Soundcraft Vienna2zm0045 Manual

Soundcraft
Vienna/I
USER GUIDE
CE:
This equipment complies
with the EMC Directive
89/336/EEC
For further dotails contact:
Harmon International Industries Ltd,
Cranborne House, Cronborne Rood,
Potters Bar, Hertfordshire, EN6 3JN, U.K.
Tel: +44 (OJ 1707 665000

Fox: + 44 (0) 1707 660482
© Soundcraft Electronics Ltd. 1993

All rights reserved
Parts of the design of this product may be protected by worldwide patents.
Issue I
Part No. ZM0045
Information in this manual is subject to change without notice and does not
represent a commitment on the part of the vendor. Soundcraft Electronics Ltd.
shall not be liable for any loss or damage whatsoever arising from the use of
information or any error contained in this manual.
No part of this manual may be reproduced, stored in a retrieval system, or

transmitted, in any form or by any means, electronic, electrical, mechanical,
optical, chemical, including photocopying and recording, for any purpose
without the express written permission of Soundcraft Electronics Ltd.
It is recommended that all maintenance and service on the product should be

carried out by Soundcraft Electronics Ltd. or its authorised agents. Soundcraft
Electronics Ltd. cannot accept any liability whatsoever for any loss or damage
caused by service, maintenance or repair by unauthorised personnel.
Soundcraft Electronics Ltd.

Cranbome House,
Cranbome Industrial Estate,
Cranbome Road,
Potters Bar,
Hertfordshire,
EN6 3JN
England
Tel: 0707 665000

Fax: 0707 660482
Contents
Introduction to Vienna
····--··----·--------
II -
1
·--·--···
PrecautiQ!J~./Jc._$afety__
Instructions _ ....······-···-···--·__ 2 __
Installation 5
Connectors 7
Module Block Qjagra~s ____ ·--·- ··--· ·--- 9
Mod!!.1~.Des~!!P!i.ons, Specif~£~J!.Q..OS
~_9p_er_a_ti_o_n
___ _
Standard Input Module RS5507

--·-\1'9~Input Module RS5508_________ 19
Stereo Input Module RS5518/ VGA
Stereo l!JpLJ_t_Module
RS5519 25
Grand Master Module RS5449

---
31
Output Group/Stereo Input Module

RS5124 35
VGA Group I Output Group I
Stereo Input Module RS5125 39
Master Module RS5127 ·------- _45_..-··-·
Aux Master Module RS5530 53
Dual Matrix Of.!..tputModule_R_S_:_5_1_28-'-------

.__ 5.::....:7
_
__ C_onsoleLinking .. _____ 60
Appendices 61
____§R_ecification
Notes. 62
Dimensions 63
Configurations ... ··--· ·-·· ··------- ·- _._64_·-· .

__ W._a_rr._a_n___,,___ty
__ . ..·---· 65
Glos~§11Y
... ---··---•·- ________ _ 66
Introduction to Vi en na II
The Vienna II range of consoles continues the Soundcraft tradition in sound

reinforcement, offering superb performance, ruggedness, versatility and value for
money - equally at home in the theatre, on tour, in a conference hall, auditorium
or place of worship.
Vienna II has been designed to provide oustanding sound quality and facilities, a
clear and practical control surface and the sturdy frame with built-in handles offers
the strength to survive many years, either as part of a fixed installation or 'on the
road'.
The console is available in 24, 32 or 40 channel frame sizes, all with eight groups
and eight stereo effects returns a<; standard. The console may be specified with eight
VCA groups in addition to the audio groups, and may be fitted with optional dual
Matrix Output modules in blocks of four where space is available.
The Input module is available in VCA or standard versions, with a patented padless
- microphone amp, hi-pass filter and a four band equaliser specifically designed for
live sound applications. The channel signal may be fed to eight auxilliary sends,
each with individual pre/post switching, and routed to eight audio groups and left,
right and mono mix outputs. Comprehensive muting and solo facilities are included
and the signal is monitored by individual LED bargraph meters.
The optional Stereo Input module allows connection of stereo Mic and 2 stereo Line
sources and features full 4-band EQ and access to all Aux Sends, Groups and Mix.
The Group module comprises an audio subgroup with low-noise summing

amplifier, PFL monitoring and routing to the main mix outputs, plus a full-featured
stereo line input for use as an additional input or as an effects return. This stereo
input has full muting and routing facilities, stereo image control and access to four
of the auxiliary sends. On VCA consoles a similar module also houses a VCA group
master fader.
On VCA consoles, a Grand Master module provides an additional two VCA grand
master faders, which can be assigned to any of the eight VCA master faders.
Comprehensive master and monitor functions are provided on the central Master
module, including versatile talkback facilities either from the local engineer to desk
outputs or as two way communication with a separate monitor console.
The Auxiliary Master section includes Insert Points on each output.
The Dual Matrix output module allows additional submixes to be created from the
group outputs, main mix outputs and a separate external input. These modules may
be fitted in blocks of four where space is available.
Vienna II is designed to allow two consoles to be linked in a master/client

configuration, with opto-isolated control signals and balanced, buffered audio
connections for maximum noise immunity. The interface allows two Vienna II
consoles, or one Vienna II and one Europa console to be linked.
Simplicity and clarity of operation is ensured by careful layout of controls, internally

illuminated buttons and provision for three Littlelites on the top surface of the
console, with an inbuilt dimmer.
Introduction to Vienna II 1
'
Precautionsand Safety Instructions
General Precautions Avoid storing or using the mixing console in conditions of excessive heat or cold,
or in positions where it is likely to be subject to vibration, dust or moisture. Do not
use any liquids to clean the fascia of the unit: a soft dry brush is ideal. Use only
water or ethyl alcohol to clean the trim and scribble strips. Other sol vents may cause
damage to paint or plastic parts.
Avoid using the console close to strong sources of electromagnetic radiation (e.g.
video monitors, high power electric cabling): this may cause degradation of the
audio quality due to induced voltages in connecting leads and chassis. For the same
reason, always site the console power supply away from the unit .
Caution! In all cases, refer servicing to qualified personnel.
Handling and Transport The console is a very rugged unit, designed for touring. However, care in handling
and transportation will ensure a long and trouble-free life. If the console is to be
regularly moved we recommend that it is installed in a foam lined flight case. At all
times avoid applying excessive force to any knobs, switches or connectors.
----------- -------
Power supplies & cables Always make sure that the power supplies have been set to the same source voltage
as the mains supply.
Always use the power supplies and power cables supplied with the mixer: the use
of alternative supplies may cause damage and voids the warranty; the extension of
power cables may result in malfunction of the mixing console.
Warning! Always switch the power supplies off before connecting or

disconnecting the console power cable, removing or installing
modules, and servicing. In the event of an electrical storm, or large
mains voltage fluctuations, immediately switch off the PSU and
unplug from the mains.
Always ensure that that you use the correct power supply for your console. The
Vienna II console requires a CPS900 power supply.
2 Introduction to Vienna II
·------------ ---- -----------------------·----
Signal Levels It is important to supply the correct input levels to the console, otherwise
signal-to-noise ratio or distortion performance may be degraded; and in extreme
cases damage to the internal circuitry may result. Likewise, on all balanced inputs
avoid sources with large common mode DC, AC or RF voltages, as these will reduce
the available signal range on the inputs. Note that OdBu = 0.775V RMS.
The microphone input is designed for use with balanced low impedance
(150 or 200!2) microphones.
Caution! DO NOT use unbalanced microphones or battery powered

condenser microphones without isolating the +48V phantom power
on the rear panel. - degraded performance or damage to the
microphone may result.
The sensitivity of the XLR inputs is variable from -2dBu to -70dBu (0dBu to-60dBu
on stereo inputs) and +IOdBu to -20dBu in two ranges (for +4dBu at the Mix
outputs). The maximum input level is +28dBu.
The Hi-Z inputs give a sensitivity variable between +lOdBu and -20dBu. The
maximum input level is +30dBu.
The main outputs of the console (Mix Left, Right, Mono, Matrix, Monitor and Alt
PA/Record) have an output level of +4dBu and an output impedance of <75!2 and
a drive capability of +26dBu into 600!2.
Two Track Returns are internally selectable as +4dBu or -lOdBV outputs to suit
both professional and semi-professional machines.
The Aux outputs have a nominal output level of +4dBu and an output impedance
of <75!2. These outputs can deliver full level (+26dBu balanced) into loads of
greater than 600!2.
Input, Group and Auxiliary Insert Sends are ground compensated and have a
nominal output level of -2dBu at an output impedance of <75!2, and a maximum
output level of +20dBu into load impedances of greater than 2k!2. Mix Insert Sends
are balanced, with a nominal output level of +4dBu at an output impedance of <75!2.
All Insert Returns are balanced, at corresponding nominal levels, with an input
impedance of> l 5k!2.
The Headphone output can drive +20dBu into 600!2 (150mW into 8!2).
Introduction to Vienna II 3
4 Introduction to Vienna II
Installation
Connectors
Installation 5
Installation
Vienna II is designed for reliability, high performance and built to the highest
standards. Whilst great care has been taken to ensure that installations are made as
trouble-free as possible, care taken at this stage, followed by correct setting up will
be rewarded by a long life and reliable operation.
Warning! Before switching on your Vienna II console, check that the mains
voltage selectors on the power supply units are set to the correct
mains voltage for your area, and that the fuses are of the correct
rating. This is clearly marked on the case of the power supplies. Do
not replace the fuses with any other type, as this could become a
safety hazard and will void the warranty.
Always ensure that you use the correct power supplies for your console. The
Vienna II console requires a CPS900 power supply.
Wiring Considerations A For optimum performance it is essential for the earthing system to be clean and
noise-free, as all signals are referenced to this earth. A central point should be
decided on for the main earth point, and all earths should be 'star-fed' from this
point. It is recommended that an individual earth wire be run from each electrical
outlet, back to the system star point to provide a safety earth reference for each piece
of equipment.
B Install separate mains outlets for the audio equipment, and feed these
independently from any other equipment.
C Avoid locating mains distribution boxes near audio equipment, especially tape
recorders, which are very sensitive to electromagnetic fields.
D Where possible ensure that all audio cable screens and signal earths are
connected to ground only at their source.
6 Installation
Connections
Wiring conventions The standard Vienna 11console uses two different types of audio connector, 3 pin
XLR (top diagram) and 1/4" three pole ('A' gauge or stereo) jacks. The latter are
used in several configurations, as shown below. Two EDAC multi way connectors
are included for linking to other Vienna or Europa consoles and three BNC
connectors are fitted feed Littlelites.
MICROPHONE INPUTS MIX L. R & MONO OUTPUTS

2 TRACK A RETURNS AFL, PFL & ALT OUTPUTS
TALKBACK INPUTS MONITOR OUTPUTS
GROUP & MATRIX OUTPUTS
1 HOT (IN PHASE

["- GROUND (SCREEN) --- SIGNAL)
COLD (OUT.OF -- COLD (OUT OF
PHASE SIGNAL) PHASE SIGNAL)
o)
-- HOT (IN PHASE I- ------
Plug(maJe)
GROUND (SCREEN)
SIGNAL)
¼" 'A' Gauge Stereo Jack Plug used as balanced input:

line inputs, 2 Track 8 returns, insert returns
np - HOT(IN PHASE SIGNAL) -- <;.,..l......_

__ ----1,: J
Ring - COLD(OUT OF PHASE SIGNAL) __J _____
j ,______ _
Sleeve - GROUND(SCREEN) ------
¼" 'A' Gauge Stereo Jack Plug used as ground compensated output:
Input & Group insert sends
np - HOT(SIGNAL) ----- I....

