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Preface vii
learning while reading and reflecting, and Chapter 4, a good PEO fit among client, craft environment, and
“Establishing Readiness for Practice,” invites learning craftwork, practitioners make modifications related
by doing—whether individually, in pairs, or in groups. to the physical environment, social environment, and
contextual influences surrounding a client’s views.
Chapter 1 The Mindfulness That Empowers Crafts
Numerous examples, whether related to lighting, guests
The rationale chapter. Discussion within this chapter
in the treatment room, or gender differences, illustrate
touches first on lessons drawn from instances of mind-
these adjustments.
less practice. In contrast, mindfulness in occupational
Modifications also occur because of client challenges
therapy emerges as an attentive and careful engagement
in motor, process, or social interactional skills, as well
in understanding, activity analysis, and synthesis. The
as to emotional and sensory functions. Practitioners
understanding needs to be deep, the analysis logical,
modify or grade craft demands to make them more
and the synthesis imaginative so that these functions
challenging for skill development or less difficult to
can together help practitioners humanize daily prac-
enable performance. Casework, practice examples,
tice, set a scope and direction for sound therapy, and
and appendices featuring physical and mental health
show clients that they care. Throughout the chapter,
conditions elaborate purposeful grading and its effects
interactive features, historical highlights, and practice
on outcomes.
stories elaborate the mindfulness of these functions.
When engaged in individualized craft interventions,
Best practice reaches past the hands of clients—the
clients make positive shifts in health, becoming craft-
purpose of therapy—to engage their hearts—the mean-
ers with choice while occupied in productive work.
ingfulness that clients seek. Basic to such practice is
Mindful crafts can enhance such outcomes in most
a process of “really getting” the profession’s guiding
group types through a process of therapeutic framing,
beliefs and then enacting principles from holistic and
crafting, and meaning making, which are well detailed
client-centered models. The PEO model, with its call for
in this chapter. A comprehensive checklist for leading
goodness of fit, and the recovery model, with its press
mindful craft sessions concludes this discussion.
for empowerment, inform the logic of our analysis and
fuel the imagination in our synthesis, turning crafts
into best practice occupational therapy.
Chapter 3 Making Craftwork Feasible
The pragmatics chapter. Discussion within this chapter
This chapter’s discussion culminates in a step-by-
targets practical matters associated with using crafts to
step analysis of one craft within a well-considered
include opposing attitudes, administrative challenges,
intervention. To assure deep understanding, readers
and constraints in resources such as supplies, space,
engage in a parallel analysis of a second craft interven-
and time. Practitioners successful in implementing
tion, attending to the 12 points of consideration that
craftwork adopt and promote mindsets that foster
structure the guidelines in this book. The authors’ views
openness and creativity. They engage in cognitive,
of both analyses yield helpful feedback. Following the
interpersonal, and marketing strategies that support
analyses, readers engage in an introduction to imagina-
craft programs. Numerous examples of these strategies
tive synthesis, with author feedback.
appear in this chapter.
Chapter 2 Making Craftwork Therapeutic Practitioners of crafts gain administrative support.
The intervention chapter. Discussion within this They enact mindful approaches to honoring the institu-
chapter turns to how imaginative synthesis “works,” tion’s culture, sharing evidence about crafts, securing
how practitioners connect with the client and make reimbursement, and respecting financial constraints.
modifications to fit each person uniquely. Elaboration of For each approach discussed, readers will find examples:
therapeutic measures occurs within practice scenarios a strategy for writing proposals aligned with mission
that illustrate (1) therapeutic use of self; (2) goodness statements, a craft-based documentation process for
of fit among clients, environments, and crafts; and (3) writing goals and recording progress, an excerpt from
positive shifts toward health. Concrete examples, inter- a letter of appeal, a sample of a budget for supplies,
active features, and helpful hints move discussion of the a listing of low-cost materials and free discards, and
PEO and recovery models from theoretical principles ideas for organizing and improvising work spaces and
to practical applications. storage. Management of time constraints includes a
A practitioner’s use of self can reflect many therapeu- process for minimizing or dividing mindful crafts to
tic intentions. Resources in this chapter apply constructs accommodate 15- to 20-minute sessions. A starter kit
from the Intentional Relationship Model to show how of crafts that use only coloring or collage may appeal
using the self can “work” during crafts. When making to those starting from scratch. Because of this chapter’s
viii Preface
aims, all points of discussion or interaction help make control trials (RCTs) and other quantitative inquiries
crafts do-able. have occurred in highly diverse contexts, from clinical
settings to research think tanks. Studies of handcrafts
Chapter 4 Establishing Readiness for Practice
used therapeutically among individuals with diverse
The application chapter. This chapter offers in three
conditions have used a broad range of designs; RCTs
parts opportunities to practice logical activity analysis
are the least represented, qualitative methods the most.
and imaginative synthesis that includes therapeutic
Research findings about the benefits of craftwork
modifications. This chapter shows how purpose and
support most assumptions made in early chapters of
meaning can come together. Part 1 offers resources that
this book. The assumption that crafts benefit social
make mindful crafts replicable. Each of 10 application
interactional skills is borne out, but effects on process
tables is followed by an interactive exercise that pro-
and motor skills need more investigation. The following
motes its use. The interactive exercises consider imple-
earned support: Handcrafts meet diverse preferences,
mentations of mindful crafts among a woman combat
unique needs, and wide-ranging goals; are engaging,
veteran, a man with bipolar disorder, an older woman
from mildly absorbing to causing flow; divert attention
with arthritis, a group in an assisted living facility, a
from anxiety, sorrow, and other disruptive challenges;
middle-aged man with traumatic brain injury, a young
transform a client into an active and productive doer;
mother on bed rest, a group of individuals with spinal
invite expression of the self; are purposeful and mean-
cord injury, and an older man with left cerebrovascular
ingful in their process and outcomes; and affirm an
accident. Author feedback follows the exercises. Part
individual as a maker. The preponderance of evidence
2 presents photos of 14 therapeutic modifications in
related to handcrafts in health care to date supports
action, with a request that readers identify client chal-
its positive effects on health of the mind regardless of
lenges to skills or functions that might warrant these
primary presenting condition.
adjustments.
