻳﻨﻘﺼﻬﺎ ﺣ ﱠﻘﻬﺎ ﻓﻲ ﺍﻟﻠﺬﺓ ﻭﺍﳌﺘﻌﺔ ﻓﻠﻮﻻﻫﺎ‪ ،‬ﻣﺎ ﻛﻨﺖ ﻷﻛﻮﻥ ﻛﺎﻟﻜﻠﺐ ﺍﳌﺴﻌﻮﺭ ﺍﻟﺒﺎﺣﺚ ﻋﻦ‬
‫ﺟﺴﺪ ﻓﻲ ﺷﺎﻃﺊ ﺍﻟﺒﺤﺮ ﺍﻷﺳﻮﺩ‪ ،‬ﻭﻟﻮﻻ ﺟﻬﻠﻲ ﻭﺿﻌﻔﻲ ﻓﻲ ﻣﻘﺎﻭﻣﺔ ﻣﻜﺒﻮﺗﺎﺗﻲ ﺍﳉﻨﺴﻴﺔ ﳌﺎ ﺳﻌﻴﺖ‬
‫ﺧﻠﻒ ﺍﻟﻠﻤﻢ ﺍﻟﺮﺫﻳﻠﺔ ﻭﺑﻨﺎﺕ ﺍﻟﻬﻮﻯ‪ ،‬ﺃﺷﺠﺎﻥ ﻣﺎ ﻛﺎﻥ ﻳﻨﺒﻐﻲ ﺗﻌﻠﻴﻤﻬﺎ ﺩﺭﻭﺳﺎ ﹰ ﺗﻌﻠﻤﺘﻬﺎ ﻣﻦ ﺍﻟﺒﻐﻲ ﻭﺍﳋﻴﺎﻧﺔ‬
‫ﻟﻮ ﺃﻧﻬﺎ ﻣﺪﺭﻛﺔ ﳊ ﱠﻘﻬﺎ ﻓﻲ ﺍﳉﻨﺲ ﻛﺤ ﱠﻘﻬﺎ ﻓﻲ ﺍﻷﻛﻞ ﻭﺍﻟﺸﺮﺏ ﻭﺍﻟﻬﻮﺍﺀ ﻭﺍﳊﻴﺎﺓ‪ ،‬ﻛﻼﻡ ﻧﻈﺮﻱ ﺃﺧﺬﺕ ﺃﺣﺪﺙ‬
‫ﺑﻪ ﻧﻔﺴﻲ ﺑﻌﺪ ﲡﺮﺑﺔ ﻋﺸﺘﻬﺎ ﻣﻊ ﻫﺬﻩ ﺍﻟﻜﺎﺋﻨﺔ ﺍﻟﺮﻗﺮﺍﻗﺔ‪.‬‬
‫ﺑﻌﺪ ﻫﺬﺍ ﺣﺴﺒﻲ ﺇﻧﻨﻲ ﺳﺄﻣﻨﺢ ﺣﺒﻴﺒﺘﻲ ﻣﺎ ﺣﺮﻣﺖ ﻣﻨﻪ ﺍﳌﺮﺃﺓ ﺍﻟﺸﺮﻗﻴﺔ ﻣﻦ ﻋﻼﻗﺔ ﻗﺎﺋﻤﺔ ﻋﻠﻰ ﺍﻟﺸﺮﺍﻛﺔ‬
‫ﻓﻲ ﺍﳊﺐ ﻭﺍﳌﺘﻌﺔ ﻭﺍﳊﻴﺎﺓ ﻭﺣﺘﻰ ﺍﳊﺮﻳﺔ ﻓﻲ ﺍﻟﻜﻼﻡ‪ ،‬ﺃﺷﺠﺎﻥ ﺍﻏﺪﻗﺘﻨﻲ ﺑﺠﺴﺪﻫﺎ ﻭﺭﻭﺣﻬﺎ ﺍﻟﻨﻘﻴﲔ ﺍﳉﺬﻟﲔ‬
‫ﻓﻮﻫﺒﺘﻬﺎ ﻛﻞ ﺷﻲﺀ ﺣﺘﻰ ﺍﻟﺮﻗﺺ ﻭﺍﻟﻘﺒﻼﺕ ﺍﻟﺴﺎﺧﻨﺔ ﻭﺍﳌﻮﺍﺿﻊ ﺍﳊﺴﺎﺳﺔ ﺍﳌﺜﻴﺮﺓ ﻟﻠﺮﺟﻞ ﻭﺣﻴﻮﺍﻧﻴﺘﻪ‬
‫ﻭﻃﺮﻕ ﺍﺷﺘﻬﺎﺋﻪ ﺍﳉﻨﺲ‪.‬‬
‫ﺣﻘﻞ ﺍﻟﻔﺆﺍﺩ ﻟﻢ ﳝﻬﻠﻨﻲ ﻭﺃﺷﺠﺎﻥ ﻷﻥ ﻧﻬﻨﺄ ﺑﻌﺮﺳﻨﺎ‪ ،‬ﻓﻠﻘﺪ ﺿﺎﻕ ﺑﺎﻟﻔﺮﺡ ﻟﻜﺄﻥ ﻧﺎﺳﻪ ﻭﻟﺪﻭﺍ ﻣﻦ ﺍﻟﺒﻜﺎﺀ‬
‫ﻭﻣﺜﻮﺍﻫﻢ ﺍﻟﻮﺟﻢ‪ ،‬ﺗﻌﻤﺪﺕ ﻣﺒﺎﺭﺣﺔ ﺩﺍﺭﻱ ﻓﻲ ﺍﻟﻨﻬﺎﺭ ﻟﺌﻼ ﻳﻄﻠﺐ ﻣﻨﻲ ﻓﺘﺢ ﺻﻨﺪﻭﻕ ﺃﺑﻲ ﺍﻟﻌﺘﻴﻖ ﺍﻟﺮﺍﺑﺾ‬
‫ﻓﻲ ﺍﻟﺰﺍﻭﻳﺔ ﻣﺜﻞ ﺃﻓﻌﻰ ﻳﺨﺸﻰ ﺯﻋﺎﻑ ﺑﻄﻨﻬﺎ‪ ،‬ﻇﻠﻠﺖ ﻓﻲ ﺍﳌﺴﺎﺀ ﺃﻓﺮﻁ ﺍﻟﻮﻗﺖ ﻓﻲ ﻣﺎ ﻇﻨﻨﺘﻪ ﺩﺭﻭﺳﺎ ﹰ‬
‫ﺿﺮﻭﺭﻳﺔ ﻷﺷﺠﺎﻥ ﻭﻟﻜﻞ ﺍﻣﺮﺃﺓ ﺷﺮﻗﻴﺔ‪ ،‬ﺍﻟﻮﻗﺖ ﻳﺄﺯﻑ ﻭﺃﻧﺎ ﺫﺍﻙ ﺍﻟﺒﺎﺣﺚ ﻋﻦ ﻫﻮﻳﺘﻲ ﺍﻟﺘﻲ ﻟﻢ ﺃﻋﺜﺮ ﻋﻠﻴﻬﺎ‬
‫ﺣﺘﻰ ﲟﺨﺎﺻﺮﺗﻲ ﺃﺷﺠﺎﻥ ﻭﺗﻌﻠﻴﻤﻬﺎ ﺣﻖ ﺍﳉﺴﺪ ﻓﻲ ﺍﻟﻠﺬﺓ ﻭﺍﳌﺘﻌﺔ‪ ،‬ﻻ ﻳﻜﻔﻲ ﺍﻹﻧﺴﺎﻥ ﺍﳌﻀﻄﺮﺏ ﺍﻷﺳﻴﺮ‬
‫ﳋﺼﺎﺻﺔ ﺟﺴﺪ ﺃﻧﺜﻰ ﻓﻼ ﺗﻜﻔﻲ ﺍﻟﻨﺼﻮﺹ ﺍﻟﺴﻤﺎﻭﻳﺔ ﻟﺰﺟﺮﻩ ﻭﺇﻋﺎﺩﺗﻪ ﳉﺎﺩﺓ ﺍﻟﺼﺮﺍﻁ ﺍﳌﺴﺘﻘﻴﻢ‪ ،‬ﻓﺤﺘﻰ‬
‫ﺍﻟﺸﻴﻄﺎﻥ ﻳﺒﺮﺭ ﺃﻓﻌﺎﻟﻪ ﻭﻣﻌﺎﺻﻴﻪ ﺑﻨﺼﻮﺹ ﺍﻟﻜﺘﺎﺏ ﺍﳌﻘﺪﺱ‪ ،‬ﺃﺷﺠﺎﻥ ﻻ ﺃﺧﺸﻰ ﻋﻠﻴﻬﺎ ﺃﻛﺜﺮ ﻣﻦ ﻟﺒﻮﺱ‬
‫ﺍﻟﺘﻘﻮﻯ ﺍﳌﺼﻄﻨﻌﺔ‪.‬‬
‫ﺃﹸﻣﻲ ﻟﻢ ﺗﻌﺪ ﺗﺒﺎﻟﻲ ﺑﺎﻟﺼﻨﺪﻭﻕ ﺍﳋﺸﺒﻲ ﻭﻻ ﺑﻔﺘﺤﻪ ﻭﻣﺤﺘﻮﺍﻩ‪ ،‬ﻓﺮﺣﺘﻲ ﺍﳉﺬﻟﺔ ﺑﺎﻗﺘﺮﺍﻧﻲ ﺑﻔﺘﺎﺗﻬﺎ ﺍﳌﻔﻀﻠﺔ‬
‫ﺃﺷﺠﺎﻥ ﻛﺎﻥ ﻗﺪ ﺃﻫﻠﻌﻬﺎ‪ ،‬ﺟﺰﻋﻬﺎ ﻫﺬﺍ ﺭﲟﺎ ﻣﺼﺪﺭﻩ ﻣﺎ ﺣﺪﺙ ﻟﻸﺳﺮﺓ ﻋﻘﺐ ﻛﻞ ﻓﺮﺣﺔ ﺑﺪﺀﺍ ﹰ ﲟﻴﻼﺩﻱ‬
‫ﺍﻟﺬﻱ ﻣﻦ ﻓﺮﻁ ﺳﻌﺎﺩﺓ ﺃﺑﻲ ﻭﺃﻣﻲ ﺇﺫ ﺫﺍﻙ ﻏﺎﺩﺭﺕ ﺍﻟﻔﺮﺣﺔ ﻣﻨﺰﻟﻨﺎ ﺇﻟﻰ ﺃﻥ ﻋﺎﺩﺕ ﻟﻪ ﻳﻮﻡ ﺍﻻﺳﺘﻘﻼﻝ‪ ،‬ﺃﻭﻝ‬
‫ﻋﺎﻡ ﺍﻟﺘﺤﻘﺖ ﻓﻴﻪ ﺑﺎﳌﺪﺭﺳﺔ ﰎ ﺇﻗﺼﺎﺀ ﺃﺑﻲ ﺍﻟﻘﻴﺎﺩﻱ ﻓﻲ ﺍﳉﺒﻬﺔ ﺍﻟﻘﻮﻣﻴﺔ ﻣﻦ ﻣﻨﺼﺒﻪ‪ ،‬ﺍﻟﻌﺎﻡ ﺍﻟﺬﻱ‬
‫ﻋﺪﺕ ﻓﻴﻪ ﻭﺷﻘﻴﻘﻲ ﻣﺤﻤﺪ ﺑﺠﻮﺍﺋﺰ ﺍﻟﺘﻔﻮﻕ ﺍﻟﻌﻠﻤﻲ ﻣﻦ ﺍﳌﺪﺭﺳﺔ ﻛﺎﻥ ﺃﺑﻲ ﻗﺪ ﺫﻫﺐ ﺑﻼ ﺭﺟﻌﺔ ﻛﻤﺎ‬
‫ﰎ ﻣﺼﺎﺩﺭﺓ ﻣﻨﺰﻟﻨﺎ‪ ،‬ﺃﻭﻝ ﺷﻬﺮ ﻓﻲ ﺍﻟﻮﻇﻴﻔﺔ ﻛﺎﻧﺖ ﻛﺎﺭﺛﺔ ﻳﻨﺎﻳﺮ ‪٨٦‬ﻡ ﻗﺪ ﺣﺎﻟﺖ ﺩﻭﻥ ﺍﻻﺑﺘﻬﺎﺝ ﺑﺎﳌﻨﺎﺳﺒﺔ‪،‬‬
‫ﻓﺮﺣﺘﻲ ﺑﺎﻟﺸﻬﺎﺩﺓ ﺍﳉﺎﻣﻌﻴﺔ ﻟﻢ ﺗﺪﻡ ﻃﻮﻳﻼﹰ ﻓﻔﻲ ﺍﻟﻬﺰﻳﻊ ﺍﻷﺧﻴﺮ ﻣﻦ ﺍﻟﻌﺎﻡ ﺫﺍﺗﻪ ﺷﻬﺪ ﺍﻟﻌﺎﻟﻢ ﺍﻧﻬﻴﺎﺭ‬
