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Elegantia juris, 1961
Elegantia juris, 1961
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Bibliotheque de l'Universite Laval
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NORTHERN IRELAND LEGAL QUARTERLY
Elegantia Juris
No one supposes that an affidavit or a notice to quit or a case
stated could ever be a "a thing of beauty and a joy for ever".
The documents of the law are precise and practical things and do
not easily lend themselves to that indefinable thing called "style"
which marks the distinction between literature and reading
matter. Even the judgments of Her Majesty's judges, though
usually-but not always-lucid and well-constructed, would not
rank as works of art, though Lord Macnaghten did get one of his
speeches into the Oxford Book of English Prose.
But even if a pedestrian legal document cannot hope to qualify
as an example of great writing there is no reason why it should be
carelessly prepared and shoddily presented. Yet experience shows
that lawyers are too often satisfied if their documents are effective
for the purpose for which they are framed, and the elegance of the
documents is not merely of secondary importance but of little
importance at all.
We are not here concerned with mere draftsmanship. Drafts-
manship is an art which can be learned, though in very few cases
is it deliberately learned. Courses of lectures in draftsmanship are
almost unknown and most lawyers are left to pick up the technique
as best they can by imitation and experience. The art of drafts-
manship lies in two parts-the general and the particular. The
general part is that by which ideas are logically and lucidly con-
veyed by writer to reader: the principles in this part will be the
same whether one is drafting an Act of Parliament or a recipe for
making plum cake. The particular part is that by which the writer
manipulates the verbal tools of his trade: it is in this part that the
lawyer draftsman relies on his knowledge of the legal effect of the
words and phrases he uses.
But when the lawyer has produced his draft the next thing is to
get it into the form of a fair copy. This is the document which is
going to be submitted to the scrutiny of the other side, to the
scrutiny of the court, and in some cases, through the medium of
law reports, submitted to the scrutiny of the public. It is at this
stage that inelegancies begin to creep in, sometimes through the
fault of the draftsman and sometimes through the fault of his
typist.
The most obvious inelegancy is that of misspelling (itself often
wrongly put down as "mispelling"), and for this there is clearly
NORTHERN IRELAND LEGAL QUARTERLY