Part 3 consists of realistic practice challenges that
promote integrative thought. The seven challenges, The Craft Sections
with the client noted parenthetically, are these: Analyze Sections II, III, and IV each include two craft chapters.
three crafts and select the best (bipolar disorder in a Together these chapters offer 80+ craft guidelines
young man), record observations and suggest modifi- organized according to the PEO model.
cations (developmental delay and low vision in a young
woman), grade tasks and give environmental supports Section II: Craft Interventions With the Person
(deconditioned status in an older man), identify client in Mind
interests and therapeutic crafts (outpatient group for Chapter 6 Crafts With Interwoven Reflections on
a variety of conditions), consider safe practice in a Personal Themes
restricted environment (conduct disorder in a teenaged Chapter 7 Crafts With Preparatory Reflections on
boy), resubmit a SOAP note for reimbursement (post- Personal Themes
surgical hand and posttraumatic stress syndrome in a
middle-aged man), and lead or co-lead a mindful craft Section III: Craft Interventions With the Person’s
group using guidelines in this book (peers in student Environments in Mind
groups or clients in fieldwork settings). Again, author Chapter 8 Crafts With Interwoven Reflections on
perspectives on each challenge offer helpful feedback. Environmental Themes
Chapter 9 Crafts With Preparatory Reflections on
Chapter 5 The Evidence That Supports Crafts
Environmental Themes
The research chapter. This chapter consists of a review
of published research on handcrafts used therapeuti- Section IV: Craft Interventions With the Person’s
cally. The chapter models a professional literature review Occupations in Mind
while interspersing salient historical and anecdotal nar- Chapter 10 Crafts With Interwoven Occupational
ratives as special features. Research on mindful crafts Reflections
used among clients and students leads the discussion.
Chapter 11 Crafts With Preparatory Reflections on
Informative tables clarify research results on mental
Occupational Themes
and physical health outcomes and will be helpful to
readers. Each craft chapter offers an introductory overview, an
Highlights from the review include the following. index of 12 to 15 crafts with a difficulty rating, pho-
Despite challenges associated with their use, randomized tographs that showcase crafts and clarify instructions,
Preface ix
and detailed guidelines for conducting interventions, format appeals to those seeking educational
grounded in the PEO and recovery models and reflect- content in occupational therapy. If practitioners
ing these points of consideration: prefer 60-minute sessions, they may invite clients
♦ PEO focus for the intervention to complete the written exercise before the session.
♦ Mindful theme that names and frames the session Additionally, both the exercise and discussion may
♦ Required actions within the craft that point to an be transformed into interwoven work, as seen in
appendix of related skills and functions Chapters 6, 8, and 10.
♦ A cue to formulate client-specific skill-building
goals The Appendices
♦ Mindful goals for the intervention Expedite key functions. The appendices can prompt
♦ Introduction that sets the stage for a mindful a swift implementation of the mindful crafts in this
session book while helping practitioners to easily generalize a
♦ Questions or exercises that prompt person- process that will make many other crafts mindful.
centered reflection on the mindful theme
♦ Identification of tools and supplies (and patterns Appendix A: Broad Required Actions With
if needed) Performance Skills and Body Functions
♦ Sequential instructions directed at the participant Analyze potential. This appendix is the outcome of an
♦ Troubleshooting tips that alert practitioners to analysis of all of the actions required during completion
potential challenges of the crafts in this book. Forty required actions, such as
♦ Comments to foster reflection during quiet cut with scissors and stir liquid, were then further ana-
moments lyzed to specify their demands on performance skills
♦ Suggestions for an interactive conclusion and bodily functions. Practitioners can use this resource
♦ Variations possible when planning the session to consider and tap the therapeutic potential of crafts.
The learning-by-doing craft chapters. All six craft Appendix B: Modifications to Address Challenges
chapters are designed to be used by readers, whether
students or practitioners. Distinctions between the two
With Required Actions
Meet client needs. Alongside the actions required by
complementary craft chapter types within each section
the crafts in this book, this appendix notes various
are these:
modifications that enable client performance. This
Chapters 6, 8, and 10 with logical and imaginative resource can guide practi-
interwoven reflections tioners in making adjustments to accommodate client
difficulties with process, motor, and social interactional
♦ The typical time for conducting each session is 60
skills and sensory as well as emotional functions.
minutes. Some interventions may require more
than one session. Appendix C: Analysis of Distribution of Required
♦ In these sessions, most didactics and client- Actions for Crafts in This Book Organized by
centered reflections are informal and woven into
PEO Themes
the intervention. This format accommodates
Capture purpose and meaning. This index identifies at
clients for whom formal written work and
a glance some 5 to 20 actions required by each mindful
discussion might be overly challenging or
craft, depending on its complexity. The organization of
distancing. For clients preferring more formal
the index highlights themes from the PEO model that
learning strategies, practitioners may formalize
imbue crafts with meaning: person (self-concept and
this interwoven work into written exercises and
self-determination), environment (physical, social, and
discussion periods, as seen in Chapters 7, 9,
societal and cultural), and occupation (self-maintenance,
and 11.
self-fulfillment, and self-expression). Using this resource,
Chapters 7, 9, and 11 with practitioners can readily choose interventions with
preparatory reflections purposeful actions and meaningful themes.
♦ The ideal time for conducting the full session is 90 Appendix D: Actions and Skills Tapped by Craft-
minutes. All interventions take one session. Related Housekeeping Tasks
♦ During the first 30 minutes of these sessions, Enable adjunct occupations. Part 1 of this resource
clients complete a written didactic or reflective examines the demands of several daily living tasks such
exercise and engage in a brief discussion. This as wipe surfaces clean and deposit trash in receptacle that
x Preface
surround and support craft use. Part 2 offers modifica- chapter and share author feedback related to clusters
tions that make these tasks do-able despite performance of Your Turns. Not to be construed as rigid “answers,”
challenges with process, motor, and social interactional Our Views are just that—views of two seasoned practi-
skills or sensory and emotional functions. Practitioners tioners on the Your Turn prompts. Although typical of
can use this integrative work to plan sessions that how many practitioners might respond, Our Views are
enhance participation and affirm occupation. not beyond question and invite discussion.