‫ﺍﻻﲢﺎﺩ ﺍﻟﺴﻮﻓﻴﺖ‪ ,‬ﻓﻲ ﻣﺎ ﻳﺨﺺ ﺃﹸﻣﻲ‪ ،‬ﺯﻭﺍﺟﻲ ﻓﻲ ﻣﺎﻳﻮ ‪٩٠‬ﻡ ﻣ ﹼﺜﻞ ﻟﻬﺎ ﻧﺬﻳﺮ ﺷﺆﻡ ﺇﺫ ﺻﺎﺭﺕ ﺍﻟﻔﺮﺣﺔ ﻟﺪﻳﻬﺎ‬
‫ﻣﻘﺘﺮﻧﺔ ﺑﺎﻟﺘﺸﺎﺅﻡ‪.‬‬
‫ﺧﻴﻤﺔ ﺍﻟﻌﺮﺱ ﺗﻜﺎﺩ ﺗﻜﻮﻥ ﻟﻮﺣﺔ ﻣﺼﻐﺮﺓ ﻟﻠﺤﻘﻞ ﻓﻲ ﻛﻨﻒ ﺍﻟﺪﻭﻟﺔ ﺍﳌﻮﺣﺪﺓ‪ ،‬ﺟﺪﻝ ﺳﻘﻴﻢ ﻣﺸﺤﻮﻥ‬
‫ﺑﺎﻻﻧﻔﻌﺎﻝ ﻭﺍﻟﺮﻓﺾ ﻟﻶﺧﺮ‪ ،‬ﻓﺮﺣﺘﻲ ﺑﺎﻛﺘﻤﺎﻝ ﻋﻘﺪ ﺁﻝ ﻏﻴﻼﻥ ﺑﺎﳌﻨﺎﺳﺒﺔ ﻟﻢ ﺗﺪﻡ ﻛﺜﻴﺮﺍﹰ‪ ،‬ﻓﺠﻤﻴﻊ ﻣﻦ ﻓﻲ‬
‫ﺍﳋﻴﻤﺔ ﻻ ﺟﺎﻣﻊ ﻟﻬﻢ ﺳﻮﻯ ﺍﻟﺰﻣﺎﻥ ﻭﺍﳌﻜﺎﻥ‪ ،‬ﻋﺪﺍ ﺫﻟﻚ ﺑﺪﺕ ﺃﻓﻜﺎﺭ ﻭﺃﺣﺎﺩﻳﺚ ﺍﳊﺎﺿﺮﻳﻦ ﺃﺷﺒﻪ ﺑﺒﺮﺍﻣﻴﻞ‬
‫ﺑﺎﺭﻭﺩ ﻣﺸﺘﻌﻠﺔ ﻓﻴﻤﺎ ﻗﺪﺭﻱ ﺃﻧﻲ ﻭﺳﻄﻬﺎ ﻛﺮﺟﻞ ﺇﻃﻔﺎﺀ ﻻ ﻋﺮﻳﺲ‪ ،‬ﺍﻟﺸﻴﻮﻋﻴﺎﻥ ﺍﻟﻌﺘﻴﻘﺎﻥ ﺍﻟﻌﻢ ﺇﺑﺮﺍﻫﻴﻢ‬
‫ﻭﺍﻟﻌﻢ ﻋﺒﺪﻩ ﺍﻟﺼﻨﻌﺎﻧﻲ ﻓﻲ ﺭﻛﻦ ﺍﳋﻴﻤﺔ‪ ،‬ﺍﻟﻨﺎﺻﺮﻱ ﺍﻟﻘﻮﻣﻲ ﺍﻟﻌﻢ ﻳﻮﺳﻒ ﻓﻲ ﺍﻟﻮﺳﻂ‪ ،‬ﺻﺎﺑﺮ ﺍ‪‬ﺎﻫﺪ‬
‫ﺍﻟﻌﺎﺋﺪ ﻣﻦ ﺃﻓﻐﺎﻧﺴﺘﺎﻥ ﻓﻲ ﺍﻟﻨﺎﺣﻴﺔ ﺍﳌﻘﺎﺑﻠﺔ ﻭﻣﻘﻴﺒﻞ ﺑﻦ ﺍﻟﺸﻴﺦ ﺣﺴﻦ ﺍﻟﻐﻮﻟﻲ ﻭﻋﺒﺪﺍﻟﻜﺮﱘ ﺑﻦ ﺍﻟﻔﻘﻴﻪ‬
‫ﻋﺒﺪﺍﷲ ﺍﻟﻌﺎﺋﺪﺍﻥ ﺇﻟﻰ ﺍﳊﻘﻞ ﺑﻌﺪ ﻋﻘﺪﻳﻦ ﻭﻧﻴﻒ ﻋﻠﻰ ﻓﺮﺍﺭﻫﻤﺎ ﺇﻟﻰ ﺍﻟﺸﻤﺎﻝ ﺟﻠﺴﺎ ﲟﺤﺎﺫﺍﺓ ﻳﻮﺳﻒ‪ ،‬ﻣﺎ‬
‫ﻣﻦ ﻣﻮﺿﻮﻉ ﻳﻔﺘﺢ ﻟﻠﺘﻨﺎﻭﻝ ﺇﻻ ﻭﺍﳋﻼﻑ ﻳﺪﺏ ﻓﻲ ﺃﺭﺟﺎﺀ ﺍﳋﻴﻤﺔ‪.‬‬
‫ﺍﻟﻌﻢ ﺇﺑﺮﺍﻫﻴﻢ ﻳﺼﻒ ﺟﻬﺎﺩ ﺍﺑﻦ ﺷﻘﻴﻘﺘﻪ ﺻﺎﺑﺮ ﻓﻲ ﺃﻓﻐﺎﻧﺴﺘﺎﻥ ﺑﺎﻟﻌﻤﺎﻟﺔ ﻭﺍﻻﺭﺗﺰﺍﻕ ﻟﻠﻤﺨﺎﺑﺮﺍﺕ ﺍﻷﻣﺮﻳﻜﻴﺔ‬
 ‫‪ ،CIA‬ﻳﻨﻬﺾ ﺻﺎﺑﺮ ﻗﺎﺫﻋﺎ ﹰ ﺧﺎﻟﻪ ﺑﺎﻟﺸﻴﻮﻋﻲ ﺍﳌﻠﺤﺪ ﺍﳌﻨﺎﻭﺉ ﻟﻺﺳﻼﻡ‪.‬‬
‫ﺇﺑﺮﺍﻫﻴﻢ‪ :‬ﻋﺼﺎﺑﺎﺕ ﺍﳋﺸﺨﺎﺵ ﻭﺍﻟﻬﻴﺮﻭﻳﻦ ﻭﻋﻤﻼﺀ ﻭﻣﺤﺎﺭﺑﲔ ﺑﺎﻟﻮﻛﺎﻟﺔ ﻋﻦ ﺍﻟﺒﻴﺖ ﺍﻷﺑﻴﺾ‪.‬‬
‫ﺻﺎﺑﺮ‪ :‬ﻫﺬﺍ ﻣﺎ ﻳﺮﺩﺩﻩ ﺇﻋﻼﻡ ﺭﻓﺎﻗﻜﻢ ﺍﳋﻨﺎﺯﻳﺮ ﺍﻟﺮﻭﺱ ﻭﺃﺫﻧﺎﺑﻬﻢ‪.‬‬
‫ﺗﺸﺘﺪ ﺍﳌﻮﺍﺟﻬﺔ ﺑﲔ ﺍﻻﺛﻨﲔ‪ ،‬ﺍﳌﻨﺎﻓﺢ ﻋﻦ ﺍﻟﻮﺟﻮﺩ ﺍﻟﺴﻮﻓﻴﺘﻲ ﻓﻲ ﺣﻤﺎﻳﺔ ﺍﻟﻨﻈﺎﻡ ﺍﻟﺘﻘﺪﻣﻲ ﻓﻲ ﺃﻓﻐﺎﻧﺴﺘﺎﻥ‪،‬‬
‫ﻭﺍ‪‬ﺎﻫﺪ ﻓﻲ ﻧﺼﺮﺓ ﺍﻹﺳﻼﻡ ﻭﺍﳌﺴﻠﻤﲔ ﻓﻲ ﺧﺎﺭﺍﺳﺎﻥ ﺍﶈﺘﻠﺔ‪ ،‬ﻣﻘﻴﺒﻞ ﺍﻟﻌﺎﺋﺪ ﺑﺴﻤﺎﻃﻪ ﻭﻋﺴﻴﺒﻪ ﺍﻟﻌﺮﻳﺾ‬
‫ﺍﳌﺰﻳﻦ ﻭﺍﺟﻬﺘﻪ ﻏﻤﺪ ﺟﻨﺒﻴﺔ ﺑﺮﺃﺱ ﻣﻦ ﻗﺮﻥ ﺍﻟﻔﻴﻞ‪ ،‬ﻛﺎﻥ ﳌﻨﺎﺻﺮﺗﻪ ﺍ‪‬ﺎﻫﺪﻳﻦ ﻓﻲ ﺃﻓﻐﺎﻧﺴﺘﺎﻥ ﺃﻥ ﻏﻴﺮ ﻣﺠﺮﻯ‬
‫ﺍﻟﻨﻘﺎﺵ ﺍﶈﺘﺪﻡ ﻻﻓﺘﺎ ﹰ ﺍﻷﻧﻈﺎﺭ ﻧﺤﻮﻩ‪ ،‬ﻓﻐﻴﺮ ﺍﳉﻨﺒﻴﻪ ﻭﻣﻈﻬﺮﻩ ﺍﳉﺪﻳﺪ ﻋﻠﻰ ﺍﻟﻨﺎﺱ ﻛﺎﻥ ﻣﻨﻄﻘﻪ ﻻ ﻳﺪﻝ‬
‫ﺑﺴﻤﺔ ﺗﺒﺪﻝ ﺣﺎﻟﻪ ﻋﻦ ﻣﻘﻴﺒﻞ ﺍﻟﻌﺴﻜﺮﻱ ﻓﻲ ﺍﳊﺮﺱ ﺍﻟﻘﺒﻠﻲ‪ ،‬ﻓﻜﻤﺎ ﻋﺮﻓﻪ ﺃﻫﻞ ﺍﳊﻘﻞ ﻗﺒﻞ ﺍﻻﺳﺘﻘﻼﻝ‬
‫ﺑﺎﻟﻜﺎﺩ ﻳﺘﻬﺠﺄ ﺍﻟﻘﺮﺍﺀﺓ ﻋﺎﺩ ﺇﻟﻴﻬﻢ ﺑﻌﺪ ﻋﻘﺪﻳﻦ ﻭﻧﻴﻒ ﺑﺬﺍﺕ ﺍﻟﻌﻘﻠﻴﺔ ﺍﻟﻘﺒﻠﻴﺔ ﻭﺇﺑﻬﺎﻡ ﺍﻟﻴﺪ ﺇﺫﺍ ﻣﺎ ﻃﻠﺐ‬
‫ﻣﻨﻪ ﻣﻬﺮ ﺗﻮﻗﻴﻌﻪ‪ ،‬ﻻﺷﻲﺀ ﻃﺮﺃ ﻋﻠﻰ ﺷﺨﺺ ﻣﻘﻴﺒﻞ ﺍﻟﻘﺪﱘ‪ ،‬ﻓﻜﺄﻧﻪ ﻗﻄﻌﺔ ﺃﺛﺮﻳﺔ ﻓﻲ ﻣﺘﺤﻒ ﺣﺮﺑﻲ‬
‫ﺇﺫ ﻣﻨﻄﻘﻪ ﻫﻮ ﺫﺍﺗﻪ ﺍﻟﺬﻱ ﺣﻤﻠﻪ ﻋﻠﻰ ﺍﻟﻬﺮﻭﺏ ﺇﻟﻰ ﺍﻟﺸﻤﺎﻝ‪ ،‬ﻓﻜﻤﺎ ﻧﺎﺻﺐ ﺃﺑﺎﻩ ﺍﻟﺜﻮﺭﺓ ﺑﺨﻴﺎﻧﺘﻪ ﻷﻫﻞ‬
‫ﺍﳊﻘﻞ ﻭﻟﺮﺟﺎﻟﻪ ﺍﻟﺸﺠﻌﺎﻥ ﺍﳌﻨﺎﻫﻀﲔ ﻟﻠﻮﺟﻮﺩ ﺍﻷﺟﻨﺒﻲ ﻭﺃﻋﻮﺍﻧﻪ ﻣﻘﻴﺒﻞ ﻳﻨﺎﺻﺐ ﺍﻟﻌﺪﺍﺀ ﻟﻜﻞ ﻣﺎﻟﻪ ﺻﻠﺔ‬
‫ﺑﺎﻟﺜﻮﺭﺓ‪ ،‬ﺍﻟﻌﻢ ﻋﺒﺪﻩ ﺍﻟﺼﻨﻌﺎﻧﻲ ﻣﻌﻠﻘﺎ ﹰ ﻋﻠﻰ ﻫﻴﺌﺔ ﻣﻘﻴﺒﻞ ﺍﳌﺘﺤﺎﻣﻞ ﻋﻠﻰ ﺍﻟﻨﻈﺎﻡ ﻓﻲ ﺟﻨﻮﺏ ﺍﻟﻮﻃﻦ‪:‬‬
