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b20762605_v_2_C041197035
b20762605_v_2_C041197035
D I V I N E C O M E D Y
OF
D A N T E A L IG H IE R I
TRANSLATED BY
B O S T O N
F IE L D S , O S G O O D , & CO
SUCCESSORS TO TICKNOR AND FIELDS
1871
En tered accordin g to A c t o f C on gress, in th e year 1 8 6 7 , by
H E N R Y W A D SW O R TH LO N GFELLOW ,
U n iv e r s it y P r e s s : W e lc h , B ig e lo w , & Co.,
C a m b r id g e .
CONTENTS
OF V O L . II.
PURGATORIO.
CANTO I.
Page
The Shores of Purgatory. — Cato of Utica . I
CANTO II.
The Celestial Pilot. — C a s e l l a ..............................................................................7
CANTO III.
The Foot of the Mountain. — Those who have died in Contumacy of Holy
Church. — M a n f r e d i .......................................................................................13
CANTO IV.
CANTO V.
CANTO VI .
S o r d e l l o ................................................................................................................ 32
CANTO VII.
CANTO IX.
CANTO X.
CANTO XI .
Omberto di Santafiore. — Oderisi d’ Agobbio. — Provenzan Salvani. . .6 4
CANTO XII.
CANTO XIII.
CANTO XIV.
CANTO XV.
CANTO XVI.
Marco Lombardo........................................................................................................98
CANTO XVII.
CANTO XVIII.
CANTO XIX.
Dante’s Dream of the Siren. — The Fifth Circle. — The Avaricious and Prod
igal. — Pope Adrian V ...................................................................................... 1 18
CANTO XX.
CANTO XXI.
CANTO XXII.
CANTO XXIII.
F o r e s e ................................................................................................................ 145
CANTO XXIV.
CANTO XXV.
CANTO XXVI.
CANTO XXVII.
Dante’s Sleep upon the Stairway, and his Dream of Leah. — Arrival at the
Terrestrial P a r a d is e .......................................................................................171
VI Contents
CANTO XXVIII.
CANTO XXIX.
CANTO XXX.
B e a t r i c e ................................................................................................................ 192
CANTO XXXI.
CANTO XXXII.
CANTO XXXIII.
NOTES ....................................................................................................221
IL L U S T R A T IO N S .
The Hero as P o e t ............................................................... ......... . . . 365
D a n t e ............................................................................................................ 375
Dante and M i l t o n .......................................................................................... 382
The Italian Pilgrim’s P r o g r e s s ............................................................... 384
Dante and T a c i t u s ...........................................................................................39°
Dante’s L a n d s c a p e s ................................................................................. 394
Dante’s C r e e d ................................................................................................... 4QI
The Divina C o m m e d ia ................................................................................. 4°3
E N T E R , and I see thee in the gloom
CANTO I F.
8
CANTO X.
13
CANTO XVI.
Pw'gatorio xvi. \
!{-.
%
CANTO XXI.
18
CANTO XXII0
“ See that thou dost not spare thine eyes,” they said; 115
“ Before the emeralds have we stationed thee,
W hence Love aforetime drew for thee his weapons.”
A thousand longings, hotter than the flame,
Fastened mine eyes upon those eyes relucent,
That still upon the Griffin steadfast stayed. *«>
As in a glass the sun, not otherwise
W ithin them was the twofold monster shining,
N ow with the one, now with the other nature.
Think, Reader, if within m yself I marvelled,
W hen I beheld the thing itself stand still, ™5
And in its image it transformed itself.
W hile with amazement filled and jubilant,
M y soul was tasting o f the food, that while
It satisfies us makes us hunger for it,
Themselves revealing o f the highest rank 13°
In bearing, did the other three advance,
Singing to their angelic saraband.
“ Turn, Beatrice, O turn thy holy eyes,”
Such was their song, “ unto thy faithful one,
W h o has to see thee ta’en so many steps. 13s
In grace do us the grace that thou unveil
T h y face to him, so that he may discern
T h e second beauty which thou dost conceal.”
Purgatorio xxxi. 205
C A N T O I.
nation that lives beyon d the tropics, or becom e invisible in 520 30' north lati
in the Southern hem isphere. It has tude 2900 years before our era, since,
been observed at w h at hour o f the according to G a lle , this constellation
n ight, in different seasons, the Cross m ight previously have reached an alti
o f the South is erect or inclined. It tude o f more than i o ° . W h en it dis
is a tim e-piece that advances very regu appeared from the horizon o f the coun
larly near four minutes a day, and no tries o f the B altic, the great Pyram id
other group o f stars exh ib its, to the o f C h eops had already been erected
naked eye, an observation o f tim e so m ore than 500 y ea rs.”
easily made. H ow often have w e 30. Iliad , X V I I I . : “ T h e Pleiades,
heard our guides exclaim in the savan and the H yad es, and the strength o f
nahs o f V en ezu ela, or in the desert e x O rio n , and the Bear, w h ich likew ise
tending from L im a to T r u x illo , * M id th ey call by the appellation o f the
n ight is past, the Cross begins to b e n d !’ W a in , w h ich there turns round and
H o w often those w ords rem inded us w atches O r io n ; and it alone is de
o f that affecting scene, w here Paul and prived o f the baths o f O cean u s.”
V irg in ia , seated near the source o f the 3 1. C ato o f U tica . if Pythagoras
river o f Lataniers, conversed together escapes, in the fabulous h ell o f D a n te ,”
for the last tim e, and w here the old says Sir T h o m as B row n , Urn Burial ,
man, at the sight o f the Southern Cross, I V ., “ among that swarm o f p h ilo so
w arns them that it is tim e to sep phers, w h erein , w h ilst w e m eet w ith
arate.” Plato and Socrates, C ato is found in no
24. B y the " p r im a l people ” D ante lo w e r place than Purgatory.”
does not mean our first parents, but In the description o f the shield o f
“ the early races w h ich inhabited E u .ZEneas, JEneidy V I I I . , C ato is repre
rope and A sia ,” says M r. B arlo w , Study sented as presiding over the good in
of Dantey and quotes in confirmation the T artarean realm s: “ A n d the good
o f his v ie w the fo llo w in g passage from apart, C ato dispensing law s to th em .”
H u m bo ld t’s Cosmos, I I . : T h is line o f V irg il m ay have suggested
“ In consequence o f the precession to D ante the idea o f m aking C ato the
o f the equinoxes, the starry heavens are w arden o f Purgatory.
continually changing their aspect from In the Convito, I V . 28, he expresses
every portion o f the earth’ s surface. the greatest reverence for him . M a r
T h e early races o f mankind beheld in cia returning to him in her w id o w
the far north the glorious constellations hood, he says, “ sym bolizes the noble
o f the southern hem isphere rise before soul returning to G o d in old age.”
them , w h ic h , after rem aining long in A n d continues : “ W h at man on earth
visible, w ill again appear in those lati was more w o rth y to sym bolize G o d ,
tudes after a lapse o f thousands o f years. than C a to ? Surely n o n e ” ; — ending
. . . . T h e Southern Cross began to the chapter w ith these w o r d s : “ In
v o l . ii . 29
226 Notes
his name it is beautiful to close w h at C a to , M r . B arlo w , Study o f Dante, re
I have had to say o f the signs o f n o b il marks : “ T h e eighth book o f the T e -
ity , because in him this n o b ility dis soro o f Brunetto L atin i is headed, £)ui
plays them all through all ages.” comincia la Rettorica che c* insegna a ben
H e re , on the shores o f Purgatory, parlare, e di governare citta e popoli.
his countenance is adorned w ith the In this art D an te was duly instructed
ligh t o f the four stars w h ich are the by his lovin g m aster, and became the
four virtues, Justice, Prudence, F o rti m ost able orator o f his era in Ita ly .
tude, and T em p e ra n ce , and it is fore G io v . V illa n i speaks o f him as reto-
told o f him , that his garm ents w ill rico perfetto tanto in dittare e versijicare
shine brig h tly on the last day. And come in aringbiera parlare. But w ith
here he is the sym bol o f L ib e rty , since, out this record and w ith ou t acquaint
for her sake, to him “ not bitter was ance w ith the p o et’ s p olitical h isto ry,
death in U t i c a ” ; and the m eaning o f kn ow in g n othing o f his influence in
Purgatory is spiritual L ib e rty , or free debates and councils, nor o f his credit
dom from sin through purification, at foreign courts, we m igh t, from
“ the glorious lib erty o f the children the occasional speeches in the D iv in a
o f G o d .” T h e re fo re in thus selecting C om m edia, be fu lly assured o f the
the “ D iv in e C ato ” for the guardian truth o f w h at V illa n i has said, and
o f this realm , D ante show s h im self to that D a n te’ s w ords and manner w ere
have greater freedom than the critics, alw ays skilfully adapted to the purpose
w ho accuse him o f “ a perverse the he had in v ie w , and to the persons
o lo gy in saving the soul o f an idolater w h o m he addressed.
and suicide.” “ V ir g il’s speech to the venerable
40. T h e “ blind river ” is L eth e, C ato is a perfect specim en o f persua
w h ich by sound and not by sight had sive eloquence. T h e sense o f personal
guided them through the w indin g cav dign ity is here com bined w ith extrem e
ern from the centre o f the earth to the courtesy and respect, and the most flat
surface. In f. X X X I V . 130. tering appeals to the old m an’s w ell-
42. H is beard. F o rd , Lady's Trial: know n sentim ents, his love o f lib erty ,
“ N o w th e down his love o f rectitude, and his devoted
O f softness is exch an ged for plum es o f a g e .” attachm ent to M arcia, are interw oven
w ith irresistible a r t ; but though the
D ante uses the same expression, Inf.
resentm ent o f C ato at the approach o f
X X . 4 5, and Petrarca, w h o becam e
the strangers is thus appeased, and he
gray at an early period , says :
is persuaded to regard them w ith as
“ In such a tenebrous and narrow cage m uch favor as the severity o f his char
W e r e we sh ut up, and th e accustom ed plum es
acter perm its, y et he w ill not have
I chan ged betim es, and m y first co u n ten a n ce.”
them think that his consent to their
52. U p o n this speech o f V ir g il to p roceedin g has been obtained by adu
Purgatorio /. 227
lation, but sim ply b y the assertion o f H o m er, describing U lysses casting him
p o w e r vouchsafed to them from on s e lf dow n on the rushes and the corn-
h ig h , — giving land at the river shore, — the
M a se donna del C ie l ti m uove e regge, rushes and corn being to him only
C o m e tu di’ , non c ’ e m estier lusin ga : good for rest and sustenance, — whetf
B astiti ben, ch e per lei m i rich egge. we com pare it w ith that in w hich
In this also the consistency o f C a to ’s D ante tells us he was ordered to de
character is m ain tain ed ; he is sensible scend to the shore o f the lake as he
o f the flattery, but disowns its influ entered Purgatory, to gather a rush,
ence. and gird h im se lf w ith it, it being to
77. See In f., V . 4. him the em blem not only o f rest, but
78. See In f., I V . 128. A lso Con- o f hum ility under chastisem ent, the
vitOy I V . 28 : “ T h is the great poet rush (o r reed) being the on ly plant
L ucan shadows forth in the second w h ich can gro w there ; — ‘ no plant
book o f his Pharsalia, w h en he says w h ich bears leaves, or hardens its bark,
that M arcia returned to C a to , and can live on that shore, because it does
besought him and entreated him to not y ield to the chastisement o f its
take her back in his old age. And by w aves.’ It cannot but strike the reader
this M arcia is understood the noble singularly h o w deep and harmonious
soul.” a significance runs through all these
Lucan, Pbars., I I ., R o w e ’s T r . w ords o f D an te, — h o w every syllable
o f them , the more w e penetrate it, be
“ W h e n lo ! th e sounding doors are heard to
turn ,
comes a seed o f farther thought! F or
Chaste M a rtia com es from dead H orten sius’ fo llo w up this image o f the girding
urn. w ith the reed, under trial, and see to
w hose feet it w ill lead us. A s the
F o rth from th e m on u m en t th e m ournfu l
grass o f the earth, thought o f as the
dam e
herb y ield in g seed, leads us to the
W it h beaten breasts and lo c k s d ish evelled
cam e 3
p lace w h ere our L o rd com m anded the
T h e n w ith a pale, dejected , rueful lo o k , m ultitude to sit dow n b y companies
T h u s pleasing to h er form er lord she spo ke. upon the green grass ; so the grass o f
the w aters, thought o f as sustaining
* A t len gth a barren w e d lo c k le t m e prove, its e lf among the w aters o f affliction,
G iv e m e th e nam e w ith o u t th e jo ys o f l o v e ;
leads us to the place w h ere a stem o f
N o m ore to be abandoned let m e com e,
it was put into our L o r d ’s hand for his
T h a t C a to ’s w ife m ay liv e upon m y to m b .’ ”
sceptre ; and in the crow n o f thorns,
95. A sym bol o f hu m ility. Ruskin, and the rod o f reed, was foreshow n
Mod. Painters, II I . 232, says: “ T h e re the everlasting truth o f the C hristian
is a still deeper significance in the pas ages, — that all glo ry was to be begun
sage quoted, a little w h ile ago, from in suffering, and all p o w er in h u m ility .”
228 Notes
115. R uskin, Mod. Painters, III. rain nor river made lake so w i d e ’ ;
248 : “ T h e r e is only one m ore point and throughout the Paradise all the
to be noticed in the Dantesque land beauty depends on spheres o f ligh t, or
scape ; nam ely, the feeling entertained stars, never on clouds. But the pit o f
by the poet towards the sky. A n d the the Inferno is at first sight obscure,
love o f mountains is so clo sely con deep , and so cloudy that at its bottom
nected w ith the love o f clouds, the nothing could be seen. W h en D an te
sublim ity o f both depending m uch on and V ir g il reach the marsh in w h ich
their association, that, having found the souls o f those w h o have been an
D an te regardless o f the Carrara m oun gry and sad in their lives are forever
tains as seen from San M in iato , w e plunged, th e y find it covered w ith
m ay w e ll exp ect to find him equally thick f o g ; and the condem ned souls
regardless o f the clouds in w h ich the say. to them ,
sun sank behind them . A cco rd in g ly , * W e once w ere sad,
w e find that his only pleasure in the In th e sweet a iry made gladsome by the sun.
N o w in these m u rk y settlin gs are w e sad .’
sky depends on its ‘ w h ite clearness,’
— that turning into bianco aspetto di E ven the angel crossing the marsh to
celestroy w h ich is so pecu liarly char help them is annoyed by this bitter
acteristic o f fine days in Ita ly. H is marsh sm oke, fummo acerbo, and con
pieces o f pure pale ligh t are alw ays tinually sweeps it w ith his hand from
exquisite. In the dawn on the purga before his face.”
torial m ountain, first, in its pale w h ite , 12 3 . Some com m entators interpret
he sees the tremolar della marina, — Ove adorezza , b y “ w h ere the w ind
trem bling o f the sea ; then it becom es b lo w s .” But the b lo w in g o f the wind
verm ilion ; and at last, near sunrise, w ould produce an effect exactly oppo
orange. T h e se are precisely the site to that here described.
changes o f a calm and perfect dawn. 13 5 . ^ n e i d , V I . : “ W h en the first
T h e scenery o f Paradise begins w ith is torn off, a second o f gold succeeds ;
* day added to d a y / the ligh t o f the and a tw ig shoots forth leaves o f the
sun so Hooding the heavens, that ‘ never same m etal.”
C A N T O II.
C A N T O I II .
15 . So in Paradiso, X X V I . 139 : — ing the Bay o f N ap les. T h e inscrip-
“ T h e m oun t th a t rises h ig h e st o’ er th e sea.” tion upon it is : —
27* T h e tom b o f V irg il is on the M a n tu a m e g e n u it: C alab ri rapuere: ten et nunc
prom ontory o f Pausilippo, overlook- P arth en ope : ce cin i pascua, rura, duces.
Purgatorio ///. 231
far below, washing the feet o f the not only recalling the ancient times,
mountains that form the coast, and when it was the boundary city o f Italy
stretching away to the Southern hori and Gaul, and when Augustus erected
zon. T h e line of the shore is o f ex his triumphal arch within it, but as
traordinary beauty. Here an abrupt sociated also with Dante and the steep
cliff rises from the sea ; here bold and o f Purgatory. Beneath lies Monaco,
broken masses o f rock jut out into it ; glowing ‘ like a gem ’ on its oval rock,
here the hills, their gray sides terraced the sea sparkling around it, and the
for vineyards, slope gently down to the long western rays o f the sinking sun
water’s edge ; here they stretch into lingering on its little palace, clinging
little promontories covered with orange to its church belfry and its gray wall,
and olive-trees. as if loath to leave them.”
“ One o f the first o f these promon In the Casa Magni, on the sea-shore
tories is that o f Capo Sant’ Ospizio. near Lerici, Shelley once lived. He
A close grove o f olives half conceals was returning thither from Leghorn,
the old castle on its extreme point. when he perished in a sudden storm at
With the afternoon sun full upon it, sea.
the trees palely glimmering as their 67. After they had gone a mile, they
leaves move in the light air, the sea so were still a stone’s throw distant.
blue and smooth as to be like a darker 82. See Convitoy I. 10.
sky, and not even a ripple upon the 112 . Manfredi, king o f Apulia and
beach, it seems as if this were the very Sicily, was a natural son o f the Em
home of summer and o f repose. It is peror Frederick the Second. He was
remote and secluded from the stir and slain at the battle o f Benevento, in
noise of the world. No road is seen 1 2 6 5 ; one o f the great and decisive
leading to it, and one looks down upon battles of the Guelphs and Ghibellines,
the solitary castle and wonders what the Guelph or Papal forces being com
stories o f enchantment and romance manded by Charles o f Anjou, and the
belong to a ruin that appears as if made Ghibellines or Imperialists by Man
for their dwelling-place. It is a scene fredi.
out of that Italy which is the home of Malispini, Storia, ch. 187 , thus de
the imagination, and which becomes scribes his death and burial: “ Man
the Italy of memory. fredi, being left with few followers,
" A s the road winds down to the sea, behaved like a valiant gentleman who
Purgatorio ///. 233
preferred to die in battle rather than wards he was recognized by one o f
to escape with shame. And putting his own camp-followers, from certain
on his helmet, which had on it a silver marks upon his person, in the middle of
eagle for a crest, this eagle fell on the the battle-field; and he threw him across
saddle-bow before him ; and seeing this an ass, and came shouting, * Who will
he was greatly disturbed, and said in buy Manfredi ? ’ for which a baron o f
Latin to the barons who were near the king beat him with a cane. And
him, *Hoc est signum D ei; for this crest the body o f Manfredi being brought to
I fastened on with my own hands in King Charles, he assembled all the
such a way that it could not fall.* But barons who were prisoners, and asked
he was not discouraged, and took heart, each one i f that was Manfredi ; and
and went into battle like any other timidly they answered yes. Count
baron, without the royal insignia, in Giordano smote himself in the face
order not to be recognized. But short with his hands, weeping and crying,
while it lasted, for his forces were al ‘ O my lo rd !’ whereupon he was much
ready in flight; and they were routed commended by the French, and certain
and Manfredi slain in the middle o f the Bretons besought that he might have
enemy ; and they were driven into the honorable burial. Answered the king
town by the soldiers o f King Charles, and said, * I would do it willingly, if
for it was now night, and they lost he were not excommunicated’ ; and
the city of Benevento. And maity o f on that account he would not have
Manfredi’s barons were made pris him laid in consecrated ground, but he
oners, among whom were the Count was buried at the foot o f the bridge o f
Giordano, Messer Piero Asino degli Benevento, and each one o f the army
Uberti, and many others, whom King threw a stone upon his grave, so that a
Charles sent captive into Provence, and great pile was made. But afterwards,
there had them put to death in prison; it is said, by command o f the Pope, the
and he imprisoned many other G er Bishop o f Cosenza took him from that
mans in different parts o f the kingdom. grave, and sent him out o f the king
And a few days afterwards the wife of dom, because it was Church land.
Manfredi and his children and his sis And he was buried by the river Verde,
ter, who were in Nocera de’ Sardini at the confines of the kingdom and the
in Apulia, were taken prisoners by Campagna. This battle was on a Fri
Charles; these died in prison. And day, the last day of February, in the
for more than three days they made year one thousand two hundred and
search after M anfredi; for he could sixty-five.”
not be found, nor was it known if he Villani, who in his account o f the
were dead, or a prisoner, or had es battle copies Malispini almost literally,
caped ; because he had not worn his gives in another chapter, V I. 46, the
royal robes in the battle. And after- following portrait of M anfredi; but it
v o l . 11. 30
234 Notes
must be remembered that Viliam was with the Church, he kept in good con
a Guelph, and Manfredi a Ghibel- dition, so that it rose greatly in wealth
line. and power, both by sea and by land.”
“ King Manfredi had for his mother 113 . Constance, wife o f Henry V I.
a beautiful lady o f the family of the and mother o f Frederick II.
Marquises o f Lancia in Lombardy, 115 . His daughter Constance, who
with whom the Emperor had an in was married to Peter o f Aragon, and
trigue, and was beautiful in person, and was the mother o f Frederick o f Sicily
like his father and more than his father and o f James o f Aragon.
Was given to dissipation o f all kinds. 1 2 1 . Manfredi is said to have caused
He was a musician and singer, delight the death of his father, the Emperor
ed in the company of buffoons and Frederick II. and o f his brother Cor-
courtiers and beautiful concubines, and radino, and to have been a relentless
was always clad in green ; he was persecutor o f the Church.
generous and courteous, and of good 124. T h e Bishop o f Cosenza and
demeanor, so that he was much be Pope Clement the Fourth.
loved and gracious ; but his life was 1 3 1 . The name o f the river Verde
wholly epicurean, hardly caring for reminds one of the old Spanish ballad,
God or the saints, but for the delights particularly when one recalls the fact
o f the body. He was an enemy o f that Manfredi had in his army a band
holy Church, and of priests and monks, o f Saracens: —
confiscating churches as his father had “ R io V erd e, R io V erd e,
done; and a wealthy gentleman was he, M an y a corpse is bathed in thee,
both from the treasure which he in Both o f Moors and eke o f Christians,
herited from the Emperor, and from Slain w ith swords most cruelly.”
King Conrad, his brother, and from his 13 2 . Those who died “ in contu
own kingdom, which was ample and mely of holy Church,” or under ex-
fruitful, and which, so long as he lived, communication, were buried with ex
notwithstanding all the wars he had tinguished and inverted torches.
CAN TO IV .
CAN TO V.
thence, with a great company of peor There is, I feel assured, nothing else
pie, and went to the Marca Trevi- like it in all the range o f poetry ; a
sana, not far from Venice, and there faint and harsh echo o f it, only, exists
they built another city which is in one Scottish ballad, ‘ T h e T w a Cor
called Padua, where lies the body of bies.’ ”
Purgatorio v. 237
89. T h e wife o f Buonconte. o f Prato Vecchio, rode round tfie mod
92. Ampere, Voyage Dantesquey p. est arcades o f the town, and arrived
2 4 1, thus speaks of the battle o f Cam- at the lower convent o f Camaldoli, just
paldino : " I n this plain of Campaldino, at shutting of the gates. T h e sun was
now so pleasant and covered with vine set and every object sinking into re
yards, took place, on the n th of June, pose, except the stream which roared
1289, a rude combat between the among the rocks, and the convent-bells
Guelphs o f Florence and the fuorusciti which were then ringing the Angelus.
Ghibellines, aided by the Aretines. “ T his monastery is secluded from
Dante fought in the front rank o f the the approach o f woman in a deep, nar
Florentine cavalry ; for it must needs row, woody dell. Its circuit o f dead
be that this man, whose life was so walls, built on the conventual plan,
complete, should have been a soldier, gives it an aspect o f confinement and
before being a theologian, diplomatist, defence; yet this is considered as a
and poet. He was then twenty-four privileged retreat, where the rule o f the
years o f age. He himself described order relaxes its rigor, and no monks
this battle in a letter, o f which only a can reside but the sick or the super
few lines remain. ( At the battle of annuated, the dignitary or the steward,
Campaldino,’ he says, ‘ the Ghibelline the apothecary or the bead-turner.
party was routed and almost wholly Here we passed the night, and next
slain. I was there, a novice in arms% morning rode up by the steep traverses
I had great fear, and at last great joy, on to the Santo Eremo, where Saint Ro-
account o f the divers chances o f the mualdo lived and established
fight.’ One must not see in this phrase de’ tacenti cenobiti il coro,
the confession o f cowardice, which L ’ arcane penitenze, ed i digiuni
CAN TO V I.
o f Treasures” ; and that Sordello was 76. Before Dante’s time Fra Guit-
a Mantuan of the village o f G oito,— tone had said, in his famous Letter to
“ beautiful of person, valiant o f spirit, the Florentines: “ O queen of cities,
gentle o f manner.” court of justice, school of wisdom,
Finally, Quadrio, Storia d* ogni Poesia, mirror of life, and mould of manners,
II. 130 , easily cuts the knot which no one whose sons were kings, reigning in
can untie; but unfortunately he does not every land, or were above all others,
give his authorities. He writes : — who art no longer queen but servant,
“ Sordello, native o f Goito, (Sordel oppressed and subject to tribute ! no
de G oi,) a village in the Mantuan ter longer court of justice, but cave o f rob
ritory, was born in 118 4 , and was the bers, and school o f all folly and mad
son of a poor knight named Elcort.” ness, mirror o f death and mould of
He then repeats the story o f Count felony, whose great strength is stripped
Saint Boniface, and of Sordello’s recep and broken, whose beautiful face is
tion by Count Raymond in Provence, covered with foulness and shame ;
and adds: “ Having afterwards returned whose sons are no longer kings but
to Italy, he governed Mantua with the vile and wretched servants, held, wher
title o f Regent and Captain-General; ever they go, in opprobrium and de
and was opposed to the tyrant Ezzelino, rision by others.”
248 Notes
See also Petrarca, Canzone X V I ., respect or obedience o f independent
Lady Dacre’s T r ., beginning: — nations. Wise or fortunate is the
“ O my own Italy ! though words are vain prince who connects his own reputa
T h e mortal wounds to close, tion with the honor and interest o f a
Unnumbered, that thy beauteous bosom stain, perpetual order o f men.”
Y e t may it soothe my pain
92. Luke xii. 1 7 : “ Render to Cae
T o sigh for the T ib e r’s woes,
sar the things that are Ceesar’s, and to
A n d A rn o ’s wrongs, as on Po ’s saddened shore
Sorrowing I wander and m y numbers pour.” God the things that are God’s.”
And in the Vision of Piers Plough-
And Filicaja’s sonnet: —
many 563 : —
“ Italy ! Italy ! thou who ’rt doomed to wear
T h e fatal gift o f beauty, and possess “ Rcddite Ctesari, quod G od,
T h e dower funest o f infinite wretchedness, T h a t Casari bifalleth,
W ritten upon thy forehead by despair ; E t q u a sunt D ei Deo,
A h ! would that thou wert stronger, or less O r ellis ye don ille.”
fair,
97. Albert, son o f the Emperor
T h a t they m ight fear thee more, or love
thee less,
Rudolph, was the second o f the house
W h o in the splendor o f thy loveliness o f Hapsburg who bore the title of
Seem wasting, yet to mortal combat d are! King o f the Romans. H e was elected
T h e n from the A lp s I should notsee descending in 1298, but never went to Italy to be
Su ch torrents o f armed men, nor G allic
crowned. He came to an untimely
horde
and violent death, by the hand o f his
D rinking the wave o f Po, distained w ith
gore,
nephew John, in 1308. T his is the
N o r should I see thee girded w ith a sword judgment o f Heaven to which Dante
N o t thine, and w ith the stranger’s arm alludes.
contending, His successor was Henry o f Luxem
V icto r or vanquished, slave forevermore.”
bourg, Dante’s “ divine and triumphant
89. Gibbon, Decline and Fall, Ch. H enry,” who, in 1 3 1 1 , was crowned
X L I V ., says : — at Milan with the Iron Crown o f Lom
“ T h e vain titles o f the victories o f bardy, il Sacro Chiodo, as it is some
Justinian are crumbled into dust; but times called, from the plate o f iron with
the name of the legislator is inscribed which the crown is lined, being, ac
on a fair and everlasting monument. cording to tradition, made from a nail
Under his reign, and by his care, the of the Cross. In 1 3 1 2 , he was again
civil jurisprudence was digested in the crowned with the Golden Crown at
immortal works of the C o d e , the P a n Rome, and died in the following year.
d e c t s , and the I n s t i t u t e s ; the public “ But the end o f his career drew on,”
reason of the Romans has been silently says Milman, Latin Christ., V I. 520.
or studiously transfused into the do “ He had now advanced, at the head
mestic institutions of Europe, and the o f an army which his enemies dared
laws o f Justinian still command the not meet in the field, towards Siena.
Purgatovio vi. 249
He rode still, seemingly in full vigor fiercely torn by faction than the last,)
and activity. But the fatal air of Rome * universal Peace is the first blessing o f
had smitten his strength. A carbuncle mankind. The angels sang, not riches
had formed under his knee; injudicious or pleasures, but peace on earth: peace
remedies inflamed his vitiated blood. the Lord bequeathed to his disciples.
He died at Buonconvento, in the midst For peace One must rule. Mankind is
o f his awe-struck army, on the festival most like God when at unity, for God
o f St. Bartholomew. Rumors o f foul is One ; therefore under a monarchy.
practice, o f course, spread abroad; a Where there is parity there must be
Dominican monk was said to have ad strife; where strife, judgment; the
ministered poison in the Sacrament, judge must be a third party interven
which he received with profound de ing with supreme authority.’ With
votion. His body was carried in sad out monarchy can be no justice, nor
state, and splendidly interred at Pisa. even liberty; for Dante’s monarch is
“ So closed that empire, in which, no arbitrary despot, but a constitutional
i f the more factious and vulgar Ghibel sovereign ; he is the Roman law im
lines beheld their restoration to their personated in the Em peror; a monarch
native city, their triumph, their re who should leave all the nations, all
venge, their sole administration o f pub the free Italian cities, in possession o f
lic affairs, the nobler Ghibellinism o f their rights and old municipal institu
Dante foresaw the establishment o f a^ tions.”
great universal monarchy necessary to 106. T h e two noble families o f V e
the peace and civilization o f mankind. rona, the Montagues and Capulets,
T h e ideal sovereign o f Dante’s famous whose quarrels have been made familiar
treatise on Monarchy was Henry of to the English-speaking world by Romeo
Luxembourg. Neither Dante nor his and Ju lie t: —
time can be understood but through “ Th ree civil brawls, bred o f an airy word,
this treatise. T h e attempt o f the Pope B y thee, old Capulet and M ontague,
H ave thrice disturbed the quiet o f our streets,
to raise himself to a great pontifical
A n d made V eron a’s ancient citizens
monarchy had manifestly ignomini-
Cast by their grave beseeming ornaments,
ously failed : the Ghibelline is neither T o wield old partisans, in hands as old,
amazed nor distressed at this event. Cankered w ith peace, to part your cankered
It is now the turn o f the Imperialist to hate.”
to the noblest mediaeval Art, when 127. O f the state o f Florence, Na
every great city was adorning itself pier writes, Flor. Hist., I. 1 2 2 : —
with the beautiful works of the new “ It was not the simple movement
architecture, sculpture, and painting, o f one great body against another ; not
— even these centuries left scarcely any the force of a government in opposition
token o f their passage over Rome. to the people; not the struggle of
Th e sun, breaking through the clouds privilege and democracy, o f poverty
that had long hidden it, shone every and riches, or starvation and repletion;
where but here. While Florence was but one universal burst o f unmitigated
building her Cathedral and her Cam anarchy. In the streets, lanes, and
panile, and Orvieto her matchless Duo- squares, in the courts o f palaces and
mo, — while Pisa was showing her humbler dwellings, were heard the
piety and her wealth in her Cathedral, clang of arms, the screams o f victims,
her Camposanto, her Baptistery, and and the gush o f blood : the bow of
her Tow er, — while Siena was begin the bridegroom launched its arrows
ning a church greater and more mag into the very chambers o f his young
nificent in design than her shifting for-^bride’s parents and relations, and the
tune would permit her to complete,— bleeding son, the murdered brother, or
Rome was building neither cathedral the dying husband were the evening
nor campanile, but was selling the visitors o f Florentine maids and ma
marbles o f her ancient temples and trons, and aged citizens. Every art
tombs to the builders o f other cities, was practised to seduce and deceive,
or quarrying them for her own mean and none felt secure even o f their
uses.” nearest and dearest relatives. In the
118 . T his recalls Pope’s Universal morning a son left his paternal roof
Prayer, — with undiminished love, and returned
" Father o f all ! in every age, at evening a corpse, or the most bitter
In every clim e, adored, enemy ! Terror and death were tri
B y saint, by savage, and by sage, umphant ; there was no relaxation, no
Jeh ovah , Jo v e , or Lord ! ”
peace by day or n igh t: the crash o f
12 5. Not the great Roman general the stone, the twang o f the bow, the
who took Syracuse, after Archimedes whizzing shaft, the jar of the trembling
had defended it so long with his en mangonel from tower and turret, were
gines and burning-glasses, but a descend the dismal music of Florence, not only
ant of his, who in the civil wars took for hours and days, but months and
part with Pompey and was banished by years. Doors, windows, the jutting
Notes
galleries and roofs, were all defended, ciprocal destruction, that, from mere
and yet all unsafe: no spot was sacred, lassitude, they finally ceased thus to
no tenement secure : in the dead o f mangle each other, and, as it were for
night, the most secret chambers, the relaxation, turned their fury on the
very hangings, even the nuptial bed neighboring states.”
itself, were often known to conceal an 147. Upon this subject Napier,
enemy. Flor. Hist., II. 626, remarks : —
“ Florence in those days was studded “ A characteristic, and, i f discreetly
with lofty towers; most o f the noble handled, a wise regulation of the Flor
families possessed one or more, at least entines, notwithstanding Dante’s sar
two hundred feet in height, and many casms, was the periodical revision o f
o f them far above that altitude. These their statutes and ordinances, a weed
were their pride, their family citadels ; ing out, as it were, o f the obsolete and
and jealously guarded ; glittering with contradictory, and a substitution o f
arms and men, and instruments of war. those which were better adapted to
Every connecting balcony was alive existing circumstances and the forward
with soldiers; the battle raged above movement o f man. There are certain
and below, within and without; stones fundamental laws necessarily permanent
rained >in showers, arrows flew thick and admitted by all communities, as
and fast on every side ; the seraglj, or there are certain moral and theological
barricades, were attacked and defended truths acknowledged by all religions ;
by chosen bands armed with lances but these broad frames or outlines are
and boar-spears ; foes were in ambush commonly filled up with a thick net
at every corner, watching the bold or work of subordinate regulations, that
heedless enemy ; confusion was every cover them like cobwebs, and often
where triumphant, a demon seemed to impede the march o f improvement.
possess the community, and the public T h e Florentines were early aware of
mind, reeling with hatred, was steady this, and therefore revised their laws
only in the pursuit o f blood. Yet so and institutions more or less frequently
accustomed did they at last become to and sometimes factiously, according to
this fiendish life, that one day they the turbulent or tranquil condition of
fought, the next caroused together in the times; but in 1394, after forty years’
drunken gambols, foe with foe, boast omission, an officer was nominated for
ing of their mutual prowess ; nor was that purpose, but whether permanently
it until after nearly five years o f re or not is doubtful.”