At the end of Chapter 1 and throughout Chapter 4,
Appendix E: Group Facilitation and Leadership the Your Turns become more complex opportunities
Rating Version A for the kinds of application that deepen knowledge and
Get or give feedback. This rubric allows an individual understanding. In these instances, Our Views continue
to acquire or give feedback on performance in leading to offer practitioner perspectives as opposed to fixed
a mindful craft session. The form allows the rating of solutions.
some 60 practitioner functions clustered into 6 catego-
ries. The Likert scale (5 = performed exceptionally well Drawing our Past Forward
to 2.5 = performed fairly well) is skewed in a positive In Chapters 1, 2, 3, and 5, boxes titled Drawing our Past
direction. Instructions specify a method of noting Forward showcase historical narratives linked to the
functions well done or in need of improvement. discussion. Here, founders, professional leaders, and
practitioners from different decades describe perspec-
Appendix F: Group Facilitation and Leadership tives or practices from earlier times. These highlights
Rating Version B draw forward into the present a still-keen insight.
Give or get feedback. This rubric also allows an indi-
vidual to give or acquire feedback on performance in A Story
leading a mindful craft session. Performance of some In Chapters 1, 2, and 5, boxes titled A Story feature
45 practitioner functions clustered into 5 categories can sometimes inspiring but always interesting anecdotes
be rated using a clear checklist format. Points allotted about clients engaged in crafts or practitioners involved
to each category and totaling 100 translate readily to in research. A few stories are ours, but most are contri-
an academic grade. butions that have come from colleagues eager to share
a story.
The Book’s Special Features
Ancillaries
Your Turn and Our View
In Chapters 1 through 4, Your Turn features offer For the Instructor
pauses in the reading that focus and provoke thought. Assets housed on DavisPlus and available through
These features mimic exchanges that many educators your instructor’s login include an Instructor’s Guide,
use at 15-minute intervals during interactive lectures. PowerPoint slides for Chapters 1 to 5, additional Prac-
Your Turns invite critical thinking to fuel discussion or tice Challenges similar to those in Chapter 4, an Image
reflection that leads to awareness. Bank that includes all photographs in the book in their
Working in tandem with the Your Turns are the original full color, and test questions.
Our View features. These follow discrete sections of the
REVIEWERS
xi
xii Reviewers
The act of acknowledgment turns on gratitude. To whether immersed in careers, living on the streets, or
acknowledge others is to recognize them, declare a newly released from prison. Adding symbolism to each
receipt of gifts from them, disclose positive truths about project seemed a good way to forestall complaints about
them, and express to them deep thanks. In the spirit the irrelevance, condescending nature, or childishness
of being mindful, we acknowledge others in the full of crafts. The idea worked beautifully!
sense of the word. We recognize, declare, and disclose We acknowledge those who guided us in the making
the generosity of many, and we express to them our of this book. We launched and finished the work with
deepest thanks. the help of able editors. F.A. Davis senior acquisitions
We first acknowledge the power that an occupation editor Christa Fratantoro saw promise in our proposal,
can have in bringing people together. We discussed shepherded it to acceptance, and helped us set a path.
writing a book once during casual conversation at a Jill Rembetski, our developmental editor, organized
state conference. We had never before worked together, and led the review process, anticipated and answered
but we had both come to a similar understanding of endless questions, and guided our steps with gentle
how adding deeper meaning to crafts enhanced their insight. We thank Margaret Biblis and George Lang
worth. Our two years spent in the making of this book for their leadership and direction. We thank design
have forged a friendship for which we are grateful. editor Carolyn O’Brien and art editor Kate Margeson
We acknowledge our photographer, Ann Nikirk, for enhancing the visual appeal of our work and Sharon
who captured so well the images of our crafts and our Lee and Lisa Thompson for moving our work toward
grasp of mindfulness. Ann’s developing belief in the production. We also acknowledge F.A. Davis staff Alisa
power of occupation and mindful crafts was a resound- Hathaway and Nichole Liccio who helped us to make
ing endorsement that moved us toward completing our necessary connections without which the book would
work. We asked Ann to share an image of herself while not have emerged.
at work and in flow, and that photo appears in Figure We acknowledge individuals who met our need for
1-4 in Chapter 1. expertise in practice areas that complement our own.
We acknowledge the influence of those individuals These clinicians and educators include Beatriz C. Abreu,
who led each of us to the idea of infusing meaning into OTR, PhD, FAOTA; Kira Beal, OTD, OTR; Debbie
crafts—whether intellectual or emotional. For Cynthia, Buckingham, OTR, MS, CVE, CCM, CRC; April C.
that idea germinated while working among able team Cowan, OTR, OTD, CHT; Barbara M. Doucet, OTR,
members who forged an ever-increasing clarity about PhD; Tina Patel Gunaldo, PhD, PT, DPT, MHS; and
the benefits of using metaphor to add meaning to Shama Lawji, MOT, OTR. We hope that these experts
craftwork. These individuals include Martha Diskin, see that we used their suggestions to good advantage.
MA, OTR; Anna Olson, MOT, MBA, OTR, CLT; Susan We acknowledge the generosity of others to whom
Ennist Dobbs, MOT, OTR; and Claudette Fette, PhD, we turned for help. We thank practitioners who
OTR, RCC. For Suzanne, preparing to work with a new shared experiences with crafts that became Our Story
population was the prompt. The prospect of making features. The clinical stories of Beatriz Abreu, OTR,
crafts meaningful for what might be a tough and PhD, FAOTA; Whitney-Reigh Asao, PhD, OTR; and
mixed audience—women recovering from addictions, Paula McComb, OTR added to the deep understanding
xiii
xiv Acknowledgments
that we sought. Another group deserving our thanks our mothers in a special way. Cynthia thanks Darlene
is a circle of friends in Northern Texas who willingly Biondi Evetts, whose longtime engagement in crafts,
engaged in many of our crafts, helping to tweak our whether in making home life festive or making con-
instructions and make samples that let us capture crafts tributions within the community, taught her children
“in progress” with photos. These individuals include the worth of crafting. When in rehabilitation during
Vivienne Pitts; Carol Griffith; Shann Shubert; and the last months of our writing, Mrs. Evetts used crafts
Madeleine, Julianne, and John Nikirk. suggested by Cynthia and then taught them to others
We acknowledge the work of graduate occupational in the setting. Suzanne is grateful to Loretta Bernier
therapy student assistants Megan Gay Crisson, Emily Peloquin, whose able hands as hair stylist and gardener
Miller, and Dora Alcacio. Their devotion to this book turned to satisfying artwork in her brief retirement. Her
was clear in their search and review of literature, format- giving nature and gentle soul are well-remembered by
ting and reformatting of documents, data management all who knew her. The nurturing spirits of these two
from student surveys, and feedback on the clarity of strong women course through our book as we aim to
craft instructions. When this book comes to print, all gently persuade and imaginatively lead.
will have moved on to practice where we hope that they We hope that we have made count of the bless-
use mindful crafts. ings that we have received. The greatest blessing that
We acknowledge with deep thanks the support of might come from this book is a widespread embrace
friends and family who encouraged us and understood of mindful crafts, in which case our gratitude will turn
our need to spend time in “book mode.” We acknowledge to readers like you.