<;.....
1__ -~-1
...
I_____
]
__J
1
Ring - GROUND SENSE ------ -

!1
Sleeve - GROUND(SCREEN) ----- - -- -- i
¼" 'A' Gauge Stereo Jack Plug used as balanced output:

mix insert sends, channel direct outputs
¼" 'A' Gauge Stereo Jack Plug used as a stereo output: headphones
np - LEFT SIGNAL ----- <;.-I_!

__ ___,,
...
[_____ }
Ring - RIGHT SIGNAL ______ __, j
Sleeve - GROUND(SCREEN) -----------
Installation 7
Illumination All frame sizes allow the addition of up to three lamps on BNC connectors(' Littlite'
or similar) for console illumination. One socket is fitted at each end of the console,
and one by the master module. The sockets can supply up to 330mA each, and the
voltage is variable between 1.5v and 12v by a dimmer control in the centre of the
console.
The sockets are wired as follows:
Pin +12v
Body Ground
Body (Ground)
8 Installation
Module Block Diagrams
Input Module
Stereo Input Module
Output Group/Stereo Return
Master Module
Aux Master Module

.Matrix Output Module
Module Block Diagrams 9

.....
0
TO PEAK DETECT
I ALL BAN~~ HAVE + / • 15 dB CUT/BOOST
·1 I
I ·-------
[~il§jl
--i
~ 'f
+48V
BUS
.:,
INPUT
SENSmVITY
I 1~11~ t--
i I
·30 dB r'J,'\>
DETECT~)
• 30 dB
0 I .
r
• 2 TO • 70 dBu METER !I
FREQ FREQ,
f-
, FREQ FREQ
L._, {W)"
bJlI 0110 l
PEA~T
:·---
+ 10 TO • 20 dBu OUTPUT PEAK
1 ~--,...----, DETE~
MULWWAYi 20HZ • 400HZ
i
i' §_ij @: y 0>---.---+--,

INPUT
FROM
XLR
>------♦-~--,
]llf~
e
~
LINE
AMP
-
___,. __ ;/;
· _ _,
~~:~~~ ~:ii1
1
OHIOFF
0
~~7
"~2
GROUND
dB~--Q
INSERT
POINT
ED
BALAUN~N
~I !
I~~I
0~'----'
HF HM LM LF~
----0
___j []Q]
0--0 0-7
.
HI-Z >--7 ;
OPTIONAL
mANSFORMER
COMP
SEND
/\ RET
~-I 1KHZ
--=~~
~fl
tOOHZ
d.~~3~:.
,SUL
3XHZ
0-1.~2.I
150HZ
BELL
20HZ
4D0HZ
0-.1.4
BELU
AM':LF
TO
PEAK
DETECT
INPUT L____j
FROM ,-------j[ PRE FADE
4 • BAND EQ
JACK ,__J 1 LINKS & METHODE CONN
FOR TRANSFORMER &
PRE· EQ
S'
-s::
MULTIWAY INTERFACE OPTIONAL
UNKIHQ FOIi
"C
INSERT POST · IQ J C
PRE FADE
PRE CUT
FADER PRE FADE 0

PRE FADE C.
.A. BUFFER
C
i1
:
,____!~~
+
POST CUT TO PEAK DETECT
iD'
~
-~
~
:, --
.
;
I ,_____!
~· --•
·
.~
-- ;
t MUTE
SAFE~
SOLO
SAFE
II
,
-1......+-Jsw1TCH
1
2 ____j*ADER
' I
;
!~'PAN]! G>-1
G~g~~,:iis
BUS 1
'
---J
' _!:-~ffi{ll ~:
I ---,.- ·1 : :
"" 3
~ lI luJ,Wl~
~ --1 '--,,--- -i~:~:
'. ' 4 ! PA~ r-----_:- ·1 I
~~
LOGIC CIRCUITRY AFL R
f 4 >- - ...
7 I PFL
8
5 FOR NON•VCA INPUT
BYPASS IS BY LINKS
i ' [TI ::::DI
1 ' ,,.~,
I
-1~EF
MUTE i S01.0 ]I
-~-,--·
. &>~
7
8
..
VCA
'"'~:
& ~ l,..TI '
[ill
--·;i
SAFE
SELECT
1~..
3: : . AUX 8
0 l AUX 1·7 0-~ SOURCE
l
PRE SOURCE
~
C. 7>--0&] ALL BUSES
C
m
m
0
8 ! Cill ~ i~Bus
--·~
if~H
I
AUX
!AUX
I 1
• ~H
t
AUX
~.J1BUSb~
IAUX
5
I I =AUX
~ ~Sl/x1JAUX
-- r:.
j 1B~S [AUX
BUS
8
y
I
i
MIXBUS
ROUTING
BALANCED
H~IX L
(") fiuRl ' I
AUX
_ ~A~X [§ilA~X , : ~f!J
"CDi'
~=IXR
~~~2. ~
~~~:~~. ~
11 DIRECT
'f ;AUX
Li
L..--------+----------------<
·,Bus
; 2 @![ { I
~ + 4 dBu
OUT
1 __.r:~ I
...
1·
(C DE CONN ,
[QHj
D)
FOA TRANSFORMER
MULTIWAYMEAFACE
& 1
--· ~
~
_J MIX
MONO
3 SOLO
MUTE >-------- POST FADE
VJ
--------
Stereo Input Module
II
I
JI
; i o
' \ \ \
l
~ ~
ii '
! i'
~
t ~
!
i §
~
•
Ii
~
)
Ii
•
Module Block Diagrams 11

