TIDJONDZO

Subtitle

  = 118   

Patrício Mahoche Mandeia

           
Soprano      

   
         
Alto                   
                   
Tenor         
      
Voice  

      
 
        
   
Bass
 

6     
S.                       
   
       
A.                       

                          
T.        
     
Vo. 

      
               

B.
  
 11    
2

         
S.    

     
 
       
A.                      
                      
T.  
     
     
Vo. 

    
   
          
B.
 

16            
S.              
Fine

   
         
A.                      
                   
T.           
     
Vo. 

           
                
B.
  

21            
S.             
 
          
A. 
              
                 
T. 
      
     
Vo. 

   
                  
B.
     
 26      
3

S.                  
 
  
       
A.                  
  
  
                 
T.   
  
     
Vo. 

                
 
B.
   

31             
S. 
      
   
     
A.                  
       
         
T.        
     
Vo. 

                

          

B.

36 
S.                   

 
A. 
             
                 
T. 

      
Vo. 

 
          
B.
 
 42     
4

               
S. 
   
       
A.     
         
        
T.         
     
       
Vo. 

   
                
B.
     

48     
S.          
 
A.              
      
T. 

      
Vo. 

   
          
B.
    

54       
S. 
          
  
A. 
           
         
T.           

 
     
Vo. 

               
B.
        
 59         
5

    
S.               
         
A.     
           
     
T.                
      
     
Vo. 

         
               
B.
  

64           
S.                    

          
A. 
                  
                     
T. 
       
     
Vo. 

                 
   
     
B.
    

69       
S.      
     

D.S.


         
A. 
     
   

T. 
            
   
     
Vo. 

       
            
B.
  
Soprano TIDJONDZO
Subtitle

 = 118           

Patrício Mahoche Mandeia

    
 

     
     
                  
    
7

     
                     
 
Fine

  
13

                
         

19

  
                 
      
24

  
                   
                 
  
30

 

           
37

    
  
            
          
43


    
           
50

          
             

57


           
2

                
65

 
  
  
71 D.S.
Alto TIDJONDZO
Subtitle

 = 118        

Patrício Mahoche Mandeia


                     

         
            
               
7

      Fine   
                     
13

             
                
   
19

     
                      
24


           
          
              
30


      
                    
37

      
                    
44

   

                     
52

             
            
 
61
            
2

                
  
67 D.S.
Tenor TIDJONDZO
Subtitle

 = 118

Patrício Mahoche Mandeia

                    

        
                               
       
7

               
         
 
Fine

     
13

                       
             
19

     
              
   
25

            
             
     
 
31

                                
     
38

     
               

45

  

                            
 
53

 
                         
   
   
61

  
                          
2


D.S.

    
67

 
Voice TIDJONDZO
Subtitle

 = 118   

Patrício Mahoche Mandeia

     
 Fine D.S.
Bass TIDJONDZO
Subtitle

       
Patrício Mahoche Mandeia

   
 
       
 = 118 
 
  
       
        
 
   
  
8

                  
      
          
Fine

 
15

   
                  
   
21

 

                       
     
27

                        
     
33

                           
       
39

 

    
         

46

  

    
 
  

 
         
 
53

 

            
                  
    
60
            
                   
2

    
66

  D.S.
 
72