TABLE OF CONTENTS
SECTION 1: Mindful Principles and Modifications to the Craftwork 53
Processes 1 Attend to Personal Relevance 53
Consider the Suitability of Tools 54
Chapter 1: The Mindfulness That Empowers Consider Objects and Their Properties 54
Crafts 3
Think About Sequence and Timing 55
Mindfulness and Mindlessness 4
Mindfulness Defined, Described, Attend to Safety Issues 55
and Illustrated 4 Grade Crafts With Two Directions
Mindlessness in Health Care 6 in Mind 56
Mindlessness in Occupational Therapy 8 Make a Fit That Leads to Performance:
A Case 60
The Understanding That Empowers
Occupational Therapy 9 Modifications Within the Person:
Understanding Persons and Their Positive Shifts Toward Health 62
Occupational Natures 10 A Healthy Shift in Role 63
Understanding Our Guiding Beliefs 11 A Healthy Shift in Participation 64
Insights From Holistic Person- Group Approaches to Craftwork 67
Centered Models: Person- Formal Population-Centered Groups 68
Environment-Occupation and Informal Population-Centered Craft
Recovery 12 Groups 71
Understanding Ourselves 14 Formal Setting-Specific Therapy
The Logical Analysis and Imaginative Groups 71
Synthesis That Empower Informal Setting-Specific Groups 72
Occupational Therapy 16
Informal Social Gatherings 72
Logical Assumptions About the
Therapeutic Potential of Craftwork 16 The Process of Mindful Craft Groups 73
Framing 73
Analysis of Each Craft 22
Crafting 75
Analysis of Each Craft Intervention 28
Meaning Making 77
Imaginative Activity Synthesis 29
Establishing Client-Centered Purpose 34 Summary 84
Discerning Meaning as Part of
Synthesis 35
Chapter 3: Making Craftwork Feasible 87
Personal Mindsets That Make Crafts
Summary 38 Do-Able 88
Create New Categories 88
Chapter 2: Making Craftwork Therapeutic 41 Be Open Minded 90
The Therapeutic Process Within Crafts 42 Take Control Over Context 92
Therapeutic Use of Self 42
Be Process Oriented 92
Creating a Good Fit 43
See Oneself as Savvy: Enhance
Modifications to the Craft Environment 47 Personal Skill 93
The Physical Environment 48
Mental Locks That Put Crafts at Risk 96
The Social Environment 49 Pathways to Administrative Support 98
Influential Contexts 50 Honor Institutional Culture 98
xv
xvi Table of Contents
Mindful Principles
and Processes
CHAP TE R
1
The Mindfulness That
Empowers Crafts
Guided by the belief that occupational therapy is a personal
engagement, we enable occupations that heal.
LE A R NING O U TC O MES
1. Distinguish between mindful and mindless health-care practices.
2. Identify longstanding aspects of mindfulness in occupational therapy practice.
3. Elaborate a deep understanding of persons and their occupational natures.
4. Identify the guiding beliefs and person-centered models that shape best practice.
5. Describe the relationship between conscious and therapeutic use of self.
6. Offer logical assumptions to support the therapeutic use of crafts.
7. Apply logical activity analysis to a given craft.
8. Describe the principles of imaginative activity synthesis.
9. Elaborate the manner in which crafts can be made mindful.
When it comes to making interventions work, practi- of therapy. And we must also turn inward so as to
tioners must be mindful. To be true to the meaning of understand ourselves and how we work with others.
the term, they must be attentive and aware. They must This aspect of mindfulness helps us become caring.
be careful. They must heed the mindful functions of Beyond this threefold understanding, our mindful-
practice. More specifically, occupational therapy prac- ness extends to logical analysis and imaginative synthe-
titioners must honor three dimensions of mindfulness: sis. We must use logic to analyze the demands of an
(1) a deep understanding of persons and therapy, (2) occupation, activity, or task and identify the skills and
logical activity analysis, and (3) imaginative activity functions needed to meet those demands. This aspect
synthesis. In this chapter, we elaborate the meaning of of mindfulness gives purpose to our therapy. We must
each after sharing this overview. then turn to those who seek our care. Clients bring
Consider first the need to understand or “really get” to therapy unique needs and strengths. Clients tell us
some things. As occupational therapy practitioners, we what has meaning. We must work imaginatively with
must understand persons, their occupational natures, them to synthesize our knowledge of therapy and their
and the unsettling disruptions that occupational chal- grasp of their situations. This aspect of mindfulness
lenges cause in a life. This aspect of mindfulness human- individualizes therapy and makes it engaging. The
izes therapy. We must next understand the guiding ensuing goodness of fit—best practice—has healing
beliefs of occupational therapy and the action-oriented power.
principles drawn from person-centered models. This Can practitioners use craft interventions mindfully?
understanding sets the depth, scope, and direction This book is our “Yes!” In this chapter, we make our
3
4 SECTION ONE ✍ Mindful Principles and Processes
Imaginative
activity
synthesis
MINDFUL
CRAFTWORK
FIGURE 1-1 The mindfulness that empowers crafts. FIGURE 1-2 Mindful threading of a needle.