.....
N l-!ill +
TRANSFORMER ~----_,, PFL
OPTION GROUP
~ OUTPUT
BALANCED PEAK & ACTIVE
1 2 3 4 S 6 7 8 GROUP BUS SELECT GROUP
SUMMING
-...f"Ti7~
; , 4
GROUP PEAK 1 >
0··7 AMP P!AK 2
1~.-'
__ ,
PEAK 2 >----. l~~ '.; PEAK
1-++-t-+-H----- - .··----, ACTIVE
- 2 dBu >-G
i
! [ [)
~ ~
ACTIVE 1 > IACTIVI! '-, • 30 dB
-1 ~rlMIX L ! OAIVE ACTIVE
i ACTIVE 2 >- ~
lL\_____""_. r ...
1111-1:_i
__
:::
:I 1li1I ··-
GROUP PATH
~
+ c---,
--
--~-----------+---------~1-----------~MONO
0
TO METER LEFT ---- C
~- "C
C
METER
C)
TO METER RIGHT <-------- -,
STEREO INPUT PATH 0
VCA
-...-
C
"C
MASTER
..... SYSTEM en
C1)
_____ I
I
hl
(1)
IN~
~~ , 0 c:=i __, ~ WIDTH UVTE
BLOCK 0
::r,
-
C1)
...
I. ....
f.~
SHREO I , C
0I )~GRP1
6
INPUT
GAIN WIDTH STEREO
:s
FADER I
j
_ ,o 20 lE1
l"UK 2
15:: • PfAK 4 ~ GRP 2
0
ACT'IVI! 2
I
1 I
_______.___,_..Jc}---..-.---,
C.
C:
INPUT RIGHT
3 __ I
~~~~I
ci STEREO RETURN
PEAK & ACTIVE
CD
2>j...
PEAK 1>
0
(') MASTER
I~ L ~""' IMIXR PEAK , ~ PEAK
PEAK 3 > : DRIVE

71:' MUTE
C
SUSSES Ii;,~ i~ a 'IMO,<O Pl!AK 4>~
s:r _j ! - - •~ AUX 1 ACTIVE 1 > ACTIVI!; ~ · 30 dB

cc . m '-------'i
¢ . AUX 3 ACTIVE z >~- ACTIVE
ol SOLO MUTE,_______, .• ··o__J ~--------l L

I~-------------'i AUX 2
3
(/1
LINK FOR SOLO MUTE
W L _____,i AUX 4
s::
0
C.
C:
ii 2 TK B REPLAY I
__L_,, ~2TKB
____
,.~,.
.
PRE L
PRE R -
?REM
POST
- •--~
L
.
tf :1-·~J__: j
I
.
iI
I
~M □
p
r.-.~-
..
~~'
~ i.-nl
MIX
MAIN
MONITOR
Icf
SOURCES
cl-
7:~
!_-J_TO Ml,,,_X
___ ----<c- TO
=•
t·-;
PFLJAFL
OJ
:.:E - i>.;·
SWITCH
LINKS & METHODE CONN
0
ff-- >---+--~---·::
TRANSFORMER INTERFACE
(')
WJ \---~y- ) 1 ,11 :E~
~·
EBOS:
-·-· J--> MAIN
l OUT L
11
_.,,_ ! ; ..•
"'
C .
~BALANCED
>-
BALANCED
INSERT
LEFT
MIX
_ L,. + • dBu
cii" SUM AMP + 4 dBu FADER

(0 + 10 dB
AT TOP
iil
3 I L TO MATRIX I
tn ··r--- - R TO MATRIX
------;.M TO MATRO( \
I
=f:>.--""
____
3:
-...
MONO: Q)
BUS 1
111-:E L,'.-
;-1_-_-- j
UI
(I)
BALANCED
SUM AMP
• 4 / • 10
INTERNAL -
'1 fTKA (I
L1 :s::
~~--::]-i __
---
2TKA
0
C.
>---{/ 'f ·t- C
MONO
+ 4 dBu
ii
~-->-8
MIX i ...i.
-
FADER
+ 10 dB
~
---- I 0
AT TOP I w
i
!
'-+-l--+---a.L!-J
!-Cl.!-~. 2 TK B
MIX 2TKB
~--10~
NTl!RNAL -
•
if--. I I
>---- "- t --- _j
~~
TRANSFORMER INTERFACE
RIGHT
>-
·•-~&Y- l
,t ~.. •11 L~ MAIN
:::---~• 2 TK B
REPLAY
---i;-~
BUS -
---,y·•1-<--I -1-1-,~-
OUT R
+ 4 dBu
I BALANCED
BALA D INSERT MIX
SUM AMP
FADER
+ 4 dBu
+ 10 dB
AT TOP
TB TO :
T~O>-__J
CNTR
M ~ ---;,~,
ALT J'~ur
- -- ·,-.. L ourB
11
11 ' '~·•
;@Ji
: I'II /~ 20 SEG
MONO
PRE
= '
~ {31,AA...
FADE
• , '"" + ,m '""'"'~ '+ {, ~m
L r"J
"~ Ji, ___ ,'--> - ua /
,. §°fJ; UR __ '' NO"'
~ E
-r.i?h.
'
___ f!
POST
•~•
{:,
'I'
-
, ~------
)U
' I --
__
-->ROUT
,--,. ..... ,ru.,,'""~
FROM ,u.. , __ ,.
ro •m~ '
L... R
E
.....
(,J
..,.
FROM ( LEFT
~ MAIN
MONITOR RIGHT>----------------- -·-·--
SOURCES '-
!10',;l
. /:;,.
G;lr{~
,- / /:;,!
20-SEGMENT ,
\~\/ METnRS
f~---
------~I i[)_P-FLg
i__;
'/,'
li~I
~/, LED
Bus: I
PFL ---- ~~
'
PFUAFL
CHANGE OVER
d'.i:
CtJ cf}
-r_;"""'
"
SWITCH
LEFT j RIGHT
PFUAFL
="
--➔
TRIM
AFL i +I· 15 dB
-yr~~;-
BUS - ---I
L I I I
----- I
;=JH j CONTROL
ROOM
LEVEL
AFL I
BUS -~----=c-::~--;:---H:T :iL -- +10dB
AT MAX
~
.
.
R
~~
MONITOR
___ EBOS OUTPUT L
+ 4 dBu
l
IIifII
~
PFUAFL
~ ;)
;
METER
--- MONITOR
:7 1 OUTPUT R
>----
I
DIM + 4 dBu
ENABLE
TALKBACK
,;
Llj>-
SIGNALS
[>
\
____j FROM: HEADPHONES
PFUAFL SUM 20-SEGMENT INT. EXT & >
LED METER MONITOR DESK LEV~
~ ---
:' lI PHONES
r
/! I GAIN ~:;: JACK
~;- {1":-,
~-·
PFUAFL MUTE +22dB
DETECT MASTER
L__Ir/!
SWITCHES
i)crv ~t
3:
0
C.
r::
ii
SOLO
MUTEI
l ______________
_
1=• -.
I
LJ
I
~SOLO
LEO
1:~~=tfil
'3~
3::
I»
UI
;-
-,
m
__J
PFUAFL 3::
0 DETECT >---
MUTE
•~--§] 0
C.
(') FROM EXT BUSSES C
~
1/F PCB
SIP TO,._ __ _ LOGIC

5 ~-----{~s] (D
C BUFFER
-
EXT I\)
c;· SYSTEM
' 6 ----{".!~] 0
cc
-,
Q)
SOLO MUTE
TO EXT
1/F PCB
i1~ w
3
ti) L ------.j
-
8
~!J
MB'11
SELECTOR
3: JUMPERS
0
C.
C
i AUX 8
ii I s::
D)
CD Ul
0 PR SEQUENCE i.jGRP 1 c;;
...
,.
PINKENING
n GENERATOR FILTER
___ _j
• I '
GRP 8
C
sr
DISABLE
PINK
~~
.
osc
LEVEL
+ 48V
1::rn' + 48V
s::
0
C.
cc NOISE(§~ 15 dB I + / •
_J____,--,. + 24V >--· L(t;' + 24V
C
(D
cl ;
POWER
SUPPLY c.)
3 ,__JI MIX L INDICATOR
a
en ---0 ~ 07 ...,,:'9f==tj
I "1S
MIX R
+ 7.5V >-··--
• 7.5V
+I· 7.SV
(,,)
II SINEWAVE ---0-0--<__,
, OSCILLATOR + 17V
>--i___
8s
• 17V
DISABLE' ' .
OSCILLATOR
OUTPUT
.,,,
, EBOS,_ + 4 dBu
· OSCILLATOR
'
1 L_____ §: ~ ON J
7 LOGIC r-___ j ~---:
EH':~LE ~ TO
MONITOR
CONTROL ROOM 11,
~ LINE
MATRIX --;. TALKBACK
E~_ y·---·-·
LATCH TALKBACK SIGNAL HEADPHONES
,. ~ ,-----~-I
r•~•,..•
: :
AUX ,
I
r--
![•;;.:J LATCH AUX 8 ---< EXTERNAL
TAUCBACK
INPIJT
r1,~T11 -- --~-~-G~1
EXTERNAL
TALKBACK
INTERFACE
-·-- ·➔ TALKBACK
! ~
r.;::7
J RO<ITIHQ i ' ! GAP
•1
8
) I ,
OUPUT TO
J
~
T ~S -- EXTERNAL
c, MOMENTARY I - '
~-----L----::-_:::::::.:!l
l:X:iLjc- C ,,., ~.,,.-1-----------i --, II I. MONO
I
G
TALKBACK DIM ~NASLE
GAIN + ~OdB
'---' i,;.>-1 i ':' MOMENTARY~
6
0
(( • \ \ MIC~~ ~NE
77T \ \ II ' + 55 dB i A I
PANEL '
~ I XLR
I r-;:;-1. -
LL1
I
TALKIACK
~:~1~~~M!
l
. ~-
l___ ___ _
~ MOMENTARY L____I:::::=
i
----< CONSOLE ;
I
g
--Bd~:~,-
1 '-'
BLYTHPHONE
lc01
-~
~ INTERFACE
'
~
II
TALKBACK
MICROPHONE
XLR
TALKBACK
OUTPUT
I
TOJ
ON REAR MONrTOR
CONSOLE
CONN PANEL
.....
CJ1
~
en
AUX IN
FROM EXT
- 1
L__JV7-
NIC
i j SUMMING
AMP
~
+ 10 dB
cw RoA~~~x
BALANCED
AUX
BUS
I
I
f------------------'-------j
i
I :
'"' ~•m •
GAIN
1 I
I
-- k:2dBu .;;.
INSERT
SEND
>-
--1_,
'
.
I
L
INSERT
~CUT,::---~
--------'
0~ 1-:
AUX OUTPUT
+ 4 dBu
RETURN FOR TRANSFORMER &

I MULTIWAY INTERFACE
~ J>
C
i
.
l:?
! currn
><
s::
D)
i...
s::
0
Q.
C
ci'
g
0
Q.
C:
nr ':1 SWITCH
AFL
AUDIO J
-- - - .. -· • I PFL
7Bus
CD
0
(")
~
C
@i J, ENABLE
Di'
...
(0
m
3
ti)
s::: EXTERNAL MATRIX I
0 INPUT VIA JACK
Ii
~f
Q. r~AFLL
C: AUDIO ~' I
(D
a,
-
>--·
-0EXTERNAL J •-
1
-, AFL R
0
(") + 4 / - 10
~ SWITCHING 'f L >---IX i
C ~i
ar
(C
cl FROM
MIX
R
• /
_
--➔
I
iI
MIX R •
~'1 I'"""
3
U)
~
i MATRIX
lM FADER
,----, BALANCED
f------;. OUTPUT
AUDIO + 4 dBu
( 8
SWITCH
L
_ __, --), VIA XLR

i FOR TRANSFORMER &
MUTIWAY INTERFACE
"J:
~
' CUT
-
6
______::J
3:
• }(__,}GROUP6 D>
..,
;:r
a~ii~s
i
5 >--·-·
--
0
C
"0
C
I 4
3:
0
C.
C
i'
-"'j
i
I
1
1
~
-..J I
-------
VCA Grand Master
VCA MASTER
Lz
VREF
FADER
FROM
MASTER
CONSOLE
-
-----0
GAP ''
GRAND MASTER ASSIGN : ... CUT
(1 OF 2) [~-~!lli.~ - y DETECT
°----o--
-~._,..-:, -4
1v
I
VREF
() '
I '
:
>t ·1·SUM AND BUFFER

VREF
~
CLAMP
REMOTE~
FADER
J
~
..
G-(GM "A" ONLY)

I
TO OTHER
' J_________________
--J
LEVEL
_ 1 OFB
C~
~----
GROUP ASSIGNS
FROMOTHER
GRAND MASTER ROUTING
,. -·. -7
~✓ o-t-
lNPUT ~-<J~-~- 7-r- L_v~;,
0 ----
FROM SIP CUT

DETECT µ
LAMP ASSIGN
LOGIC
AND MUTE . -- SCALE
PRE ~:
MUTE L ___
7.,....1 -
,
I
L_ __
-t>- ..~ POST
FADE -
_
MUTE VCA AUDIO

FADER
C.
:)
0
a: Cl)
(!} :)
<( ID
(.)
>
----===---;-;M;--:odule Block Diagrams

18
Standard Input Module RS5507
VCA Input Module RS5508
Description
and Operation
Input Module 19
Input Modules RS5507/RS5508
□ O □
IIS5SOI -
Input Stage
1
1 The sensitivity of both the XLR and HIGH IMPEDANCE (HI-Zjack) inputs is
2 3 adjusted by the SENS control. Both inputs are electronically balanced. The XLR
sensitivity is -2dBu to -70dBu and+ I0dBu to -20dBu (switched range). The High
~ 5 Impedance input sensitivity is+ IOdBu to -20dBu.
2 The 48V switch enables 48V phantom power to be fed to the m1c input.
IF Modules may be optionally fitted with transfom1er coupling - refer to your dealer
for suitable transformers.
3 When the RNGE (Range) switch is depressed to lower sensitivity range of the
input is selected to allow line level signals to be used. The signal is taken from the
input XLR, unless a jack is inserted into the Hl-Z socket, when the signal from the
jack is used instead. Note that when the RNGE switch is released, the HI-Z input
socket cannot be used.
4 The Phase 0 switch reverses the phase of the selected input to compensate for
0 u.
6 conflicting microphone position or for crossed wiring. This switch should normally
be released.
~
5 The High-pass Filter control is swept 20Hz - 400Hz. It has an OFF switch at
a~
.... the ACW end of its rotation to switch the filter out of circuit.
Frequency Response Curves of the Hi-pass Filter
~
d8 HlghpasS FIUer
lI
.. -
~
10 0
· · , : lIi 1
5.0 ·t-i------H.+-'I --;-+-H--·--·-
--+-,,..--.,,;-,..----=--;-++=--,-.i-r-t+--- r
!DeaI
0.0
8 ·5.0
-10.0
. I
.
.--y-++-1+--
·15.0 ---+-t----1h'+T--r---.......--~: -t-;-++-
·20.0 -+--+--+.-;+-,1----....;-+--++4-+r--
-25.0; .,~f--44,---....+--+- ---·
: I
-40.0
: ::~::+~
..,..+-,--=
10 100 ,_,..,
1k 10k
7
Insert Point
The insert point is normally configured as pre-EQ, and is permanently in circuit.
Separate Send and return jacks are provided at a nominal level of -2dBu: the send
is ground compensated; the return is electronically balanced. Internal links allow
the insert to be configured as post-EQ.
Equaliser
6 The Equaliser has four swept bands and is placed in circuit by pressing the EQ
switch. When switched out of circuit, its input is grounded. All 4 bands have
[[D ~ +/-15dB of cut and boost.
lr::'+E_,,..,~,:,,~
The HF section has a 20: I frequency range ratio covering )kHz to 20kHz. The Q
is fixed at about I. Cut and boost is by a centre detented control. The response is
normally shelving, but can be switched to peak/dip by the BELL switch.
20 Input Module
The HMF section offers a 20: l frequency range ratio covering 600Hz to l 2kHz.
The Q is normally 1.3, but depressing the HI-Q switch gives a value of 2.6. Cut
and boost is by a centre detented control.
The LMF section offers a 20: l frequency range ratio covering 150Hz to 3kHz. The
Q is nonnally 1.3, but depressing the HI-Q switch gives a value of .6. Cut and boost
is by a centre detented control.
The LF section has a 20: I frequency range ratio covering 20Hz to 400Hz. The Q
is fixed at about 1.4. Cut and boost is by a centre detented control. The response
is normally shelving, but can be switched to peak/dip by the BELL switch.
Frequency Response Curves of the Equaliser

--------- -·-··-· --- ·---- ---------------
«J tirSecb:lt'l(~rMPOnSe) dB Hr Sechon (Bel IMJ)(lf':SO)

200
200 I ! ! ! l Iq l ; ;i l
150 I -- -- - -·
100 - - ..
so I
00 ---f+-,r-ir-e:5--1+.l-lt--lc=E
·200 ! ; : !i
20 1k 10k 2Ck
""' 20k
----------------- ------.
----------------------
5.0 5.0 · f,
00 o.o -t--+,+-«f=,
=:-!--+·!-mf-=:sE~~~-
1
·S.O -s.o-t--t ----; --i-'s:·
·100 : ·100
-15.0-ti
-200
!
· ' dij[ ! ! II t :::·-.-i-;--·--; . '•
20 100 1k 10k 20k: _ 20 100 f~V lk \Ok 2Qll
* LYf Sect.on (nonnaQ ,ti 1Jv1i ~'11..ln(li,-Q)

200 200 I
150
-200
20 100 ,._,... lk
-------~ ""' 20k
-200
20 100
,_ lk
'°"
------------------- ----- --- -----

dO LF Secl,on (,t,efvr,g rfll5P()rlWJ
200 .. F . ... ,
,,_o I
-5 0 -+-t-;..c.1----+
ij!----
. ·r11
·150
-200 j
.
I
,,,ii -rr;1T!
J ., I ,•I,
; • ,
r·--·
_
20 ® 1k ~ ~
F~i,t,
Input Module 21
Auxiliary Sends
RS550901Sl550I
DOD
7 Eight Auxiliary Sends are provided. Each has a rotary LEVEL control, and is
sourced from the post-fader signal, but may be switched pre-fade by individual PRE
buttons. The pre-fade signal source for Auxes 1-7 may be taken post-mute, pre-mute
1 and post-EQ, or pre-EQ and pre-insert. The source selection is by internal push-on
