9 Points for paragraphs:

4.48:

TINNITUS FOR STAN METHOD ACTING

Changing practitioner, originally had Brecht in mind, explain the ideas of

placards to describe the different thoughts in her mind, but changed to
Stanislavski as led to more performance possibilities. Lee Strasburg.

2 Stanislavkis, how to make the non-naturalistic mental spiral look naturalistic

with simple set as set in her mind non-naturalistically. Set, lighting, sound
heartbeat. in the round changed last minute to normal audience. Mental spiral
in confined circle space of stage.

Putting myself in that situation, personal experiences compare to Sara kane,

things I haven’t felt myself as she killed herself after writing this play. His
techniques, how I used my personal experience. Mention other plays to do
with depression. Acting skills.

Night mother:
Struggled choosing a practitioner similar to stan, which was katie Mitchel.
What I did to support this, watch the play, use the gun video. Feminist views.
Acting skills.

1 How this was originally my extract 3, but changed to 4.48 as had more
ideas and symbolism of set and light. Compare the two.

LANGUAGE USED.

Dance of death:

Exploring male emotions of depression and having to abide to the stereotype

at the time, acting skills.

Historical, cultural context of this play written in 1900s, confusing to figure out
the storyline as written differently. Lots of research.