Purgatorio vu. 253
C A N T O V II.
Gonzalo de Berceo, a monk o f Cala- I threw m y mantle on the ground, that I m ight
rest at ease,
horra, who lived in the thirteenth
A n d stretched upon the greensward lay in the
century, and is the oldest o f the Cas shadow o f the trees.
tilian poets whose name has come down T h e re , soft reclining in the shade, all cares
to u s : — beside me flung,
254 Notes
I heard the soft and m ellow notes that through by the reference to actual pigments;
the woodland rung.
and, observe, because the other colors
Ear never listened to a strain, from instrument
are rather bright, the blue ground (In
or tongue,
So m ellow and harmonious as the songs above dian wood, indigo ?) is sober ; lucid,
me sung.” but serene ; and presently two angels
See also Brunetto Latini, Tesoretto, enter, who are dressed in the green
X IX . ; the Vision of Piers Ploughman; drapery, but o f a paler green than the
Gower’s Confessio AmantiSy V I I I ., &c. grass, which Dante marks, by telling
73. O f this description Ruskin, Mod us that it was * the green o f leaves just
ern Painters, I I I. 228, remarks : — budded.’
“ Now , almost in the opening o f “ In all this, I wish the reader to ob
the Purgatory, as there at the en serve two things: first, the general
trance of the Inferno, we find a com carefulness o f the poet in defining color,
pany of great ones resting in a grassy distinguishing it precisely as a painter
place. But the idea o f the grass now would (opposed to the Greek careless
is very different. T h e word now used ness about it) ; and, secondly, his re
is not ‘ enamel,’ but * herb,’ and in garding the grass for its greenness and
stead o f being merely green, it is variegation, rather than, as a Greek
covered with flowers o f many colors. would have done, for its depth and
With the usual mediaeval accuracy, freshness. T his greenness or bright
Dante insists on telling us precisely ness, and variegation, are taken up by
what these colors were,and how bright; later and modern poets, as the things
which he does by naming the actual intended to be chiefly expressed by
pigments used in illumination, — ‘ Gold, the word ‘ enamelled’ ; and, gradually,
and fine silver, and cochineal, and the term is taken to indicate any kind
white lead, and Indian wood, serene o f bright and interchangeable coloring;
and lucid, and fresh emerald, just bro there being always this much o f pro
ken, would have been excelled, as less priety about it, when used o f green
is by greater, by the flowers and grass sward, that such sward is indeed, like
o f the place.’ It is evident that the enamel, a coat o f bright color on a
‘ emerald ’ here means the emerald comparatively dark ground ; and is
green o f the illuminators ; for a fresh thus a sort o f natural jewelry and
emerald is no brighter than one which painter’s work, different from loose
is not fresh, and Dante was not one to and large vegetation. T h e word is
throw away his words thus. Observe, often awkwardly and falsely used, by
then, we have here the idea of the the later poets, o f all kinds o f growth
growth, life, and variegation o f the and color; as by Milton of the flowers
‘ green herb,’ as opposed to the smalto of Paradise showing themselves over
o f the Inferno ; but the colors o f the its w a ll; but it retains, nevertheless,
variegation are illustrated and defined through all its jaded inanity, some half-.
Purgatorio vii. 255
unconscious vestige of the old sense, the Emperor as his liege-lord, in the
even to the present day.” island of Kamberg in the middle of the
82. T he old church hymn attributed Danube, under a tent whose curtains
to Arminius or Hermann, Count of should be closed to spare him public
Vehringen, in the eleventh century, mortification. Ottocar presented him
beginning : — self covered with gold and je w e ls;
“ Salve R egina, mater misericordiae, Rudolph, by way of superior pomp,
V ita , dulcedo et spes nostra, salve.” received him in his simplest dress; and
94. Rudolph of Hapsburg, first Em in the middle o f the ceremony the
peror of the house o f Austria, was curtains of the tent fell, and revealed to
crowned at Aix-la-Chapelle in 12 73. the eyes o f the people and o f the
“ It is related,” says Voltaire, Annales armies, that lined the Danube, the
de PEmpire, I. 303, “ that, as the im proud Ottocar on his knees, with his
perial sword, which they pretended hands clasped in the hands o f his con
was that of Charlemagne, could not be queror, whom he had often called his
found, several lords made this defect in maitre d*hotel, and whose G rand-Se
the formalities a pretext for not taking neschal he now became. This story
the oath o f allegiance. He seized a is accredited, and it is o f little impor
■crucifix ; This is my sceptre, he said, tance whether it be true or not.”
and all paid homage to him. This But the wife was not quiet under this
single act o f firmness made him re* humiliation, and excited him to revolt
6pectable, and the rest o f his conduct against Rudolph. He was again over
showed him to be worthy o f the Em come, and killed in battle in 1278.
pire.” 10 1. This Winceslaus, says the Ot-
He would not go to Rome to be timo, was “ most beautiful among all
crowned, and took so little interest in men ; but was not a man of arms ;
Italian affairs, that Italy became al he was a meek and humble ecclesiastic,
most independent o f the Empire, which . and did not live long.” W hy Dante
seems greatly to disturb the mind of accuses him of living in luxury and
Dante. He died in 12 9 1. ease does not appear.
100. Ottocar the Second, king of 10 3. Philip the Third o f France,
Bohemia, who is said to have refused surnamed the Bold ( 1 2 7 0 - 1 2 8 5 ) .
the imperial crown. He likewise re Having invaded Catalonia, in a war
fused to pay homage to Rudolph, whom with Peter the Third o f Aragon, both
he used to call his maitre d'hotel, de by land and sea, he was driven back,
claring he had paid his wages and owed and died at Perpignan during the re
him nothing. Whereupon Rudolph treat.
attacked and subdued him. According 104. He with the benign aspect,
to Voltaire, Annales de PEmpire, I. who rests his cheek upon his hand, is
306, “ he consented to pay homage to Henry o f Navarre, surnamed the Fat,
Notes
and brother o f “ Good King Thibault,” his knights, but eager to acquire land,
Inf. X X II. 52. An old French chron lordship, and money wherever he could,
icle quoted by Philalethes says, that, to furnish means for his enterprises and
“ though it is a general opinion that fat wars. In courtiers, minstrels, and play
men are of a gentle and benign nature, ers he never took delight.”
nevertheless this one was very harsh.” Yet this is the monarch whose tyr
109. Philip the Fourth o f France, anny in Sicily brought about the
surnamed the Fair, son o f Philip the bloody revenge o f the Sicilian Vespers;
Third, and son-in-law o f Henry o f which in turn so roused the wrath of
Navarre ( 1 2 8 5 - 1 3 1 4 ) . Charles, that he swore that, “ if he
1 1 2 . Peter the Third o f Aragon could live a thousand years, he would
( 1 2 7 6 - 1 2 8 5 ) , the enemy o f Charles go on razing the cities, burning the
of Anjou and competitor with him for lands, torturing the rebellious slaves.
the kingdom of Sicily. He is counted He would leave Sicily a blasted, bar
among the Troubadours, and when ren, uninhabited rock, as a warning to
Philip the Bold invaded his kingdom, the present age, an example to the
Peter launched a song against him, future.”
complaining that the “ flower-de-luce 116 . Philip the Third o f Aragon
kept him sorrowing in his house,” and left four sons, Alfonso, James, Freder
calling on the Gascons for aid. ick, and Peter. Whether the strip
1 1 3 . Charles of Anjou, king o f Si ling here spoken of is Alonzo or Peter
cily and Naples (12 6 5 ). Villani, V II. does not appear.
1, thus describes him : “ T his Charles 12 1 . Chaucer, W if of Bathes Tale: —
was wise and prudent, and valiant in
“ W e i can the wise poet o f Florence,
arms, and rough, and much feared and T h a t highte D ant, speken o f this sentence :
redoubted by all the kings o f the world; L o , in swiche maner rime is Dantes tale.
magnanimous and o f a high sp irit; F u l selde up riseth by his branches smale
steadfast in carrying on every great Prowesse o f m an, for God o f his goodnesse
W o l that we claime o f him our gen tillesse:
enterprise, firm in every adversity, and
For o f our elders may we nothing claime
true to every promise, speaking little
But temporel thing, that man may hurt and
and doing much. He laughed but m aim e.”
little ; was chaste as a monk, catholic,
harsh in judgment, and of a fierce coun 124. It must be remembered that
tenance ; large and muscular in person, these two who are singing together
with an olive complexion and a large in this Valley o f Princes were deadly
nose, and looked the king more than foes on earth ; and one had challenged
any other lord. He sat up late at night, the other to determine their quarrel by
and slept little, and was in the habit single combat.
o f saying that a great deal o f time was “ T h e wager o f battle between the
lost in sleeping. He was generous to kings,” says Milman, Latin Christianity
Purgatorio v il 257
V I. 168, “ which maintained its solemn France, all died in the same year,
dignity up almost to the appointed 1285.
time, ended in a pitiful comedy, in 126. These kingdoms being badly
which Charles o f Anjou had the ig governed by his son and succes
nominy o f practising base and disloyal sor, Charles the Second, called the
designs against his adversary ; Peter, Lame.
that of eluding the contest by craft, 128. Daughters of Raymond Beren-
justifiable only as his mistrust o f his ger the Fifth, Count of Provence ; the
adversary was well or ill grounded, first married to St. Louis o f France,
but much too cunning for a frank and and the second to his brother, Charles
generous knight. He had embarked of Anjou.
with his knights for the South of 129. Constance, daughter o f Man
France ; he was cast back by tempests fredi of Apulia, and wife o f Peter the
on the shores o f Spain. He set off Third o f Aragon.
with some o f his armed companions, 1 3 1 . Henry the Third ( 1 2 1 6 - 1 2 7 2 ) ,
crossed the Pyrenees undiscovered, ap o f whom Hume says : “ This prince
peared before the gates o f Bordeaux, was noted for his piety and devotion,
and summoned the English Seneschal. and his regular attendance on public
T o him he proclaimed himself to be worship ; and a saying of his on that
the king o f Aragon, demanded to see head is much celebrated by ancient
the lists, rode down them in slov\T writers. He was engaged in a dispute
state, obtained an attestation that he with Louis the Ninth o f France, con
had made his appearance within the cerning the preference between ser
covenanted time, and affixed his solemn mons and masses ; he maintained the
protest against the palpable premedi superiority o f the latter, and affirmed
tated treachery of his rival, which made that he would rather have one hour’ s
it unsafe for him to remain longer at conversation with a friend, than hear
Bordeaux. Charles, on his part, was twenty of the most elaborate discourses
furious that Peter had thus broken pronounced in his praise.”
through the spider’s web o f his policy. Dickens, Child's History of England,
He was in Bordeaux when Peter ap Ch. X V ., says o f him : “ He was as
peared under the walls, and had chal much o f a king in death as he had ever
lenged him in vain. Charles presented been in life. He was the mere pale
himself in full armor on the appointed shadow o f a king at all times.”
day, summoned Peter to appear, pro His “ better issue ” was Edward the
claimed him a recreant and a dastardly First, called, on account o f his amend
craven, unworthy o f the name o f ment and establishment o f the laws,
knight.” the English Justinian, and less respect
Charles o f Anjou, Peter the Third fully Longshanks, on account o f the
o f Aragon, and Philip the Third o f length o f his legs. " His legs had
v o l . 11. 33
25 § Notes
need to be strong,” says the authority quence between Alessandria and the
just quoted, “ however long, and this Marquis’s provinces o f Monferrato and
they were ; for they had to support Canavese.
him through many difficulties on the 13 5 . T h e city o f Alessandria is in
fiery sands of Syria, where his small Piedmont, between the Tanaro and the
force of soldiers fainted, died, deserted, Bormida, and not far from their junc
and seemed to melt away. But his tion. It was built by the Lombard
prowess made light of it, and he said, League, to protect the country against
‘ I will go on, if I go on with no other the Emperor Frederick, and named in
follower than my groom.’ ” honor o f Pope Alexander the Third, a
134. T h e Marquis o f Monferrato, protector o f the Guelphs. It is said
a Ghibelline, was taken prisoner by to have been built in a single year, and
the people of Alessandria in Piedmont, was called in derision, by the Ghibel-
in 1 290, and, being shut up in a wooden lines, Allessandria della Paglia (o f the
cage, was exhibited to the public like Straw) ; either from the straw used in
a wild beast. This he endured for the bricks, or more probably from the
eighteen months, till death released supposed insecurity of a city built in
him. A bloody war was the conse so short a space of time.
CAN TO V III.
This hymn would seem to have no mond or silver, was the emblem of light,
great applicability to disembodied spir religious purity, innocence, virginity,
its ; and perhaps may have the same faith, joy, and life. Our Saviour wears
reference as the last petition in the white after his resurrection. In the
Lord’s Prayer, Canto X I. 19 : — judge it indicated integrity ; in the
“ Our virtue, which is easily o’ercome,
rich man, humility ; in the woman,
Put not to proof w ith the old Adversary, chastity. It was the color consecrated
But thou from him who spurs it so, deliver. to the Virgin, who, however, never
T h is last petition verily, dear Lord, wears white except in pictures of the
N o t for ourselves is made, who need it not, Assumption.
But for their sake who have remaii^ed be-:
“ R e d , the ruby, signified fire, divine
hind us.”
love, the H oly Spirit, heat, or the
2 1. Dante thinks the meaning of creative power, and royalty. White
what follows easy to penetrate. T h e and red roses expressed love and inno
commentators have found it uncom cence, or love and wisdom, as in the
monly difficult. garland with which the angel crowns
26. Genesis iii. 24: “ And he placed St. Cecilia. In a bad sense, red signi
at the east o f the garden o f Eden fied blood, war, hatred, and punish
cherubims, and a flaming sword which ment. Red and black combined were
turned every way, to keep the way of the colors o f purgatory and the Devil.
the tree of life.” " B l u e , or the sapphire, expressed
27. Justice tempered with mercy, heaven, the firmament, truth, con
say the commentators. stancy, fidelity. Christ and the Virgin
28. Green, the color o f hope, which wear the red tunic and the blue mantle,
is the distinguishing virtue of Purgatory. as signifying heavenly love and heavenly
On the symbolism o f colors, Mrs. Jame truth.*’ The same colors were given
son, Sacred and Legendary A rty Introd to St. John the Evangelist, with this
says : — difference, — that he wore the blue
“ In very early Art we find colors tunic and the red mantle ; in later pic
used in a symbolical or mystic sense, tures the colors are sometimes red and
and, until the ancient principles and green.
traditions were wholly worn out of “ Y e l l o w , or gold, was the symbol
memory or set aside by the later paint o f the sun ; o f the goodness of God ;
ers, certain colors were appropriated
to certain subjects and personages, and * In the Spanish schools the color o f our
could not arbitrarily be applied or mis Saviour’s mantle is generally a deep rich violet.
260 Notes
initiation, or marriage ; faith, or fruit and mourning or humiliation; hence
fulness. St. Joseph, the husband o f the adopted by the Dominicans and the
Virgin, wears yellow. In pictures of Carmelites.,,
the Apostles, St. Peter wears a yellow 50. It was not so dark that on a
mantle over a blue tunic. In a bad near approach he could not distinguish
sense, yellow signifies inconstancy, objects indistinctly visible at a greater
jealousy, deceit; in this sense it is distance.
given to the traitor Judas, who is gen 53. Nino de* Visconti o f Pisa,
erally habited in dirty yellow. nephew o f Count Ugolino, and Judge
“ G r e e n , the emerald, is the color of Gallura in Sardinia. Dante had
o f spring ; of hope, particularly hope known him at the siege o f Caprona, in
in immortality ; and of victory, as the 1290, where he saw the frightened
color of the palm and the laurel. garrison march out under safeguard.
“ V i o l e t , the amethyst, signified love Inf. X X I. 95. It was this “ gentle
and truth ; or, passion and suffering. Judge,” who hanged Friar Gomita for
Hence it is the color often worn by peculation. In f X X II. 82.
the martyrs. In some instances our 7 1. His daughter, still young and
Saviour, after his resurrection, is habited innocent.
in a violet, instead o f a blue mantle. 75. His widow married Galeazzo
T h e Virgin also wears violet after the de’ Visconti of Milan, “ and much dis
crucifixion. Mary Magdalene, who comfort did this woman suffer with her
as patron saint wears the red robe, as husband,” says the Ottimo, “ §0 that
penitent wears violet and blue, the many a time she wished herself a
colors o f sorrow and o f constancy. In widow.”
the devotional representation o f her by 79. Hamlet, IV . 5 : —
Timoteo della Vite, she wears red and “ H is obscure fu n era l,
C A N T O IX .
1. “ Dante begins this canto,” says o f their serrated tongues, saluted the
Benvenuto da Imola, “ by saying a approach o f rosy Aurora, when, quirting
thing that was never said or imagined the soft couch o f her jealous husband,
by any other poet, which is, that the she disclosed herself to mortals through
aurora o f the moon is the concubine the gates and balconies o f the Manche
o f Tithonus. Some maintain that he gan horizon.”
means the aurora o f the sun ; but this 5. As the sun was in Aries, and it
cannot be, if we closely examine the was now the fourth day after the full
text.” T his point is elaborately dis moon, the Scorpion would be rising in
cussed by the commentators. I agree the dawn which precedes the moon.
with those who interpret the passage 8. This indicates the time to be
as referring to a lunar aurora. It is two hours and a half after sunset, or
still evening; and the hour is indicated half past eight o’ clock. T w o hours
a few lines lower down. o f the ascending night are passed, and
T o Tithonus was given the gift o f the third is half over.
immortality, but not of perpetual youth. T his circumstantial way o f measur
As Tennyson makes him say : ing the flight o f time is Homeric.
te T h e woods decay, the woods decay and fall, Iliad, X, 250: “ Let us be going, then,
T h e vapors weep their burthen to the ground, for the night declines fast, and the
M a n comes and tills the field and lies beneath,
morning is near. And the stars have
A n d after many a summer dies the swan.
already far advanced, and the greater
M e only cruel immortality
Consumes : I wither slow ly in thine a rm s ,'
portion o f the night, by two parts, has
H ere at the quiet limit o f the world, gone by, but the third portion still re
A white-haired shadow roaming like a dream mains.”
T h e ever silent spaces o f the East, 10. Namely, his body.
Far-folded mists, and gleaming halls o f morn.” 12 . V irgil, Sordello, Dante, Nino,
2. Don Quixote, I. 2 : “ Scarcely and Conrad. And here Dante falls
had ruddy Phcebus spread the golden upon the grass and sleeps till dawn.
tresses o f his beauteous hair over the There is a long pause o f rest and sleep
face of the wide and spacious earth, between this line and the next, which
and scarcely had the painted little birds, makes the whole passage doubly beauti
with the sweet and mellifluous harmony ful. T h e narrative recommences like
Purgatorio ix. 263
the twitter o f early birds just beginning 22. Mount Ida.
to stir in the woods. 30. T o the region o f fire. Brunetto
14. For the tragic story o f Tereus, Latini, Tresory Ch. C X III., says: “ A f
changed to a lapwing, Philomela to a ter the environment o f the air is seated
nightingale, and Procne to a swallow, the fourth element; this is an orb o f
see Ovid, Metarnorph., V I. : — fire, which extends to the moon and
“ N o w , with drawn sabre and impetuous speed,
surrounds this atmosphere in which we
In close pursuit he drives Pandion’s breed ; are. And know that above the fire is
W hose nimble feet spring w ith so swift a in the first place the moon, and the
force other stars, which are all o f the nature
Across the fields, they seem to w ing their
o f fire.”
course.
37. T o prevent Achilles from going
A n d now, on real wings themselves they raise,
A n d steer their airy flight by different w ays;
to the siege o f T ro y , his mother Thetis
One to the woodland’s shady covert hies, took him from Chiron, the Centaur, and
Around the sm oky roof the other flies ; concealed him in female attire in the
W hose feathers yet the marks o f murder court o f Lycomedes, king o f Scyros.
stain,
53. As Richter says: “ T he hour
W here stamped upon her breast the crimson
when sleep is nigh unto the soul.”
spots remain.
Tereus, through grief and haste to be revenged,
55. Lucia, the Enlightening Grace
Shares the like fate, and to a bird is changed j o f heaven. I n f II. 97.
Fixed on his head the crested plumes appear,^ 58. Nino and Conrad.
Lo n g is his beak, and sharpened like a spear; 63. Ovid uses a like expression: —
T h u s armed, his looks his inward mind display,
“ Sleep and the god together went aw ay.”
A n d , to a lapwing turned, he fans his w ay.”
94. T h e first stair is Confession ;
See also Gower, Confes. A m ant.,Y . •
the second, Contrition ; and the third,
“ A n d o f her suster Progne I finde
Penance.
H o w she was torned out o f kinde
97. Purple and black. See In f V .
Into a swalwe swift o f w ing,
W h ich eke in winter lith swouning
Note 89.
Th ere as she may no thing be sene, 10 5. T he gate o f Paradise is thus
A n d whan the world is woxe grene described by Milton, Parad. Lost, I I I .
A n d comen is the somer tide, 501 : —
T h e n fleeth she forth and ginneth to chide “ Far distant he descries,
A n d chitereth out in her langage Ascending by degrees magnificent
W h a t falshede is in mariage, U p to the w all o f heaven, a structure high 5
A n d telleth in a maner speche A t top whereof, but far more rich, appeared
O f Tereus the spouse breche.” T h e w ork as o f a kin gly palace gate,
W ith frontispiece o f diamond and gold
18. Pope, Temple of Fame, 7 : —
Im bellished; thick with sparkling orient gems
“ W h a t time the morn mysterious visions brings, T h e portal shone, inimitable on earth
W h ile purer slumbers spread their golden B y model or by shading pencil drawn.
w in gs.” T h e stairs where such as whereon Jacob saw
264 Notes
An gels ascending and descending, bands 138 . When Csesar robbed the R o
O f guardians bright, when he from Esau fled
man treasury on the Tarpeian hill, the
T o Padan-Aram in the field o f L u z ,
tribune Metellus strove to defend i t ;
Dreaming by night under the open sk y,
And w aking cried, i T h is is the gate i>f
but Cassar, drawing his sword, said to
heaven.’ him, “ It is easier to do this than to
Each stair mysteriously was meant, nor stood say it.”
Th ere always, but drawn up to heaven some Lucan, Phars., II I. : —
times
“ T h e tribune w ith unwilling steps w ithdrew,
V ie w le s s ; and underneath a bright sea flowed
W h ile impious hands the rude assault renew :
O f jasper, or o f liquid pearl, whereon
T h e brazen gates w ith thundering strokes re
W h o after came from earth sailing arrived,
sound,
W afted by angels ; or flew o’er the lake,
A n d the Tarpeian mountain rings around.
R apt in a chariot drawn by fiery steeds.”
A t length the sacred storehouse, open laid,
1 1 2 . T h e Seven Sins> which are T h e hoarded wealth o f ages past displayed ;
punished in the seven circles of Purga T h ere m ight be seen the sums proud Carthage
tory ; Pride, Envy, Anger, Sloth* Ava sent,
CANTO X.
I I. In this canto is described the the one, indeed, there were marriages
jy First Circle o f Purgatory, where the sin and feasts ; arid they were conducting
f Pride is punished. the brides from their chambers through
"T4. It being now Easter Monday, the city with brilliant torches, and
and the fourth day after the full moon, many a bridal song was raised. T h e
the hour here indicated would be four youthful dancers were wheeling round,
hours after sunrise* And as the sun and among them pipes and lyres uttered
was more than two hours high when a sound; and the women standing, each
Dante found himself at the gate o f at her portals, admired. And people
Purgatory (Canto IX . 4.4), he was an were crowded together in an assembly,
hour and a half in this needle’s eye. and there a contest had arisen; for two
30. Which was so steep as to allow men contended for the ransom-money
o f no ascent; dritto di salita being used o f a slain man : the one affirmed that
in the sense o f right o f way. he had paid all, appealing to the peo
32. Polycletus, the celebrated G re ple ; but the other denied, averring
cian sculptor, among whose Works one, that he had received naught: and both
representing the body-guard of the king wished to find an end o f the dispute
o f Persia, acquired Such fame for ex before a judge. T h e people were
cellence as to be called “ the Rule.” applauding both, supporters o f either
3 3. With this description o f the party, and the heralds were keeping
sculptures on the wall o f Purgatory back the people ; but the elders sat
compare that of the shield which Vul upon polished stones, in a sacred circle,
can made for Achilles, Iliad, X V I II . ahd the pleaders held in their hands the
484, Buckley’s T r . : — staves o f the clear-voiced heralds; with
“ On it he wrought the earth, and these then they arose, and alternately
the heaven, and the sea, the unwearied pleaded their cause. Moreover, in
sun, and the full moon. On it also he the midst lay two talents o f gold, to
represented all the constellations with give to him who should best establish
which the heaven is crowned, the Plei his claim among them. But round the
ades, the Hyades, and the strength o f other city sat two armies of people glit
Orion, and the Bear, which they also tering in arms ; and one o f two plans
call by the appellation o f the Wain, was agreeable to them, either to waste
which there revolves, and watches it, or to divide all things into two parts,
Orion ; but it alone is free from the — the wealth, whatever the pleasant
baths of the ocean. city contained within it. T h ey, how
“ In it likewise he wrought two fair ever, had not yet complied, but were
cities o f articulate speaking men. In secretly arming themselves for an am
v o l . 11. 34
266 Notes
buscade. Meanwhile, their beloved wounded, but a third, slain, she drew
wives and young children kept watch, by the feet through the battle; and had
standing above, and among them the the garment around her shoulders crim
men whom old age possessed. But soned with the gore of men. But they
they (the younger men) advanced; but turned about, like living mortals, and
Mars was their leader, and Pallas M i fought, and drew away the slaughtered
nerva, both golden, and clad in golden bodies of each other.
dresses, beautiful and large, along with “ On it he also placed a soft fallow
their armor, radiant all round, and in field, rich glebe, wide, thrice-ploughed;
deed like gods ; but the people were and in it many ploughmen drove hither
of humbler size. But when they now and thither, turning round their teams.
had reached a place where it appeared But when, returning, they reached the
fit to lay an ambuscade, by a river, end of the field, then a man, advancing,
where there was a watering-place for gave into their hands a cup o f very
all sorts of cattle, there then they set sweet wine ; but they turned them
tled, clad in shining steel. There, selves in series, eager to reach the other
apart from the people, sat two spies, end o f the deep fallow. But it was
watching when they might perceive all black behind, similar to ploughed
the sheep and crooked-horned oxen. land, which indeed was a marvel be
These, however, soon advanced, and yond all others.
two shepherds accompanied them, “ On it likewise he placed a field
amusing themselves with their pipes, o f deep corn, where reapers were cut
for they had not yet perceived the ting, having sharp sickles in their hands.
stratagem. Then they, discerning Some handfuls fell one after the other
them, ran in upon them, and immedi upon the ground along the furrow, and
ately slaughtered on all sides the herds the binders of sheaves tied others with
o f oxen, and the beautiful flocks of bands. Three binders followed the
snow-white sheep; and slew the shep reapers, while behind them boys gath
herds besides. But they, when they ering the handfuls, and bearing them in
heard the great tumult among the oxen, their arms, continually supplied them;
previously sitting in front o f the as and among them the master stood by
sembly, mounting their nimble-footed the swath in silence, holding a sceptre,
steeds, pursued ; and soon came up delighted in heart. But apart, beneath
with them. Then, having marshalled an oak, servants were preparing a ban
themselves, they fought a battle on the quet, and, sacrificing a huge ox, they
banks of the river, and wounded one ministered ; while women sprinkled
another with their brazen spears. much white barley on the meat, as a
Among them mingled Discord and T u supper for the reapers.
mult, and destructive Fate, holding one “ On it likewise he placed a vine
alive recently wounded, another un yard, heavily laden with grapes, beauti-
Purgatorio x. 267
fill, golden ; but the clusters through “ Illustrious Vulcan likewise adorned
out were black ; and it was supported it with a dance, like unto that which,
throughout by silver poles. Round it in wide Gnossus, Daedalus contrived
he drew an azure trench, and about it for fair-haired Ariadne. There danced
a hedge o f tin; but there was only youths and alluring virgins, holding
one path to it, by which the gatherers each other’s hands at the wrist. These
went when they collected the vintage. wore fine linen robes, but those were
Young virgins and youths, o f tender dressed in well-woven tunics, shining
minds, bore the luscious fruit in woven as with o il; these also had beautiful
baskets, in the midst o f whom a boy garlands, and those wore golden swords,
played sweetly on a shrill harp ; and hanging from silver belts. Sometimes,
with tender voice s^ng gracefully to with skilful feet, they nimbly bounded
the ch ord; while they, beating the round ; as when a potter, sitting, shall
ground in unison with dancing and make trial o f a wheel fitted to his
shouts, followed, skipping with their hands, whether it will run : and at
feet. other times again they ran back to
“ In it he also wrought a herd o f their places through one another. But
oxen with horns erect. But the kine a great crowd surrounded the pleasing
were made o f gold and o f tin, and dance, amusing themselves; and among
rushed out with a lowing from the them two tumblers, beginning their
stall to the pasture, beside a murmuring songs, spun round through the midst.
Stream, along the breeze-waving reeds. “ But in it he also formed the vast
Four golden herdsmen accompanied the strength of the river Oceanus, near the
oxen, and nine dogs, swift of foot, fol last border o f the well-formed shield.”
lowed. But two terrible lions detained See also V irgil’s description o f the
the bull, roaring among the foremost Shield o f ^Eneas, JEneid, V I I I ., and
oxen, and he was dragged away, loudly o f the representations on the walls o f the
bellowing, and the dogs and youths Temple o f Juno at Carthage, JEneid, I.
followed for a rescue. T h ey indeed, Also the description o f the Temple o f
having torn off the skin of the great Mars, in Statius, Tbebaid,Vll., and that
ox, lapped up his entrails and black o f the tomb o f the Persian queen in the
blood; and the shepherds vainly press Alexandras o f Philip Gualtier, noticed
ed upon them, urging on their fleet in Mr. Sumner’s article, Atlantic Month
dogs. These however refused to bite ly, X V I. 754. And finally “ the noble
the lions, but, standing very near, kerving and the portreitures ” o f the
barked, and shunned them. Temples o f Venus, Mars, and Diana,
“ On it illustrious Vulcan also form in Chaucer’s Knightes Tale : —
ed a pasture in a beautiful grove full of
“ W h y shulde I not as wel eke tell you all
white sheep, and folds, and covered T h e portreiture that was upon the wall
huts and cottages. W ith in the temple o f m ighty M ars the R ede ?
268 Notes
shook it. And the anger o f the Lord
f( First on the w all was peinted a forest,
was kindled against Uzzah, and God
In w hich ther wonneth neyther man ne b e st;
smote him there for his erro r; and
W ith knotty, knarry, barrein trees old,
O f stubbes sharpe, and hidous to behold ;
there he died by the ark of G od.”
In which ther ran a romble and a 6wough, 65. 2 Samuel vi. 1 4 : “ And David
A s though a storme shuld bresten every bough. danced before the Lord with all his
A n d , dounward from an hill, under a bent, m ight; and David was girded with a
T h e r stood the temple o f Mars Arm ipotent,
linen ephod.”
W ro u gh t all o f burned stele; o f which th’ entree
68. 2 Samuel vi. 1 6 : “ And as the
W as longe and streite, and gastly for to see ;
A n d therout came a rage and swiche a vise, ark of the Lord came into the city of
T h a t it made all the gates for to rise. David, Michal, Saul’s daughter, looked
T h e northern light in at the dore shone ; through a window and saw King David
For window, on the w all, ne was ther none, leaping and dancing before the Lord ;
T h u rg h w hich men mighten any light discerne.
and she despised him in her heart.”
T h e dore was all o f athamant eterne ;
73. This story o f Trajan is told in
Y clen ch ed , overthwart and endelong,
W ith yren tough. A n d , for to make it strong,
nearly the same words, though in prose,
Every piler the temple to sustene in the Fiore di Filosofy a work attributed
W as tonne-gret, o f yren bright and shene. to Brunetto Latini. See Nannucci,
“ T h e r saw I, first, the derke imagining Manuale della Letteratura del Primo
O f felonie, and alle the compassing ;
Secolo, III. 29 1. It may be found also
T h e cruel ire, red as any glede ;
in the Legenda Aureay in the Cento No -
T h e pikepurse; and eke the pale drede ;
T h e smiler, with the k n if under the cloke ; velle Anticbe, Nov. 67, and in the Life
T h e shepen brenning, with the blake smoke ; of St. Gregory, by Paulus Diaconus.