jumpers. The pre-fade signal for Aux Send 8 may be independently set post-mute,
2 or set to follow the pre-fade source for Auxes 1-7.
Three ON switches activate the sends for Auxes l & 2, 3 to 6, and 8. Aux 7 is always
active.
HF
..
~-. - Direct Output
a-..
• • •
8 A post fade (nominal +4d8u) electronically balanced Direct Output is provided
on a rear panel jack socket. Provision is made for an output transformer to be
installed - refer to your dealer for suitable transformers.
Pressing the DIR switch replaces the post-fade channel direct output with the signal
from the Aux 8 pot, following the pre or post selection via the PRE switch.
6
Group Routing
9 The Routing Matrix is above the panpot, and allows the channel post-fade
signal to be fed to the eight Group and three Mix busses, which are all differential
with balanced drive for maximum noise immunity.
10 Routing to the L & R busses is by the L/R switch. These busses are sourced
8 after the centre detented active PAN control , but before the PAN switch, and are
therefore always affected by the panpot. When the MONO switch is pressed, the
pre-pan signal is routed to the mono bus.
11 Pressing PAN switches the PAN POT into the groups circuitry and allows
left/right panning between odd and even groups respectively.
7 Signal monitoring LEDs
12 A multi-point peak detector illuminates the red PEAK LED when there is a
level of +14dBu or greater at four critical places in the signa_lchain: the output of
Mic/Line amplifier, the wiper of the EQ switch and the output of the fader buffer
amplifier.
13 A green -30dB LED illuminates when a level of -30dBu or greater is present

at the output of the Mic/Line amplifier to show that the channel is active.
Channel Fader, Status and Mute
14 The channel fader sets the level sent to the mix, group busses and post-fade
outputs and has a gain of+ l OdB at the top of its travel.
The illuminated, mechanically latching SOLO and CUT switches, in conjunction
with the 8 MUTE bus switches control whether the channel is ON or muted.
22 Input Module
When pressed, the LEDs in the selected mute switches glow, indicating readiness
to accept a Master mute. If the channel is muted via a Master mute bus, the
channel's CUT switch flashes to indicate that a non-local mute is in operation.
15 Pressing the CUT switch will always mute the channel via the soft muting
circuit.
~[2]] 9
16 If a MUTE bus is selected, pressing the corresponding mute master (located
~
~~ on the Master module) will mute the channel in the same way as the CUT switch.
[[D[ill
[[D [ill 17 If SOLO-IN-PLACE (SIP) is not selected on the Master Module, pressing
~~ the SOLO switch feeds the channel signal to the PFL bus and changes the central
PAN 1 ! 1
11 .~·~i
·-~·', monitoring over to the selectedcd channel without muting any other channels.
' ~<:;;$-,~~. If SIP is selected, pressing the SOLO switch cuts all other inputs, unless they are
l I
15 isolated by the SAFE switch. This switch may be internally set by jumpers to act
as a Solo safe, Master Mute safe or both. The factory default setting is both.
12 17 Pressing the SOLO switch on a channel that is set SOLO SAFE or BOTH SAFE
!if whilst SIP is selected will AFL the channel in stereo. AFL changes the monitoring
18 over to the selected channel without muting any other channels.
14 [wiD] VCA Grouping (RS5508 only)

§TI]
' §TI]
18 The VCA version of the console has 8 VCA GROUPS. Selection is by a
§_gj thumbwheel switch. Only I VCA group can be active on each channel (positions
• §_Q] I to 8) at any one time. See 'VCA Group/Output Group/Stereo Input Module' later
..• ~ in this manual for a full description of the VCA system .
=~
..~
When the thumbwheel is set to the blank position, the VCA system is inactive, and
the VCA is electronically bypassed .
..~
Metering
The pre-insert, pre-EQ signal feeds a 16-segment LED bargraph input METER
located in the overbridge.
Jumper Options
Function Options Default
Insert Point post-EQ
JMPl, JMP3, JMP6 IN for post-EQ
JMP2, JMP4, JMP5 IN for pre-EQ
SFE Switch both

JMP7 SOLO SAFE
JMP8 MUTE SAFE
Aux 1-7 PRE source post-mute

JMPI3 IN for post-mute
JMP14 IN for pre-EQ
JMPI5 IN for pre-mute
Aux 8 PRE source post-mute

JMP9 IN for post-mute
JMPl0 IN follow Aux 1-7
Input Module 23
-------·----------- ---·--·------·- ---- -···
Rear Connector Panel
Connector Pinouts
Input - Female XLR
Pin1 Screen
Pin 2 Hot(in phase signal)
Pin 3 Cold(out of phase signal)
Hi-Z Input - 3 Pole Jack
Tip Hot(in phase signal)

Ring Cold( out of phase signal)
Sleeve Screen
Insert Send - 3 Pole Jack
Tip Hot(signal)
Ring Ground Sense
Sleeve Ground (screen)
Insert Return - 3 Pole Jack

Ring Cold(out of phase signal)
Direct Output - 3 pole Jack

Input and Output Levels

INPUT (electronically balanced)
Sensitivity -2dBu to -70dBu, +IOdBu to -20dBu
Maximum input level +28dBu
Input impedance 2K.Q
HI-Z INPUT (electronically balanced)
Sensitivity + I 0dBu to -20dBu
Input impedance > IOK.Qbalanced
INSERT SEND (electroriically balanced)
Nominal level -2dBu
Maximum input level +20dBu into 2KQ
Output impedance <75Q
INSERT RETURN (electronically balanced)
Sensitivity -2dBu
Input impedance > IOK.Qbalanced
DIRECT OUTPUT (electronically balanced)
Nominal level +4dBu
Maximum input level +26dBu into 600.Q
24 Input Module
Stereo Input Module RS5518
VCA Stereo Input Module RS5519
Description
and Operation
Stereo Input Module 25

Stereo Input Modules RS5518/RS5519
Input Stage
o-· The module has two stereo inputs. A and B; the A input has a high-sensitivity XLR
microphone input, and a high impedance line level input while the B input has only
SIIISUtlllJY a line level input.
.
IIC
..~ti
•- ...
1
3 1 The MIC SENSITIVITY adjusts the sensitivity of the XLR input.
~ ..·i···· 2
2 The RNGE switch selects the lower sensitivity line-level input. The signal is
5
UE •~
..
~
0
·-~ L8]
4
still taken from the input XLRs, with decreased sensitivity. unless jacks are inserted
into the Input A HI-Z sockets, when signal from the jacks is used instead.
6 Wun 3 The 48V switch, which ha<;an integral red LED. applies 48v phantom power
7 [ !El- to the input XLRs.
B-
8
~-~ 4 The B switch, which has an integral green LED, selects a stereo signal from the
second pair of HI-Z input jacks, replacing the signal from the A input XLRs or jacks.
•mO 9
--
. .
5 The LINE pot controls sensitivity when the RNGE switch is depressed.
Oj
.. ..• •
..
10
6 The PHASE (0) switch, when depressed, reverses the phase of the left channel
o-
..• ...•
• ◄ •
11
of the selected input.
7 Stereo second-order high-pass and low-pass filters arc switched in by
o-
.
depressing the FlL TER buttons. The Filter buttons have integral green LEDs. The
L A
12 filter frequencies are:
..• •..
-o~
• ◄ -
Highpass filter IOOHz Lowpass filter 8kHz.

13
14 ·~ ..
..
~ ""
'Ii •
Frequency Response of the Filters
...
100
...
10.0
5.0 5.0
00 00
-5.0 --- -50
-10.0 ·100
• I
-15.0
- -15.0
-200
--r-1!,1 - -200
25 24
-250 '
!w-
'
' ',
I : '
--·1ft---,
. II 'I
I
-t--: -1--n- -
!
,I. rr··
,I
·250
-30.0
-350
-<00
Stereo Control
8 The L and R buttons provide mono summing facilities. Pressing the L button
only feeds the left signal to both left and right channels; pressing the R button only
feeds the right signal to both left and right channels. Pressing both L and R feeds a
mono sum of left and right inputs to both channels: Each button has an integral green
LED.
9 The WIDTH control allows continuous variation of the stereo image between
mono (anti-clockwise) through stereo (centre detent) to phase-enhanced stereo
(clockwise).
26 Stereo Input Module

Equaliser
The stereo EQ section is four band, with switched-frequency shelving high and low
frequency sections, and two fixedfrequency peaking mid sections.
10 The HF section has cut or boost of 15dB and a shelving response. The
frequency is normally 12kHz, but may be reduced to 6kHz by the 6K switch.
11 The HIGH MID (HMF) section has maximum cut or boost of 15dB at a fixed
frequency of 3kHz, with a Q of 1.4.
12 The LOW MID (LMF) section has maximum cut or boost of 15dB at a fixed
frequency of 600Hz, with a Q of 1.4.
13 The LF section has maximum cut or boost of l5dB and a shelving response.
The frequency is normally 60Hz, but may be increased to l 20Hz by the 120 switch.
Frequency Response of the Filters
d8 ► G-MO SAchon
20.0 I
150 I
10 0 --+-+-+;++--;---;-+++,,-
-50
-10 0 --'--t-c-H+-\---t-c---ic+'++t---'i.--i-+ft-t-H--
-150
-200 f. I Iii
,...,....,..,
20 tOO tk 10k 20k
""' ,..
d8 HF Section dU U- Sectlorl
20 0
· l : t ·, ·; I J I
i: \
20.0
15.0 ---i -+--<--~--i

10 0 -·+ ··I-----+---+--+
-to.a
20k 1k 10k 20k
14 The EQ section is switched in by the EQ switch. An integral green LED is

illuminated when the EQ section is in circuit.
Insert Point
Circuitry is fitted for a stereo insert point. The insert send and return sockets arc not
fitted as standard; however the signals are available on 0.1" connectors on the
module.
The insert uses ground-compensated sends and electronically balanced returns at a

nominal level of -2dBu. Push-on jumpers allow the insert to be set prc-EQ or
post-EQ, or to be bypassed completely. The default is set to by-passed.

Output Control
The signal to the groups, mix and auxiliaries is controlled by the mute circuitry, the
VCA (VCA Modules only) and the input fader.
15 The CUT switch, which has an integral red LED, mutes the module, turning
the signal to the mix, groups and post-mute or post-fade auxiliaries off.
16 The mute switches Ml - 8, which have integral red LEDs, assign the module
to the eight master mute buses; when the module is muted by the mute buses, the
CUT switch flashes.
17 The SAFE button, which has an integral amber LED, prevents the module from
being muted by the mute buses or the solo system or both, according to internal
jumper position. The default setting is both.
24
25 18 The post-fade level is controlled by a 100mm stereo Fader with lOclBof gain
at maximum, and (on VCA modules) the VCA system.
21 19 The VCA SELECT thumbwheel switch (VCA Modules only) assigns the
22
[ input to one of the eight VCA groups; setting 'O' by-passes the VCAs. If the CUT
switch on the assigned VCA master is pressed, the channel is muted and the CUT
switch flashes.
Normally, the SOLO switch, which has an integral amber LED, feeds the pre-fade,
20 pre-mute signal to the Control Room and Phones outputs, replacing the selected
monitor source. If Solo In Place is selected on the Master Module, pressing SOLO
does not affect the monitoring, but mutes all other inputs. If the module is selected
SIP SAFE, then SOLO with SIP selected feeds the stereo post-fade, post-balance
signal to the Control-room and 'phones, replacing the selected monitor source.
20 The centre-detented BALANCE pot controls the relative level of the left and
right channels sent to the mix and groups. The control has unity gain at the centre
position, with 4.5dB of gain when turned fully one way, and cutting the signal when
turned the other.
18 ~
0l 21 The group routing buttons 1 - 8, which have integral green LEDs, route the