‫ﺍﻟﻌﺎﻟﻢ ﻳﺎ ﻣﻘﻴﺒﻞ ﻣﻨﺸﻐﻞ ﺑﺎﻟﻘﻨﺒﻠﺔ ﺍﻟﻨﻮﻭﻳﺔ ﻭﺣﺮﺏ ﺍﻟﻔﻀﺎﺀ ﻭﺍﻟﻨﺠﻮﻡ ﻭﺃﻧﺖ ﻋﺘﺮﺩﻧﺎ ﻟﻌﺼﺮ‬ ‫‪-‬‬
‫ﺍﳉﻨﺒﻴﺔ ﻭﺍﳌﺸﻴﺨﺔ‪...‬ﻗﻬﻘﻬﺔ ﺗﺨﺮﻕ ﺻﻤﺖ ﺍﻟﻬﺪﻧﺔ ﺍﶈﺮﺯﺓ ﻟﺘﻮﻫﺎ ﺑﲔ ﺇﺑﺮﺍﻫﻴﻢ ﻭﺻﺎﺑﺮ‪.‬‬
‫ﺃﻧﺎ ﻋﺪﺕ ﺇﻟﻰ ﺍﳊﻘﻞ ﺍﻟﺬﻱ ﻏﺎﺩﺭﺗﻪ ﻗﺒﻞ ﻋﺸﺮﻳﻦ ﺳﻨﺔ ﺃﻭ ﺃﻛﺜﺮ ﻓﻬﺬﻩ ﺍﳌﺪﺭﺳﺔ ﻭﺍﳌﺸﻔﻰ ﻭﻣﺮﻛﺰ‬ ‫‪-‬‬
‫ﺍﻟﺸﺮﻗﻴﺔ ﻭﺍﻟﻄﺮﻳﻖ ﻭﺩﻛﺎﻥ ﻓﺎﺭﻉ ﺟﻤﻴﻌﻬﺎ ﻣﻦ ﻣﻨﺠﺰﺍﺕ ﺍﻷﻣﻴﺮ ﻭﺍﻹﻧﻜﻠﻴﺰ ﻓﻜﻴﻒ ﻳﺎ ﻋﺒﺪﻩ ﺍ‪‬ﺮﺏ ﺃﻋﻴﺪﻛﻢ‬
‫ﺇﻟﻰ ﺍﳋﻠﻒ ﺇﺫﺍ ﻛﻨﺘﻢ ﻟﻢ ﺗﺒﺮﺣﻮﺍ ﻣﻜﺎﻧﻜﻢ؟؟‬
‫ﻭﻫﺆﻻﺀ ﻳﺎ ﻣﻘﻴﺒﻞ ﺍﻟﺬﻳﻦ ﻳﻔﺘﺮﺷﻮﻥ ﻣﻌﻚ ﺍﳋﻴﻤﺔ ﻟﻴﺴﻮﺍ ﻣﻨﺠﺰﺍﹰ‪ ،‬ﺇﻧﻬﻢ ﺃﻃﺒﺎﺀ ﻭﻃﻴﺎﺭﻭﻥ ﻭﻣﻌﻠﻤﻮﻥ‬ ‫‪-‬‬
‫ﻭﺿﺒﺎﻁ ﻭﻣﺤﺎﻣﻮﻥ ﻭﻣﺜﻘﻔﻮﻥ ﻭﻗﻴﺎﺩﻳﻮﻥ ﻓﻲ ﺍﻷﺣﺰﺍﺏ ﻭﺍﻟﻨﻘﺎﺑﺎﺕ ﻭﺍﳌﺆﺳﺴﺎﺕ‪ ،‬ﻓﻤﺎﺫﺍ ﻋﺪﺕ ﻟﻬﻢ ﻣﻦ‬
‫ﻭﺍﻟﺼﺮﺓ ﺍﳌﻤﻠﻮﺀﺓ ﺑﺎﻟﻌﻘﻮﺩ ﻭﺍﻟﺒﺼﺎﺋﺮ ﺍﳌﻨﻬﻮﺑﺔ ﻣﻦ ﻗﺼﺮ ﺍﻷﻣﻴﺮ‪...‬‬
‫ﱡ‬ ‫ﺍﻟﺸﻤﺎﻝ ﻏﻴﺮ ﺍﻟﻜﻮﺕ ﻭﺍﻟﺰﻧﺔ ﻭﺍﳉﻨﺒﻴﺔ‬
‫ﻗﺒﺾ ﻣﻘﻴﺒﻞ ﺑﺮﺃﺱ ﺧﻨﺠﺮﻩ ﻣﻮﺟﻬﺎ ﹰ ﻛﻼﻣﻪ ﻟﻠﻤﺘﻜﻠﻢ‪:‬‬
‫ﻫﺬﻩ ﺍﳉﻨﺒﻴﺔ ﻟﻘﻄﻊ ﻣﺎ ﺑﻘﻲ ﻣﻦ ﺭﺅﻭﺱ ﺍﻟﺸﻴﻮﻋﻴﺔ ﺍﻟﻜﺎﻓﺮﺓ ﻭﺗﻠﻚ ﺍﻟﺒﺼﺎﺋﺮ ﺳﺘﺮﺩ ﺍﳊﻖ ﺍﳌﻐﺘﺼﺐ‪.‬‬ ‫‪-‬‬
‫ﻳﻨﺘﻔﺾ ﺍﻟﺒﻌﺾ ﻫﻨﺎ ﻋﻠﻰ ﻭﻗﻊ ﻟﻔﻆ ﻣﻘﻴﺒﻞ ﻷﻣﻼﻛﻪ ﺍﳌﺼﺎﺩﺭﺓ‪ ،‬ﻫﺮﺝ ﻭﻣﺮﺝ ﻳﺴﻮﺩ ﺍﳋﻴﻤﺔ‪ ،‬ﺃﺻﻮﺍﺕ‬
‫ﻣﻐﻠﻈﺔ ﺍﻹﳝﺎﻥ ﺑﺰﻳﻒ ﺩﻋﻮﻯ ﻣﻘﻴﺒﻞ ﻭﺑﻮﺛﺎﺋﻘﻪ ﺍﳌﺴﺮﻭﻗﺔ ﻣﻦ ﻗﺼﺮ ﺍﻷﻣﻴﺮ ﺷﻌﻼﻥ‪.‬‬
‫ﻣﻘﻴﺒﻞ ﻳﺠﺪ ﻧﻔﺴﻪ ﻣﺤﺎﺻﺮﺍ ﹰ ﺑﺎﻟﻐﺎﺿﺒﲔ ﻭﺍﻟﺴﺎﺧﻄﲔ ﻓﻴﻮﺟﻪ ﻗﺬﻋﻪ ﻟﻠﻌﻢ ﻋﺒﺪﻩ‪:‬‬
‫ﻭﺃﻧﺖ ﻳﺎ ﻣﺨﺮﺏ ﲟﺎﺫﺍ ﺳﺘﻌﻮﺩ ﻷﻫﻠﻚ؟؟ ﺑﻠﻐﻢ ﺃﻡ ﻗﻨﺒﻠﺔ ﺃﻡ ﻗﺎﺭﻭﺭﺓ ﺻﻴﺮﻩ!!!‬ ‫‪-‬‬
‫ﺳﺄﻋﻮﺩ ﻟﻬﻢ ﺑﻌﻠﻢ ﻭﻣﻌﺮﻓﺔ ﻭﺃﻧﺎﺱ ﺃﻃﺒﺎﺀ ﻭﻣﻬﻨﺪﺳﲔ ﻭﺿﺒﺎﻁ ﻭﻣﻌﻠﻤﲔ ﻭﻟﻴﺲ ﻣﺜﻠﻚ ﻳﺎ ﻣﻘﻴﺒﻞ‬ ‫‪-‬‬
‫ﺃﻧﺖ ﻭﺻﺤﺒﻚ ﺍﻟﻌﺎﺋﺪﺍﻥ ﻟﻨﺎ ﺑﺎﳉﻬﻞ ﻭﺍﻟﺬﻗﻮﻥ ﻭﺍﻟﻜﻮﻓﻴﺔ ﻭﺑﺼﻤﺔ ﺍﻹﺑﻬﺎﻡ ﺍﻟﺘﻲ ﺣﺴﺒﻨﺎﻫﺎ ﻣﻦ ﻣﺨﻠﻔﺎﺕ‬
 ‫ﺍﻷﺋﻤﺔ‪.‬‬
‫ﻛﻨﺖ ﺃﺣﺴﺐ ﻧﻔﺴﻲ ﻛﺎﻟﻔﺮﻗﺪ ﺍﳌﺘﻸﻟﺊ ﻓﻲ ﺍﻟﺴﻤﺎﺀ ﻭﺇﺫﺍ ﺑﻬﺆﻻﺀ ﺍﻷﻫﻞ ﹼ‬
‫ﻳﻨﻐﺼﻮﻥ ﻋﻠﻲ ﺑﻬﺠﺘﻲ ﺑﺈﲤﺎﻡ‬
‫ﻧﺼﻒ ﺩﻳﻨﻲ‪ ،‬ﺇﻧﻬﻢ ﺗﺎﺋﻬﻮﻥ ﻭﻏﺎﻭﻭﻥ ﻋﻦ ﺍﻟﻨﻈﺮ ﳌﺎ ﻳﺒﻬﺠﻬﻢ ﺃﻭ ﻳﺮﺷﺪﻫﻢ ﻟﻠﺨﻼﺹ ﻣﻦ ﺍﻟﻀﻴﺎﻉ ﺍﻷﺯﻟﻲ‪،‬‬
‫ﺣﺪﺱ ﺃﹸﻣﻲ ﻛﺎﻥ ﺃﺳﺮﻉ ﻫﺬﻩ ﺍﳌﺮﺓ ﻓﻠﻢ ﲤﺾ ﺃﻳﺎﻡ ﺍﻟﻌﺮﺱ ﺍﻟﺜﻼﺙ ﺇﻻ ﻭﺍﻟﻔﺮﺡ ﺃﻏﻄﺶ ﻭﺃﻧﺴﻞ ﺍﻟﻜﺪﺭ ﻓﻲ‬
‫ﺍﳋﻴﻤﺔ‪ ،‬ﻟﻢ ﺗﻌﺪ ﺗﻜﺘﺮﺙ ﺑﺎﻟﺼﻨﺪﻭﻕ ﺍﳌﺘﻮﺳﺪ ﺣﺠﺮﺓ ﻧﻮﻣﻬﺎ ﻣﺜﻠﻤﺎ ﺧﹶ ﹾ‬
‫ﺸ ﹶﻴ ﹺﺘ ﹶﻬﺎ ﹾ ﱠ‬
‫ﻋﻠﻲ ﻣﻦ ﺃﻫﻠﻲ ﻭﺭﺑﻌﻲ‬
‫ﺍﶈﻴﻄﲔ ﺑﻲ ﻷﻭﻝ ﻣﺮﺓ‪ ،‬ﻣﻦ ﺍﻟﻌﺎﺻﻔﺔ ﺍﶈﺪﻗﺔ ﺑﺨﻴﻤﺔ ﻋﺮﺳﻲ‪ ،‬ﻭﺣﺪﻫﺎ ﺗﻨﺒﺄﺕ ﺑﺎﻗﺘﻼﻉ ﺃﻭﺗﺎﺩ ﺍﳋﻴﻤﺔ ﻣﻦ‬
‫ﺩﺍﺧﻠﻬﺎ ﻻ ﻣﻦ ﺧﺎﺭﺟﻬﺎ ﻛﻤﺎ ﺗﻮﻗﻊ ﺍﳉﻤﻴﻊ ﺑﻌﺎﺻﻔﺔ ﻣﺒﺎﻏﺘﻪ ﺳﺘﺄﺗﻲ ﻟﻬﺎ ﻣﻦ ﺍﻟﻨﺎﺣﻴﺔ ﺍﻟﺸﺮﻗﻴﺔ ﺃﻭ‬
‫ﺍﻟﻐﺮﺑﻴﺔ‪ ،‬ﻓﺎﳋﻴﻤﺔ ﺍﳌﻨﺘﺼﺒﺔ ﻋﻠﻰ ﻋﺠﺎﻟﺔ ﻭﻓﻲ ﻣﺴﺎﺣﺔ ﻣﻘﻌﻴﺔ ﺟﻮﺍﻧﺒﻬﺎ ﻟﻠﺮﻳﺢ ﺣﺘﻤﺎ ﹰ ﺳﺘﻨﻘﺸﻊ‬
‫ﻣﻊ ﺃﻭﻝ ﻋﺎﺻﻔﺔ‪ ،‬ﺁﺧﺮ ﻣﺎ ﻛﻨﺖ ﺃﺗﻮﻗﻌﻪ ﻫﻮ ﺃﻥ ﺍﻟﻌﺎﺻﻔﺔ ﺍﳌﺪﻣﺮﺓ ﻟﻬﺎ ﺳﺘﻜﻮﻥ ﻣﻦ ﺩﺍﺧﻠﻬﺎ ﻭﻣﻦ ﻫﺆﻻﺀ‬