CHAPTER 1 ✍ The Mindfulness That Empowers Crafts 5
undertow that can pull us from such regard. Stories Thankfully, instances of caring occurred, even during
shared by those seeking care suggest that caregivers can difficult times. This one affirms a hasty handcraft:
be mindless. We hear such stories at family gatherings,
As I slept, a nurse took the cloth wrapping
on elevators, and in waiting rooms. In stories thought
off a sterile instrument. He smoothed out the
uncaring, concern for the person’s experiences, feelings,
material. He painted with a blue flow pen a
and needs is not primary, preempted by matters thought
moon face with wide eyes and an enormous
more pressing (Biro, 2000; Casillas, 2006; Cole, 2004;
crescent smile. He climbed over my bed. He
Gazella, 2004; Hill, 2006; Ivančić, 2006; Martensen,
climbed over my plants and hung this banner
2008; Sonkë, Rollins, Brandman, & Graham-Pole, 2009;
down from my window, using the extra-wide
Srivastana, 2011). Surely no caregiver intends harm,
masking tape. It was the first thing I saw in the
but many engage in hurtful behaviors. In a hallmark
morning. (Lee, 1987, p. 111)
statement, physician Seymour Sarason (1985) wrote:
In most cases of uncaring, a regard for something other
In a vague, inchoate way, people feel and
than the patient’s concerns prevails. Note Sarason’s take:
know that the clinical endeavor has become
Helpers are both cause and victim (1985). Caregivers
problematic, that those who are in helping roles
struggle. They name societal and institutional forces
are both cause and victim, that something is
that pull them from caring. Three seem dominant:
wrong somewhere, and that far from getting
(1) an emphasis on logical fixing; (2) an overreliance
better, it seems to be getting worse. (pp. 203–204)
on methods and protocols; and (3) a health-care system
During the 1980s and 1990s, many individuals went driven by business, efficiency, and profit (Buckly, 2011;
public with health care narratives that clarified the Crossen & Tollen, 2010; Frampton, 2009; Gazella, 2004;
problem and shed light on its nature and causes. Those Muñoz, 2006; Peloquin, 1993b; Sonkë et al., 2009;
stories decried actions thought uncaring: (1) failure to Srivastana, 2011).
see injury, illness, and chronic conditions as having Each of these three dominant forces carries a concern
deeply personal consequences; (2) failure to attend to vital to best practice. Health-care problems must be
that which patients want to share; (3) establishment of a solved; sound methods must shape treatment; institu-
distance that feels cold and dismissive; (4) withholding tions must have business sense. But when logical fixing,
of information that patients deem important; (5) use scientific methods, or profit-first ideas stand at the
of brusque manners; and (6) misuse of professional center, patients feel displaced. Even when unintended,
power (Peloquin, 1993a). More recent stories affirm the the mindlessness hurts. Often client and caregiver feel
same complaints (Biro, 2000; Casillas, 2006; Cole, 2004; pain, as in this more recent example:
Gazella, 2004; Hill, 2006; Ivančić, 2006; Martensen,
Five months of clerkships had shown me that
2008; Sonkë et al., 2009; Srivastana, 2011). Each com-
the ideal patient-doctor relationship ... crumbles
plaint targets a form of being inattentive to or unaware
under the demands of ward work. I had already
of something, of being careless toward someone.
begun to place my efficiency, interests, and
A narrative seems apt, and Arnold Beisser’s (1989) is
performance ahead of the patient’s feelings and
a classic. A physician and former tennis champion who
questions. ... I felt ashamed that we had neither
contracted polio just months before the vaccine hit the
listened, nor made her feel comfortable, nor
market, Beisser thought his hospital time quite grim:
prepared her in the slightest for a diagnosis that
I would call the nurse and ask for another we knew she wouldn’t understand. (Muñoz,
blanket to cover me. The room seemed 2006)
comfortable to her, so she would doubt my
Reform has accelerated since the “unraveling of health
judgment. In order to check, she would usually
care” in the mid-1990s when the “miracle of the managed
reach down to feel my leg. Then she would say
care marketplace did not deliver” (Morrison, 2000).
something like, “Oh, it’s all right, you’re not
Changes have included a proliferation of satisfaction
cold.” (pp. 18–19)
surveys, accountability proposals, “customer training
His perceptions of feeling cold were dismissed. His workshops,” and recognition and reward programs for
bodily experience was ignored. The nurse’s attention to caring behaviors. We have a long way to go, with Press
his room and skin temperature preempted his discom- Ganey Associates’ (2013) special reports affirming the
fort. Professional coldness prevailed. How differently need for a deeper understanding of client sentiment
might Beisser have felt with the gift of a blanket! than that offered by satisfaction measures.
8 SECTION ONE ✍ Mindful Principles and Processes
In the context of this discussion, Planetree, a non- repetitions, “It was just as punishing for me to have
profit facilitator of patient-centered care in settings to execute them as it had been in the beginning” (p.
worldwide, is worth noting (Frampton, 2009). In an 167). He had hoped to savor gains, but the protocol for
effort to transform hospital stays into healing events, strength discouraged him.
developers envisioned Planetree hospital designs, both A patient’s poem, “Occupational Therapy” (McClay,
architectural and programmatic, as venues for patient- 1977), featured an elderly woman’s case and her reflec-
centered care. Seeing hospital wards as prison-like, tion about her therapist. Consider this excerpt:
designers reimagined them as healing spas. Planetree
Preserve me from the occupational therapist,
centers offer massages, greenery, and airy spaces filled
God ...
with stunning artwork. In many sites, arts and crafts—
“Please open your eyes,” the therapist says,
from scrapbook making to using craft kits—reflect the
“You don’t want to sleep the day away.”
belief that art enhances outcomes. Relationship-centered
As I say, she means well ...
care is a dominant theme in Planetree philosophy, and
She wants to know what I used to do,
deeply human connections are encouraged (Frampton,
Knit? Crochet?
2009; Harvey Picker Center, 2013; Ulrich, 2009).
Yes, I did all those things,
And cooked and cleaned
And raised five children,
Your Turn 1-4 And had things happen to me.
Call to mind any instance during a health-care Beautiful things, terrible things,
event when you experienced or saw real I need to think about them. ...
caring. What was it about the behavior that Arrange them on the shelves of my mind.
seemed caring to you? The therapist is showing me glittery beads,
She asks if I might like to make jewelry. ...