EQl post-balance signal to the eight group buses, odd numbers fed from the left channel
.• ~
81 16
and evens from the right.
-~
=~
22 The L/Rbutton, which has an integral red LED, routes the stereo signal to the
L/R mix bus.
23 The MONO button, which has an integral amber LED, routes a mono sum of
the postfade left and right signals to the mono mix bus.
(Q) Aux Outputs
24 A mono sum of the left and right signals is sent to the auxiliary buses 1 - 8 via
individual level pots, they are activated in pairs using the associated ON switch.

25 The sends are normally sourced post-fade; however they may be individually
switched pre-fade by the PRE buttons, which have integral green LEDs. The
pre-fade signal may be sourced pre-EQ and insert, pre-mute or post-mute using
push-on jumpers.
Aux sends 7 and 8 are normally mono sends; push-on jumpers allow them to be
used as a stereo pair: Aux 7 is fed from the left channel, Aux 8 from the right channel.
Signal Monitoring LEDs
26 The green -30 signal active LED illuminates when the a signal of -30dBu or
greater is present at the output of the left or right input amplifiers.
27 The red PEAK LED illuminates when the signal level exceeds +14dBu
(internal) at the output of the input amplifier, the output of the EQ or the post fade
amplifier on either left or right channels.
Metering
If metering is fitted, a 16 segment bargraph in the overbridge reads the pre-insert,
pre-EQ signal; the higher of the left and right channels is displayed.
Jumper Options Function Options Default
Insert Left by-passed

JMPI, JMP3, JMP6 IN for post-EQ
JMP2, JMP4, JMP5 IN for pre-EQ
Insert Right by-passed

JMPI0I, JMPI03, JMPI06 IN for post-EQ
JMP I 02, JMP I 04, JMP 105 IN for pre-EQ
SFE Switch both

JMP7 SOLO SAFE
JMP8 MUTE SAFE
Aux 16 Presource post-mute

JMPJO IN for pre-EQ
JMPI l IN for pre-mute
JMPI 2 IN for post-mute
Note: only one of the above three jumpers should be fitted at one time.
Aux 7 PRE source mono

JMP21 IN for mono (follow Aux l-6)
JMP22 IN for stereo (left post-mute)
Aux 7 POST source mono

JMP23 IN for mono
JMP24 IN for stereo (left)
Aux 8 PRE source mono

JMP25 IN for mono (follow Aux 1-6)
JMP26 IN for stereo (right post-mute)
Aux 8 POST source mono

JMP27 IN for mono
JMP28 IN for stereo (right)

XLR Inputs Left And Right

(electronically balanced)
Sensitivity 0dBu to -60dBu, + IOdBu to -20d8u (switched)
Maximum input level +8d8u
Input impedance 2k.Q
High-impedance Inputs A and B, Left and Right

Sensitivity +I0dBu to -20dBu
Maximum i/p level +30dBu
Input impedance > l 0k.Q balanced
Insert Send Left And Right

(ground compensated)
Nominal level -2dBu
Maximum output level +20dBu into 2k.Q
Insert Return Left and Right

Sensitivity -2dBu
Maximum i/p level +20dBu
lnput impedance > I 0k.Q balanced
------ -------··-···----
0
XLR INPUTS (3 pin female XLR)
@@l-Ml·ZA-R
Pin 1
Pin 2
Pin 3
Ground
Signal Hot
Signal Cold
@@l-Nl-2 B-A
HIGH IMPEDANCE INPUTS (1/4" TSR Jack)
Tip Signal Hot

Ring Signal Cold
Sleeve Ground
Note: The insert send and return sockets are not fitted as standard; the signals are
available on . l" connectors on the module.

Description
and Operation
Grand Master Module 31

32 Grand Master Module
@ ......
1
The Grand Master, fitted only to VCA consoles, enhances the VCA grouping
system. The Grand Master System provides:
• two Grand Master faders with cut switches assignable to the eight VCA groups
• optional external master fader with enable switch allowing remote control of
Grand Master A level.
The system is hierarchical - channels are assigned to the VCA Groups, and VCA
Groups are assigned to the Grand Master. The Grand Master only affects the
channels via the VCA Groups, and not directly. ·
1 The Lamp socket allows connection of a goost:neck lamp ("Littlite" or similar)

via a BNC-type connector. Additional lamp sockets are fitted at the left and right
hand ends of the console. The voltage to the lamp connectors is variable from I .SY
to 12V by the Dimmer Control.
2 A Grand Master is assigned to a VCA group by the Group Assign Switches ;

all channels assigned to that VCA group are then controlled by the Grand Master
as well as the VCA Group. A Grand Master may be routed to any number of groups,
and both Grand Masters may be routed to the same group.
1 3 The Gr.md Master Faders , together with the VCA Group fader, control the
~:
- gain of any channels assigned to the VCA group. The channel VCA gain will be
the sum of the gains set on the VCA Group and Grand Master faders; however, the
combint:d gain of Group and Grand Master faders is limited to+ lOdB.
5 4 The Cut button will cut any affected channels, muting tht: post-fade signal, and
pre-fade auxiliary sends (unless the sends are st:t pre-mute.) When muted, the Cut
2 switches on the channels will flash; however, the VCA Group will not light. The
VCA Group Cut switch will also cut the channels.
5 The Remote Enable switch activates an external master fader; this shares the
Grand Master A routing to the VCA groups, and may be used to remotely control
the level of the VCA groups. The remote fader connections are made via a 0.1"
connector on the Grand Master module.
4
Note: The Grand Master controls are fitted only to YCA consoles. On non-YCA
consoles, the lamp socket and dimmt:r control only are present.
A B
iil- 3
Grand Master Module 33

34 Grand Master Module
Output Group/Stereo Input
Module RS5124
Description
and Operation
Output Group/Stereo Input module 35

Output Group/ Stereo Input Module
Stereo Input
The Stereo Input section has been designed to offer a full-featured effects return
capability, or to provide additional line level inputs, saving valuable input modules.
1 The input GAIN control allows the sensitivity of the balanced line level inputs
to be adjusted from+ IOdB to -20dB.
2 2 The MTR switch selects the source for the 16-segment LED meter in the
overbridge from either the post-fade post-CUT group (switch released) or the
1 Stereo Input (switch pressed). When selected, both Land R signals are fed to the
meter, and the highest level is displayed.
3
3 The PHASE of the left input can be reversed by the (L)0 switch. This switch
4 should normally be released.
4 A centre detented WIDTH control varies the width of the stereo image from
mono (fully anticlockwise), through stereo at the centre detent, to phase-enhanced
wide stereo (fully clockwise).
5
Auxiliary sends
5 There are two AUX SEND controls. These are normally sourced from a
post-fade mono sum, but are switchable to a pre-fade, post-mute mono sum by the
PRE switch. The AUX I level control can be routed to Aux bus 3 by the 3 switch,
and the AUX 2 level control can be routed to Aux bus 4 by the 4 switch.
6
Routing Matrix.
6 The post-fade signal feeds the centre detented active BAL (balance) control,
&Al
• which has unity gain for both channels in the centre position. The outputs of this
control feed the group ROUTING SWITCHES which route in pairs to groups
l-2, 3-4, 5-6, 7-8, and via the L/R switch to the stereo mix bus.
7
Em 8
Pressing the MONO switch feeds a post-fade, pre-balance mono sum to the mono
bus.
~
@
- . ,..,o
-soO
9 7 The illuminated CUT switch, in conjunction with the 8 MUTE bus switches
(12) and Solo-in-Place system control whether the Stereo Input is ON or muted.
[~_1l!]~
11 ~·
··-
.:.:......:..,_·_
I [112-o]
Pressing the CUT switch will always mute the stereo input.
8 The PFL switch allows the pre-CUT, pre-fade signal to be monitored. PFL
~
:-=-- I
-• ~ 12 feeds a mono sum signal to the PFL bus and changes the central monitoring over
to listen to the selected Stereo Input without muting anything else .
.. [-Iii- □]
9 A red PEAK LED illuminates when there is a level of +14dBu or greater
-II
~ present at two critical points: the output of line input amplifier and a point pre-fade,
-.a
- 0J post CUT.
© I WILll
at the output of the line input amplifier.
These LEDs illuminate when the internal level of either the left or right channel
exceeds the stated threshold levels.
36 Output Group/Stereo Input module

11 The 60mm stereo input fader, has IOdB of gain at the top of its travel.
Muting
12 The 8 MUTE bus switches, in conjunction with the illuminated CUT

switch (7) and Solo-in-Place system control whether the Stereo Input is ON or
muted. When pressed, the LEDs in the selected MUTE switches glow, indicating
readiness to accept a master mute. If the Stereo Input is muted via a master mute
bus, the CUT switch flashes to indicate that a non-local mute is in operation. The
stereo input is internally selectable to be SIP SAFE, ie, not muted by the SIP system.
Group Path
The Group summing amplifier is a low noise, balanced virtual earth design, feeding
·o·
GIIOO'PJ\N
the insert point.
I• g; ;/; •I
13
··OV""·, The insert is at a nominal level of -2dBu. Separate send and return jacks are
l ·,
14
l~•-ol provided; the send is ground compensated, and the return is electronically
FOJ
15 balanced.
16
~ 13 The post-fade group signal feeds the passive PAN control which positions the
signal in the UR stereo mix if the L/Rswitch is pressed.
17
Em 18 14 The L/Rswitch feeds the signal to the main Mix bus, subject to the position
~ ,...o
110 of the PAN control.
~
15 The feed to the mono bus is enabled by the MONO switch and is sourced pre
20 the PAN control.
Group Status
16 The balanced insert return jack feeds the CUT button which operates an
-• electronic mute circuit.
- -a
•
• 17 The PFL switch allows the pre-CUT, pre-fade signal to be monitored. PFL
• feeds the group signal to the PFL bus and changes the central monitoring over to
" listen to the selected Group without muting anything else.
18 A red PEAK LED illuminates when the group signal exceeds +14dBu at
pre-fade and post-fade points.
19 The green -30dB LED illuminates when a level of -30dBu or greater is present
post fader.
20 The fader is a long-travel unit, with I0dB of gain at the top of its travel.
Jumper Options
Stereo Input SOLO IN PLACE Mute active

JMPI active/disabled
Output Group/Stereo Input module 37

---- -----·- ----------------
Connector Pinouts
,~
(__ -- _ _____) Stereo Line Input - 3-Pole Jack
STEREOINPUTB

o-:J Sleeve Screen

o~INSERT
Tip
Ring
Sleeve
Hot(signal)
Grouna Sense
Ground (screen)
ORET np
Ring
Hot(in phase signal)
Cold(out of phase signal)
~~
~~m
Group Output - Male XLR
Pin 1 Screen
GRP O/P 8~ Pin 2 Hot(in phase signal)

STEREO INPUT LEFT & RIGHT (electronically balanced)
_Sensitivity +I0dBu to -20dBu
Input impedance > 10kQ balanced
INSERT SEND (ground compensated)
Nominal level -2dBu
Maximum output level +20dBu into 2KQ
Sensitivity -2dBu
GROUP OUTPUT (electronically balanced)
Nominal level +4dBu
Maximum output level +26dBu into 600Q
38 Output Group/Stereo Input module

VCA Group/Output
Group/Stereo Input Module
RS5125
Description
and Operation
VCA Group/Group Output/Stereo Input module 39

Output Group/ Stereo Input Module
Stereo Input
STIREO
2
~:o.
INPUT ,.;;-;-i
~
The Stereo Input section has been designed to offer a full-featured effects return
capability, or to provide additional line level inputs, saving valuable input modules.
1
. .- iz