‫ﺍﳌﺴﺘﻈﻠﲔ ﺑﻬﺎ‪ ،‬ﻓﺎﻟﺮﻳﺎﺡ ﻣﺮﺕ ﻭﺍﻟﺴﻤﺎﺀ ﺃﺭﺳﻠﺖ ﺣﻤﻠﻬﺎ‪ ،‬ﻟﻜﻨﻬﻤﺎ ﺫﻫﺒﺎ ﺑﺴﻼﻡ ﻭﻻ ﺧﻄﺮ ﻋﻠﻰ ﺍﳋﻴﻤﺔ‬
‫ﻣﻦ ﻫﺎﺗﲔ ﺍﳉﻬﺘﲔ ﻣﺜﻠﻤﺎ ﺍﺣﺘﻄﻨﺎ ﻣﻨﻬﻤﺎ‪ ،‬ﻓﺎﳋﻄﺮ ﺍﳊﻘﻴﻘﻲ ﺟﺎﺀ ﻣﻦ ﺣﻴﺚ ﻻ ﻧﺘﻮﻗﻊ ﻭﻣﻦ ﺟﻮﻓﻬﺎ ﻭﻣﻦ‬
‫ﻏﻀﺐ‬
‫ﹺ‬ ‫ﺍﶈ ﹺﺘﻤﲔ ﺑﻬﺎ‪ ،‬ﻣﻦ ﺍﻟﺮﺟﺎﻝ ﺍﳌﺸﺤﻮﻧﺔ ﺻﺪﻭﺭﻫﻢ ﺑﺎﻟﺜﺄﺭ ﻭﺍﻟﻐﻀﺐ ﻭﺍﳊﻘﺪ ﺍﻟﺪﻓﲔ ﻓﻬﺆﻻﺀ ﺃﺧﻄﺮ ﻣﻦ‬
‫ﺍﻟﻄﺒﻴﻌﺔ‪ ،‬ﻓﻤﻬﻤﺎ ﻏﻀﺒﺖ ﺍﻟﻄﺒﻴﻌﺔ ﻓﺴﺘﺨﻠﻊ ﺃﻭﺗﺎﺩ ﻓﺴﻄﺎﻁ ﺃﻭ ﺟﺪﺍﺭ ﻣﺴﻜﻦ ﺃﻣﺎ ﻏﻀﺐ ﺍﻹﻧﺴﺎﻥ‬
‫ﻓﻤﺪﻣﺮ ﻭﻻ ﻳﺬﺭ ﺷﻴﺌﺎ ﹰ ﺇﻻ ﻭﻃﺎﻟﺔ‪.‬‬
‫ﻳﺎ ﻟﺒﻼﻫﺘﻲ ﻓﻠﻘﺪ ﺧﺎﺏ ﻣﺎ ﺗﻮﻗﻌﺘﻪ ﻣﻦ ﺷﺮ ﻣﺤﺪﻕ ﺑﺎﳌﻜﺎﻥ ﻣﻦ ﺧﺎﺭﺟﻪ‪ ،‬ﺍﻟﺸﺮ ﺍﻟﺮﺍﺑﺾ ﻓﻲ ﺃﻋﻤﺎﻕ ﺍﻹﻧﺴﺎﻥ‬
‫ﻭﻓﻲ ﺃﺣﺸﺎﺀ ﺍﳋﻴﻤﺔ ﻫﻮ ﺍﳋﻄﺮ ﺍﳌﺴﺘﻄﻴﺮ ﺍﻟﺬﻱ ﻳﺘﻮﺟﺐ ﺍﳊﺬﺭ ﻣﻨﻪ‪ ،‬ﻓﻜﻞ ﻫﺆﻻﺀ ﺍﻷﻫﻞ ﺍﳌﺘﻨﺎﻓﺮﻳﻦ ﻓﻜﺮﻳﺎ ﹰ‬
‫ﻭﺛﻘﺎﻓﻴﺎ ﹰ ﻭﺗﺎﺭﻳﺨﻴﺎ ﹰ ﻭﺳﻠﻮﻛﻴﺎ ﹰ ﻫﻢ ﺃﺷﺒﻪ ﺑﻘﻨﺎﺑﻞ ﻣﻮﻗﻮﺗﺔ ﻗﺎﺑﻠﺔ ﻟﻼﻧﻔﺠﺎﺭ ﻓﻲ ﺃﻳﺔ ﳊﻈﺔ‪ ،‬ﺧﻴﻞ ﻟﻲ ﺃﻥ‬
‫ﺍﳌﺴﺄﻟﺔ ﻭﻛﺄﻧﻬﺎ ﻣﺠﺮﺩ ﻓﺴﻄﺎﻁ ﻳﺄﻭﻱ ﻟﻪ ﺍﳌﺼﻄﺎﻓﻮﻥ ﻓﻲ ﺷﺎﻃﺊ ﺍﻟﺒﺤﺮ ﺍﻷﺳﻮﺩ ﻣﺜﻠﻤﺎ ﻓﻌﻠﺖ ﺃﻧﺎ‬
‫ﻭﺃﻧﻮﺷﻜﺎ ﺫﺍﺕ ﻳﻮﻡ ﻣﺸﻤﺲ ﺑﺪﻳﻊ‪ ،‬ﻓﺄﻳﺔ ﺳﺨﺎﻓﺔ ﻫﺬﻩ ﺍﻟﺘﻲ ﺩﻓﻌﺘﻨﻲ ﻟﻨﺼﺐ ﺧﻴﻤﺔ ﻓﻲ ﻫﺬﻩ ﺍﻷﺭﺽ‬
‫ﺍﻟﻴﺒﺎﺏ!! ﺍﳉﻤﻊ ﻟﻜﻞ ﻫﺆﻻﺀ ﲢﺖ ﺳﻘﻒ ﻭﺍﺣﺪ ﺣﺘﻤﺎ ﹰ ﻫﻮ ﺍﳋﻄﺄ ﺍﻟﻔﺎﺩﺡ‪ ،‬ﻓﺨﻴﻤﺔ ﺍﻟﻌﺸﻖ ﻭﺍﳊﺐ ﻟﻴﺲ ﻟﻬﺎ‬
‫ﻣﻜﺎﻥ ﻓﻲ ﻫﺬﻩ ﺍﻷﺭﺽ ﺍﻟﻌﻄﺸﻰ ﻟﻠﺜﺄﺭ ﻭﺍﻻﻧﺘﻘﺎﻡ ﻭﺍﻟﺪﻡ ﻭﺍﻟﺪﻣﻮﻉ ﻭﺍﳊﺰﻥ‪...‬‬
‫ﺑﺪﺍ ﺣﻘﻞ ﺍﻟﻔﺆﺍﺩ ﻛﺒﺮﻣﻴﻞ ﺑﺎﺭﻭﺩ ﻓﺘﻴﻠﺘﻪ ﺍﺷﺘﻌﻠﺖ ﻟﺘﻮﻫﺎ ﻳﻮﻡ ﻋﺮﺳﻲ‪ ,‬ﺫﺍﺕ ﺻﺒﺎﺡ ﺻﻴﻔﻲ ﺍﺳﺘﻔﺎﻕ ﺍﻷﻫﻞ‬
‫ﻋﻠﻰ ﺩﻭﻱ ﺍﻧﻔﺠﺎﺭ ﻫﺎﺋﻞ ﻳﺼﻢ ﺍﻵﺫﺍﻥ‪ ،‬ﺃﻗﺘﻠﻊ ﺍﳋﻴﻤﺔ ﻣﻦ ﺃﻭﺗﺎﺩﻫﺎ ﺍﻟﻬﺸﺔ ﻭﺣﻄﻬﺎ ﻋﻠﻰ ﺭﺅﻭﺱ ﺍﳌﺴﺘﺠﻴﺮﻳﻦ‬
‫ﺑﻬﺎ ﻣﻦ ﺻﺮﻭﻓﻬﻢ ﻭﻧﻮﺍﺋﺒﻬﻢ‪ ،‬ﻟﻢ ﻳﻜﻦ ﻣﻦ ﺑﻌﻴﺪ‪ ،‬ﺇﻧﻪ ﻣﻦ ﺩﺍﺧﻠﻬﺎ ﻭﻣﻦ ﺍﳌﺒﺘﻬﺠﲔ ﺑﻬﺎ‪ ،‬ﻣﻦ ﺭﻫﻄﻲ ﺍﻟﺬﻳﻦ‬
‫ﻻ ﺟﺎﻣﻊ ﻟﻬﻢ ﺳﻮﺍﻫﺎ‪ ،‬ﻓﺈﻥ ﺍﺣﺘﻤﻠﺖ ﺃﺑﺪﺍﻧﻬﻢ ﻟﺒﻌﺾ ﺍﻟﻮﻗﺖ ﻟﻜﻨﻬﺎ ﻻ ﺗﺴﺘﻄﻴﻊ ﺣﻤﻞ ﻣﺎ ﻓﻲ ﺃﻋﻤﺎﻗﻬﻢ‬
‫ﻭﺗﻔﻜﻴﺮﻫﻢ ﻟﻜﻞ ﺍﻟﻮﻗﺖ‪ ،‬ﻓﻘﺒﻞ ﺃﻥ ﲢﻞ ﺍﻟﻜﺎﺭﺛﺔ ﻓﻮﻕ ﺭﺅﻭﺱ ﺍﳉﻤﻴﻊ ﻛﺎﻥ ﻧﺬﺭﻫﺎ ﻳﺘﺠﻠﻰ ﺑﺼﺎﺑﺮ ﺍﳌﺴﺘﺤﻞ‬
‫ﻟﺪﻡ ﻋﻤﻪ ﺇﺑﺮﺍﻫﻴﻢ ﻭﻋﺒﺪﻩ ﺍﻟﺼﻨﻌﺎﻧﻲ‪ ،‬ﻭﻓﻲ ﺧﻄﺎﺑﻪ ﺍﻟﺘﻜﻔﻴﺮﻱ ﻟﻠﺪﺳﺘﻮﺭ ﻭﻟﻠﺤﺰﺑﻴﺔ ﻭﻟﻠﻤﺮﺃﺓ ﻭﻟﺘﻮﻟﻴﺘﻬﺎ‬
‫ﻣﻨﺎﺻﺐ ﻋﺎﻣﺔ ﻣﺜﻞ ﺍﻟﺮﺟﻞ‪ ،‬ﻭﻓﻲ ﺩﻋﺎﻭﻱ ﻣﻘﻴﺒﻞ ﻭﺍﻷﻣﻴﺮ ﺷﻌﻼﻥ ﻭ ﺃﻣﻼﻛﻬﻤﺎ ﻭﺇﺭﺛﻬﻤﺎ ﻭﻋﻘﻮﺩﻫﻤﺎ‬ ‫ﹶ‬
‫ﺍﳌﻐﺘﺼﺒﺔ ﻣﻦ ﺃﺻﺤﺎﺑﻬﺎ ﲢﺖ ﻭﻃﺄﺓ ﻣﺴﻐﺒﺔ ﺃﻭ ﺍﳌﺆﳑﺔ ﻭﺍﳌﺼﺎﺩﺭﺓ‪ ،‬ﻓﻜﻞ ﻫﺬﻩ ﺍﻷﻓﻌﺎﻝ ﻭﺍﻷﻓﻜﺎﺭ ﺍﳌﺘﻀﺎﺩﺓ‬
 ‫ﻭﺍﳌﺘﻨﺎﺣﺮﺓ ﻓﻴﻤﺎ ﺑﻴﻨﻬﺎ ﺑﻼﺷﻚ ﻛﻔﻴﻠﺔ ﺑﺴﻘﻮﻁ ﺍﻟﺴﻤﺎﺀ ﻓﻜﻴﻒ ﺑﺴﻘﻒ ﻓﺴﻄﺎﻁ؟؟‬
‫ﺍﺳﺘﻴﻘﻆ ﺃﻫﻞ ﺍﳊﻘﻞ ﻋﻠﻰ ﻗﺬﺍﺋﻒ ﺍﻟﻜﺎﺗﻴﻮﺷﺎ ﺍﳋﺎﺭﻗﺔ ﻟﺴﻜﻮﻥ ﺳﺎﻋﺎﺕ ﺍﻟﻔﺠﺮ‪ ،‬ﻫﺪﻳﺮ ﺍﶈﺮﻛﺎﺕ ﻓﻲ‬
‫ﺍﻟﻔﻀﺎﺀ ﻣﺒﺘﻠﻌﺎ ﹰ ﺻﻤﺖ ﺍﻷﺭﺽ‪ ،‬ﺻﻠﻴﺔ ﺍﻟﺒﻨﺎﺩﻕ ﺍﻟﺮﺷﺎﺷﺔ ﺗﻘﺘﺮﺏ ﺭﻭﻳﺪﺍ ﹰ ﺭﻭﻳﺪﺍﹰ‪ ،‬ﺍﻟﻀﺒﺎﻁ ﻭﺍﳉﻨﺪ ﻣﻨﻜﺴﺮﻭﻥ‬