She’s a dear child and she means well,
So I tell her I might
Mindlessness in Some other day. (pp. 107–108)
Occupational Therapy Because the therapist never heard this woman’s needs,
Occupational therapy practitioners have shared angst attending to them was impossible.
similar to that faced among medical caregivers. Some
have asked:
Are occupational therapists today meeting the Your Turn 1-5
needs of the rehabilitation population ...? Or What suggestion do you have about
are we compartmentalizing our services on the something that this young therapist might
basis of our own need for neat tidy treatment have said or done differently?
plans that fit our expertise and selective mission
of our institution? (Boyle, 1990, p. 941)
A case described by Diane Parham (1987), rounds out
Because we argue that crafts can be mindful, we first
this triad. Parham spoke of June Kailes, director of
share three cases of craftwork run amuck. Later, we’ll
an independent living center, as a “talented and intel-
explore the manner in which each case might have
ligent woman who happened to have cerebral palsy”
been mindful. The first case concerns a writer with
(p. 556). Parham reflected on Kailes’ time in occupa-
Guillain-Barré syndrome, the second a bright woman
tional therapy.
in a nursing home, and the third a professional leader
with cerebral palsy. In each case, therapy missed its Her recollection of therapy is that she was
mark. asked repeatedly to drill on tasks like putting
Heller and Vogel (1986) described Heller’s experi- beads into jars, presumably for coordination:
ence with occupational therapy for Guillain-Barré “Anybody could see that wasn’t going to be my
syndrome. As soon as he could complete seven steady thing!” Why had no one attempted to help her
repetitions of sanding on a block of wood, the therapist channel her considerable intellectual abilities
replaced the sandpaper with a coarser grade, increas- toward more satisfying goals? (Parham, 1987,
ing the difficulty of his work. Heller wrote of those p. 556)
CHAPTER 1 ✍ The Mindfulness That Empowers Crafts 9
Occupational therapy was meaningless rote, Kailes’ This was a big challenge to both of us. ... To
grasp of its purpose notwithstanding. our mutual amazement, the choker ... looked
In the face of such stories, we must ask: Have occu- great. J. wore it with pride and received many
pational therapy interventions become like mindless compliments. This activity not only transformed
driving on familiar highways? Are we so skilled in a handful of beads into a necklace, but it also
routine methods that we intervene on autopilot? Do transformed J.’s role from a passive patient
we ask the same questions and use the same methods to an active teacher. It was a truly wonderful
without seeing diverse preferences, unique needs, experience ... one I will never forget. (p. 5)
and wide-ranging goals? Or have we been swept into
mindless currents in health care? Do we narrow the
depth and scope of our practice when pressed to first The Understanding
and foremost fix problems, honor protocols, and rack That Empowers
up productivity? Do our expertise and institutional Occupational Therapy
bottom lines trump patients’ needs? Does our daily
Earlier we laid out the mindfulness that makes inter-
practice pull us from caring?
ventions “work.” We noted that we must start with deep
Thankfully, mindful occupational therapy has always
understanding. Here we explore the dimensions of the
occurred and sometimes using a craft. Therapist Betty
understanding that we must have. Understanding is a
Baer (2003) introduced us to J., a Vietnam veteran with
full appreciation; it is a hard-earned familiarity. When
a high-level spinal cord injury (SCI). J. lived in a remote
we understand, we comprehend or grasp things com-
part of Texas and called himself a “Mountain Man.”
prehensively. Understanding moves us past knowing
Self-conscious about a tracheotomy scar, he wanted a
to really getting.
beaded choker. Unable to bead because of paralysis,
Recall the three dimensions of understanding that
he and his therapist made this plan: Because J. had to
occupational therapy practitioners need:
direct his caregivers well, Baer proposed that he design
a necklace and tell her how to bead it, step by step. She 1. We must understand persons, their occupational
later wrote: natures, and the unsettling disruptions that
Our View 1-1 Feedback on Your Turn Responses to Mindfulness and Mindlessness
1-1: The numbers that you wrote on this personality, and your comfort with
figure will vary depending on your receding quietly into the background.
experiences, whether in school or in May Sarton felt that she should
practice. Our hope is that after reading have been acknowledged. A simple
this chapter, any low numbers will introduction might have pleased her.
increase. Come back to check these 1-4: We hope that you can recall many caring
numbers when you finish the chapter! experiences in health care. Usually,
1-2: Most responses to the question of descriptions of caring experiences
when you become mindless will mention include caregiver attitudes and behaviors
familiar activities or ones that are simple that convey respect, consideration, and
or repetitive. You may have mentioned understanding. Having been heard makes
basic activities of daily living or leisure a large impression.
tasks, but it’s not unusual to go into 1-5: We’re pleased if you thought of
autopilot during instrumental activities of a suggestion to foster this young
daily living (such as driving) or educational therapist’s mindfulness of her patient’s
and work activities (such as sitting in long needs. For our view of how this
lectures). conversation might have gone, read
1-3: Whether you might feel offended by our reframing of the exchange in the
this hairdresser or a barber will vary section on Understanding Ourselves
depending on your expectations, your (p. 14).
10 SECTION ONE ✍ Mindful Principles and Processes
occupational challenges can cause in a life so as to reason stops and thinks about their origins, one
humanize therapy. can with varying degrees of ease recover the
2. We must understand our guiding beliefs and fact that they all have human makers. (p. 312)
action-oriented principles from person-centered
Occupational challenges force individuals to stop and
models in order to set the depth, scope, and
think about the making in their lives. Individuals in
direction of our therapy.
our care grasp anew the meaning of the daily doing
3. We must understand ourselves. We must know
that gives them purpose and helps them belong. A
how to use our unique selves so as to become
grandmother may grieve because making a family meal
caring. These three aspects of understanding
is impossible. A recent graduate may despair over her
support our science and our art.
lost chance to make a mark at work. A preteen may be
embarrassed that he can’t make himself presentable. We
must stay mindful of such sorrows.
Your Turn 1-6
Which of the three dimensions of
understanding noted is the one that you feel Your Turn 1-7
you possess and demonstrate the most? To
what do you attribute your capacity? Name a world-making function that you
would be devastated to lose if injury, illness,
or a chronic condition were to compromise
your capacities.
Understanding Persons and Their
Occupational Natures
A practitioner’s understanding of the meaning of
To intervene well, occupational therapy practitioners
being well occupied can foster an empathy that lessens
must understand persons, their occupational natures,
sorrow. While thinking of practical ways to help, we can
and the unsettling disruptions that occupational chal-
imagine what it is like to need help with the simplest
lenges can cause in a life. The strong link between the
or most private of tasks. Such empathy prompts our
human spirit and occupation is well stated by Janet
hallmark brand of care. Characterized as doing with
Petersen (1976) in this snippet from her poem.
another, it stands in high contrast against interventions
There is a shouting SPIRIT that are a doing to (Peloquin, 1995). When we support
deep inside me: the spirit of those who hope to resume their occupa-
TAKE CLAY, it cries, tions, we help them remake their lives.