1 The input GAIN control allows the sensitivity of the balanced line level inputs
WIOIH {~]
3 to be adjusted from+ IOdB to -20d8.
"' 4
·O·
MONOWIDE
2 The MTR switch selects the source for the 16-segment LED meter in the
overbridge from either the post-fade post-CUT group (switch released) or the
Stereo Input (switch pressed). When selected, both Land R signals are fed to the
B- meter, and the highest level is displayed.
3 The PHASE of the left input can be reversed by the (L)0 switch. This switch
should normally be released.
5
·g·
AUX
2 4 A centre detented WIDTH control varies the width of the stereo image from
2· t
1·';,
Q ·•
... ,
mono (fully anticlockwise), through stereo at the centre detent, to phase-enhanced
o· ·11 wide stereo (fully clockwise).
----
El-
11-2
U!
Auxiliary sends
5 There are two AUX SEND controls. These are normally sourced from a
6 post-fade mono sum, but are switchable to a pre-fade, post-mute mono sum by the
~,__
D} PRE switch. The AUX I level control can be routed to Aux bus 3 by the 3 switch,
and the AUX 2 level control can be routed to Aux bus 4 by the 4 switch.
IIDl)□ f
BAL 1 t 1
.
2~)·..
s
~
::S.i
-~..;~
l
~
.:-:.s
I
Routing Matrix .
7 6 The post-fade signal feeds the centre detented active BAL (balance) control,
l_c_u_~ . which has unity gain for both channels in the centre position. The outputs of this
8
~
control feed the group ROUTING SWITCHES which route in pairs to groups
@ 1-2. 3-4. 5-6. 7-8. and via the L/R switch to the stereo mix bus.
PEAlQ 9
-soQ
Pressing the MONO switch feeds a post-fade, pre-balance mono sum to the mono
1__:_:_:_
I~
8] :\1_Q bus.
11 i~s
~
i--;.ioJ 7 The illuminated CUT switch, in conjunction with the 8 MUTE bus switches
12 (12) and Solo-in-Place system control whether the Stereo Input is ON or muted.
•
., 81 Pressing the CUT switch will always mute the stereo input.
~
-Cl
JI
~ feeds a mono sum signal to the PFL bus and changes the central monitoring over
~ to listen to the selected Stereo Input without muting anything else.
@ G]] 9 A red PEAK LED illuminates when there is a level of +14dBu or greater
present at two critical points: the output ofline input amplifier and a point pre-fade,
post CUT.

at the output of the line input amplifier.
These LEDs illuminate when the internal level of either the left or right channel
exceeds the stated threshold levels.
40 VCA Group/Group Output/Stereo Input module

11 The 60mm stereo input fader, has lOdB of gain at the top of its travel.
Muting
12 The 8 MUTE bus switches, in conjunction with the illuminated CUT

switch (7) and Solo-in-Place system control whether the Stereo Input is ON or
muted. When pressed, the LEDs in the selected MUTE switches glow, indicating
readiness to accept a master mute. If the Stereo Input is muted via a master mute
.~o'..
GROU'PAN
I ! I bus, the CUT switch flashes to indicate that a non-local mute is in operation. The
13 stereo input is internally selectable to be SIP SAFE, ie, not muted by the SIP system.
,. .,.~-{::.~;"- .,
l ·,
i 01 l/1
14
@ 15
ilD«)DI Group Path
m
16 The Group summing amplifier is a low noise, balanced virtual earth design, feeding
20 =~
--==• I the insert point.
- 0
1 PFL Di 17
' -J The insert is at a nominal level of -2dBu. Separate send and return jacks are
18 provided; the send is ground compensated, and the return is electronically
balanced.
~
13 The post-fade group signal feeds the passive PAN control which positions the
signal in the UR stereo mix if the L/Rswitch is pressed.
14 The L/Rswitch feeds the signal to the main Mix bus, subject to the position
of the PAN control.
21 15 The feed to the mono bus is enabled by the MONO switch and is sourced pre
the PAN control.
Group Status
22 16 The balanced insert return jack feeds the CUT button which operates an
===o electronic mute circuit.
feeds the group signal to the PFL bus and changes the central monitoring over to
listen to the selected Group without muting anything else.
21
18 A red PEAK LED illuminates when the group signal exceeds +14dBu at
pre-fade and post-fade points.
19 The green -30dB LED illuminates when a level of-30dBu or greater is present
post fader.
20 The fader is a long-travel unit, with lOdB of gain at the top of its travel.
(Q)

VCA Group
The VCA grouping system allows several channels to be placed under the control
of a single VCA group fader, allowing the operator to change the level of that group
of signals in the mix, while maintaining the relative levels of the channels in the
group. Unlike audio subgrouping the channel signals are not routed out of the
channel modules for grouping, thus greatly simplifying the signal path. Up to 8
VCA Groups may be created, controlling input channels only. Additionally there
are two Grand Master Faders which can be assigned to any of the 8 groups, providing
a further layer of control.
Channels are assigned to VCA groups using the thumbwheel switches on the
channel modules. The switch has 9 positions:
• I - 8 select the VCA groups
• The 'O' position isolates the channel from the VCA system, and the VCA
circuitry is electronically bypassed.
21 The CUT switch mutes all channels in the VCA group, controlling the group
mix in the same way as an audio subgroup. When active the CUT switch on the
VCA Group lights continuously, and the CUT switches on the channels flash to
show that a non-local mute is in operation.
22 The long-travel VCA GROUP FADER proportionately controls the level of

the signals in the assigned channels.
Jumper Options
Stereo Input SOLO IN PLACE Mute active

JMPI active/disabled

------------------------------
Connector Pinouts
Stereo Line Input - 3-Pole Jack

Sleeve Screen
Tip Hot(signal)
Ring Ground Sense

Group Output - Male XLR
Pin 1 Screen

STEREO INPUT LEFT & RIGHT (electronically balanced)
Sensitivity +lOdBu to -20dBu
Input impedance > lOkn balanced
Nominal level -2d8u
Maximum output level +20dBu into 2KQ
Output impedance <75.Q
Sensitivity -2dBu
Maximum input level +20d8u
GROUP OUTPUT (electronically balanced)
Nominal level +4dBu
Maximum output level +26dBu into 600!2

Master Module RS5127
Description
and Operation
Master module 45
0 Master Module
IALOACI
,---~""
; _,~
,......
2 ~.~tt~·.
:·./' ,:'I,_•
'---",..._..,;,
Power Supply Monitor
19 1 LED monitoring of power supply voltages is by means of LEDs which show
• 110110/Jl/ffl
0-1'-0 0-•-0
the presence of +48V Phantom power, +7.SV Logic supply, -7.SV Logic supply,
O· ··O 0- O
o-a--o o-a-o +17V Audio supply and-l7V Audio supply.
0- -o 0- -0
0- I -0 0·· I -0
0- 0 0- -0
c- 4 -0 0 , -0
0- -0 0- -0
G-o
0-
-0
-0
0-1
0-
-0
-0 20
0- ·4-0
0- -0
0- ·I O
0--,-(.)
0
0- ·I -0
0 Talkback System
0- -0 0- ··O
0-·Q O 0-·Q-O
0-
0-·1'-()
-0 0-
0-·1'-0
-()
2 An XLR connector is provided to accept a talkback microphone on a gooseneck.
0- -o 0- -0
0-·Z O 0-·II -C
0- -0 0-- -0
~0 •• 0,! ~--~
0 0
3 The level of the talkback microphone is set by the TALKBACK GAIN control.
The scaling O - 10 corresponds to a gain range of +20dB to +55dB.
17
18 Internal Talkback
4 Internal talkback is initiated by the INT switch and can be routed to Groups
(GRP) in pairs, Matrix outputs (MTRX), L/R and MONO Mix outputs, and AUX
sends, Talk to Matrix and Aux switches are latching. Talk to Groups, Mix L/R and
3 16 Mix MONO switches are momentary.
External Talkback
4 5 Talkback to MONitor Desk uses a proprietary Soundcraft interface, and is
intended to link to a compatible Soundcraft monitor console via XLR connectors.
5
f
14
Talkback is activated when the switch is pressed,
6 External talkback is bi-directional and enabled by the EXT switch. Balanced

line in and line out are provided on XLRs on the rear panel, at a nominal level of
+4dBu. When the external talkback input is activated (by pressing EXT) and
feeding the monitors, the selected monitor signal is dimmed by 20dB.
6
ALr,AJHCOIO
OIU,l,II
·o· Oscillator
,MO,IIIU
8 '
~~
•--~~.
\\o--i
....
={ ..
13
.
1-x"
r~.,,;[ .."',.
- The oscillator normally produces pink noise, but can be switched to produce sine
9 [Ejvo
;
waves at a fixed frequency of I kHz. Internal jumpers enable the signal to be routed
to Aux, Group and Mix buses, and is factory set to Mix. A rear panel XLR output
is provided, and is active only when the oscillator is switched ON. The output is
balanced at +4dBu nominal level.
7 The latching ON switch enables the oscillator and feeds the signal to the
internally selected outputs and the rear panel output.
12
Pressing the TONE switch enables the sine wave output instead of pink noise. The
LEVEL control sets the oscillator output level and is variable between +/-1 SdB.
46 Master module
--------------·- --··-
Alt PA/Record Output

8 The rotary FADER controls the level to an additional electronically balanced
stereo output which enables the pre or post fade output to be fed to, for example, an
external tape machine. Pre-settable jumpers inside the module source the ALT PA
from either the L&R MIX outputs, or from the MONO MIX output.
9 The default source for the Alt PA/Record output is post the Main Faders, but
can be sourced pre fade by pressing the PRE switch.
10 The stereo output can be switched to mono by pressing the (L-R) SUM switch.
Mix Paths
11 The low noise L, R and MONO summing amplifiers feed the electronically
balanced insert sends at a nominal level of +4<lBu. Separate Insert send and return
jacks are provided. The insert return amps are balanced, and feed the top of the
three main Left, Right and Mono output FADERS . These have+ 10dB gain at the
top of their travel. The post-fade signals feed the meters and bargraphs as well as
the electronically balanced output buffers .. The rear panel XLRs are at a nominal"
level of +4dBu. Transformer output balancing is available to special order.
Mute System
12 The MUTE MASTERS 1-8 will mute any channel assigned to the group by
selecting the corresponding channel mute switches.
Channels and Stereo Inputs may be assigned to any combination of the eight master
mute busses. When a Channel/Stereo Input is assigned to a mute bus, it is muted
when the corresponding MUTE MASTER is pressed. The MUTE MASTER
switch lights steadily, and the Channel/Stereo CUT switch flashes to indicate a
non-local mute is in operation. The_channel/stereo input may be removed from the
mute bus system by de-selecting the appropriate bus switch.
Output Control
Left and Right monitor outputs are provided to drive control room power
amps/loudspeakers and are fed from a choice of sources determined by the Monitor
Select switches. The chosen source also feeds the headphones output.
13 Headphones connect via a jack socket on the left hand utility panel. This is
paralleled with a jack socket on the rear connector panel. The HEADPHONE
LEVEL control has a gain of +22dB.
14 The Control Room level control has a gain of +lOdB at maximum.
The EXT Talkback feed into the console is summed into the monitor feeds pre the
level controls, and when talkback is activated, dims the selected signal to the
Monitor Outputs and Headphones by 20dB.
Master module 47
Monitor Select
·•O
, ...() 1
2 ... o
15 The monitor system allows selection of the following sources:
""0
• (MIX) UR routes the mix signal in stereo to the monitors (L&R speakers and
19
phones outputs).
I IIOIIOAMI\
o- II -0 0- "-0
c- -0
::>- a-o
0- -(J
0- ?2-0
• (MIX) MONO routes Mono mix to the monitors. It is split to equally feed the
o- -0 0- -0
8- t ·O 0-1-0 L&R speakers and phones outputs.
0- -0 0 0
o- •-c 0-, -c
0- -o 0- -0
0- 0 -{)
0- -0
(.)--, 0
0-1-0
0
0-·•-0
() 20 The PRE switch allows monitoring of the mix signals to be sourced pre the UR
0-
0-·1-0
-0 0 -0
{)- ·I -0
and MONO mix faders.
0- -0 0 Q
O-·a-o 0--a-o
0- -o Q- 0
• 2TKA (2 track return A). This has balanced inputs and internal switching for
()- ·J-() 0-·16-0
0 -0 0 -0
0--11-0 0--21-0 +4dBu or - IOdBV nominal level.
0-
~--
0 0
,J
-0 0-
~--
~0
-0
0 • 2TKB (2 track return B). This has balanced inputs and internal switching for
+4dBu or -IOdBV nominal level.
17
,flJIJ'llttM
All 4 source switches are mechanically latching. More than one source can be
18 selected, and all selected sources sum together.
-o
. .....
,, 2-Track B Replay
3 16
16 The 2TKB REPLAY controls allow the signal the from 2 track return B to
be fed directly to the Mix outputs. The (2 TK B REPLAY) MIX switch routes the
signal directly to Mix Land R outputs (an internal jumper allows a mono sum to
go to the MONO bus), and the LEVEL control sets the level, which adds to the
post-fade mix signal.
4
15
PFL, AFL and SOLO
There are 2 modes of operation: PFL or AFL (non-destructive solo), and SOLO
IN PLACE (destructive solo).
5
6 14 17 The SOLO IN PLACE enables SIP monitoring and, because this cuts all
other signals except the selected channel, is potentially catastrophic if caused
1
Alt'Altt:COIO
0111,ul accidently. SIP can be permanently disabled by removing an internal jumper -
refer to the Vienna Technical Manual for details of this modification. In this case
8 13 only PFL and AFL are available.
9
A balanced +4dBu PFU AFL output is provided on an XLR on the rear panel to
allow for linking to another console.
11 SIP not Selected

12 Pressing SOLO on any channel, or PFUAFL on any other module switches the
monitoring (control-room output or headphones) to listen to the pre-or post-fade
signal from the module. The SOLO, PFL or AFL switches on the modules light
steadily, and the red SOLO LED also lights steadily to indicate an active PFU AFL.
j cg
L------~
48 Master module
SOLO IN PLACE Selected
When SIP is selected by pressing SOLO IN PLACE, the switch glows steadily to
indicate that it is anned and ready to receive a SIP.
SIP Selected: Inputs

Pressing SOLO on any input mutes all other inputs except Stereo inputs, unless
they are selected to be SOLO SAFE. On the muted inputs, the CUT switches flash.
On the SOLO'd input, the SOLO switch lights steadily. On the master, the SOLO
LED illuminates to indicate an active solo.
Pressing SOLO on an input selected SOLO SAFE does not cut the other channels.
Monitoring is switched over to listen to the stereo, after-fade signal from the
SOLO'd channel. The SOLO switch lights steadily and the SOLO LED on the
master lights to indicate an active solo.
SIP Selected:
Aux & Matrix Masters, Stereo Returns & Groups
Pressing AFL on an auxiliary or matrix master, or PFL on a stereo return switches
the monitoring over to the PFL or AFL signal, and the PFL or AFL switches light
steadily. The SOLO-IN-PLACE switch and the SOLO LED on the master module
illuminate.
PFL I AFL Trim and Metering.
18 The level of the PFL and AFL signals can be adjusted by the centre detented
PFL/AFL TRIM control, which has a range of +/-15dB.
19,20 There are four 20-segment LED bargraphs (Left, Right, Mono and
PFL/AFL). The L & R meters normally monitor the selection of the Monitor Select
switches. The MONO meter only monitors the Mono Mix output. The PFL/AFL
meter monitors the PFL or AFL signal. When the AFL signal is in stereo, the higher
of the Left or Right signals is diplayed. Two mechanical VU meters in the
overbridge normally monitor the Mix Left and Right outputs. Pressing MTR ( 19)
changes them to follow the Mono and PFI.JAFL signals. In AFL, a sum of the L&R
signals is metered.
The 20 segment PFI.J AFL meter reads the PFL or AFL signal before the trim control
so that a true level is displayed. Where the AFL signal is in stereo, the higher of
the Left or Right signals is diplayed. Calibration trimmers are accessible through
small holes below each LED column for adjustment with a suitable miniature
screwdriver.
Expansion Input
A balanced and buffered +4dBu input for a client console provides the necessary
interface to the Stereo and Mono Mix, PFL and AFL busses. The input is via an
optional multiway connector on the rear of the console.
Master module 49
Rear Connector Panels
Connector Pinouts
Audio Connector Panel Mix, Alt Outputs - Male XLR
Pin 1 Screen
Pin 3 Cold( out of phase signal)
Mix Insert Send L & R, Mono - 3 Pole Jack

Sleeve Ground(screen)
Mix Insert Return L & R, Mono - 3 Pole Jack

Sleeve Ground(screen)
·r'}
~-i/ 2 TRK A Return - Female XLR
_,
IUD
Pin 1 Screen
Pin2 Hot(in phase signal)
Power Supply Connector Panel 2 TRK B Return - 3 Pole Jack
0 Tip Hot(in phase signal)

Ring Cold( out of phase signal)
PFL, AFL & Oscillator Output - Male XLR
Pin 1 Screen
Main C/Room Output - Male XLR
Pin 1 Screen
Optional Console Linking Connector Panel Pin2 Hot(in phase signal)
0 0 e
Headphones - 3 Pole Jack
Tip Left signal

Ring Right signal
Sleeve Ground( screen)
0
Note: The headphones socket is duplicated under the front
armrest on VCA consoles, and by the master faders on
non-VCA consoles.
Ext, Monitor Talkback Input - Female XLR
Pin 1 Screen
Ext, Monitor Talkback Output - Male XLR
Pin 1 Screen
50 Master module
Jumper Options
Left Hand PCB:
Oscillator to Aux Russes off
Jl IN for on
12 IN for off
Oscillator to Group Russes off
13, 4 IN for on
15,6 IN for off
Oscillator to Mono Bus on
17, 8 IN for on
19, 10 IN for off
Alternate PA Output Source stereo
112,114,116, JI8 stereo
Jl3,Jl5,Jl7,119 mono
Monitor Left Meter Response peak
120 ON for average response
121 ON for peak response
Right Hand PCB:

2-Track B Replay to Mono off
1MP1 on
JMP2 off
Link Option Bypass bypass
1MP3, JMP9 on for link bypa'>S
remove if link option is fitted
SIP Enable enable
JMP4 ON for SIP enabled
PFL/AFL Meter Response peak
1MP5, JMP7 ON for average response
JMP6, JMP8 ON for peak response

MIX OUTPUT LEFT, RIGHT and MONO
MIX INSERT SENDS LEFT, RIGHT and MONO
ALT LEFT and RIGHT OUTPUTS
CONTROL ROOM OUTPUTS LEFT and RIGHT
PFL, AFL OUTPUTS LEFT and RIGHT
EXTERNAL and MONITOR TB OUTPUT
OSCILLATOR OUTPUT (electronically balanced)
Nominal level +4dBu
Maximum input level +26dBu into 6000.
Output impedance <750.
INSERT RETURN LEFT and RIGHT (electronically balanced)
Sensitivity +4dBu
Input impedance > lOKQ balanced
Master module 51
2-TRACK INPUTS A and B (electronically balanced)
Sensitivity -t4dBu/-l0dBV (switched)
Output impedance > IOKQ balanced
EXTERNAL TB INPUT (electronically balanced)
Sensitivity -t4d8u
Input impedance > IOKQ balanced
HEADPHONES OUTPUT (unbalanced)
Nominal level -t4dBu
0dBu into 8Q
Output impedance son
52 Master module
Aux Master Module RS5530
Description
and Operation
Aux Master module 53

O
RS55l0
Aux Master Module RS5530
AUX SEND MASTER
·•
The Aux Master module has 8 identical sections and therefore only one will be
described.
2
Em 3
Em Level Control
1 Each Aux Send has its own master LEVEL control which has a maximum gain
of+ lOdB at full clockwise rotation. The balanced output buffers give a nominal
AUX SEND MASTEi
7
output level of +4d8u at the rear panel connectors.
Status
2 The illuminated CUT switch mutes the output when pressed.
3 The AFL switch allows monitoring of the pre-cut, post-insert Aux output on
the Control Room Monitors, Headphones or AFUPA.. bargraph meter.
AUX SEND WASTER
Output
Em The output signal is electronically balanced at a nominal level of+4dBu. The output
XLRs are located on the bottom of the Output Group rear connector panel.
�
Expansion Input
AUX SEND WAITER
A balanced and buffered +4dBu input for a client console provides the necessary
interface to the ground compensated Aux busses. The input is via an optional
multiway connector on the rear of the console.
Insert Point
Each Aux insert point is at a nominal level of -2dBu. Separate Send and Return
jacks are provided. The Send is ground-compensated and the Return is
electronically balanced.
The Send and Return jacks are located below the Aux output XLRs.
AUX SEND WASTER
E□J
�
54 Aux Master module

Connector Pinouts
Aux Output - Male XLR
Pin 1 Screen
Aux Insert Send - 3 Pole Jack
Tip Hot(signal)
Ring Ground Sense
Sleeve Ground(Screen)
Aux Insert Return - 3 Pole Jack
Tip Hot (in phase signal)

Ring Cold (out of phase signal)
Sleeve Ground
Input & Output Levels

Nominal level -2dBu
Maximum output level +20dBu into 2kQ
Sensitivity -2dBu
Input impedance > 1Olli balanced
AUX OUTPUT (electronically balanced)
Nominal level +4dBu
AUXB
Aux Master module 55

56 Aux Master module
Dual Matrix Output Module RS5128
Description
and Operation
Dual Matrix Output module 57

Dual Matrix Output Module
This module allows the creation of composite mixes of an External input, the Group
1 and main mix L, R & MONO output signals. The module comprises two
independent, but functionally identical sections which may be fitted on the far right
hand side of the console where spare module spaces are available.
External Receive
2
1 There is an EXTERNAL (EXT) recieve level control for a balanced, line level
external input. The input has internal jumpers to select +4dBu/-lOdBV nominal
input level.
Mix Receive
2 Three controls set the lcvelofthe main post-fade Mix signals L, R, and MONO.
Group Receive
3 Eight controls set the level of the post-fade GROUP signals alternating grey
(even groups) and black (odd groups).
3 Talkback
4 Talkback to the Matrix output is enabled by the T/B (ENABLE) switch.
Matrix Fader
5 The matrix output fader ha<;+ 10dB gain at maximum clockwise rotation, and
sets the level at the electronically balanced output. The output connector is a male
XLR on the rear panel, providing a nominal +4dBu output.
~
4 Matrix Status
FADER ENAIL!
6 The CUT switch mutes the post-fade signal when pressed.
5 7 The AFL switch allows post-fade, pre-mute monitoring of the output signal on
·Cl
the Control Room monitors , Headphones or AFUPFL bargraph meter.
EO] 6
7
ETIJ
58 Dual Matrix Output module

Jumper Options
External Input A sensitivity +4dBu
JMPI +4dBu
JMP2 -IOdBV
External Input B Sensitivity +4dBu

JMP3 +4dBu
JMP4 -IOdBV
Note: Only one of the above jumpers should be fitted at one time.

EXTERNAL INPUT (electronically balanced)
Sensitivity +4dBu/-10dBV (jumper selectable)
Input impedance > I 0KQ balanced
MATRIX OUTPUT (electronically balanced)
Nominal level +4dBu
Maximum input level +26dBu into 600Q
Output impedance <75Q balanced
Connector Pinouts
External Inputs - 3 Pole Jack

Matrix Output - Male XLR
Pin 1 Screen
Pin 2 Hot (in phase signal)
Pin 3 Cold (out of phase signal)
Dual Matrix Output module 59

Console Linking
Provision is included in the Vienna II console to expand the capability of the console