T h e treson o f the mordring in the bedde ; As told by Ser Brunetto the story
T h e open werre, with woundes all bebledde; runs thus: “ Trajan was a very just
Conteke, with blody k n if and sharp menace :
Emperor, and one day, having mounted
A l l full o f chirking was that sory place.
his horse to go into battle with his
T h e sleer o f himself, yet, saw I there,
H is herte-blood hath bathed all his here,
cavalry, a woman came and seized him
T h e naile ydriven in the shode anyght, by the foot, and, weeping bitterly, asked
T h e colde deth, w ith mouth gaping upright.” him and besought him to do justice
40. Luke i. 28 : “ And the angel upon those who had without cause put
came in unto her and said, Hail, thou to death her son, who was an upright
that art highly favored, the Lord is young man. And he answered and
with thee.” said, ‘ I will give thee satisfaction when
44. Luke i. 38 : “ And Mary said, I return.’ And she said, * And if thou
Behold the handmaid of the Lord.” dost not return ? ’ And he answered,
57. 2 Samuel vi. 6, 7 : “ And when * I f I do not return, my successor will
they came to Nachon’s threshing-floor, give thee satisfaction.’ And she said,
Uzzah put forth his hand to the ark of g How do I know that ? and suppose
God, and took hold o f it; for the oxen he do it, what is it to thee i f another
Purgatorio xi. 269
do good ? Thou art my debtor, and prayer again, and God laid upon him
according to thy deeds shalt thou be as a penance either to be two days in
judged ; it is a fraud for a man not to Purgatory, or to be always ill with
pay what he owes ; the justice of an fever and side-ache. St. Gregory as
other will not liberate thee, and it will the lesser punishment chose the fever
be well for thy successor if he shall and side-ache ( male di jianco) .”
liberate himself.’ Moved by these 75. Gregory’s “ great victory ” was
words the Emperor alighted, and did saving the soul o f Trajan by prayer.
justice, and consoled the widow, and 124. Jeremy Taylor says ; “ As the
then mounted his horse, and went to silk-worm eateth itself out of a seed to
battle, and routed his enemies. A long become a little worm ; and there feed
time afterwards St. Gregory, hearing ing on the leaves o f mulberries, it
o f this justice, saw his statue, and had grows till its coat be off, and then
him disinterred, and found that he was works itself into a house o f silk j then,
all turned to dust, except his bones and casting its pearly seeds for the young
his tongue, which was like that o f a to breed, it leaveth its silk for man,
Jiving man. And by this St. Gregory and dieth all white and winged in the
knew hjs justice, for this tongue had shape o f a flying creature ; so is the
always spoken it j 50 that then hp progress o f souls,”
wept very piteously through compas 12 7 . Gower, Confes. A m a n t 1.: —
sion, praying God that he would take ** T h e proude vice o f veingloire
this soul out of H ell, knowing that he R em em breth nought o f purgatoire.”
had been a Pagan. Then God, because And Shakespeare, King Henry the
o f these prayers, drew that soul from Eighth, I I I. 2 : —
pain, and put it into glory. And there “ I have ventured,
upon the angel spoke to St. Gregory, L ik e little wanton boys that swim on bladders,
and told him never to make such a T h is m any summers in a sga o f glory.”
C A N T O XI.
stances, his father, as well as the artists Cimabue died in 1300. His epitaph is:
themselves, concluded him to be well ** Credidit ut Cimabos picturze castra tenere,
endowed for painting, and thought that Sic tenuit vivens, nunc tenet astra poli.”
much might be hoped from his future Vasari, Lives of the Painters, I. 93 : —
efforts, if he were devoted to that art. “ The gratitude which the masters
Giovanni was accordingly, to his no in painting owe to Nature, — who is
small satisfaction, placed with those ever the truest model of him who,
masters. From this time he labored possessing the power to select the
incessantly, and was so far aided by his brightest parts from her best and love^
natural powers that he soon greatly liest features, employs himself un-
surpassed his teachers both in design weariedly in the reproduction of these
and coloring. For these masters, car beauties, — this gratitude, I say, is due,
ing little for the progress of art, had in my judgment, to the Florentine
executed their works as we now see_ painter Giotto, seeing that he alone,—
them, not in the excellent manner o f although born amidst incapable artists,
the ancient Greeks, but in the rude and at a time when all good methods
modern style of their own day. Where in art had long been entombed beneath
fore, though Cimabue imitated his the ruins of war, — yet, by the favor
Greek instructors, he very much im of Heaven, he, I say, alone succeeded in
proved the art, relieving it greatly from resuscitating Art, and restoring her to
their uncouth manner, and doing honor a path that may be called the true one.
to his country by the name he ac And it was in truth a great marvel, that
quired, and by the works which he per from so rude and inapt an age Giotto
formed. O f this we have evidence in should have had strength to elicit so
Florence from the pictures which he much, that the art of design, of which
painted there; as, for example, the the men o f those days had little, if any
front of the altar o f Santa Cecilia, and knowledge, was by his means effectu
a picture o f the Virgin, in Santa Croce, ally recalled into life. T h e birth of
which was, and is still, attached to one this great man took place in the hamlet
o f the pilasters on the right o f the o f Vespignano, fourteen miles from the
choir.” city o f Florence, in the year 1276.
95. Shakespeare, T r o ila n d Cres., His father’s name was Bondone, a sim
III. 3 : - ple husbandman, who reared the child,
272 Notes
to whom he had given the name o f but became so good ah imitator o f N a
Giotto, with such decency as his con ture that he totally banished the rude
dition permitted. T he boy was early Greek manner, restoring art to the
remarked for extreme vivacity in all his better path adhered to in modern times,
childish proceedings, and for extraor and introducing the custom o f accu
dinary promptitude of intelligence ; so rately drawing living persons from na
that he became endeared, not only to ture, which had not been used for more
his father, but to all who knew him than two hundred years. Or, if some
in the village and around it. When had attempted it, as said above, it was
he was about ten years old, Bondone not by any means with the success of
gave him a few sheep to watch, and Giotto. Among the portraits by this
with these he wandered about the artist, and which still remain, is one of
vicinity, — now here and now there. his contemporary and intimate friend,
But, induced by Nature herself to the Dante Alighieri, who was no less fa
arts of design, he was perpetually draw mous as a poet than Giotto as a painter,
ing on the stones, the earth, or the and whom Messer Giovanni Boccaccio
sand, some natural object that came be has lauded so highly in the introduction
fore him, or some fantasy that presented to his story o f Messer Forese da Ra-
itself to his thoughts. It chanced one batta, and o f Giotto the painter him
day that the affairs of Cimabue took self. This portrait is in the chapel of
him from Florence to Vespignano, the palace of the Podesta in Florence ;
when he perceived the young Giotto, and in the same chapel are the portraits
who, while his sheep fed around him, ofSer Brunetto Latini, master o f Dante,
was occupied in drawing one o f them and o f Messer Corso Donati, an illus
from the life, with a stone slightly trious citizen of that day.”
pointed, upon a smooth, clean piece of Pope Benedict the Ninth, hearing
rock, — and that without any teaching o f Giotto’s fame, sent one of his cour
whatever but such as Nature herself tiers to Tuscany, to propose to him
had imparted. Halting in astonish certain paintings for the Church o f St.
ment, Cimabue inquired o f the boy if Peter. ff T h e messenger,” continues
he would accompany him to his home, Vasari, “ when on his way to visit
and the child replied, he would go Giotto, and to inquire what other good
willingly, if his father were content to masters there were in Florence, spoke
permit it. Cimabue therefore request first with many artists in Siena, — then,
ing the consent o f Bondone, the latter having received designs from them, he
granted it readily, and suffered the artist proceeded to Florence, and repaired
to conduct his son to Florence, where, one morning to the workshop where
in a short time, instructed by Cimabue Giotto was occupied with his labors.
and aided by Nature, the boy not only He declared the purpose o f the Pope,
equalled his master in his own manner, and the manner in which that Pontiff
Purgatorio xi. 273
desired to avail himself o f his assist The proverb has besides an interest
ance ; and, finally, requested to have from the circumstance which gave it
a drawing, that he might send it to his birth............
Holiness. Giotto, who was very cour “ It is said that Giotto, when he was
teous, took a sheet o f paper and a pen still a boy, and studying with Cimabue,
cil dipped in a red color, then, resting once painted a fly on the nose o f a
his elbow on his side, to form a sort figure on which Cimabue himself was
o f compass, with one turn of the hand employed, arid this so naturally, that,
he drew a circle, so perfect and exact when the master returned to continue
that it was a marvel to behold. T his his work, he believed it to be real,
done, he turned smiling to the courtier, and lifted his hand more than once to
saying, * Here is your drawing.’ ‘ Am drive it away before he should go on
I to have nothing more than this ? ’ with the painting.”
inquired the latter, conceiving himself Boccaccio, Decamerone, V I. 5, tells
to be jested with. ‘ That is enough this tale o f Giotto : —
and to spare,’ returned Giotto ; * send “ As it often happens that fortune
it with the rest, and you will see i f it hides under the meanest trades in life
will be recognized.’ T h e messenger, the greatest virtues, which has been
unable to obtain anything more, went proved by Pampinea; so are the great
away very ill satisfied, and fearing that est geniuses found frequently lodged by
he had been fooled. Nevertheless, Nature in the most deformed and mis
having despatched the other drawings shapen bodies, wThich was verified in
to the Pope, with the names of those two of our own citizens, as I am now
who had done them, he sent that of going to relate. For the one, who was
Giotto also, relating the mode in which called Forese da Rabatta, being a little
he had made his circle, without mov deformed mortal, with a flat Dutch
ing his arm and without compasses ; face, worse than any o f the family of
from which the Pope, and such o f the the Baronci, yet was he esteemed by
courtiers as were well versed in the most men a repository of the civil law.
subject, perceived how far Giotto sur And the other, whose name was G i
passed all the other painters o f his otto, had such a prodigious fancy, that
time. This incident, becoming known, there was nothing in Nature, the parent
gave rise to the proverb, still used in o f all things, but he could imitate it
relation to people o f dull wits, — Tu set with his pencil so well, and draw it so
piu tondo cbe VO di Giotto ; the signif like, as to deceive our very senses, im
icance of which consists in the double agining that to be the very thing itself
meaning o f the word * tondo,’ which which was only his painting : there
is used in the Tuscan for slowness of fore, having brought that art again to
intellect and heaviness o f comprehen light, which had lain buried for many
sion, as well as for an exact circle. ages under the errors o f such as aimed
.v o l. 11. 35
Notes
more to captivate the eyes o f the igno and which by no means improved their
rant, than to please the understandings looks, it began to clear up at last, and
o f those who were really judges, he they, who had hitherto said but little
may be deservedly called one o f the to each other, now turned to discourse
lights and glories of our city, and the together ; whilst Forese, riding along
rather as being master of his art, not and listening to Giotto, who was ex
withstanding his modesty would never cellent at telling a story, began at last
suffer himself to be so esteemed; which to view him attentively from head to
honor, though rejected by him, dis foot, and, seeing him in that wretched,
played itself in him with the greater dirty pickle, without having any regard
lustre, as it was so eagerly usurped by to himself he fell a laughing, and said,
others less knowing than himself, and ‘ Do you suppose, Giotto, if a stranger
by many also who had all their knowl were to meet with you now, who had
edge from him. But though his excel never seen you before, that he would
lence in his profession was so wonder imagine you to be the best painter in
ful, yet as to his person and aspect he the world, as you really are ?* Giotto
had no way the advantage of Signor readily replied, * Yes, sir, I believe he
Forese. T o come then to my story. might think so, if, looking at you at
These two worthies had each his coun the same time, he would ever conclude
try-seat at Mugello, and Forese being that you had learned your A , B, C.*
gone thither in the vacation time, and At this Forese was sensible o f his mis
riding upon an unsightly steed, chanced take, finding himself well paid in his
to meet there with Giotto, who was own coin.”
no better equipped than himself, when Another story of Giotto may be found
they returned together to Florence. in Sacchetti, Nov. 75.
Travelling slowly along, as they were 97. Probably Dante’s friend, Guido
able to go no faster, they were over Cavalcanti, In f X. Note 6 3 ; and Gui
taken by a great shower o f rain, and do Guinicelli, Purg. X X V I. Note 92,
forced to take shelter in a poor man’s whom he calls
house, who was well known to them “ T h e father
O f me and o f m y betters, who had ever
both ; and, as there was no appearance
Practised the sweet and gracious rhymes o f
of the weather’s clearing up, and each
lo ve .”
being desirous o f getting home that
night, they borrowed two old, rusty 99. Some commentators suppose that
cloaks, and two rusty hats, and they Dante here refers to himself. He more
proceeded on their journey. After probably is speaking only in general
they had gotten a good part of their terms, without particular reference to
way, thoroughly wet, and covered with any one.
dirt and mire, which their two shuf 10 3. Ben Jonson, Ode on the Death
fling steeds had thrown upon them, of Sir H. Morison : —
Purgatorio xi. 275
** It is not growing like a tree “ and his head was cut off,” says Vil-
In bulk, doth make men better be ; lani, V II. 3 1, “ and carried through all
O r standing long an oak, three hundred year,
the camp fixed upon a lance. And
T o fall a log at last, dry, bald, and sear j
A lily o f a day
well was fulfilled the prophecy and
Is fairer far in M ay, revelation which the Devil had made
Alth o u gh it fall and die that n ig h t ; to him, by means o f necromancy, but
It was the plant and flower o f lig h t.” which he did not understand ; for the
Devil, being constrained to tell how he
105. T h e babble o f childhood;
would succeed in that battle, menda
pappo for pane, bread, and dindi for da-
ciously answered, and said : * Thou
nariy money.
shalt go forth and fight, thou shalt con
Halliwell, Die. of Arch, and Prov.
quer not die in the battle, and thy
Words: “ D i n d e r s , small coins of the
head shall be the highest in the camp.’
Lower Empire, found at W roxeter.”
And he, believing from these words
108. T he revolution o f the fixed
that he should be victorious, and be
stars, according to the Ptolemaic theo
lieving he should be lord over all, did
ry, which was also Dante’s, was thirty-
not put a stop after * not ’ (yincerai no,
six thousand years.
morraiy thou shalt conquer not, thou
109. “ Who goes so slowly,” inter
shalt die). And therefore it is great
prets the Ottimo.
folly to put faith in the D evil’s ad
1 1 2 . At the battle o f Monte Aperto.
vice. This Messer Provenzano was a
See Inf. X . Note 86.
great man in Siena after his victory at
118 . Henry Vaughan, Sacred Po
Monte Aperto, and led the whole city,
ems : —
and all the Ghibelline party o f Tus
“ O holy hope and high hum ility,
cany made him their chief, and he was
H igh as the heavens ab o ve;
These are your w alks, and you have showed very presumptuous in his w ill.”
them me Th e humility which saved him was
T o kindle m y cold love ! ” his seating himself at a little table in
And Milton, Sams. Agon.y 185 : — the public square of Siena, called the
Campo, and begging money o f all pass
“ A p t words have power to swage
ers to pay the ransom of a friend who
T h e tumors o f a troubled m ind.”
had been taken prisoner by Charles o f
12 1. A haughty and ambitious no Anjou, as here narrated by Dante.
bleman of Siena, who led the Sienese 13 8 . Spenser, Faery ^ueeney V I. c. 7,
troops at the battle of Monte Aperto. st. 22 : —
Afterwards, when the Sienese were “ H e, therewith much abashed and affrayd,
routed by the Florentines at the battle Began to tremble every limbe and vaine.”
CANTO XII.
1. In the first part o f this canto the beginning, “ Displayed ” ; and then a
same subject is continued, with exam stanza which resumes and unites them
ples of pride humbled, sculptured on all.
the pavement, upon which the Proud 27. Luke x. 1 8 : “ I beheld Satan
are doomed to gaze as they go with as lightning fall from heaven.”
their heads bent down beneath their Milton, Parad. Lost, I. 44 : —
heavy burdens, f‘ H im the A lm igh ty Power
“ So that they may behold their evil w ays.” Hurled headlong flaming from the ethereal sk y,
Iliad, X I II . 700 : “ And Ajax, the W ith hideous ruin and combustion, down
swift son o f Oileus, never at all stood T o bottomless perdition, there to dwell
apart from the Telamonian A ja x ; but In adamantine chains and penal fire,
W h o durst defy the Omnipotent to arm s.”
as in a fallow field two dark bullocks,
possessed of equal spirit, drag the com 28. Iliad, I. 403 : “ Him o f the
pacted plough, and much sweat breaks hundred hands, whom the gods call
out about the roots o f their horns, and Briareus, and all men ^gaeon.” Inf.
the well-polished yoke alone divides X X I. Note 98.
them, stepping along the furrow, and He was struck by the thunderbolt
the plough cuts up the bottom o f the o f Jove, or by a shaft o f Apollo, at the
soil, so they, joined together, stood battle o f Flegra. “ Ugly medley o f
very near to each other.” sacred and profane, o f revealed truth
3. In Italy a pedagogue is not only and fiction ! ” exclaims Venturi.
a teacher, but literally a leader o f chil 3 1. Thymbrapus, a surname of Apol
dren, and goes from house to house lo, from his temple in Thymbra.
collecting his little flock, which he 34. Nimrod, who “ began to be a
brings home again after school. mighty one in the earth,” and his
Galatians iii. 24: “ The law was our “ tower whose top may reach unto
schoolmaster (Paidagogos) to bring us heaven.”
unto Christ.” Genesis xi. 8 : ‘ ‘ So the Lord scat
17. Tombs under the pavement in the tered them abroad from thence upon
aisles o f churches, in contradistinction the face of all the earth ; and they left
to those built aloft against the walls. off to build the city. Therefore is the
25. T h e reader will not fail to mark name o f it called B ab el; because the
the artistic structure of the passage from Lord did there confound the language
this to the sixty-third line. First there o f all the earth, and from thence did
are four stanzas beginning, “ I saw ” ; the Lord scatter them abroad upon the
then four beginning, “ O ” ; then four face o f all the earth.”
Purgatorio xn. ;iIJ 277
\\ , (v .
See also Inf. X X X I. Note 77. delighting in arrows, because-'&he.h'ad'
36. Lombardi proposes in this line to deemed herself equal to the beautiful
read “ together” instead of “ proud” ; cheeked Latona. She said that Latona
which Biagioli thinks is “ changing a had borne only two, but she herself had
beautiful diamond for a bit o f lead; and borne many; nevertheless those, though
stupid is he who accepts the change.” but two, exterminated all these.”
37. Among the Greek epigrams is But Ovid, Metamorph., V I., says: —
one on Niobe, which runs as fol
f* Seven are m y daughters o f a form divine,
lows : — W ith seven fair sons, an indefective lin e.”
done. And fear and trembling fell N on vide me’ di me, chi vide il vero,
Quant’ io calcai, fin che chinato g ivi.’
upon them, so that there was no man
that durst abide in the sight o f his- Dante has here clearly no other idea
neighbor, but, rushing out all together, o f the highest art than that it should
they fled into every way o f the plain bring back, as in a mirror or vision,
and of the hill country............. Now the aspect o f things passed or absent.
when the children o f Israel heard it, T h e scenes o f which he speaks are, on
they all fell upon them with one con the pavement, forever represented by
sent, and slew them unto Chobai.” angelic power, so that the souls which
6 1. This tercet unites the “ I saw,” traverse this circle o f the rock may see
“ O,” and “ Displayed,” o f the preced them, as if the years o f the world had
ing passage, and binds the whole as been rolled back, and they again stood
with a selvage* beside the actors in the moment o f
67. Ruskin, Mod. Painters, III. 19 : action. Nor do I think that Dante’s
“ There was probably never a period authority is absolutely necessary to
in which the influence o f art over the compel us to admit that such art as this
minds o f men seemed to depend less might indeed be the highest possible.
on its merely imitative power, than the Whatever delight we may have been
close of the thirteenth century. No in the habit o f taking in pictures, if it
painting or sculpture at that time were but truly offered to us to remove
reached more than a rude resemblance at our will the canvas from the frame,
of reality. Its despised perspective, and in lieu o f it to behold, fixed for
280 Notes
ever, the image o f some o f those mighty ence in 12 3 6 , when this bridge was
scenes which it has been our way to built. Above it on the hill stands the
make mere themes for the artist’s fancy, church of San Miniato. T his is the
— if, for instance, we could again be hill which Michel Angelo fortified in
hold the Magdalene receiving her par-* the siege o f Florence. In early times
don at Christ’s feet, or the disciples sit it was climbed by stairways.
ting with him at the table of Emmaus, 10 5. In the good old days, before
— and this not feebly nor fancifully, any one had falsified the ledger o f the
but as if some silver mirror, that had public accounts, or the standard of
leaned against the wall of the chamber, measure. In Dante’s time a certain
had been miraculously commanded to Messer Niccola tore out a leaf from the
retain forever the colors that had flashed public records, to conceal some villany
upon it for an instant,— would we not o f his ; and a certain Messer Durante,
part with our picture, Titian’s or Vero a custom-house officer, diminished the
nese’s though it might be ? ” salt-measure by one stave. T h is is
8 1. T h e sixth hour o f the day, or again alluded to, Par. X V I. 105.
noon o f the second day. n o . Matthew v. 3 : "B lessed are
102. Florence is here called ironi the poor in sp irit: for theirs is the
cally “ the well guided ” or well gov kingdom o f heaven.”
erned. Rubaconte is the name o f the [ It must be observed that all the
most easterly o f the bridges over the j Latin lines in Dante should be chanted
Arno, and takes its name from Messer ^ with an equal stress on each syllable,
Rubaconte, who was Podesta o f Flor- : in 9ider- to jnake them rhythmical.
/ C AN TO XIII.
they are equal to them. Through envy G od who sees and lightens a ll.”
proceeded the fall of the world, and 29. John ii. 3 : “ And when they
the death o f Christ.” wanted wine, the mother of Jesus saith
9. T h e livid color o f Envy. unto him, T h ey have no wine.”
Purgatorio x iii . 281
Examples are first given o f the virtue 110 . Gower, Confes. A m a n t I I . : —
opposite the vice here punished. These “ W h an I have sene another blithe
are but “ airy tongues that syllable men’s O f love and hadde a goodly chere,
names” ; and it must not be supposed Ethn a, w hich brenneth yere by yere,
C A N TO X IV .
every place he comes to with fierce in 40. When Dante wrote this invec
vective. T h e farther he goes, the tive against the inhabitants of the Val
more his hate redoubles in violence d’ Arno, he probably had in mind the
and bitterness. It is a piece of topo following passage of Boethius, Cons.
graphical satire, o f which I know no Phil., IV . Pros. 3, Ridpath’s T r. : —
other example.” “ Hence it again follows, that every
32. T h e Apennines, whose long thing which strays from what is good
chain ends in Calabria, opposite Cape ceases to be ; the wicked therefore
Peloro in Sicily. JEneid, I I I . 4 10 , must cease to be what they were ; but
Davidson’s T r . : — that they were formerly men, their
“ But when, after setting out, the human shape, which still remains, tes
284 Notes
tifies. By degenerating into wicked the mischief which followed a late at
ness, then, they must cease to be men. tempt to clear some Apennines o f their
But as virtue alone can exalt a man woods. Most o f the soil, which was
above what is human, so it is on the then loosened from the roots and wash
contrary evident, that vice, as it divests ed down by the torrents, lodged in this
him of his nature, must sink him below plain ; and left immense beds o f sand
humanity; you ought therefore by and large rolling stones on the very
no means to consider him as a man spot where Dante describes
whom vice has rendered vicious. T e ll ‘ L i ruscelletti che de’ verdi colli
me, What difference is there betwixt a D el Casentin discendon giuso in A rn o ,
w o lf who lives by rapine, and a robber Facendo i lor canali e freddi e m olli.’
hospitality, and their not permitting A n d airy tongues that syllable m en’s names.”
any man in the town to keep an inn These voices in the air proclaim ex
for money. But there was a stone amples of envy.
column in the middle of the town,” 13 3 . Genesis iv. 13 , 1 4 : “ And Cain
(upon which were rings or knockers, said unto the L o r d ,............Every one
as if all the front-doors were there rep that findeth me shall slay me.”
resented,) “ and to this, as soon as a I 39 * Aglauros through envy op
stranger made his appearance, he was posed the interview o f Mercury with
conducted, and to one o f the rings her sister Herse, and was changed by
hitched his horse or hung his hat upon the god into stone. Ovid, Metamorph.,
it; and thus, as chance decreed, he was I ., Addison’s T r . : —
taken to the house o f the gentleman to “ ‘ T h e n keep thy seat forever,’ cries the god,
whom the ring belonged, and honored A n d touched the door, wide opening to his
according to his rank. This column rod.
and its rings were invented to remove Fain would she rise and stop him , but she
found
all cause o f quarrel among the noble
H er trunk too heavy to forsake the ground ;
men, who used to run to get possession H e r joints are all benumbed, her hands are
o f a stranger, as now-a-days they al pale,
most run away from him.” A n d marble now appears in every nail.
115 . Towns in Romagna. “ Bag- A s when a cancer in the body feeds,
nacavallo, and Castrocaro, and Co- A n d gradual death from limb to limb pro
ceeds,
nio,” says the Ottimo, “ were all habi
So does the chillness to each vital part
tations o f courtesy and honor. N ow Spread by degrees, and creeps into her h e art;
in Bagnacavallo the Counts are extinct; T i l l hardening everywhere, and speechless
and he (Dante) says it does well to grown,
288 Notes
She sits unmoved, and freezes to a stone. M an looks a lo ft ; and w ith erected eyes
But still her envious hue and sullen mien Beholds his own hereditary skies.”
A re in the sedentary figure seen.”
150 . Beaumont and Fletcher, The
147. The falconer’s call or lure, Laws of Candy, IV . 1 : —
which he whirls round in the air to “ Seldom despairing men look up to heaven,
attract the falcon on the wing. A lth o u gh it still speak to ’em in its glories j
148. Ovid, Metamorpb.y I ., D ry- For when sad thoughts perplex the mind o f
den’s T r. : — m an,
T h e re is a plummet in the heart that weighs
“ T h u s, w hile the mute creation downward bend A n d pulls us, livin g, to the dust we came
T h e ir sight, and to their earthly mother tend, from .”
CANTO XV.
sion ; as when a pearl is badly dis N oble, and pure, and high,
L ik e virtue from the star, love comes from
posed, or is imperfect, it cannot receive
wom an’ s eye.”
the celestial virtue, as the noble Gui
do Guinizzelli says in an ode o f his, 70. Par. X IV . 40 : —
beginning, “ Its brightness is proportioned to the ardor,
T h e ardor to the vision, and the vision
‘ T o noble heart love doth for shelter fly.’
Equals w hat grace it has above its m erit.”
The soul, then, may be ill placed in
the person through defect o f tempera 89. Luke ii. 48 : “ And his mother
ment, or o f time ; and in such a soul said unto him, Son, why hast thou thus
this divine radiance never shines. And dealt with us ? behold, thy father and
of those whose souls are deprived o f I have sought thee sorrowing.”
this light it may be said that they are 97. T h e contest between Neptune
like valleys turned toward the north, and Minerva for the right o f naming
or like subterranean caverns, where the Athens, in which Minerva carried the
light o f the sun never falls, unless re day by the vote o f the women. This
flected from some other place illumi is one o f the subjects which Minerva
nated by it.” wrought in her trial o f skill with
The following are the first two stan Arachne. Ovid, Metamorpb., V I . :.—
zas of Guido’s Ode: — u Pallas in figures wrought the heavenly powers,
** T o noble heart love doth for shelter fly, A n d M ars’s hill among the Athenian towers.
A s seeks the bird the forest’s leafy shade j On lofty thrones twice six celestials sate,
L o ve was not felt till noble heart beat Jo v e in the midst, and held their warm debate j
high, T h e subject w eighty, and w ell know n to fame,
N o r before love the noble heart was made 3 From whom the city should receive its name.
Soon as the sun’ s broad flame Each god by proper features was expressed,
W a s formed, so soon the clear light filled Jo v e w ith majestic mien excelled the rest.
the air, H is three-forked mace the dewy sea-god
Y e t was not till he came j shook, •
So love springs up in noble breasts, and A n d , looking sternly, smote the ragged rock j
there W h e n from the stone leapt forth a sprightly
Has its appointed space, steed,
A s heat in the bright flame finds its allotted A n d Neptune claims the city for the deed.
place. H e rself she blazons, with a glittering spear,
A n d crested helm that veiled her braided hair,
Kindles in noble heart the fire o f love, W ith shield, and scaly breastplate, imple
A s hidden virtue in the precious stone j ments o f war.
T h is virtue comes not from the stars above, Stru ck w ith her pointed lance, the teeming
T ill round it the ennobling sun has shone 3 earth
But when his powerful blaze Seemed to produce a new, surprising birth ;
Has drawn forth w hat was vile, the stars W h e n from the glebe the pledge o f conquest
impart sprung,
Strange virtue in their rays j A tree pale-green w ith fairest olives hu ng.”
VOL. II. 37
290 Notes
10 1. Pisistratus, the tyrant o f Athens, their teeth. But he, being full o f the
who used his power so nobly as to H oly Ghost, looked up steadfastly into
make the people forget the usurpation heaven...........Then they cried out with
by which he had attained it. Among a loud voice, and stopped their ears,
his good deeds was the collection and and ran upon him with one accord, and
preservation of the Homeric poems, cast him out o f the city, and stoned
which but for him might have perished. him............And he kneeled down, and
He was also the first to found a public cried with a loud voice, Lord, lay not
library in Athens. This anecdote is this sin to their charge ! And when
told by Valerius Maximus, Fact, ac he had said this, he fell asleep.”
Diet., V I. i. 117 . He recognizes it to be a vision,
106. The stoning o f Stephen. Acts but not false, because it symbolized the
vii. 5 4 : " Th ey gnashed on him with truth.
C AN T XVI.
C A N T O XVII,
MMad with her anguish, impotent to bear And M ilton, Par ad. Lost, III. 380: —
T h e m ighty grief, she loathes the vital air.
“ D ark w ith excessive bright thy skirts appear.”
She calls herself the cause o f all this ill,
A n d owns the dire effects o f her ungoverned 68. M atthew v. 9 : “ Blessed are
w ill j the peacem akers: for they shall be
She raves against the gods, she beats her called the children o f G o d .”
breast,
85. Sloth. See Inf. V II. N ote 115.
She tears w ith both her hands her purple
And Brunetto Latini, Tesoretto, X X I.
vest j
T h en round a beam a running noose she tied, 145: —
“ In ira nasce e posa
A n d , fastened by the n eck, obscenely died.
Accidia niquitosa.”
“ Soon as the fatal news by fame was blown,
And to her dames and to her daughters know n, 97. T h e first, the o b ject; the sec
T h e sad Lavinia rends her yellow hair ond, too much or too little vigor.
And rosy ch eek s; the rest her sorrow share; 124. T h e sins o f Pride, Envy, and
W ith shrieks the palace rings, and madness
Anger. T h e other is Sloth, or luke
o f despair.”
warmness in well-doing, punished in
53. See P ar. V . 1 3 4 : — this circle:
“ Even as the sun, that doth conceal h im self 136. T h e sins o f Avarice, Gluttony,
B y too m uch lig h t.” and Lust.
C A N T O XVIII.
C A N T O X IX .
can also be formed out o f some o f the 59. T h e three remaining sins to be
last stars o f Aquarius, and some o f the purged away are Avarice, Gluttony,
first o f Pisces. and Lust.
Chaucer, Troil. and Cres., III. 6 1. See Canto X I V . 148.
1415 : — 73. Psalms cxix. 2 5 : “ M y soul
“ But whan the cocke, commune astrologer, cleaveth unto the d u st: quicken thou
Gan on his brest to bete and after crowe, me according to thy w ord.”
And Lucifer, the dayes messanger, 99. K n ow that I was the successor
Gan for to rise and out his bemes throwe, o f Peter. It is Pope Adrian the Fifth
A n d estward rose, to him that could it know e,
w ho speaks. H e was o f the family o f
Fortuna M a jo r ."
the Counts o f Lavagna, the family tak
6. Because the sun is following close ing its title from the river Lavagna,
behind. flowing between Siestri and Chiaveri,
7. T h is “ stammering woman ” o f towns on the Riviera di Genova. H e
Dante’s dream is Sensual Pleasure, was Pope only thirty-nine days, and
w hich the imagination o f the beholder died in 1276. W hen his kindred came
adorns with a thousand charms. T h e to congratulate him on his election, he
“ lady saintly and alert ” is Reason, said, “ W ould that ye came to a Car
the same that tied Ulysses to the mast, dinal in good health, and not to a dying
and stopped the ears o f his sailors with Pope.”
w ax that they might not hear the song 134. Revelation x ix . 10: “ And I fell
o f the Sirens. at his feet to worship him. And he
G ow er, Conf. Amant., I . : — said unto me, See thou do it not, I am
“ O f such nature thy fellow-servant.”
T h e y ben, that with so swete a steven 137, M atthew x xii. 30 : “ For in
L ik e to the melodie o f heven the resurrection they neither marry,
In womannishe vois they singe
nor are given in marriage, but are as
W ith notes o f so great likin ge,
O f suche mesure, o f suche m usike,
the angels in heaven,” H e reminds
W h e ro f the shippes they beswike Dante that here all earthly distinc
T h a t passen by the costes there. tions and relations are laid aside.
For whan the shipmen lay an ere H e is no longer “ tfre Spouse o f the
Unto the vois, in here airs C h u rch,”
T h e y wene it be a paradis,
141. P enitence; line 9 2 : t—
W h ich after is to hem an h elle.”
“ In whom weeping ripens
51. “ T h a t is,” says Buti, ‘ ‘ they T h a t without w hich to God we cannot turn.”
shall have the gift o f comforting their 142. Madonna Alagia was the w ife
souls.” o f M arcello M alespini, that friend o f
M atthew v. 4 : “ Blessed are they Dante w ith whom , during his wan
that m ourn: for they shall be com derings, he took refuge in the Luni-
forted.” giana, in 1307.