‫ﻣﻬﺰﻭﻣﻮﻥ ﻣﻨﻬﻜﻮﻥ ﺣﺎﺋﺮﻭﻥ ﺧﺎﺋﻔﻮﻥ ﻣﻦ ﺍﻟﻘﺘﺎﻝ ﻭﺍﳌﻮﺕ ﻫﺬﻩ ﺍﳌﺮﺓ ﺑﺎﻟﺬﺍﺕ‪ ،‬ﻻ ﺃﺣﺪ ﻣﻦ ﻫﺆﻻﺀ ﺍﻟﻔﺎﺭﻳﻦ ﻣﻦ‬
‫ﺟﺒﻬﺎﺕ ﺍﻟﻘﺘﺎﻝ ﲟﺴﺘﻄﺎﻋﻪ ﺭﻓﻊ ﺑﻨﺪﻗﻴﺘﻪ ﺑﻮﺟﻪ ﻣﻘﻴﺒﻞ ﻭﺻﺎﺑﺮ ﻭﻋﺒﺪ ﺍﻟﻜﺮﱘ ﻭﺍﻟﺸﻴﺦ ﺣﺴﻦ ﻭﺍﻟﻔﻘﻴﻪ‬
‫ﻋﺒﺪﺍﷲ ﻭﻏﻴﺮﻫﻢ ﻣﻦ ﺍﳌﻄﺎﻭﻋﺔ ﺍ‪‬ﺎﻫﺪﻳﻦ‪ ،‬ﺳﻘﻂ ﺍﳊﻘﻞ ﻭﳝﻨﺎﺕ ﺑﻼ ﻣﻘﺎﻭﻣﺔ ﺗﺬﻛﺮ‪ ،‬ﻓﺮ ﺇﺑﺮﺍﻫﻴﻢ ﻭﻋﺒﺪﻩ‬
‫ﺍﻟﺼﻨﻌﺎﻧﻲ ﻭﺭﻓﺎﻗﻬﻢ ﺑﺄﺳﻠﺤﺘﻬﻢ ﻭﻋﺘﺎﺩﻫﻢ‪ ،‬ﺿﺎﻗﺖ ﺑﻬﻢ ﺍﻷﺭﺽ ﻭﺍﻷﻭﻃﺎﻥ ﺍﻟﻔﺴﻴﺤﺔ ﺍﻟﺘﻲ ﻟﻄﺎﳌﺎ‬
‫ﺍﻋﺘﺒﺮﻭﻫﺎ ﺃﺭﺿﻬﻢ ﻭﺃﻭﻃﺎﻧﻬﻢ ﺍﻷﳑﻴﺔ‪ ،‬ﻻ ﻣﻜﺎﻥ‪ ،‬ﻻ ﻓﻀﺎﺀ ﻟﻬﻢ ﺳﻮﻯ ﺍﻟﺒﻠﺪﺍﻥ ﺍﻟﺮﺟﻌﻴﺔ ﻭﺍﻹﻣﺒﺮﻳﺎﻟﻴﺔ ﺍﻟﺘﻲ‬
‫ﻧﺎﺻﺒﻮﻫﺎ ﺍﻟﻌﺪﺍﺀ ﻟﻌﻘﻮﺩ ﺛﻼﺛﺔ‪.‬‬
‫ﺍﻟﺸﻴﺦ ﻣﻘﻴﺒﻞ ﻭﺍﻟﻔﻘﻴﻪ ﻋﺒﺪﺍﻟﻜﺮﱘ ﻭﺍ‪‬ﺎﻫﺪ ﺻﺎﺑﺮ ﺛﻼﺛﺘﻬﻢ ﺍﳌﺘﻮﺟﻮﻥ ﺑﺈﻛﻠﻴﻞ ﺍﻟﻨﺼﺮ‪ ،‬ﺛﻼﺛﺘﻬﻢ ﻳﻌﻴﺪﻭﻥ‬
‫ﺍﳊﻘﻞ ﻭﺃﻫﻠﻪ ﺇﻟﻰ ﻣﺎ ﻗﺒﻞ ﺍﻟﺜﻮﺭﺓ ﻭﺍﻻﺳﺘﻘﻼﻝ‪ ،‬ﻓﺎﻟﺸﻴﺦ ﻣﻘﻴﺒﻞ ﻳﺨﻠﻒ ﺃﺑﺎﻩ ﻋﻠﻰ ﻣﺸﻴﺨﻪ ﻧﺴﺎﻫﺎ‬
‫ﺍﳉﻤﻴﻊ ﻭﻳﺠﻠﺲ ﻋﻠﻰ ﻛﺮﺳﻲ ﺍﳌﺴﺆﻭﻝ ﺍﻷﻭﻝ ﻓﻲ ﳝﻨﺎﺕ‪ ،‬ﻭﺍ‪‬ﺎﻫﺪ ﺻﺎﺑﺮ ﻳﺴﺘﻮﻟﻲ ﻋﻠﻰ ﻣﻨﺒﺮ ﺍﳌﺴﺠﺪ‬
‫ﻭﻳﺠﺒﺮ ﺍﻟﻨﺴﻮﺓ ﻋﻠﻰ ﺍﻟﻨﻘﺎﺏ ﻭﻣﻼﺯﻣﺔ ﺑﻴﻮﺗﻬﻦ‪ ،‬ﺍﻟﻔﻘﻴﻪ ﻋﺒﺪﺍﻟﻜﺮﱘ ﻳﻨﺼﺐ ﻧﻔﺴﻪ ﻗﺎﺿﻴﺎ ﹰ ﻋﻠﻰ ﳝﻨﺎﺕ‬
‫ﻭﻳﺘﻮﻟﻰ ﻣﻬﻤﺔ ﺍﺳﺘﺮﺩﺍﺩ ﺇﻗﻄﺎﻋﻴﺔ ﺍﻷﻣﻴﺮ ﺷﻌﻼﻥ ﺍﳌﻔﻘﻮﺩﺓ‪ ،‬ﺍﻟﻌﻢ ﻳﻮﺳﻒ ﺍﻟﺒﺎﻗﻲ ﺍﻟﻮﺣﻴﺪ ﻣﻦ ﺯﻣﺮﺓ‬
‫ﺍﻟﺜﺎﺋﺮﻳﻦ‪ .‬ﺍﻟﺘﺎﺭﻳﺦ ﻳﻌﻴﺪ ﻧﻔﺴﻪ ﻋﻠﻰ ﺷﺎﻛﻠﺔ ﺣﺪﺙ ﺃﻭ ﻣﻬﺰﻟﺔ‪ ،‬ﻓﻤﻘﻮﻟﺔ ﻣﺎﺭﻛﺲ ﻣﺘﺠﺴﺪﺓ ﻓﻲ ﺣﺎﻟﺔ‬
‫ﻳﻮﺳﻒ ﺍﳌﻨﻔﻲ ﻋﺸﻴﺔ ﺍﻻﺳﺘﻘﻼﻝ ﺃﺳﻮﺓ ﺑﺠﻨﺪ ﺍﻹﻧﻜﻠﻴﺰ ﻭﺃﻋﻮﺍﻧﻬﻢ ﺃﻣﺜﺎﻝ ﺍﻷﻣﻴﺮ ﺷﻌﻼﻥ ﻭﺍﻟﻔﻘﻴﻪ ﻭ‬
‫ﺍﻟﻐﻮﻟﻲ ﺍﻟﻌﺎﺋﺪﻳﻦ ﺍﻵﻥ ﺇﻟﻰ ﺍﳊﻘﻞ ﺑﻴﻨﻤﺎ ﺍﻟﺜﺎﺋﺮﻭﻥ ﻋﻠﻴﻬﻢ ﺇﺫ ﺫﺍﻙ ﻳﻨﻔﻮﻥ ﺍﻟﻴﻮﻡ ﻣﻦ ﻭﻃﻨﻬﻢ ﺇﻟﻰ ﺍﻟﺴﻌﻮﺩﻳﺔ‬
‫ﻭﺍﻹﻣﺎﺭﺍﺕ ﻭﺍﻟﻮﻻﻳﺎﺕ ﺍﳌﺘﺤﺪﺓ ﻭﺍﳌﻤﻠﻜﺔ ﺍﳌﺘﺤﺪﺓ‪ ،‬ﻓﺈﺑﺮﺍﻫﻴﻢ ﻭﺭﻓﺎﻗﻪ ﻳﻮﻟﻮﻥ ﻭﺟﻮﻫﻬﻢ ﺷﻄﺮ ﺍﳌﺴﺠﺪ ﺍﳊﺮﺍﻡ‬
‫ﻭ ﹸﻗﺒﻞ ﺍﻟﺪﻭﻝ ﺍﻟﺮﺟﻌﻴﺔ ﻭﺍﻹﻣﺒﺮﻳﺎﻟﻴﺔ ﺍﶈﺎﺭﺑﲔ ﻟﻬﺎ ﺭﺩﺣﺎ ﹰ ﻣﻦ ﺍﻟﺰﻣﻦ‪ ،‬ﺍﻟﻌﻢ ﻳﻮﺳﻒ ﻣﺜﻞ ﻣﺎ ﺃﻗﺴﺮ ﻋﻠﻰ‬
‫ﺍﻟﺮﺣﻴﻞ ﻣﻦ ﺳﺠﻦ ﺍﳌﻨﺼﻮﺭﺓ ﺇﻟﻰ ﺍﳌﻨﻔﻰ ﺍﻻﺧﺘﻴﺎﺭﻱ ﻋﺸﻴﺔ ﺍﻻﺳﺘﻘﻼﻝ ﻭﻣﻊ ﻣﻦ ﺣﺎﺭﺑﻬﻢ ﺇﺑﱠﺎﻥ ﺍﻟﺜﻮﺭﺓ ﻳﺠﺪ‬
‫ﻧﻔﺴﻪ ﻣﻀﻄﺮﺍ ﹰ ﻟﻠﻌﻮﺩﺓ ﺃﻭ ﺍﻟﺒﻘﺎﺀ ﻓﻲ ﻣﺴﻘﻂ ﺭﺃﺳﻪ ﻣﻊ ﺫﺍﺕ ﺍﻷﺳﻤﺎﺀ ﺍﻟﻌﺎﺋﺪﺓ‪.‬‬
‫ﻣﺎ ﺣﺪﺙ ﻟﻠﺤﻘﻞ ﻛﺎﻥ ﻓﻈﻴﻌﺎ ﹰ ﻭﻣﺄﺳﺎﻭﻳﺎﹰ‪ ،‬ﻓﻜﺄﳕﺎ ﻫﻮ ﺻﻮﺭﺓ ﺣ ﹼﻴﺔ ﻣﻦ ﻓﻌﻞ ﺃﻭﻟﺌﻚ ﺍﻟﻨﺎﻫﺒﲔ ﺍﻟﻌﺎﺑﺜﲔ ﺑﺪﻳﺎﺭ‬
‫ﺍﻟﺜﺎﺋﺮﻳﻦ ﻋﻠﻰ ﺍﶈﺘﻞ ﺍﻷﺟﻨﺒﻲ ﻋﺎﻡ ‪٥٨‬ﻡ ﺍﻟﻔﺎﺭﻕ ﺑﲔ ﺍﳊﺎﻟﺘﲔ ﻫﻮ ﺃﻥ ﺍﻷﻭﻟﻰ ﺃﺣﺮﻗﺖ ﻭﺧﺮﺑﺖ ﻭﻧﻬﺒﺖ ﻛﻞ‬
‫ﺷﻲﺀ ﻓﻲ ﺍﻟﺪﻳﺎﺭ ﺑﻴﻨﻤﺎ ﺍﳊﺎﻟﺔ ﺍﻟﻮﺍﻗﻌﺔ ﻓﻲ ﺍﳊﺎﺿﺮ ﺣﻄﻤﺖ ﺍﻟﻌﻘﻮﻝ ﻭﺍﻷﻓﺌﺪﺓ ﻭﺃﺧﺬﺕ ﻛﻞ ﺷﻲﺀ ﺍﳌﺎﻝ‬
‫ﻭﺍﻷﺭﺽ ﻭﺍﳌﺆﺳﺴﺎﺕ ﻭﺍﻟﻨﻈﺎﻡ ﻭﺍﻟﻘﺎﻧﻮﻥ‪ ،‬ﺣﻔﻈﺖ ﺍﳌﺴﺎﺣﺔ ﻭﺍﻟﺘﺮﺍﺏ ﻭﺍﻟﻌﻠﻢ ﻭﺍﻟﻨﺸﻴﺪ ﻭﻣﺰﻗﺖ ﺍﻹﻧﺴﺎﻥ‬
‫ﻭﺭﻭﺣﻪ ﺇﻟﻰ ﺃﻛﺜﺮ ﻣﻦ ﻣﺴﻤﻰ ﻭﻛﻴﺎﻥ‪.‬‬
‫ﻫﺮﻋﺖ ﻭﺃﺷﺠﺎﻥ ﺇﻟﻰ ﺑﻴﺖ ﺃﺑﻴﻬﺎ ﺍﻟﻌﻢ ﻋﺒﺪﻩ ﺍﻟﺼﻨﻌﺎﻧﻲ ﺍﶈﺎﺫﻱ ﻟﺪﺍﺭﻧﺎ ﺍﻟﻘﺪﱘ‪ ،‬ﻓﻮﺟﺪﻧﺎ ﻛﺘﺐ ﺭﺏ ﺍﻟﺒﻴﺖ‬
‫ﹸ‬