by linking all essential audio and control functions with a second Vienna console
or a Soundcraft Europa console.
Interfacing
Multi way connectors are optionally fitted at the rear of the console. One connector
carries bi-directional, opto-isolated control signals, while the other carries fully
balanced and buffered audio signals.
One console must be assigned as a Master, and the other as a Client, and a
recessed switch on the interface connector panel is provided to select the
appropriate setting for each console.
Details of the interface connectors are given in the Vienna II Technical Manual.
See page 50 for rear panel layout.
60 Console Linking
Appendices
Specification Notes
Dimensions
Configurations
Warranty
Glossary
Appendices 61
Specification Notes
SPECIFICATION NOTES AND CONDITIONS

A The console has a nominal output level of +4dBu: all input sensitivities are
relative to this: i.e. with line input gain set to 'O', an input of OdBu, will give an
output of +4dBu at any group or mix output and, a sensitivity of +4dBu gives unity
gain from input to output.
B Noise measurements are taken with 22Hz-22kHz bandwidth, average reading

response.
C Distortion measurements are made with an input of +20dBu (line inputs at unity
gain) giving an output of +20dBu. The analyser reads THD+N with an average
response, over a IOHz-30kHz bandwidth.
D Frequency response and E.Q. measurements are made with an input ofOdBu to
line inputs at unity gain, outputs are quoted relative to OdBu.
E Crosstalk and rejection measurements are made with an input level of +20dBu
(line inputs at unity gain) giving an output of +20dBu on the active signal path. The
ratio quoted is relative to +20dBu output.
F Gain tolerance +/-l.5dB or IO% of indicated value, which ever is the greater.
G All crosstalk and rejection figures stated with l 6 channels routed to the measured
output, where applicable.
H Mix noise figures are stated in two ways:
• Bus residual noise: Noise measured at the output with faders at unity and no
channels routed.
• Mix bus noise: Noise measured at the output with 36 channels routed, faders
down.
62 Appendices
Dimensions
Vienna Outline Dimensions
__ _L_
--
0 ~-
. --- --0----:-- -0--
--0--- --{_j---
__________ --n~-~,-------~:=-~
. _____
.. -.
□- -0------------
-- ------- -cJ------- -0-----
- ---- -· - -·---- -0-- --D----

-0---- -CJ-·-_-- ___::_:._::_
CONSOLE WIDTH
-0--
U····-·-
-i7---_
24 Ch. 1575.90
32 Ch. 1859.10
-er-- -{7------------ _ 40 Ch. 2142.30
-0----- -0----- -.
-0- ----- -0--
--o-- -c~
------- --___
-:Q-:-- -0----
-0--- -0----
0- --0----
~-- -0--
- -- -- . ---- ------ --0-------- -ci-----~--
f-----------~--f7----~----. -:{:__ -----=-
--0-------- --0----:::- __
.____________ --fl-=-::-___Q-:=-
f-----------~-D:=::::- - _-p_____
_
>----------- - - . ~ --CJ---_
- - --CJ-- -0---- -
-0---
-- __________ [ ___________ _
120.6
r
366
____
+
f
101.5
Soundcratt
L ---
_______
____,
=J_•ts
892.4
Appendices 63
Configurations
i C
24 Channel Console
l1u_1_1lu Iu1_1_1111}111-i]T~~=~;u_rnnT,_~11 '

I -
i -
0
- ----------
j,\[oj,!,iil~f1ci,i::;1, ,[~[:[ =-~;:; 'T,!
"'"l:,,0
----
-:
-----------
• 'j
, I
o,I
'I
JL,
.ril'lft\tJ"ni'(lhlct[lit
r I
_ _J
Standard
or VCA
Master Aux
___J
Optional
Master Matrix
Grand Optional
Master Stereo
\j=-~-~- I --~
Input Output Input
Standard
or VCA
32 Channel Console
40 Channel Console
64 Appendices
Warranty
Soundcraft means Soundcraft Electronics Ltd.
End User means the person who first puts the equipment into regular operation.
Dealer means the person other than Soundcraft (if any) from whom the End
User purchased the Equipment, provided such a person is authorised for this
purpose by Soundcraft or its accredited Distrubutor.
Equipment means the equipment supplied with this manual.
2 If within the period of twelve months from the date of delivery of the Equipment
to the End User it shall prove defective by reason only of faulty materials and/or
workmanship to such an extent that the effectiveness and/or usability thereof is
materially affected the Equipment or the defective component should be returned
to the Dealer or to Soundcraft and subject to the following conditions the Dealer
or Soundcraft will repair or replace the defective components. Any components
replaced will become the property of Soundcraft.
3 Any Equipment or component returned will be at the risk of the End User whilst in
transit (both to and from the Dealer or Soundcraft) and postage must be prepaid.
4 This warranty shall only be available if:
a) the Equipment has been properly installed in accordance with instructions

contained in Soundcraft's manual; and
b) the End User has notified Soundcraft or the Dealer within 14 days of the
defect appearing; and
c) no persons other than authorised representatives of Soundcraft or the Dealer

have effected any replacement of parts maintenance adjustments or repairs to the
Equipment; and
d) the End User has used the Equipment only for such purposes as Soundcraft
recommends, with only such operating supplies as meet Soundcraft's
specifications and otherwise in all respects in accordance Soundcraft's
recommendations.
5 Defects arising as a result of the following are not covered by this Warranty: faulty
or negligent handling, chemical or electro-chemical or electrical influences,
accidental damage, Acts of God, neglect, deficiency in electrical power,
air-conditioning or humidity control.
6. The benefit of this Warranty may not be assigned by the End User.
7. End Users who are consumers should note their rights under this Warranty are in
addition to and do not affect any other rights to which they may be entitled
against the seller of the Equipment.
Appendices 65
Glossary
Auxiliary Send an output from the console comprising a mix of signals from channels and groups
derived independently of the main stereo group mixes. Typically the feeds to the mix
are implemented on rotary level controls.
Balance the relative levels of the left and right channels of a stereo signal.
Clipping the onset of severe distortion in the signal path, usually caused by the peak signal
voltage being limited by the circuit's power supply voltage.
CR (Control Room) Monitors loudspeakers used by the operator (engineer) in the control room to listen to the mix.
dB (decibel) a ratio of two voltages or signal levels, expressed by the equation

dB=20Logto(V IN2).
Adding the suffix 'u' denotes the ratio is relative to 0.775V RMS.
Dl(Direct Injection) the practice of connecting an electronic musical instrument directly to the input of the
mixing console, rather than to an amplifier and loudspeaker which is covered by a
microphone feeding the console.
Equaliser a device that allows the boosting or cutting of selected bands of frequencies in the
signal path.
Foldback a feed sent back to the artistes via loudspeakers or headphones to enable them to
monitor the sounds they are producing.
Frequency Response the variation in gain of a device with frequency.
(sub) Group an output into which a group of signals can be mixed.
Headroom the available signal range above the nominal level before clipping occurs.
Highpass Filter a filter that rejects low frequencies.
Line Level Signals at a nominal level of -IOdBV to +6dBu, coming from a low impedance source.
Noise Gate an electronic switch which only passes signals exceeding a set threshold level.
Pan (pot) abbreviation of 'panorama': controls levels sent to left and right outputs.
Patchbay a connection panel providing access to most input/output signals on the console,
allowing the operator to redirect or rearrange internal and external connections using
flexible patch cords.
Peaking an equaliser response curve affecting only a band of frequencies i.e. based on a
bandpass response.
PFL (Pre-fade Listen) a function that allows the operator to monitor the pre-fade signal m a channel
independently of the main mix.
Rolloff a fall in gain at the extremes of the frequency response.
Shelving an equaliser response affecting all frequencies above or below the break frequ{:ncy
i.e. a highpass or lowpass derived response.
Spill acoustic interference from other sources.
66 Appendices
Talkback the operator speaking to the artistes or to tape via the auxiliary or group outputs.
Transient a momentary rise in the signal level.
VCA (Voltage Controlled Amplifier) a device which acts as a variable audio attenuator
controlled by an external d.c. voltage.
Appendices 67
68 Appendices

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Soundcraft

Tel: +44 (OJ 1707 665000

© Soundcraft Electronics Ltd. 1993

No part of this manual may be reproduced, stored in a retrieval system, or

It is recommended that all maintenance and service on the product should be

Soundcraft Electronics Ltd.

Tel: 0707 665000

Module Block Qjagra~s ____ ·--·- ··--· ·--- 9

Standard Input Module RS5507

Grand Master Module RS5449

Output Group/Stereo Input Module

Dual Matrix Of.!..tputModule_R_S_:_5_1_28-'-------

Configurations ... ··--· ·-·· ··------- ·- _._64_·-· .

The Vienna II range of consoles continues the Soundcraft tradition in sound

The Group module comprises an audio subgroup with low-noise summing

The Auxiliary Master section includes Insert Points on each output.

Vienna II is designed to allow two consoles to be linked in a master/client

Simplicity and clarity of operation is ensured by careful layout of controls, internally

Precautionsand Safety Instructions

Caution! In all cases, refer servicing to qualified personnel.

Warning! Always switch the power supplies off before connecting or

Caution! DO NOT use unbalanced microphones or battery powered

MICROPHONE INPUTS MIX L. R & MONO OUTPUTS

1 HOT (IN PHASE

¼" 'A' Gauge Stereo Jack Plug used as balanced input:

np - HOT(IN PHASE SIGNAL) -- <;.,..l......_

np - HOT(SIGNAL) ----- I....

Ring - GROUND SENSE ------ -

¼" 'A' Gauge Stereo Jack Plug used as balanced output:

np - LEFT SIGNAL ----- <;.-I_!

The sockets are wired as follows:

Stereo Input Module

Output Group/Stereo Return

Aux Master Module

Module Block Diagrams 9

i' §_ij @: y 0>---.---+--,

FADER PRE FADE 0

Module Block Diagrams 11

15:: • PfAK 4 ~ GRP 2

PEAK 3 > : DRIVE

s:r _j ! - - •~ AUX 1 ACTIVE 1 > ACTIVI!; ~ · 30 dB

ol SOLO MUTE,_______, .• ··o__J ~--------l L

cii" SUM AMP + 4 dBu FADER

SIP TO,._ __ _ LOGIC

CONTROL ROOM 11,

RETURN FOR TRANSFORMER &

LINKS & METHODE CONN

>t ·1·SUM AND BUFFER

G-(GM "A" ONLY)

FROM SIP CUT

MUTE VCA AUDIO

----===---;-;M;--:odule Block Diagrams

VCA Input Module RS5508

~ 5 Impedance input sensitivity is+ IOdBu to -20dBu.

Frequency Response Curves of the Hi-pass Filter

Frequency Response Curves of the Equaliser

«J tirSecb:lt'l(~rMPOnSe) dB Hr Sechon (Bel IMJ)(lf':SO)

* LYf Sect.on (nonnaQ ,ti 1Jv1i ~'11..ln(li,-Q)

------------------- ----- --- -----

7 Signal monitoring LEDs

13 A green -30dB LED illuminates when a level of -30dBu or greater is present

Channel Fader, Status and Mute

14 [wiD] VCA Grouping (RS5508 only)

..• ~ in this manual for a full description of the VCA system .

ol SOLO MUTE,_____, .• ··oJ ~--------l L