Purgatorio xx. 3 QI
c a n ': XX.
1. In this canto the subject o f the Voragine, the great storehouse o f me
preceding is continued, namely, the diaeval wonders.
punishment o f Avarice and Prodigality. It may be found also in M rs. Jame
2. T o please the speaker, Pope son’ s Sacred and Legendary A rt, II. 62,
Adrian the Fifth, (w ho, Canto X IX * and in her version runs thus : —
139, says, “ N o w in that city there dwelt
“ Now go, no longer w ill I have thee linger,” ) a certain nobleman w ho had three
daughters, and, from being rich, he
Dante departs without further question#
became poor ; so poor that there
though not yet satisfied*
remained no means o f obtaining food
13. See the article Cabala at the end
for his daughters but by sacrificing
o f V ol. III.
them to an infamous life ; and often
15. T h is is generally supposed to
times it came into his mind to tell
refer to Can Grande della Scala. See
them so, but shame and sorrow held
I n f I. N ote 101.
him dumb. Meantime the maidens
23. T h e inn at Bethlehem.
w ept continually, not knowing what
25. T h e Roman Consul w ho re
to do, and not having bread to e a t;
jected w ith disdain the bribes o f P yr
and their father became more and
rhus, and died so poor that he was
more desperate. W hen Nicholas heard
buried at the public expense, and the
o f this, he thought it a shame that such
Romans were obliged to give a dowry
a thing should happen in a Christian
to his daughters. V irg il, JEneid, V I .
land ; therefore one night, when the
«44» calls him “ powerful in poverty.”
maidens were asleep, and their father
Dante also extols him in the Convito,
alone sat watching and weeping, he
I V. 5.
took a handful o f gold, and, tying it
31. G ow er, Conf. Amant., V . 1 3 : —
up in a handkerchief, he repaired to
** Betwene the two extremites
the dwelling o f the poor man. H e
O f vice stont the propertea
considered how he might bestow it
O f vertue, and to prove it so
T a k e avarice and take also 4 without making him self known, and,
T h e vice o f prodegalite, r w hile he stood irresolute, the moon
Betwene hem liberalite, ' coming from behind a cloud showed
\ W h ich is the vertue of largesse him a w indow open ; so he threw it
: Stent and governeth his noblesse.” j
in, and it fell at the feet o f the fa
32.; T h is is St. Nicholas>,--patrpftN ther, w ho, w hen he found it, re-
saint/of childrenTsailors, ^rf'd travellers. ; turned thanks, and w ith it he portioned
Thd. incident here allude^ to is found his eldest daughter. A second time
in the. Legenda Aurea o f Jacobus de Nicholas provided a similar sum, and
302 Notes
the light till some two centuries after Endeavoring to escape to Sicily after
the time here spoken of. Others say his defeat at T agliacozzo, he was car
Charles o f L orrain e; and Biagioli de ried to Naples and imprisoned in the
cides that it must be either Charles the Castel dell* U ovo. “ Christendom
Simple, who died a prisoner in the heard with horror,” says M ilm an, Lat.
castle o f Peronne, in 922 ; or Louis o f CbHst.y Book X I. Ch. 3, “ that the royal
Outre-M er, who was carried to England brother o f St. Louis, that the cham
by Hugh the Great, in 936. T h e Man pion o f the Church, after a mock trial,
in Cloth o f G ray remains as great a by the sentence o f one judge, Robert
mystery as the Man in the Iron Mask. di Lavena, — after an unanswerable
59. Hugh Capet was crowned at pleading by Guido de Suzaria, a fa
Rheims, in 987. T h e expression mous jurist, — had condemned the last
w hich follows shows clearly that it is heir o f the Swabian house — a rival
H ugh the Great w ho speaks, and not king w ho had fought gallantly for his
Hugh the founder o f the Capetian d y hereditary throne — to be executed as
nasty. a felon and a rebel on a public scaffold.
6 1. U ntil the shame o f the low ori So little did Conradin dread his fate,
gin o f the family was removed by the that, when his doom was announced,
marriage o f Charles o f Anjou, brother he was playing at chess with Frederick
o f Saint Louis, to the daughter o f Rai- o f Austria. * Slave/ said Conradin to
mond Berenger, w ho brought him Pro Robert o f Bari, who read the fatal sen
vence as her dower. tence, f do you dare to condemn as a
. 65. Making amends for one crime criminal the son and heir o f kings ?
by committing a greater. T h e partic K now s not your master that he is my
ular transaction here alluded to is the equal, not my judge ? * H e added, * I
seizing by fraud and holding by force am a mortal, and must d ie; yet ask the
these provinces in the time o f Philip kings o f the earth i f a prince be crimi
the Fair. nal for seeking to win back the heritage
67. Charles o f Anjou. o f his ancestors. But i f there be no
68. Curradino, or Conradin, son o f pardon for me, spare, at least, my faith
the Emperor Conrad IV ., a beautiful ful companions ; or i f they must die,
youth o f sixteen, who was beheaded strike me first, that I may not behold
Purgatorio xx. 305
their death.’ T h e y died devoutly, In the Vision o f Piers Ploughman,
nobly. Every circumstance aggravated there is a joust between Christ and the
the abhorrence ; it was said — perhaps foul fiend : —
it was the invention o f that abhorrence “ Thanne was Feith in a fenestre,
— that Robert o f Flanders, the brother And cryde a "fili D a v id ,
doors of those o f the Cardinals were T h e y were plundered w ith such ra
beaten down, the treasures ransacked pacity that not a man escaped with a
and carried o ff; the Cardinals them farthing.
selves fled from the backs o f the houses “ T h e Marquis found him self com
through the common sewer. T h en pelled to surrender, on the condition
arrived, but not to the rescue, Arnulf, that his own life, that o f his family
the Captain o f the People ; he had and o f his servants, should be spared.
perhaps been suborned by Reginald o f A t these sad tidings the Pope wept
Supino. W ith him were the sons o f bitterly. T h e Pope was alone ; from
Chiton, whose father was pining in the first the Cardinals, some from
the dungeons of Boniface. Instead of treachery, some from cowardice, had
resisting, they joined the attack on the fled on all sides, even his most familiar
palace of the Pope’s nephew and his friends : they had crept into the most
own. T h e Pope and his nephew im ignoble hiding-places. T h e aged Pon
plored a truce ; it was granted for tiff alone lost not his self-command.
eight hours. T h is time the Pope em H e had declared him self ready to per
ployed in endeavoring to stir up the ish in his glorious cause; he deter
people to his defence ; the people mined to fall with dignity. * I f I am
coldly answered, that they were under betrayed like Christ, I am ready to die
the command o f their Captain. T h e like Christ.’ H e put on the stole o f
Pope demanded the terms o f the con St. Peter, the imperial crown was on
spirators. * I f the Pope would save his head, the keys o f St. Peter in one
his life, let him instantly restore the hand and the cross in the other : he
Colonna Cardinals to their dignity, took his seat on the Papal throne, and,
and reinstate the whole house in their like the Roman Senators o f old, await
honors and possessions ; after this ed the approach o f the Gaul.
restoration the Pope must abdicate, “ But the pride and cruelty of Boni
and leave his body at the disposal o f face had raised and infixed deep in the
Sciarra.’ T h e Pope groaned in the hearts o f men passions w hich acknowl
depths o f his heart. * T h e word is edged no awe o f age, o f intrepidity, or
spoken.* Again the assailants thun religious majesty. In W illiam o f N o-
dered at the gates o f the palace ; still garet the blood ot his Tolosan ances
there was obstinate resistance. The tors, in Colonna, the wrongs, the deg
principal church o f Anagni, that o f radation, the beggary, the exile o f all
Santa Maria, protected the Pope’s pal his house, had extinguished every feel
ace. Sciarra Colonna’s lawless band ing but revenge. T h e y insulted him
set fire to the gates; the church was with contumelious reproaches; they
crowded w ith clergy and laity and menaced his life. T h e Pope answered
traders who had brought their pre not a word. T h e y insisted that he
cious wares into the sacred building. should at once abdicate the Papacy.
3o8 Notes
just taken away, and one Jason, a tragic 128. T h e occasion o f this quaking
actor o f the town o f T ralles, was sing o f the mountain is given, Canto X X I.
ing the scene in the Bacchse o f Eurip 5 8 :-
ides concerning Agave. H e was re “ It trembles here, whenever any soul
ceiving much applause, when Sillaces Feels itself pure, so that it soars, or moves
coming to the room, and having made T o mount aloft, and such a cry attends it.”
obeisance to the king, threw down the 130. An island in the iEgean Sea,
head o f Crassus into the midst o f the in the centre o f the Cyclades. It was
company. T h e Parthians receiving it thrown up by an earthquake, in order
with joy and acclamations, Sillaces, by to receive Latona, when she gave birth
the king’s command, was made to sit to Apollo and Diana, — the Sun and
down, while Jason handed over the the Moon.
costume o f Pentheus to one o f the dan 136. Luke ii. 13, 1 4 : “ And sud
cers in the chorus, and taking up the denly there was with the angel a multi
head o f Crassus, and acting the part o f tude o f the heavenly host, praising
a bacchante in her frenzy, in a rap G od, and saying, G lory to God in the
turous, impassioned manner, sang the highest, and on earth peace, good w ill
lyric passages, toward men.”
* W e ’ve hunted down a m ighty chase to-day,
140. G ow er, Conf. Amant., III. 5 : —
And from the mountain bring the noble “ W hen Goddes sone also was bore,
prey.’ ” H e sent his aungel down therfore,
W hom the shepherdes herden singe :
122. T h is is in answer to D ante’s Pees to the men of'w elw illinge
question, line 35 : — In erthe be amonge us here.”
C A N T O XXI.
1. T h is canto is devoted to the in water, that I thirst not, neither come
terview w ith the poet Statius, whose hither to draw .”
release from punishment was announced 7. Luke xxiv. 1 3 - 1 5 : “ And, behold,
by the earthquake and the outcry at the two o f them went that same day to a
end o f the last canto. village called Emmaus, w hich was from
3. John iv. 14, 1 5 : “ Whosoever Jerusalem about threescore furlongs.
drinketh o f the water that I shall give And they talked together o f all these
him, shall never thirst............T h e w o things w hich had happened. And it
man saith unto him , Sir, give me this came to pass, that, w hile they com
312 Notes
muned together and reasoned, Jesus 40. N othing unusual ever disturbs
him self drew near, and went with the religio loci, the sacredness o f the
them .” mountain.
15. Among the monks o f the M id 44. T h is happens only when the
dle Ages there were certain salutations, soul, that came from heaven, is re
which had their customary replies or ceived back into heaven ; not from
countersigns. Thus one would say, any natural causes affecting earth or
“ Peace be with th e e !” and the an air.
swer would be, “ And with thy sp irit!” 48. T h e gate o f Purgatory, w hich
O r, “ Praised be the Lord ! ” and the is also the gate o f Heaven.
answer, “ W orld without end ! ” 50. Iris, one o f the Oceanides, the
22. T h e letters upon Dante’s fore daughter o f Thaumas an dE lectra; the
head. rainbow.
25. Lachesis. O f the three Fates, 6^. T h e soul in Purgatory feels as
C lotho prepared and held the distaff, great a desire to be punished for a sin,
Lachesis spun the thread, and Atropos as it had to commit it.
cut it. 82. T h e siege o f Jerusalem under
“ T h ese,” says Plato, Republic, X ., T itu s, surnamed the “ D elight o f
“ are the daughters o f Necessity, the M ankind,” took place in the year 70.
Fates, Lachesis, Clotho, and Atropos ; Statius, who is here speaking, was born
w ho, clothed in white robes, w ith gar at Naples in the reign o f Claudius, and
lands on their heads, chant to the had already become famous “ under the
music o f the S iren s; Lachesis the name that most endures and honors,”
events o f the Past, Clotho those o f the that is, as a poet. H is works are the
Present, Atropos those o f the Future.” Silvte, or miscellaneous p o em s; the
33. See Canto X V I I I . 46 : — Thebaid, an epic in twelve books ; and
“ W hat reason seeth here, the Achilliidy left un^nished. H e wrote
M y se lf can tell thee ; beyond that await also a tragedy, Agave, w hich is lost.
For Beatrice, s in c e ’t is a w ork of faith.” Juvenal says o f him, Satire V I I .,
So also C ow ley, in his poem on the D ryden’s T r . : —
Use o f Reason in Divine M atters: —
“ A ll Rom e is pleased when Statius w ill re
“ Though Reason cannot through Faith’s mys hearse,
teries see, A n d longing crowds expect the promised verse;
It sees that there and such they be ; His lofty numbers with so great a gust
Leads to heaven’s door, and there does hum bly T h e y hear, and swallow with such eager lust:
keep, B ut w hile the common suffrage crowned his
A n d there through chinks and keyholes peepj cause,
T h ou gh it, lik e Moses, by a sad command A n d broke the benches w ith their loud ap
M ust not come into the H oly Land, plause,
Y e t thither it infallibly does guide, H is M use had starved, had not a piece unread,
A n d from a fa r ’t is all descried.” A n d by a player bought, supplied her bread.”
Purgatorio xxn. 313
Dante shows his admiration o f him Landino thinks that Dante’s error
by placing him here. may be traced to Placidus Lactantius,
89. Statius was not born in T o u a commentator o f the Thebaidy who
louse, as Dante supposes, but in N a confounded Statius the poet o f Naples
ples, as he him self states in his S ilva , w ith Statius the rhetorician o f T o u
which work was not discovered till louse.
after Dante’s death. T h e passage oc 101. W ould be w illing to remain
curs in Book III. Eclogue V ., To Clau another year in Purgatory.
dia his Wife, where he describes the 114. Petrarca uses the same expres
beauties o f Parthenope, and calls her sion, — the lightning o f the angelic
the mother and nurse o f both, ambo- smile, il lampeggiar dell 1 angelico riso.
rum genetrix altrixque. 13 1. See Canto X IX . 133.
C A N T O XXII.
i
1. T h e ascent to the Sixth C ir “ T h ese from the sepulchre shall rise again
cle, where the sin o f G luttony is pun W ith the fist closed, and these w ith tresses
shorn.”
ished. /
5. JMatthew v. 6 : “ Blessed are they 56. H er two sons, Eteocles and Pol-
_whi<?n do hunger and thirst after right ynices, o f whom Statius sings in the
eousness ; for they shall be filled.” Thebaidy and to whom Dante alludes
13. T h e satirist Juvenal, w ho flour by way o f illustration, I n f X X V I . 54.
ished at Rome during the last h alf o f See also the Note.
the first century *)f the Christian era, 58. Statius begins the Thebaid w ith
and died at the beginning o f the sec an invocation to C lio , the Muse o f
ond, aged eighty. H e was a contem H istory, whose office it was to record
porary o f Statius, and survived him the heroic actions o f brave men, I.
some thirty years. 55: —
40. jEneidy III. 5 6 : ff O cursed
“ W h at first, O Clio, shall adorn thy page,
hunger o f gold, to what dost thou not T h e expiring prophet, or ^Etolian’s rage ?
drive the hearts o f men.” Say, w ilt thou sing how, grim w ith hostile
42. T h e punishment o f the A vari blood,
cious and Prodigal. I n f V I I . 26: — Hippomedon repelled the rushing flood,
Lam ent the Arcadian youth’s untimely fate,
u W ith great howls
O r Jove, opposed by Capaneus, relate ? ”
R ollin g weights forward by main force o f chest.”
46. Dante says o f the Avaricious Skelton, Elegy on the E arl o f North
and Prodigal, I n f V I I . 56 : — umberland : —
vol . 11. 40
3H Notes
“ O f hevenly poems, O Clyo calde by name But w h y does Dante make no mention
In the college o f musis goddess hystoriale.” here o f “ .#)schylus the thunderous ”
63. Saint Peter. and “ Sophocles the royal ” ?
70. V irgil’s Bucolics, Eel. IV . 5, a Antiphon was a tragic and epic poet
passage supposed to foretell the birth o f o f Attica, who was put to death by
C h rist: “ T h e last era o f Cumaean song Dionysius because he would not praise
is now arrived; the great series o f ages the tyrant’s writings. Some editions
begins anew ; now the Virgin returns, read Anacreon for Antiphon.
returns the Saturnian r e ig n ; now a 107. Simonides, the poet o f Cos,
new progeny is sent down from the w ho won a poetic prize at the age o f
high heaven.” eighty, and is said to be the first poet
92. T h e Fourth C ircle o f Purga who wrote for money.
tory, where Sloth is punished. Canto Agatho was an Athenian dramatist,
X V I I. 85: — o f wAom nothing remains but the name
“ T h e love o f good, remiss and a few passages quoted in other
In what it should have done, is here restored j writers.
Here plied again the ill-belated oar.” n o . Some o f the people that Sta
97. Some editions read in this line, tius introduces into his poems. An
instead o f nostro amico, — nostro antico, tigone, daughter o f CEdipus; D eiphile,
our ancient T e re n ce ; but the epithet wife o fT id e u s ; Argia, her sister, wife
would be more appropriate to Plautus, o f Polynices; Ismene, another daughter
who was the earlier writer. o f CEdipus, who is here represented
97, 98. Plautus, Caecilius, and T e r as still lamenting the death o f A tys,
ence, the three principal Latin drama her betrothed.
tists; Varro, “ the most learned o f the 112. H ypsipile, who pointed out to
Romans,” the friend o f C icero, and Adrastus the fountain o f Langia, when
author o f some five hundred volumes, his soldiers were perishing with thirst
which made St. Augustine wonder how on their march against Thebes.
he who wrote so many books could 113. O f the daughters o f Tiresias
find time to read so m any; and how Manto is the only one mentioned by
he who read so many could find time Statius in the Thebaid. But Dante
to write so many. places Manto among the Soothsayers,
100. Persius, the Latin satirist. I n f X X . 55, and not in Lim bo. Had
101. Homer. he forgotten this ?
106. Mrs. Browning, Wine o f Cy 113, 114. T hetis, the mother o f
prus : — Achilles, and Deidamia, the daughter
o f Lycomedes. T h e y are among the
“ Our Euripides, the human, —
personages in the Acbilleid o f Statius.
W ith his droppings o f warm tears;
And his touches o f things common, 118. Four hours o f the day were
T ill they rose to touch the spheres.” already passed.
Purgatorio xxn. 315
131. C o w ley , 7"be Tree o f Knowl Ere sails were spread, new oceans to explore 5
edge : — A n d happy mortals, unconcerned for more,
Confined their wishes to their native shore.
** T h e sacred tree ’midst the fair orchard grew, N o walls were y e t : nor fence, nor mote, nor
T h e phoenix Truth did on it rest mound,
And built his perfumed nest, N or drum was heard, nor trumpet’s angry sound:
Th a t right Porphyrian tree w hich did true N or swords were forged j but, void o f care and
Logic show ; crime,
Each lea f did learned notions give T h e soft creation slept away their time.
A n d th ’ apples were demonstrative j T h e teeming earth, yet guiltless o f the plough,
So clear their color and divine A n d unprovoked, did fruitful stores allow :
T h e very shade they cast did other lights Content with food, which nature freely bred,
outshine.” O n wildings and on strawberries they fed 5
T h is tree o f Tem ptation, however, Cornels and bramble-berries gave the rest,
And falling acorns furnished out a feast.
is hardly the tree o f Know ledge, though
T h e flowers unsown in fields and meadows
sprung from it, as Dante says o f the
reigned 5
next, in Canto X X I V . 117. It is meant A n d western winds immortal spring maintained.
only to increase the torment o f the starv In following years, the bearded corn ensued
ing souls beneath it, by holding its fresh From earth unasked, nor was that earth re
and dewy fruit beyond their reach. newed.
From veins o f valleys m ilk and nectar broke,
142. John ii. 3 : “ And when they
A n d honey sweating through the pores o f o a k .”
wanted w ine, the mother o f Jesus saith
unto him, T h e y have no w ine.” Also Boethius, Book II. M et. 5, and
146. Daniel i. 12: “ Prove thy ser the Ode in Tasso’s Aminta, Leigh H unt’s
vants, I beseech thee, ten days ; and T r ., beginning : —
let them give us pulse to eat and water “ O lovely age o f gold !
to drink............And Daniel had under N ot that the rivers rolled
standing in all visions and dreams.” W ith m ilk , or that the woods wept honey-
148. Compare the description o f dew ;
N ot that the ready ground
the Golden Age in O vid, M et., I .: —
Produced without a wound,
** T h e golden age was first j when man, yet Or the mild serpent had no tooth that slew j
new, N ot that a cloudless blue
N o rule but uncorrupted reason k n ew , v Forever was in sight,
A n d , with a native bent, did good pursue. O r that the heaven w hich burns,
Unforced by punishment, unawed by fear, A n d now is cold by turns,
His words were simple, and his soul sincere; Looked out in glad and everlasting lig h t ;
Needless was written law , where none opprest: N o, nor that even the insolent ships from far
T h e law o f man was written in his b reast: Brought war to no new lands, nor riches
N o suppliant crowds before the judge appeared, worse than w a r :
No court erected yet, nor cause was heard :
But all was safe, for conscience was their guard. “ But solely that that vain
T h e mountain-trees in distant prospect please, A n d breath-invented pain,
Ere yet the pine descended to the seasj T h a t idol o f m istake, that worshipped cheat,
3*6 Notes
they were conceived, without seeking so much depreciate, confound, and per
artificial phrases to set them off. N or secute her, not daring then to disturb
as yet were fraud, deceit, and malice or offend her. As yet the judge did
intermixed w ith truth and plain-deal not make his own w ill the measure o f
ing. Justice kept within her proper ju stic e ; for then there was neither
bounds; favor and interest, w hich now cause nor person to be judged.’ ”
C A N T O XXIII.
proaches and imprecations she cast at ened her that they would cut her throat
these rapacious villains, she had pro immediately, i f she did not show them
voked them to anger against her ; but what food she had gotten ready. She
none o f them, either out o f the indig replied, that she had saved a very fine
nation she had raised against herself, portion o f it for them ; and withal
or out o f commiseration o f her case, uncovered what was left o f her son.
would take away her life. And i f she Hereupon they were seized with a hor
found any food, she perceived her la ror and amazement o f mind, and stood
bors were for others and not for her astonished at the sight, when she said
self ; and it was now become impos to them : * T h is is mine own son, and
sible for her any way to find any more what hath been done was mine own
food, while the famine pierced through doing. Com e, eat o f this food ; for
her very bowels and marrow, when I have eaten o f it myself. D o not
also her passion was fired to a degree you’pretend to be either more tender
beyond the famine itself. N or did she than a woman, or more compassionate
consult with anything but with her than a mother. But i f you be so
passion and the necessity she was in. scrupulous, and do abominate this my
She then attempted a most unnatural sacrifice, as I have eaten the one half,
thing, and, snatching up her son who let the rest be reserved for me also/
was a child sucking at her breast, she A fter w hich those men went out tremT
said, ‘ O thou miserable infant! For bling, being never so much affrighted
whom shall I preserve thee in this at anything as they were at this, and
war, this famine, and this sedition ? w ith some difficulty they left the rest
As to the war with the Romans, i f they o f that meat to the mother. Upon
preserve our lives, we must be slaves. w hich the whole city was full o f this
T h is famine also w ill destroy us, even horrid action immediately ; and w hile
before that slavery comes upon us. everybody laid this miserable case be
Y et are these seditious rogues more fore their own eyes, they trembled as
terrible than both the other. Come i f this unheard o f action had been done
on, be thou my food, and be thou a by themselves. So those that were
fury to these seditious varlets, and a thus distressed by the famine were very
byword to the w o r ld ; which is all desirous to die, and those already dead
that is now wanting to complete the were esteemed happy, because they
calamities o f the Jews.* A s soon as had not lived long enough either to
she had said this, she slew her son, and hear or to see such miseries.”
then roasted him, and ate the one half 3 1 . Shakespeare, King Lear,V . 3 : —
o f him, and kept the other half by her “ And in this habit
concealed. Upon this the seditious M et I my father w ith his bleeding rings,
came in presently, and, smelling the T h e ir precious stones new lost.”
horrid scent o f this food, they threatT 32. In this fanciful recognition of
Purgatorio xxm. 319
the word omo (homo, man) in the hu ow n, and that he has created you!
man face, so written as to place the two N o w read me an 0 and an m and an
0’s between the outer strokes o f the m, other 0 together ; that spells homo.
the former represent the eyes, and the T h en read me a d and an e and an i
latter the nose and cheekbones: together ; that spells dei. Homo dei,
man o f G od, man o f God ! ”
48. Forese Donati, the brother-in-
law and intimate friend o f Dante.
Brother Berthold, a Franciscan monk “ T h is Forese,” says Buti, “ was a citi
o f Regensburg, in the thirteenth cen zen o f Florence, and was brother o f
tury, makes the following allusion to it Messer Corso Donati, and was very
in one o f his sermons. See Wacker- gluttonous; and therefore the author
nagel, Deutsches Lesebuch, I. 678. T h e feigns that he found him here, where
monk carries out the resemblance into the Gluttons are punished.”
still further d e ta il: — Certain vituperative sonnets, ad
“ N ow behold, ye blessed children dressed to Dante, have been attributed
o f G od, the Alm ighty has created you to Forese. I f authentic, they prove
soul and body. And he has written it that the friendship between the two
under your eyes and on your faces, that poets was not uninterrupted. See
you are created in his likeness. H e has Rossetti, Early Italian Poets, Appendix
written it upon your very faces w ith to Part II.
ornamented letters. W ith great dili 74. T h e same desire that sacrifice
gence are they embellished and orna and atonement may be complete.
mented. T h is your learned men w ell 75. M atthew xxvii. 46 : “ E li, E li,
understand, but the unlearned may not lama sabacthani ? that is to say, M y
understand it. T h e two eyes are two G od, my G od, w hy hast thou forsaken
o’s. T h e h is properly no letter; it on me ? ”
ly helps the others; so that homo with 83. Outside the gate o f Purgatory,
an h means Man. Likew ise the brows where those who had postponed re
arched above, and the nose down be pentance till the last hour were forced
tween them are an m, beautiful with to wait as many years and days as they
three strokes. So is the ear a d, beauti had lived impenitent on earth, unless
fully rounded and ornamented. So are aided by the devout prayers o f those
the nostrils beautifully formed like a on earth. See Canto IV .
Greek e, beautifully rounded and orna 87. N ella, contraction o f Giovan-
mented. So is the mouth an i, beauti nella, w idow o f Forese. Nothing is
fully adorned and ornamented. N o w known o f this good woman but the
behold, ye good Christian people, how name, and what Forese here says in
skilfully he has adorned you w ith these her praise.
six letters, to show that ye are his 94. Covino, Descriz. Geograf. dell’
320 Notes
Italia, p. 52, says: <f In the district off their breeches, w hich from their
o f Arborea, on the slopes o f the Gen- smallness may easily be done, all is off,
nargentu, the most vast and lofty for they literally stick their posteriors
mountain range o f Sardinia, spreads an into a pair o f socks and expend a yard
alpine country w hich in Dante’s time, o f cloth on their wristbands, while
being almost barbarous, was called the more stuff is put into a glove than a
Barbagia cloak-hood. H ow ever, I am comforted
102. Sacchetti, the Italian novelist by one thing, and that is, that all now
o f the fourteenth century, severely have begun to put their feet in chains,
criticises the fashions o f the Floren perhaps as a penance for the many
tines, and their sudden changes, w hich vain things they are guilty o f ; for we
he says it would take a whole vol are but a day in this w orld, and in that
ume o f his stories to enumerate. In day the fashion is changed a thousand
N ov. 178, he speaks o f their wearing tiiAes : all seek liberty, yet all deprive
their dresses “ far below their arm themselves o f i t : G od has made our
pits,” and then “ up to their ea rs” ; feet free, and many w ith long pointed
and continues, in N apier’s version, toes to their shoes can scarcely walk :
Flor. Hist., II. 539: — he has supplied the legs w ith hinges,
" T h e young Florentine girls, w ho and many have so bound them up w ith
used to dress so modestly, have now close lacing that they can scarcely s i t :
changed the fashion o f their hoods to the bust is tightly bandaged up ; the
resemble courtesans, and thus attired arms trail their drapery a lo n g; the
they move about laced up to the throat, throat is rolled in a capuchin ; the
w ith all sorts o f animals hanging as head so loaded and bound round with
ornaments about their necks. T h eir caps over the hair that it appears as
sleeves, or rather their sacks, as they though it were sawed off. And thus
should be called, — was there ever so I might go on forever discoursing o f
useless and pernicious a fashion ! Can female absurdities, commencing with
any o f them reach a glass or take a the immeasurable trains at their feet,
morsel from the table without dirtying and proceeding regularly upwards to
herself or the cloth by the things she the head, with w hich they may always
knocks down? And thus do the young be seen occupied in their cham bers;
men, and worse ; and such sleeves are some curling, some smoothing, and
made even for sucking babes. The some whitening it, so that they often
women go about in hoods and cloaks ; kill themselves w ith colds caught in
most o f the young men without cloaks, these vain occupations.”
in long, flowing hair, and i f they throw 132. Statius.
Pttrgatorio xxiv. 321
C A N T O XXIV.
I. Continuation o f the punishment “ Gaudent anguillae, quod mortuus hie jacet ille
o f Gluttony. Qui quasi m orte reas excoriabat eas.”
7. Continuing the words w ith w hich “ Martin the Fourth,” says Milman,
the preceding canto closes, and refer Hist. Lat. C h r i s t V I. 143, “ was born
ring to Statius. at Mont Pence in Brie ; he had been
10. Piccarda, sister o f Forese and Canon o f Tours. He put on at first
Corso Donati. She was a nun o f Santa the show o f maintaining the lofty char
Clara, and is seen by Dante in the acter o f the Churchman. H e ex
first heaven o f Paradise, w hich Forese communicated the Viterbans for their
calls “ high Olym pus.” See Par. III. sacrilegious maltreatment o f the Cardi
49, where her story is told more in nals; Rinaldo Annibaldeschi, the Lord
detail. o f V iterbo, was compelled to ask par
19. Buonagiunta Urbisani o f Lucca don on his knees o f the Cardinal Ros
is one o f the early minor poets o f Italy, so, and forgiven only at the interven
a contemporary o f Dante. Rossetti, tion o f the Pope. Martin the Fourth
Early Italian Poets, 77, gives some retired to Orvieto.
specimens o f his sonnets and canzoni. “ But the Frenchman soon began to
A ll that is known o f him is contained predominate over the P on tiff; he sunk
in Benvenuto’s b rief notice : “ Buona into the vassal o f Charles o f Anjou.
giunta o f Urbisani, an honorable man T h e great policy o f his predecessor, to
o f the city o f Lucca, a brilliant orator assuage the feuds o f Guelph and Ghib-
in his mother tongue, a facile producer elline, was an Italian policy ; it was
o f rhymes, and still more facile con altogether abandoned. T h e G h ib el
sumer o f wines ; who knew our author lines in every city were menaced or
in his lifetime, and sometimes cor smitten w ith excommunication ; the
responded w ith him .” Lambertazzi were driven from Bologna.
Tiraboschi also mentions him, Storia Forli was placed under interdict for
della Lett., I V . 397 : “ H e was seen harboring the exiles ; the goods o f the
by Dante in Purgatory punished among citizens were confiscated for the benefit
the Gluttons, from w hich vice, it is o f the Pope. Bertoldo Orsini was de
proper to say, poetry did not render posed from the Countship o f Romagna ;
him exempt.” the office was bestowed on John o f
22. Pope Martin the Fourth, whose Appia, w ith instructions everywhere
fondness for the eels o f Bolsena brought to coerce or to chastise the refractory
his life to a sudden close, and his soul G hibellines.”
to this circle o f Purgatory, has been rid V illani, Book V I . C h . 106, says :
iculed in the well-known epigram, — “ H e was a good man, and very favor
v o l . 11. 41
322 Notes
able to H o ly Church and to those eller who visits Italy for the first time
o f the house o f France, because he was a more impressive idea o f the effects
from Tours.” o f malaria.”
H e is said to have died o f a surfeit. O f the Vernaccia or Vernage, in
T h e eels and sturgeon o f Bolsena, and w hich Pope Martin cooked his eels,
the wines o f Orvieto and Montefias- Henderson says, Hist. Anc. and Mod,
cone, in the neighborhood o f whose Wines, p. 296: “ T h e Vernage . . . .
vineyards he lived, were too much for was a red w ine, o f a bright color, and
him. But he died in Perugia, not in a sweetish and somewhat rough flavor,
Orvieto. w hich was grown in Tuscany and
24. T h e Lake o f Bolsena is in the other parts o f Italy, and derived its
Papal States, a few miles northwest o f name from the thick-skinned grape,
V iterbo, on the road from Rome to vernaccia (corresponding w ith the vina-
Siena. It is thus described in M urray’s ciolas o f the ancients), that was used in
Handbook of Central Italy, p. 199 : — the preparation o f it.”