TAKE PEN AND INK Heller’s occupational therapist, who upped the
TAKE FLOUR AND WATER, grade of sandpaper with the regularity of a machine,
TAKE A SCRUB BRUSH lost touch with our hallmark doing with. Heller found
TAKE A YELLOW CRAYON occupational therapy punishing, and empathy got
TAKE ANOTHER’S HAND— lost. Heller was a famous writer, caught in the bind of
AND WITH ALL THESE SAY YOU, Guillain-Barré. Mindless therapy worsened his state:
SAY LOVING As soon as he began to sand with rhythm, his task was
So much of who I am made harder. He had hoped to feel success but was
Is subtly spoken in my making (p. 61) stymied instead. In an ironic twist, his occupational
therapy was a power-down doing to. With the wisdom
Our grasp of human making lets us see past the sim-
of hindsight, we think of things more helpful to Heller.
plicity of daily occupations to their deeper meaning.
Sanding sections of a bookend or paper tray might
Philosopher Elaine Scarry (1985) saw in occupation a
have given him strength; products related to his writing
world-making function:
might have sparked energetic work and conveyed real
As one maneuvers each day through the realm hope. A more recent story of similarly mindless therapy
of tablecloths, dishes, potted plants, ideological appears in A Story 1-1.
structure, automobiles, newspapers, ideas about No practitioner described the enactment of empathy
families, streetlights, language, city parks, one in occupational therapy better than did Ora Ruggles,
does not at each moment actively perceive the a Reconstruction Aide and pioneer occupational
objects as humanly made; but if one for any therapist. We find a legacy in one of her stories. As she
CHAPTER 1 ✍ The Mindfulness That Empowers Crafts 11
entered the barracks at Fort McPherson, her friends 3. We believe that occupational therapy is a personal
noted her silence. Ruggles said that her quiet came from engagement. Acting on this belief and doing the
a simple yet huge discovery. She said: “It is not enough best of what we do, we co-create daily lives.
to give a patient something to do with his hands. You 4. We believe that caring and helping are vital to our
must reach for the heart as well as the hands. It’s the work. Acting on this belief and doing the best of
heart that really does the healing” (Carlova & Ruggles, what we do, we reach for hearts as well as hands.
1961, p. 59). We hope to enact her vision. 5. We believe that effective practice is artistry and
science. Acting on this belief and doing the best
Understanding Our Guiding Beliefs of what we do, we are artists and scientists at once
The second dimension of understanding that makes (Peloquin, 2005).
therapy work relates to our really getting occupational
When mindful and doing our best, we enact the
therapy. Our essential character lies within the profes-
profession’s genius. The contours of our genius are
sion’s ethos. Each guiding belief sets the depth of our
clearly stated in our guiding beliefs. If we examine the
therapy. Each is deeply mindful:
contours of our daily interventions and hold these up
1. We believe that time, place, and circumstance open against those of our genius, we can see whether we are
paths to occupation. Acting on this belief and doing what we profess to do (Fig. 1-6).
doing the best of what we do, we are pathfinders. Long ago, craftwork was thought to honor nine
2. We believe that occupation fosters dignity, curative principles that psychiatrist and founder
competence, and health. Acting on this belief William Rush Dunton, Jr. (1921) thought essential
and doing the best of what we do, we enable to occupational therapy. Note in Drawing Our Past
occupations that heal. Forward 1-1 the early contours of our genius. As we
12 SECTION ONE ✍ Mindful Principles and Processes
model can hold that focus while also capturing the big person centered, (3) empowerment, (4) holistic, (5)
picture of all else that matters to that person. nonlinear, (6) strengths based, (7) peer support, (8)
respect, (9) responsibility, and (10) hope. We illustrate
Understanding the recovery model in Box 1-1 each recovery component as enacted in
In the past 15 years, a recovery approach to mental Baer’s intervention with J., “The Mountain Man.”
health has emerged in the United Kingdom, North The person-centered influences of the recovery
America, Australia, and New Zealand (Ralph, 2000; model can shape best practice in occupational therapy.
Spandler, Secker, Kent, Hacking, & Shelton, 2007). The That claim seems clear in Box 1-2, where we showcase
Substance Abuse and Mental Health Services Admin- the potential of the recovery components in shaping
istration (SAMHSA, n.d.) describes recovery as a daily interventions.
“journey of healing and transformation.” Occupational Well-elaborated recovery components reflect a
therapist Patricia Deegan (2001) first used the journey definition of recovery that resonates with occupational
metaphor while characterizing helpers in this model therapy: “It is a way of living a satisfying, hopeful, and
as facilitators who support self-direction and skill in contributing life, with or without limitations caused by
managing illness. The idea of “fixing” chronic illness the illness. Recovery involves the development of new
is not a central aim. Rather, the aim is living life well meaning and purpose in one’s life” (Anthony, Cohen,
when illness is present. Farkas, & Gagne, 2002).
Onken et al. (2007) characterized this idea of
recovery as an integrative paradigm or model. Note
how their analysis of the recovery model recalls the Your Turn 1-9
PEO model and several guiding beliefs in occupational
Of the 10 components drawn from the
therapy:
recovery model, which do you think might
Recovery is a product of dynamic interaction be the easiest for you to enact in practice
among characteristics of the individual (the and why?