‫ﺗﻠﺘﻬﻤﻬﺎ ﺍﻟﺴﻨﺔ ﺍﻟﻨﻴﺮﺍﻥ ﺑﺸﺮﺍﻫﺔ ﻭﺩﻭﳕﺎ ﲤﻴﻴﺰ ﺑﲔ ﻛﺎﺭﻝ ﻣﺎﺭﻛﺲ ﻭﺍﺑﻦ ﺧﻠﺪﻭﻥ ﻭﺍﻟﺒﺮﺩﻭﻧﻲ ﻭﺗﻮﻟﺴﺘﻮﻱ‬
‫ﻭﺩﺭﻭﻳﺶ ﻭﻧﻮﺍﻝ ﺍﻟﺴﻌﺪﺍﻭﻱ ﻭﻫﻴﻜﻞ ﻭﻛﻴﻢ ﺍﻳﻞ ﺳﻮﻧﻎ ﻭﺣﺘﻰ ﺍﻟﺪﺳﺘﻮﺭ ﻭﻭﺛﻴﻘﺔ ﺍﻟﻌﻬﺪ ﻓﺠﻤﻴﻊ ﻫﺬﻩ‬
‫ﺍﻷﺳﻤﺎﺀ ﻭﺍﻟﻌﻨﺎﻭﻳﻦ ﺷﻴﻮﻋﻴﺔ ﻭﻛﺎﻓﺮﺓ ﻣﺜﻞ ﺻﺎﺣﺒﻬﺎ ﻭﺗﺴﺘﻮﺟﺐ ﺍﻟﻨﺎﺭ‪ ،‬ﻣﺎ ﺑﻘﻲ ﻣﻦ ﺗﻠﻜﻢ ﺍﻟﻜﺘﺐ‬
‫ﺍﻟﺘﺎﺭﻳﺨﻴﺔ ﻭﺍﻟﻔﻜﺮﻳﺔ ﻻ ﻳﺰﻳﺪ ﻋﻦ ﻣﺠﻤﻮﻋﺔ ﻋﻨﺎﻭﻳﻦ ﹸﻗﺪﺭ ﻟﻸﺳﺮﺓ ﺇﺧﻔﺎﺅﻫﺎ ﻗﺒﻞ ﻣﺪﺍﻫﻤﺔ ﺍﳉﻤﺎﻋﺎﺕ‬
‫ﺍﻻﻧﻜﺸﺎﺭﻳﺔ ﻟﻠﻤﻨﺰﻝ‪.‬‬
‫ﻟﺴﻨﻮﺍﺕ ﻣﻀﺖ ﻭﺍﻟﺼﻨﺪﻭﻕ ﺍﳋﺸﺒﻲ ﻣﺜﺎﺭ ﺍﳋﻮﻑ ﻭﺍﻟﻔﻀﻮﻝ ﻋﻠﻰ ﺍﻟﺮﻏﻢ ﻣﻦ ﺍﻟﻴﻘﲔ ﺑﺄﻥ ﻣﺤﺘﻮﻳﺎﺗﻪ‬
‫ﻟﻴﺴﺖ ﺫﺍﺕ ﻗﻴﻤﺔ ﻣﺎﺩﻳﺔ ﻭﺇﻻ ﻣﺎ ﻃﻠﺐ ﺃﺑﻲ ﺣﻔﻈﻪ ﻣﻐﻠﻘﺎ ﹰ ﳊﲔ ﻣﻦ ﺍﻟﺪﻫﺮ! ﺑﻌﺪ ﻫﻮﻝ ﻣﺎ ﺣﺪﺙ ﻓﻲ ﺍﳊﻘﻞ‬
‫ﻭﳝﻨﺎﺕ ﻋﺎﻣﺔ‪ ،‬ﻓﻼ ﻳﻮﺟﺪ ﻣﺎ ﻳﺪﻋﻮ ﻟﻠﻮﺟﻞ ﻣﻦ ﻓﺘﺢ ﺍﻟﺼﻨﺪﻭﻕ‪ ،‬ﻓﻜﻞ ﺍﻷﺷﻴﺎﺀ ﺗﺒﺪﻟﺖ ﻭﺍﻧﻘﻠﺒﺖ ﺭﺃﺳﺎ ﻋﻠﻰ‬
‫ﻋﻘﺐ‪ ،‬ﻓﺎﻟﺘﻘﺪﻣﻴﻮﻥ ﺍﻟﺜﺎﺋﺮﻭﻥ ﻋﻠﻰ ﺍﻻﺳﺘﻌﻤﺎﺭ ﻭﺍﻹﻣﺒﺮﻳﺎﻟﻴﺔ ﻭﺍﻟﺮﺟﻌﻴﺔ ﺻﺎﺭﻭﺍ ﻓﻲ ﺃﺣﻀﺎﻧﻬﺎ‪ ،‬ﺃﻭﻝ ﻣﺪﺭﺳﺔ‬
‫ﺣﻤﻠﺖ ﺍﺳﻢ ﺷﻬﻴﺪ ﺍﻟﺜﻮﺭﺓ ﺍﻷﻭﻝ )ﻟﺒﻮﺯﺓ( ﺍﺳﺘﺒﺪﻝ ﺍﺳﻤﻬﺎ ﺑﺄﻭﻝ ﺷﻬﺪﺍﺀ ﺍﻹﺳﻼﻡ )ﺍﳊﻤﺰﺓ(‪ ،‬ﻣﻦ ﻛﺎﻥ ﻗﺎﺋﻤﺎ ﹰ‬
‫ﻋﻠﻰ ﺍﳌﺪﺭﺳﺔ ﻭﺍﳌﺴﺠﺪ ﻭﺍﳌﺸﻴﺨﺔ ﻭﺍﻹﻣﺎﺭﺓ ﻗﺒﻞ ﺍﻻﺳﺘﻘﻼﻝ ﻋﺎﺩ ﺇﻟﻰ ﻣﻜﺎﻧﺘﻪ ﺑﻌﺪ ﻗﺮﺍﺑﺔ ﺛﻼﺛﺔ ﻋﻘﻮﺩ‪،‬‬
‫ﲤﺜﺎﻝ ﺍﳌﻠﻜﺔ ﻓﻴﻜﺘﻮﺭﻳﺎ ﺍﶈﻔﻮﻅ ﻓﻲ ﺩﺍﺭ ﺍﻵﺛﺎﺭ ﻭﺍﶈﻔﻮﻇﺎﺕ ﰎ ﺇﻋﺎﺩﺗﻪ ﺇﻟﻰ ﺑﺎﺣﺔ ﻗﺼﺮ ﺍﻷﻣﻴﺮ ﺷﻌﻼﻥ ﺍﻟﺬﻱ‬
‫ﺻﺎﺭ ﻳﺠﻠﺲ ﻓﻴﻪ ﻣﻘﻴﺒﻞ ﻛﻤﺴﺆﻭﻝ ﺃﻭﻝ ﻓﻲ ﳝﻨﺎﺕ‪.‬‬
‫ﻓﻤﺎﺫﺍ ﻋﺴﺎﻩ ﺍﻟﺼﻨﺪﻭﻕ ﺳﻴﺨﻔﻲ ﺃﻛﺜﺮ ﳑﺎ ﺭﺃﻳﺘﻪ ﺃﻭ ﺃﺛﻘﻞ ﳑﺎ ﻓﻲ ﺻﺪﺭﻱ؟؟ ﻟﻨﻔﺘﺮﺽ ﺃﻥ ﻣﺤﺘﻮﺍﻩ ﺩﻟﻨﻲ‬
‫ﳌﺼﻴﺮ ﺃﺑﻲ ﺃﻭ ﻟﻬﻮﻳﺔ ﻗﺘﻠﺘﻪ ﺍﻭﺍﻭﺍﻭ‪ .....‬ﺍﻟﺦ ﻣﻦ ﺍﻻﻓﺘﺮﺍﺿﺎﺕ! ﻓﻬﺬﺍ ﺷﻌﺐ ﺑﺄﺳﺮﺓ ﻻ ﻳﻌﺮﻑ ﻣﺼﻴﺮﻩ ﻭﻻ‬
‫ﻫﻮﻳﺘﻪ ﻭﻻ ﻗﺘﻠﺘﻪ‪ ،‬ﻟﻢ ﻳﻌﺪ ﻳﺆﺭﻗﻨﻲ ﺍﻵﻥ ﻏﻴﺮ ﻭﺟﻮﺩ ﺍﻟﺼﻨﺪﻭﻕ ﻣﻐﻠﻘﺎﹰ‪,‬ﻟﺬﺍ ﻗﺮﺭﺕ ﻓﺘﺤﻪ ﻭﻟﻴﻜﻦ ﻣﺎ ﻳﻜﻮﻥ‪،‬‬
‫ﻓﺤﺘﻰ ﺇﻥ ﻛﺸﻒ ﺑﺘﻮﺭﻁ ﺭﻓﺎﻗﻪ ﻓﻲ ﻗﺘﻠﻪ ﻓﻬﻢ ﺍﻟﻴﻮﻡ ﺇﻣﺎ ﻗﺘﻠﻮﺍ ﺃﻭ ﻧﻔﻮﺍ ﺇﻟﻰ ﺃﺻﻘﺎﻉ ﺷﺘﻰ‪ ،‬ﺃﻭ ﺃﻧﻬﻢ ﻻ‬
‫ﺣﻮﻝ ﻟﻬﻢ ﺃﻭ ﺳﻠﻄﺔ‪ ،‬ﺩﻋﻮﺕ ﺍﻟﻌﻢ ﺇﺑﺮﺍﻫﻴﻢ ﻭﻋﺒﺪﻩ ﺍﻟﺼﻨﻌﺎﻧﻲ ﺍﻟﻌﺎﺋﺪﻳﻦ ﻟﺘﻮﻫﻤﺎ ﻣﻦ ﺍﻟﺴﻌﻮﺩﻳﺔ ﻭﻛﺬﺍ‬
‫ﺍﻟﻌﻢ ﻳﻮﺳﻒ‪ ،‬ﻓﺄﻣﺎﻡ ﺃﹸﻣﻲ ﻭﺃﺷﺠﺎﻥ ﻭﻟﻔﻴﻒ ﻣﻦ ﻋﺎﺋﻠﺔ ﺍﻟﺸﻬﻴﺪ ﺍﻟﺸﻴﺦ ﻋﺒﺪﺍﷲ ﻏﻴﻼﻥ ﻗﻤﺖ ﺑﻔﺘﺢ‬
‫ﺍﻟﺼﻨﺪﻭﻕ ﻭﺳﻂ ﻧﻈﺮﺍﺕ ﻣﺤﺪﺟﺔ ﻣﺘﻮﺟﺴﺔ ﻣﻦ ﻓﺮﻁ ﺍﳊﻜﺎﻳﺎﺕ ﻭﺍﻟﺘﻜﻬﻨﺎﺕ ﺍﳌﺜﺎﺭﺓ ﺣﻮﻟﻪ‪ ،‬ﺇﺫ ﻫﻨﺎﻙ ﻣﻦ‬
‫ﺗﻮﻗﻊ ﺍﳌﺎﻝ ﺍﳌﻜﺘﻨﺰ ﺃﻭ ﻗﻮﻟﻮﺍ ﻣﺎ ﺑﻘﻲ ﻣﻦ ﺛﺮﻭﺓ ﺟﺪﻱ ﻷﹸﻣﻲ ﺣﺴﲔ ﺍﳌﺼﺮﻱ ﺍﻟﺬﻱ ﺻﻮﺩﺭﺕ ﺃﻣﻼﻛﻪ ﻭﺃﻣﻮﺍﻟﻪ‬
‫ﺑﺎﻟﺘﺰﺍﻣﻦ ﻣﻊ ﺍﺧﺘﻔﺎﺀ ﺃﺑﻲ‪ ،‬ﺍﳌﻬﻢ ﺃﻧﻲ ﲡﺎﺳﺮﺕ ﻭﻓﺘﺤﺘﻪ ﺃﻣﺎﻡ ﺍﳌﻸ ﻭﺇﺫﺍ ﺑﻪ ﻳﺤﺘﻮﻱ ﻣﺎ ﻟﻢ ﻳﺨﻄﺮ ﺑﺒﺎﻝ‬
‫ﺃﺣﺪ ﻣﻨﺎ‪ ،‬ﻣﺼﺤﻒ ﻗﺪﱘ ﺍﺳﺘﻬﻞ ﺑﻪ ﺍﻟﻌﻢ ﺇﺑﺮﺍﻫﻴﻢ ﺗﻌﻠﻤﻪ ﻭﻛﻔﺎﺣﻪ ﺿﺪ ﺍﻹﻣﺎﻣﺔ ﻭﺍﻻﺳﺘﻌﻤﺎﺭ ﻓﻲ‬
‫ﺍﳋﻤﺴﻴﻨﺎﺕ ﻭﺣﺘﻰ ﺍﻻﺳﺘﻘﻼﻝ‪ ،‬ﻓﻲ ﺍﻟﺰﺍﻭﻳﺔ ﺍﳌﻘﺎﺑﻠﺔ ﻋﺜﺮﺕ ﻋﻠﻰ ﻣﺴﺪﺱ ﻗﺪﱘ ﻣﻄﻮﻱ ﺑﻬﻨﺪﺍﻡ ﺿﺎﺑﻂ‬