“ Its circular form, and being in the Chaucer mentions it in the Merchant's
centre o f a volcanic district, has led to T ale: —
its being regarded as an extinct crater ; “ H e drinketh ipocras, clarre, and vernage
but that hypothesis can scarcely be ad O f spices hot, to encreasen his corage.”
mitted when the great extent o f the And Redi, Bacchus in Tuscany, Leigh
lake is considered. T h e treacherous H unt’s T r ., p. 30, sings o f it thus: —
beauty o f the lake conceals malaria in “ I f anybody does n’t like Vernaccia,
its most fatal forms ; and its shores, al I mean that sort t h a t ’s made in Pietrafitta,
though there are no traces o f a marsh, L et him fly
are deserted, excepting where a few M y violent e y e ;
sickly hamlets are scattered on their I curse him, clean, through all the A lp h a-
beta.”
western slopes. T h e ground is culti
vated in many parts down to the 28. O vid, Met. V I I ., says o f Eri-
water’s edge, but the laborers dare not sichthon, that he
sleep for a single night during the sum “ Deludes his throat with visionary fare,
Feasts on the wind and banquets on the air.”
mer or autumn on the plains where
they work by day; and a large tract 29. Ubaldin dalla Pila was a brother
o f beautiful and productive country is o f the Cardinal Ottaviano degli Ubal-
reduced to a perfect solitude by this dini, mentioned I n f X . 120, and fa
invisible calamity. Nothing can . be ther o f the Archbishop Ruggieri, Inf.
more striking than the appearance o f X X X II I. 14. According to Sacchetti,
the lake, without a single sail upon its N ov. 205, he passed most o f his time
waters, and with scarcely a human at his castle, and turned his gardener
habitation within sight o f B olsena; into a priest; “ and Messer U baldino,”
and nothing perhaps can give the trav continues the novelist, “ put him into
Purgatorio xxiv. 323
his church ; o f w hich one may say he 50. Chaucer, Complaint o f the Blacke
made a pigsty ; for he did not put in Knight, 19 4 : —
a priest, but a pig in the way o f eating “ But even like as doth a skrivenere,
and drinking, who had neither gram T h a t can no more tell what that he shal write,
mar nor any good thing in him .” But as his maister beside dothe indite.”
Some writers say that this Boniface, 51. A canzone o f the Vita Nuova,
Archbishop o f Ravenna, was a son o f beginning, in Rossetti’s version, Early
Ubaldino; but this is confounding him Italian Poets, p. 255 : —
w ith Ruggieri, Archbishop o f Pisa.
“ Ladies that have intelligence in love,
H e was o f the Fieschi o f Genoa. H is O f mine own lady I would speak with you;
pasturing many people alludes to his N ot that I hope to count her praises through,
keeping a great retinue and court, and But, telling what I may, to ease my m ind.”
the free life they led in matters o f the 56. Jacopo da Lentino, or “ the
table. N otary,” was a Sicilian poet who
31. Messer Marchese da Forli, who flourished about 1250, in the later days
answered the accusation made against o f the Emperor Frederick the Second.
him, that “ he was always drinking,” by Crescimbeni, Hist. Volg. Poesia, III.
saying, that “ he was always thirsty.” 43, says that Dante “ esteemed him so
37. A lady o f Lucca w ith whom highly, that he even mentions him in
Dante is supposed to have been en his Com edy, doing him the favor to
amored. “ Let us pass over in si put him into Purgatory.” Tassoni,
lence,” says Balbo, Life and Times o f and others after him, make the careless
Dante, II. 177, “ the consolations and statement that he addressed a sonnet to
errors o f the poor exile.” But Buti Petrarca. H e died before Petrarca was
says : “ H e formed an attachment to born. Rossetti gives several specimens
a gentle lady, called Madonna Gen- o f his sonnets and canzonette in his
tucca, o f the family o f Rossimpelo, on Early Italian Poets, o f w hich the fol
account o f her great virtue and mod lowing is o n e : —
esty, and not with any other love.”
“ O f h is L a d y i n H e a v e n .
Benvenuto and the Ottimo interpret
“ I have it in my heart to serve God so
the passage differently, making gentuc-
T h a t into Paradise I shall repair, —
ca a common noun,— gente bassa, low T h e holy place through the w hich every
people. But the passage w hich im where
mediately follows, in w hich a maiden I have heard say that joy and solace flow.
is mentioned who should make Lucca W ithout my lady I were loath to go, —
pleasant to him, seems to confirm the She who has the bright face and the bright
h a ir 5
former interpretation.
Because i f she were absent, I being there,
38. In the throat o f the speaker, M y pleasure would be less than naught, I
where he felt the hunger and thirst o f know .
his punishment. L o o k you, I say not this to such intent
3 2 4 Notes
A s that I there would deal in any sin : sonable distrust o f his judges, was w ith
I only would behold her gracious mien, in one hour, against all legal forms,
A n d beautiful soft eyes, and lovely face,
condemned to lose his head, as a rebel
T h a t so it should be my complete content
T o see my lady joyful in her place.”
and traitor to the commonwealth.
“ N ot w illing to allow the culprit
Fra Guittone d’ Arezzo, a contem more time for an armed resistance than
porary o f the N otary, was one o f the had been given for legal vindication,
Frati Gaudenti, or Jovial Friars, men the Seignory, preceded by the Gon-
tioned in Inf. X X III. N ote 103. H e -.falonier o f justice, and followed by the
first brought the Italian Sonnet to the Podesta, the captain o f the people, and
perfect form it has since preserved, the executor, — all attended by their
and left behind the earliest specimens guards and officers, — issued from the
o f Italian letter-writing. These letters palace; and with the whole civic force
are written in a very florid style, and marshalled in companies,"with banners
are perhaps more poetical than his flying, moved forward to execute an
verses, w hich certainly fall very far illegal sentence against a single citizen,
short o f the “ sweet new style.” O f who nevertheless stood undaunted on
all his letters the best is that To the his defence.
FlorentineSy from which a b rief extract “ Corso, on first hearing o f the pros
is given Canto V I. N ote 76. ecution, had hastily barricaded all the
82. Corso Donati, the brother o f approaches to his palace, but, disabled
Forese who is here speaking, and into by the gout, could only direct the ne-
whose mouth nothing but G hibelline nessary operations from his bed ; yet
wrath could have put these words. thus helpless, thus abandoned by all
Corso was the leader o f the Neri in but his own immediate friends and vas
Florence, and a partisan o f Charles de sals ; suddenly condemned to death ;
Valois. His death is recorded by V il- encompassed by the bitterest foes, with
lani, V I I I . 96, and is thus described the whole force o f the republic banded
by Napier, Flor. Hist., I. 407: — against him, he never cowered for an
“ T h e popularity o f Corso was now instant, but courageously determined to
thoroughly undermined, and the priors, resist, until succored by Uguccione
after sounding the Campana for a gen della Faggiola, to whom he had sent
eral assembly o f the armed citizens, for aid. T h is attack continued during
laid a formal accusation before the Po- the greater part o f the day, and gener
desta Piero Branca d* Agobbio against ally with advantage to the Donati, for
him for conspiring to overthrow the the people were not unanimous, and
liberties o f his country, and endeavor many fought unwillingly, so that, i f the
ing to make himself Tyrant o f Flo Rossi, Bardi, and other friends had
rence : he was immediately cited to joined, and Uguccioni’s forces arrived,
appear, and, not complying, from a rea it would have gone hard w ith the citi
Ptirgatorio xxiv. 325
zens. T h e former were intimidat speaker; but in truth, his life was dan
ed, the latter turned back on hearing gerous, and his death reprehensible.
how matters stood ; and then only did H e was a knight o f great mind and
Corso’s adherents lose heart and slink name, gentle in manners as in blood ;
from the barricades, w hile the towns o f a fine figure even in his old age,
men pursued their advantage by break w ith a beautiful countenance, delicate
ing down a garden wall opposite the features, and a fair complexion ; pleas
Stinche prisons and taking their enemy ing, wise ; and an eloquent speaker.
in the rear. T h is completed the dis H is attention was ever fixed on im
aster, and Corso, seing no chance re portant things ; he was intimate with
maining, fled towards the Casentino ; all the great and noble, had an exten
but, being overtaken by some Cata sive influence, and was famous through
lonian troopers in the Florentine ser out Italy. H e was an enemy o f the
vice, he was led back a prisoner from middle classes and their supporters, be
Rovezzano. After vainly endeavoring loved by the troops, but full o f mali
to bribe them, unable to support the cious thoughts, w icked, and artful. He
indignity o f a public execution at the was thus basely murdered by a foreign
hands o f his enemies, he let him self soldier, and his fellow -citizens w ell
fall from his horse, and, receiving sev knew the man,- for he was instantly
eral stabs in the neck and flank from conveyed away : those who ordered
the Catalan lances, his body was left his death were Rosso della Tosa and
bleeding on the road, until the monks Pazzino de’ Pazzi, as is commonly said
o f San Salvi removed it to their con by all ; and some bless him and some
vent, where he was interred next the contrary. M any believe that the
morning with the greatest privacy. two said knights killed him, and I,
Thus perished C'orso Donati, ‘ the wishing to ascertain the truth, inquired
wisest and most worthy knight o f his diligently, and found what I have said
time; the best speaker, the most expe to be true.’ f Such is the character o f
rienced statesman; the most renowned, Corso Donati, w hich has come down
the boldest, and most enterprising no to us from two authors who must have
bleman in Italy : he was handsome in been personally acquainted w ith this
person and o f the most gracious man distinguished chief, but opposed to
ners, but very w orldly, and caused each other in the general politics o f
infinite disturbance in Florence on their country.”
account o f his ambition.’ * . . . . See also Inf. V I. N ote 52.
* People now began to repose, and his 99. V irgil and Statius.
unhappy death was often and variously 105. Dante had only so far gone
discussed, according to the feelings o f round the circle, as to come in sight o f
friendship or enmity that moved the the second o f these trees, w hich from
* V illa n i, V I I I . Ch. 96. f Dino Compagni, III. 76.
326 Notes
distance to distance encircle the moun O r her whom chance presented, took : the feast
A n image o f a taken town expressed.
tain.
“ T h e cave resounds with female shrieks j
I I 6. In the Terrestrial Paradise on
we rise
the top o f the mountain. Mad with revenge, to m ake a swift reprise :
121. T h e Centaurs, born o f Ixion And Theseus first, ‘ W h a t frenzy has possessed,
and the Cloud, and having the “ dou O Eurytus,’ he cried, ‘ thy brutal breast,
ble breasts” o f man and horse, became T o wrong Pirithous, and not him alone,
drunk with wine at the marriage o f But, w hile I live, two friends conjoined in
one ? ’ ”
Hippodamia and Pirithous, and strove
to carry off the bride and the other 125. Judges vii. 5, 6 : “ So he
women by violence. Theseus and brought down the people unto the
the rest o f the Lapithas opposed them, w ater: and the Lord said unto G ideon,
and drove them from the feast. T h is E very one that lappeth o f the water
famous battle is described at great wi*h his tongue, as a dog lappeth, him
length by O vid, Met. X II., D ry- shalt thou set by h im se lf; likewise
den’s T r . : — every one that boweth down upon his
“ For one, most brutal o f the brutal brood, knees to drink. And the number o f
O r whether wine or beauty fired his blood, them that lapped, putting their hand
Or both at once, beheld with lustful eyes to their mouth, were three hundred
T h e bride } at once resolved to m ake his prize. men ; but all the rest o f the people
Down went the board; and fastening on her hair,
bowed down upon their knees to drink
H e seized with sudden force the frighted fair.
w ater.”
’T was Eurytus began : his bestial kind
His crime pursued j and each, as pleased his 139. T h e Angel o f the Seventh
m ind, Circle.
C A N T O XXV.
here puts into the mouth o f Statius may Say, who was he, the sunless shade,
A fter whose pattern man was made ;
be found also in a briefer prose form
H e first, the full o f ages, born
in the Convito, I V . 21. It so much
W ith the old pale polar morn,
excites the enthusiasm o f V archi, that Sole, yet all ; first visible thought,
he declares it alone sufficient to prove A fter w hich the Deity wrought ?
Dante to have been a physician, phi T w in -birth with Pallas, not remain
losopher, and theologian o f the highest Doth he in Jove’s o’ershadowed brain j
But though o f wide communion,
order ; and goes on to say : “ I not
Dwells apart, like one alone ;
only confess, but I swear, that as many
A n d fills the wondering embrace,
times as I have read it, w hich day and (Doubt it not) o f size and place.
night are more than a thousand, my W heth er, companion o f the stars,
wonder and astonishment have always W ith their tenfold round he errs ;
increased, seeming every time to find O f inhabits with his lone
Nature in the neighboring moon j
therein new beauties and new instruc
O r sits with body-waiting souls,
tion, and consequently new difficul
Dozing by the Lethaean pools: —
ties.” O r whether, haply, placed afar
T h is subject is also discussed in part In some blank region o f our star,
by Thom as Aquinas, Sum. Tbeol., I. He stalks, an unsubstantial heap,
Quasst. cxix., De propagatione hominis H um anity’s giant archetype j
W here a loftier bulk he rears
quantum ad corpus.
T h an A tlas, grappler o f the stars,
M ilton, in his Latin poem, De Idea
A n d through their shadow-touched abodes
Platonicay has touched upon a theme Brings a terror to the gods.
somewhat akin to this, but in a manner N ot the seer o f him had sight,
to make it seem very remote. Perhaps W h o found in darkness depths o f light j *
no two passages could better show the His travelled eyeballs saw him not
In all his m ighty gulfs o f th o u g h t: —
difference between Dante and M ilton,
H im the farthest-footed good,
than this canto and Plato's Archetypal
Pleiad M ercury, never showed
Man, w hich in Leigh Hunt’s trans T o any poet’s wisest sight
lation runs as follows : — In the silence o f the n ig h t : —
News o f him the Assyrian priest f
“ Say, guardian goddesses o f woods,
Found not in his sacred list,
Aspects, felt in solitudes;
Th ou gh he traced back old kin g N ine,
And M em ory, at whose blessed knee
A n d Belus, elder name divine,
T h e Nine, w hich thy dear daughters be,
A n d Osiris, endless famed.
Learnt o f the majestic past ;
N ot the glory, triple-named,
A n d thou, that in some antre vast
T h rice great Hermes, though his -eyes
Leaning afar off dost lie,
Read the shapes o f all the skies,
Otiose Eternity,
L eft him in his sacred verse
Keeping the tablets and decrees
Revealed to Nature’s worshippers.
O f Jove, and the ephemerides
O f the gods, and calendars, . * Tiresias, who was blind. f Sanchoniathon.
Purgatorio xxv. 329
** O Plato ! and was this a dream 81. Thomas Aquinas, Sum. Theol
O f thine in bowery Academ e ? I. Quaest. cxviii. A rt. 3 : “ Anima in-
W ert thou the golden tongue to tell
tellectiva remanet destructo corpore.”
First o f this high miracle,
A n d charm him to thy schools below ?
86. Either upon the shores o f A che
O call thy poets back, if so,* ron or o f the T ib er.
B ack to the state thine exiles call, 103. JEneid, V I. 723, Davidson’s
T h ou greatest fabler o f them a l l ; T r .:— ■
Or follow through the self-same gate, “ In the first place, the spirit w ith
T h ou , the founder o f the state.”
in nourishes the heavens, the earth,
48. T h e heart, where the blood and watery plains, the moon’s enlight
takes the “ virtue informative,” as stated ened orb, and the Titanian stars ; and
in line 40. the mind, diffused through all the mem
52. T h e vegetative soul, w hich in bers, actuates the whole frame, and
man differs from that in plants, as be mingles w ith the vast body o f the uni
ing in a state o f development, w hile verse. T hen ce the race o f men and
that o f plants is complete already. beasts, the vital principles o f the flying
55. T h e vegetative becomes a sen kind, and the monsters w hich the ocean
sitive soul. breeds under its smooth plain. These
65. “ T h is was the opinion o f Aver- principles have the active force o f fire,
roes,” says the Ottimo, “ w hich is false, and are o f a heavenly original, so far as
and contrary to the Catholic faith.” they are not clogged by noxious bodies,
In the language o f the Schools, the blunted by earth-born limbs and dying
Possible Intellect, intellectus possibilis, members. Hence they fear and de
is the faculty w hich receives impres sire, grieve and rejoice ; and, shut up
sions through the senses, and forms in darkness and a gloomy prison, lose
from them pictures or pbantasmata in sight o f their native skies. Even when
the mind. T h e A ctive Intellect, in w ith the last beams o f light their life
tellectus agens, draws from these pic is gone, yet not every ill, nor all cor
tures various ideas, notions, and con poreal stains, are quite removed from
clusions. T h e y represent the Under the unhappy beings; and it is absolute
standing and the Reason. ly necessary that many imperfections
70. G od. w hich have long been joined to the
75. R edi, Bacchus in Tuscany.•— soul should be in marvellous ways in
“ Such bright blood is a ray enkindled
creased and riveted therein. T h ere
O f that sun, in heaven that shines,
fore are they afflicted w ith punish
A n d has been left behind entangled
An d caught in the net o f the many vines.” ments, and pay the penalties o f their
79. W hen Lachesis has spun out former ills. Some, hung on high, are
the thread o f life. spread out to the empty w in d s; in
others, the guilt not done away is
* W hom Plato banished from his imaginary
republic. washed out in a vast watery abyss, or
V O L . II. 42
330 Notes
burned away in fire. W e each endure “ But now her son had fifteen summers told,
his own manes, thence are we conveyed Fierce at the chase, and in the forest bold ;
along the spacious Elysium, and w e, W h en , as he beat the woods in quest o f prey,
H e chanced to rouse his m other where she
the happy few, possess the fields of
lay.
b liss; till length o f time, after the She knew her son, and kept him in her sight,
fixed period is elapsed, hath done And fondly gazed : the boy was in a fright,
away the inherent stain, and hath left A n d aimed a pointed arrow at her breast,
the pure celestial reason, and the fiery An d would have slain his mother in the beast;
energy o f the simple spirit.” But Jove forbad, and snatched them through
the air
121. “ God o f clemency supreme ” ;
In whirlwinds up to Heaven, and fixed them
the church hymn, sung at matins on there ;
Saturday morning, and containing a W here the new constellations nightly rise,
prayer for purity. A n d add a lustre to the Northern skies.
128. Luke i. 34: “ T h en said M ary “ \Vhen Juno saw the rival in her height,
unto the angel, H ow shall this be, see Spangled w ith stars, and circled round with
light,
ing I know not a man ? ”
She sought old Ocean in his deep abodes,
131. H elice, or Callisto, was a daugh A n d Tethys, both revered among the gods.
ter o f Lycaon, king o f Arcadia. She T h e y ask what brings her there : ‘ N e ’er ask/
was one o f the attendant nymphs o f says she,
Diana, who discarded her on account 1 W hat brings me h e r e ; Heaven is no place
for me.
o f an amour w ith Jupiter, for w hich
Y o u ’11 see, when N igh t has covered all things
Juno turned her into a bear. Areas
o’er,
was the offspring o f this amour. Jupi Jove’s starry bastard and triumphant whore
ter changed them to the constellations Usurp the heavens ; you ’11 see them proudly
o f the Great and Little Bear. roll
O vid, Met. II ., Addison’s T r . : — In their new orbs, and brighten all the pole.”
C A N T O XXVI.
none o f them pursued such vile em For w ith the sun, at once,
braces o f a beast, however they might So sprang the light immediately ; nor was
Its birth before the sun’s.
dread the plough about their necks,
And Love hath his effect in gentleness
and often feel for horns on their
O f very self j even as
smooth foreheads. A h , ill-fated maid, W ithin the middle fire the heat’s excess.
thou now art roaming on the moun
tains ! H e, resting his snowy side “ T h e fire o f Love comes to the gentle heart
on the soft hyacinth, ruminates the L ik e as its virtue to a precious stone ;
T o w hich no-star its influence can impart
blenched herbs under some gloomy
T ill it is made a pure thing by the sun :
oak, or courts some female in the nu
For when the sun hath smit
merous herd.” From out its essence that w hich there was
43. T h e Riphaean mountains are in vile,
the north o f Russia. T h e sands are T h e star endoweth it.
the sands o f the deserts. A n d so the heart created by God’s, breath
Pure, true, and clean from guile,
59. Beatrice.
A woman, like a star, enamoreth.
62. T h e highest heaven. Par.
X X V II . “ In gentle heart Love for lik e reason is
78. In one o f Caesar’s, triumphs the For w hich the lamp’s high flame is fanned
Roman soldiery around his chariot and bowed :
Clear, piercing bright, it shines for its own
called him “ Queen ” ; thus reviling
bliss ;
him for his youthful debaucheries with
N or would it burn there else, it is so proud.
Nicomedes, king o f Bithynia. For evil natures meet
87. T h e cow made by Dasdalus. W ith Love as it were water met with fire,
92. Guido G uinicelli, the best o f A s cold abhorring heat.
the Italian poets before Dante, flour Through gentle heart Love doth a track
d iv in e ,—
ished in the first h alf o f the thirteenth
L ik e know ing lik e ; the same
century. H e was a native o f Bologna,
A s diamond runs through iron in the mine.
but o f his life nothing is known. H is
most celebrated poem is a Canzone on “ T h e sun strikes full upon the mud all dayj
the Nature o f L ove, w hich goes far to It remains vile, nor the sun’s worth is
justify the warmth and tenderness of less.
‘ By race I am gentle,’ the proud man doth
Dante’s praise. Rossetti, Early Italian
say :
Poets, p. 24, gives the following ver
H e is the mud, the sun is gentleness.
sion o f it, under the title o f The Gentle L et no man predicate
H eart: — T h a t aught the name o f gentleness should
“ W ithin the gentle heart Love shelters him, have,
A s birds within the green shade o f the Even in a k in g’s estate,
grove. Except the heart there be a gentle man’s.
Before the gentle heart, in Nature’s scheme, T h e star-beam lights the w a v e ,—
Love was not, nor the gentle heart ere H eaven holds the star and the star’s radi
Love. ance.
332 Notes
** God, in the understanding o f high Heaven, T hus G onzalo de Berceo, a Spanish
Burns more than in our sight the living su n : poet o f the thirteenth century, begins
T here to behold His Face unveiled is given;
a poem on the Vida del Glorioso Con
A nd H eaven, whose w ill is homage paid
to One,
fessor Santo Domingo de Silos: —
Fulfils the things w hich live “ De un confessor Sancto quiero fer una prosa,
In God, from the beginning excellent. Quiero fer una prosa en roman paladino,
So should my lady give En qual suele el pueblo fablar a su vecino,
T h a t truth w hich in her eyes is glorified, Ca non so tan letrado per fer otro Latino.”
On which her heart is bent,
T o me whose service waiteth at her side.
120. Gerault de Berneil o f Limoges,
born o f poor parents, but a man o f
** M y lady, God shall ask, ‘ W h a t daredst talent and learning, was one o f the
thou ? ’ most famous Troubadours o f the thir
(W h en my soul stands w ith all her acts teenth century. T h e old P rove^ al bi
review ed;)
4Th ou passedst H eaven, into M y sight, as ographer, quoted by Raynouard, Cboix
now,
de Poesies, V . 166, says : “ H e was a
T o m ake M e o f vain love similitude. better poet than any who preceded or
T o M e doth praise belong, followed him, and was therefore called
A n d to the Queen o f all the realm o f grace the Master o f the Troubadours............
W h o endeth fraud and w rong.’ H e passed his winters in study, and his
T h e n may I plead : ‘ A s though from Th ee
summers in wandering from court to
he came,
court w ith two minstrels who sang his
Love wore an angel’s face :
Lord, i f I loved her, count it not my sham e.’ ” songs.”
T h e following specimen o f his po
94. H ypsipyle was discovered and ems is from [T a y lo r ’s] Lays o f the
rescued by her sons Eumenius and T h o - Minnesingers and Troubadours, p. 247.
as, (whose father was the “ bland Ja It is an Aubade, or song o f the morn
son,” as Statius calls him ,) just as King ing : —
Lycurgus in his great grief was about to “ Companion dear! or sleeping or awaking,
put her to death for neglecting the care Sleep not again ! for lo ! the morn is nigh,
o f his child, who through her neglect A nd in the east that early star is breaking,
had been stung by a serpent. T h e day’s forerunner, known unto mine
Companion d ear! forth from the window tell me your name.* ” W hereupon
looking, Biagioli thunders at him in this wise :
A tten tive m ark the signs o f yonder heaven j
“ Infamous dirty dog that you are, how
Judge i f aright I read w hat they betoken :
T h in e all the loss, i f vain the warning given j
can you call this a compliment after
T h e morn, the morn is near. the manner o f the French ? H ow can
you set off against it what any cobbler
<( Companion d ear! since thou from hence wert
might say ? A w ay ! and a murrain on
straying,
you ! ”
N or sleep nor rest these eyes have visited j
M y prayers unceasing to the V irgin paying,
142. Arnaud Daniel, the T rouba
T h a t thou in peace thy backward way dour o f the thirteenth century, whom
m ight tread. Dante lauds so highly, and whom Pe-
T h e morn, the morn is near. trarca calls “ the Grand Master o f
L o ve ,” was born o f a noble family at
MCompanion dear! hence to the fields with m e !
the castle o f Ribeyrac in Perigord.
M e thou forbad’st to slumber through the
M illot, Hist, des Troub., II. 479, says
night,
A n d I have watched that livelong night for o f him : “ In all ages there have been
th ee ; false reputations, founded on some in
But thou in song or me hast no delight, dividual judgment, whose authority has
A n d now the morn is near. prevailed without examination, until at
Jast criticism discusses, the truth pene
A n sw er .
trates, and the phantom o f prejudice
u Companion dear ! so happily sojourning,
vanishes. Such has been the reputa
So blest am I, I care not forth to speed :
H ere brightest beauty reigns, her smiles tion o f Arnaud D aniel.”
adorning Raynouard confirms this judgment,
H er dwelling - place, — then wherefore and says that, “ in reading the works o f
should I heed this Troubadour, it is difficult to con
T h e morn or jealous eyes ? ”
ceive the causes o f the great celebrity
According to Nostrodamus he died he enjoyed during his life.”
in 1278. Notwithstanding his great Arnaud Daniel was the inventor o f
repute, Dante gives the palm o f excel the Sestina, a song o f six stanzas o f six
lence to Arnaud Daniel, his rival and lines each, w ith the same rhymes re
contemporary. But this is not the peated in all, though arranged in dif
general verdict o f literary history. ferent and intricate order, w hich must
124. Fra Guittone d? A rezzo. See be seen to be understood. H e was
Canto X X I V . N ote 56. also author o f the metrical romance o f
137. Venturi has the indiscretion Lancillotto, or Launcelot o f the Lake,
to say : “ T h is is a disgusting compli to w hich Dante doubtless refers in his
ment after the manner o f the French ; expression prose di romanxi, or proses
in the Italian fashion w e should say, o f romance. T h e following anecdote
‘ You w ill do me a favor, i f you w ill is from the old P ro v e^ a l authority,
334 Notes
quoted both by M illot and Raynouard, song w hich the jongleur had composed.
and is thus translated by Miss Costello, T h e latter, stupefied with astonish
Early Poetry of France, p. 37 : — ment, could only exclaim : * It is my
“ Arnaud visited the court o f R ich song, it is my song.’ ‘ Impossible ! ’
ard Coeur de Lion in England, and en cried the king ; but the jongleur, per
countered there a jongleur, who defied sisting, requested Richard to interro
him to a trial o f skill, and boasted gate Arnaud, who would not dare, he
o f being able to make more difficult said, to deny it. Daniel confessed the
rhymes than Arnaud, a proficiency on fact, and related the manner in w hich
w hich he chiefly prided himself. H e the affair had been conducted, w hich
accepted the challenge, and the two amused Richard far more than the song
poets separated, and retired to their itself. T h e stakes o f the wager were
respective chambers to prepare for the restored to each, and the king loaded
contest. T h e Muse o f Arnaud was them both w ith presents.”
not propitious, and he vainly endeav According to Nostrodamus, Arnaud
ored to string two rhymes together. died about 1189. T h ere is no other
H is rival, on the other hand, quickly reason for making him speak in Pro
caught the inspiration. T h e king had vencal than the evident delight w hich
allowed ten days as the term o f prep Dante took in the sound o f the words,
aration, five for composition, and the and the peculiar flavor they give to the
remainder for learning it by heart to close o f the canto. Raynouard says
sing before the court. On the third that the writings o f none o f the T ro u
day the jongleur declared that he had badours have been so disfigured by cop
finished his poem, and was ready to yists as those o f Arnaud. T h is would
recite it, but Arnaud replied that he seem to be true o f the very lines w hich
had not yet thought o f his. It was the Dante writes for him ; as there are at
jongleur’s custom to repeat his verses least seven different readings o f them.
out loud every day, in order to learn Here Venturi has again the indiscre
them better, and Arnaud, who was in tion to say that Arnaud answers Dante
vain endeavoring to devise some means in “ a kind o f lingua-franca, part Pro
to save him self from the mockery o f vencal and part Catalan, joining togeth
the court at being outdone in this con er the perfidious French with the vile
test, happened to overhear the jongleur Spanish, perhaps to show that Arnaud
singing. H e went to his door and was a clever speaker o f the tw o.”
listened, and succeeded in retaining the And again Biagioli suppresses him with
words and the air. On the day ap “ that unbridled beast o f a Venturi,”
pointed they both appeared before the and this “ most potent argument o f his
king. Arnaud desired to be allowed presumptuous ignorance and imperti
to sing first, and immediately gave the nence.”
Purgatorio x x v ii . 335
.CANTO X X V II .
leafy grove o f the god, untrodden [by granates, and apple - trees producing
mortal foot], teeming w ith fruits, im beautiful fruit, and sweet figs, and flour
pervious to the sun, and unshaken by ishing olives. O f these the fruit never
the winds o f every storm ; where Bac perishes, nor does it fail in winter or
chus ever roams in revelry companion summer, lasting throughout the whole
ing his divine nurses. And ever day year ; but the west wind ever blowing
by day the narcissus, w ith its beaute makes some bud forth, and ripens
ous clusters, burst into bloom by heav others. Pear grows old after pear,
en’s dew, the ancient coronet o f the apple after apple, grape also after
mighty goddesses, and the saffron with grape, and fig after fig. T h ere a fruit
golden ray; nor do the sleepless founts ful vineyard was planted : one part o f
that feed the channels o f Cephissus fail, this ground, exposed to the sun in a
but ever, each day, it rushes o’er the wide place, is dried by the sun ; and
plains with its stainless wave, fertiliz some [grapes] they are gathering, and
ing the bosom o f the earth ; nor have others they are treading, and further
the choirs o f the Muses spurned this on are unripe grapes, having thrown
clime ; nor Venus, too, o f the golden off the flower, and others are slightly
rein. And there is a tree, such as I changing color. And there are all
hear not to have ever sprung in the kinds of beds laid out in order, to the
land o f Asia, nor in the mighty D oric furthest part o f the ground, flourishing
island o f Pelops, a tree unplanted by throughout the whole year : and in it
hand, o f spontaneous growth, terror are two fountains, one is spread through
o f the hostile spear, w hich flourishes the whole garden, but the other on the
chiefly in this region, the leaf o f the other side goes under the threshold
azure olive that nourishes our young. o f the hall to the lofty house, from
T h is shall neither any one in youth whence the citizens are wont to draw
nor in old age, marking for destruc water.”
tion, and having laid it waste w ith his Dante’s description o f the T erres
hand, set its divinity at n aught; for trial Paradise w ill hardly fail to re
the eye that never closes o f Morian call that o f Mount Acidale in Spenser’s
Jove regards it, and the blue-eyed M i Faerie Queene, V I . x. 6 : —
nerva.” “ It was an H ill plaste in an open plaine,
W e have also H om er’s description That round about was bordered w ith a
o f the Garden o f Alcinous, Odyssey, wood
V I I ., Buckley’s T r . : — O f matchlesse hight, that seemed th ’ earth
to disdaine ;
“ But without the hall there is a
In w hich all trees o f honour stately stood,
large garden, near the gates, o f four
A n d did all winter as in sommer bud,
a cres; but around it a hedge was ex Spredding pavilions for the birds to bowre,
tended on both sides. And there tall, W h ich in their lower braunches sung
flourishing trees grew , pears, and pome aloud;
34° Notes
A nd in their tops the soring hauke did the commentators to be the celebrated
towre, Countess Matilda, daughter o f Boni
Sitting like king o f fowles in maiesty and
face, Count o f Tuscany, and w ife of
powre.
G uelf, o f the house o f Suabia. Of
(f And at the foote thereof a gentle flud this marriage V illani, I V . 21, gives a
His silver waves did softly tumble downe, very strange account, w hich, i f true, is
Unmard with ragged mosse or filthy mud ; a singular picture o f the times. N a
Ne mote wylde beastes, ne mote the ruder pier, Flor. Hist., I. C h. 4 and 6, gives
clowne,
these glimpses o f the Countess : —
Thereto approch; ne filth mote therein
drowne :
“ T h is heroine died in 1 1 1 5 , after
But Nymphes and Faeries by the bancks a reign o f active exertion for herself
did sit and the Church against the Emperors,
In the woods shade w hich did the waters w hich generated the infant and as yet
crowne, nameless factions o f G u e lf and G hib-
Keeping all noysome things away from it,
elline. Matilda endured this contest
A n d to the waters fall tuning their accents fit.
w ith all the enthusiasm and constancy
“ And on the top thereof a spacious plaine o f a woman, combined with a manly
Did spred itselfe, to serve to all delight, courage that must ever render her name
Either to daunce, when they to daunce would respectable, whether proceeding from
faine, the bigotry o f the age, or to oppose
O r else to course-about their bases lig h t ;
imperial ambition in defence o f her
Ne ought there wanted, w hich for pleasure
own defective title. According to the
m ight
Desired be, or thence to banish bale : laws o f that time, she could not as a
So pleasauntly the H ill w ith equall hight female inherit her father’s states, for
Did seeme to overlooke the low ly vale ; even male heirs required a royal con
Therefore it rightly cleeped was M ount A c i- firmation. Matilda therefore, having
dale.” no legal right, feared the Emperor
See also Tasso’s Garden o f Armida, and clung to the Popes, who already
in the Gerusalemme, X V I. claimed, among other prerogatives, the
20. Chiassi is on the sea-shore near supreme disposal o f kingdoms............
Ravenna. “ Here grows a spacious “ T h e Church had ever come for
pine forest,” says Covino, Descr. Geog., ward as the friend o f her house, and
p. 39, “ w hich stretches along the sea from childhood she had breathed an
between Ravenna and C ervia.” atmosphere o f blind and devoted sub
25. T h e river Lethe. mission to its authority ; even when
40. T h is lady, who represents the only fifteen she had appeared in arms
Active life to Dante’s waking eyes, as against its enemies, and made two suc
Leah had done in his vision, and whom cessful expeditions to assist Pope A le x
Dante afterwards, Canto X X X III. 119, ander the Second during her mother’s
calls Matilda, is generally supposed by lifetime.