self/hope/sense of meaning and purpose),
characteristics of the environment (basic
material resources, social relationships,
meaningful activities, peer support, formal Understanding Ourselves
services, formal service staff ), and the The third dimension of understanding vital to occu-
characteristics of the exchange (hope, choice/ pational therapy comes from our turning inward to
empowerment, independence/interdependence). understand ourselves and how we can work with
(p. vii) others. This aspect of mindfulness helps us become as
caring as we are skilled. Mindful practice first requires
In a review of the literature, Davidson et al. (2005)
a conscious use of self. This passage explains:
clarified this dynamic interaction, offering guiding
principles for those engaged in recovery: (1) renew The fact is that wherever one goes, one’s “self ”
hope and commitment, (2) redefine the self, (3) goes there too. To know that self, to cultivate
incorporate illness as but one aspect of the self, (4) the best of one’s abilities in order to help, is part
be involved in meaningful activities, (5) overcome of therapy. Some practitioners are especially
stigma, (6) assume control and become empowered, good listeners, some are witty, some can charm
(7) manage symptoms, and (8) be supported by others. a crowd. Some have deep patience, some sing
In a professional fact sheet, the American Occupational well, and others love sports. When practitioners
Therapy Association (AOTA) has endorsed the model’s consciously use themselves and their talents
congruence with practice in mental health (2016). We to meet needs that arise in therapy, that action
propose that the model works for most occupational becomes a tool. Likewise when one knows and
therapy practice when one considers the components monitors one’s less helpful responses, that, too,
thought to characterize the journey. is a conscious use of self. Some practitioners are
Ten fundamental components of recovery appear moody; some are sensitive to criticism, some
in the national consensus statement published by tend to be impulsive. When practitioners note
SAMHSA (n.d.). The components remind practitioners these tendencies, when they apologize if they
and clients to support actions that align with these surface unexpectedly, their actions are tools in
perspectives: (1) self-direction, (2) individualized and therapy. (Peloquin, 2000)
CHAPTER 1 ✍ The Mindfulness That Empowers Crafts 15
Conscious use of self comes first. When awareness of What if the therapist had used herself differ-
self turns helpful, therapeutic use of self emerges. ently? The exchange in Box 1-3 might have occurred
To be therapeutic in the sense of the word, we must instead:
learn how to use the “self ” in a way that promotes There is comfort in knowing that the best of caregiv-
health and well-being. Renée Taylor’s (2008) discussion ers have empathic breaks. Ruggles (Carlova & Ruggles,
of the intentional relationship helps enormously with 1961) shared hers: “He hadn’t done very well when I
that learning. We note high points of her work here first started with him, but he’s doing fine now. I asked
and elaborate them in subsequent chapters. We recom- myself why, and the answer suddenly came to me—the
mend her book for the sake of deep understanding. patient had improved because I had. I had become truly
Taylor, although not an occupational therapist, knows concerned about him” (p. 69).
our practice well. She brings from her psychological
practice keen insights into ours. The Logical Analysis
Taylor (2008) interviewed and videotaped occu- and Imaginative Synthesis
pational therapists at work, choosing individuals That Empower
thought by peers to be skilled in use of self. She then
elaborated the modes of interaction most common in
Occupational Therapy
occupational therapy: advocating, collaborating, empa- In the previous section, we noted that practitioners
thizing, encouraging, instructing, and problem solving. must use deep understanding if interventions are to
She described each mode to include its applications, “work.” This section explores the logical analysis and
strengths, and weaknesses. She identified client disposi- imaginative synthesis that we must also use. Let’s start
tions that invite or discourage one mode over another. with logic, otherwise known as sound reasoning and
She suggested ways to handle “inevitable interpersonal good judgment. Throughout our discussion of under-
events” and “empathic breaks (rifts in understanding standing, we appealed to your logic while making key
between client and therapist)” lest they thwart our points about practice turned mindless. On the edges of
practice (Taylor, 2008, p. 51). our discussion has been the assumption that craftwork
A core principle of Taylor’s intentional relationship is a viable intervention. Before we move into logical
model (2008) is that we heed the therapeutic relation- activity analysis, we will target the logic of the assump-
ship. Her model leads us to seek a good fit not just tion that crafts have therapeutic worth.
in our interventions but also in our interactions. She
proposed that, both in advance of and in the moment,
Logical Assumptions About the
we align our intentions well among those with diverse Therapeutic Potential of Craftwork
preferences, unique needs, and wide-ranging goals. We When considering craftwork as mindful therapy in the
must also respond flexibly, as in a partnered dance. It light of logic, we might ask: (1) Can craftwork reflect an
would be mindless, for example, to choose one mode understanding of persons, their occupational natures,
and use it exclusively because it “felt natural.” To get and the disruptive effects of occupational challenges?
stuck in a problem-solving mode, for example, risks (2) Can craftwork reflect the guiding beliefs of occupa-
turning us into caregivers thought to fix more than care tional therapy and the action-oriented principles drawn
(Peloquin, 1993b). The challenge to learn and use the from the PEO and recovery models? (3) Can craftwork
modes well is large. But if we really “get” therapeutic invite practitioners to use themselves both consciously
use of self, client perceptions of our caring will grow. and therapeutically? We believe so. In our discussion,
The poem that starts, “Preserve me from the occu- we showcased craftwork run amuck and then done
pational therapist, God,” speaks to the use of self. The right. We made logical assumptions about how and why
patient calls the therapist a “dear child who means crafts might work therapeutically. Those assumptions
well,” noting her good intentions. But empathic breaks are featured in Box 1-4. We offer two more reasons to
occur. The therapist sees closed eyes and perceives a propose craftwork as therapeutic. These reasons, also
dozing woman. She chides, “You don’t want to sleep grounded in logic, relate to (1) the nature of craftwork
the day away.” This woman is not dozing. Her thoughts and (2) the profession’s longstanding use of occupations
reveal her need: “Yes, I did those things, and cooked favored within the culture.
and cleaned, and raised five children and had things Occupational therapist Beth Velde (1999) examined
happen to me ... I need to think about them, rearrange the nature of craftwork extensively in her review of
them on the shelves of my mind.” This need escaped her the literature on crafts. She reminded us that many
young OT. occupations include a crafting process, from camping
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The Project Gutenberg eBook of Psyche's task
This ebook is for the use of anyone anywhere in the United States
and most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
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you are located before using this eBook.
Language: English
BY
J. G. FRAZER, D.C.L., LL.D., Litt.D.
FELLOW OF TRINITY COLLEGE, CAMBRIDGE
PROFESSOR OF SOCIAL ANTHROPOLOGY IN THE UNIVERSITY OF
LIVERPOOL
PSYCHE’S TASK
I. Introduction
The dark and the bright side of Superstition: a plea for the accused:
four propositions to be proved by the defence 3-5
II. Government
IV. Marriage
VI. Conclusion
INDEX 177-186
ENDNOTES
PSYCHE’S TASK
I.
INTRODUCTION