‫ﺑﻮﻟﻴﺲ ﺇﻧﻜﻠﻴﺰﻱ ﻭﻛﻤﺎ ﻋﺮﻓﺖ ﻣﻦ ﺃﹸﻣﻲ ﺇﻥ ﺍﳌﺴﺪﺱ ﻭﺍﻟﻬﻨﺪﺍﻡ ﺍﻟﻠﺬﻳﻦ ﺍﺳﺘﺨﺪﻣﻬﻤﺎ ﺍﻟﻌﻢ ﻳﻮﺳﻒ ﻓﻲ‬
‫ﺍﻟﻌﻤﻠﻴﺔ ﺍﻟﻔﺪﺍﺋﻴﺔ ﺍﻟﺘﻲ ﺃﻭﺩﺕ ﺑﺤﻴﺎﺓ ﺍﳌﺴﺘﺮ ﺟﺮﻭﻡ ﻭﻛﺎﺩﺕ ﺍﻟﺘﺤﻘﻴﻘﺎﺕ ﺍﻟﺒﺮﻳﻄﺎﻧﻴﺔ ﺃﻥ ﺗﺜﺒﺖ ﺑﺘﻮﺭﻁ ﺃﺑﻲ‬
‫ﻟﻮﻻ ﺍﻟﻔﻌﻞ ﺍﻟﻨﺒﻴﻞ ﻟﻠﻌﻤﺔ ﺭﺍﺣﻴﻞ‪ ،‬ﺟﻨﺒﻴﻪ ﺍﻟﺸﻴﺦ ﻋﺒﺪﺍﷲ ﻏﻴﻼﻥ ﺍﳌﺸﻬﻮﺭﺓ ﻓﻲ ﻗﺒﻀﺘﻬﺎ ﻭﻧﺼﻠﻬﺎ‬
‫ﺍﳌﻤﻴﺰﺗﲔ‪ ،‬ﻗﻤﺎﺵ ﺃﺳﻮﺩ ﻧﺴﺎﺋﻲ )ﺷﻴﺬﺭ(ﻟﺒﺴﺘﻪ ﺍﳌﺮﺃﺓ ﺍﻟﻌﺪﻧﻴﺔ ﻗﺒﻞ ﺛﻮﺭﺓ ﲢﺮﻳﺮ ﺍﳌﺮﺃﺓ ﻭﺍﺟﺐ‪ ،‬ﻓﻲ ﻗﻌﺮ‬
‫ﺍﻟﺼﻨﺪﻭﻕ ﻣﺪﻭﻧﺔ ﻳﻮﻣﻴﺔ ﺑﺨﻂ ﺃﺑﻲ‪.‬‬
‫ﻫﺬﺍ ﻛﻞ ﻣﺎﺣﻮﻩ ﺍﻟﺼﻨﺪﻭﻕ ﺍﳌﻬﻴﺐ‪ ،‬ﺃﺧﺬﺕ ﻳﻮﻣﻴﺎﺕ ﺃﺑﻲ ﺑﻠﻬﻔﺔ ﻭﺩﻫﺸﻪ‪ ،‬ﻓﺘﺤﺖ ﻏﻼﻓﻬﺎ ﻭﺍﳋﻮﻑ ﻳﺘﻤﻠﻜﻨﻲ‬
‫ﻭﺇﺫﺍ ﺻﻔﺤﺘﻬﺎ ﺍﻷﻭﻟﻰ ﺗﺘﺼﺪﺭﻫﺎ ﺍﻻﺳﺘﻬﻼﻟﺔ ﺍﻟﺘﺎﻟﻴﺔ‪) :‬ﺍﻟﺸﻌﻮﺏ ﻋﻨﺪﻣﺎ ﻻ ﲡﺪ ﻫﻮﻳﺘﻬﺎ ﻓﻴﻤﻦ ﻳﺤﻜﻤﻬﺎ‬
‫ﻭﻓﻲ ﺫﺍﺗﻬﺎ ﺗﺒﻘﻰ ﺷﻌﻮﺑﺎ ﹰ ﻓﺎﻗﺪﺓ ﻟﻮﺟﻮﺩﻫﺎ ﻭﻻﻧﺘﻤﺎﺋﻬﺎ ﻷﻭﻃﺎﻧﻬﺎ‪ ،‬ﻛﺬﻟﻚ ﺍﻟﺜﻮﺭﺍﺕ ﺣﻴﻨﻤﺎ ﺗﺆﻭﻝ ﻟﺴﻠﻄﺔ‬
‫ﻃﺎﻏﻴﺔ ﻏﻴﺮ ﻋﺎﺩﻟﺔ ﻓﺄﻧﻬﺎ ﺳﺮﻗﺔ ﻛﺒﺮﻯ( ﻗﺮﺃﺕ ﺍﻟﻌﺒﺎﺭﺓ ﻷﻛﺜﺮ ﻣﻦ ﻣﺮﺓ‪ ،‬ﻣﺎ ﻓﻬﻤﺘﻪ ﻫﻮ ﺇﻥ ﺻﺎﺣﺒﻬﺎ ﻋﺎﺵ‬
‫ﺃﻃﻠﻘﺖ ﺗﻨﻬﻴﺪﺓ ﻣﻦ ﺃﻋﻤﺎﻗﻲ ﻭﻗﺒﻞ ﺃﻥ ﺃﻣﺪ ﺍﳌﺪﻭﻧﺔ ﻷﹸﺷﺠﺎﻥ ﺍﻟﻮﺍﻗﻔﺔ ﺑﺠﻮﺍﺭﻱ ﻗﻠﺖ‪:‬‬
‫ﹸ‬ ‫ﺧﻴﺒﺔ ﺃﻣﻞ ﻛﺒﻴﺮﺓ‪،‬‬
‫ﻣﻦ ﺍﻟﻜﻠﻤﺎﺕ ﺍﻷﻭﻟﻰ ﺃﺩﺭﻛﺖ ﳌﺎﺫﺍ ﺭﺣﻠﺖ ﻳﺎ ﺃﺑﻲ؟ﻓﻤﺜﻠﻚ ﻳﻨﺒﻐﻲ ﺃﻥ ﻻ ﻳﻌﻴﺶ!‬
‫ﺷﺮﻋﺖ ﺑﻌﺪﺋﺬ ﻣﻮﺯﻋﺎ ﹰ ﺗﺮﻛﺔ ﺍﻟﺼﻨﺪﻭﻕ ﺍﻟﻌﺠﻴﺐ ﻋﻠﻰ ﻣﻦ ﻫﻢ ﺣﻮﻟﻲ ﻣﻦ ﺃﻓﺮﺍﺩ ﺍﻷﺳﺮﺓ‪ :‬ﺍﳌﺼﺤﻒ‬
‫ﺍﻟﺸﺮﻳﻒ ﻟﻚ ﻳﺎ ﻋﻢ ﻋﺒﺪﻩ ﻋﻮﺿﺎ ﹰ ـ ﻓﺄﻋﻈﻢ ﺑﻪ ﻣﻦ ﻋﻮﺽ ـ ﻋﻦ ﻛﺘﺒﻚ ﺍﶈﺘﺮﻗﺔ ﺑﻄﺎﺋﻞ ﺷﻴﻮﻋﻴﺘﻬﺎ‬
‫ﻭﻣﺜﻠﻤﺎ ﻛﺎﻧﺖ ﻗﺎﻋﺪﺓ ﻻﻧﻄﻼﻗﺔ ﺭﻓﻴﻘﻚ ﺍﳊﻤﻴﻢ ﺇﺑﺮﺍﻫﻴﻢ ﺗﺄﺑﻄﻬﺎ ﻣﻨﺬ ﺍﻟﻠﺤﻈﺔ ﻫﺬﻩ ﺍﻟﺘﻲ ﻧﺪﻓﻦ ﻛﺘﺒﻚ‬
‫ﺍﻟﻨﺎﺟﻴﺔ ﻓﻲ ﺍﻟﺼﻨﺪﻭﻕ ﺇﻟﻰ ﺣﲔ ﻳﺸﺎﺀ ﻟﻬﺎ ﺍﻟﻘﺪﺭ‪ ،‬ﺗﻨﺎﻭﻟﺖ ﺍﳉﻨﺒﻴﺔ ﻭﻣﺪﺩﺕ ﺑﻬﺎ ﻗﺎﺋﻼﹰ‪ :‬ﻭﻫﺬﻩ ﺧﺎﺻﻴﺘﻚ‬
‫ﻳﺎ ﻋﻢ ﺇﺑﺮﺍﻫﻴﻢ ﻓﺄﻧﺖ ﻛﺒﻴﺮ ﻏﻴﻼﻥ ﻭﺃﺣﻘﻬﻢ ﻓﻲ ﺍﳌﺸﻴﺨﺔ ﻓﻼ ﺗﺒﺘﺌﺲ ﺃﻳﻬﺎ ﺍﻟﺘﻘﺪﻣﻲ ﺇﺫﺍ ﻣﺎ ﻋﺪﺕ ﳌﺮﺍﺑﻊ‬
‫ﺍﻟﻌﺸﻴﺮﺓ ﻭﺍﻟﻘﺒﻴﻠﺔ ﻓﻨﺤﻦ ﻟﻢ ﻧﻐﺎﺩﺭﻫﺎ ﺳﻮﻯ ﻓﻲ ﺍﻟﻜﻼﻡ‪ ،‬ﻭﺃﻧﺖ ﻳﺎ ﻋﻢ ﻳﻮﺳﻒ ﺧﺬ ﻫﺬﺍ ﺳﻼﺣﻚ ﻓﻼ‬
‫ﻳﻮﺟﺪ ﻣﻨﻪ ﺃﺣﻖ ﺑﻪ ﻭﺃﺟﺪﺭ ﻣﻨﻚ ﺃﻳﻬﺎ ﺍﻟﺜﺎﺋﺮ ﺍﻟﻘﻮﻣﻲ ﻓﺮﲟﺎ ﻗﺪﺭﻙ ﻫﻜﺬﺍ ﻣﺜﻞ ﺻﺎﺣﺒﻚ ﺗﺸﻲ ﺟﻴﻔﺎﺭﺍ ﻣﺎ‬
‫ﺇﻥ ﺗﻬﻤﺪ ﺛﻮﺭﺓ ﺣﺘﻰ ﺗﻨﺘﻔﺾ ﻭﺗﺜﻮﺭ ﻣﻌﻬﺎ‪ ،‬ﺃﻣﺎ ﻫﺬﺍ ﺍﻟﺸﻴﺬﺭ ﻓﻬﻮ ﻣﻠﻚ ﺻﺎﺣﺒﺘﻪ ﻓﻤﺜﻠﻤﺎ ﻧﻀﻴﺘﻴﻪ ﻋﻨﻚ‬
‫ﺫﺍﺕ ﻧﺰﻭﺓ ﺛﻮﺭﻳﺔ ﻟﺬﻳﺬﺓ ﻋﻠﻴﻚ ﺃﻳﺘﻬﺎ ﺍﻹﻧﺴﺎﻧﺔ ﺍﻟﺮﺍﺋﻌﺔ ﺍﺭﺗﺪﺍﺀﻩ ﻣﻀﻄﺮﺓ ﻓﺎﻷﺷﺠﺎﺭ ﺍﻟﺒﺎﺳﻘﺔ ﺗﻨﺤﻨﻲ ﻣﺮﺓ‬
‫ﻟﻠﻌﺎﺻﻔﺔ ﻟﺘﺒﻘﻰ ﺇﻟﻰ ﺍﻷﺑﺪ‪ ،‬ﺇﻧﻬﺎ ﺍﻟﻈﺮﻭﻑ ﺫﺍﺗﻬﺎ ﺍﻟﺘﻲ ﺍﺿﻄﺮﺕ ﺍﳌﻠﻜﺔ ﺍﻟﻔﺮﻋﻮﻧﺔ ﻧﻔﺮﺗﻴﺘﻲ ﻟﻼﻣﺘﺜﺎﻝ‬
‫ﻟﻠﻜﻬﻨﺔ‪ ،‬ﻓﺤﺘﻰ ﻭﺇﻥ ﹸﻗﺘﻠﺖ ﲟﺪﻳﺔ ﻛﻬﻨﺔ ﺁﻣﻮﻥ ﺳﺘﺒﻘﻰ ﺍﳌﻠﻜﺔ ﺍﳉﻤﻴﻠﺔ ﻭﺍﻟﻌﺎﺩﻟﺔ ﻭﺍﳋﺎﻟﺪﺓ ﺃﺑﺪﺍ ﹰ ﻓﻲ‬
‫ﺍﻟﺬﺍﻛﺮﺓ‪ ،‬ﻭﻳﺒﻘﻰ ﺍﻟﻜﻬﻨﺔ ﻣﺠﺮﺩ ﺛﻠﺔ ﻗﺘﻠﺔ‪.‬‬