Purgatorio xxvm. 341
“ N o wonder, then, that in a super power over the cities and other posses
stitious age, when monarchs trembled sions thus given, as her w ill expresses
at an angry voice from the Lateran, it, ‘ for the good o f her soul, and the
the habits o f early youth should have souls o f her parents.’
mingled with every action o f M atilda’s “ W hatever may now be thought o f
life, and spread an agreeable mirage her chivalrous support, her bold defence,
over the prospect o f her eternal salva and her deep devotion to the Church, it
tion : the power that tamed a H enry’s was in perfect harmony with the spirit
pride, a Barbarossa’s fierceness, and o f that age, and has formed one o f her
afterwards withstood the vast ability o f ch ief merits with many even in the
a Frederic, might without shame have present. H er unflinching adherence
been reverenced by a girl whose feel to the cause she had so conscientiously
ings so harmonized w ith the sacred embraced was far more noble than the
strains o f ancient tradition and priestly Emperor H enry’s conduct. Swinging
dignity. But from whatever motive, between the extremes o f unmeasured
the result was a continual aggrandize insolence and abject humiliation, he
ment o f ecclesiastics; in prosperity and died a victim to Papal influence over
adversity ; during life and after death ; superstitious minds; an influence which,
from the lowliest priest to the proudest amongst other debasing lessons, then
pontiff. taught the world that a breach o f the
“ T h e fearless assertion o f her own most sacred ties and dearest affections
independence by successful struggles o f human nature was one means o f
with the Emperor was an example not gaining the approbation o f a Being who
overlooked by the young Italian com is all truth and beneficence.
munities under M atilda’s rule, who “ M atilda’s object was to strengthen
were already accused by imperial legit the ch ief spiritual against the ch ief
imacy o f political innovation and vis temporal power, but reserving her
ionary notions o f government............ own independence ; a policy subse
“ Being then at a place called Monte quently pursued, at least in spirit, by
Baroncione, and in her sixty-ninth year, the G uelphic states o f Italy. She
this celebrated woman breathed her therefore protected subordinate mem
last, after a long and glorious reign o f bers o f the Church against feudal
incessant activity, during w hich she dis chieftains, and its head against the
played a wisdom, vigor, and determi feudal Emperor. T ru e to her relig
nation o f character rarely seen even in ious and warlike character, she died
men. She bequeathed to the Church between the sword and the crucifix,
all those patrimonial estates o f w hich and two o f her last acts, even when
she had previously disposed by an act the hand o f death was already cold
o f gift to G regory the Seventh, w ith on her brow, were the chastisement
out, however, any immediate royal o f revolted Mantua, and the midnight
342 Notes
celebration o f Christ’s nativity in the 72. W hen Xerxes invaded Greece
depth o f a freezing and unusually in he crossed the Hellespont on a bridge
clement w inter.” o f boats with an army o f five million.
50. O vid, M et. V ., M aynwaring’s So say the historians. O n his return
T r. : — he crossed it in a fishing boat almost
“ H ere, w hile young Proserpine, among the alone, — “ a warning to all human arro
maids, gance.”
Diverts herself in these delicious shades ; Leander naturally hated the H elles
W hile lik e a child with busy speed and care pont, having to swim it so many times.
She gathers lilies here, and violets there ;
T h e last time, according to Thom as
W h ile first to fill her little lap she strives,
H ood, he met w ith a sea nymph, w ho,
H e ll’s grizzly monarch at the shade arrives;
Sees her thus sporting on the flowery green, enamored o f his beauty, carried him to
And loves the blooming maid, as soon as the bottom o f the sea. See Hero and
seen. Leaiider, stanza 45 : —
His urgent flame impatient o f delay,
“ His eyes are blinded with the sleety brine,
Swift as his thought he seized the beauteous
His ears are deafened w ith the wildering
prey,
noise;
And bore her in his sooty car away.
H e asks the purpose o f her fell design,
The frighted goddess to her mother cries,
But foamy waves choke up his struggling
But all in vain, for now far o ff she flies.
voice,
Far she behind her leaves her virgin train ;
Under the ponderous sea his body dips,
T o them too cries, and cries to them in vain.
And H ero’s name dies bubbling on his
An d while w ith passion she repeats her call,
lips.
T h e violets from her lap, and lilies fall :
She misses them , poor h e a rt! and makes new “ Lo ok how a man is lowered to his grave,
[ moan ; A yearning hollow in the green earth’s
Her lilies, ah ! are lost, her violets gone.” lap;
So he is sunk into the yawning wave,
65. O vid, Met. X ., Eusden’s T r . : — T h e plunging sea fills up the watery g a p ;
A n on he is all gone, and nothing seen,
“ For Cytherea’s lips w hile Cupid prest,
But likeness o f green tu rf and hillocks
H e with a heedless arrow razed her breast.
green.
T h e goddess felt it, and, with fury stung,
T h e wanton m ischief from her bosom flung : “ And where he swam, the constant sun lies
Y e t thought at first the danger slight, but sleeping,
found O ver the verdant plain that makes his
T h e dart too faithful, and too deep the wound. bed;
Fired with a mortal beauty, she disdains A n d all the noisy waves go freshly leaping,
To haunt th ’ Idalian mount, or Phrygian L ik e gamesome boys over the churchyard
plains. dead ;
She seeks not Cnidos, nor her Paphian shrines, T h e light in vain keeps looking for his face,
N or Am athus, that teems with brazen mines : N ow screaming sea-fowl settle in his place.”
Even H eaven itself with all its sweets un
sought, 80. Psalm xcii. 4 : “ For thou, Lord,
Adonis far a sweeter Heaven is thought.” hast made me glad through thy work :
Purgatorio xxix. 343
I w ill triumph in the works o f thy “ Upon the mount w hich highest o’er the
hands.” wave
Rises was I, with life or pure or sinful,
87. Canto X X I. 46 : —
From the first hour to that w hich is the
“ Because that neither rain, nor hail, nor snow, second,
Nor dew, nor hoar-frost any higher falls A s the sun changes quadrant, to the sixth.”
T h an the short, little stairway o f three steps.”
102. Above the gate described in
94. O nly six hours, according to Canto IX .
Adam’s own account in Par. X X I. 146. V irgil and Statius smile at this
139: — allusion to the dreams o f poets.
C A N T O XXIX.
midst o f the fire. Also out o f the ascends even to the throne o f G od to
midst thereof came the likeness o f four receive his commands ; as the lion or
living creatures. And this was their king he walks upon the earth in strength
appearance ; they had the likeness o f and pow er.”
a man. And every one had four faces, H e adds in a note : “ Some com
and every one had four wings. And mentators o f Dante have supposed the
their feet were straight feet ; and the griffin to be the emblem o f Christ,
sole o f their feet was like the sole o f a w ho, in fact, is one single person with
calf’s fo o t; and they sparkled like the two natures ; o f Christ, in whom G od
color o f burnished brass.” and man are combined. But in this
105. In Revelation iv. 8, they are they are mistaken; there is, in the first
described as having “ each o f them six place, a manifest impropriety in de
w in g s” ; in Ezekiel, as having only scribing the car as drawn by G od as
four. by a beast o f burden. It is very doubt
107. T h e triumphal chariot is the ful even whether Dante can be alto
Church. T h e two wheels are gen gether freed from the imputation o f a
erally interpreted as meaning the O ld want o f reverence in harnessing the
and N ew Testam ents; but Dante, Par. Pope to the car o f the C hurch.”
X II. 106, speaks o f them as St. D om i 110. T h e wings o f the Griffin ex
nic and St. Francis. tend upward between the middle list
108. T h e Griffin, half lion and h alf or trail o f splendor o f the seven candles
eagle, is explained by all the commen and the three outer ones on each side.
tators as a symbol o f Christ, in his di 117 . T h e chariot o f the sun, which
vine and human nature. D idron, in Phaeton had leave to drive for a day,
his Christian Iconography, interprets it is thus described by O vid, Met. II .,
differently. H e says, M illington’s T r ., Addison’s T r . : —
1 . 4 .5 8 :— “ A golden axle did the w ork uphold,
“ T h e mystical bird o f two colors is Gold was the beam, the wheels were orbed
understood in the manuscript o f H er- with gold.
rade to mean the Church ; in Dante, T h e spokes in rows o f silver pleased the
sight,
the bi-formed bird is the representative
T h e seat with party-colored gems was bright;
o f the Church, the Pope. T h e Pope,
A po llo shined amid the glare o f ligh t.”
in fact, is both priest and king ; he
120. In smiting Phaeton w ith a
directs the souls and governs the per
thunderbolt. O vid, M et. I I . : —
sons o f men ; he reigns over things in
heaven. T h e Pope, then, is but one “ Jove called to witness every power above,
A n d even the god whose son the chariot drove,
single person in two natures, and under
T h a t what he acts he is compelled to do,
two forms ; he is both eagle and lion. Or universal ruin must ensue.
In his character o f Pontiff, or as an Straight he ascends the high ethereal throne,
eagle, he hovers in the heavens, and From whence he used to dart his thunder down,
v o l . 11. 44
34-6 Notes
From whence his showers and storms he used could be sure that the mosaic on the
to pour, tomb o f Otho the Second, and another
B ut now could meet with neither storm nor
mosaic already described, had not been
show er;
altered in successive restorations, these
T h en , aiming at the youth, with lifted hand,
Full at his head he hurled the forky brand, would be evidence that the sword was
In dreadful thund’rings. T hus th ’ alm ighty given to St. Paul as his attribute as
sire early as the sixth century ; but there
Suppressed the raging o f the fires with fire.” are no monuments w hich can be ab
See also Inf. X V I I. Note 107. solutely trusted as regards the intro
121. T h e three Theological or duction o f the sword before the end o f
Evangelical Virtues, Charity, H ope, the eleventh century ; since the end
and Faith. For the symbolism o f o f the fourteenth century it has been so
colors in A rt, see Mrs. Jameson, Sacred generally adopted, that in the devotion
and Legendary A rt, quoted Canto V III . al efSgies I can remember no instance
N ote 28. in which it is omitted. W hen St.
130. T h e four Cardinal Virtues, Paul is leaning on the sword, it ex
Justice, Prudence, Fortitude, and T e m presses his martyrdom; when he holds
perance. T h e y are clothed in purple it aloft, it expresses also his warfare in
to mark their nobility. Prudence is the cause o f Christ : when two swords
represented w ith three eyes, as look are given to him, one is the attribute,
ing at the past, the present, and the the other the emblem; but this double
future. allusion does not occur in any o f the
133. St. Luke and St. Paul. older representations. In Italy I never
136. St. Luke is supposed to have met with St. Paul bearing two swords,
been a physician ; a b elief founded on and the only instance I can call to
Colossians iv. 14, “ Luke, the beloved mind is the bronze statue by Peter
physician.” T h e animal that nature Vischer, on the shrine o f St. Sebald, at
holds most dear is man. N urem berg.”
140. T h e sword with w hich St. 142. T h e four Apostles James, Pe
Paul is armed is a symbol o f warfare ter, John, and Jude, writers o f the C a
and martyrdom ; “ I bring not peace, nonical Epistles. T h e red flowers,
but a sword.” St. Luke’s office was w ith which their foreheads seem all
to heal ; St. Paul’s to destroy. Mrs. aflame, are symbols o f martyrdom.
Jameson, Sacred and Legendary A rt, I. Massinger, Virgin Martyr, V . 1: —
188, says : — “ W hat flowers are these ?
“ A t what period the sword was In Dioclesian’s gardens, the most beauteous
Compared with these are weeds.”
given to St. Paul as his distinctive at
tribute is with antiquaries a disputed 143. St. John, writer o f the Apoca
point ; certainly much later than the lypse ; here represented as asleep ; as
keys were given to Peter. I f we i f he were “ in the spirit on the Lord’s
Purgatorio xxix. 347
day, and heard behind him a great from classic writers, or seen in early
voice as o f a trumpet.” O r perhaps mosaics, or witnessed in the streets o f
the allusion may be to the belief o f the Florence with her joyous population,
early Christians that John did not die, her May-day dancers, and the military
but was sleeping till the second coming pomp o f her magnificent Carroccio,
o f Christ. T h is subject has been re like the ark o f the covenant going forth
presented in mediaeval A rt as follows. w ith the host, has here been surpassed
Mrs. Jameson, Sacred and Legendary in invention and erudition, and a pic
A rt, I. 13 9 : — ture produced at once as original as
“ St. John, habited in priest’s gar it is impressive, as significant as it is
ments, descends the steps o f an altar grand. Petrarca was, probably, in
into an open grave, in w hich he lays debted to it for his ‘ T rionfi,, so
him self down, not in death, but in frequently in favor with Italian art
sleep, until the coming o f C hrist; ‘ be ists.
ing reserved alive w ith Enoch and E li “ T h is canto with the four that fol
jah (who also knew not death), to low form a poem w hich, though an
preach against the Antichrist in the essential portion o f the Divina Com-
last days.’ T h is fanciful legend is media, may be separately considered as
founded on the following text: ‘ Peter, the continuation o f the poetic vision
seeing the disciple whom Jesus loved mentioned in the Vita Nuova, and the
following, saith unto Jesus, Lord, and fulfilment o f the intention there ex
what shall this man do? Jesus saith pressed.
unto him, I f I w ill that he tarry till I “ It represents the symbolical pas
come, what is that to thee ? T h en sage o f the Christian Church, preceded
w ent this saying abroad among the by the H ebrew dispensation, and fol
brethren that that disciple should not lowed by the disastrous effects o f
die.’ (John x x i. 21, 22.)” schism, and the corruptions induced
154. O f this canto and those that by the unholy conduct o f political
follow , Barlow, Study o f the D iv . Com., Pontiffs. T h e soul o f this solemn ex
p. 270, says : — hibition, the living and glorified prin
“ Dante’s sublime pageant o f the ciple o f the beatitude which Religion
Church M ilitant is one o f the most pure and holy confers upon those who
marvellous processions ever marshalled embrace it, is personified in the ‘ D on
on paper. In the invention, arrange na,’ to whom Dante from his earliest
ment, grouping, and coloring the poet youth had been more or less devoted,
has shown him self a great master in the Beatrice o f the V ita Nuova, ‘ Loda
art, familiar with all the stately require di D io vera,’ who concentrates in her
ments o f solemn shows, festivals, and self the divine wisdom with which the
triumphs. W hatever he may have Church is inspired, whom angels de
gathered from the sacred records, and light to honor, and whose advent on
3 4 $ Notes
earth had been prepared from all eter symbolic o f the world, and forms a
nity by the moral virtues. throne for C h r is t: the Son o f G od is
“ Beatrice is here presented as the seated on its summit. T h e car is
principle o f divine beatitude, or that placed upon four wheels, and drawn
w hich confers it, and bears a resem by the four attributes or symbols of
blance to the figure o f the N ew Jerusa the Evangelists. T h e angel o f St.
lem seen by St. John descending from M atthew , and the eagle o f St. John,
heaven ‘ as a bride adorned for her are o f celestial whiteness ; the lion of
husband ’ {Rev. xxi. 2) ; a representa St. M ark, and the ox o f St. Luke, are
tion o f w hich, in the manner o f Ra o f a reddish yellow , symbolizing the
phael, occurs in one o f the tapestries earth on w hich they dwell. The
o f the Vatican, and, though not arrayed eagle and angel do, in fact, fly ; w hile
in the colors o f the Christian virtues, the lion and the ox walk. Y et upon
Faith, H ope, and Charity, white and the painted window all the four have
green and red, as was Beatrice, may wings. A rein o f silver, passing round
yet be regarded as a Roman version the neck o f each o f the four symbols,
o f her.” is attached to the pole o f the chariot.
D idron, describing the painting o f T h e Church, represented by the four
the Trium ph o f Christ in the Church most elevated religious potentates, by
o f Notre Dame de Brou, Christian the Pope, the Cardinal, the A rch
Iconography, M illington’s T r ., I. 315, bishop, and Bishop, or by the four
says : — ch ief Fathers, St. G regory, St. Jerome,
“ In the centre o f all rises the Hero St. Ambrose, and St. Augustine, drives
o f the Trium ph, Jesus Christ, who is the four-wheeled car, and, in conjunc
seated in an open car with four wheels. tion with the Evangelists, urges it on
H e alone is adorned with a nimbus ward. Jesus guides his triumph, not
formed o f rays, departing from each holding reins, but shedding blessings
point o f the head, and w hich illumines from his right hand wherever he
everything around. W ith one glance passes.
he embraces the past which precedes, “ T h e entire assemblage o f persons
and the future which is to succeed him. represented on the window are seen
H is face resembles that drawn by Ra marching onwards, singing w ith joy.
phael and the masters o f the period o f W ithin the spaces formed by the mul-
Renaissance, agreeing with the descrip lions which trellis the upper part of
tion given by Lentulus and Damasce- the window, forty-six angels are repre
nus ; it is serious and gentle. In the sented w ith long golden hair, white
centre o f the chariot is placed a starry transparent robes, and wings o f yellow ,
globe traversed by the ecliptic, on red, violet, and gree n ; they are all
w hich the twelve signs o f the zodiac painted on a background o f azure, like
are brilliantly figured. T h is globe is the sky, and celebrate w ith blended
Purgatorio xxix. 349
c a n t o xxx.
cede the triumphal chariot, as in our 32. It w ill be observed that Dante
heaven the Ursa M inor precedes, or is makes Beatrice appear clothed in the
nearer the centre o f rest, than the Ursa colors o f the three Theological Virtues
Major or Charles’s W ain. described in Canto X X IX . 121. T h e
In the Northern M ythology the G od white veil is the symbol o f Faith ; the
T h o r is represented as holding these green mantle, o f Hope ; the red tunic,
constellations in his hand. T h e old o f Charity. T h e crown o f olive de
Swedish Rhyme Chronicley describing notes wisdom. T h is attire somewhat
the statues in the church o f Upsala, resembles that given by artists to the
says : — V irgin. “ T h e proper dress o f the
“ T h e God T h o r was the highest o f them ;
V irg in ,” says M rs. Jameson, Legends o f
H e sat naked as a child, the Madonna, Introd., liii., “ is a close,
Seven stars in his hand and Charles’s W ain. red tunic, with long sleeves, and over
Spenser, Faerie Queene, I. ii. I : — this a blue robe or mantle............Her
head ought to be veiled.”
By this the northern wagoner had set
35. Beatrice had been dead ten
His sevenfold teme behind the steadfast
starre
years at the date o f the poem, 1300.
T h a t was in ocean waves yet never wet, 36. Fully to understand and feel
But firme is fixt, and sendeth ligh t from what is expressed in this line, the
farre reader must call to mind all that Dante
T o all that in the wide deep wandering arre.” says in the Vita Nuova o f his meetings
i i . Song of Solomon iv. 8 : “ Come with Beatrice, and particularly the first,
w ith me from Lebanon, my spouse, w hich is thus rendered by M r. Norton
w ith me from Lebanon.” in his New Life o f Dante, p. 20 : — -
17. A t the voice o f so venerable an “ N ine times now, since my birth,
old man. the heaven o f light had turned almost
Purgatorio xxx. 351
to the same point in its gyration, when “ From this time forward I say that
first appeared before my eyes the glori Love lorded it over my soul, w hich
ous lady o f my mind, who was called had been thus quickly put at his dis
Beatrice by many who did not know posal ; and he began to exercise over
w hy they thus called her. She had me such control and such lordship,
now been in this life so long, that in through the power which my imagi
its course the starry heaven had moved nation gave to him, that it behoved me
toward the east one o f the twelve to perform completely all his pleasure.
parts o f a degree ; so that about the H e commanded me many times that
beginning o f her ninth year she ap I should seek to see this youthful an
peared to me, and I near the end o f gel, so that I in my boyhood often
my ninth year saw her. She appeared went seeking her, and saw her o f such
to me clothed in a most noble color, a noble and praiseworthy deportment,
becoming and modest crimson, and she that truly o f her might be said that
was girt and adorned in the style that saying o f the poet Homer : ‘ She does
became her extreme youth. A t that not seem the daughter o f mortal man,
instant, I say truly, the spirit o f life, but o f G o d .’ And though her image,
w hich dw'ells in the most secret cham w hich stayed constantly with me, in
ber o f the heart, began to tremble spired confidence in Love to hold lord
with such violence, that it appeared ship over me, yet it was o f such noble
fearfully in the least pulses, and, trem virtue, that it never suffered that Love
bling, said these words : Ecce deus for- should rule without the faithful counsel
tior me, qui veniens dominabitur m ihi! o f Reason in those matters in w hich
‘ Behold a god, stronger than I, w ho, such counsel could be useful.”
coming, shall rule me ! * 48. Dante here translates V irgil’s
“ A t that instant, the spirit o f the own words, as he has done so many
soul, w hich dwells in the high cham times before. JEneid, IV . 23 : Agnosco
ber to w hich all the spirits o f the veteris vestigia flamma.
senses bring their perceptions, began 52. T h e Terrestrial Paradise lost
to marvel greatly, and, addressing the by Eve.
spirits o f the sight, said these words : 83. Psalm x x xi. 1 , 8 : “ In thee,
Apparuit jam beatitudo vestra,— ‘ N ow O Lord,- have I put my trust............
hath appeared your bliss.* A t that T h ou hast set my feet in a large room.”
instant the natural spirit, w hich dwells 85. ^Eneid, V I . 180: “ D ow n drop
in that part where the nourishment is the firs ; crashes, by axes felled, the
supplied, began to w eep, and, w eep i l e x ; and the ashen rafters and the
ing, said these words : Heu miser! quia yielding oaks are cleft by wedges.**
frequenter i’mpeditus ero deinceps,— * W oe And IX . 87 : “ A wood . . . . dark
is me wretched ! because frequently w ith gloomy firs, and rafters o f the
henceforth shall I be hindered.* maple.”
352 Notes
Denistoun, Mem. o f the Duke o f Ur- “ O noble conscience, and without a stain,
125. Beatrice died in 1290, at the It was thy wont to shun much company,
Unto all sorry concourse ill inclined :
age o f twenty-five.
A n d still thy speech o f m e, heartfelt and
136. H ow far these self-accusations kind,
o f Dante were justified by facts, and Had made me treasure up thy poetry.
how far they may be regarded as ex But now I dare not, for thine abject life,
pressions o f a sensitive and excited M ak e manifest that I approve thy rhymes;
conscience, w e have no means o f de N or come I in such sort that thou may’st
know .
termining. It is doubtless but simple
A h ! prythee read this sonnet many times :
justice to apply to him the words So shall that evil one who bred this strife
w hich he applies to V irgil, Canto Be thrust from thy dishonored soul, and
III. 8: — go.”
C A N T O XXXI.
1. In this canto Dante, having made her discourse to her attendant hand-
confession o f his sins, is drawn by Ma- maidens around the chariot. N o w she
tilda through the river Lethe. speaks directly to Dante.
2. Hitherto Beatrice has directed 25. As in a castle or fortress.
Ptcrgatorio xxxi. 353
30. As one fascinated and enamored A risk incur that it may cost my life ;
w ith them. For I received a wound so deep and wide
From one I saw entrenched within her eyes,
42. T h e sword o f justice is dulled
T h a t still I weep, nor peace I since have
by the wheel being turned against its
know n .”
edge. T h is is the usual interpretation;
but a friend suggests that the allusion Others think the allusion is general.
may be to the wheel o f St. Catherine, T h e Ottimo says: “ Neither that young
which is studded with sword-blades. woman, whom in his Rime he called
46. T h e grief w hich is the cause o f Pargoletta, nor that Lisetta, nor that
your weeping. other mountain maiden, nor this one,
59. T here is a good deal o f gossip nor that other.” H e might have added
ing among the commentators about this the lady o f Bologna, o f whom Dante
little girl or Pargoletta. Some sup sings in one o f his sonnets : —
pose it to be the same as the Gentucca “ And I may say
T h a t in an evil hour I saw Bologna,
o f Canto X X I V . 37, and the Pargo
A n d that fair lady whom I looked upon.”
letta o f one o f the poems in the Can-
zoniere, w hich in M r. L y e ll’s trans Buti gives a different interpretation
lation runs as follows : — o f the word pargoletta, making it the
‘ ‘ Ladies, behold a maiden fair, and young;
same as pargulta or pargolezza, “ child
T o you I come heaven’s beauty to display, ishness or indiscretion o f youth.”
A n d manifest the place from whence I In all this unnecessary confusion one
am. thing is quite evident. As Beatrice is
In heaven I dwelt, and thither shall return, speaking o f the past, she could not
Joy to impart to angels with my light.
possibly allude to Gentucca, who is
H e who shall me behold nor be enamored,
O f Love shall never comprehend the charm ;
spoken o f as one who would make
For every pleasing gift was freely given, Lucca pleasant to Dante at some fu
W h en Nature sought the grant o f me from ture time : —
him
“ ‘ A maid is born, and wears not yet the veil,’
W h o willed that your companion I should
Began he, ‘ who to thee shall pleasant make
be.
M y city, howsoever men may blame it.’ ”
Each star upon my eyes its influence sheds,
And with its light and virtue I am blest : Upon the w hole, the interpretation
Beauties are mine the world hath never o f the Ottimo is the most satisfactory,
seen,
For I obtained them in the realms above;
or at all events the least open to objec
And ever must their essence rest unknow n, tion.
Unless through consciousness o f him in 63. Proverbs i. 1 7 : “ Surely in vain
whom the net is spread in the sight o f any
Love shall abide through pleasure o f an bird.”
other.
72. Iarbas, king o f Gaetulia, from
These words a youthful angel bore inscribed
Upon her brow, whose vision we b eheld ; whom Dido bought the land for build
A n d I , who to find safety gazed on her, ing Carthage.
V O L. II. 45
354 Notes
77. T h e angels described in Canto See Canto X X IX . 130 : —
X X X . 20, as “ Upon the left hand four made holiday
“ Scattering flowers above and round about.” Vested in purple.”
“ A lady all alone, who went along lead to Divine Wisdom, but the three
Singing and culling floweret after floweret, Evangelical Virtues quicken the sight
W ith w hich her pathway was all painted to penetrate more deeply into it.
over.” 114. Standing upon the chariot still;
95. Bunyan, Pilgrim's Progress, the she does not alight till line 36 o f the
river without a bridge : — next canto.
“ N ow I further saw that betw ixt 116. T h e color o f Beatrice’s eyes has
them and the gate was a river ; but not been passed over in silence by the
there was no bridge to go over : the commentators. Lani, in his Annota-
river was very deep. A t the sight zioni, says: T h e y were o f a greenish
therefore o f this river, the pilgrims blue, like the color o f the sea.” M e-
were much stunned ; but the men that chior Messirini, who thought he had
went with them said, ‘ You must go discovered a portrait o f Beatrice as
through, or you cannot come at the old as the fourteenth century, affirms
gate.’ . . . . that she had “ splendid brown eyes.”
“ T h e y then addressed themselves Dante here calls them emeralds ; upon
to the water, and, entering, Christian w hich the Ottimo comments thus :
began to sink, and crying out to his “ Dante very happily introduces this
good friend Hopeful, he said, * I sink precious stone, considering its proper
in deep waters ; the billows go over ties, and considering that griffins watch
my head, all his waves go over me. over emeralds. T h e emerald is the
Selah.’ ___ prince o f all green stones ; no gem nor
“ N ow upon the bank o f the river, herb has greater greenness ; it reflects
on the other side, they saw the two an image like a mirror ; increases
shining men again, who there waited wealth ; is useful in litigation and to
for them. W herefore being come out orators ; is good for convulsions and
o f the river, they saluted them, saying, epilepsy; preserves and strengthens the
‘ W e are ministering spirits, sent forth sight; restrains lust; restores m em ory;
to minister for those that shall be heirs is powerful against phantoms and de
o f salvation.’ ” mons; calms tempests; stanches blood,
98. Psalms li. 7 : “ Purge me with and is useful to soothsayers.”
hyssop, and I shall be clean : wash me T h e beauty o f green eyes, ojuelos
and I shall be whiter than snow.” V erd es, is extolled by Spanish poets ;
104. T h e four attendant Nym phs and is not left unsung by poets o f other
on the left o f the triumphal chariot. countries. Lycophron in his “ tene
Purgatorio xxxn. 355
brous poem ” o f Cassandra, says o f lion. T h e two natures, divine and hu
A c h ille s: — man, o f Christ are reflected in T h eo l
u Lo ! the w arlike eagle come, ogy, or D ivine Wisdom. Didron, who
Green o f eye, and black o f plum e.” thinks the Griffin a symbol o f the Pope,
And in one o f the old French M ys applies this to his spiritual and tempo
teries, Hist. Tbeat. Fran$., I. 176, ral pow er: “ As priest he is the eagle
Joseph describes the child Jesus as floating in the air ; as king he is a lion
having walking on the earth.”
“ Les yeulx vers, la chair blanche et tendre 132. T h e Italian Caribo, like the
Les cheveulx blonds.” English Carol or Roundelay, is both
122. Monster is here used in the song and dance. Some editions read
sense o f marvel or prodigy. in this line “ singing,” instead o f
123. N o w as an eagle, now as a “ dancing.”
C A N T O XXXII.
1. A mystical canto, in w hich is de o f the garden thou mayest freely eat.
scribed the tree o f the forbidden fruit, But o f the tree o f the knowledge o f
and other wonderful and mysterious good and evil, thou shalt not eat o f i t :
things. for in the day that thou eatest thereof,
2. Beatrice had been dead ten years. thou shalt surely die.”
10. G oethe, Hermann and Dorothea, Some commentators suppose that
Cochrane’s T r ., p. 103 : — Dante’s mystic tree is not only the
E v ’n as the wanderer, w ho, ere the sun dips tree o f knowledge o f good and evil,
his orb in the ocean, but also a symbol o f the Roman Em
One last look still takes o f the day-god, fast pire.
disappearing;
4 1. V irgil, Georgies, IT. 123 : “ T h e
T h e n , amid rocks rude-piled, umbrageous
groves w hich India, nearer the ocean,
forests, and copsewoods,
Sees his similitude float, wherever he fixes
the utmost skirts of the globe, pro
his vision ; duces, where no arrows by their flight
Finding it glancing before him , and dancing have been able to surmount the airy
in magical colors.” summit o f the tree ; and yet that na
35. A disfrenata saetta, an uncurbed tion is not slow at archery.”
arrow, like that w hich Pandarus shot 43. Christ’s renunciation o f tempo
at Menelaras, Iliad, I V . 12 4 : “ T h e ral power.
sharp-pointed arrow sprang forth, eager 5 1. T h e pole o f the chariot, w hich
to rush among the crow d.” was made o f this tree, he left bound to
38. Genesis ii. 1 6 : “ O f every tree the tree.
356 Notes
Buti says : “ T h is chariot represents Ruskin, Mod. Painters, III. 226,
the H oly Church, w hich is the con says: “ Some three arrow-flights farther
gregation o f the faithful, and the pole up into the wood w e come to a tall
o f this chariot is the cross o f Christ, tree, w hich is at first barren, but, after
w hich he bore upon his shoulders, so some little time, visibly opens into
that the author well represents him as flowers, o f a color ‘ less than that o f
dragging the pole w ith his neck.” roses, but more than that o f violets.’
r
T h e statement that the cross was made It certainly would not be possible,
o f the tree o f knowledge, is founded in words, to come nearer to the defini
on an old legend. W hen Adam was tion o f the exact hue w hich Dante
dying, he sent his son Seth to the meant, — that o f the apple-blossom .
Garden o f Paradise to bring him some Had he employed any simple color-
drops o f the oil o f the mercy o f G od. phrase, as a ‘ pale pink,’ or ‘ violet
T h e angel at the gate refused him en pink^’ or any other such combined
trance, but gave him a branch from the expression, he still could not have
tree o f knowledge, and told him to completely got at the delicacy o f the
plant it upon Adam ’s grave ; and that, hue ; he might perhaps have indicated
when it should bear fruit, then should its kind, but not its tenderness ; but
Adam receive the oil o f G od ’s mercy. by taking the rose-leaf as the type o f
T h e branch grew into a tree, but never the delicate red, and then enfeebling
bore fruit till the passion o f C h rist; this w ith the violet gray, he gets, as
but “ o f a branch o f this tree and o f closely as language can carry him, to
other w ood,” says Buti, “ the cross the complete rendering o f the vision,
was made, and from that branch was though it is evidently felt by him to
suspended such sweet fruit as the body be in its perfect beauty ineffable ; and
o f our Lord Jesus Christ, and then rightly so felt, for o f all lovely things
Adam and other saints had the oil o f w hich grace the spring-time in our fair
mercy, inasmuch as they were taken temperate zone, I am not sure but this
from Limbo and led by Christ into blossoming o f the apple-tree is the
eternal life.” fairest.”
54. In the month o f February, 65. T h e eyes o f Argus, whom M er
when the sun is in the constellation cury lulled asleep by telling him the
o f the Fishes. Dante here gives it story o f Syrinx, and then put to death.
the title o f the Lasca, the Roach or O vid, M et., I., D ryden’s T r . : —
M ullet. “ W hile Hermes piped, and sung, and told
58. T h e red and white o f the apple- his tale,
T h e keeper’s w in kin g eyes began to fail,
blossoms is symbolical o f the blood and
And drowsy slumber on the lids to creep ;
water which flowed from the wound
T ill all the watchman was at length asleep.
in Christ’s side. A t least so thinks T h en soon the god his voice and song sup-
V ellutelli. presr,
Purgatorio xxxn. 357
An d with his powerful rod confirmed his re st; smiting it, mean the persecution o f the
W ithout delay his crooked falchion drew, H o ly Church and o f the Christians by
A n d at one fatal stroke the keeper slew .”
the Emperors, as appears in the chron
73. T h e Transfiguration. T h e pas icles down to the time o f Constan
sage in the Song o f Solomon, ii. 3, “ As tine.”
the apple-tree among the trees o f the 119. T h e fox is Heresy.
wood, so is my beloved among the 126. T h e gift o f Constantine to the
sons,” is interpreted as referring to Church. I n f X IX . 125 : —
Christ ; and Dante here calls the “ A h , Constantine ! o f how much woe was
mother,
Transfiguration the blossoming o f that
N ot thy conversion, but that marriage-
tree. dower
77. M atthew xvii. 5 : “ W hile he W h ich the first wealthy Father took from
yet spake, behold, a bright cloud over thee ! ”
shadowed them : and, behold, a voice 131. Mahomet. Revelation xii. 3 :
out o f the cloud, w hich said, T h is is “ And there appeared another wonder
my beloved Son, in whom I am w ell in heaven ; and, behold, a great red
pleased; hear ye him. And when the dragon, having seven heads and ten
disciples heard it, they fell on their horns, and seven crowns upon his
face, and were sore afraid. And Jesus heads. And his tail drew the third
came and touched them, and said, part o f the stars o f heaven, and did
Arise, and be not afraid. And when cast them to the earth.”
they had lifted up their eyes, they saw 144. T hese seven heads, say the
no man, save Jesus only.” Ottimo and others, “ denote the seven
82. Matilda. deadly sins.” But Biagioli, following
98. T h e seven Virtues holding the Buti, says : “ T h ere is no doubt that
seven golden candlesticks, or the seven these heads and the horns represent
gifts o f the H o ly Spirit. the same that we have said in Canto
112. T h e descent o f the eagle upon X IX . o f the Inferno ; namely, the ten
the tree is interpreted by Buti as the horns, the T e n Commandments o f
persecution o f the Christians by the God ; and the seven heads, the Seven
Emperors. T h e rending o f the bark Sacraments o f the C hurch.” Never
o f the tree is the “ breaking down o f was there a wider difference o f inter
the constancy and fortitude o f holy pretation. T h e context certainly fa
men ” ; the blossoms are “ virtuous vors the first.
examples or prayers,” and the new 150. Pope Boniface the Eighth.
leaves, “ the virtuous deeds that holy 152. Philip the Fourth o f France.
men had begun to do, and w hich were For his character see Canto X X .
interrupted by these persecutions.” N ote 43.
115 . Buti says: “ T h is descent of 156. T h is alludes to the maltreat
the eagle upon the chariot, and the ment o f Boniface by the troops of
353 Notes
Philip at Alagna. See Canto X X . tues Cardinal and Evangelical ; the
N ote 87. seven candlesticks, the seven gifts o f
159. T h e removal o f the Papal See the H oly Spirit ; the tree o f knowl
from Rome to Avignon. edge, Rome ; the Eagle, the Imperial
T h e principal points o f the allegory p o w e r; the F ox, heresy ; the Dragon,
o f this canto may be summed up as M ahom et; the shameless whore, Pope
follows. T h e triumphal chariot, the Boniface the Eighth ; and the giant,
Church ; the seven N ym phs, the V ir- Philip the Fair o f France.
C A N T O XXX III.
sea and in the H o ly Land. Thus in water o f life.’ N o w their way lay
the old ballad o f The Friar o f Orders just upon the bank o f the river : here
Gray : — therefore Christian and his compan
“ A n d how should I your truelove kno w ion walked w ith great d e lig h t: they
From many another one ? drank also o f the water o f the river,
O by his cockle-h at and staff, w hich was pleasant, and enlivening to
And by his sandal-shoone.” " their weary spirits. Besides, on the
In the Vita Nuova, M r. N orton’s T r ., banks o f this river, on either side, were
p. 7 1 , is this passage : “ M oreover, it green trees for all manner o f fr u it;
is to be known that the people who and the leaves they ate to prevent sur
travel in the service o f the Most H igh feits and other diseases that are inci
are called by three distinct terms. dent to those that heat their blood by
Those who go beyond the sea, whence travels. On either side o f the river
often they bring back the palm, are was also a meadow, curiously beauti
called palmers. Those who go to the fied w ith lilie s ; and it was green all
house o f Galicia are called pilgrims, be the year long. In this meadow they
cause the burial-place o f St. James was lay down and slept ; for here they
more distant from his country than that might lie down safely. W hen they
o f any other o f the Apostles. And those awoke, they gathered again o f the
are called romei who go to Rome.” fruits o f the trees, and drank again o f
85. H ow far Philosophy differs from the water o f the river, and then lay
Religion. Isaiah lv. 8 : “ For my down again to sleep.”
thoughts are not your thoughts, neither 129. Sir John Denham says : —
are your ways my ways, saith the Lord. “ T h e sweetest cordial we receive at last
For as the heavens are higher than Is conscience o f our virtuous actions past.’ *
the earth, so are my ways higher than 145. T h e last word in this division
your ways, and my thoughts than your o f the poem, as in the other tw o, is
thoughts.” the suggestive word “ Stars.”
VOL. II. 46
ILLUSTRATIONS
. -V i,'.
ILLUSTRATIONS
T H E H E R O AS P O E T .
From Heroes and Hero Worship, by Thomas Carlyle.
M any volumes have been written by T h ere is in it, as foundation o f it, the
way o f commentary on Dante and his softness, tenderness, gentle affection as
B o o k ; yet, on the w hole, w ith no o f a child ; but all this is as i f con
great result. H is biography is, as it gealed into sharp contradiction, into
were, irrecoverably lost for us. An abnegation, isolation, proud, hopeless
unimportant, wandering, sorrow-strick pain. A soft, ethereal soul looking out
en man, not much note was taken o f so stern, implacable, grim-trenchant,
him while he lived ; and the most o f as from imprisonment o f thick-ribbed
that has vanished, in the long space ice ! W ithal it is a silent pain too,
that now intervenes. It is five centu a silent, scornful one : the lip is curled
ries since he ceased w riting and living in a kind o f godlike disdain o f the
here. After all commentaries, the Book thing that is eating out his heart, — as
itself is mainly what w e know o f him. i f it were withal a mean, insignificant
T h e Book, — and one might add that thing, as i f he whom it had power to
Portrait commonly attributed to G iot torture and strangle were greater than
to, w hich, looking on it, you cannot it. T h e face o f one w holly in protest,
help inclining to think genuine, w ho and life-lo n g , unsurrendering battle,
ever did it. T o me it is a most against the world. Affection all con
touching fa c e ; perhaps, o f all faces verted into indignation ; an implacable
that I know, the most so. Lonely indignation ; slow, equable, silent, like
there, painted as on vacancy, w ith the that o f a god ! T h e eye too, it looks
simple laurel wound round i t ; the out as in a kind o f surpriset a kind o f
deathless sorrow and pain, the known inquiry, W h y the world was o f such
victory w hich is also deathless; — sig a sort ? T h is is Dante : so he looks,
nificant o f the w hole history o f Dante! this “ voice o f ten silent centuries,”
I think it is the mournfulest face that and sings us “ his mystic, unfathomable
ever was painted from reality; an al song.”
together tragic, heart-affecting face. T h e little that w e know o f Dante’s
366 Illustrations
Life corresponds w ell enough with this great figure in Dante’s P oem s; seems
Portrait and this Book. H e was born to have made a great figure in his life.
at Florence, in the upper class o f so O f all beings it might seem as i f she,
ciety, in the year 1265. H is educa held apart from him , far apart at last
tion was the best then going ; much in the dim Eternity, were the only
school-divinity, Aristotelean logic, some one he had ever w ith his whole strength
Latin classics, — no inconsiderable in o f affection loved. She died : Dante
sight into certain provinces o f things : him self was wedded ; but it seems not
and Dante, with his earnest, intelligent happily, far from happily. I fancy,
nature, we need not doubt, learned the rigorous, earnest man, w ith his keen
better than most all that was learnable. excitabilities, was not altogether easy
H e has a clear, cultivated understand to make happy.
ing, and o f great subtlety ; this best W e w ill not complain o f Dante’s
fruit o f education he had contrived to miseries : had all gone right w ith him
realize from these scholastics. He as he wished it, he might have been
knows accurately and w ell what lies Prior, Podestk, or whatsoever they call
close to h im ; but in such a time, it, o f Florence, w ell accepted among
without printed books or free inter neighbors, — and the world had wanted
course, he could not know w ell what one o f the most notable words ever
was distant: the small, clear light, most spoken or sung. Florence would have
luminous for what is near, breaks itself had another prosperous Lord M ayor ;
into singular chiaroscuro striking on and the ten dumb centuries continued
what is far off. T h is was Dante’s voiceless, and the ten other listening
learning from the schools. In life, he centuries (for there w ill be ten o f
had gone through the usual destinies; —^ them and more) had no Divina Com-
been twice out campaigning as a sol media to hear ! W e w ill complain o f
dier for the Florentine state; been on nothing. A nobler destiny was ap
embassy ; had in his thirty-fifth year, pointed for this Dante ; and he, strug
by natural gradation o f talent and ser gling like a man led towards death and
vice, become one o f the ch ief magis crucifixion, could not help fulfilling it.
trates o f Florence. H e had met in G ive him the choice o f his happiness !
boyhood a certain Beatrice Portinari, H e knew not, more than w e do, what
a beautiful little girl o f his own age was really happy, what was really
and rank, and grown up thenceforth in miserable.
partial sight o f her, in some distant In Dante’s Priorship, the Guelph-
intercourse with her. A ll readers G hibelline, B ian ch i-N eri, or some
know his graceful, affecting account o f other confused disturbances, rose to
this ; and then o f their being parted ; such a height, that Dante, whose party
o f her being wedded to another, and had seemed the stronger, was w ith his
o f her death soon after. She makes a friends cast unexpectedly forth into
The Hero as Poet 367
ished, with his proud, earnest nature, n it y : thither, o f a truth, not else
with his moody humors, was not a man w hither, art thou and all things bound!
to conciliate men. Petrarch reports T h e great soul o f Dante, homeless on
o f him, that being at Can della Scala’s earth, made its home more and more
court, and blamed one day for his in that awful other world. Naturally
gloom and taciturnity, he answered in his thoughts brooded on that, as on the
no courtier-like w ay. D ella Scala one fact important for him. Bodied
stood among his courtiers, w ith mimes or bodiless, it is the one fact important
368 Illustrations
for all m en: but to Dante, in that age, six ; — broken-hearted rather, as is
it was bodied in fixed certainty o f said. H e lies buried in his death-city
scientific shape ; he no more doubted Ravenna : Hie claudor Dantes patriis
o f that Malebolge Pool, that it all lay extorris ab orris. T h e Florentines
there with its gloomy circles, with its begged back his body, in a century
alti guaiy and that he him self should after ; the Ravenna people would not
see it, than we doubt that we should give it. “ Here am I Dante laid, shut
see Constantinople i f we went thither. out from my native shores.”
Dante’s heart, long filled with this, I said, Dante’s Poem was a Song :
brooding over it in speechless thought it is T ieck who calls it “ a mystic, un
and awe, bursts forth at length into fathomable S o n g ” ; and such is liter
“ mystic, unfathomable song” ; and this ally the character o f it. Coleridge
his Divine Comedy, the most remarkable remarks very pertinently somewhere,
o f all modern Books, is the result. It that^ wherever you find a sentence
must have been a great solacement to musically worded, o f true rhythm and
Dante, and was, as we can see, a proud melody in the words, there is some
thought for him at times, that he, thing deep and good in the meaning
here in exile, could do this w ork; that too. For body and soul, word and
no Florence, nor no man or men, could idea, go strangely together here as
hinder him from doing it, or even everywhere. Song : we said before,
much help him in doing it. H e knew it was the H eroic o f Speech! A ll old
too, partly, that it was great ; the Poems, Hom er’s and the rest, are au
greatest a man could do. “ I f thou thentically Songs. I would say, in
follow thy star, Se tu scgui tua stella, ” strictness, that all right Poems a r e ;
— so could the H ero, in his forsaken that whatsoever is not sung is properly
ness, in his extreme need, still say to no Poem, but a piece o f Prose cramped
h im self: “ Follow thou thy star, thou into jingling lines, — to the great injury
shalt not fail o f a glorious haven ! ” o f the grammar, to the great grief o f
T h e labor o f writing, we find, and in the reader, for most p a r t! W hat we
deed could know otherwise, was great want to get at is the thought the man
and painful for him ; he says, T h is had, if he had any : w hy should he
Book “ which has made me lean for twist it into jingle, i f he could speak it
many years.” Ah yes, it was won, all out plainly ? It is only when the
of it, with pain and sore toil, — not in heart o f him is rapt into true passion
sport, but in grim earnest. His Book, o f melody, and the very tones o f him,
as indeed most good Books are, has according to Coleridge’s remark, be
been written, in many senses, with his come musical by the greatness, depth,
heart’s blood. It is his whole history and music o f his thoughts, that we can
this Book. H e died after finishing it ; give him right to rhyme and sing; that
not yet very old, at the age o f fifty- w e call him a Poet, and listen to him
The Hero as Poet 369
as the H eroic o f Speakers, — whose Paradiso, look out on one another like
speech is Song. Pretenders to this are compartments o f a great edifice; a great
m a n y ; and to an earnest reader, I supernatural world-cathedral, piled up
doubt, it is for most part a very mel there, stern, solemn, awful ; D ante’s
ancholy, not to say an insupport W orld o f Souls ! It is, at bottom,
able business, that o f reading rhyme ! the sincerest o f all Poems ; sincerity,
Rhym e that had no inward necessity here too, we find to be the measure
to be rhymed ; — it ought to have told o f worth. It came deep out o f the
us plainly, without any jingle, what it author’s heart o f hearts ; and it goes
was aiming at. I would advise all deep, and through long generations,
men who can speak their thought, not into ours. T h e people o f Verona,
to sing i t ; to understand that, in a when they saw him on the streets,
serious time, among serious men, there used to say : “ Eccovi F uom ch’ h stato
is no vocation in them for singing it. air Inferno, See, there is the man that
Precisely as w e love the true song, and was in H ell ! ” A h , yes, he had been
are charmed by it as by something in H e l l ; — in H ell enough, in long,
divine, so shall w e hate the false song, severe sorrow and struggle ; as the like
and account it a mere wooden noise, o f him is pretty sure to have been.
a thing hollow , superfluous, altogether Commedias that come out divine are
an insincere and offensive thing. not accomplished otherwise. T hought,
I give Dante my highest praise true labor o f any kind, highest virtue
when I say o f his Divine Comedy that itself, is it not the daughter o f Pain ?
it is, in all senses, genuinely a Song. Born as out o f the black w hirlw ind ;
In the very sound o f it there is a canto true effort, in fact, as o f a captive strug
ferm o; it proceeds as by a chant. gling to free h im self: that is Thought.
T h e language, his simple terza rima, In all ways w e are “ to become perfect
doubtless helped him in this. One through suffering.” — But, as I say, no
reads along naturally w ith a sort o f work known to me is so elaborated as
lilt. But I add, that it could not be this o f Dante’s. It has all been as i f
o th erw ise; for the essence and ma molten, in the hottest furnace o f his
terial o f the w ork are themselves soul. It had made him “ lean ” for
rhythm ic. Its depth, and rapt passion many years. N ot the general whole
and sincerity, makes it musical ; — go o n ly ; every compartment o f it is
deep enough, there is music every worked out, with intense earnestness,
where. A true inward symmetry, into truth, into clear visuality. Each
what one calls an architectural har answers to the oth er; each fits in its
m ony, reigns in it, proportionates it place, like a marble stone accurately
a ll: architectural; w hich also par hewn and polished. It is the soul o f
takes o f the character o f music. T h e Dante, and in this the soul o f the
three kingdoms, Inferno, Purgatorio, M iddle Ages, rendered forever rhyth
v o l . 11. 47
37° Illustrations
m ically visible there. N o light task; matter as with a pen o f fire. Plutus,
a right intense one : but a task w hich the blustering giant, collapses at V ir
is done. gil’s rebuke ; it is “ as the sails sink,
Perhaps one would say, intensity, the mast being suddenly broken.” O r
w ith the much that depends on it, is that poor Brunetto, w ith the cotto as-
the prevailing character o f Dante’s petto, “ face baked” parched brown and
genius. Dante does not come before lean ; and the “ fiery snow ” that falls
us as a large catholic mind ; rather as on them there, a “ fiery snow without
a narrow, and even sectarian m in d : w in d ,” slow, deliberate, never-ending !
it is partly the fruit o f his age and posi O r the lids o f those T o m b s; square
tion, but partly too o f his own nature. sarcophaguses, in that silent dim-burn
His greatness has, In all senses, con ing H ell, each w ith its Soul in tor
centred itself into fiery emphasis and ment ; the lids laid open there ; they
depth. H e is world-great not because are-to be shut at the D ay o f Judgment,
he is world-wide, but because he is through Eternity. And how Farinata
world-deep. Through all objects he rises ; and how Cavalcante falls — at
pierces as it were down into the heart hearing o f his Son, and the past tense
o f Being. I know nothing so intense “ fu e ! ” T h e very movements in
as Dante. Consider, for example, to Dante have something b r ie f; swift,
begin with the outermost development decisive, almost military. It is o f the
o f his intensity, consider how he paints. inmost essence o f his genius this sort
H e has a great power o f vision ; seizes o f painting. T h e fiery, swift Italian
the very type o f a th in g ; presents that nature o f the man, so silent, passionate,
and nothing more. You remember w ith its quick abrupt movements, its
that first view he gets o f the H all o f silent “ pale rages,” speaks itself in
D ite : red pinnacle, red-hot cone o f these things.
iron glowing through the dim immen For though this o f painting is one o f
sity o f gloom ; so vivid, so distinct, the outermost developments o f a man,
visible at once and forever ! It is an it comes like all else from the essential
emblem o f the whole genius o f Dante. faculty o f him ; it is physiognomical
T h ere is a brevity, an abrupt precision o f the whole man. Find a man whose
in him : Tacitus is not briefer, more words paint you a likeness, you have
condensed; and then in Dante it seems found a man worth something ; mark
a natural condensation, spontaneous to his manner o f doing it, as very charac
the man. One smiting word ; and teristic o f him. In the first place, he
then there is silence, nothing more could not have discerned the object at
said. His silence is more eloquent all, or seen the vital type o f it, unless
than words. It is strange w ith what he had, what w e may call, sympathized.
a sharp, decisive grace he snatches the w ith it, — had sympathy in him to be
true likeness o f a matter ; cuts into the stow on objects. /He must have been
The Hero as Poet . ( 371
DANTE .
exact shape and size o f everything that W here all life dies, death lives, and Nature
breeds
he describes, give an air o f reality to
Perverse all monstrous, all prodigious things,
his wildest fictions. I should only Abom inable, unutterable, and worse
weaken this statement by quoting in T h an fables yet have feigned, or fear con
stances o f a feeling w hich pervades the ceived,
w hole work, and to w hich it owes Gorgons, and hydras, and chimaeras dire,” —
much o f its fascination. T h is is the this would doubtless have been noble
real justification o f the many passages writing. But where would have been
in his poem w hich bad critics have that strong impression o f reality, w hich,
Dante 377
in accordance w ith his plan, it should many children, and how many men,
have been his great object to produce ? are afraid o f ghosts, who are not afraid
It was absolutely necessary for him to o f G od ! And this, because, though
delineate accurately “ all monstrous, all they entertain a much stronger convic
prodigious things,” — to utter what tion o f the existence o f a D eity than
might to others appear “ unutterable,” o f the reality o f apparitions, they have
— to relate w ith the air o f truth what no apprehension that he w ill manifest
fables had never feigned, — to embody him self to them in any sensible man
what fear had never conceived. And ner. W hile this is the case, to de
I w ill frankly confess that the vague scribe superhuman beings in the lan
sublimity o f M ilton affects me less than guage, and to attribute to them the
these reviled details o f Dante. We actions ot humanity, may be grotesque,
read M ilton ; and w e know that we unphilosophical, inconsistent ; but it
are reading a great poet. W hen we w ill be the only mode o f working upon
read Dante, the poet vanishes. We the feelings o f men, and therefore the
are listening to the man who has re only mode suited for poetry. Shake
turned from “ the valley o f the dolo speare understood this w ell, as he un
rous abyss” ; — w e seem to see the derstood everything that belonged to
dilated eye o f horror, to hear the shud his art. W ho does not sympathize
dering accents with w hich he tells his w ith the rapture o f A riel, flying after
fearful tale. Considered in this light, sunset on the wings o f the bat, or
the narratives are exactly what they sucking in the cups o f flowers with
should be, — definite in themselves, but the bee ? W ho does not shudder at
suggesting to the mind ideas o f awful the caldron o f Macbeth ? W here is
and indefinite wonder. T h e y are made the philosopher w ho is not moved
up o f the images o f the earth : they when he thinks o f the strange connec
are told in the language o f the earth. tion between the infernal spirits and
Y et the w hole effect is, beyond ex “ the sow ’s blood that hath eaten her
pression, wild and unearthly. The nine farrow ” ? But this difficult task
fact is, that supernatural beings, as long o f representing supernatural beings to
as they are considered merely w ith our minds in a manner w hich shall be
reference to their own nature, excite neither unintelligible to our intellects,
our feelings very feebly. It is when nor w holly inconsistent with our ideas
the great gu lf w hich separates them o f their nature, has never been so well
from us is passed, when w e suspect performed as by Dante. I w ill refer
some strange and undefinable relation to three instances, which are, perhaps,
between the laws o f the visible and the most striking; — the description o f
the invisible world, that they rouse, the transformation o f the serpents and
perhaps, the strongest emotions o f the robbers, in the twenty-fifth canto
w hich our nature is capable. H ow o f the Inferno, — the passage concern
VOL. i i . 48
378 Illustrations
ing Nim rod, in the thirty-first canto o f anger, are rarely discriminated with
the same part, — and the magnificent sufficient accuracy in the language o f
procession in the twenty-ninth canto the most refined nations. A rude dia
o f the Purgatorio. lect never abounds in nice distinctions
T h e metaphors and comparisons o f o f this kind. Dante therefore employs
Dante harmonize admirably with that the most accurate and infinitely the
air o f strong reality o f w hich I have most poetical mode o f marking the pre
spoken. T h e y have a very peculiar cise state o f his mind. Every person
character. H e is perhaps the only w ho has experienced the bewildering
poet whose writings become much less effect o f sudden bad tidings, — the
intelligible if all illustrations o f this stupefaction, — the vague doubt o f the
sort were expunged. H is similes are truth o f our own perceptions w hich
frequently rather those o f a traveller they produce, — w ill understand the
than o f a poet. H e employs them not following sim ile: — “ I was as he is
to display his ingenuity by fanciful w ho dreameth his own harm, — w ho,
analogies, — not to delight the reader dreaming, wishes that it may be all a
by affording him a distant and passing dream, so that he desires that w hich is
glimpse o f beautiful images remote from as though it were not.” T h is is only
the path in which he is proceeding,— one out o f a hundred equally striking
but to give an exact idea o f the objects and expressive similitudes. T h e com
w hich he is describing, by comparing parisons o f Homer and M ilton are mag
them w ith others generally known. nificent digressions. It scarcely injures
T h e boiling pitch in M alebolge was their effect to detach them from the
like that in the Venetian arsenal ; — work. T hose o f Dante are very dif
the mound on w hich he travelled along ferent. T h e y derive their beauty from
the banks o f Phlegethon was like that the context, and reflect beauty upon it.
between Ghent and Bruges, but not so H is embroidery cannot be taken out
large ; — the cavities where the Simo- without spoiling the whole web. I
niacal prelates are confined resembled cannot dismiss this part o f the subject
the fonts in the Church o f John at without advising every person who can
Florence. Every reader o f Dante w ill muster sufficient Italian t6 read the
recall many other illustrations o f this simile o f the sheep, in the third canto
description, which add to the appear o f the Purgatorio. I think it the most
ance o f sincerity and earnestness from perfect passage o f the kind in the
w hich the narrative derives so much o f w orld, the most imaginative, the most
its interest. picturesque, and the most sweetly ex
M any o f his comparisons, again, are pressed.
intended to give an exact idea o f his N o person can have attended to the
feelings under particular circumstances. D ivine Com edy without observing how
T h e delicate shades o f grief, o f fear, o f little impression the forms o f the ex
Dante 37 9
ternal world appear to have made on in the wide empire o f the imagination;
the mind o f Dante. H is temper and but she has placed her home and her
his situation had led him to fix his ob sanctuary amidst the inexhaustible va
servation almost exclusively on human rieties and the impenetrable mysteries
nature. T h e exquisite opening o f the o f the mind.
eighth canto o f the Purgatorio affords “ In tutte parti impera, e quivi regge ;
a strong instance o f this. H e leaves Quivi e la sua cittade, e 1’ alto seggio.”
to others the earth, the ocean, and the Othello is perhaps the greatest work in
sky. H is business is w ith man. T o the world. From what does it derive
other writers, evening may be the sea its power ? From the clouds ? From
son o f dews and stars and radiant the ocean? From the mountains? O r
clouds. T o Dante it is the hour o f from love strong as death, and jeal
fond recollection and passionate devo ousy cruel as the grave ! W hat is it
tion ,— the hour w hich melts the heart that we go forth to see in Hamlet ?
o f the mariner and kindles the love o f Is it a reed shaken w ith the wind ?
the pilgrim, — the hour when the toll A small celandine ? A bed o f daf
o f the bell seems to mourn for another fodils ? O r is it to contemplate a
day, w hich is gone and w ill return no mighty and wayward mind laid bare
more. before us to the inmost recesses ? It
T h e feeling o f the present age has may perhaps be doubted whether the
taken a direction diametrically oppo lakes and the hills are better fitted for
site. T h e magnificence o f the physi the education o f a poet than the dusky
cal world, and its influence upon the streets o f a huge capital. Indeed, who
human mind, have been the favorite is not tired to death with pure descrip
themes o f our most eminent poets. tion o f scenery ? Is it not the fact,
T h e herd o f blue-stocking ladies and that external objects never strongly
sonneteering gentlemen seems to con excite our feelings but when they are
sider a strong sensibility to the “ splen contemplated in reference to man, as
dor o f the grass, the glory o f the flow illustrating his destiny, or as influen
er,” as an ingredient absolutely indis cing his character ? T h e most beauti
pensable in the formation o f a poetical ful object in the w orld, it w ill be
mind. T h e y treat w ith contempt all allowed, is a beautiful woman. But
writers who are unfortunately w ho that can analyze his feelings is not
“ n ec ponere lu cu m sensible that she owes her fascination
A rtific e s , n ec rus saturum laud are.” less to grace o f outline and delicacy o f
T h e orthodox poetical creed is more color, than to a thousand associations
Catholic. T h e noblest earthly object w hich, often unperceived by ourselves,
of the contemplation o f man is man connect those qualities with the source
himself. T h e universe, and all its fair o f our existence, w ith the nourishment
and glorious forms, are indeed included o f our infancy, w ith the passions o f
380 Illustrations
our youth, w ith the hopes o f our age, can w e read o f beings o f whose per
w ith elegance, with vivacity, with ten sonal existence the writer does not suf
derness, with the strongest o f natural fer us to entertain, for a moment, even
instincts, with the dearest o f social ties? a conventional belief? Even Spenser’s
T o those who think thus, the in allegory is scarcely tolerable, till we
sensibility o f the Florentine poet to contrive to forget that Una signifies
the beauties o f nature w ill not appear innocence, and consider her merely as
an unpardonable deficiency. On man an oppressed lady under the protection
kind no writer, with the exception o f o f a generous knight.
Shakespeare, has looked with a more Those writers who have, more judi
penetrating eye. I have said that his ciously, attempted to preserve the per
poetical character had derived a tinge sonality o f the classical divinities have
from his peculiar temper. It is on failed from a different cause. They
the sterner and darker passions that he have been imitators, and imitators at a
delights to dwell. A ll love, excepting disadvantage. Euripides and Catullus
the half mystic passion w hich he still believed in Bacchus and C ybele as little
felt for his buried Beatrice, had palled as we do. But they lived among men
on the fierce and restless exile. T h e who did. T h e ir imaginations, i f not
sad story o f Rimini is almost a single their opinions, took the color o f the
exception. I know not whether it has age. Hence the glorious inspiration
been remarked, that, in one point, mis o f the Bacchae and the A tys. Our
anthropy seems to have affected his minds are formed by circumstances :
mind as it did that o f Swift. Nause and I do not believe that it would be
ous and revolting images seem to have in the power o f the greatest modern
had a fascination for his mind ; and he poet to lash him self up to a degree o f
repeatedly places before his readers, enthusiasm adequate to the production
with all the energy o f his incompara o f such works.
ble style, the most loathsome objects Dante alone, among the poets o f
o f the sewer and the dissecting-room. later times, has been, in this respect,
T h ere is another peculiarity in the neither an allegorist nor an imitator ;
poem o f Dante, w hich, I think, de and, consequently, he alone has intro
serves notice. Ancient mythology has duced the ancient fictions with effect.
hardly ever been successfully inter His Minos, his Charon, his Pluto, are
woven with modern poetry. One class absolutely terrific. Nothing can be
o f writers have introduced the fabulous more beautiful or original than the
deities merely as allegorical representa use w hich he has made o f the river
tives o f love, wine, or wisdom. T h is o f Lethe. H e has never assigned to
necessarily renders their works tame his mythological characters any func
and cold. W e may sometimes admire tions inconsistent w ith the creed o f
their ingenuity; but with what interest the Catholic Church. H e has relat
Dante 38 i
ed nothing concerning them w hich a whom they could have crushed touched
good Christian o f that age might not a talisman, o f whose secret he was igno
believe possible. O n this account, rant, they immediately became his vas
there is nothing in these passages that sals. It has more than once happened
appears puerile or pedantic. On the to me to see minds, graceful and ma
contrary, this singular use o f classical jestic as the Titania o f Shakespeare,
names suggests to the mind a vague and bewitched by the charms o f an ass’s
awful idea o f some mysterious revela head, bestowing on it the fondest ca
tion, anterior to all recorded history, resses, and crowning it w ith the sweet
o f w hich the dispersed fragments m ight- est flowers. I need only mention the
have been retained amidst the impos poems attributed to Ossian. T h e y are
tures and superstitions o f later religions. utterly worthless, except as an edifying
Indeed the m ythology o f the Divine instance o f the success o f a story w ith
Com edy is o f the elder and more co out evidence, and o f a book without
lossal mould. It breathes the spirit o f merit. T h e y are a chaos o f words
Hom er and iEschylus, not o f O vid and w hich present no image, o f images
Claudian. w hich have no archetype ; — they are
T h is is the more extraordinary, since without form and void ; and darkness
Dante seems to have been utterly igno is upon the face o f them. Y et how
rant o f the Greek language ; and his many men o f genius have panegyrized
favorite Latin models could only have and imitated them !
served to mislead him. Indeed, it is T h e style o f Dante is, i f not his high
impossible not to remark his admira est, perhaps his most peculiar excel
tion o f writers far inferior to h im self; lence. I know nothing w ith w hich it
and, in particular, his idolatry o f Virr- can be compared. T h e noblest models
gil, w ho, elegant and splendid as he is, o f Greek composition must yield to it.
has no pretensions to the depth and His words are the fewest and the best
originality o f mind which characterize w hich it is possible to use. T h e first
his Tuscan worshipper. In truth, it expression in w hich he clothes his
may be laid down as an almost univer thoughts is always so energetic and
sal rule that good poets are bad critics. comprehensive, that amplification would
T h e ir minds are under the tyranny o f only injure the effect. T h ere is prob
ten thousand associations impercepti ably no writer in any language who
ble to others. T h e worst writer may has presented so many strong pictures
easily happen to touch a spring w hich to the mind. Y et there is probably no
is connected in their minds with a long writer equally concise. T h is perfec
succession o f beautiful images. T h e y tion o f style is the principal merit o f
are like the gigantic slaves o f Aladdin, the Paradiso, w hich, as I have already
gifted w ith matchless power, but bound remarked, is by no means equal in
by spells so mighty that, when a child other respects to the two preceding
382 Illustrations
parts o f the poem. T h e force and sages incomparable in their kind. T h e
felicity o f the diction, however, irresist merit o f the latter is, perhaps, rather
ibly attract the reader through the oratorical than p oetical; nor can I rec
theological lectures and the sketches o f ollect anything in the great Athenian
ecclesiastical biography, w ith w hich speeches w hich equals it in force of
this division o f the work too much invective and bitterness o f sarcasm. I
abounds. It may seem almost absurd have heard the most eloquent statesman
to quote particular specimens o f an o f the age remark that, next to Demos
excellence w hich is diffused over all thenes, Dante is the writer who ought
his hundred cantos. I w ill, however, to be most attentively studied by every
instance the third canto o f the Inferno, man who desires to attain oratorical
and the sixth o f the Purgatorio, as pas eminence.
DANTE AND M I L T O N .
From the Essays of T. B. Macaulay.
T H E I T A L I A N P I LG R I M' S P R O G R E S S .
Leigh Hunt’s Stories from the Italian Poets.