‫ﺃﻏﻠﻘﺖ ﺍﻟﺼﻨﺪﻭﻕ ﻋﻠﻰ ﻛﺘﺐ ﺍﻟﻌﻢ ﻋﺒﺪﻩ ﻭﻗﺒﻞ ﻣﻐﺎﺩﺭﺓ ﺍﳊﺠﺮﺓ ﺗﺄﺑﻄﺖ ﺫﺭﺍﻉ ﺣﺒﻴﺒﺘﻲ ﺃﺷﺠﺎﻥ ﻭﻋﻠﻘﺖ‬
‫ﻣﻨﺘﺸﻴﺎ ﹰ ﺭﲟﺎ ﺑﺎﳋﻼﺹ ﻣﻦ ﺍﻟﻜﺎﺑﻮﺱ ﺍﻟﻠﻌﲔ ﺍﻟﺬﻱ ﻇﻞ ﻳﻄﺎﺭﺩﻧﻲ ﻓﻲ ﺻﺤﻮﺗﻲ ﻭ ﻭﹶ ﹶ‬
‫ﺳ ﹺﻨ ﹾﻲ ﻭﻫﺎﺃﻧﺬﺍ ﺃﺗﺨﻠﺺ‬
‫ﻣﻨﻪ ﺇﻟﻰ ﺍﻷﺑﺪ‪ ،‬ﻗﻠﺖ ﻣﺨﺎﻃﺒﺎ ﹰ ﺃﺭﺑﻌﺘﻬﻢ ﺇﺑﺮﺍﻫﻴﻢ ﻭﻳﻮﺳﻒ ﻭﻋﺒﺪﻩ ﻭﻭﻓﺎﺀ )ﺃﹸﻣﻲ(‪ :‬ﻫﺬﻩ ﺃﺷﺠﺎﻥ ﺍﻟﻌﻔﺔ‬
‫ﻭﺍﻟﻔﻀﻴﻠﺔ ﻭﺍﳉﻤﺎﻝ ﻭﺍﳊﻴﺎﺀ ﺗﺘﺄﺑﻄﻨﻲ ﻓﻲ ﺍﳊﺎﺿﺮ ﻛﻄﻔﻠﺔ ﻭﺩﻳﻌﺔ ﻭﺑﺮﻳﺌﺔ ﻻ ﺗﺪﺭﻱ ﻏﻴﺮ ﺃﻧﻬﺎ ﻫﻜﺬﺍ ﺧﻠﻘﺖ‬
‫ﺗﺎﺑﻌﺔ ﻛﻈﻞ ﺍﻟﺮﺟﻞ‪ ،‬ﻓﻤﺘﻰ ﺃﻳﻘﻨﺖ ﺃﺷﺠﺎﻥ ﺃﻥ ﺍﻟﺸﺮﻕ ﻓﻲ ﺍﻷﺻﻞ ﺃﻧﺜﻰ ﻭﻟﻴﺲ ﺫﻛﺮﺍ ﹰ ﻓﺤﺴﺐ ﺃﺩﺭﻛﺖ‬
‫ﺣﻴﻨﻬﺎ ﺃﻥ ﻓﻲ ﻫﺬﺍ ﺍﳌﻮﻃﻦ ﺷﻲﺀ ﺍﺳﻤﻪ ﺛﻮﺭﺓ؟؟ ﻭﻣﺘﻰ ﻛﺎﻥ ﺍﻟﺴﻤﺎﺀ ﺳﻘﻔﻨﺎ ﺟﻤﻴﻌﺎ ﹰ ﻭﺍﻷﺭﺽ ﻣﻬﺎﺩﻧﺎ ﻛﻠﻨﺎ‬
‫ﺳﺄﺩﻋﻮﻛﻢ ﺇﻟﻰ ﻓﺴﻄﺎﻃﻲ ﺑﺴﻼﻡ ﻭﻭﺋﺎﻡ؟؟ ﺃﻣﺎ ﺃﻧﺘﻢ ﻳﺎ ﺃﺣﺒﺘﻲ ﻓﻘﺪﺭﻛﻢ ﺃﻧﻜﻢ ﻣﺜﻞ ﺻﺎﺣﺒﻜﻢ ﺍﻟﺸﺎﻋﺮ‬
‫ﺍﻟﺘﺸﻴﻠﻲ ﺑﺎﺑﻠﻮ ﻧﻴﺮﻭﺩﺍ ﺍﻟﻘﺎﺋﻞ ﺫﺍﺕ ﺣﻘﺒﺔ ﺛﻮﺭﻳﺔ‪:‬‬
‫ﺍﳉﻤﻴﻊ ﺫﻫﺒﻮﺍ‪ ...‬ﺍﳉﻤﻴﻊ ﺭﺣﻠﻮﺍ‪ ...‬ﺍﳉﻤﻴﻊ ﻣﺎﺗﻮﺍ‪ ...‬ﺇﻻ ﺃﻧﺎ ﻟﻢ ﺃﺫﻫﺐ ﻭﻟﻢ ﺃﺭﺣﻞ ﻭﻟﻢ ﺃﻣﺖ!! ﻛﺬﻟﻚ ﺃﻧﺘﻢ‬
‫ﺍﻷﺭﺑﻌﺔ ﻗﺪﺭﻛﻢ ﺇﻧﻜﻢ ﺃﺣﻴﺎﺀ‪ ،‬ﻓﻤﺜﻠﻤﺎ ﺑﺪﺃﰎ ﻛﻔﺎﺣﻜﻢ ﻋﻠﻰ ﻫﺆﻻﺀ ﺫﺍﺕ ﺗﺎﺭﻳﺦ‪ ،‬ﻫﺎ ﺃﻧﺘﻢ ﻓﻲ ﻣﻮﺍﺟﻬﺔ‬
‫ﺍﻟﺜﺎﻟﻮﺙ ﺍﻟﻘﺪﱘ ﺍﳉﺪﻳﺪ ﺍﻟﻔﻘﻴﻪ ﻭﺍﻟﻐﻮﻟﻲ ﻭ ﺷﻌﻼﻥ –ﺍﻟﻔﻘﻴﻪ ﻋﺒﺪﺍﻟﻜﺮﱘ ﺍﻟﺸﻴﺦ ﻣﻘﻴﺒﻞ ﺍﳉﻬﺎﺩﻱ ﺻﺎﺑﺮ‪-‬‬
‫ﻭﻣﻦ ﺃﻭﻝ ﻭﺟﺪﻳﺪ ﻭﻛﺄﻥ ﺛﻮﺭﺓ ﻟﻢ ﺗﻜﻦ!!!‬
 ‫«‪—€˚ÄÄÄÄÄÄÄæa Â‬‬
‫ﻣﺤﻤﺪ ﻋﻠﻲ ﻣﺤﺴﻦ ‪.‬‬ ‫•‬
‫ﺍﳌﻴﻼﺩ ‪١٩٦٦/٢/١٠‬ﻡ ﻗﺮﻳﺔ ﺍﻟﻘﺮﺿﻲ ﻡ‪ /‬ﺟﺤﺎﻑ ﻡ‪ /‬ﺍﻟﻀﺎﻟﻊ‪.‬‬ ‫•‬
‫ﺍﳊﺎﻟﺔ ﺍﻻﺟﺘﻤﺎﻋﻴﺔ‪ :‬ﻣﺘﺰﻭﺝ ﻭﻟﻪ ﺃﺭﺑﻌﺔ ﺃﺑﻨﺎﺀ ﻭﻫﻢ‪) :‬ﻣﻌﲔ‪ ،‬ﻛﺎﻣﻞ‪ ،‬ﺭﱘ‪ ،‬ﻣﻌﺎﺫ(‪.‬‬ ‫•‬
‫ﻋﻀﻮ ﺍﻻﲢﺎﺩ ﺍﻟﻌﺎﻡ ﻟﻸﺩﺑﺎﺀ ﻭﺍﻟﻜﺘﺎﺏ ﺍﻟﻴﻤﻨﻴﲔ‪.‬‬ ‫•‬
‫ﺻﺪﺭ ﻟﻪ ﺭﻭﺍﻳﺔ )ﺣﻘﻞ ﺍﻟﻔﺆﺍﺩ( ﻧﻮﻓﻤﺒﺮ ‪٢٠٠٧‬ﻡ‪.‬‬ ‫•‬
‫ﻋﻀﻮ ﻧﻘﺎﺑﺔ ﺍﻟﺼﺤﻔﻴﲔ ﺍﻟﻴﻤﻨﻴﲔ‪.‬‬ ‫•‬
‫ﻛﺎﺗﺐ ﺻﺤﻔﻲ ﻓﻲ ﻋﺪﺩ ﻣﻦ ﺍﳌﻄﺒﻮﻋﺎﺕ ﺃﻫﻤﻬﺎ‪:‬‬ ‫•‬
‫ﺻﺤﻴﻔﺔ ﺍﻟﺮﺍﻳﺔ ﻣﻦ ‪٩٤-٩٢‬ﻡ‬ ‫‪-‬‬
‫ﺻﺤﻴﻔﺔ ‪ ٢٦‬ﺳﺒﺘﻤﺒﺮ ‪ ٩٦-٩٤‬ﻡ‬ ‫‪-‬‬
‫ﺻﺤﻴﻔﺔ ﺍﻷﻳﺎﻡ ‪ ٢٠٠٩-١٩٩٦‬ﻡ‬ ‫‪-‬‬
‫ﺻﺤﻴﻔﺔ ﺍﻟﻨﻬﺎﺭ ‪ ٢٠٠٩-٢٠٠٣‬ﻡ‬ ‫‪-‬‬
‫ﺻﺤﻴﻔﺔ ﺍﻟﻮﻃﻨﻲ ‪٢٠٠٨‬ﻡ_‪٢٠٠٩‬ﻡ‬ ‫‪-‬‬
‫ﻛﺎﺗﺐ ﻋﻤﻮﺩ ﻓﻲ ﻋﺪﺩ ﻣﻦ ﺍﻟﺼﺤﻒ ﺍﻷﻫﻠﻴﺔ ﻭﺍﳊﺰﺑﻴﺔ ﻭﺍﻟﺮﺳﻤﻴﺔ‪.‬‬ ‫‪-‬‬
‫ﺭﺋﻴﺲ ﲢﺮﻳﺮ ﺻﺤﻴﻔﺔ ﺍﻟﻀﺎﻟﻊ ﻣﺎﻳﻮ ‪-٢٠٠١‬ﺃﻏﺴﻄﺲ ‪٢٠٠٢‬ﻡ‪.‬‬ ‫•‬
‫ﺭﺋﻴﺲ ﲢﺮﻳﺮ ﺻﺤﻴﻔﺔ ﺍﻟﻮﻃﻦ ‪٢٠٠٩‬ﻡ‪.‬‬ ‫•‬
‫ﻣﺪﻳﺮ ﻋﺎﻡ ﻣﻜﺘﺐ ﻭﻛﺎﻟﺔ ﺍﻷﻧﺒﺎﺀ ﺍﻟﻴﻤﻨﻴﺔ ﺳﺒﺄ ‪٢٠٠١-٢٠٠٠‬ﻡ‪.‬‬ ‫•‬
‫ﻣﺪﻳﺮ ﻋﺎﻡ ﻣﻜﺘﺐ ﺍﻹﻋﻼﻡ ﻡ ‪ /‬ﺍﻟﻀﺎﻟﻊ ﻳﻨﺎﻳﺮ ‪ ٢٠٠٣‬ﻡ ‪٢٠٠٩-‬ﻡ‪.‬‬ ‫•‬
‫ﻧﺎﺷﻂ ﻭﻣﺴﺌﻮﻝ ﻓﻲ ﻋﺪﺩ ﻣﻦ ﺍﳌﻨﻈﻤﺎﺕ ﻭﺍﳉﻤﻌﻴﺎﺕ ﻭﺍﻟﻠﺠﺎﻥ ﺍﳊﻘﻮﻗﻴﺔ ﻭﺍﻟﺜﻘﺎﻓﻴﺔ ﻭﺍﻹﻧﺴﺎﻧﻴﺔ‬ ‫•‬
‫ﺃﻫﻤﻬﺎ ﻋﻀﻮ ﻣﻨﻈﻤﺔ ﺍﻟﻌﻔﻮ ﺍﻟﺪﻭﻟﻲ ﻣﻨﺴﻖ ﺍﻹﻋﻼﻡ ﻣﺠﻤﻮﻋﺔ ﺍﻟﻀﺎﻟﻊ‪ ،‬ﺃﻣﲔ ﻋﺎﻡ ﺟﻤﻌﻴﺔ ﺣﻤﺎﻳﺔ‬
‫ﺍﻟﺒﻴﺌﺔ‪.‬‬