Dante entitled the saddest poem in ing’s work in the Inquisition ended
.the world a Com edy, because it was happily, because, w hile people were
written in a middle style; though some, being racked in the dungeons, the of
by a strange confusion o f ideas, think ficers were making merry in the draw
the reason must have been because it ing-room. For the much-injured epi
“ ended happily ! ” that is, because be thet o f “ D ivin e,” Dante’s memory is
ginning with hell (to some), it termi not responsible. H e entitled his poem,
nated with “ heaven” (to others). As arrogantly enough, yet still not w ith
w ell might they have said, that a morn that impiety o f arrogance, “ T h e Com
The Italian Pilgrim’s Progress 385
edy o f Dante A ligh ieri, a Florentine by has also a design strictly self-referential.
nation, but not by habits.” T h e word T h e author feigns that the beatified
“ divine ” was added by some tran spirit o f his mistress has obtained leave
scriber; and it heaped absurdity on ab to warn and purify his soul by showing
surdity, too much o f it, alas ! being him the state o f things in the next
literally infernal tragedy. I am not world. She deputes the soul o f his
speaking in m ockery, any further than master V irgil to conduct him through
the fact itself cannot help so speaking. hell and purgatory, and then takes him
I respect what is to be respected in herself through the spheres o f heaven,
Dante ; I admire in him what is ad where St. Peter catechises and confirms
mirable ; would love ( if his infernali- him, and where he is finally honored
ties would let me) what is lovable ; w ith sights o f the Virgin M ary, o f
but this must not hinder one o f the Christ, and even a glimpse o f the Su
human race from protesting against preme Being !
what is erroneous in his fame, when it H is hell, considered as a place, is,
jars against every best feeling, human to speak geologically, a most fantastical
and divine. M r. Cary thinks that formation. It descends from beneath
Dante had as much right to avail him Jerusalem to the centre o f the earth,
self o f “ the popular creed in all its and is a funnel graduated in circles,
extravagance,” as Hom er had o f his each circle being a separate place o f
gods, or Shakespeare o f his fairies. torment for a different vice or its co
But the distinction is obvious. Homer ordinates, and the point o f the funnel
did not personally identify him self with terminating w ith Satan stuck into ice.
a creed, or do his utmost to perpetuate Purgatory is a corresponding mountain
the worst parts o f it in behalf o f a on the other side o f the globe, com
ferocious inquisitorial church, and to mencing with the antipodes o f Jerusa
the risk o f endangering the peace o f lem, and divided into exterior circles
millions o f gentle minds. o f expiation, w hich end in a table-land
T h e great poem thus misnomered is forming the terrestrial paradise. From
partly a system o f theology, partly an this the hero and his mistress ascend
abstract o f the knowledge o f the day, by a flight, exquisitely conceived, to
but chiefly a series o f passionate and the stars ; where the sun and the plan
imaginative pictures, altogether forming ets o f the Ptolemaic system (for the
an account o f the author’s times, his true one was unknown in Dante’s time)
friends, his enemies, and himself, w rit form a series o f heavens for different
ten to vent the spleen o f his exile, and virtues, the whole terminating in the
the rest o f his feelings, goo4 and bad, empyrean, or region o f pure light, and
and to reform church and state by the presence o f the Beatific Vision.
a spirit o f resentment and obloquy, T h e boundaries o f old and new,
w hich highly needed reform itself. It strange as it may now seem to us,
VOL. II. 49
386 Illustrations
were so confused in those days, and Tertullian and St. D o m in ic; sets M i
books were so rare, and the Latin poets nos at the door as judge ; retains Cha
held in such invincible reverence, that ron in his old office o f boatman over
Dante, in one and the same poem, the Stygian lake ; puts fabulous people
speaks o f the false gods o f Paganism, w ith real among the damned, D ido,
and yet retains much o f its lower m y and Cacus, and Ephialtes, w ith Ezze-
thology ; nay, invokes A pollo him self lino and Pope Nicholas the F ifth; and
at the door o f paradise. T here was, associates the Centaurs and the Furies
perhaps, some mystical and even philo w ith the agents o f diabolical torture.
sophical inclusion o f the past in this It has pleased him also to elevate Cato
medley, as recognizing the constant o f Utica to the office o f warder o f pur
superintendence o f Providence ; but gatory, though the censor’s poor, good
that Dante partook o f what may be w ife, Marcia, is detained in the regions
called the literary superstition o f the below. By these and other far greater
time, even for want o f better know l inconsistencies, the whole place o f pun
edge, is clear from the grave historical ishment becomes a reductio ad absur-
use he makes o f poetic fables in his dum, as ridiculous as it is melancholy ;
treatise on M onarchy, and in the very so that one is astonished how so great
arguments which he puts into the a man, and especially a man who
mouths o f saints and apostles. T h ere thought him self so far advanced beyond
are lingering feelings to this effect even his age, and who possessed such powers
now among the peasantry o f Italy ; o f discerning the good and beautiful,
w here, the reader need not be told, could endure to let his mind live in so
Pagan customs o f all sorts, including foul and foolish a region for any length
religious and most reverend ones, are o f time, and there wreak and harden
existing under the sanction o f other the unworthiest o f his passions. G e
names, — heathenisms christened. A nius, nevertheless, is so commensurate
Tuscan postilion, once enumerating to w ith absurdity throughout the book,
me some o f the native poets, concluded and there are even such sweet and balmy
his list with A p o llo ; and a plaster-cast as w ell as sublime pictures in it occa
man over here, in London, appeared sionally, nay often, that not only w ill
much puzzled, when conversing on the the poem ever be w orthy o f admiration,
subject with a friend o f mine, how to but, when those increasing purifications
discrepate Samson from Hercules. o f Christianity w hich our blessed re
Dante, accordingly, w hile, with the formers began shall finally precipitate
frightful bigotry o f the schools, he puts the whole dregs o f the author into the
the whole Pagan world into hell-borders, m ythology to w hich they belong, the
(w ith the exception o f two or three, w orld w ill derive a pleasure from it to
whose salvation adds to the absurdity,) an amount not to be conceived till the
mingles the hell o f V irgil w ith that o f arrival o f that day. Dante, meantime,
The Italian Pilgrims Progress 387
D A N T E ' S L A N D S C A P E S .
T h e thing that must first strike us in passes ; mapped and properly surveyed
this respect, as we turn our thoughts to in every direction, trenched in a thor
the poem, is, unquestionably, the fo r oughly good style o f engineering from
mality o f its landscape. depth to depth, and divided in the
M ilton’s effort, in all that he tells us “ accurate middle ” ( dritto mezzo') o f
o f his Inferno, is to make it indefinite ; its deepest abyss into a concentric se
Dante’s, to make it definite. Both, in ries o f ten moats and embankments,
deed, describe it as entered through like those about a castle, with bridges
gates ; but, within the gate, all is w ild from each embankment to the n e x t;
and fenceless with M ilton, having in precisely in the manner o f those bridges
deed its four rivers, — the last vestige over Hiddekel and Euphrates, w hich
o f the mediaeval tradition, — but rivers M r. Macaulay thinks so innocently de
w hich flow through a waste o f moun signed, apparently not aware that he is
tain and moorland, and by “ many a also laughing at Dante. These larger
frozen, many a fiery alp.” But Dante’s fosses are o f rock, and the bridges also;
Inferno is accurately separated into but as he goes further into detail, Dante
circles drawn w ith well-pointed com tells us o f various minor fosses and em
Dantes Landscapes 395
bankments, in w hich he anxiously points vague than to define it. Imagination
out to us not only the formality, but is always the seeing and asserting fac
the neatness and perfectness, o f the u lty; that w hich obscures or conceals
stone-work. For instance, in describ may be judgment, or feeling, but not
ing the river Phlegethon, he tells us invention. T h e invention, whether
that it was “ paved w ith stone at the good or bad, is in the accurate en
bottom, and at the sides, and over the gineering, not in the fog and uncer
edges o f the sides” just as the water is tainty.
at the baths o f Bulicame ; and for fear W hen w e pass w ith Dante from the
we should think this embankment at all Inferno to the Purgatory, we have in
larger than it really was, Dante adds, deed more light and air, but no more
carefully, that it was made just like liberty; being now confined on various
the embankments o f G hent or Bruges ledges cut into a mountain-side, w ith a
against the sea, or those in Lombardy precipice on one hand and a vertical
w hich bank the Brenta, only “ not so w all on the other ; and, lest here also
high, nor so w id e,” as any o f these. w e should make any mistake about
And besides the trenches, w e have two magnitudes, we are told that the ledges
w ell-built castles ; one like Ecbatana, were eighteen feet w ide, and that the
w ith seven circuits o f wall (and sur ascent from one to the other was by
rounded by a fair stream), wherein the steps, made like those w hich go up
great poets and sages o f antiquity live ; from Florence to the church o f San
and another, a great fortified city w ith M iniato.
walls o f iron, red-hot, and a deep fosse Lastly, though in the Paradise there
round it, and full o f “ grave citizens,” is perfect freedom and infinity o f space,
— the city o f Dis. though for trenches w e have planets,
N o w , whether this be in what w e and for cornices constellations, yet
moderns call “ good taste,” or not, I there is more cadence, procession, and
do not mean just now to inquire, — order among the redeemed souls than
Dante having nothing to do w ith taste, any others ; they fly so as to describe
but w ith the facts o f what he had letters and sentences in the air, and
seen ; only, so far as the imaginative rest in circles, like rainbows, or deter
faculty o f the two poets is concerned, minate figures, as o f a cross and an
note that M ilton’s vagueness is not the eagle ; in w hich certain o f the more
sign o f imagination, but o f its absence, glorified natures are so arranged as to
so far as it is significative in the matter. form the eye o f the bird, w hile those
For it does not follow , because M ilton most highly blessed are arranged w ith
did not map out his Inferno as Dante their white crowds in leaflets, so as to
did, that he could not have done so i f form the image o f a white rose in the
he had chosen ; only, it was the easier midst o f heaven.
and less imaginative process to leave it T h u s, throughout the poem, I con
396 Illustrations
ceive that the first striking character o f tion by Sophocles, for, in a passage
its scenery is intense definition ; pre which is always regarded by readers of
cisely the reflection o f that definiteness Greek tragedy with peculiar pleasure,
w hich we have already traced in picto the aged and blind CEdipus, brought to
rial art. But the second point w hich rest in “ the sweetest resting-place ” in
seems noteworthy is, that the flat all the neighborhood o f Athens, has
ground and embanked trenches are re the spot described to him as haunted
served for the Inferno ; and that the perpetually by nightingales, w hich sing
entire territory o f the Purgatory is a “ in the green glades and in the dark
mountain, thus marking the sense o f ivy, and in the thousand-fruited, sun
that purifying and perfecting influence less, and windless thickets o f the god ”
in mountains which we saw the medi (Bacchus) ; the idea o f the complete
aeval mind was so ready to suggest. shelter from wind and sun being here,
T h e same general idea is indicated at as w ith Ulysses, the uppermost one.
the very commencement o f the poem, After this come the usual staples of
in w hich Dante is overwhelmed by landscape, — narcissus, crocus, plenty
fear and sorrow in passing through a o f rain, olive-trees ; and last, and the
dark forest, but revives on seeing the greatest boast o f a ll,— “ it is a good
sun touch the top o f a hill, afterwards country for horses, and conveniently
called by V irgil “ the pleasant mount, by the se a ” ; but the prominence and
— the cause and source o f all delight.” pleasantness o f the thick wood in the
W h ile, however, we find this greater thoughts o f the writer are very notable;
honor paid to mountains, I think we whereas to Dante the idea o f a forest
may perceive a much greater dread and is exceedingly repulsive, so that, as
dislike o f woods. W e saw that Homer just noticed, in the opening o f his
seemed to attach a pleasant idea, for poem, he cannot express a general
the most part, to forests ; regarding despair about life more strongly than
them as sources o f wealth and places by saying he was lost in a v/ood so
o f shelter; and we find constantly an savage and terrible, that “ even to think
idea o f sacredness attached to them, or speak o f it is distress, — it was so
as being haunted especially by the bitter, — it was something next door
gods ; so that even the wood w hich to death ” ; and one o f the saddest
surrounds the house o f Circe is spoken scenes in all the Inferno is in a forest,
o f as a sacred thicket, or rather as a o f which the trees are haunted by lost
sacred glade, or labyrinth o f glades (o f souls ; w hile, (w ith only one excep
the particular word used I shall have tion,) whenever the country is to be
more to say presen tly); and so the beautiful, we find ourselves coming out
wood is sought as a kindly shelter by into open air and open meadows.
Ulysses, in spite o f its w ild beasts; It is quite true that this is partly a
and evidently regarded with great affec characteristic, not merely o f Dante, or
Dantes Landscapes 397
o f mediaeval writers, but o f Southern open ground as long as he could, and
writers ; for the simple reason that the regarded the forests, in general, with
forest, being with them higher upon anything but an eye of favor.
the hills, and more out o f the w ay, than T hese, I think, are the principal
in the north, was generally a type o f points w hich must strike us, when we
lonely and savage places ; w hile in first broadly think o f the poem as com
England, the “ greenwood ” coming up pared with classical work. L et us now
to the very walls o f the towns, it was go a little more into detail.
possible to be “ merry in the good As Homer gave us an ideal land
greenwood,” in a sense w hich an Ital scape, w hich even a god might have
ian could not have understood. Hence been pleased to behold, so Dante gives
Chaucer, Spenser, and Shakespeare send us, fortunately, an ideal landscape,
their favorites perpetually to the woods w hich is specially intended for the ter
for pleasure or meditation ; and trust restrial paradise. And it w ill doubtless
their tender Canace, or Rosalind, or be with some surprise, after our reflec
H elena, or Silvia, or Belphoebe, where tions above on the general tone of
Dante would have sent no one but a Dante’s feelings, that we find ourselves
condemned spirit. Nevertheless, there here first entering a forest, and that
is always traceable in the mediaeval even a thick forest. But there is a pe
mind a dread o f thick foliage, w hich culiar meaning in this. W ith any
was not present to that o f a G reek ; so other poet than Dante, it might have
that, even in the N orth, w e have our been regarded as a wanton inconsist
sorrowful “ children in the w ood,” and ency, N ot so with him : by glancing
black huntsmen o f the H artz forests, back to the two lines w hich explain
and such other wood terrors; the prin the nature o f Paradise, we shall see
cipal reason for the difference being, what he means by it. V irgil tells him,
that a G reek, being by no means given as he enters it, “ H enceforward, take
to travelling, regarded his woods as so thine own pleasure for guide ; thou art
much valuable property, and, i f he beyond the steep ways, and beyond all
ever went into them for pleasure, ex A rt ” ; — meaning, that the perfectly
pected to meet one or two gods in the purified and noble human creature,
course o f his w alk, but no banditti ; having no pleasure but in right, is past
w hile a mediaeval, much more o f a all effort, and past all rule. A rt has
solitary traveller, and expecting to meet no existence for such a being. H ence,
w ith no gods in the thickets, but only the first aim o f Dante, in his landscape
w ith thieves, or a hostile ambush, or a imagery, is to show evidence o f this
bear, besides a great deal o f trouble perfect liberty, and o f the purity and
some ground for his horse, and a very sinlessness o f the new nature, convert
serious chance, next to a certainty, o f ing pathless ways into happy ones.
losing his w ay, naturally kept in the So that all those fences and formalisms
39 8 Illustrations
w hich had been needed for him in “ A lady, graced w ith solitude, who went
imperfection are removed in this para Singing and setting flower by flower apart,
B y which the path she w alked on was besprent.
dise ; and even the pathlessness o f the
‘ A h , lady beautiful, that basking art
wood, the most dreadful thing possible
In beams o f love, i f I may trust thy face,
to him in his days o f sin and short W h ich useth to bear witness o f the heart,
coming, is now a joy to him in his days L et lik in g come on thee,’ said I, ‘ to trace
o f purity. And as the fencelessness T h y path a little closer to the shore,
and thicket o f sin led to the fettered W here I may reap the hearing o f thy lays.
T h o u mindest me, how Proserpine o f yore
and fearful order o f eternal punish
Appeared in such a place, what time her
ment, so the fencelessness and thicket mother
o f the free virtue lead to the loving Lost her, and she the spring, forevermore.’
and constellated order o f eternal hap A s, pointing downwards and to one another
w hich Dante would read it, — T h is vision o f Rachel and Leah has
“ Quia delectasti me, Dom ine, in factura tua, been always, and w ith unquestionable
E t in operibus manuum Tuarum exultabo.” truth, received as a type o f the Active
N o w we could not for an instant and Contemplative life, and as an intro
have had any difficulty in understand duction to the two divisions o f the
ing this, but that, some way farther on Paradise which Dante is about to enter.
in the poem, this lady is called Matilda, Therefore the unwearied spirit o f the
and it is with reason supposed by the Countess Matilda is understood to rep
commentators to be the great Countess resent the A ctive life, w hich forms
Matilda o f the eleventh century; nota the felicity o f Earth ; and the spirit of
ble equally for her ceaseless activity, Beatrice the Contemplative life, w hich
her brilliant political genius, her per forms the felicity o f Heaven. T h is
fect piety, and her deep reverence for interpretation appears at first straight
the see o f Rome. T h is Countess M a forward and certain, but it has missed
tilda is therefore Dante’s guide in the count o f exactly the most important
terrestrial paradise, as Beatrice is after fact in the two passages which we have
wards in the celestial; each o f them to explain. Observe : Leah gathers
having a spiritual and symbolic char the flowers to decorate herself and de
acter in their glorified state, yet retain lights in Her Own Labor. Rachel sits
ing their definite personality. silent, contemplating herself, and de
T h e question is, then, what is the lights in Her Own Image. T hese are
symbolic character o f the Countess the types o f the Unglorified Active and
M atilda, as the guiding spirit o f the Contemplative powers o f Man. But
terrestrial paradise ? Before Dante had Beatrice and Matilda are the same
entered this paradise he had rested on powers, Glorified. And how are they
a step o f shelving rock, and as he Glorified ? Leah took delight in her
watched the stars he slept, and dreamed, own labor ; but Matilda — “ in operi
and thus tells us what he s a w : — bus manuum Tuarum ” — in God's la
bor ; — Rachel in the sight o f her own
“ A lady, young and beautiful, I dreamed,
face ; Beatrice in the sight o f God's
W as passing o’er a lea ; and, as she came,
M ethought I saw her ever and anon
face.
Bending to cull the flowers; and thus she sang: And thus, when afterwards Dante
1K now ye, whoever o f my name would ask, sees Beatrice on her throne, and prays
400 Illustrations
her that, when he him self shall die, begun here on earth, Beatrice descends
she would receive him w ith kindness, to earth ; and when revealed to Dante
Beatrice merely looks down for an in first, he 6ees the image o f the twofold
stant, and answers w ith a single smile, personality o f Christ reflected in her
then “ towards the eternal fountain eyes ; as the flowers, w hich are, to the
turns.” mediaeval heart, the ch ief work o f God,
Therefore it is evident that Dante are forever passing through M atilda’s
distinguishes in both cases, not be bands.
tween earth and heaven, but between N o w , therefore, we see that Dante,
perfect and imperfect happiness, wheth as the great prophetic exponent o f the
er in earth or heaven. T h e active heart o f the M iddle Ages, has, by the
life w hich has only the service o f lips o f the spirit o f Matilda, declared
man for its end, and therefore gath the mediaeval faith, — that all perfect
ers flowers, with Leah, for its own active 'life was “ the expression of
decoration, is indeed happy, but not man’s delight in God's work and that
perfectly so ; it has only the happiness all their political and warlike energy,
o f the dream, belonging essentially to as fully shown in the mortal life of
the dream o f human life, and passing Matilda, was yet inferior and impure,
away with it. But the active life w hich — the energy o f the dream, — com
labors for the more and more discovery pared with that w hich on the opposite
o f G od ’s work, is perfectly happy, and bank o f Lethe stood “ choosing flower
is the life o f the terrestrial paradise, from flow er.” And what joy and
being a true foretaste o f heaven, and peace there were in this work is
beginning in earth, as heaven’s vesti marked by M atilda’s being the person
bule. So also the contemplative life who draws Dante through the stream
which is concerned with human feel o f Lethe, so as to make him forget all
ing and thought and beauty — the life sin, and all sorrow : throwing her
which is in earthly poetry and imagery arms round him, she plunges his head
o f noble earthly emotion — is happy, under the waves o f it; then draws him
but it is the happiness o f the dream ; through, crying to him, “ Hold me, hold
the contemplative life w hich has G od ’s me” (T iem m i, tiemmi), and so presents
person and love in Christ for its ob him, thus bathed, free from all painful
ject, has the happiness o f eternity. memory, at the feet o f the spirit o f the
But because this higher happiness is also more heavenly contemplation.
Dantes Creed 401
D J N T E ’S C R E E D .
From the Foreign Quarterly Review, No. L X V . Art. I.
Another thought sustained him, and Dante aimed at, in order that those
was the end towards w hich he directed who desire to come to a just estimate o f
all the energies w hich love had roused his life may have sufficient grounds to
within him ; and this must be specially judge him. T h is we shall do as rapidly
insisted upon, because, wonderfully as possible, relying upon passages in
enough ! even in the present day it is the Convito, and his little treatise De
either misunderstood or lightly treated Monarchia, for our authority. The
by all who busy themselves about following, then, is a summary o f what,
Dante. T h is aim is the national aim, in the thirteenth century, Dante be
— the same desire that vibrates instinc lieved.
tively in the bosoms o f twenty-two God is one, — the universe is one
millions o f men, and w hich is the thought o f G od, — the universe there
secret o f the immense popularity Dante fore is one. A ll things come from
has in Italy. T h is idea and the almost G od , — they all participate, more or
superhuman constancy w ith w hich he less, in the Divine nature, according to
pursued it, render Dante the most com the end for w hich they are created.
plete individual incarnation o f this aim T h e y all float towards different points
that w e know, and, notwithstanding, over the great ocean o f existence, but
this is just the point upon w hich his bi they are all moved by the same w ill.
ographers are the most uncertain......... Flowers in the garden o f God all merit
It must be said and insisted upon, our love according to the degree o f ex
that this idea o f national greatness is cellence he has bestowed upon each ;
the leading thought in all that Dante o f these M a n is the most eminent.
did or wrote. N ever man loved his U pon him G od has bestowed more o f
country w ith a more exalted or fervent his own nature than upon any other
love ; never had man such projects o f creature. In the continuous scale o f
magnificent and exalted destinies for being, that man whose nature is the
her. A ll who consider Dante as a most degraded touches upon the ani
Guelph or a Ghibelline grovel at the mal ; he whose nature is the most
base o f the monument w hich he desired noble approaches that o f the angel.
to raise to Italy. W e are not here Everything that comes from the hand
required to give an opinion upon the o f G od tends towards the perfection o f
degree o f feasibility o f Dante’s ideas, w hich it is susceptible, and man more
— the future must decide this point. fervently and more vigorously than all
W hat w e have to do is to show what the rest. T here is this difference be
V O L. II. 51
402 Illustrations
tween him and other creatures, that his then o f necessity be some centre to
perfectibility is what Dante calls pos w hich the general inspiration o f man
sible, meaning indefinite. Com ing from kind ascends, thence to flow down again
the bosom o f G od, the human soul in the form o f L a w , — a power strong
incessantly aspires towards H im , and in unity, and in the supporting advice o f
endeavors by holiness and knowledge the higher intellects naturally destined
to become reunited with Him . N o w to rule, providing with calm wisdom
the life o f the individual man is too for all the different functions w hich are
short and too weak to enable him to to be fulfilled, — the distinct employ
satisfy that yearning in this w orld; but ments, — itself performing the part o f
around him, before him, stands the ilot, o f supreme chief, in order to
whole human race to w hich he is allied bring to the highest perfection what
by his social nature, — that never dies, Dante calls “ the universal religion
but works through one generation o f its o f hum^n nature ” ; that is, em pire,—
members after another onwards, in the I m p e r iu m . It w ill maintain concord
road to eternal truth. Mankind is one. amongst the rulers o f states, and this
God has made nothing in vain, and i f peace w ill diffuse itself from thence
there exists a multitude, a collective o f into towns, from the towns among each
men, it is because there is one aim for cluster o f habitations, into every house,
J!., — one work to be accom- into the bosom o f each man. But
piiahcd-Vi th^in all. W hatever this aim where is the seat o f this empire to be ?
& u does certainly exist, and we A t this question Dante quits all ana
must endeavor to discover and attain it. lytic argumentation, and takes up the
Mankind, then, ought to work togeth language o f synthetical and absolute af
er, in order that all the intellectual firmation, like a man in whom the least
powers that are bestowed amongst them expression o f doubt excites astonish
may receive the highest possible de ment.
velopment, whether in the sphere o f H e is no longer a philosopher, he is a
thought or action. It is only by har- believer. H e shows R o m e , the H o l y
C i t y , as he calls her, — the city whose
monv, consequently by association, that
this is possiHe. Mankind must be one, very stones he declares to be worthy
even as God is one ; — one in organiza o f reverence, — “ There is the seat oJ
tion, as it is already one in its princi empire.” T here never was, and there
ple. Unitv is taught by the manifest never w ill be, a people endowed with
desirn o f God in the external world, more gentleness for the exercise of
and by the necessity o f an aim. N ow command, with more vigor to maintain
unitv seeks for something by which it it, and more capacity to acquire it, than
may be represented, and this is found the Italian nation, and above all, the
in a unity o f government. T h ere must H o ly Roman people.
The Divina Commedia 403
the universe, the point o f farthest his design o f being allegorical, without
removal from G od, the true centre. ceasing to be historical and poetical.
L ife and H istory, whose nature is H ell, Purgatory, and Paradise are, as
gradual progress, are only a process it were, only his system o f T heology
o f clarification, a transition to an abso in its concrete and architectural devel
lute condition. T h is can nowhere be opment. T h e proportion, number,
found save in A rt, w hich anticipates and relations w hich he observes in
eternity, is the paradise o f life, and is their internal structure were prescribed
truly in the centre. by this science, and herein he re
Dante’s poem, therefore, viewed from nounced intentionally the freedom o f
all sides, is not an isolated work o f a invention, in order to give, by means
particular age, a particular stage o f cul o f form, necessity and limitation to his
ture ; but it is archetypal, by the uni poem, w hich in its materials was un
versal interest which it unites with the limited. T h e universal sanctity and
most absolute individuality, — by its significancy o f numbers is another ex
universality, in virtue o f w hich it ex ternal form upon w hich his poetry
cludes no side o f life and culture, — rests. So in general the entire logical
and, finally, by its form, w hich is not and syllogistic lore o f that age is for
a peculiar type, but the type o f the him only form, w hich must be granted
theory o f the universe in general. to him in order to attain to that region
T h e peculiar internal arrangement o f in w hich his poetry moves.
the poem certainly cannot possess this And yet in this adherence to relig
universal interest, since it is formed ious and philosophical notions, as the
upon the ideas o f the time, and the most universally interesting thing which
peculiar views o f the poet. On the his age offered, Dante never seeks an
other hand, as is to be expected from ordinary kind o f poetic probability ;
a work so artistic and full o f purpose, but rather renounces all intention of
the general inner type is again exter flattering the baser senses. His first
nally imaged forth, through the form, entrance into Hell takes place, as it
color, sound, o f the three great divis should take place, without any unpo-
ions o f the poem. etical attempt to assign a motive for it
From the extraordinary nature o f his or to make it intelligible, in a condition
material, Dante needed for the form o f like that o f a Vision, without, how
his creations in detail some kind o f ever, any intention o f making it appear
credentials w hich only the Science o f such. H is being drawn up by Bea
his time could give, and w hich for him trice’s eyes, through w hich the divine
are, so to speak, the M ythology and power is communicated to him, he ex
the general basis w hich supports the presses in a single lin e : what is won
daring edifice o f his inventions. But derful in his own adventures he im
even in the details he remains true to mediately changes to a likeness o f the
Illustrations
mysteries o f religion, and gives it cred is not daunted by what is te rrib le;
ibility by a yet higher mystery, as nay, he goes to its extreme limits. But
when he makes his entrance into the it could be shown, in every case, that
moon, w hich he compares to that o f he never ceases to be sublime, and in
light into the unbroken surface o f consequence truly beautiful. For that
water, an image o f G o d ’s incarna w hich men who are not capable of
tion. comprehending the whole have some
T o show the perfection o f art and times pointed out as low , is not so in
the depth o f purpose w hich was carried their sense o f the term, but it is a ne
even into the minor details o f the inner cessary element o f the mixed nature o f
structure o f the three worlds, would be the poem, on account o f w hich Dante
a science in itself. T h is was recog him self called it a Com edy. The
nized shortly after the poet’s death by hatred o f evil, the scorn o f a godlike
his nation, in their appointing a dis spirit, w hich are expressed in Dante’s
tinct Lectureship upon Dante, w hich fearful composition, are not the in
was first filled by Boccaccio. heritance o f common souls. It is in
But not only do the several incidents deed very doubtful still, though quite
in each o f the three parts of the poem generally believed, whether his banish
allow the universal character o f the first ment from Florence, after he had pre
form to shine through them, but the viously dedicated his poetry to L ove,
law thereof expresses itself yet more first spurred on his spirit, naturally in
definitely in the inner and spiritual clined to whatever was earnest and
rhythm, by w hich they are contra extraordinary, to the highest invention,
distinguished from each other. The in w hich he breathed forth the whole
Inferno, as it is the most fearful in its o f his life, o f the destiny o f his heart
objects, is likewise the strongest in ex and his country, together w ith his in
pression, the severest in diction, and in dignation thereat. But the vengeance
its very words dark and awful. In one w hich he takes in the Inferno, he takes
portion o f the Purgatorio deep silence in the name o f the D ay o f Judgment,
reigns, for the lamentations o f the as the elected Judge w ith prophetic
lower world grow mute ; upon its pow er, not from personal hate, but
summits, the forecourts o f Heaven, all w ith a pious soul roused by the abomi
becomes C o lo r : the Paradiso is the nations o f the times, and a love o f his
true music o f the spheres. native land long dead in others, as he
T h e variety and difference o f the has him self represented in a passage in
punishments in the Inferno are con the Paradiso, where he says : —
ceived with almost unexampled in
“ I f e’er it happen that the Poem sacred,
vention. Between the crime and the T o w hich both Earth and Heaven have lent
punishment there is never any other their hand,
than a poetic relation. Dante’s spirit T ill it hath made me meagre many a year,
The Dvvina Commedia 409
Conquer the cruelty that shuts me out ness o f coloring, but the journey up
O f the fair sheepfold, where a lamb I slumbered, the holy mountain o f Purgatory pre
A n enemy to the wolves that war upon it,
sents in detail a rapid succession of
W ith other voice forthw ith, with other fleece,
shifting landscapes, scenes, and mani
T h e poet shall return, and at the font
Baptismal shall he take the crown o f laurel.” fold play o f light; until upon its outer
most boundary, when the poet has
H e tempers the horror o f the tor reached the waters o f Lethe, the high
ments o f the damned by his own feel est pomp o f painting and color displays
ing for them, which at the end o f so itself, in the picturing o f the divine
much suffering so overwhelms him that primeval forest o f this region, o f the
he is ready to weep, and V irgil says celestial clearness o f the water overcast
to him, “ W herefore then art thou with its eternal shadow, o f the maiden
troubled ? ” whom he meets upon its banks, and
It has already been remarked, that the descent o f Beatrice in a cloud of
the greater part o f the punishments o f flowers, beneath a white veil, crowned
the Inferno are symbolical o f the with olive, wrapped in a green mantle,
crimes for w hich they are inflicted, and “ vested in colors o f the living
but many o f them are so in a far more flame.”
general relation. O f this kind is, in T h e poet has urged his way to light
particular, the representation o f a meta through the very heart o f the earth :
morphosis, in which two natures are in the darkness o f the lower world
mutually interchanged, and their sub forms alone could be distinguished : in
stance transmuted. N o metamorpho Purgatory light is kindled, but still in
sis o f Antiquity can compare with this connection with earthly matter, and
for invention, and i f a naturalist or a becomes color. In Paradise there re
didactic poet were able to sketch with mains nothing but the pure music of
such power emblems o f the eternal the lig h t; reflection ceases, and the
metamorphoses o f nature, he might Poet rises gradually to behold the color
congratulate him self upon it. less pure essence o f D eity itself.
As w e have already remarked, the T h e astronomical system w hich the
Inferno is not only distinguished from age o f the poet invested with a mytho
the other parts by the external form logical value, the nature o f the stars
o f its representation, but also by the and o f the measure o f their motion,
circumstance that it is peculiarly the are the ground upon w hich his inven
realm o f forms, and consequently the tions, in this part o f the poem, rest.
plastic part o f the poem. T h e Purga And i f he in this sphere o f the uncon
torio must be recognized as the pic ditioned still suffers degrees and differ
turesque part. N ot only are the pen ences to exist, he again removes them
ances here imposed upon sinners at by the glorious word w hich he puts
times pictorially treated, even to bright- into the mouth o f one o f the sister-
v o l . 11. 52
410 Illustrations
souls whom he meets in the moon, that gling o f all the elements o f poetry and
“ every Where in heaven is Paradise.” art, reaches in this way a perfect mani
T h e plan o f the poem renders it festation. T h is divine work is not
natural that, on the very ascent through plastic, not picturesque, not musical,
Paradise, the loftiest speculations o f but all o f these at once and in accord
theology should be discussed. H is ant harmony. It is not dramatic, not
deep reverence for this science is sym epic, not lyric, but a peculiar, unique,
bolized by his love o f Beatrice. In and unexampled mingling o f all these.
proportion as the field o f vision en I think I have shown, at the same
larges itself into the purely Universal, time, that it is prophetic, and typical
it is necessary that Poetry should be o f all the modern Poetry. It embraces
come M usic, form vanish, and that, in all its characteristics, and springs out
this point o f view , the Inferno should o f the intricately mingled materials of
appear the most poetic part o f the the same, as the first growth, stretch
w ork. But in this work it is abso ing itself afoove the earth and toward
lutely impossible to take things sepa the heavens, — the first fruit o f trans
rately ; and the peculiar excellence of figuration. T hose w ho would become
each separate part is authenticated and acquainted w ith the poetry o f modern
recognized only through its harmony times, not superficially, but at its foun-
w ith the whole. I f the relation o f the tain-head, may train themselves by this
three parts to the w hole is perceived, great and mighty spirit, in order to
we shall necessarily recognize the Para- know by what means the w hole o f the
diso as the purely musical and lyrical modern time may be embraced in its
portion, even in the design o f the poet, entireness, and that it is not held to
who expresses this in the external form gether by a loosely woven band. T h e y
by the frequent use o f the Latin words w ho have no vocation for this can apply
o f Church hymns. to themselves the words at the begin
T h e marvellous grandeur o f the ning o f the first part, —
poem, w hich gleams forth in the min “ Lasciate ogni speranza voi ch ’ intrate.”